456 books match the query 'India' and 28 start with m
Hugh Purcell
Haus Publishing, 2010
Coralynn V. Davis
University of Illinois Press, 2014
Smitha Radhakrishnan
Duke University Press, 2022
Lawrence B. Brilliant
University of Michigan Press, 2025
Matthew H. Edney
University of Chicago Press, 1997
Rochona Majumdar
Duke University Press, 2009
Majumdar examines three broad developments related to the modernity of arranged marriage: the growth of a marriage market, concomitant debates about consumption and vulgarity in the conduct of weddings, and the legal regulation of family property and marriages. Drawing on matrimonial advertisements, wedding invitations, poems, photographs, legal debates, and a vast periodical literature, she shows that the modernization of families does not necessarily imply a transition from extended kinship to nuclear family structures, or from matrimonial agreements negotiated between families to marriage contracts between individuals. Colonial Bengal tells a very different story.
Alfred Habegger
University of Wisconsin Press, 2014
Gyanendra Pandey
Duke University Press, 2025
Harris Solomon
Duke University Press, 2016
Adela de la Torre and Antonia Estrada
University of Arizona Press, 2001
Natasha Eaton
Duke University Press, 2013
Raghav Rao
Northwestern University Press, 2026
A remarkable young woman flees India to chase the dream of self-reinvention in America
The orphaned girls of St. Ursula’s convent are destined to be nuns or servants, but seventeen-year-old Savi dreams of escape. She is chosen to work as a governess for the wealthy Nandiyar family at their country estate in Tamil Nadu, where she falls for a lively and carefree apprentice sculptor. After the violent and horrific events of a single night, they are forced to flee, leaving their homeland forever in the rearview.
Decades later, Savi has become known to all as “Missy” and runs a successful driving school in Chicago. She is a pillar of the South Asian community and the mother of two brilliant, stubborn young women, Mansi and Shilpa. But when Varun, a charming doctor with mysterious connections to her past, enters their lives, a chain of events is set off that puts Missy’s carefully constructed world in jeopardy. Can Missy outrun her secrets? And, if she is forced to face them, what will become of those she loves?

David Arnold
University of Chicago Press, 0
Examines how India’s cattle underwent profound changes during the years of British colonial rule.
Drawing on extensive, untapped archives, Modern Cowsand Bovine Transformations illustrates the radical remaking of India’s cattle against the backdrop of colonial policies, environmental change, and anticolonial politics. Historian David Arnold examines the history of cows in India from 1790 to 1950, focusing on science, technology, and medicine to provide a secular account of imperial animal husbandry.
Doing justice to the wide variety of Indian cattle breeds, Arnold unpacks “bovine technology” and its subaltern linkages, covering topics such as the role of cattle in agriculture and the military; haulage and transport; breeding strategies; bacteriology and nutrition science, and India’s milk revolution. He also examines the dispersal of Indian cattle around the globe and the role that colonial policies played in spreading knowledge of Indian cattle breeds and facilitating their export. Finally, he addresses the “cattle crisis” brought on by famines, droughts, and disease, and disputes between colonial rulers and Hindu nationalists. He concludes with the impact of World War II and Partition on bovine populations, illustrating the consequences for independent India’s attempts to restore the milk supply and rebuild cattle breeds while also respecting the Hindu cow protection agenda. In the end, Arnold argues, the history of cattle in India provides us with a new way of understanding the power of the colonial state, its ambitions to transform India, its appropriation of the Indian subcontinent’s resources, and the myriad contradictions of its policies.
Rebecca M. Brown
J. Paul Getty Trust, The, 0
This innovative book reimagines modernism through the illegible scribbles and vibrant colors of southern Indian artist KCS Paniker.
KCS Paniker (1911–1977) is a canonical figure in India’s twentieth-century modernism. He was principal of the Madras School of Art and founder of one of the world’s longest-standing artists’ communities. Yet, even within India, he remains a marginal figure, positioned at the periphery of a dominant art world centered in the north. Paniker’s best-known body of work, the Words and Symbols series (1963–77), calls on us to reconsider how knowledge is produced and disseminated in a postcolonial, decolonizing world. These “written pictures”—paintings filled with symbols, tables, equations, and illegible scribbles—invite decoding, only to undermine the pursuit of wholeness or stable meaning.
Paniker famously called Paul Klee his “guru.” In this book, art historian Rebecca M. Brown explores what that might mean, moving beyond tracing influence and derivation to embrace a fuller sense of artistic relation across geography and time. Featuring over 100 stunning illustrations, Modernism in Relation explores the dynamic, twisting currents of modernism, tracing how Paniker navigated its waters on his own terms—abandoning prescriptions for what modern art should be or what Indian modernism should look like. The book reveals a maker seeking new creative languages, challenging ways of knowing, and exploring the unpredictable, ever-changing nature of relation.
Talat Ahmed
Pluto Press, 2016
Santhi Kavuri-Bauer
Duke University Press, 2011
Katherine Mayo
University of Michigan Press, 2000
Brian Kolodiejchuk
Catholic University of America Press, 2024
Brian Kolodiejchuk
Catholic University of America Press, 2024
Bhaskar Sarkar
Duke University Press, 2009
Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.
R. K. Narayan
University of Chicago Press, 1949
Partha Mitter
University of Chicago Press, 1992
Jonah Blank
University of Chicago Press, 2001
Lewis Rowell
University of Chicago Press, 1992
Helen Myers
University of Chicago Press, 1998
Tejaswini Niranjana
Duke University Press, 2020
Kirin Narayan
University of Chicago Press, 2007

Janaki Nair
University of Minnesota Press, 2011
Mysore Modern reconceptualizes modernity in India using the history of the Princely State of Mysore. In this forcefully argued work, Janaki Nair critiques earlier notions of the native states of India as spaces that were either defined entirely by the dominant narratives of colonial/national modernity or were relatively untouched by them.
Grounded in political history, and deriving insights from a wide range of visual, social, and legal texts and issues, Mysore Modern reperiodizes the modern by connecting these apparently discrepant registers to build up a case for a specifically regional, “monarchical modern” moment in Indian history. Nair examines mural and portraiture traditions, as well as forms of memorialization and nationalization of art and architectural practices. The volume also considers bureaucratic efforts centered on the use of law and development as instruments of modernity.
As Nair demonstrates, the resolution of struggles about the significance of the past in the present, the control of women’s sexuality and labor, and the role of the bureaucracy in Mysore reveal the imperatives of taking the region as the inaugural site for writing a history of Indian modernity.