18284 books match the query 'United States' and 949 start with m

cover of Main Street Revisited: Time, Space, and Image Building in Small-Town America

Main Street Revisited

Time, Space, and Image Building in Small-Town America

Richard V. Francaviglia

University of Iowa Press, 1996

As an archetype for an entire class of places, Main Street has become one of America's most popular and idealized images. In Main Street Revisited, the first book to place the design of small downtowns in spatial and chronological context, Richard Francaviglia finds the sources of romanticized images of this archetype, including Walt Disney's Main Street USA, in towns as diverse as Marceline, Missouri, and Fort Collins, Colorado.

Francaviglia interprets Main Street both as a real place and as an expression of collective assumptions, designs, and myths; his Main Streets are treasure troves of historic patterns. Using many historical and contemporary photographs and maps for his extensive fieldwork and research, he reveals a rich regional pattern of small-town development that serves as the basis for American community design. He underscores the significance of time in the development of Main Street's distinctive personality, focuses on the importance of space in the creation of place, and concentrates on popular images that have enshrined Main Street in the collective American consciousness.

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cover of Main Street and Empire: The Fictional Small Town in the Age of Globalization

Main Street and Empire

The Fictional Small Town in the Age of Globalization

Poll, Ryan

Rutgers University Press, 2012

The small town has become a national icon that circulates widely in literature, culture, and politics as an authentic American space and community. Yet there are surprisingly few critical studies that analyze the small town’s centrality to the United States’ identity and imagination.

In Main Street and Empire, Ryan Poll addresses this need, arguing that the small town, as evoked by the image of “Main Street,” is not a relic of the past but rather a metaphorical screen upon which America’s “everyday” stories and subjects are projected on both a national and global scale.

Bringing together a broad selection of texts—from Thornton Wilder’s Our Town, Grace Metalious’s Peyton Place, and Peter Weir’s The Truman Show to the speeches of William McKinley, Ronald Reagan, Sarah Palin, and Barack Obama—Poll examines how the small town is used to imagine and reproduce the nation throughout the twentieth- and into the twenty-first century. He contends that the dominant small town, despite its innocent, nostalgic appearance, is central to the development of the U.S. empire and global capitalism.


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cover of Maine’s Lithographic Landscapes: Town and City Views, 1830-1870

Maine’s Lithographic Landscapes

Town and City Views, 1830-1870

Earle G. Shettleworth Jr.

Brandeis University Press, 2020

During the nineteenth century, Americans celebrated their towns and cities through printed landscapes. In Maine, lithographs were commissioned from such leading artists as Fitz Henry Lane and talented, lesser known local artists, such as Esteria Butler. This book reproduces many of these works and provides insights into how these growing centers of commerce and industry viewed themselves and wished to be viewed by others. 

It’s the perfect book for those who love Maine, both full-time residents and those who make it a beloved summer destination. 

Published in association with the Bowdoin College Museum of Art on the occasion of the bicentennial of Maine statehood.

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cover of Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States

Mainstreaming Palestine

Cinematic Activism and Solidarity Politics in the United States

Umayyah Cable

University of Minnesota Press, 2025

A history of cinema’s role in popularizing the politics of Palestinian liberation

 

For decades, Arab American activists and allies have used film, video, and multimedia to mobilize support for the Palestinian cause in the United States. In this detailed history of cinema’s role within the broader solidarity movement, Umayyah Cable analyzes the various strands of cinematic activism that have helped move Palestinian liberation politics from the periphery and into the mainstream.

 

Cable charts the shifting discourse around Palestine as it has been shaped by grassroots film production and alternative media distribution networks as well as more conventional outlets. Ranging from the circulation of educational filmstrips by the Association of Arab American University Graduates in the 1970s to the treatment of Palestinian solidarity at contemporary Hollywood awards ceremonies and film festivals, Mainstreaming Palestine tells the story of how cinema has promoted Palestinian liberation and solidarity politics. While highlighting various public controversies and struggles against censorship, Cable also acknowledges the drawbacks of the Palestinian cause being subsumed by the mainstream, discussing how activism risks becoming fashionable, undermining the radical potential of the very tools that helped bring it there.

 

Combining archival research, ethnographic observation and interviews, text analysis, and visual analysis of film, video, and multimedia, Mainstreaming Palestine encourages readers to critically assess the relationship between the politics of liberation and the all-consuming engine of contemporary capitalism. By underscoring the impact of visual media on the evolution of the Palestinian solidarity discourse, this book offers both a treatise on the practical power of cinema and a necessary historicization of an urgent issue in American politics.

 

 

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cover of Major Robert Farmar of Mobile

Major Robert Farmar of Mobile

Robert R. Rea

University of Alabama Press, 1990

The flamboyant military career of a colonist loyal to the British crown before the Revolution.

"An engaging biography [and] a colorful tale. . . . Robert Farmar, a son of New Jersey, used his position among that colony's elite to secure a commission as a captain in the British Army during the War of Jenkins' Ear and King George's War, serving in the unsuccessful assaults at Cartegena, Cuba, and Panama and then in the disaster at Fontenoy in Flanders and in the reversals at Rocoux and Laffeldt. . . . During the Seven Years' War he participated in the capture of Havana.


 

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cover of Major Trade-Offs: The Surprising Truths about College Majors and Entry-Level Jobs

Major Trade-Offs

The Surprising Truths about College Majors and Entry-Level Jobs

Corey Moss-Pech

University of Chicago Press, 2025

An eye-opening look at the relationship between students’ majors and their entry-level jobs.

Humanities majors are used to answering the question, “So, what are you going to do with that degree?” The common misconception is that students in humanities programs don’t learn any useful skills for the real world. In Major Trade-Offs, sociologist Corey Moss-Pech argues that not only do humanities majors learn real-world skills, but they actually use them when they graduate. Despite this discrepancy, graduates with so-called practical degrees like business and engineering are much more likely to find employment, and they earn higher salaries. Why do we belittle a liberal arts education despite the valuable skills that students acquire during their studies?
 
Major Trade-Offs addresses this question by following students from different majors as they enter the workforce. To understand the relationship between majors and entry-level jobs, Moss-Pech conducted nearly 200 interviews with roughly ninety students from four majors at a large Midwestern university: engineering, business, English, and communications. He follows these students through their senior years, chronicling their internships and the support their universities provide in helping them pursue their career paths. He found that graduates from practical majors entered the labor market successfully, typically through structured internship programs. However, many ended up in entry-level jobs that, while well-paid, were largely clerical and didn’t necessarily require a degree to perform. On the other hand, liberal arts majors rarely accessed structured internships and were largely left to carve out their own paths, but did use their degree skills once they secured a job. These results challenge popular myths about the “marketability” of these different majors and offer a new vision for the future of higher education. Liberal arts skills are essential in the labor market, and yet educators and policymakers still push resources into the practical arts, perpetuating the myth that those majors are more valuable while depriving students of a well-rounded education and leaving them no better prepared for the workforce than liberal arts students.
 
Of interest to students, educators, and employers, Major Trade-Offs calls on colleges and universities to advocate for liberal arts majors, leveling the playing field for students as they plan for entry-level work.
 
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cover of Majoritarian Cities: Policy Making and Inequality in Urban Politics

Majoritarian Cities

Policy Making and Inequality in Urban Politics

Neil Kraus

University of Michigan Press, 2013

Neil Kraus evaluates both the influence of public opinion on local policy-making and the extent to which public policy addresses economic and social inequalities. Drawing on several years of fieldwork and multiple sources of data, including surveys and polls; initiatives, referenda, and election results; government documents; focus groups; interviews; and a wide assortment of secondary sources, Kraus presents case studies of two Midwestern cities, Minneapolis, Minnesota, and Gary, Indiana. Specifically, he focuses on several major policy decisions in recent decades concerning education, law enforcement, and affordable housing in Minneapolis; and education and riverboat casino development in Gary.

Kraus finds that, on these issues, local officials frequently take action that reflects public opinion, yet the resulting policies often fail to meet the needs of the disadvantaged or ameliorate the effects of concentrated poverty. In light of citizens’ current attitudes, he concludes that if patterns of inequality are to be more effectively addressed, scholars and policymakers must transform the debate about the causes and effects of inequality in urban and metropolitan settings.

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cover of Majority of Scoundrels, A: An Informal History of the Rocky Mountain Fur Company

Majority of Scoundrels, A

An Informal History of the Rocky Mountain Fur Company

Don Berry

Oregon State University Press, 2006

With the skill of a historian, Don Berry set his celebrated trilogy of novels—Trask, Moontrap, and To Build a Ship—in pioneer-era Oregon. In A Majority of Scoundrels, he brings the craft of a novelist to his captivating history of the American fur trade.

Berry’s fresh and invigorating narrative captures the peak years (1822-1834) of the fur trade in the Mountain West, the period in which the Rocky Mountain Fur Company grew to be “the greatest name in the mountains.” These were heady times in which trappers and traders explored the far corners of the western country, disputed territory with Native American tribes and the Hudson’s Bay Company, learned the lore of the land, and perfected their drinking, brawling, yarn-spinning, and boasting at the annual rendezvous.

With lively prose and an ear for a good yarn, Berry brings to life the principal trappers—colorful figures including Jim Bridger, Hugh Glass (who miraculously survived the mauling of a bear and came back from death to haunt his fellows), champion liar James P. Beckwourth, Joe Meek, Jedediah Smith, Jim Clyman, and many more. Using their journals, business records, and other sources, Berry laces his back-country narrative with an analysis of the power struggle between the St. Louis businessmen who controlled the trade and the trappers.

A new introduction by historian Stephen Dow Beckham looks beyond the romantic legends of the mountain men to set A Majority of Scoundrels in the context of recent scholarship on the American West. While Beckham demonstrates just how much our sense of history has changed in the almost fifty years since Berry’s work was first published, he also helps readers understand the continuing appeal of the mythology of the fur trade era and the lasting importance of A Majority of Scoundrels.
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cover of Make It Rain: State Control of the Atmosphere in Twentieth-Century America

Make It Rain

State Control of the Atmosphere in Twentieth-Century America

Kristine C. Harper

University of Chicago Press, 2017

Weather control. Juxtaposing those two words is enough to raise eyebrows in a world where even the best weather models still fail to nail every forecast, and when the effects of climate change on sea level height, seasonal averages of weather phenomena, and biological behavior are being watched with interest by all, regardless of political or scientific persuasion. But between the late nineteenth century—when the United States first funded an attempt to “shock” rain out of clouds—and the late 1940s, rainmaking (as it had been known) became weather control. And then things got out of control.

In Make It Rain, Kristine C. Harper tells the long and somewhat ludicrous history of state-funded attempts to manage, manipulate, and deploy the weather in America. Harper shows that governments from the federal to the local became helplessly captivated by the idea that weather control could promote agriculture, health, industrial output, and economic growth at home, or even be used as a military weapon and diplomatic tool abroad. Clear fog for landing aircraft? There’s a project for that. Gentle rain for strawberries? Let’s do it! Enhanced snowpacks for hydroelectric utilities? Check. The heyday of these weather control programs came during the Cold War, as the atmosphere came to be seen as something to be defended, weaponized, and manipulated. Yet Harper demonstrates that today there are clear implications for our attempts to solve the problems of climate change.
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cover of Make Ours Marvel: Media Convergence and a Comics Universe

Make Ours Marvel

Media Convergence and a Comics Universe

Edited by Matt Yockey

University of Texas Press, 2017

The creation of the Fantastic Four effectively launched the Marvel Comics brand in 1961. Within ten years, the introduction (or reintroduction) of characters such as Spider-Man, the Hulk, Iron Man, Captain America, and the X-Men catapulted Marvel past its primary rival, DC Comics, for domination of the comic book market. Since the 2000s, the company’s iconic characters have leaped from page to screens with the creation of the Marvel Cinematic Universe, which includes everything from live-action film franchises of Iron Man and the Avengers to television and streaming media, including the critically acclaimed Netflix series Daredevil and Jessica Jones. Marvel, now owned by Disney, has clearly found the key to transmedia success.

Make Ours Marvel traces the rise of the Marvel brand and its transformation into a transmedia empire over the past fifty years. A dozen original essays range across topics such as how Marvel expanded the notion of an all-star team book with The Avengers, which provided a roadmap for the later films, to the company’s attempts to create lasting female characters and readerships, to its regular endeavors to reinvigorate its brand while still maintaining the stability that fans crave. Demonstrating that the secret to Marvel’s success comes from adeptly crossing media boundaries while inviting its audience to participate in creating Marvel’s narrative universe, this book shows why the company and its characters will continue to influence storytelling and transmedia empire building for the foreseeable future.

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cover of Make Room for TV: Television and the Family Ideal in Postwar America

Make Room for TV

Television and the Family Ideal in Postwar America

Lynn Spigel

University of Chicago Press, 1992

Between 1948 and 1955, nearly two-thirds of all American families bought a television set—and a revolution in social life and popular culture was launched.

In this fascinating book, Lynn Spigel chronicles the enormous impact of television in the formative years of the new medium: how, over the course of a single decade, television became an intimate part of everyday life. What did Americans expect from it? What effects did the new daily ritual of watching television have on children? Was television welcomed as an unprecedented "window on the world," or as a "one-eyed monster" that would disrupt households and corrupt children?

Drawing on an ambitious array of unconventional sources, from sitcom scripts to articles and advertisements in women's magazines, Spigel offers the fullest available account of the popular response to television in the postwar years. She chronicles the role of television as a focus for evolving debates on issues ranging from the ideal of the perfect family and changes in women's role within the household to new uses of domestic space. The arrival of television did more than turn the living room into a private theater: it offered a national stage on which to play out and resolve conflicts about the way Americans should live.

Spigel chronicles this lively and contentious debate as it took place in the popular media. Of particular interest is her treatment of the way in which the phenomenon of television itself was constantly deliberated—from how programs should be watched to where the set was placed to whether Mom, Dad, or kids should control the dial.

Make Room for TV combines a powerful analysis of the growth of electronic culture with a nuanced social history of family life in postwar America, offering a provocative glimpse of the way television became the mirror of so many of America's hopes and fears and dreams.
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cover of Make Way for Liberty: Wisconsin African Americans in the Civil War

Make Way for Liberty

Wisconsin African Americans in the Civil War

Jeff Kannel

Wisconsin Historical Society Press, 2020

Hundreds of African American soldiers and regimental employees represented Wisconsin in the Civil War, and many of them lived in the state either before or after the conflict. And yet, if these individuals are mentioned at all in histories of the state, it is with a sentence or two about their small numbers, or the belief that they all were from slaveholding states and served as substitutes for Wisconsin draftees.  Relative to the total number of Badgers who served in the Civil War, African Americans soldiers were few, but they constituted a significant number in at least five regiments of the United States Colored Infantry and several other companies. Their lives before and after the war in rural communities, small towns, and cities form an enlightening story of acceptance and respect for their service but rejection and discrimination based on their race. Make Way for Liberty will bring clarity to the questions of how many African Americans represented Wisconsin during the conflict, who among them lived in the state before and after the war, and their impact on their communities
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cover of Make Yourselves Gods: Mormons and the Unfinished Business of American Secularism

Make Yourselves Gods

Mormons and the Unfinished Business of American Secularism

Peter Coviello

University of Chicago Press, 2019

From the perspective of Protestant America, nineteenth-century Mormons were the victims of a peculiar zealotry, a population deranged––socially, sexually, even racially––by the extravagances of belief they called “religion.” Make Yourselves Gods offers a counter-history of early Mormon theology and practice, tracking the Saints from their emergence as a dissident sect to their renunciation of polygamy at century’s end.
 
Over these turbulent decades, Mormons would appear by turns as heretics, sex-radicals, refugees, anti-imperialists, colonizers, and, eventually, reluctant monogamists and enfranchised citizens. Reading Mormonism through a synthesis of religious history, political theology, native studies, and queer theory, Peter Coviello deftly crafts a new framework for imagining orthodoxy, citizenship, and the fate of the flesh in nineteenth-century America. What emerges is a story about the violence, wild beauty, and extravagant imaginative power of this era of Mormonism—an impassioned book with a keen interest in the racial history of sexuality and the unfinished business of American secularism.
 
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cover of Make Yourselves Gods: Mormons and the Unfinished Business of American Secularism

Make Yourselves Gods

Mormons and the Unfinished Business of American Secularism

Peter Coviello

University of Chicago Press, 2019

This is an auto-narrated audiobook edition of this book.

From the perspective of Protestant America, nineteenth-century Mormons were the victims of a peculiar zealotry, a population deranged––socially, sexually, even racially––by the extravagances of belief they called “religion.” Make Yourselves Gods offers a counter-history of early Mormon theology and practice, tracking the Saints from their emergence as a dissident sect to their renunciation of polygamy at century’s end.
 
Over these turbulent decades, Mormons would appear by turns as heretics, sex-radicals, refugees, anti-imperialists, colonizers, and, eventually, reluctant monogamists and enfranchised citizens. Reading Mormonism through a synthesis of religious history, political theology, native studies, and queer theory, Peter Coviello deftly crafts a new framework for imagining orthodoxy, citizenship, and the fate of the flesh in nineteenth-century America. What emerges is a story about the violence, wild beauty, and extravagant imaginative power of this era of Mormonism—an impassioned book with a keen interest in the racial history of sexuality and the unfinished business of American secularism.
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cover of Makeover TV: Selfhood, Citizenship, and Celebrity

Makeover TV

Selfhood, Citizenship, and Celebrity

Brenda R. Weber

Duke University Press, 2009

In 2004, roughly 25 makeover-themed reality shows aired on U.S. television. By 2009, there were more than 250, from What Not to Wear and The Biggest Loser to Dog Whisperer and Pimp My Ride. In Makeover TV, Brenda R. Weber argues that whether depicting transformations of bodies, trucks, finances, relationships, kids, or homes, makeover shows posit a self achievable only in the transition from the “Before-body”—the overweight figure, the decrepit jalopy, the cluttered home—to the “After-body,” one filled with confidence, coded with celebrity, and imbued with a renewed faith in the powers of meritocracy. The rationales and tactics invoked to achieve the After-body vary widely, from the patriotic to the market-based, and from talk therapy to feminist empowerment. The genre is unified by its contradictions: to uncover your “true self,” you must be reinvented; to be empowered, you must surrender to experts; to be special, you must look and act like everyone else.

Based on her analysis of more than 2,500 hours of makeover TV, Weber argues that the much-desired After-body speaks to and makes legible broader cultural narratives about selfhood, citizenship, celebrity, and Americanness. Although makeovers are directed at both male and female viewers, their gendered logic requires that feminized subjects submit to the controlling expertise wielded by authorities. The genre does not tolerate ambiguity. Conventional (middle-class, white, ethnically anonymous, heterosexual) femininity is the goal of makeovers for women. When subjects are male, makeovers often compensate for perceived challenges to masculine independence by offering men narrative options for resistance or control. Foregoing a binary model of power and subjugation, Weber provides an account of makeover television that is as appreciative as it is critical. She reveals the makeover show as a rich and complicated text that expresses cultural desires and fears through narratives of selfhood.

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cover of Maker Literacies for Academic Libraries: Integration into Curriculum

Maker Literacies for Academic Libraries

Integration into Curriculum

Edited by Katie Musick Peery

American Library Association, 2020

Melding universities’ strategic goals with libraries’ teaching and learning mission, the academic library makerspace can be a powerful catalyst for information literacy, offering faculty partners a place for interdisciplinary, experiential learning. If you’re pondering what it takes to get your makerspace into the curriculum, this volume’s relatable, first-hand accounts from librarians, makerspace staff, and faculty partners will give you the confidence to make the leap. Contributors, drawn from the IMLS-funded Maker Literacies project, describe pilots and assessment for a variety of demographics, course subjects, and makerspace equipment. Guided by their experiences, you’ll be ready to fully partner with faculty through the course integration and assessment process. Inside, you’ll learn

  • why academic librarians are uniquely situated to be leaders in the realm of makerspaces and makerspace literacy;
  • how the ACRL Framework informs maker competencies;
  • methods for using competencies and assessment in designing course assignments;
  • 5 steps for guiding faculty in creating assignments for makerspaces;
  • advice on developing a new staffing and service model to handle course-wide use of the makerspace;
  • steps for taking students through concept, design, prototype, and final product in a project management course;
  • how an ethical perspective engaged a women’s history course toward the “In Her Shoes” project; 
  • pedagogical strategies for integrating the makerspace into fine arts classes; and
  • ways to showcase makerspace outputs to generate excitement around campus.
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cover of Makerspaces

Makerspaces

Caitlin A. Bagley

American Library Association, 2014

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cover of Makeshift Chicago Stages: A Century of Theater and Performance

Makeshift Chicago Stages

A Century of Theater and Performance

Edited by Megan E. Geigner, Stuart J. Hecht, and Jasmine Jamillah Mahmoud

Northwestern University Press, 2021

Since Chicago’s founding, theater has blossomed in the city’s makeshift spaces, from taverns to parks, living rooms to storefronts. Makeshift Chicago Stages brings together leading historians to share the history of theater and performance in the Second City. The essays collected here theorize a regional theater history and aesthetic that are inherently improvisational, rough-and-tumble, and marginal, reflecting the realities of a hypersegregated city and its neighborhoods. Space and place have contributed to Chicago’s reputation for gritty, ensemble-led work, part of a makeshift ethos that exposes the policies of the city and the transgressive possibilities of performance.
 
This book examines the rise and proliferation of Chicago’s performance spaces, which have rooted the city’s dynamic, thriving theater community. Chapters cover well‑known, groundbreaking, and understudied theatrical sites, ensembles, and artists, including the 1893 Columbian Exposition Midway Plaisance, the 57th Street Artist Colony, the Fine Arts Building, the Goodman Theatre, the Federal Theatre Project, the Kingston Mines and Body Politic Theaters, ImprovOlympics (later iO), Teatro Vista, Theaster Gates, and the Chicago Home Theater Festival. By putting space at the center of the city’s theater history, the authors in Makeshift Chicago Stages spotlight the roles of neighborhoods, racial dynamics, atypical venues, and borders as integral to understanding the work and aesthetics of Chicago’s artists, ensembles, and repertoires, which have influenced theater practices worldwide. Featuring rich archival work and oral histories, this anthology will prove a valuable resource for theater historians, as well as anyone interested in Chicago’s cultural heritage.
 
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cover of Making America Corporate, 1870-1920

Making America Corporate, 1870-1920

Olivier Zunz

University of Chicago Press, 1992

In this groundbreaking study, Oliver Zunz examines how the growth of corporations changed
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cover of Making American Boys: Boyology and the Feral Tale

Making American Boys

Boyology and the Feral Tale

Kenneth B. Kidd

University of Minnesota Press, 2005

Will boys be boys? What are little boys made of? Kenneth B. Kidd responds to these familiar questions with a thorough review of boy culture in America since the late nineteenth century. From the "boy work" promoted by character-building organizations such as Scouting and 4-H to current therapeutic and pop psychological obsessions with children's self-esteem, Kidd presents the great variety of cultural influences on the changing notion of boyhood. Analyzing icons of boyhood and maleness from Huck Finn and The Jungle Book's Mowgli to Father Flanagan's Boys Town and even Michael Jackson, Kidd surveys films, psychoanalytic case studies, parenting manuals, historical accounts of the discoveries of "wolf-boys," and self-help books to provide a rigorous history of what it has meant to be an all-American boy.
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cover of Making Americans Healthier: Social and Economic Policy as Health Policy

Making Americans Healthier

Social and Economic Policy as Health Policy

Robert F. Schoeni

Russell Sage Foundation, 2008

The United States spends billions of dollars annually on social and economic policies aimed at improving the lives of its citizens, but the health consequences associated with these policies are rarely considered. In Making Americans Healthier, a group of multidisciplinary experts shows how social and economic policies seemingly unrelated to medical well-being have dramatic consequences for the health of the American people. Most previous research concerning problems with health and healthcare in the United States has focused narrowly on issues of medical care and insurance coverage, but Making Americans Healthier demonstrates the important health consequences that policymakers overlook in traditional cost-benefit evaluations of social policy. The contributors examine six critical policy areas: civil rights, education, income support, employment, welfare, and neighborhood and housing. Among the important findings in this book, David Cutler and Adriana Lleras-Muney document the robust relationship between educational attainment and health, and estimate that the health benefits of education may exceed even the well-documented financial returns of education. Pamela Herd, James House, and Robert Schoeni discover notable health benefits associated with the Supplemental Security Income Program, which provides financial support for elderly and disabled Americans. George Kaplan, Nalini Ranjit, and Sarah Burgard document a large and unanticipated improvement in the health of African-American women following the enactment of civil rights legislation in the 1960s. Making Americans Healthier presents ground-breaking evidence that the health impact of many social policies is substantial. The important findings in this book pave the way for promising new avenues for intervention and convincingly demonstrate that ultimately social and economic policy is health policy. A Volume in the National Poverty Center Series on Poverty and Public Policy
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cover of Making Americans: Children's Literature from 1930 to 1960

Making Americans

Children's Literature from 1930 to 1960

Gary D. Schmidt

University of Iowa Press, 2013

American children need books that draw on their own history and circumstances, not just the classic European fairy tales. They need books that enlist them in the great democratic experiment that is the United States. These were the beliefs of many of the authors, illustrators, editors, librarians, and teachers who expanded and transformed children’s book publishing between the 1930s and the 1960s.

Although some later critics have argued that the books published in this era offered a vision of a safe, secure, simple world without injustice or unhappy endings, Gary D. Schmidt shows that the progressive political agenda shared by many Americans who wrote, illustrated, published, and taught children’s books had a powerful effect. Authors like James Daugherty, Laura Ingalls Wilder, Lois Lenski, Ingri and Edgar Parin D’Aulaire, Virginia Lee Burton, Robert McCloskey, and many others addressed directly and indirectly the major social issues of a turbulent time: racism, immigration and assimilation, sexism, poverty, the Great Depression, World War II, the atomic bomb, and the threat of a global cold war.

The central concern that many children’s book authors and illustrators wrestled with was the meaning of America and democracy itself, especially the tension between individual freedoms and community ties. That process produced a flood of books focused on the American experience and intent on defining it in terms of progress toward inclusivity and social justice. Again and again, children’s books addressed racial discrimination and segregation, gender roles, class differences, the fate of Native Americans, immigration and assimilation, war, and the role of the United States in the world. Fiction and nonfiction for children urged them to see these issues as theirs to understand, and in some ways, theirs to resolve. Making Americans is a study of a time when the authors and illustrators of children’s books consciously set their eyes on national and international sights, with the hope of bringing the next generation into a sense of full citizenship.

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cover of Making Camp: Rhetorics of Transgression in  U.S. Popular Culture

Making Camp

Rhetorics of Transgression in U.S. Popular Culture

Helene A. Shugart and Catherine Egley Waggoner

University of Alabama Press, 2008

The rhetorical power of camp in American popular culture

Making Camp examines the rhetoric and conventions of “camp” in contemporary popular culture and the ways it both subverts and is co-opted by mainstream ideology and discourse, especially as it pertains to issues of gender and sexuality.
 
Camp has long been aligned with gay male culture and performance. Helene Shugart and Catherine Waggoner contend that camp in the popular media—whether visual, dramatic, or musical—is equally pervasive. While aesthetic and performative in nature, the authors argue that camp—female camp in particular—is also highly political and that conventions of femininity and female sexuality are negotiated, if not always resisted, in female camp performances. 
 
The authors draw on a wide range of references and figures representative of camp, both historical and contemporary, in presenting the evolution of female camp and its negotiation of gender, political, and identity issues. Antecedents such as Joan Crawford, Wonder Woman, Marilyn Monroe, and Pam Grier are discussed as archetypes for contemporary popular culture figures—Macy Gray, Gwen Stefani, and the characters of Xena from Xena: Warrior Princess and Karen Walker from Will & Grace.
 
Shugart and Waggoner find that these and other female camp performances are liminal, occupying a space between conformity and resistance. The result is a study that demonstrates the prevalence of camp as a historical and evolving phenomenon in popular culture, its role as a site for the rupture of conventional notions of gender and sexuality, and how camp is configured in mainstream culture and in ways that resist its being reduced to merely a style.
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cover of Making Care Count: A Century of Gender, Race, and Paid Care Work

Making Care Count

A Century of Gender, Race, and Paid Care Work

Mignon Duffy

Rutgers University Press, 2011

There are fundamental tasks common to every society: children have to be raised, homes need to be cleaned, meals need to be prepared, and people who are elderly, ill, or disabled need care. Day in, day out, these responsibilities can involve both monotonous drudgery and untold rewards for those performing them, whether they are family members, friends, or paid workers. These are jobs that cannot be outsourced, because they involve the most intimate spaces of our everyday lives--our homes, our bodies, and our families.

Mignon Duffy uses a historical and comparative approach to examine and critique the entire twentieth-century history of paid care work--including health care, education and child care, and social services--drawing on an in-depth analysis of U.S. Census data as well as a range of occupational histories. Making Care Count focuses on change and continuity in the social organization along with cultural construction of the labor of care and its relationship to gender, racial-ethnic, and class inequalities. Debunking popular understandings of how we came to be in a "care crisis," this book stands apart as an historical quantitative study in a literature crowded with contemporary, qualitative studies, proposing well-developed policy approaches that grow out of the theoretical and empirical arguments.

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cover of Making Care Work: Employed Mothers in the New Childcare Market

Making Care Work

Employed Mothers in the New Childcare Market

Uttal, Lynet

Rutgers University Press, 2002

As ever more women work outside the home, ever more families employ childcare workers. In the absence of government regulations or social models that clearly define the childcare provider’s role, mothers worry about the quality of care their children are getting. By connecting the personal level of mothers’ daily experiences to the larger political, economic, and ideological context of childcare, Lynet Uttal describes and explains how mothers rely on their relationship with the providers to monitor and influence the quality of care their children receive. Whereas other studies have emphasized how mothers undervalue and exploit providers, this book paints a more nuanced picture, arguing that the ties between adults who share in the care of children creates neither heroes nor victims. This ethnography reveals that mothers are often reluctant to discuss their concerns with their childcare providers. Uttal shows how mothers walk a fine line between wanting to believe in the quality of care they have chosen, and the fact that they might have made a mistake. Catalyzed by their worries about the quality of care, mothers develop complex relationships with the women—and most are women—who look after their children.

[more]
cover of Making Choices, Making Do: Survival Strategies of Black and White Working-Class Women during the Great Depression

Making Choices, Making Do

Survival Strategies of Black and White Working-Class Women during the Great Depression

Lois Rita Helmbold

Rutgers University Press, 2023

Making Choices, Making Do is a comparative study of Black and white working-class women’s survival strategies during the Great Depression. Based on analysis of employment histories and Depression-era interviews of 1,340 women in Chicago, Cleveland, Philadelphia, and South Bend and letters from domestic workers, Lois Helmbold discovered that Black women lost work more rapidly and in greater proportions. The benefits that white women accrued because of structural racism meant they avoided the utter destitution that more commonly swallowed their Black peers. When let go from a job, a white woman was more successful in securing a less desirable job, while Black women, especially older Black women, were pushed out of the labor force entirely. Helmbold found that working-class women practiced the same strategies, but institutionalized racism in employment, housing, and relief assured that Black women worked harder, but fared worse. Making Choices, Making Do strives to fill the gap in the labor history of women, both Black and white. The book will challenge the limits of segregated histories and encourage more comparative analyses.


 
[more]
cover of Making Easy Listening: Material Culture and Postwar American Recording

Making Easy Listening

Material Culture and Postwar American Recording

Tim Anderson

University of Minnesota Press, 2006

The period between the Second World War and the mid-1960s saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Tim Anderson analyzes three sites of this music revolution: the change from a business centered around live performances to one based on selling records, the custom of simultaneously bringing out multiple versions of the same song, and the arrival of in-home high-fidelity stereo systems. 

Making Easy Listening presents a social and cultural history of the contentious, diverse, and experimental culture of musical production and enjoyment that aims to understand how recording technologies fit into and influence musicians’, as well as listeners’, lives. With attention to the details of what it means to play a particular record in a distinct cultural context, Anderson connects neglected genres of the musical canon—classical and easy listening music, Broadway musicals, and sound effects records—with the development of sound aesthetics and technical music practices that leave an indelible imprint on individuals. Tracing the countless impacts that this period of innovation exacted on the mass media, Anderson reveals how an examination of this historical era—and recorded music as an object—furthers a deeper understanding of the present-day American music industry. 

Tim J. Anderson is assistant professor of communication at Denison University.
[more]
cover of Making Endless War: The Vietnam and Arab-Israeli Conflicts in the History of International Law

Making Endless War

The Vietnam and Arab-Israeli Conflicts in the History of International Law

Brian Cuddy and Victor Kattan, Editors

University of Michigan Press, 2023

Making Endless War is built on the premise that any attempt to understand how the content and function of the laws of war changed in the second half of the twentieth century should consider two major armed conflicts, fought on opposite edges of Asia, and the legal pathways that link them together across time and space. The Vietnam and Arab-Israeli conflicts have been particularly significant in the shaping and attempted remaking of international law from 1945 right through to the present day. This carefully curated collection of essays by lawyers, historians, philosophers, sociologists, and political geographers of war explores the significance of these two conflicts, including their impact on the politics and culture of the world’s most powerful nation, the United States of America. The volume foregrounds attempts to develop legal rationales for the continued waging of war after 1945 by moving beyond explaining the end of war as a legal institution, and toward understanding the attempted institutionalization of endless war.

[more]
cover of Making Ends Meet: How Single Mothers Survive Welfare and Low-Wage Work

Making Ends Meet

How Single Mothers Survive Welfare and Low-Wage Work

Kathryn Edin

Russell Sage Foundation, 1997

Welfare mothers are popularly viewed as passively dependent on their checks and averse to work. Reformers across the political spectrum advocate moving these women off the welfare rolls and into the labor force as the solution to their problems. Making Ends Meet offers dramatic evidence toward a different conclusion: In the present labor market, unskilled single mothers who hold jobs are frequently worse off than those on welfare, and neither welfare nor low-wage employment alone will support a family at subsistence levels. Kathryn Edin and Laura Lein interviewed nearly four hundred welfare and low-income single mothers from cities in Massachusetts, Texas, Illinois, and South Carolina over a six year period. They learned the reality of these mothers' struggles to provide for their families: where their money comes from, what they spend it on, how they cope with their children's needs, and what hardships they suffer. Edin and Lein's careful budgetary analyses reveal that even a full range of welfare benefits—AFDC payments, food stamps, Medicaid, and housing subsidies—typically meet only three-fifths of a family's needs, and that funds for adequate food, clothing and other necessities are often lacking. Leaving welfare for work offers little hope for improvement, and in many cases threatens even greater hardship. Jobs for unskilled and semi-skilled women provide meager salaries, irregular or uncertain hours, frequent layoffs, and no promise of advancement. Mothers who work not only assume extra child care, medical, and transportation expenses but are also deprived of many of the housing and educational subsidies available to those on welfare. Regardless of whether they are on welfare or employed, virtually all these single mothers need to supplement their income with menial, off-the-books work and intermittent contributions from family, live-in boyfriends, their children's fathers, and local charities. In doing so, they pay a heavy price. Welfare mothers must work covertly to avoid losing benefits, while working mothers are forced to sacrifice even more time with their children. Making Ends Meet demonstrates compellingly why the choice between welfare and work is more complex and risky than is commonly recognized by politicians, the media, or the public. Almost all the welfare-reliant women interviewed by Edin and Lein made repeated efforts to leave welfare for work, only to be forced to return when they lost their jobs, a child became ill, or they could not cover their bills with their wages. Mothers who managed more stable employment usually benefited from a variety of mitigating circumstances such as having a relative willing to watch their children for free, regular child support payments, or very low housing, medical, or commuting costs. With first hand accounts and detailed financial data, Making Ends Meet tells the real story of the challenges, hardships, and survival strategies of America's poorest families. If this country's efforts to improve the self-sufficiency of female-headed families is to succeed, reformers will need to move beyond the myths of welfare dependency and deal with the hard realities of an unrewarding American labor market, the lack of affordable health insurance and child care for single mothers who work, and the true cost of subsistence living. Making Ends Meet is a realistic look at a world that so many would change and so few understand.
[more]
cover of Making Failure Pay: For-Profit Tutoring, High-Stakes Testing, and Public Schools

Making Failure Pay

For-Profit Tutoring, High-Stakes Testing, and Public Schools

Jill P. Koyama

University of Chicago Press, 2010

A little-discussed aspect of the No Child Left Behind Act (NCLB) is a mandate that requires failing schools to hire after-school tutoring companies—the largest of which are private, for-profit corporations—and to pay them with federal funds. Making Failure Pay takes a hard look at the implications of this new blurring of the boundaries between government, schools, and commerce in New York City, the country’s largest school district.

As Jill P. Koyama explains in this revelatory book, NCLB—a federally legislated, state-regulated, district-administered, and school-applied policy—explicitly legitimizes giving private organizations significant roles in public education. Based on her three years of ethnographic fieldwork, Koyama finds that the results are political, problematic, and highly profitable. Bringing to light these unproven, unregulated private companies’ almost invisible partnership with the government, Making Failure Pay lays bare the unintended consequences of federal efforts to eliminate school failure—not the least of which is more failure.

[more]
cover of Making Gay History: Memoir of a Scholar-Activist

Making Gay History

Memoir of a Scholar-Activist

John D'Emilio

Duke University Press, 2026

Making Gay History recounts John D’Emilio’s career as a public historian, activist, and academic. Tracing his involvement in developing LGBTQ history from the 1970s to the 1990s, D’Emilio paints a queer history both personal and national that helps us understand how the LGBTQ movement has grown.

Making Gay History continues John D’Emilio’s story, following his memoir of his early years, Memories of a Gay Catholic Boyhood. Here, D’Emilio recounts his career as a public historian, activist, and academic, relating his own queer history alongside the development of the LGBTQ movement in the United States. D’Emilio was part of the first burgeoning period of LGBTQ studies while still a graduate student in New York City. From there, he takes readers through his experiences as an out professor at UNC Greensboro, his activism in Washington, DC, and finally, his employment at the University of Illinois as an LGBTQ historian, a position that was unimaginable at the start of his career. At the same time, he narrates his own coming out, his successes and struggles with LGBTQ advocacy, and the loves and losses faced throughout his adult life, telling an intertwined personal and national history of queer hearts and minds.
[more]
cover of Making Gray Gold: Narratives of Nursing Home Care

Making Gray Gold

Narratives of Nursing Home Care

Timothy Diamond

University of Chicago Press, 1992

This first hand report on the work of nurses and other caregivers in a nursing home is set powerfully in the context of wider political, economic, and cultural forces that shape and constrain the quality of care for America's elderly. Diamond demonstrates in a compelling way the price that business-as-usual policies extract from the elderly as well as those whose work it is to care for them.

In a society in which some two million people live in 16,000 nursing homes, with their numbers escalating daily, this thought-provoking work demands immediate and widespread attention.

"[An] unnerving portrait of what it's like to work and live in a nursing home. . . . By giving voice to so many unheard residents and workers Diamond has performed an important service for us all."—Diane Cole, New York Newsday

"With Making Gray Gold, Timothy Diamond describes the commodification of long-term care in the most vivid representation in a decade of round-the-clock institutional life. . . . A personal addition to the troublingly impersonal national debate over healthcare reform."—Madonna Harrington Meyer, Contemporary Sociology
[more]
cover of Making Hispanics: How Activists, Bureaucrats, and Media Constructed a New American

Making Hispanics

How Activists, Bureaucrats, and Media Constructed a New American

G. Cristina Mora

University of Chicago Press, 2014

How did Puerto Ricans, Mexicans, and Cubans become known as “Hispanics” and “Latinos” in the United States? How did several distinct cultures and nationalities become portrayed as one? Cristina Mora answers both these questions and details the scope of this phenomenon in Making Hispanics. She uses an organizational lens and traces how activists, bureaucrats, and media executives in the 1970s and '80s created a new identity category—and by doing so, permanently changed the racial and political landscape of the nation.

Some argue that these cultures are fundamentally similar and that the Spanish language is a natural basis for a unified Hispanic identity. But Mora shows very clearly that the idea of ethnic grouping was historically constructed and institutionalized in the United States. During the 1960 census, reports classified Latin American immigrants as “white,” grouping them with European Americans. Not only was this decision controversial, but also Latino activists claimed that this classification hindered their ability to portray their constituents as underrepresented minorities. Therefore, they called for a separate classification: Hispanic. Once these populations could be quantified, businesses saw opportunities and the media responded. Spanish-language television began to expand its reach to serve the now large, and newly unified, Hispanic community with news and entertainment programming. Through archival research, oral histories, and interviews, Mora reveals the broad, national-level process that led to the emergence of Hispanicity in America.
[more]
cover of Making History / Making Blintzes: How Two Red Diaper Babies Found Each Other and Discovered America

Making History / Making Blintzes

How Two Red Diaper Babies Found Each Other and Discovered America

Flacks, Mickey

Rutgers University Press, 2018

Making History/Making Blintzes is a chronicle of the political and personal lives of progressive activists Richard (Dick) and Miriam (Mickey) Flacks, two of the founders of Students for a Democratic Society (SDS). As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today’s social movements, their stories are a first-hand account of progressive American activism from the 1960s to the present. 

Throughout this memoir, the couple demonstrates that their lifelong commitment to making history through social activism cannot be understood without returning to the deeply personal context of their family history—of growing up “Red Diaper babies” in 1950s New York City, using folk music as self-expression as adolescents in the 1960s, and of making blintzes for their own family through the 1970s and 1980s. As the children of immigrants and first generation Jews, Dick and Mickey crafted their own religious identity as secular Jews, created a critical space for American progressive activism through SDS, and ultimately, found themselves raising an “American” family.  
 
[more]
cover of Making History Matter

Making History Matter

Robert Dawidoff

Temple University Press, 2000

This collection of Robert Dawidoff's essays and journalism is peopled by the likes of the Founding Fathers, Fred Astaire, Henry and William James, Sophie Tucker, Trent Lott, and Cole Porter. Drawing together this unlikely cast of characters, Dawidoff probes into the role of outsider groups as well as intellectual and political elites in the formation of American culture.

As a scholar of intellectual and cultural history, Dawidoff takes the stance that historians ought to take an active role in our democratic culture, informing and participating in public discourse. He argues for a broad reach when it comes to cultural expression, resisting the polarization of formal intellectual history and folk or commercial popular culture. In his view, Ralph Waldo Emerson and Katherine Hepburn are equally worthy topics for a historian's consideration, provided that they are treated with equal seriousness of purpose and analytic rigor. In "The Gay Nineties" section that closes the book, he traces key events in the continual struggle for gay and lesbian civil rights and takes on such unresolved issues as safer sex, needle exchange programs to control HIV transmission, and the public controversy around the portrayal of gay and lesbian television characters.

Divided into sections that deal with the patriarchs of American political and intellectual culture, expressive culture, and a historian's public voice, this book is a model of engaged and engaging writing. Accessible and witty, Making History Matter will appeal to general and academic readers interested in American history as well as gay and lesbian political and cultural issues.
[more]
cover of Making Houston Modern: The Life and Architecture of Howard Barnstone

Making Houston Modern

The Life and Architecture of Howard Barnstone

By Barrie Scardino Bradley, Stephen Fox, and Michelangelo Sabatino

University of Texas Press, 2020

Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions—charming and witty but also self-centered, caustic, and abusive—who shaped new settings that were imbued, at once, with spatial calm and emotional intensity.

Making Houston Modern explores the provocative architect’s life and work, not only through the lens of his architectural practice but also by delving into his personal life, class identity, and connections to the artists, critics, collectors, and museum directors who forged Houston’s distinctive culture in the postwar era. Edited by three renowned voices in the architecture world, this volume situates Barnstone within the contexts of American architecture, modernism, and Jewish culture to unravel the legacy of a charismatic personality whose imaginative work as an architect, author, teacher, and civic commentator helped redefine architecture in Texas.

[more]
cover of Making JFK Matter: Popular Memory and the Thirty-fifth President

Making JFK Matter

Popular Memory and the Thirty-fifth President

Paul H. Santa Cruz

University of North Texas Press, 2015

[more]
cover of Making Jet Engines in World War II: Britain, Germany, and the United States

Making Jet Engines in World War II

Britain, Germany, and the United States

Hermione Giffard

University of Chicago Press, 2016

Our stories of industrial innovation tend to focus on individual initiative and breakthroughs. With Making Jet Engines in World War II, Hermione Giffard uses the case of the development of jet engines to offer a different way of understanding technological innovation, revealing the complicated mix of factors that go into any decision to pursue an innovative, and therefore risky technology.
 
Giffard compares the approaches of Britain, Germany, and the United States. Each approached jet engines in different ways because of its own war aims and industrial expertise. Germany, which produced more jet engines than the others, did so largely as replacements for more expensive piston engines. Britain, on the other hand, produced relatively few engines—but, by shifting emphasis to design rather than production, found itself at war's end holding an unrivaled range of designs. The US emphasis on development, meanwhile, built an institutional basis for postwar production. Taken together, Giffard's work makes a powerful case for a more nuanced understanding of technological innovation, one that takes into account the influence of the many organizational factors that play a part in the journey from idea to finished product.
[more]
cover of Making Lamanites: Mormons, Native Americans, and the Indian Student Placement Program, 1947-2000

Making Lamanites

Mormons, Native Americans, and the Indian Student Placement Program, 1947-2000

Matthew Garrett

University of Utah Press, 2016

Winner of the Juanita Brooks Prize in Mormon Studies

From 1947 to 2000, some 50,000 Native American children left the reservations to live with Mormon foster families. While some dropped out of the Indian Student Placement Program (ISPP), for others the months spent living with LDS families often proved more penetrating than expected.
     The ISPP emerged in the mid-twentieth century, championed by Apostle Spencer W. Kimball, aligned with the then national preferences to terminate tribal entities and assimilate indigenous people. But as the paradigm shifted to self-determination, critics labeled the program as crudely assimilationist. Some ISPP students like Navajo George P. Lee fiercely defended the LDS Church before native peers and Congress, contending that it empowered Native people and instilled the true Indian identity; meanwhile Red Power activists organized protests in Salt Lake City, denouncing LDS colonization. As a new generation of church leaders quietly undercut the Indian programs, many of its former participants felt a sense of confusion and abandonment as Mormon distinctions for Native people faded in the late twentieth century.
     Making Lamanites traces this student experience within contested cultural and institutional landscapes to reveal how and why many of these Native youth adopted a new notion of Indianness. 

Winner of the Francis Armstrong Madsen Best Book Award from the Utah Division of State History.

[more]
cover of Making Lemonade out of Lemons: Mexican American Labor and Leisure in a California Town 1880-1960

Making Lemonade out of Lemons

Mexican American Labor and Leisure in a California Town 1880-1960

José M. Alamillo

University of Illinois Press, 2006

Out of the “lemons” handed to Mexican American workers in Corona, California--low pay, segregated schooling, inadequate housing, and racial discrimination--Mexican men and women made “lemonade” by transforming leisure spaces such as baseball games, parades, festivals, and churches into politicized spaces where workers voiced their grievances, debated strategies for  advancement, and built solidarity. Using oral history interviews, extensive citrus company records, and his own experiences in Corona, José Alamillo argues that Mexican Americans helped lay the groundwork for civil rights struggles and electoral campaigns in the post-World War II era.

[more]
cover of Making Local News

Making Local News

Phyllis Kaniss

University of Chicago Press, 1991

Why do crimes and accidents earn more news coverage than development and policy issues affecting thousands of people? Filled with revealing interviews with both journalists and city officials, Making Local News is the first comprehensive look at how the economic motives of media owners, professional motives of journalists, and the strategies of media-wise politicians shape the news we see and hear, thereby influencing urban policy.

"Making Local News by Phyllis Kaniss . . . is significant. . . . If we can continue to get smarter about that which journalism leaves out or distorts in its coverage of politics, we may eventually get smarter about politics itself."—Mitchell Stephens, The Philadelphia Inquirer View

"A convincing analysis of the factors and forces which color how and why local issues do, or do not, become newsworthy." —Michael H. Ebner, Journal of Interdisciplinary History

"This work serves as a reminder of the importance of a medium that is often overlooked until economic realities threaten its very existence." —Choice

"Kaniss is truly a pioneer in the study of local news."—Susan Herbst, Contemporary Sociology
[more]
cover of Making Maine: Statehood and the War of 1812

Making Maine

Statehood and the War of 1812

Joshua M. Smith

University of Massachusetts Press, 2022

Honorable mention for U.S. Maritime History, John Lyman Book Awards

After the Revolutionary War ended, the new American nation grappled with a question about its identity: Were the states sovereign entities or subordinates to a powerful federal government? The War of 1812 brought this vexing issue into sharp relief, as a national government intent on waging an unpopular war confronted a populace in Massachusetts that was vigorously opposed to it. Maine, which at the time was part of Massachusetts, served as the battleground in this political struggle.

Joshua M. Smith recounts an innovative history of the war, focusing on how it specifically affected what was then called the District of Maine. Drawing on archival materials from the United States, Britain, and Canada, Smith exposes the bitter experience of Maine’s citizens during that conflict as they endured multiple hardships, including starvation, burdensome taxation, smuggling, treason, and enemy occupation. War’s inherent miseries, along with a changing relationship between regional and national identities, gave rise to a statehood movement that rejected a Boston-centric worldview in favor of a broadly American identity.

[more]
cover of Making March Madness: The Early Years of the NCAA, NIT, and College Basketball Championships, 1922-1951

Making March Madness

The Early Years of the NCAA, NIT, and College Basketball Championships, 1922-1951

Chad Carlson

University of Arkansas Press, 2017

Throughout the NCAA Tournament’s history, underdogs, Cinderella stories, and upsets have captured the attention and imagination of fans. Making March Madness is the story of this premiere tournament, from its early days in Kansas City, to its move to Madison Square Garden, to its surviving a point-shaving scandal in New York and taking its games to different sites across the country.Chad Carlson’s analysis places college basketball in historical context and connects it to larger issues in sport and American society, providing fresh insights on a host of topics that readers will find interesting, illuminating, and thought provoking.

[more]
cover of Making Mark Twain Work in the Classroom

Making Mark Twain Work in the Classroom

James S. Leonard, ed.

Duke University Press, 1999

How does one teach Mark Twain’s Huckleberry Finn, a book as controversial as it is central to the American literary canon? This collection of essays edited by James S. Leonard offers practical classroom methods for instructors dealing with the racism, the casual violence, and the role of women, as well as with structural and thematic discrepancies in the works of Mark Twain.
The essays in Making Mark Twain Work in the Classroom reaffirm the importance of Twain in the American literature curriculum from high school through graduate study. Addressing slavery and race, gender, class, religion, language and ebonics, Americanism, and textual issues of interest to instructors and their students, the contributors offer guidance derived from their own demographically diverse classroom experiences. Although some essays focus on such works as A Connecticut Yankee in King Arthur’s Court and The Innocents Abroad, most discuss the hotly debated Adventures of Huckleberry Finn, viewed alternately in this volume as a comic masterpiece or as evidence of Twain’s growing pessimism—but always as an effective teaching tool.
By placing Twain’s work within the context of nineteenth-century American literature and culture, Making Mark Twain Work in the Classroom will interest all instructors of American literature. It will also provoke debate among Americanists and those concerned with issues of race, class, and gender as they are represented in literature.

Contributors. Joseph A. Alvarez, Lawrence I. Berkove, Anthony J. Berret, S.J., Wesley Britton, Louis J. Budd, James E. Caron, Everett Carter, Jocelyn Chadwick-Joshua, Pascal Covici Jr., Beverly R. David, Victor Doyno, Dennis W. Eddings, Shelley Fisher Fishkin, S. D. Kapoor, Michael J. Kiskis, James S. Leonard, Victoria Thorpe Miller, Stan Poole, Tom Reigstad, David E. E. Sloane, David Tomlinson

[more]
cover of Making Meaning: "Printers of the Mind" and Other Essays

Making Meaning

"Printers of the Mind" and Other Essays

D. F. McKenzie

University of Massachusetts Press, 2002

The greatest bibliographer of our time, was how historian Robert Darnton described D. F. McKenzie. Yet until now many of McKenzie's major essays, scattered in specialist journals and inaccessible publications, have circulated mainly in tattered photocopies. This volume, edited by two of McKenzie's former students, brings together for the first time a wide range of his writings on bibliography, the book trade, and the “sociology of texts.” Selected by the author himself before his sudden death in 1999, the essays range from the material transmission of Shakespeare's plays in the seventeenth century to the connections among oral, manuscript, and print cultures. 

Making Meaning reflects McKenzie's virtuosity as a traditional bibliographer and reveals how his thought-provoking scholarship made him a driving force in the genesis and development of the new interdisciplinary field of book history. His refusal to recognize the traditional boundary between bibliography and literary history re-energized the study of the social, political, economic, and cultural aspects of book production and reception. 

The editors' introduction and headnotes situate McKenzie's innovative and controversial thinking in the debates of his time.

[more]
cover of Making Medical Doctors: Science and Medicine at Vanderbilt since Flexner

Making Medical Doctors

Science and Medicine at Vanderbilt since Flexner

Timothy C. Jacobson

University of Alabama Press, 1987

A study of the union of science and medicine in a particularly illustrative institutional setting
 
Making Medical Doctors is not a conventional institutional history, but rather a study of the union of science and medicine in a particularly illustrative institutional setting. Its general subject is the institution where science and medicine most dramatically came together: the modern medical school and medical center. Its particular subject is the medical school and center of Vanderbilt University, which was rebuilt in the 1920s as a model for medical education and research. Making Medical Doctors also explores the intellectual and financial sources of institutional development: the worlds of Abraham Flexner, Frederick T. Gates, and Henry S. Pritchett, three foundation masters of the early 20th century. It examines closely the vanished medical world of that generation of doctors who reached the height of their influence in the period between the two world wars and describes how they actually did medicine, surgery, and science.
 
The convergence of science and medicine in the 19th and 20th centuries produced what we know today as modern medicine. The balance of power and interdependence between science and medicine have changed vastly from the 1920s and 1930s, as Vanderbilt’s story clearly illustrates.
 
[more]
cover of Making Men, Making Class: The YMCA and Workingmen, 1877-1920

Making Men, Making Class

The YMCA and Workingmen, 1877-1920

Thomas Winter

University of Chicago Press, 2002

During the late nineteenth and early twentieth centuries, the United States transformed from an essentially agrarian society into an urban, industrialized economy. In Making Men, Making Class, Thomas Winter explores the impact of these profound changes on constructions of manhood, using the YMCA's new efforts to reach out to railroad and industrial workers as a case study.

Starting in the 1870s, the leaders ("secretaries") of the YMCA sought to reduce political radicalism and labor unrest by instilling new ideals of manliness among workers. By involving workingmen in a range of activities on the job and off, the YMCA hoped to foster team spirit, moral conduct, and new standards of manhood that would avoid conflict and instead encourage cooperation along the lines of a Christian, pious manliness. In their efforts to make better men, the secretaries of the YMCA also crafted new ideals of middle-class manliness for themselves that involved a sense of mission and social purpose. In doing so, they ended up "making" class, too, as they began to speak a language of manhood structured by class differences.
[more]
cover of Making Mexican Chicago: From Postwar Settlement to the Age of Gentrification

Making Mexican Chicago

From Postwar Settlement to the Age of Gentrification

Mike Amezcua

University of Chicago Press, 2022

Winner of the Immigration and Ethnic History Society’s First Book Award: an exploration of how the Windy City became a postwar Latinx metropolis in the face of white resistance.

Though Chicago is often popularly defined by its Polish, Black, and Irish populations, Cook County is home to the third-largest Mexican-American population in the United States. The story of Mexican immigration and integration into the city is one of complex political struggles, deeply entwined with issues of housing and neighborhood control. In Making Mexican Chicago, Mike Amezcua explores how the Windy City became a Latinx metropolis in the second half of the twentieth century.

In the decades after World War II, working-class Chicago neighborhoods like Pilsen and Little Village became sites of upheaval and renewal as Mexican Americans attempted to build new communities in the face of white resistance that cast them as perpetual aliens. Amezcua charts the diverse strategies used by Mexican Chicagoans to fight the forces of segregation, economic predation, and gentrification, focusing on how unlikely combinations of social conservatism and real estate market savvy paved new paths for Latinx assimilation. Making Mexican Chicago offers a powerful multiracial history of Chicago that sheds new light on the origins and endurance of urban inequality.
 
[more]
cover of Making Michigan Home: Mexican Americans Bridging the Rural-Urban Experience

Making Michigan Home

Mexican Americans Bridging the Rural-Urban Experience

Brett T. Olmsted

University of Illinois Press, 2025

Mexicanos in Michigan and across the Midwest share a common experience: living as largely invisible outsiders as they struggled to build vibrant communities in places that wanted their labor but not their presence. Brett Olmsted ranges from the 1920s to the 1970s as he analyzes how Mexicanos sought to transcend social, cultural, economic, and political exclusion. Never numerous in any one area, Mexican Americans pursued inclusion via leisure spaces and labor unionism. Activities like celebrations, sports, movies, and music encouraged Mexicanos to claim physical and social space, connect with Michigan’s other Mexicano communities, and construct their own sense of identity. Mexicano workers, meanwhile, embraced interethnic union activism to address racism in job placement and promotion. Olmsted also examines how the state’s Mexicanos adapted to Michigan’s dual economy and found advantages in moving back-and-forth between rural and urban areas. In-depth and innovative, Making Michigan Home spotlights the state’s overlooked Mexicanos and their distinctive experiences within the Latina/o/x Studies Midwest.
[more]
cover of Making Mill City: Flour and Fortune in Minneapolis

Making Mill City

Flour and Fortune in Minneapolis

Robert M. Frame III

University of Minnesota Press, 2026

A richly illustrated history of the flour factories that transformed the milling industry worldwide—and forever changed the culture and architecture of Minneapolis

Among the most consequential advances of the Industrial Revolution was the invention of the modern roller mill, which sent the traditional millstone into obsolescence and fundamentally changed the production of a key ingredient to feeding the world. The culture and landscape of its hometown, Minneapolis, Minnesota, was altered as well, and Making Mill City tells the story of how revolutionary technologies originating at St. Anthony Falls on the Mississippi River put Minneapolis on the map and cemented its global status as “Mill City.”

With deep historical detail and abundant illustrations, Robert M. Frame III charts the dramatic transformation of Minneapolis milling—and urban life—between the early 1870s and 1920s. Two machines propelled this change: the middlings purifier and the modern roller mill. Enabling millers to grind hard Upper Midwestern spring wheat, these innovations gave rise to the “mammoth mills” and ever-expanding flour factories that would soon dominate the Minneapolis riverfront. Prominent entrepreneurs like those who gave their names to the Washburn and Pillsbury A Mills were significant, but Frame foregrounds the crucial roles of the millers, millwrights, and engineers who designed and equipped the massive new factories, as well as the editor of the legendary weekly trade publication Northwestern Miller, to paint a picture of the vibrant and diverse culture that grew around this industrial phenomenon.

A rich narrative describing how Minneapolis became the largest producer and exporter of wheat flour for more than fifty years, Making Mill City captures a critical chapter in the history of the city. Art and architecture inspired by mills and millers stand today as National Historic Landmarks, and the development and success of the current thriving metropolis have strong foundations in its milling history.

[more]