527 books match the query 'Translations into English' and 18 start with m

cover of Madwomen: The "Locas mujeres" Poems of Gabriela Mistral, a Bilingual Edition

Madwomen

The "Locas mujeres" Poems of Gabriela Mistral, a Bilingual Edition

Gabriela Mistral

University of Chicago Press, 2008

A stunning collection of poems in translation by a groundbreaking Chilean woman

A schoolteacher whose poetry catapulted her to early fame in her native Chile and an international diplomat whose boundary-defying sexuality still challenges scholars, Gabriela Mistral (1889–1957) is one of the most important and enigmatic figures in Latin American literature of the last century. The Locas mujeres poems collected here are among Mistral’s most complex and compelling, exploring facets of the self in extremis—poems marked by the wound of blazing catastrophe and its aftermath of mourning.
            From disquieting humor to balladlike lyricism to folkloric wisdom, these pieces enact a tragic sense of life, depicting “madwomen” who are anything but mad. Strong and intensely human, Mistral’s poetic women confront impossible situations to which no sane response exists. This groundbreaking collection presents poems from Mistral’s final published volume as well as new editions of posthumous work, featuring the first English-language appearance of many essential poems. Madwomen promises to reveal a profound poet to a new generation of Anglophone readers while reacquainting Spanish readers with a stranger, more complicated “madwoman” than most have ever known.
 
 
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cover of Man-Making Words: Selected Poems of Nicolas Guillen

Man-Making Words

Selected Poems of Nicolas Guillen

Nicolas Guillen

University of Massachusetts Press, 2003

The Cuban poet Nicolás Guillén, who was born in the eastern province of Camagüey in 1902, died in 1989. This new edition of his selected poems, reissued thirty years after its original publication, includes an extensive, new introductory essay by Roberto Márquez, one of the original translators and a leading authority on Caribbean and Latin American literature and culture.

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cover of Marayrasu: Stories

Marayrasu

Stories

Edgardo Rivera Martínez, Amy Olen

Northwestern University Press, 2026

The first English-language collection of short stories by award-winning Peruvian author Edgardo Rivera Martínez

The stories in Marayrasu stage fantastical, mysterious encounters that belie the characters’ often harsh economic and political realities as they seek belonging in modern Peru through art, music, and relationships. Depicted in poetic prose, these characters are loners, orphans, and outcasts experiencing quiet, tender encounters with other people and animals, the creative arts, and the land they find themselves depending on. Living vibrantly within these stories, the leviathan of Inca lore considers its own form, a young boy moves to a mining town and gets involved with a local union leader’s fight for worker rights while feeling the powerful pull of a large mountain overlooking the town, and a Persian cat captures the attention of a family down on its luck. Amy Olen’s translation smoothly captures Rivera Martínez’s impressive stories, offering a unique lens into the region at the heart of this canonical author’s inimitable work.
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cover of Martin Kacur: The Biography of an Idealist

Martin Kacur

The Biography of an Idealist

Ivan Cankar

Central European University Press, 2009

The novel Martin Kacur, which dates from 1907, tells the engrossing story of a young schoolteacher who moves from one provincial Slovene town to the next, trying to enlighten his countrymen and countrywomen but instead receiving only the mistrust and scorn of the traditional-minded and petty population. The novel is ruthless in its analysis and self-analysis of the failure of this abstract idealist. Brilliant descriptions of Slovenia’s natural beauty alternate with the haze of alcoholic despair, rural violence, marital alienation, and the death of a young and beloved child. The Slovene prose writer, poet, and dramatist Cankar’s characterizations of duplicitous political and religious leaders (the village priest, the mayor, other teachers, doctors, etc.) and the treacherous social scene are remarkable in their engaging clarity. No doubt the raw emotional impact of Martin Kacur derives partly from Cankar’s portrayal of the way society isolates people, denying them sympathy and solidarity. Cankar's style here owes a debt both to naturalism and to symbolism and contains, in its sometimes frantic pace and associative interior monologues, hints of early expressionism.
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cover of Maryam: Keeper of Stories

Maryam

Keeper of Stories

Alawiya Sobh

Seagull Books, 2016

This acclaimed novel is set during the Lebanese Civil War and offers a rare depiction of women’s experiences amid this sprawling, region-defining conflict. In Alawiya Sobh’s hands, the details of everyday life mix with female voices from across classes, sects, and generations to create an indelible picture of a climate where violence and war are the overt outbreak of a simmering tension that underlies the life in the region. Here, stories struggle to survive the erasure of war and rescue the sweetness of living, trying to connect the tellers and their audience while transforming pain and love into abiding, sustaining art. Rendered sensitively into English through a close collaboration between author and translator, Maryam offers an unforgettable picture of conflict and its costs.
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cover of Mayakovsky: Plays

Mayakovsky

Plays

Vladimir Mayakovsky

Northwestern University Press, 1995

One of Russia's greatest poets, Vladimir Mayakovsky (1893–1930) was a Futurist, early Bolshevik, and champion of the avant-garde. Despite his revolutionary youth, he became increasingly disillusioned with Soviet society, and three of his plays—all banned until after Stalin's death—reflect his changing assessments of the Revolution.

Mayakovsky: Plays includes Mystery Bouffe, a mock medieval mystery written in 1918 to celebrate the first anniversary of the Revolution; The Bathhouse, a sharp attack on Soviet bureaucracy subtitled "a drama of circus and fireworks"; and The Bedbug, in which a worker with bourgeois pretensions is frozen and resurrected fifty years later, when the world has become a material paradise. The collection also includes Mayakovsky's more personal first play, Vladimir Mayakovsky: A Tragedy.
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cover of Menachem Kipnis: Yiddish Folklore and Photographs from Interwar Poland

Menachem Kipnis

Yiddish Folklore and Photographs from Interwar Poland

Sheila E. Jelen

Rutgers University Press, 2026

Menachem Kipnis (1878–1942) was one of the early twentieth-century’s greatest Jewish eastern European ethnomusicologists, folklorists, and photographers. He had a weekly column in the Warsaw Yiddish newspaper Haynt, retelling humorous old folk stories about the fictional Polish town of Chelm, populated exclusively by fools. At the same time, his photographs of Jewish life in eastern Europe regularly appeared in the Forverts (Forward), the most popular Yiddish daily newspaper in the United States. Now, for the first time, Kipnis’s stories and photographs are published together in a single book.

Menachem Kipnis brings these photographs and stories into dialogue with one another, bridging the Jewish communities in Poland and in America during the interwar period. This dialogue, between image and text, between European metropolis and American metropolis, captures a key historical moment when American Jews sought to imagine the lives of their coreligionists in the “Old Country” and eastern European urban Jews sought to distinguish themselves from their Jewish compatriots who were still living in the shtetl. Including an introductory essay, annotations, and an epilogue by Sheila E. Jelen, Menachem Kipnis suggests new ways of understanding both visual and literary depictions of eastern European Jewish culture between the two world wars.

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cover of Milestones: A Bilingual Edition

Milestones

A Bilingual Edition

Marina Tsvetaeva, translated from the Russian by Robin Kemball

Northwestern University Press, 2003

Milestones is an apt title for this collection, for the eighty-four poems within show a poet passing from mere talent into mastery of her craft. Composed between January and December of 1916, these poems find the twenty-four year-old Tsvetaeva thirsting for the fullness of life while at the same time contemplating the inevitability of death—a theme she was to revisit many times in her career. Tsvetaeva's work of the time also reflects her knowledge of (and pride in) her native culture, especially the centrality of Moscow as the ultimate destination of all Russians. Throughout the verse she opens up to the sensual wonders of nature—sky, forest, wind, and not least her beloved daughter Alya, who would come to figure greatly in the work and legacy of her mother.

Milestones lays out a sensual feast of moods, themes, styles, and rhythms—all the ingredients that would in time reveal Tsvetaeva as one of the most daring and original poets of her time.
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cover of Mirror to the Cage: Three Contemporary Hungarian Plays

Mirror to the Cage

Three Contemporary Hungarian Plays

Clara Györgyey

University of Arkansas Press, 1993

This volume presents the works of three distinguished contemporary Hungarian playwrights which together mirror and elucidate the calamitous history of East Central Europe from World War II to the 1970s. Genre 3:
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cover of Missing Persons, Animals, and Artists

Missing Persons, Animals, and Artists

Roberto Ransom

Swan Isle Press, 2017

Elegant prose and imaginative ironies bring these compelling short stories to life in this first English-language collection from Mexican author Roberto Ransom. Each of the ten stories is filled with fascinating, yet enigmatic and sometimes elusive characters: an alligator in a bathtub, an invisible toad who appears only to a young boy, the beautiful redheaded daughter of a mushroom collector, a deceased journalist who communicates in code, and even Leonardo Da Vinci himself, meditating on The Last Supper. One of Mexico’s most original writers, Ransom explores these characters’ emotional depths as they move through their fantastical worlds that, while at times unfamiliar, offer brave and profound insights into our own.
           
Missing Persons, Animals, and Artists is the follow-up to Ransom’s highly acclaimed A Tale of Two Lions, praised by Ignacio Padilla as “the best Mexican literary work I have read in recent years. . . . [It] heralds a pen capable of that rarest of privileges in our letters: attaining the comic and profoundly human through a perfect simplicity.”  This collection of short stories has been translated with great care by Daniel Shapiro.
 
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cover of Modern Swedish Prose in Translation

Modern Swedish Prose in Translation

Karl Erik Lagerlof, Editor

University of Minnesota Press, 1979

Modern Swedish Prose in Translation was first published in 1979. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

These excerpts from Swedish prose works - mostly novels - reflect major shifts in mood and style in the 25 years since 1950. Editor Karl Erik Lagerlof traces cultural and political developments in Sweden from the post-World War II era, when writers felt themselves in a world devoid of political meaning and rejected realism as a literary mode, down to the intensely political years of the Vietnam era. The selections in this anthology range from the anti-ideological works of the postwar years to recent documentary methods influenced by Marxism, structuralism, and a renewed political consciousness.

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cover of Moralia et Ascetica Armeniaca: The Oft-Repeated Discourses

Moralia et Ascetica Armeniaca

The Oft-Repeated Discourses

Abraham Terian

Catholic University of America Press, 2022

The twenty-three discourses presented in this volume have a long textual history that ascribes them to St. Gregory the Illuminator of Armenia (d. 328), a prevalent view that lasted through the nineteenth century. Armenian scholarship through the last century has tended to ascribe them to St. Mashtots‘, the inventor of the Armenian alphabet (d. 440). In his critical introduction to this first-ever English translation of the discourses, Terian presents them as an ascetic text by an anonymous abbot writing near the end of the sixth century. The very title in Armenian, Yačaxapatum Čaŕk‘, literally, “Oft-Repeated Discourses,” further validates their ascetic environment, where they were repeatedly related to novices. For want of answers to introductory questions regarding authorship and date, and because of the pervasive grammatical difficulties of the text, the document has remained largely unknown in scholarship. The discourses include many of the Eastern Fathers’ favorite theological themes. They are heavily punctuated with biblical quotations and laced with recurring biblical images and phraseology; the doctrinal and functional centrality of the Scriptures is emphasized throughout. They are replete with traditional Christian moral teachings that have acquired elements of moral philosophy transmitted through Late Antiquity. Echoes of St. Basil’s thought are heard in several of them, and some evidence of the author’s dependence on the Armenian version of the saint’s Rules, translated around the turn of the sixth century, is apparent. On the whole they show how Christians were driven by the Johannine love-command and the Pauline Spirit-guided practice of virtuous living, ever maturing in the ethos of an in-group solidarity culminating in monasticism.
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cover of Mormons in Paris: Polygamy on the French Stage, 1874-1892

Mormons in Paris

Polygamy on the French Stage, 1874-1892

Corry Cropper

Bucknell University Press, 2021

Winner of the 2021 Best International Book Award from the Mormon History Association

In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent “others,” however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth’s Twelve Wives (1890), and Stephana’s Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Musho!: Zulu Popular Praises

Musho!

Zulu Popular Praises

Liz Gunner

Michigan State University Press, 1991

In Musho! Zulu Popular Praises Elizabeth Gunner, an authority on Zulu literature at the School of Oriental and African Studies at the University of London, and Mafika Gwala, a South African teacher and poet, have translated, transcribed, and annotated a wide variety of Zulu izibongo poetry. In so doing, they have revealed the incredible breadth of this traditional genre, which is usually equated with nineteenth-century epic traditions that celebrate the deeds of Shaka and the successor kings of his Zulu monarchy.
Musho!, with its extensive historical introduction, and literary commentary on Zulu poetry, is a major contribution to the field.
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cover of My Heart Became a Bomb

My Heart Became a Bomb

Poems by Ramy al-Asheq; translated by Levi Thompson

University of Texas Press, 2021

My Heart Became a Bomb is the first collection of poetry by Syrian-Palestinian poet Ramy al-Asheq to be translated into English. Poignant and raw, these poems take the reader along a path of forced emigration from Bashar al-Assad’s prisons in Syria to Amsterdam to Auschwitz to Berlin, Germany, where Al-Asheq is now creating a new home. By turns melancholy and reflective, celebratory and hopeful, Al-Asheq’s newly translated poems offer the English-reading audience a contemporary perspective on the experience of exile in a world facing the phenomeno of mass migration, whether for political or environmental reasons. The translations are the result of a long collaboration between Al-Asheq and Thompson (who also edited this collection). Raising questions about the nature of love, identity, and the role of poetry in the face of constant flux and great uncertainty, My Heart Became a Bomb introduces an important new voice to the world of contemporary poetry.

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cover of My Sister Life and The Zhivago Poems

My Sister Life and The Zhivago Poems

Boris Pasternak, Translated from the Russian by James E. Falen

Northwestern University Press, 2012

Boris Pasternak is best known in the West for his epic novel Doctor Zhivago, whereas in Russia he is most celebrated as a poet. The two poetry collections offered here in translation are chronological and thematic bookends, and they capture Pasternak’s abiding and powerful vision of life: his sense of its beauty and terror, its precariousness for the individual, and its persistence in time—that vitality of being with which he is on familiar and familial terms.

In the early work My Sister Life, which commemorates the year 1917, Pasternak, then in his late twenties, found his poetic voice. The book would go on to become one of the most influential collections of Rus­sian poetry of the twentieth century. “The Poems of Yury Zhivago” are a part of the poet’s famous novel, Dr. Zhivago, whose title might be rendered in English as “Doctor Life.” These later lyrics are a kind of summing up that reflect, from the perspective of age and approaching death, upon the accumulated experience of a contemplative life amid turbulent and terrifying times.

Falen’s fresh new translations of these poems capture their expres­sion of the beauty and the joy, the terror and the pain, of what it is to be alive . . . and to die.

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cover of Mystical Poems of Rumi

Mystical Poems of Rumi

Jalal al-Din Rumi

University of Chicago Press, 2009

My verse resembles the bread of Egypt—night passes over it, and you cannot eat it any more.
Devour it the moment it is fresh, before the dust settles upon it.
Its place is the warm climate of the heart; in this world it dies of cold.
Like a fish it quivered for an instant on dry land, another moment and you see it is cold.
Even if you eat it imagining it is fresh, it is necessary to conjure up many images.
What you drink is really your own imagination; it is no old tale, my good man.

Jalal al-Din Rumi (1207–73), legendary Persian Muslim poet, theologian, and mystic, wrote poems acclaimed through the centuries for their powerful spiritual images and provocative content, which often described Rumi’s love for God in romantic or erotic terms. His vast body of work includes more than three thousand lyrics and odes. This volume includes four hundred poems selected by renowned Rumi scholar A. J. Arberry, who provides here one of the most comprehensive and adept English translations of this enigmatic genius. Mystical Poems is the definitive resource for anyone seeking an introduction to or an enriched understanding of one of the world’s greatest poets.
 
“Rumi is one of the world’s greatest lyrical poets in any language—as well as probably the most accessible and approachable representative of Islamic civilization for Western students.”—James W. Morris, Oberlin College
 
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cover of mPalermu, Dancers, and Other Plays

mPalermu, Dancers, and Other Plays

Emma Dante

Swan Isle Press, 2019

Emma Dante’s passionate and brutal plays stem from a need to confront important familial and societal realities in contemporary southern Italy. Her twenty-first century tales challenge stereotypes of the country and stage acts of resistance against the social, political, and economic conditions of Sicily. The seven works in this anthology paint a complex image of the peninsula through stories of disenfranchisement, misogyny, deep-set bigotry, and religious hypocrisy that reveal economic disparities between the north and south of the country, oppressive gender relations, and deep rooted mafioso-like attitudes. Dante’s lyrical and visceral storytelling oscillates between the humorous and the tragic aspects of everyday life, undertaking an irreverent subversion of the status quo with its extreme physicality and unsettling imagery.

This exquisite first English translation of Emma Dante’s work enables English-speaking readers, theatre scholars, and directors alike to encounter character-driven “civic theatre” with its portraits of individuals existing at the fringes of Italy. Ultimately, it allows us to “listen” to those who are not given a voice anywhere else.
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