155 books match the query 'Indians of South America' and 8 start with m

cover of Making Ecuadorian Histories: Four Centuries of Defining Power

Making Ecuadorian Histories

Four Centuries of Defining Power

By O. Hugo Benavides

University of Texas Press, 2004

In Ecuador, as in all countries, archaeology and history play fundamental roles in defining national identity. Connecting with the prehistoric and historic pasts gives the modern state legitimacy and power. But the state is not the only actor that lays claim to the country's archaeological patrimony, nor is its official history the only version of the story. Indigenous peoples are increasingly drawing on the past to claim their rights and standing in the modern Ecuadorian state, while the press tries to present a "neutral" version of history that will satisfy its various publics.

This pathfinding book investigates how archaeological knowledge is used for both maintaining and contesting nation-building and state-hegemony in Ecuador. Specifically, Hugo Benavides analyzes how the pre-Hispanic site of Cochasquí has become a source of competing narratives of Native American, Spanish, and Ecuadorian occupations, which serve the differing needs of the nation-state and different national populations at large. He also analyzes the Indian movement itself and the recent controversy over the final resting place for the traditional monolith of San Biritute. Offering a more nuanced view of the production of history than previous studies, Benavides demonstrates how both official and resistance narratives are constantly reproduced and embodied within the nation-state's dominant discourses.

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cover of Making Music Indigenous: Popular Music in the Peruvian Andes

Making Music Indigenous

Popular Music in the Peruvian Andes

Joshua Tucker

University of Chicago Press, 2019

When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music.
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cover of Metaphysical Community: The Interplay of the Senses and the Intellect

Metaphysical Community

The Interplay of the Senses and the Intellect

By Greg Urban

University of Texas Press, 1996

Winner, Senior Book Prize, American Ethnological Society

Starting with the post-structuralist idea that truth systems are lodged in discourse, and that discourse varies from society to society, Greg Urban seeks to discover the nature and extent of that variation. His journey to an Amerindian society in which dreams are more prominent than everyday aspects of the sensible world leads him to radically reformulate one of the main problematics of Western thought: the relationship between our sensations of the world and the understandings we form of them.

Metaphysical Community proposes that this dichotomy comes from the interplay between two sides of discourse-its intelligible side as a carrier of meanings, and its sensible side as thing-in-the-world that must be replicated. This insight leads to the heart of the book-the exploration of the uneasy tension that binds experience and understanding, phenomena and noumena.

Urban challenges basic assumptions that underlie social and cultural anthropology and much of the social sciences and humanities. His provocative insights will be of interest to all those concerned with anthropology, cultural studies, literary criticism, the sociology and politics of culture, and philosophy.

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cover of Millennial Ecuador: Critical Essays Cultural Transformations

Millennial Ecuador

Critical Essays Cultural Transformations

Norman E Whitten

University of Iowa Press, 2003

In the past decade, Ecuador has seen five indigenous uprisings, the emergence of the powerful Pachakutik political movement, and the strengthening of the Confederation of Indigenous Nationalities of Ecuador and the Association of Black Ecuadorians, all of which have contributed substantially to a new constitution proclaiming the country to be “multiethnic and multicultural.” Furthermore, January 2003 saw the inauguration of a new populist president, who immediately appointed two indigenous persons to his cabinet. In this volume, eleven critical essays plus a lengthy introduction and a timely epilogue explore the multicultural forces that have allowed Ecuador's indigenous peoples to have such dramatic effects on the nation's political structure.
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cover of Montane Foragers: Asana and the South-Central Andean Archaic

Montane Foragers

Asana and the South-Central Andean Archaic

Mark S. Aldenderfer

University of Iowa Press, 1998

All previous books dealing with prehistoric hunter-gatherers in the high Andes have treated ancient mountain populations from a troglodyte's perspective, as if they were little different from lowlanders who happened to occupy jagged terrain. Early mountain populations have been transformed into generic foragers because the basic nature of high-altitude stress and biological adaptation has not been addressed. In Montane Foragers, Mark Aldenderfer builds a unique and penetrating model of montane foraging that justly shatters this traditional approach to ancient mountain populations.

Aldenderfer's investigation forms a methodological and theoretical tour de force that elucidates elevational stress—what it takes for humans to adjust and survive at high altitudes. In a masterful integration of mountain biology and ecology, he emphasizes the nature of hunter-gatherer adaptations to high-mountain environments. He carefully documents the cultural history of Asana, the first stratified, open-air site discovered in the highlands of the south-central Andes. He establishes a number of major occurrences at this revolutionary site, including the origins of plant and animal domestication and transitions to food production, the growth and packing of forager populations, and the advent of some form of complexity and social hierarchy.

The rich and diversified archaeological record recovered at Asana—which spans from 10,000 to 3,500 years ago—includes the earliest houses as well as public and ceremonial buildings in the central cordillera. Built, used, and abandoned over many millennia, the Asana structures completely transform our understanding of the antiquity and development of native American architecture. Aldenderfer's detailed archaeological case study of high-elevation foraging adaptation, his description of this extreme environment as a viable human habitat, and his theoretical model of montane foraging create a new understanding of the lifeways of foraging peoples worldwide.
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cover of Mother Tongues of the High Andes: Gender, Language, and Indigenous Difference in Peru

Mother Tongues of the High Andes

Gender, Language, and Indigenous Difference in Peru

Sandhya Krittika Narayanan

University of Arizona Press, 2025

The Peruvian altiplano, a high plateau around Lake Titicaca, is known for its breathtaking landscapes and the cultivation of commodities like quinoa and alpaca wool. The region also stands out for its history of inter-Indigenous language contact and multilingualism between Quechua- and Aymara-speaking communities. This linguistic ecology predates the Spanish conquest and persists today, making the altiplano, with its capital, Puno, a unique space where Indigenous multiplicity is recognized and celebrated. Yet this celebration is accompanied by additional ideological challenges around defining Quechua and Aymara as distinct Indigenous languages and ethnic groups.

Anthropologist Sandhya Krittika Narayanan begins with these challenges, and asks: What does it mean to be a Quechua or Aymara speaker in Puno today? What does it mean to be an Indigenous ethnic Quechua or Aymara individual?

Mother Tongues of the High Andes opens with these questions, exploring what Quechua and Aymara languages and identities mean for Indigenous puneños as they navigate their past and present. Narayanan argues that understanding inter-Indigenous linguistic and social differences involves examining Indigenous gender roles, responsibilities, and linguistic practices, particularly those of Indigenous puneña women. She shows how these practices have contributed to the maintenance of Indigenous multilingualism and continuity in local modes of understanding Indigenous identity and difference.

Even as ideologies around Indigenous identity and linguistic practices shift due to global discourses on Indigenous ethnic identity and nationalism, Indigenous women continue to play a crucial role, promoting new ways to speak and think about Quechua and Aymara linguistic differences, making the Indigenous roots and histories of Puno recognizable to a global audience. Through a comprehensive ethnographic exploration of gender, language, and Indigenous difference, Narayanan shows how the linguistic and social practices of Indigenous puneña women both contest and reaffirm competing visions of Quechua and Aymara linguistic identity and authority. 
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cover of Mummies and Mortuary Monuments: A Postprocessual Prehistory of Central  Andean Social Organization

Mummies and Mortuary Monuments

A Postprocessual Prehistory of Central Andean Social Organization

By William H. Isbell

University of Texas Press, 1997

Since prehistoric times, Andean societies have been organized around the ayllu, a grouping of real or ceremonial kinspeople who share labor, resources, and ritual obligations. Many Andean scholars believe that the ayllu is as ancient as Andean culture itself, possibly dating back as far as 6000 B.C., and that it arose to alleviate the hardships of farming in the mountainous Andean environment.

In this boldly revisionist book, however, William Isbell persuasively argues that the ayllu developed during the latter half of the Early Intermediate Period (around A.D. 200) as a means of resistance to the process of state formation. Drawing on archaeological evidence, as well as records of Inca life taken from the chroniclers, Isbell asserts that prehistoric ayllus were organized around the veneration of deceased ancestors, whose mummified bodies were housed in open sepulchers, or challups, where they could be visited by descendants seeking approval and favors. By charting the temporal and spatial distribution of chullpa ruins, Isbell offers a convincing new explanation of where, when, and why the ayllu developed.

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cover of My Cocaine Museum

My Cocaine Museum

Michael Taussig

University of Chicago Press, 2004

In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the dangerous world of cocaine production in the rain forest of Colombia's Pacific Coast. Although modeled on the famous Gold Museum in Colombia's central bank, the Banco de la República, Taussig's museum is also a parody aimed at the museum's failure to acknowledge the African slaves who mined the country's wealth for almost four hundred years.

Combining natural history with political history in a filmic, montage style, Taussig deploys the show-and-tell modality of a museum to engage with the inner life of heat, rain, stone, and swamp, no less than with the life of gold and cocaine.

This effort to find a poetry of words becoming things is brought to a head by the explosive qualities of those sublime fetishes of evil beauty, gold and cocaine. At its core, Taussig's museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.
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