Results by title

In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production.

“Community and regional planning involve thinking ahead and formally envisioning the future for ourselves and others,” according to Frederick R. Steiner. “Improved plans can lead to healthier, safer, and more beautiful places to live for us and other species. We can also plan for places that are more just and more profitable. Plans can help us not only to sustain what we value but also to transcend sustainability by creating truly regenerative communities, that is, places with the capacity to restore, renew, and revitalize their own sources of energy and materials.”

In Making Plans, Steiner offers a primer on the planning process through a lively, firsthand account of developing plans for the city of Austin and the University of Texas campus. As dean of the UT School of Architecture, Steiner served on planning committees that addressed the future growth of the city and the university, growth that inevitably overlapped because of UT’s central location in Austin. As he walks readers through the planning processes, Steiner illustrates how large-scale planning requires setting goals and objectives, reading landscapes, determining best uses, designing options, selecting courses for moving forward, taking actions, and adjusting to changes. He also demonstrates that planning is an inherently political, sometimes messy, act, requiring the intelligence and ownership of the affected communities. Both wise and frank, Making Plans is an important philosophical and practical statement on planning by a leader in the field.

Based on years of archival research in Madrid and Barcelona, this interdisciplinary study offers a fresh approach to understanding how men visualized themselves and their place in a nation that struggled to modernize after nearly a century of civil war, colonial entanglement, and imperial loss. Masculine Figures is the first study to provide a comprehensive overview of competing models of masculinity in nineteenth-century Spain, and it is particularly novel in its treatment of Catalan texts and previously unstudied evidence (e.g., department store catalogs, commercial advertisements, fashion plates, and men’s tailoring journals).

Fictional masculinity performs a symbolic role in representing and negotiating the contradictions male novelists often encountered in their attempts to professionalize not only as writers, but also as businessmen, professors, lawyers, and politicians. Through specific and recurring figures like the student, the priest, the businessman, and the heir, male novelists portray and represent an increasingly middle-class world at odds with the values and virtues it inherited from an imperial Spanish past, and those it imported from more industrialized nations like England and France. The visual culture of the time and place marks the material turn in middle-class masculinity and sets the stage for discussions of race and sexuality.

In Mavericks of Style, Uri McMillan tells the story of New York City’s downtown art and fashion scene of the 1970s through the lives and careers of experimental Black and Brown artists. McMillan focuses on model and musician Grace Jones, fashion illustrator Antonio Lopez, fashion designer Stephen Burrows, and their orbit of friends, showing how they restlessly moved across genres and disciplines, transgressing boundaries between the commercial and the avant-garde. Bypassing the exclusive art world and cultivating uniquely personal styles, these artists thrived on friendship and collaboration in their experimental use of bold color, gold lamé, and Instamatic photography. McMillan transports readers to the spaces Jones, Lopez, and Burrows frequented and worked in, from hair salons, nondescript artist studios, and buzzy boutiques to funky discos and high fashion runways. By foregrounding their impact on the decade’s aesthetics, McMillan complicates and expands the understanding of these artists, offering a new vision of New York’s art world in sultry, bombastic color.

The evolution of medical equipment engineering is progressing rapidly, with advances in digital healthcare technologies such as artificial intelligence, virtual/augmented reality, 3D-printing, robotics and nanotechnologies developing at pace. Medical equipment engineering can assist in surveying workplace inefficiencies, and develop efficient optimisation processes, through data research and intelligent learning automation. This edited book covers the benefits of the integration of lean manufacturing, smart sensors, 5G technology, IoTs, virtual reality, 3D printing, robotics and automation.

Mendings tells an intimate story about family, selfhood, and the love and loss lodged in garments. In this narrative about making meaning of brokenness and grief, Megan Sweeney reflects on her childhood entanglement with her mother, her loss-filled relationship with her alcoholic father, and her attachment to the clothes that have mended her as she has mended them. Sweeney explores how clothing fosters communication and enables us to cultivate relationships with ourselves and with others, both living and deceased. In dialogue with other clothing lovers, writers, fiber artists, evolutionary biologists, historians, and environmentalists, Sweeney also foregrounds the entwinement of clothing, race, and gender as she considers the ethics and environmental effects of clothing consumption, the history of clothing in the US prison system, and the roles that textiles play as sources of creativity, artistry, and self-fashioning, even within conditions of constraint. For Sweeney, the act of mending is a way of living. Unlike fixing, which leaves no trace of damage or loss, mending allows Sweeney to embrace holes, rips, and threadbare patches as part of her life’s design.

In the past few years, the concept of creating microwave antennas using microstrip has attracted increasing attention and viable practical designs are now emerging. The purpose of this monograph is to present the reader with an appreciation of the underlying physical action, up-to-date theoretical treatments, useful antenna design approaches and the overall state-of-the-art situation. The emphasis is on antenna engineering design, but to achieve this goal it has been necessary to delve into the behaviour of microstrip in a much wider sense and also include aspects of electromagnetic analysis. As a consequence, the monograph will also be of interest to microstrip circuit designers and to some extent those seeking electromagnetic problems of a challenging nature.

Microwave Antenna Theory and Design is an unabridged reprint of the book published by McGraw Hill, as Volume 12 of the MIT Radiation Laboratory Series in 1949. The Editor of the Volume, the late Professor Samuel Silver, contributed extensively to the text and subsequently became one of the best known people in the world of radio science.

This book covers the use of devices in microwave circuits and includes such topics as semiconductor theory and transistor performance, CAD considerations, intermodulation, noise figure, signal handling, S-parameter mapping, narrow- and broadband techniques, packaging and thermal considerations. Perhaps the most comprehensive text on GaAs FET technology and its practical application. It covers the use of MESFET devices in microwave circuits, such as low-noise amplifiers, mixers, oscillators, power amplifiers, switches and multipliers. This text is a classic reference for all engineers involved in the development of solid state microwave devices.

For award-winning fashion writer Elizabeth Wellington, style was initially less about labels and more about how she styled her looks. She knew what looked good and that what she wore was an essential form of self-expression. Mirror, Mirror collects thirty-six of Wellington’s columns for the Philadelphia Inquirer, where she has written about fashion, politics, and pop culture since 2002. Each chapter includes an opening essay defining the era and how Wellington fit into it along with a “Fashion Fast Forward” that reflects how both she and society have evolved.

Wellington started covering fashion when the industry was on the cusp of social and sartorial change. As trends evolved, so too did Wellington, who found her place as she defined Philadelphia’s style scene. She profiles local doyennes Joan Shepp and Toby Lerner and writes about finding the perfect jeans. Wellington also intertwines optics and social justice in columns about First Lady style, the power of the hoodie, and the impact of the CROWN Act, which protects against discrimination based on hair.

Writing thoughtfully about fashion with nostalgia and passion, Wellington covers retail, Fashion Week runways, and the changing political landscape. Mirror, Mirror showcases Wellington’s flair in her work as she writes about style and herself. 

How making models allows us to recall what was and to discover what still might be 

Whether looking inward to the intricacies of human anatomy or outward to the furthest recesses of the universe, expanding the boundaries of human inquiry depends to a surprisingly large degree on the making of models. In this wide-ranging volume, scholars from diverse fields examine the interrelationships between a model’s material foundations and the otherwise invisible things it gestures toward, underscoring the pivotal role of models in understanding and shaping the world around us. Whether in the form of reproductions, interpretive processes, or constitutive tools, models may bridge the gap between the tangible and the abstract.

By focusing on the material aspects of models, including the digital ones that would seem to displace their analogue forebears, these insightful essays ground modeling as a tactile and emphatically humanistic endeavor. With contributions from scholars in the history of science and technology, visual studies, musicology, literary studies, and material culture, this book demonstrates that models serve as invaluable tools across every field of cultural development, both historically and in the present day.

Modelwork is unique in calling attention to modeling’s duality, a dynamic exchange between imagination and matter. This singular publication shows us how models shape our ability to ascertain the surrounding world and to find new ways to transform it. 

Contributors: Hilary Bryon, Virginia Tech; Johanna Drucker, UCLA; Seher Erdoğan Ford, Temple U; Peter Galison, Harvard U; Lisa Gitelman, New York U; Reed Gochberg, Harvard U; Catherine Newman Howe, Williams College; Christopher J. Lukasik, Purdue U; Martin Scherzinger, New York U; Juliet S. Sperling, U of Washington; Annabel Jane Wharton, Duke U.

Does your online instruction program sometimes feel like a constant scramble to keep pace with requests and deadlines? Modular design is the answer. Approaching projects, whether large and small, with an eye towards future uses will put you on the path to accomplishing broader, organizational goals. And by intentionally building documentation and structure into your process, you will create content that can easily be scaled, modified, adapted, and transformed to meet different learner needs. Hess, experienced in online instruction in both K-12 and academic libraries, shows you how, using project examples of various sizes to illustrate each chapter’s concepts. Her resource guides you through such topics as

• the eight components of modular online learning design;
• key considerations for choosing the design model that best fits your organization and project;
• techniques for connecting your online learning goals with institutional strategy; 
• using the IDEA process to align OER content with your instructional needs;
• documenting your planning with checklists, scaffolds, and templates;
• ensuring equity of access with all content formats using the Accessibility Inventory Index;
• principles for scaling up, down, or laterally;
• three models for more meaningful and functional collaboration with internal or external partners; and
• formative testing as a foundation for ongoing evaluation and assessment.

Segmenting the environment surrounding an autonomous vehicle into coherently moving regions is a vital first step towards intelligent autonomous navigation. Without this temporal information, navigation becomes a simple obstacle avoidance scheme that is inappropriate in highly dynamic environments such as roadways and places where many people congregate.

2020 Second Place, Best Nonfiction Multi Author, International Latino Book Awards

Collecting the perspectives of scholars who reflect on their own relationships to particular garments, analyze the politics of dress, and examine the role of consumerism and entrepreneurialism in the production of creating and selling a style, meXicana Fashions examines and searches for meaning in these visible, performative aspects of identity.

Focusing primarily on Chicanas but also considering trends connected to other Latin American communities, the authors highlight specific constituencies that are defined by region (“Tejana style,” “L.A. style”), age group (“homie,” “chola”), and social class (marked by haute couture labels such as Carolina Herrera and Oscar de la Renta). The essays acknowledge the complex layers of these styles, which are not mutually exclusive but instead reflect a range of intersections in occupation, origin, personality, sexuality, and fads. Other elements include urban indigenous fashion shows, the shifting quinceañera market, “walking altars” on the Days of the Dead, plus-size clothing, huipiles in the workplace, and dressing in drag. Together, these chapters illuminate the full array of messages woven into a vibrant social fabric.