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Until the last century, it was generally agreed that Maimonides was a great defender of Judaism, and Spinoza—as an Enlightenment advocate for secularization—among its key opponents. However, a new scholarly consensus has recently emerged that the teachings of the two philosophers were in fact much closer than was previously thought. In his perceptive new book, Joshua Parens sets out to challenge the now predominant view of Maimonides as a protomodern forerunner to Spinoza—and to show that a chief reason to read Maimonides is in fact to gain distance from our progressively secularized worldview.

An in-depth study of the long and contested history of a UNESCO World Heritage Site, the Mosque-Cathedral of Cordóba.

The Umayyad Mosque of Cordoba is a famous monument of Islamic civilization, but for eight centuries it has been the city’s cathedral. Unlike other mosques on the Iberian peninsula, which were demolished and replaced by churches following Christian conquest, Cordoba’s Great Mosque survived. But in the early sixteenth century, a choir-presbytery complex began to rise amidst the magnificent hall of columns. The massive structure took a century to complete, emblazoning the skyline with a symbol of Christian triumph. Yet inside, much of the surrounding Islamic fabric was retained and even rebuilt.

This strange hybrid structure is one of Spain’s great contradictions, a source of ongoing controversy up to the present day. Michele Lamprakos unravels this architectural mystery, exploring cycles of patronage, demolition, erasure, and restoration as a barometer of changing attitudes toward the Islamic past. She shows that architectural change not as a linear process, but rather an ongoing and selective dialogue with the past, each layer building upon, suppressing, editing, and reinventing what came before. Yet through it all, the Great Mosque remains a liminal beauty, a potent reminder of a past that could not be erased.

Poetically delving into the spectacle and incredulity of a real-life religious controversy

In the early 1990s, a small town in the Philippines became the epicenter of religious controversy when a teenager claimed to be visited by the Virgin Mary. News of these visions, broadcast over national media, would prompt over a million to flock to the town, hoping to catch a glimpse of the teenager and witness inexplicable events: a statue of the Virgin weeping blood, the sun dancing and throbbing into various fantastic colors, or a bevy of doves appearing overhead during Mass.

Miracle Fever, chronicling the life of this town, is a poetry sequence revolving around these apparitions. Documentary in its scrutiny and distortion of real-life events, novelistic in its plot trajectory, and lyric in its imagistic intensity, Miracle Fever offers a fabulist model of reality, built through poems delivered in the form of dramaticules, timelines, and photo captions. These fugitive presences, bearing out and unsettling the complex ethics of representation that the sequence cleaves to, foreground the element of spectacle surrounding the apparitions and bring new light to the ever-shifting antecedents bound by shared history.

A study of the Christ of Ixmiquilpan, a historically beloved religious icon from sixteenth-century Mexico, and its evolving cultural importance.

The life-sized crucifix known as the Christ of Ixmiquilpan (also the Señor de Santa Teresa) was one of the most important artworks in colonial Mexico. The statue began as an ordinary devotional image, but in 1621 devotees witnessed it undergo a miraculous renovation that gave it a supernatural beauty. Over the next two and half centuries, its perceived power increased until it was surpassed in importance only by the Virgin of Guadalupe. Despite its historical significance, the Christ of Ixmiquilpan’s history has yet to be fully told.

Derek Burdette brings the miraculous crucifix out of the shadows and explores its instrumental role in shaping the devotional culture of New Spain. Following the arc of the statue’s life, he chronicles the story of the statue’s creation, miraculous renovation, and subsequent veneration at the heart of Mexico City. He also reveals how colonial politics were woven into the statue’s life from the very start. Reconstructing the history of a key artwork, Miraculous Celebrity sheds new light on the intersection of art, faith, and politics in the Spanish colonial world.

Ever since Protestant missionaries from the United States first reached Hawai'i in 1820, they have inspired conflicting passions. In evangelical circles, the missionaries are praised for Christianizing Hawai'i, transforming Hawaiian into a written language, and inoculating the islanders against smallpox. But this celebratory assessment is rejected by modern-day Hawaiian nationalists, who excoriate the missionaries as advance agents of U.S. imperialism. 

In this biography of pioneer missionaries Peter and Fanny Gulick, Clifford Putney offers a balanced view of their contributions. He says the nationalists are right to credit the missionaries with drawing Hawai'i into America's political orbit, but argues that the missionary enterprise helped in some ways to preserve key elements of Hawaiian culture.

Based primarily on letters, journals, and other archival materials, Putney's book provides readers with a detailed portrait of the lives of Peter and Fanny Gulick. Inspired by America's Second Great Awakening to spread the Gospel overseas, the Gulicks voyaged to Hawai'i in 1828 and lived there for the next forty-six years, actively proselytizing and working to change the islands. On Kaua'i, they helped to ensure the success of Hawai'i's first sugar plantation and acquainted Hawaiians with inventions such as the wagon. On Moloka'i (later the site of a leper colony) the couple struggled merely to survive. And on O'ahu, they took up ranching and helped to found Punahou School, the alma mater of President Barack Obama.

While laboring in Hawai'i, the Gulicks interacted with kings, queens, and other historically important figures, and Putney chronicles those relationships. He also explores issues of race and gender, and sheds new light on the democratization of government, the spread of capitalism, and the privatization of land. From these last two developments, a number of missionaries grew immensely rich, but the Gulicks did not, and neither did their descendants. A group that includes influential missionaries, educators, and physical fitness experts, the descendants of Peter and Fanny have had numerous books written about them, but Putney is the first to write extensively about the progenitors of the Gulick clan.

Having risen from a Pennsylvania backcountry upbringing to become a respected member of the upper class, Bernhisel possessed a personal history that allowed him to reach common ground with politicians and other outsiders. He negotiated for Joseph Smith’s life and, after the Church’s relocation to the Utah Territory, took on the task of rehabilitating the public image of the Latter-day Saints. Brigham Young’s defiance of the government undermined Bernhisel’s work, but their close if sometimes turbulent relationship ultimately allowed Bernhisel to make peace with Washington, secure a presidential pardon for Young, and put Utah and the Latter-day Saints on the road to formally joining the United States.

The definitive biography of the founder of the Shaker movement, whose remarkable life is the subject of a new film, The Testament of Ann Lee.
 
This acclaimed, accessible, and thoroughly researched biography documents the life of Ann Lee, a controversial, religious leader and early feminist figure. Lee established the Shaker movement in 1770 in Manchester, England. The core principles of the Shakers were radical: in an era when wives were the possession of their husband, Lee proclaimed the equality of men and women. The Shakers were dedicated to beliefs in absolute pacifism, equality of the sexes, absolute celibacy, and the cleansing of sin through dancing and chanting to shake away the past.

The Shakers sought inner peace and harmony, but their unusual beliefs, including total abstinence from sex and their exhibitions of mystical ecstasy were considered suspect and led to the imprisonment of Lee and her followers. While jailed, Lee experienced a blinding, soul-splitting vision which reaffirmed her belief in celibacy and named her the second coming of Christ. Seeking religious freedom, she led her followers, known as the United Society of Believers in Christ’s Second Appearing, from England to settle in upstate New York, near Albany.

Mother Ann Lee died in 1784, but her movement continued to grow into the nineteenth century with at least eighteen utopian Shaker communities in Kentucky, Maine, Massachusetts, New Hampshire, New York, and Ohio. Today many of those Shaker settlements are museums. The last remaining Shaker community is at Sabbathday Lake Shaker Village near Poland, Maine. The Testament of Ann Lee, starring Amanda Seyfried, drew on this book among other sources to tell Lee’s story.

Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in constructed environments in Muslim religious and cultural expression.

Representing the fields of ethnomusicology, anthropology, art history, architecture, history of architecture, religious studies, and Islamic studies, the volume’s contributors consider sonic performances ranging from poetry recitation to art, folk, popular, and ritual musics—as well as religious expressions that are not usually labeled as “music” from an Islamic perspective—in relation to monumental, vernacular, ephemeral, and landscape architectures; interior design; decoration and furniture; urban planning; and geography. Underscoring the intimate relationship between traditional Muslim sonic performances, such as the recitation of the Qur’an or devotional songs, and conventional Muslim architectural spaces, from mosques and Sufi shrines to historic aristocratic villas, gardens, and gymnasiums, the book reveals Islam as an ideal site for investigating the relationship between sound and architecture, which in turn proves to be an innovative and significant angle from which to explore Muslim cultures.

From "green" pop and "clean" cinema to halal songs, Islamic soaps, Muslim rap, Islamist fantasy serials, and Suficized music, the performing arts have become popular and potent avenues for Islamic piety movements, politically engaged Islamists, Islamic states, and moderate believers to propagate their religio-ethical beliefs. Muslim Rap, Halal Soaps, and Revolutionary Theater is the first book that explores this vital intersection between artistic production and Islamic discourse in the Muslim world.

The contributors to this volume investigate the historical and structural conditions that impede or facilitate the emergence of a "post-Islamist" cultural sphere. They discuss the development of religious sensibilities among audiences, which increasingly include the well-to-do and the educated young, as well as the emergence of a local and global religious market. At the heart of these essays is an examination of the intersection between cultural politics, performing art, and religion, addressing such questions as where, how, and why pop culture and performing arts have been turned into a religious mission, and whether it is possible to develop a new Islamic aesthetic that is balanced with religious sensibilities. As we read about young Muslims and their quest for a "cool Islam" in music, their struggle to quell their stigmatized status, or the collision of morals and the marketplace in the arts, a vivid, varied new perspective on Muslim culture emerges.

An accessible introduction to the role of myth historically and in popular culture.

Myth: A Handbook by William G. Doty is a foundational and wide-ranging exploration of myth as one of humanity’s most enduring and powerful forms of expression. Designed for students and scholars across the humanities and social sciences, this authoritative volume offers both a comprehensive introduction to myth studies and a sophisticated framework for interpreting myth in diverse cultural contexts.

Doty approaches myth not as a static body of ancient stories, but as a dynamic and evolving system of meaning—one that reflects the values, beliefs, and psychological structures of the societies that produce and preserve it. Drawing from a rich interdisciplinary base that includes anthropology, literary criticism, psychology, religious studies, and cultural theory, the book examines how myths operate symbolically, structurally, and socially. Readers are guided through major theoretical approaches to myth, from classical interpretations to modern critical frameworks, enabling them to engage thoughtfully with myth as both narrative and cultural artifact.

One of the book’s central strengths is its emphasis on methodology. Rather than presenting myth as a fixed subject, Doty equips readers with analytical tools to interpret myths across different traditions and historical periods. He explores how myths encode meaning through symbols and archetypes, how they reinforce or challenge cultural norms, and how they adapt over time to address shifting social realities. By emphasizing interpretation over simple retelling, Doty transforms myth from a collection of stories into a living field of inquiry.

The handbook also addresses key questions that continue to resonate in contemporary scholarship: What distinguishes myth from legend or folklore? How do myths shape identity—individual, communal, and national? In what ways do myths persist in modern literature, film, and popular culture? Through clear explanations and carefully structured discussions, Doty demonstrates that myth remains deeply relevant, not only in understanding ancient civilizations but also in analyzing modern narratives and cultural expressions.

Accessible yet intellectually rigorous, Myth: A Handbook has become a widely respected resource in university classrooms, providing students with the conceptual grounding needed to engage critically with mythological material. At the same time, its clarity and breadth make it valuable for general readers interested in the deeper meanings behind the stories that have shaped human thought across time and place.

Ultimately, Doty’s work reveals that myth is not confined to the past—it is an essential framework through which humans interpret experience, construct meaning, and understand their place in the world. This handbook stands as an indispensable guide to that process, illuminating the enduring significance of myth in both ancient traditions and contemporary life.