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Southwest Books of the Year Top Pick

In Tucson during the 1950s, nearly everyone knew, or wanted to know, the southwestern artist Mac Schweitzer. Born Mary Alice Cox in Cleveland, Ohio, in 1921, she grew up a tomboy who adored horses, cowboys, and art. After training at the Cleveland School of Art and marrying, she adopted her maiden initials (M. A. C.) as her artistic name and settled in Tucson in 1946. With a circle of influential friends that included anthropologists, designer-craftsmen, and Native American artists, she joined Tucson’s “Early Moderns,” receiving exhibits, commissions, and awards for her artwork. When she died in 1962, Mac’s artistic legacy faded from public view, but her prize-winning works attest to a thriving career.

Author Ann Lane Hedlund draws from the artist’s letters, photo albums, and published reviews to tell the story of Mac’s creative and adventuresome life. Her watercolors, oil paintings, prints, and sculptures—a diverse body of work never before seen in public—range from naturalistic studies of Sonoran Desert animals to impressionistic landscapes to moody abstractions. A sharp observer of Indigenous life, she sketched and painted scenes of Navajo (Diné), Hopi, O’odham, and Yaqui people and events. These unique portrayals of the Southwest illustrate this saga of a maverick artist rediscovered.

• AFP/Skystone Partners Prize for Research on Fundraising and Philanthropy, Association of Fundraising Professionals, 2021
• Terry McAdam Book Award, given by the Alliance for Nonprofit Management
• 2023 Peter Dobkin Hall History of Philanthropy Prize from the Association for Research on Nonprofit and Voluntary Action (ARNOVA). 

Founder of a beauty empire, Madam C. J. Walker was celebrated as America's first self-made female millionaire in the early 1900s. Known as a leading African American entrepreneur, Walker was also devoted to an activist philanthropy aimed at empowering African Americans and challenging the injustices inflicted by Jim Crow.

Tyrone McKinley Freeman's biography highlights how giving shaped Walker's life before and after she became wealthy. Poor and widowed when she arrived in St. Louis in her twenties, Walker found mentorship among black churchgoers and working black women. Her adoption of faith, racial uplift, education, and self-help soon informed her dedication to assisting black women's entrepreneurship, financial independence, and activism. Walker embedded her philanthropy in how she grew her business, forged alliances with groups like the National Association of Colored Women, funded schools and social service agencies led by African American women, and enlisted her company's sales agents in local charity and advocacy work.

Illuminating and dramatic, Madam C. J. Walker’s Gospel of Giving broadens our understanding of black women’s charitable giving and establishes Walker as a foremother of African American philanthropy.

A true story of courage, family, and the challenges and triumphs of building a life in a new place and culture.
Mai Ya Xiong arrived in Wisconsin with her family when she was just seven years old. Born in Ban Vinai Refugee Camp in Thailand after her family fled war-torn Laos, Mai Ya knew no English, had never lived in a home with running water, and had never seen snow before. The Xiong family was part of the early wave of Hmong refugees who came to the United States from Southeast Asia in the 1980s with hopes of building new lives. Through hardship and loss, joy and perseverance, young Mai Ya navigated growing up in two worlds—maintaining Hmong traditions while learning the American way of life.
Mai Ya’s Long Journey offers young readers an inspiring and insightful window into life as a refugee and the experience of adapting to a new home, a new language, a new country, and new friends. In addition to examining Mai Ya’s school years, this updated edition of a beloved biography expands the story with Mai Ya’s journey into adulthood and parenthood, while also highlighting the celebrations marking the 50th anniversary of Hmong settlement in the United States. An afterword by Mai Ya reflects on her evolving understanding of identity, revealing how her desire to fit in as a child has transformed into a commitment to honor her heritage and pass Hmong values and customs on to her own children.
Blending biography and history, Mai Ya’s Long Journey expands the learning experience by sharing information about the Hmong language, spiritual traditions, and folklore as well as about American involvement in the Vietnam War. The book helps readers ages 8–11 understand the immigrant experience while celebrating the strength, determination, and cultural pride that continue to shape Hmong communities across the United States.

Winner, Best First Monograph, British Association of Film, Television and Screen Studies

The first scholarly book on John Hughes examines Hollywood's complex relationship with genre, the role of the auteur in commercial cinema, and the legacy of favorites such as Sixteen Candles and Ferris Bueller's Day Off.

In the 1980s and 1990s, John Hughes was one of Hollywood's most reliable hitmakers, churning out beloved teen comedies and family films such as The Breakfast Club and Home Alone, respectively. But was he an artist? Hughes, an adamantly commercial filmmaker who was dismissed by critics, might have laughed at the question. Since his death in 2009, though, he has been memorialized on Oscar night as a key voice of his time. Now the critics lionize him as a stylistic original.

Holly Chard traces Hughes's evolution from entertainer to auteur. Studios recognized Hughes's distinctiveness and responded by nurturing his brand. He is therefore a case study in Hollywood's production not only of movies but also of genre and of authorship itself. The films of John Hughes, Chard shows, also owed their success to the marketers who sold them and the audiences who watched. Careful readings of Hughes's cinema reveal both the sources of his iconic status and the imprint on his films of the social, political, economic, and media contexts in which he operated.

The first serious treatment of Hughes, Mainstream Maverick elucidates the priorities of the American movie industry in the New Hollywood era and explores how artists not only create but are themselves created.

The greatest bibliographer of our time, was how historian Robert Darnton described D. F. McKenzie. Yet until now many of McKenzie's major essays, scattered in specialist journals and inaccessible publications, have circulated mainly in tattered photocopies. This volume, edited by two of McKenzie's former students, brings together for the first time a wide range of his writings on bibliography, the book trade, and the “sociology of texts.” Selected by the author himself before his sudden death in 1999, the essays range from the material transmission of Shakespeare's plays in the seventeenth century to the connections among oral, manuscript, and print cultures. 

Making Meaning reflects McKenzie's virtuosity as a traditional bibliographer and reveals how his thought-provoking scholarship made him a driving force in the genesis and development of the new interdisciplinary field of book history. His refusal to recognize the traditional boundary between bibliography and literary history re-energized the study of the social, political, economic, and cultural aspects of book production and reception. 

The editors' introduction and headnotes situate McKenzie's innovative and controversial thinking in the debates of his time.

An extraordinary illustrated biography of a Métis man and Anishinaabe woman navigating great changes in their homeland along the U.S.–Canada border in the early twentieth century

John Linklater, of Anishinaabeg, Cree, and Scottish ancestry, and his wife, Tchi-Ki-Wis, of the Lac La Croix First Nation, lived in the canoe and border country of Ontario and Minnesota from the 1870s until the 1930s. During that time, the couple experienced radical upheavals in the Quetico–Superior region, including the cutting of white and red pine forests, the creation of Indian reserves/reservations and conservation areas, and the rise of towns, tourism, and mining. With broad geographical sweep, historical significance, and biographical depth, Making the Carry tells their story, overlooked for far too long.

John Linklater, a renowned game warden and skilled woodsman, was also the bearer of traditional ecological knowledge and Indigenous heritage, both of which he was deeply committed to teaching others. He was sought by professors, newspaper reporters, museum personnel, and conservationists—among them Sigurd Olson, who considered Linklater a mentor. Tchi-Ki-Wis, an extraordinary craftswoman, made a sweeping array of necessary yet beautiful objects, from sled dog harnesses to moose calls to birch bark canoes. She was an expert weaver of large Anishinaabeg cedar bark mats with complicated geometric designs, a virtually lost art.

Making the Carry traces the routes by which the couple came to live on Basswood Lake on the international border. John’s Métis ancestors with deep Hudson’s Bay Company roots originally came from Orkney Islands, Scotland, by way of Hudson Bay and Red River, or what is now Winnipeg. His family lived in Manitoba, northwest Ontario, northern Minnesota, and, in the case ofJohn and Tchi-Ki-Wis, on Isle Royale. A journey through little-known Canadian history, the book provides an intimate portrait of Métis people.

Complete with rarely seen photographs of activities from dog mushing to guiding to lumbering, as well as of many objects made by Tchi-Ki-Wis, such as canoes, moccasins, and cedar mats, Making the Carry is a window on a traditional way of life and a restoration of two fascinating Indigenous people to their rightful place in our collective past.

Warfield examines Sousa's wide-ranging experience composing, conducting, and performing in the theater, opera house, concert hall, and salons, as well as his leadership of the United States Marine Band and the later Sousa Band, early twentieth-century America's most famous and successful ensemble. Sousa composed not only marches during this period but also parlor, minstrel, and art songs; parade, concert, and medley marches; schottisches, waltzes, and polkas; and incidental music, operettas, and descriptive pieces. Warfield's examination of Sousa's output reveals a versatile composer much broader in stylistic range than the bandmaster extraordinaire remembered as the March King.

In particular, Making the March King demonstrates how Sousa used his theatrical training to create the character of the March King. The exuberant bandmaster who pleased audiences was both a skilled and charismatic conductor and a theatrical character whose past and very identity suggested drama, spectacle, and excitement. Sousa's success was also the result of perseverance and lessons learned from older colleagues on how to court, win, and keep an audience. Warfield presents the story of Sousa as a self-made business success, a gifted performer and composer who deftly capitalized on his talents to create one of the most entertaining, enduring figures in American music.

A Kirkus Reviews Best Nonfiction Book of 2024
A Spectator Best Book of the Year
Finalist for the 2025 ASALH Book Prize

Drawing upon interviews, correspondence, and nearly 2000 pages of never-before-used prison records, Malcolm Before X is the definitive examination of the prison years of civil rights icon Malcolm X. 

In February 1946, when 20-year-old Malcolm Little was sentenced to eight to ten years in a maximum-security prison, he was a petty criminal and street hustler in Boston. By the time he was paroled in August 1952, he had transformed into a voracious reader, joined the Black Muslims, and was poised to become Malcolm X, one of the most prominent and important intellectuals of the civil rights era. While scholars and commentators have exhaustively detailed, analyzed, and debated Malcolm X’s post-prison life, they have not explored these six and a half transformative years in any depth.

Paying particular attention to his time in prison, Patrick Parr’s Malcolm Before X provides a comprehensive and groundbreaking examination of the first twenty-seven years of Malcolm X’s life (1925–1965). Parr traces Malcolm’s African lineage, explores his complicated childhood in the Midwest, and follows him as he moves east to live with his sister Ella in Boston’s Roxbury neighborhood, where he is convicted of burglary and sentenced.

Parr utilizes a trove of previously overlooked documents that include prison files and prison newspapers to immerse the reader into the unique cultures—at times brutal and at times instructional—of Charlestown State Prison, the Concord Reformatory, and the Norfolk Prison Colony. It was at these institutions that Malcolm devoured books, composed poetry, boxed, debated, and joined the Nation of Islam, changing the course of his life and setting the stage for a decade of antiracist activism that would fundamentally reshape American culture.

In this meticulously researched and beautifully written biography, the inspiring story of how Malcolm Little became Malcolm X is finally told. 

This poignant collection brings together powerful testimonios from Chicanx and Latinx patients, family members, caregivers, and community advocates who have faced el maldito cáncer. Authors share first-person narratives of illness, fear, love, solidarity, and resilience, illuminating how Latinx communities navigate cancer journeys within a complex and often inequitable health-care system.

The contributors—ranging from students and community members to renowned scholars and artists—offer their stories through essays, creative nonfiction, poetry, bilingual chapters, and drawings. 

These testimonios honor the diverse ways Latinxs process and communicate the emotional, physical, and cultural realities of cancer. Each section is framed by a short editor introduction that highlights key themes and invites readers to reflect on the resonant insights each story brings. Across four sections—patient voices, family members, community perspectives, and closing reflections—the book reveals how individuals confront illness with courage and how families and communities create networks of care grounded in culture, love, and collective strength.

Exposing physical and emotional vulnerabilities, instances of pain, suffering, worry, and anguish, Maldito Cáncer also opens a space for healing and connection. It offers a new lens to understanding cancer through culturally informed, justice-centered narratives. These acts of testimoniando offer a gift to us: resistance, connection, and hope.

Contributors
Alfonso Aranda
Cathy Arellano
Estela Mara Bensimon
Cindy Camacho-Gutierrez
Daniela A. Carreon
Angie Chabram
Natalia Deeb-Sossa
Yvette G. Flores
Fran García Vásquez
Jennifer Gottlieb
Osa Hidalgo de la Riva
Ekta Kandhway
Skye Kelty
Jorge Antonio Losoya
Dalia Magaña
Maribel Martínez
Pedro Noguera
Lorraine Ramos
Mónica Torreiro-Casal
Rita E. Urquijo-Ruiz
Patricia Zavella

An entertaining merger of memories and music history, Mandolin Man tells the overdue story of a bluegrass icon and his times.

Understanding the iconoclastic work of a lifelong cinematic pioneer

Manoel de Oliveira's eighty-five year career made him a filmmaking icon and a cultural giant in his native Portugal. A lifelong cinematic pioneer, Oliveira merged distinctive formal techniques with philosophical treatments of universal themes--frustrated love, aging, nationhood, evil, and divine grace--in films that always moved against mainstream currents.

Randal Johnson navigates Oliveira's massive feature film oeuvre. Locating the director's work within the broader context of Portuguese and European cinema, Johnson discusses historical and political influences on Oliveira's work, particularly Portugal's transformation from dictatorship to social democracy. He ranges from Oliveira's early concerns with cinematic specificity to hybrid discourses that suggest a tenuous line between film and theater on the one hand, and between fiction and documentary on the other.

A rare English-language portrait of the director, Manoel de Oliveira invites students and scholars alike to explore the work of one of the cinema's greatest and most prolific artists.

A concise and comprehensive biography of Mao Zedong, published to coincide with the fiftieth anniversary of his death.

A half-century after his death in September 1976, Mao Zedong remains one of history’s most polarizing figures: a peasant boy who became a revolutionary leader, a general in World War II, and finally the Great Helmsman, the founding father of the People's Republic of China. His legacy is a mix of national liberation and human tragedy. Today, Mao is no static icon on a banknote but the architect of a superpower whose ideas, methods, and personal life are continually reexamined through a modern lens.

This comprehensive biography bridges the gap between the revolutionary and the man without overlooking the events that led to the end of China’s Century of Humiliation, the brutal cost of the Great Leap Forward, and the Cultural Revolution, reevaluating his “mass line” ideology.

Based on new archival information and startling revelations from his inner circle—including his personal physician, Dr. Li Zhisui, and former nurses—Clements offers a clear and accessible portrait of a leader whose persistent influence reminds us why Mao’s story remains essential to understanding the global power dynamics of today.

This memoir is an act of map making, of plotting out overlapping territories—topographical, temporal, and psychological. Centered on family life in a Massachusetts town from the 1920s to the 1960s, the author's investigation extends outward to include the Boston area from colonial times to the recent past, encounters with Boston's Museum of Fine Arts and with Harvard College, the American Civil War, and Ireland and Germany in the nineteenth century.

Charles Fanning re-creates the landscape of childhood and adolescence in a place and time both ordinary and rich with possibility. An expert on Irish immigration, he was born and raised in Norwood, Massachusetts, twelve miles outside of Boston, where Yankee and Irish cultures bumped against each other. The narrative traces his personal growth, shaped by family, school, baseball, radio drama, and art. He was the first in his family to attend college, and the book ends with his undergraduate experience at Harvard, class of 1964.

Along with this coming-of-age story, Mapping Norwood features forays back in time, including chapters on each of Fanning's parents and historical excavations and meditations on three ancestors. Guided by his own experience as a scholar, the pressure of these chapters is epistemological—the thrill of the hunt toward knowing. Fanning's great-grandfather, John Fanning, disappeared from the family in the late 1880s, and a chapter chronicles the discovery of “Walking John's” fifty years of hidden later life in East St. Louis, Illinois, where he died alone in 1946. Fanning's great-great-grandfather, Winslow Radcliffe, was a veteran of the 35th Massachusetts Infantry in the Civil War, and the author traces this regiment through the horrors of Antietam and Fredericksburg, by means of diaries and letters by four men from Winslow's company. The evidence gleaned helps explain Winslow's suicide after the war. An Irish immigrant ancestor, Phillip Fanning, came to Boston from County Monaghan just after the Great Famine of the late 1840s. Relying on historical research, Fanning imagines vividly the lives led by Phillip's family and thousands like them in the wake of Ireland's nineteenth-century catastrophe.