679 books match the query 'Historiography' and 33 start with m

cover of Machiavelli's New Modes and Orders: A Study of the Discourses on Livy

Machiavelli's New Modes and Orders

A Study of the Discourses on Livy

Harvey C. Mansfield

University of Chicago Press, 2001

Machiavelli's New Modes and Orders is the only full-length interpretive study on Machiavelli's controversial and ambiguous work, Discourses on Livy. These discourses, considered by some to be Machiavelli's most important work, are thoroughly explained in a chapter-by-chapter commentary by Harvey C. Mansfield, one of the world's foremost interpreters of this remarkable philosopher.

Mansfield's aim is to discern Machiavelli's intention in writing the book: he argues that Machiavelli wanted to introduce new modes and orders in political philosophy in order to make himself the founder of modern politics. Mansfield maintains that Machiavelli deliberately concealed part of his intentions so that only the most perceptive reader could see beneath the surface of the text and understand the whole of his book. Previously out of print, Mansfield's penetrating study brings to light the hidden thoughts lurking in the details of the Discourses on Livy to inform and challenge its readers at every step along the way.
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cover of Making Ecuadorian Histories: Four Centuries of Defining Power

Making Ecuadorian Histories

Four Centuries of Defining Power

By O. Hugo Benavides

University of Texas Press, 2004

In Ecuador, as in all countries, archaeology and history play fundamental roles in defining national identity. Connecting with the prehistoric and historic pasts gives the modern state legitimacy and power. But the state is not the only actor that lays claim to the country's archaeological patrimony, nor is its official history the only version of the story. Indigenous peoples are increasingly drawing on the past to claim their rights and standing in the modern Ecuadorian state, while the press tries to present a "neutral" version of history that will satisfy its various publics.

This pathfinding book investigates how archaeological knowledge is used for both maintaining and contesting nation-building and state-hegemony in Ecuador. Specifically, Hugo Benavides analyzes how the pre-Hispanic site of Cochasquí has become a source of competing narratives of Native American, Spanish, and Ecuadorian occupations, which serve the differing needs of the nation-state and different national populations at large. He also analyzes the Indian movement itself and the recent controversy over the final resting place for the traditional monolith of San Biritute. Offering a more nuanced view of the production of history than previous studies, Benavides demonstrates how both official and resistance narratives are constantly reproduced and embodied within the nation-state's dominant discourses.

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cover of Making History Move: Five Principles of the Historical Film

Making History Move

Five Principles of the Historical Film

Kim Nelson

Rutgers University Press, 2024

Making History Move: Five Principles of the Historical Film builds upon decades of scholarship investigating history in visual culture by proposing a methodology of five principles to analyze history in moving images in the digital age. It charts a path to understanding the form of history with the most significant impact on public perceptions of the past. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness, presenting criteria to engage and assess the truth status of depictions of the past. Each chapter offers a detailed aspect of this methodology for analyzing history in moving images. Together, they propose five principles to organize past and future scholarship in this vital, interdisciplinary field of study.
 
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cover of Making Israel

Making Israel

Benny Morris, Editor

University of Michigan Press, 2007

Benny Morris is the founding father of the New Historians, a group of Israeli scholars who have challenged long-established perceptions about the origins of the Israeli-Palestinian conflict. Their research rigorously documented crimes and atrocities committed by the Israeli armed forces, including rape, torture, and ethnic cleansing. With Making Israel, Morris brings together the first collection of translated articles on the New History by leading Zionist and revisionist Israeli historians, providing Americans with a firsthand view of this important debate and enabling a better understanding of how the New Historians have influenced Israelis' awareness of their own past.
 
"The study of Israeli history, society, politics, and economics over the past two decades has been marked by a fierce and sometimes highly personal debate between 'traditionalists'---scholars who generally interpreted Israeli history and society within the Zionist ethos---and 'revisionists'---scholars who challenged conventional Zionist narratives of Israeli history and society. Making Israel brings together traditionalists and revisionists who openly and directly lay out their key insights about Israel's origins. It also introduces multidisciplinary perspectives on Israel by historians and sociologists, each bringing into the debate its own jargon, its own epistemology and methodology, and its own array of substantive issues. This is essential reading for anybody who wants to understand the different interpretations of Israeli society and perhaps the central debate among students of modern Israel."
---Zeev Maoz, Professor of Political Science at the University of California, Davis, and Distinguished Fellow at the Interdisciplinary Center, Herzliya
 
"Israel's 'new historians' have done a great service to their country, and to all who care about the Arab-Israeli conflict. By challenging myths, reexamining evidence, and asking truly important questions about the past they help to confront the present with honesty and realism. This book provides a sampling of the best of what these courageous voices have to offer."
---William B. Quandt, University of Virginia
 
Benny Morris is Professor of Middle East history at Ben-Gurion University in Beersheba, Israel, and is the author of Righteous Victims: A History of the Zionist-Arab Conflict, 1881-1999.
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cover of Making Natural Knowledge: Constructivism and the History of Science, with a new Preface

Making Natural Knowledge

Constructivism and the History of Science, with a new Preface

Jan Golinski

University of Chicago Press, 2005

Arguably the best available introduction to constructivism, a research paradigm that has dominated the history of science for the past forty years, Making Natural Knowledge reflects on the importance of this theory, tells the history of its rise to prominence, and traces its most important tensions.

Viewing scientific knowledge as a product of human culture, Jan Golinski challenges the traditional trajectory of the history of science as steady and autonomous progress. In exploring topics such as the social identity of the scientist, the significance of places where science is practiced, and the roles played by language, instruments, and images, Making Natural Knowledge sheds new light on the relations between science and other cultural domains.

"A standard introduction to historically minded scholars interested in the constructivist programme. In fact, it has been called the 'constructivist's bible' in many a conference corridor."—Matthew Eddy, British Journal for the History of Science

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cover of Making a Canon: Ananda K. Coomaraswamy, Sri Lanka, and the Place of Buddhist Art

Making a Canon

Ananda K. Coomaraswamy, Sri Lanka, and the Place of Buddhist Art

Janice Leoshko

University of Chicago Press, 2024

The story of how one scholar’s experiences in Sri Lanka shaped the contours of the Buddhist visual canon.
 
An early interpreter of Buddhist art to the West, Ananda Kentish Coomaraswamy laid the foundation of what would become the South Asian visual canon, particularly through his efforts to understand how Buddhist art emerged and developed. In Making a Canon, Janice Leoshko examines how Coomaraswamy’s experience as the director of a mineralogical survey in Sri Lanka shaped his understanding of South Asian art and religion. Along the way, she reveals how Coomaraswamy’s distinctive repetition of Sri Lankan visual images in his work influenced the direction of South Asia’s canon formation and left a lasting impression on our understanding of Buddhist art.
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cover of Making a Great Ruler: Grand Duke Vytautas of Lithuania

Making a Great Ruler

Grand Duke Vytautas of Lithuania

Giedre Mickunaite

Central European University Press, 2006

Investigating the propaganda surrounding the grand duke, this study reveals that, in fact, there were two opposite images: that of a good ruler and that of a tyrant. The paradox is that frequently these opposites were based on the same features of the grand duke's character or episodes from his biography. The research is based on a wide array of written and visual sources as well as on records of oral tradition. Rich and diverse primary materials are analysed from the perspectives of political and social history, memorial culture, as well as iconography and rhetoric.
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cover of Marxism and the History of Art: From William Morris to the New Left

Marxism and the History of Art

From William Morris to the New Left

Edited by Andrew Hemingway

Pluto Press, 2006

This unique book is the first comprehensive introduction to Marxist approaches to art history. Although the aesthetic was a crucial part of Marx and Engels's thought, they left no programmatic statements on the arts. In meeting this gap, succeeding Marxists have inevitably devised a wide variety of approaches to both aesthetics and the writing of art's history. Although there is an abundant scholarship on Marxist approaches to literature, the historiography of the visual arts from a Marxist perspective has been largely neglected despite the large impact it has had within academic art history since 1970.



This book encompasses a range of influential thinkers and historians from the period of the Second and Third Internationals down to the heyday of the New Left. Among the individuals it covers are William Morris, Mikhail Lifshits, Frederick Antal, Francis Klingender, Max Raphael, Meyer Schapiro, Walter Benjamin, Henri Lefebvre, and Arnold Hauser. It also includes three essays addressing the heritage of the New Left. In the spirit of Marxism itself, the authors interpret the achievements and limitations of Marxist art history in relation to the historical and political circumstances of its production and provide an indispensable and lucid introduction to contemporary radical practices in the field.

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cover of Mary Lincoln for the Ages

Mary Lincoln for the Ages

Jason Emerson

Southern Illinois University Press, 2019

In this sweeping analytical bibliography, Jason Emerson goes beyond the few sources usually employed to contextualize Mary Lincoln’s life and thoroughly reexamines nearly every word ever written about her. In doing so, this book becomes the prime authority on Mary Lincoln, points researchers to key underused sources, reveals how views about her have evolved over the years, and sets the stage for new questions and debates about the themes and controversies that have defined her legacy.
 
Mary Lincoln for the Ages first articulates how reliance on limited sources has greatly restricted our understanding of the subject, evaluating their flaws and benefits and pointing out the shallowness of using the same texts to study her life. Emerson then presents more than four hundred bibliographical entries of nonfiction books and pamphlets, scholarly and popular articles, journalism, literature, and juvenilia. More than just listings of titles and publication dates, each entry includes Emerson’s deft analysis of these additional works on Mary Lincoln that should be used—but rarely have been—to better understand who she was during her life and why we see her as we do. The volume also includes rarely used illustrations, including some that have never before appeared in print.
 
A roadmap for a firmer, more complete grasp of Mary Lincoln’s place in the historical record, this is the first and only extensive, analytical bibliography of the subject. In highlighting hundreds of overlooked sources, Emerson changes the paradigm of Mary Lincoln’s legacy.
 
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cover of Masada Myth: Collective Memory and Mythmaking in Israel

Masada Myth

Collective Memory and Mythmaking in Israel

Nachman Ben-Yehuda

University of Wisconsin Press, 1996

    In 73 A.D., legend has it, 960 Jewish rebels under siege in the ancient desert fortress of Masada committed suicide rather than surrender to a Roman legion. Recorded in only one historical source, the story of Masada was obscure for centuries. In The Masada Myth, Israeli sociologist Nachman Ben-Yehuda tracks the process by which Masada became an ideological symbol for the State of Israel, the dramatic subject of movies and miniseries, a shrine venerated by generations of Zionists and Israeli soldiers, and the most profitable tourist attraction in modern Israel.
    Ben-Yehuda describes how, after nearly 1800 years, the long, complex, and unsubstantiated narrative of Josephus Flavius was edited and augmented in the twentieth century to form a simple and powerful myth of heroism. He looks at the ways this new mythical narrative of Masada was created, promoted, and maintained by pre-state Jewish underground organizations, the Israeli army, archaeological teams, mass media, youth movements, textbooks, the tourist industry, and the arts. He discusses the various organizations and movements that created “the Masada experience” (usually a ritual trek through the Judean desert followed by a climb to the fortress and a dramatic reading of the Masada story), and how it changed over decades from a Zionist pilgrimage to a tourist destination.
    Placing the story in a larger historical, sociological, and psychological context, Ben-Yehuda draws upon theories of collective memory and mythmaking to analyze Masada’s crucial role in the nation-building process of modern Israel and the formation of a new Jewish identity. An expert on deviance and social control, Ben-Yehuda looks in particular at how and why a military failure and an enigmatic, troubling case of mass suicide (in conflict with Judaism’s teachings) were reconstructed and fabricated as a heroic tale.
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cover of Meaning in History: The Theological Implications of the Philosophy of History

Meaning in History

The Theological Implications of the Philosophy of History

Karl Löwith

University of Chicago Press, 1957

Modern man sees with one eye of faith and one eye of reason. Consequently, his view of history is confused. For centuries, the history of the Western world has been viewed from the Christian or classical standpoint—from a deep faith in the Kingdom of God or a belief in recurrent and eternal life-cycles. The modern mind, however, is neither Christian nor pagan—and its interpretations of history are Christian in derivation and anti-Christian in result. To develop this theory, Karl Löwith—beginning with the more accessible philosophies of history in the nineteenth and eighteenth centuries and working back to the Bible—analyzes the writings of outstanding historians both in antiquity and in Christian times. "A book of distinction and great importance. . . . The author is a master of philosophical interpretation, and each of his terse and substantial chapters has the balance of a work of art."—Helmut Kuhn, Journal of Philosophy
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cover of Measuring Time, Making History

Measuring Time, Making History

Lynn Hunt

Central European University Press, 2008

Time is the crucial ingredient in history, and yet historians rarely talk about time as such. These essays offer new insight into the development of modern conceptions of time, from the Christian dating system (BC/AD or BCE/CE) to the idea of "modernity" as a new epoch in human history.
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cover of Memories of Odysseus: Frontier Tales From Ancient Greece

Memories of Odysseus

Frontier Tales From Ancient Greece

François Hartog

University of Chicago Press, 2001

The conception of the Other has long been a problem for philosophers. Emmanuel Levinas, best known for his attention to precisely that issue, argued that the voyages of Ulysses represent the very nature of Western philosophy: "His adventure in the world is nothing but a return to his native land, a complacency with the Same, a misrecognition of the Other." In Memories of Odysseus, François Hartog examines the truth of Levinas' assertion and, in the process, uncovers a different picture. Drawing on a remarkable range of authors and texts, ancient and modern, Hartog looks at accounts of actual travelers, as well as the way travel is used as a trope throughout ancient Greek literature, and finds that, instead of misrecognition, the Other is viewed with doubt and awe in the Homeric tradition. In fact, he argues, the Odyssey played a crucial role in shaping this attitude in the Greek mind, serving as inspiration for voyages in which new encounters caused the Greeks to revise their concepts of self and other. Ambitious in scope, this book is a sophisticated exploration of ancient Greece and its sense of identity.
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cover of Memory Battles of the Spanish Civil War: History, Fiction, Photography

Memory Battles of the Spanish Civil War

History, Fiction, Photography

Sebastiaan Faber

Vanderbilt University Press, 2017

The ability to forget the violent twentieth-century past was long seen as a virtue in Spain, even a duty. But the common wisdom has shifted as increasing numbers of Spaniards want to know what happened, who suffered, and who is to blame. Memory Battles of the Spanish Civil War shows how historiography, fiction, and photography have shaped our views of the 1936-39 war and its long, painful aftermath.

Faber traces the curious trajectories of iconic Spanish Civil War photographs by Robert Capa, Gerda Taro, and David Seymour; critically reads a dozen recent Spanish novels and essays; interrogates basic scholarly assumptions about history, memory, and literature; and interviews nine scholars, activists, and documentarians who in the past decade and a half have helped redefine Spain's relationship to its past. In this book Faber argues that recent political developments in Spain--from the grassroots call for the recovery of historical memory to the indignados movement and the foundation of Podemos--provide an opportunity for scholars in the humanities to engage in a more activist, public, and democratic practice.
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cover of Memory Crash: Politics of History in and around Ukraine, 1980s–2010s

Memory Crash

Politics of History in and around Ukraine, 1980s–2010s

Georgiy Kasianov

Central European University Press, 2022

This account of historical politics in Ukraine, framed in a broader European context, shows how social, political, and cultural groups have used and misused the past from the final years of the Soviet Union to 2020. Georgiy Kasianov details practices relating to history and memory by a variety of actors, including state institutions, non-governmental organizations, political parties, historians, and local governments. He identifies the main political purposes of these practices in the construction of nation and identity, struggles for power, warfare, and international relations.

Kasianov considers the Ukrainian case in the context of a global increase in the politics of history and memory, with particular emphasis on a distinctive East-European variety. He pays special attention to the use and abuse of history in relations between Ukraine, Russia, and Poland.

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cover of Memory, Meaning, and Resistance: Reflecting on Oral History and Women at the Margins

Memory, Meaning, and Resistance

Reflecting on Oral History and Women at the Margins

Fran Leeper Buss

University of Michigan Press, 2017

Fran Leeper Buss, a former welfare recipient who earned a PhD in history and became a pioneer in the field of oral history, has for forty years dedicated herself to the goal of collecting the stories of marginal and working-class U.S. women. Memory, Meaning, and Resistance is based on over 100 oral histories gathered from women from a variety of racial, ethnic, and geographical backgrounds, including a traditional Mexican American midwife, a Latina poet and organizer for the United Farm Workers, and an African American union and freedom movement organizer. Buss now analyzes this body of work, identifying common themes in women’s lives and resistance that unite the oral histories she has gathered. From the beginning, her work has shed light on the inseparable, compounding effects of gender, race, ethnicity, and class on women’s lives—what is now commonly called intersectionality. Memory, Meaning, and Resistance is structured thematically, with each chapter analyzing a concept that runs through the oral histories, e.g., agency, activism, religion. The result is a testament to women’s individual and collective strength, and an invaluable guide for students and researchers, on how to effectively and sensitively conduct oral histories that observe, record, recount, and analyze women’s life stories. 
 
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cover of Memory, Myth, and Time in Mexico: From the Aztecs to Independence

Memory, Myth, and Time in Mexico

From the Aztecs to Independence

By Enrique Florescano

University of Texas Press, 1994

In Memory, Myth, and Time in Mexico, noted Mexican scholar Enrique Florescano’s Memoria mexicana becomes available for the first time in English. A collection of essays tracing the many memories of the past created by different individuals and groups in Mexico, the book addresses the problem of memory and changing ideas of time in the way Mexicans conceive of their history. Original in perspective and broad in scope, ranging from the Aztec concept of the world and history to the ideas of independence, this book should appeal to a wide readership.

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cover of Messy Beginnings: Postcoloniality and Early American Studies

Messy Beginnings

Postcoloniality and Early American Studies

Edited by Malini Johar Schueller and Edward Watts

Rutgers University Press, 2003

When exploring the links between America and postcolonialism, scholars tend to think either in terms of contemporary multiculturalism, or of imperialism since 1898.  This narrow view has left more than the two prior centuries of colonizing literary and political culture unexamined.

Messy Beginnings challenges the idea of early America’s immunity from issues of imperialism, that its history is not as “clean” as European colonialism.  By addressing  the literature ranging from the diaries of American women missionaries in the Middle East to the work of Benjamin Franklin and Nathaniel Hawthorne, and through appraisals of key postcolonial theorists such as Edward Said, Gayatri Spivak, and Homi Bhabha, the contributors to this volume explore the applicability of their models to early American culture. 

 Messy Beginnings argues against the simple concept that the colonization of what became the United States was a confrontation between European culture and the “other.”  Contributors examine the formation of America through the messy or unstable negotiations of the idea of “nation.” 

The essays forcefully show that the development of  “Americanness” was a raced and classed phenomenon, achieved through a complex series of violent encounters, legal maneuvers, and political compromises.   The complexity of early American colonization, where there was not one coherent “nation” to conquer, contradicts the simple label of imperialism used in other lands. The unique approach of Messy Beginnings will reshape both pre-conceived notions of postcolonialism, and how postcolonialists think about the development of the American nation.

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cover of Mexican Soundings: Essays in Honour of David A. Brading

Mexican Soundings

Essays in Honour of David A. Brading

Edited by Susan Deans-Smith and Eric Van Young

University of London Press, 2007

David Brading is one of the foremost historians of Latin America in the United Kingdom. The essays in this volume convey the enduring nature of many of the questions raised by his work. They reflect the wide range of his interests: from Mexican Baroque and post-Tridentine Catholicism to studies of the dynamics of state building in nineteenth- century Mexico and of the problem of Mexican national identity. The contributions represent a wide chronological spread from the late seventeenth century to the twentieth century, as well as geographical diversity (Mexico City, Queretaro, and Puebla). Part I comprises an autobiographical essay by David Brading, an appreciation of him by Enrique Florescano, and an historiographical assessment of Brading's work by Eric Van Young. Part II gathers together six essays by former students (Susan Deans-Smith and Ellen Gunnarsdottir) and colleagues (Brian Hamnett, Marta Garcia Urgarte, Guy Thomson, and Alan Knight).
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cover of Mexico, From Mestizo to Multicultural: National Identity and Recent Representations of the Conquest

Mexico, From Mestizo to Multicultural

National Identity and Recent Representations of the Conquest

Carrie C. Chorba

Vanderbilt University Press, 2006

In Mexico, the confluence of the 1992 Quincentennial commemoration of Columbus's voyages and the neo-liberal sexenio, or presidency, of Carlos Salinas de Gortari spurred artistic creations that capture the decade like no other source does. In the 1990s, Mexican artists produced an inordinate number of works that revise and rewrite the events of the sixteenth-century conquest and colonization. These works and their relationship to, indeed their mirroring of, the intellectual and cultural atmosphere in Mexico during the Salinas presidency are of paramount importance if we are to understand the subtle but deep shifts within Mexico's national identity that took place at the end of the last century.


Throughout the twentieth century, the post-revolutionary Mexican State had used mestizaje as a symbol of national unity and social integration. By the end of the millennium, however, Mexico had gone from a PRI-dominated, economically protectionist nation to a more democratic, economically globalizing one. More importantly, the homogenizing, mestizophile national identity that pervaded Mexico throughout the past century had given way to official admission of Mexico's ethnic and linguistic diversity--or 'pluriculture' according to President Salinas's 1992 constitutional revision.


This book is the first interdisciplinary study of literary, cinematic, and graphic images of Mexican national identity in the 1980s and '90s. Discussing, in depth, writings, films, and cartoons from a vast array of contemporary sources, Carrie C. Chorba creates a social history of this important shift.

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cover of Microhistories of Composition

Microhistories of Composition

Bruce Mccomiskey

Utah State University Press, 2016

Writing studies has been dominated throughout its history by grand narratives of the discipline, but in this volume Bruce McComiskey begins to explore microhistory as a way to understand, enrich, and complicate how the field relates to its past. Microhistory investigates the dialectical interaction of social history and cultural history, enabling historians to examine uncommon sites, objects, and agents of historical significance overlooked by social history and restricted to local effects by cultural history. This approach to historical scholarship is ideally suited for exploring the complexities of a discipline like composition.

Through an introduction and eleven chapters, McComiskey and his contributors—including major figures in the historical research of writing studies, such as Louise Wetherbee Phelps, Kelly Ritter, and Neal Lerner—develop focused narratives of particular significant moments or themes in disciplinary history. They introduce microhistorical methodologies and illustrate their application and value for composition historians, contributing to the complexity and adding momentum to the emerging trend within writing studies toward a richer reading of the field’s past and future. Scholars and historians of both composition and rhetoric will appreciate the fresh perspectives on institutional and disciplinary histories and larger issues of rhetorical agency and engagement enacted in writing classrooms that are found in Microhistories of Composition.

Other contributors include Cheryl E. Ball, Suzanne Bordelon, Jacob Craig, Matt Davis, Douglas Eyman, Brian Gogan, David Gold, Christine Martorana, Bruce McComiskey, Josh Mehler, Annie S. Mendenhall, Kendra Mitchell, Antony N. Ricks, David Stock, Kathleen Blake Yancey, Bret Zawilski, and James T. Zebroski.

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cover of Monarchs, Ministers, and Maps: The Emergence of Cartography as a Tool of Government in Early Modern Europe

Monarchs, Ministers, and Maps

The Emergence of Cartography as a Tool of Government in Early Modern Europe

Edited by David Buisseret

University of Chicago Press, 1992

In the sixteenth century, European rulers attempting to
consolidate their power realized that better knowledge of
their lands would strengthen their control over them. By
1550, the cartographer's art had already become an important
instrument for bringing territories under the control of
centralized government; increasing governmental reliance on
maps stimulated the refinement of cartographic techniques
throughout the following century.

This volume, a detailed survey of the political uses of
cartography between 1400 and 1700 in Italy, France, England,
Poland, Austria, and Spain, answers these questions: When
did monarchs and ministers begin to perceive that maps could
be useful in government? For what purposes were maps
commissioned? How accurate and useful were they? How did
cartographic knowledge strengthen the hand of government?
The chapters offer new insights into the development of
cartography and its role in European history.

Contributors to the volume are John Marino, Peter
Barber, David Buisseret, Geoffrey Parker, James Vann, and
Michael J. Mikòs.
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cover of Moorings: Portuguese Expansion and the Writing of Africa

Moorings

Portuguese Expansion and the Writing of Africa

Josiah Blackmore

University of Minnesota Press, 2008

How Africa was perceived in the early modern imaginary

In this first book to study Portuguese texts about Africa, Moorings brings an important but little-known body of European writings to bear on contemporary colonial thought. Images of Africa as monstrous, dangerous, and lush were created in early Portuguese imperial writings and dominated its representation in European literature. Moorings establishes these key works in their proper place: foundational to Western imperial discourse.

Attentive to history as well as the nuances of language, Josiah Blackmore leads readers from the formation of the “Moor” in medieval Iberia to the construction of a full colonial imaginary, as found in the works of two writers: the royal chronicler Gomes Eanes de Zurara and the epic poet Luís de Camões. Blackmore’s original work helps to explain how concepts and myths—such as the “otherness” of Africa and Africans—originated, functioned, and were perpetuated.Delving into the Portuguese imperial experience, Moorings enriches our understanding of historical and literary imagination during a significant period of Western expansion.
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cover of Moquis and Kastiilam: Hopis, Spaniards, and the Trauma of History, Volume I, 1540–1679

Moquis and Kastiilam

Hopis, Spaniards, and the Trauma of History, Volume I, 1540–1679

Edited by Thomas E. Sheridan, Stewart B. Koyiyumptewa, Anton Daughters, Dale S. Brenneman, T. J. Ferguson, Leigh Kuwanwisiwma, and Lee Wayne Lomayestewa

University of Arizona Press, 2015

The first of a two-volume series, Moquis and Kastiilam tells the story of the encounter between the Hopis, who the Spaniards called Moquis, and the Spaniards, who the Hopis called Kastiilam, from the first encounter in 1540 until the eve of the Pueblo Revolt of 1680. By comparing and contrasting Spanish documents with Hopi oral traditions, the editors portray a balanced presentation of their shared past. Translations of sixteenth-, seventeenth-, and eighteenth-century documents written by Spanish explorers, colonial officials, and Franciscan missionaries tell the perspectives of the European visitors, and oral traditions recounted by Hopi elders reveal the Indigenous experience.

The editors argue that the Spanish record is incomplete, and only the Hopi perspective can balance the story. The Spanish documentary record (and by extension the documentary record of any European or Euro-American colonial power) is biased and distorted, according to the editors, who assert there are enormous silences about Hopi responses to Spanish missionization and colonization. The only hope of correcting those weaknesses is to record and analyze Hopi oral traditions, which have been passed down from generation to generation, and give voice to Hopi values and Hopi social memories of what was a traumatic period in their past.

Spanish abuses during missionization—which the editors address specifically and directly as the sexual exploitation of Hopi women, suppression of Hopi ceremonies, and forced labor of Hopis—drove Hopis to the breaking point, inspiring a Hopi revitalization that led them to participate in the Pueblo Revolt. Those abuses, the revolt, and the resistance that followed remain as open wounds in Hopi society today.
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cover of Moquis and Kastiilam: Hopis, Spaniards, and the Trauma of History, Volume II, 1680–1781

Moquis and Kastiilam

Hopis, Spaniards, and the Trauma of History, Volume II, 1680–1781

Edited by Thomas E. Sheridan, Stewart B. Koyiyumptewa, Anton Daughters, Dale S. Brenneman, T. J. Ferguson, Leigh Kuwanwisiwma, and Lee Wayne Lomayestewa

University of Arizona Press, 2020

The second in a two-volume series, Moquis and Kastiilam, Volume II, 1680–1781 continues the story of the encounter between the Hopis, who the Spaniards called Moquis, and the Spaniards, who the Hopis called Kastiilam, from the Pueblo Revolt in 1680 through the Spanish expeditions in search of a land route to Alta California until about 1781. By comparing and contrasting Spanish documents with Hopi oral traditions, the editors present a balanced presentation of a shared past. Translations of sixteenth-, seventeenth-, and eighteenth-century documents written by Spanish explorers, colonial officials, and Franciscan missionaries tell the perspectives of the European visitors, and oral traditions recounted by Hopi elders reveal the Indigenous experience.

The editors argue that only the Hopi perspective can balance the story recounted in the Spanish documentary record, which is biased, distorted, and incomplete (as is the documentary record of any European or Euro-American colonial power). The only hope of correcting those weaknesses and the enormous silences about the Hopi responses to Spanish missionization and colonization is to record and analyze Hopi oral traditions, which have been passed down from generation to generation since 1540, and to give voice to Hopi values and social memories of what was a traumatic period in their past.

Volume I documented Spanish abuses during missionization, which the editors address specifically and directly as the sexual exploitation of Hopi women, suppression of Hopi ceremonies, and forced labor of Hopi men and women. These abuses drove Hopis to the breaking point, inspiring a Hopi revitalization that led them to participate in the Pueblo Revolt and to rebuff all subsequent efforts to reestablish Franciscan missions and Spanish control. Volume II portrays the Hopi struggle to remain independent at its most effective—a mixture of diplomacy, negotiation, evasion, and armed resistance. Nonetheless, the abuses of Franciscan missionaries, the bloodshed of the Pueblo Revolt, and the subsequent destruction of the Hopi community of Awat’ovi on Antelope Mesa remain historical traumas that still wound Hopi society today.

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cover of Mormon History

Mormon History

Ronald W. Walker, David J. Whittaker, James B. Allen

University of Illinois Press, 2010

A companion volume to their massive bibliography Studies in Mormon History, 1830–1997, this descriptive history by a team of top Mormon scholars provides a comprehensive view of how the writing of Mormon history has evolved since the establishment of the church. Mormon History offers an interpretive survey of Mormon historical writings, from the partisan and often ephemeral history of the nineteenth century through the shift in the twentieth toward a more balanced and professional approach and an emphasis on how the Mormons helped settle the American West. The authors examine Mormon biography and autobiography and discuss social science literature on the Mormons, including studies of social geography, rural sociology, and agricultural economics. Two valuable appendices round out this volume, one on the development and nature of Mormon imprints, the other on conducting historical research in Mormon sources.
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cover of Morocco Bound: Disorienting America's Maghreb, from Casablanca to the Marrakech Express

Morocco Bound

Disorienting America's Maghreb, from Casablanca to the Marrakech Express

Brian T. Edwards

Duke University Press, 2005

Until attention shifted to the Middle East in the early 1970s, Americans turned most often toward the Maghreb—Morocco, Algeria, Tunisia, and the Sahara—for their understanding of “the Arab.” In Morocco Bound, Brian T. Edwards examines American representations of the Maghreb during three pivotal decades—from 1942, when the United States entered the North African campaign of World War II, through 1973. He reveals how American film and literary, historical, journalistic, and anthropological accounts of the region imagined the role of the United States in a world it seemed to dominate at the same time that they displaced domestic social concerns—particularly about race relations—onto an “exotic” North Africa.

Edwards reads a broad range of texts to recuperate the disorienting possibilities for rethinking American empire. Examining work by William Burroughs, Jane Bowles, Ernie Pyle, A. J. Liebling, Jane Kramer, Alfred Hitchcock, Clifford Geertz, James Michener, Ornette Coleman, General George S. Patton, and others, he puts American texts in conversation with an archive of Maghrebi responses. Whether considering Warner Brothers’ marketing of the movie Casablanca in 1942, journalistic representations of Tangier as a city of excess and queerness, Paul Bowles’s collaboration with the Moroccan artist Mohammed Mrabet, the hippie communities in and around Marrakech in the 1960s and early 1970s, or the writings of young American anthropologists working nearby at the same time, Edwards illuminates the circulation of American texts, their relationship to Maghrebi history, and the ways they might be read so as to reimagine the role of American culture in the world.

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cover of Mr. Jefferson and the Giant Moose: Natural History in Early America

Mr. Jefferson and the Giant Moose

Natural History in Early America

Lee Alan Dugatkin

University of Chicago Press, 2009

In the years after the Revolutionary War, the fledgling republic of America was viewed by many Europeans as a degenerate backwater, populated by subspecies weak and feeble. Chief among these naysayers was the French Count and world-renowned naturalist Georges-Louis Leclerc de Buffon, who wrote that the flora and fauna of America (humans included) were inferior to European specimens.

Thomas Jefferson—author of the Declaration of Independence, U.S. president, and ardent naturalist—spent years countering the French conception of American degeneracy. His Notes on Virginia systematically and scientifically dismantled Buffon’s case through a series of tables and equally compelling writing on the nature of his home state. But the book did little to counter the arrogance of the French and hardly satisfied Jefferson’s quest to demonstrate that his young nation was every bit the equal of a well-established Europe. Enter the giant moose.

The American moose, which Jefferson claimed was so enormous a European reindeer could walk under it, became the cornerstone of his defense. Convinced that the sight of such a magnificent beast would cause Buffon to revise his claims, Jefferson had the remains of a seven-foot ungulate shipped first class from New Hampshire to Paris. Unfortunately, Buffon died before he could make any revisions to his Histoire Naturelle, but the legend of the moose makes for a fascinating tale about Jefferson’s passion to prove that American nature deserved prestige.

In Mr. Jefferson and the Giant Moose, Lee Alan Dugatkin vividly recreates the origin and evolution of the debates about natural history in America and, in so doing, returns the prize moose to its rightful place in American history.

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cover of Music in Renaissance Magic: Toward a Historiography of Others

Music in Renaissance Magic

Toward a Historiography of Others

Gary Tomlinson

University of Chicago Press, 1994

Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences.

In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion.

"A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice

"An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES

"Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature
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cover of Myth and History in the Historiography of Early Burma: Paradigms, Primary Sources, and Prejudices

Myth and History in the Historiography of Early Burma

Paradigms, Primary Sources, and Prejudices

Michael A. Aung-Thwin

Ohio University Press, 1998

After careful re-reading and analysis of original Old Burmese and other primary sources, the author discovered that four out of the five events considered to be the most important in the history of early Burma, and believed to have been historically accurate, are actually late-nineteenth and twentieth-century inventions of colonial historians caught in their own intellectual and political world.

Only one of these is a genuine indigenous Burmese myth, but it too has been embellished by modern historians.

The author discusses each of these five myths and concludes with an assessment of the current situation in Burma in the context of the new myths springing up today, thereby bringing the thirteenth century into the twentieth.

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cover of Myth and Southern History, Volume 1: The Old South

Myth and Southern History, Volume 1

The Old South

Edited by Patrick Gerster and Nicholas Cords

University of Illinois Press, 1989

Many historical myths are actually false yet psychologically true. The contributors to this volume see myth and reality as complementary elements in the historical record. Myth and Southern History is as much a commentary on southern historiography as it is on the viability of myth in the historical process. Volume 2: The New South offers new perspectives on the North's role in southern mythology, the so-called Savage South, twentieth-century black and white southern women, and the "changes" that distinguish the late twentieth-century South from that of the Civil War era.
 
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cover of Mythical Pasts, Elusive Futures: History and Society in an Anxious Age

Mythical Pasts, Elusive Futures

History and Society in an Anxious Age

Frank Furedi

Pluto Press, 1992

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cover of Mythistory: The Making of a Modern Historiography

Mythistory

The Making of a Modern Historiography

Joseph Mali

University of Chicago Press, 2003

Ever since Herodotus declared in Histories that to preserve the memories of the great achievements of the Greeks and other nations he would count on their own stories, historians have debated whether and how they should deal with myth. Most have sided with Thucydides, who denounced myth as "unscientific" and banished it from historiography.

In Mythistory, Joseph Mali revives this oldest controversy in historiography. Contesting the conventional opposition between myth and history, Mali advocates instead for a historiography that reconciles the two and recognizes the crucial role that myth plays in the construction of personal and communal identities. The task of historiography, he argues, is to illuminate, not eliminate, these fictions by showing how they have passed into and shaped historical reality. Drawing on the works of modern theorists and artists of myth such as Nietzsche and Wittgenstein, Joyce and Eliot, Mali redefines modern historiography and relates it to the older notion and tradition of "mythistory."

Tracing the origins and transformations of this historiographical tradition from the ancient world to the modern, Mali shows how Livy and Machiavelli sought to recover true history from uncertain myth-and how Vico and Michelet then reversed this pattern of inquiry, seeking instead to recover a deeper and truer myth from uncertain history. In the heart of Mythistory, Mali turns his attention to four thinkers who rediscovered myth in and for modern cultural history: Jacob Burckhardt, Aby Warburg, Ernst Kantorowicz, and Walter Benjamin. His elaboration of the different biographical and historiographical routes by which all four sought to account for the persistence and significance of myth in Western civilization opens up new perspectives for an alternative intellectual history of modernity-one that may better explain the proliferation of mythic imageries of redemption in our secular, all too secular, times.
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