260 books match the query 'Soviet Union' and 18 start with m

cover of Made Under Pressure: Literary Translation in the Soviet Union, 1960–1991

Made Under Pressure

Literary Translation in the Soviet Union, 1960–1991

Natalia Kamovnikova

University of Massachusetts Press, 2019

During the Cold War, determined translators and publishers based in the Soviet Union worked together to increase the number of foreign literary texts available in Russian, despite fluctuating government restrictions. Based on extensive interviews with literary translators, Made Under Pressure offers an insider's look at Soviet censorship and the role translators played in promoting foreign authors—including figures like John Fowles, George Orwell, Kurt Vonnegut, Gabriel García Márquez, and William Faulkner.

Natalia Kamovnikova chronicles the literary translation process from the selection of foreign literary works to their translation, censorship, final approval, and publication. Interviews with Soviet translators of this era provide insight into how the creative work of translating and the practical work of publishing were undertaken within a politically restricted environment, and recall the bonds of community and collaboration that they developed.
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cover of Making Modernism Soviet: The Russian Avant-Garde in the Early Soviet Era, 1918-1928

Making Modernism Soviet

The Russian Avant-Garde in the Early Soviet Era, 1918-1928

Pamela Kachurin

Northwestern University Press, 2013

Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.
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cover of Masterpieces of History: The Peaceful End of the Cold War in Europe, 1989

Masterpieces of History

The Peaceful End of the Cold War in Europe, 1989

The National Security Archive Savranskaya

Central European University Press, 2010

Twenty years in the making, this collection presents 122 top-level Soviet, European and American records on the superpowers' role in the annus mirabilis of 1989. Consisting of Politburo minutes; diary entries from Gorbachev's senior aide, Anatoly Chernyaev; meeting notes and private communications of Gorbachev with George H.W. Bush, Margaret Thatcher, Helmut Kohl and François Mitterrand; and high-level CIA analyses, this volume offers a rare insider's look at the historic, world-transforming events that culminated in the collapse of communism in Eastern Europe and the end of the Cold War. Most of these records have never been published before.
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cover of Mayakovsky: A Biography

Mayakovsky

A Biography

Bengt Jangfeldt

University of Chicago Press, 2014

Few poets have led lives as tempestuous as that of Vladimir Mayakovsky. Born in 1893 and dead by his own hand in 1930, Mayakovsky packed his thirty-six years with drama, politics, passion, and—most important—poetry. An enthusiastic supporter of the Russian Revolution and the emerging Soviet State, Mayakovsky was championed by Stalin after his death and enshrined as a quasi-official Soviet poet, a position that led to undeserved neglect among Western literary scholars even as his influence on other poets has remained powerful.
 
With Mayakovsky, Bengt Jangfeldt offers the first comprehensive biography of Mayakovsky, revealing a troubled man who was more dreamer than revolutionary, more political romantic than hardened Communist. Jangfeldt sets Mayakovsky’s life and works against the dramatic turbulence of his times, from the aesthetic innovations of the pre-revolutionary avant-garde to the rigidity of Socialist Realism and the destruction of World War I to the violence—and hope—of the Russian Revolution, through the tightening grip of Stalinist terror and the growing disillusion with Russian communism that eventually led the poet to take his life.
 
Through it all is threaded Mayakovsky’s celebrated love affair with Lili Brik and the moving relationship with Lili’s husband, Osip, along with a brilliant depiction of the larger circle of writers and artists around Mayakovsky, including Maxim Gorky, Viktor Shklovsky, Alexander Rodchenko, and Roman Jakobson. The result is a literary life viewed in the round, enabling us to understand the personal and historical furies that drove Mayakovsky and generated his still-startling poetry.
 
Illustrated throughout with rare images of key characters and locations, Mayakovsky is a major step in the revitalization of a crucial figure of the twentieth-century avant-garde.

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cover of Melting the Ice Curtain: The Extraordinary Story of Citizen Diplomacy on the Russia-Alaska Frontier

Melting the Ice Curtain

The Extraordinary Story of Citizen Diplomacy on the Russia-Alaska Frontier

David Ramseur

University of Alaska Press, 2017

Just five years after a Soviet missile blew a civilian airliner out of the sky over the North Pacific, an Alaska Airlines jet braved Cold War tensions to fly into tomorrow. Crossing the Bering Strait between Alaska and the Russian Far East, the 1988 Friendship Flight reunited Native peoples of common languages and cultures for the first time in four decades. It and other dramatic efforts to thaw what was known as the Ice Curtain launched a thirty-year era of perilous, yet prolific, progress.

Melting the Ice Curtain tells the story of how inspiration, courage, and persistence by citizen-diplomats bridged a widening gap in superpower relations. David Ramseur was a first-hand witness to the danger and political intrigue, having flown on that first Friendship Flight, and having spent thirty years behind the scenes with some of Alaska’s highest officials. As Alaska celebrates the 150th anniversary of its purchase, and as diplomatic ties with Russia become perilous, Melting the Ice Curtain shows that history might hold the best lessons for restoring diplomacy between nuclear neighbors.
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cover of Memoirs of a Revolutionary

Memoirs of a Revolutionary

Victor Serge

University of Iowa Press, 2002

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cover of Meyerhold at Work

Meyerhold at Work

Edited by Paul Schmidt; translations by Paul Schmidt, Ilya Levin, and Vern McGee

University of Texas Press, 1980

“Not a mirror but a magnifying glass”—such, in the poet Mayakovsky’s words, was the theater of Vsevolod Meyerhold. The first to insist on the primacy of the director’s role, indeed the first to conceive of it as a role, this passionately dedicated Russian director tore down the fourth wall and forced the actors and audience together into one inescapable community of experience.

Yet Meyerhold recorded few of his theories in writing, and the intensity and brilliance of his work must be recaptured through the actors and artists who helped create the performances. Focusing on Meyerhold’s postrevolutionary career, Paul Schmidt has assembled in this book journals, letters, reminiscences, and, of special interest, actual rehearsal notes that build a fascinating, intimate picture of Meyerhold as a theorist and as a man.

Included are Meyerhold’s frantic notes to his teacher, friend, and bête noire Stanislavsky; detailed descriptions of how he trained his actors in “biomechanics”; and memories by such students as Eisenstein and such friends as Pasternak and Ehrenburg. One chapter deals with Meyerhold’s never-realized conception of Boris Godunov, while another describes his direction of Camille, which starred Zinaida Raikh, his wife, and which played its 725th and last performance on the day Stalin’s government liquidated Meyerhold’s theater. Paul Schmidt’s introduction and headnotes enhance our understanding of Meyerhold as a pioneer of modern theater.

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cover of Midwives of the Revolution: Female Bolsheviks and Women Workers in 1917

Midwives of the Revolution

Female Bolsheviks and Women Workers in 1917

Jane McDermid

Ohio University Press, 1999

The Bolshevik seizure of power in 1917 and the ensuing communist regime have often been portrayed as a man’s revolution, with women as bystanders or even victims. Midwives of the Revolution examines the powerful contribution made by women to the overthrow of tsarism in 1917 and their importance in the formative years of communism in Russia.

Focusing on the masses as well as the high-ranking intelligentsia, Midwives of the Revolution is the first sustained analysis of female involvement in the revolutionary era of Russian history. The authors investigate the role of Bolshevik women and the various forms their participation took. Drawing on the experiences of representative individuals, the authors discuss the important relationship between Bolshevik women and the workers in the turbulent months of 1917.

The authors demonstrate that women were an integral part of the revolutionary process and challenge assumptions that they served merely to ignite an essentially masculine revolt. By placing women center stage, without exaggerating their roles, this study enriches our understanding of a momentous event in twentieth-century history.

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cover of Military Occupation and Diplomacy: Soviet Troops in Romania, 1944–1958

Military Occupation and Diplomacy

Soviet Troops in Romania, 1944–1958

Sergiu Verona

Duke University Press, 1992

In 1958, after fourteen years of military occupation, Khrushchev—in an unprecedented act—withdrew the Soviet Union’s troops from Romania as part of a political move intended to encourage the withdrawal of Western military forces from Europe. In analyzing this crucial historic episode, Sergiu Verona’s comprehensive study illustrates the dynamics of Soviet military presence in Romania and provides a framework for understanding Soviet security policy, then and now, as well as the interaction between Soviet military objectives and diplomacy.
Drawing on declassified archival material in the United States and the United Kingdom, the author considers Khrushchev’s reversal of Stalinist expansionism by examining the motivation, function, and operation of the initial occupation of Romania; the complex involvement of Soviet diplomacy and its perception by the United States and other Western powers; the process by which Khrushchev decided to withdraw Soviet troops from that country; and the impact of this decision on Soviet policy. Verona extends his analysis, providing comparisons between Khrushchev’s and Gorbachev’s approaches to Eastern Europe, noting that similarities exist not only in domestic policies but in the realm of foreign policy as well.
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cover of Monuments Askew: An Elliptical History of the Factory of the Eccentric Actor

Monuments Askew

An Elliptical History of the Factory of the Eccentric Actor

Maria Corrigan

Rutgers University Press, 2025

Monuments Askew: An Elliptical History of the Factory of the Eccentric Actor presents a cultural history of the Factory of the Eccentric Actor (FEKS), an avant-garde collective of Ukrainian artists whose unique approach to monumental history generated a new kind of cinema for a modernizing Soviet era. Often lost in the shuffle of this period, FEKS’s vibrant and experimental cinematic output initiated a youthful and cheeky overhaul of Soviet revolutionary culture. Monuments Askew reveals the foundational role of this understudied group of artists—including Grigori Kozintsev and Leonid Trauberg—and uses their own theoretical contributions to undo the “foundations” of our understanding of Soviet media and arts. As a counter to a solely cinema-focused conceptualization of this era, Corrigan develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKS’s body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself.
 
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cover of Moscow Yankee

Moscow Yankee

Myra Page

University of Illinois Press, 1995

   The Depression era closing
        of a Ford plant sends Andy and two companions to Moscow to find work in
        a Soviet automotive plant, where he meets Natasha, an exemplar of the
        "new Soviet woman." Based on Myra Page's own experiences in Moscow during
        the first Five-Year Plan, Natasha is a portrait of women's contradictory
        social position in the early periods of socialist construction. At the
        core of this novel is a firsthand look at the developing forces and changing
        relations of production forces that bring about the conversion of Andy
        into a "Moscow Yankee." While revealing the political and economic policies
        that would inevitably lead to the demise of Soviet-style socialism, Moscow
        Yankee refutes the notion that egalitarian societies cannot succeed
        because they fail to take into account the individualism and greed of
        "human nature." Barbara Foley's introduction analyzes the Soviet Socialist
        construction in Page's novel and the politics of the novelistic form in
        relation to Moscow Yankee.
      Originally published in 1935
      "A picture of Americans lured
        to Moscow by hope in the 'great experiment,' and of others driven there
        by the depression, and of still others attracted by the simple desire
        to get good engineering jobs, Moscow Yankee; has a decided
        value . . . a sense of life, stirring in the chaos of destruction and
        reconstruction." -- The New York Times Book Review
 
 
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cover of Muslim Communities Reemerge: Historical Perspectives on Nationality, Politics, and Opposition in the Former Soviet Union and Yugoslavia

Muslim Communities Reemerge

Historical Perspectives on Nationality, Politics, and Opposition in the Former Soviet Union and Yugoslavia

Andreas Kappeler, Gerhard Simon, and Georg Brunner, eds.

Duke University Press, 1994

The terrible events afflicting Muslims in Bosnia-Herzegovina and Tajikistan fill the news, commanding the world's attention. This timely volume offers rare insight into the background of these catastrophic conflicts. First published in German on the eve of the breakup of the Yugoslav and Soviet republics, it is one of the few books in any language to analyze, in detail and in depth, the historical and contemporary situation of Muslims in former communist states and thus clarifies the sources, development, and implications of the events that dominate today's foreign news.

In fourteen chapters and an updated introduction, European and North American specialists examine the recent evolution of Islamic expression and practice in these former Communist regions, as well as its political significance within officially atheistic regimes. Representing a wide range of disciplines and perspectives, the authors detail how the modern ethno-religious situation developed and matured in hostile circumstances, the degree of latitude the local Muslims achieved in religious expression, and what prospect the future seemed to offer just before the breakup of the Soviet Union and the Federal Republic of Yugoslavia. Overall, the book provides a thorough analysis of the coincidence and tension between ethnic and religious identity in two countries officially devoted to the separation of ethnic groups in domestic cultural arrangements but not in the social or political realm.

Contributors. Edward Allworth, Hans Bräker, Marie Broxup, Georg Brunner, Bert G. Fragner, Uwe Halbach, Wolfgang Höpken, Andreas Kappeler, Edward J. Lazzerini, Richard Lorenz, Alexandre Popovi´c, Sabrina Petra Ramet, Azade-Ayse Rorlich, Gerhard Simon, Tadeusz Swietochowski

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cover of Muslim National Communism in the Soviet Union: A Revolutionary Strategy for the Colonial World

Muslim National Communism in the Soviet Union

A Revolutionary Strategy for the Colonial World

Alexandre A. Bennigsen and S. Enders Wimbush

University of Chicago Press, 1978

In this study, Bennigsen and Wimbush trace the development of the doctrine of national communism in Central Asia and the Caucasus. At the heart of this doctrine—as elaborated by the Volga Tatar, Mir-Said Sultan Galiev—was the concept of "proletarian nations," as opposed to the traditional notion of a working class. With such ideological innovations, Sultan Galiev and his contemporaries were able to reconcile Marxist nationalisms and Islam and devise an "Eastern strategy" whereby the national revolution was to be spread.

The authors show that the ideas of Muslim national communism persist in the land of their birth and have spread to such developing societies as China, Algeria, and Indonesia. This doctrine is an important factor in the ideological split and increasing tensions between industrial and nonindustrial nations, East and West, and now North and South, which grip the world communist movement.
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cover of My Father's War: A True Story of Nazism and Treason

My Father's War

A True Story of Nazism and Treason

by Bjørn Westlie, translated by Dean Krouk

University of Wisconsin Press, 2023

My Father’s War is simultaneously a history of the Nazi occupation of Norway in World War II and a son’s sincere attempt to understand the silences, motivations, and experiences of an estranged father. In this carefully researched book, combining family memoir and historical retelling, Bjørn Westlie uncovers his father’s actions as a volunteer soldier for the Waffen-SS, the military wing of the infamous Schutzstaffel (SS), in the invasion of the Soviet Union. Balancing his role as both son and critical investigator, Westlie unflinchingly interrogates his father’s fascist convictions, which speak to the appeal Hitler’s ideology held for a small, disgraced segment of Norway’s mid-century population. A story of collaboration, tragedy, and treason, My Father’s War reveals the little-known history of Norway's frontkjempere (front fighters), the atrocities the Waffen-SS committed against Ukrainian Jews, and the complex legacies of ethnonationalism in Norway. 

With an insightful introduction from translator Dean Krouk, My Father’s War is a contemporary classic of war literature. Committed to genuine understanding without falling into undue sympathizing, this sober and reflective book presents an eye-opening, moving, intense, and necessary account of the allure of fascism in a world at war—and its personal costs.
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cover of My Journey: How One Woman Survived Stalin's Gulag

My Journey

How One Woman Survived Stalin's Gulag

Olga Adamova-Sliozberg

Northwestern University Press, 2011

This is the first English translation of Olga Adamova-Sliozberg’s mesmerizing My Journey​, which was not officially published in Russia until 2002. It is among the best known of Gulag memoirs and was one of the first to become widely available in underground samizdat circulation. Alexander Solzhenitsyn relied heavily upon it when writing Gulag Archipelago, and it remains the best account of the daily life of women in the Soviet prison camps.

Arrested along with her husband (who, she would much later learn, was shot the next day) in the great purges of the thirties, Adamova-Sliozberg decided to record her Gulag experiences a year after her arrest, and she “wrote them down in her head” (paper and pencils were not available to prisoners) every night for years. When she returned to Moscow after the war in 1946, she composed the memoir on paper for the first time and then buried it in the garden of the family dacha. After her re-arrest and seven more years of banishment to Kazakhstan, she returned to the dacha to dig up the buried memoir, but could not find it. She sat down and wrote it all over again.

In her later years she also added a collection of stories about her family. Concluding on a hopeful note—Adamova-Sliozberg’s record is cleared, she re-marries a fellow former-prisoner, and she is reunited with her children—this story is a stunning account of perseverance in the face of injustice and unimaginable hardship. This vital primary source continues to fascinate anyone interesting in the tumultuous history of Russia and the Soviet Union in the twentieth century.
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cover of My Sister's Mother: A Memoir of War, Exile, and Stalin’s Siberia

My Sister's Mother

A Memoir of War, Exile, and Stalin’s Siberia

Donna Solecka Urbikas

University of Wisconsin Press, 2019

Donna Solecka Urbikas grew up in the Midwest during the golden years of the American century. But her Polish-born mother and half sister had endured dehumanizing conditions during World War II, as slave laborers in Siberia. War and exile created a profound bond between mother and older daughter, one that Donna would struggle to find with either of them.
            In 1940, Janina Ślarzynska and her five-year-old daughter Mira were taken by Soviet secret police (NKVD) from their small family farm in eastern Poland and sent to Siberia with hundreds of thousands of others. So began their odyssey of hunger, disease, cunning survival, desperate escape across a continent, and new love amidst terrible circumstances.
            But in the 1950s, baby boomer Donna yearns for a “normal” American family while Janina and Mira are haunted by the past. In this unforgettable memoir, Donna recounts her family history and her own survivor’s story, finally understanding the damaged mother who had saved her sister.

Finalist, Best Traditional Non-Fiction Book, Chicago Writers Association
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cover of My Soviet Union

My Soviet Union

Michael Dumanis

University of Massachusetts Press, 2007

The speaker of the simultaneously funny and devastating poems in this remarkable first collection comes from a country that, like the Soviet Union, no longer exists, a place he treats with a mixture of nostalgia, disdain, and bewilderment as he strives to achieve a sense of order in his current disordered environment, a post-apocalyptic landscape with striking similarities to our own. He takes the reader through haunting and disjunctive childhood memories, on visits to Azerbaijan and West Des Moines, through the ravages of physical and spiritual illness, into and out of wars and ill-fated romantic escapades, as he carefully pieces together a complex narrative of self. This is a book of location and dis-location, intent and inaction, struggle and failure, restraint and mania, love and anger, savagery and healing, grief and merriment, elegy and ode. Technically, the poems-often litanies-are marked by syntactical variation, recurring imagery, paradoxical statement, cultural idioms, shifts between high and low diction, a carnivalesque sense of humor, and an elliptical approach to exposition. The speaker also takes on the identities of various personae in the book, including Joseph Cornell, Vladimir Mayakovsky, Pol Pot, a vaudevillian, a movie extra, minor dictators, vagrants, ambigendered lovers, and a lighthouse keeper on an uninhabited island.

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cover of My War against the Nazis: A Jewish Soldier with the Red Army

My War against the Nazis

A Jewish Soldier with the Red Army

Adam Broner, with a foreword by Antony Polonsky

University of Alabama Press, 2007

A poignant account of the perils and fortunes of an indomitable survivor of violence in Eastern Europe during World War II.

In 1939, to escape Nazi occupation, 14-year-old Adam Broner and his older brother Sam left their home and family in Lodz, Poland, and made their way to the Soviet Union. Adam enlisted in the Red Army to join the fight against the Nazis but was sent to work in a Siberian coal mine instead when his nationality was discovered. After a bold and daring escape from Siberia, Broner reached the Soviet Polish Kosciuszko Army, joined the struggle against the Nazis, participated in the liberation of Poland, and rode victorious into Berlin in 1945. He later learned that his parents, siblings (except Sam), and all other close relatives had perished during the war. 


 Broner rebuilt his life, established a family, returned to Moscow for a degree in economics, and then went back to Poland, where he accepted a job in the Polish central planning agency. Eventually fed up with the growing anti-Semitism of the Communist government there, the author emigrated to the United States in 1969. He earned a doctorate from Princeton University and served as an economic adviser to New Jersey governors and the state legislature. In retirement, Broner learned portrait painting and reproduced the likenesses of his parents and siblings from memory, which are presented along with their biographies in this book.

In recounting his struggle for survival during some of the most dramatic upheavals of the 20th century— the Great Depression, Nazism, World War II, and the spread of Communism in Central Europe— Broner reveals a life dedicated to the ultimate goal of freedom, which he achieved through a combination of arduous effort and fortunate circumstance.

 

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