28167 books match the query 'History' and 1583 start with m

cover of Monsters and Revolutionaries: Colonial Family Romance and Metissage

Monsters and Revolutionaries

Colonial Family Romance and Metissage

Françoise Vergès

Duke University Press, 1999

In Monsters and Revolutionaries Françoise Vergès analyzes the complex relationship between the colonizer and colonized on the Indian Ocean island of Réunion. Through novels, iconography, and texts from various disciplines including law, medicine, and psychology, Vergès constructs a political and cultural history of the island’s relations with France. Woven throughout is Vergès’s own family history, which is intimately tied to the history of Réunion itself.
Originally settled by sugar plantation owners and their Indian and African slaves following a seventeenth-century French colonial decree, Réunion abolished slavery in 1848. Because plantation owners continued to import workers from India, Africa, Asia, and Madagascar, the island was defined as a place based on mixed heritages, or métissage. Vergès reads the relationship between France and the residents of Réunion as a family romance: France is the seemingly protective mother, La Mère-Patrie, while the people of Réunion are seen and see themselves as France’s children. Arguing that the central dynamic in the colonial family romance is that of debt and dependence, Verges explains how the republican ideals of the French Revolution and the Enlightenment are seen as gifts to Réunion that can never be repaid. This dynamic is complicated by the presence of métissage, a source of anxiety to the colonizer in its refutation of the “purity” of racial bloodlines. For Vergès, the island’s history of slavery is the key to understanding métissage, the politics of assimilation, constructions of masculinity, and emancipatory discourses on Réunion.
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cover of Monstrous Intimacies: Making Post-Slavery Subjects

Monstrous Intimacies

Making Post-Slavery Subjects

Christina Sharpe

Duke University Press, 2010

Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those “monstrous intimacies” and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass’s narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams’s declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the “generational genital fantasies” depicted in Gayl Jones’s novel Corregidora with a firsthand account of such “monstrous intimacies” in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African–born writer Bessie Head’s novel Maru—about race, power, and liberation in Botswana—in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the “Hottentot Venus” in the nineteenth century. Reading Isaac Julien’s film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker’s black silhouettes, and the critiques leveled against both the silhouettes and the artist.
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cover of Monstrous Kinds: Body, Space, and Narrative in Renaissance Representations of Disability

Monstrous Kinds

Body, Space, and Narrative in Renaissance Representations of Disability

Elizabeth B. Bearden

University of Michigan Press, 2019

Body, space, and narrative in Renaissance representations of disability. Monstrous Kinds is the first book to explore textual representations of disability in the global Renaissance. Elizabeth B. Bearden contends that monstrosity, as a precursor to modern concepts of disability, has much to teach about our tendency to inscribe disability with meaning. Understanding how early modern writers approached disability not only provides more accurate genealogies of disability, but also helps nuance current aesthetic and theoretical disability formulations. The book analyzes the cultural valences of early modern disability across a broad national and chronological span, attending to the specific bodily, spatial, and aesthetic systems that contributed to early modern literary representations of disability. The cross section of texts (including conduct books and treatises, travel writing and wonder books) is comparative, putting canonical European authors such as Castiglione into dialogue with transatlantic and Anglo-Ottoman literary exchange. Bearden questions grand narratives that convey a progression of disability from supernatural marvel to medical specimen, suggesting that, instead, these categories coexist and intersect.
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cover of Monstrous Politics: Geography, Rights, and the Urban Revolution in Mexico City

Monstrous Politics

Geography, Rights, and the Urban Revolution in Mexico City

Ben Gerlofs

Vanderbilt University Press, 2022

The birth of the world’s great megacities is the surest and starkest harbinger of the “urban age” inaugurated in the twentieth century. As the world’s urban population achieves majority for the first time in recorded history, theories proliferate on the nature of urban politics, including the shape and quality of urban democracy, the role of urban social and political movements, and the prospects for progressive and emancipatory change from the corridors of powerful states to the routinized rhythms of everyday life. At stake are both the ways in which the rapidly changing urban world is understood and the urban futures being negotiated by the governments and populations struggling to contend with these changes and forge a place in contemporary cities.

Transdisciplinary by design, Monstrous Politics first moves historically through Mexico City’s turbulent twentieth century, driven centrally by the contentious imbrication of the Institutional Revolutionary Party (PRI) and its capital city. Participant observation, expert interviews, and archival materials demonstrate the shifting strategies and alliances of recent decades, provide the reader with a sense of the texture of contemporary political life in the city during a time of unprecedented change, and locate these dynamics within the history and geography of twentieth-century urbanization and political revolution. Substantive ethnographic chapters trace the emergence and decline of the political language of “the right to the city,” the establishment and contestation of a “postpolitical” governance regime, and the culmination of a century of urban politics in the processes of “political reform” by which Mexico City finally wrested back significant political autonomy and local democracy from the federal state.

A four-fold transection of the revolutionary structure of feeling that pervades the city in this historic moment illustrates the complex and contradictory sentiments, appraisals, and motivations through which contemporary politics are understood and enacted. Drawing on theories of social revolution that embrace complexity, and espousing a methodology that foregrounds the everyday nature of politics, Monstrous Politics develops an understanding of revolutionary urban politics at once contextually nuanced and conceptually expansive, and thus better able to address the realities of politics in the “urban age” even beyond Mexico City.
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cover of Monstrous Progeny: A History of the Frankenstein Narratives

Monstrous Progeny

A History of the Frankenstein Narratives

Friedman, Lester D

Rutgers University Press, 2016

Mary Shelley’s 1818 novel Frankenstein is its own type of monster mythos that will not die, a corpus whose parts keep getting harvested to animate new artistic creations. What makes this tale so adaptable and so resilient that, nearly 200 years later, it remains vitally relevant in a culture radically different from the one that spawned its birth?
 
Monstrous Progeny takes readers on a fascinating exploration of the Frankenstein family tree, tracing the literary and intellectual roots of Shelley’s novel from the sixteenth century and analyzing the evolution of the book’s figures and themes into modern productions that range from children’s cartoons to pornography. Along the way, media scholar Lester D. Friedman and historian Allison B. Kavey examine the adaptation and evolution of Victor Frankenstein and his monster across different genres and in different eras. In doing so, they demonstrate how Shelley’s tale and its characters continue to provide crucial reference points for current debates about bioethics, artificial intelligence, cyborg lifeforms, and the limits of scientific progress. 
 
Blending an extensive historical overview with a detailed analysis of key texts, the authors reveal how the Frankenstein legacy arose from a series of fluid intellectual contexts and continues to pulsate through an extraordinary body of media products. Both thought-provoking and entertaining, Monstrous Progeny offers a lively look at an undying and significant cultural phenomenon.
 
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cover of Montana Ghost Dance: Essays on Land and Life

Montana Ghost Dance

Essays on Land and Life

By John B. Wright

University of Texas Press, 1998

Montana has been the "last best place" for so many people. A century ago, Native Americans gathered here to perform the Ghost Dance—a last, doomed attempt to make white settlers vanish and bring back the old ways of life. Today, people are still pouring into Montana, looking for the pristine wilderness they saw in A River Runs through It.

The reality of Montana—indeed, of all the West—has never matched the myths, but this book eloquently explores how the search for a perfect place is driving growth, development, and resource exploitation in Big Sky country. In ten personal essays, John Wright looks at such things as Montana myths; old-timers; immigrants; elk; ways of seeing the landscape; land conservation and land trusts; the fate of the Blackfoot, Bitterroot, and Paradise valleys; and some means of preserving the last, best places.

These reflections offer a way of understanding Montana that goes far beyond the headlines about militia groups and celebrities' ranches. Montana never was or will be a pristine wilderness, but Wright believes that much can be saved if natives and newcomers alike see what stands to be lost. His book is a wake-up call, not a ghost dance.

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cover of Montana Pay Dirt: Guide To Mining Camps Of Treasure State

Montana Pay Dirt

Guide To Mining Camps Of Treasure State

Muriel Sibell Wolle

Ohio University Press, 1963

“In her pictures of mountain scenery and miners’ cabins, deserted mills and smelters, empty boarding houses, once-lavish hotels, and forgotten stores and post offices, Muriel Sibell Wolle has preserved the authentic look of the Montana mining frontier in a poignant and effective record.” — Allan Radbourne, The English Westerners Tally Sheet
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cover of Montana Vigilantes 1863–1870: Gold,Guns and Gallows

Montana Vigilantes 1863–1870

Gold,Guns and Gallows

Mark C. Dillon

Utah State University Press, 2016

 Historians and novelists alike have described the vigilantism that took root in the gold-mining communities of Montana in the mid-1860s, but Mark C. Dillon is the first to examine the subject through the prism of American legal history, considering the state of criminal justice and law enforcement in the western territories and also trial procedures, gubernatorial politics, legislative enactments, and constitutional rights.

Using newspaper articles, diaries, letters, biographies, invoices, and books that speak to the compelling history of Montana’s vigilantism in the 1860s, Dillon examines the conduct of the vigilantes in the context of the due process norms of the time. He implicates the influence of lawyers and judges who, like their non-lawyer counterparts, shaped history during the rush to earn fortunes in gold.

Dillon’s perspective as a state Supreme Court justice and legal historian uniquely illuminates the intersection of territorial politics, constitutional issues, corrupt law enforcement, and the basic need of citizenry for social order. This readable and well-directed analysis of the social and legal context that contributed to the rise of Montana vigilante groups will be of interest to scholars and general readers interested in Western history, law, and criminal justice for years to come.
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cover of Montane Foragers: Asana and the South-Central Andean Archaic

Montane Foragers

Asana and the South-Central Andean Archaic

Mark S. Aldenderfer

University of Iowa Press, 1998

All previous books dealing with prehistoric hunter-gatherers in the high Andes have treated ancient mountain populations from a troglodyte's perspective, as if they were little different from lowlanders who happened to occupy jagged terrain. Early mountain populations have been transformed into generic foragers because the basic nature of high-altitude stress and biological adaptation has not been addressed. In Montane Foragers, Mark Aldenderfer builds a unique and penetrating model of montane foraging that justly shatters this traditional approach to ancient mountain populations.

Aldenderfer's investigation forms a methodological and theoretical tour de force that elucidates elevational stress—what it takes for humans to adjust and survive at high altitudes. In a masterful integration of mountain biology and ecology, he emphasizes the nature of hunter-gatherer adaptations to high-mountain environments. He carefully documents the cultural history of Asana, the first stratified, open-air site discovered in the highlands of the south-central Andes. He establishes a number of major occurrences at this revolutionary site, including the origins of plant and animal domestication and transitions to food production, the growth and packing of forager populations, and the advent of some form of complexity and social hierarchy.

The rich and diversified archaeological record recovered at Asana—which spans from 10,000 to 3,500 years ago—includes the earliest houses as well as public and ceremonial buildings in the central cordillera. Built, used, and abandoned over many millennia, the Asana structures completely transform our understanding of the antiquity and development of native American architecture. Aldenderfer's detailed archaeological case study of high-elevation foraging adaptation, his description of this extreme environment as a viable human habitat, and his theoretical model of montane foraging create a new understanding of the lifeways of foraging peoples worldwide.
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cover of Monte Alban's Hinterland, Part I: The Prehispanic Settlement Patterns of the Central and Southern Parts of the Valley of Oaxaca, Mexico

Monte Alban's Hinterland, Part I

The Prehispanic Settlement Patterns of the Central and Southern Parts of the Valley of Oaxaca, Mexico

Richard E. Blanton, Stephen Kowalewski, Gary Feinman, and Jill Appel

University of Michigan Press, 1982

In this work, the authors interpret archaeological data on roughly 3000 years of human history in the Valley of Oaxaca, from roughly 1500 BC to AD 1500. They integrate information on settlement patterns, political and social organization, artifact distribution, and more.
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cover of Monte Albán's Hinterland, Part II: Prehispanic Settlement Patterns in Tlacolula, Etla, and Ocotlan, the Valley of Oaxaca, Mexico, Vols. 1 and 2

Monte Albán's Hinterland, Part II

Prehispanic Settlement Patterns in Tlacolula, Etla, and Ocotlan, the Valley of Oaxaca, Mexico, Vols. 1 and 2

Stephen Kowalewski, Gary Feinman, Laura Finsten, Richard Blanton, and Linda Nicholas

University of Michigan Press, 1989

This two-volume monograph is the final report and synthesis of the Valley of Oaxaca Settlement Pattern Project’s full-coverage surface survey and makes significant theoretical and methodological contributions to the investigation of social evolution, cultural ecology, and regional analysis.
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cover of Montgomery C. Meigs and the Building of the Nation’s Capital

Montgomery C. Meigs and the Building of the Nation’s Capital

William C. Dickinson

Ohio University Press, 2001

At the age of thirty-six, in 1852, Lt. Montgomery Cunningham Meigs of the Army Corps of Engineers reported to Washington, D.C., for duty as a special assistant to the chief army engineer, Gen. Joseph G. Totten. It was a fateful assignment, both for the nation’s capital and for the bright, ambitious, and politically connected West Point graduate.

Meigs's forty-year tenure in the nation's capital was by any account spectacularly successful. He surveyed, designed, and built the Washington water supply system, oversaw the extension of the U.S. Capitol and the erection of its massive iron dome, and designed and supervised construction of the Pension Building, now the home of the National Building Museum. The skills he exhibited in supervising engineering projects were carefully noted by political leaders, including president-elect Abraham Lincoln, who named Meigs quartermaster general of the Union Army, the most important position he held during his long and active military career.

Meigs believed Washington, D.C., should be the reincarnation of Rome, the ancient capital of the Roman Empire. He endeavored to memorialize the story of the American nation in all the structures he built, expressing these ideas in murals, sculpture, and monumental design.

Historians have long known Meigs for the organizational genius with which he fulfilled his duty as quartermaster general during the Civil War and for his unwavering loyalty to Lincoln and Secretary of War Edwin Stanton. This volume establishes his claim as one of the major nineteenth-century contributors to the built environment of the nation's capital.

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cover of Montgomery in the Good War: Portrait of a Southern City, 1939-1946

Montgomery in the Good War

Portrait of a Southern City, 1939-1946

Wesley Phillips Newton

University of Alabama Press, 2000

One city. One war. A story of transformation at home and abroad.

Using newspaper accounts, interviews, letters, journals, and his own memory of the time, Wesley Newton reconstructs wartime-era Montgomery, Alabama--a sleepy southern capital that was transformed irreversibly during World War II.

The war affected every segment of Montgomery society: black and white, rich and poor, male and female, those who fought in Europe and the Pacific and those who stayed on the home front. Newton follows Montgomerians chronologically through the war from Pearl Harbor to Hiroshima as they experience patriotism, draft and enlistment, rationing, scarcity drives, and the deaths of loved ones. His use of small vignettes based on personal recollections adds drama and poignancy to the story. 

Montgomery in the Good War is an important reminder that wars are waged at home as well as abroad and that their impact reverberates well beyond those who fight on the front lines. Those who came of age during the war will recognize themselves in this moving volume. It will also be enlightening to those who have lived in times of relative peace.

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cover of Monument Lab: Creative Speculations for Philadelphia

Monument Lab

Creative Speculations for Philadelphia

Paul M. Farber

Temple University Press, 2020

What is an appropriate monument for the current city of Philadelphia? That was the question posed by the curators, artists, scholars, and students who comprise the Philadelphia-based public art and history studio Monument Lab. And in 2017, along with Mural Arts Philadelphia, they produced and organized a groundbreaking, city-wide exhibition of temporary, site-specific works that engaged directly with the community. The installations, by a cohort of diverse artists considering issues of identity, appeared in iconic public squares and neighborhood parks with research and learning labs and prototype monuments. 

Monument Lab is a fabulous compendium of the exhibition and a critical reflection of the proceedings, including contributions from interlocutors and collaborators. The exhibition and this handbook were designed to generate new ways of thinking about monuments and public art as well as to find new, critical perspectives to reflect on the monuments we have inherited and to imagine those we have yet to build. Monument Lab energizes acivic dialogue about place and history as forces for a deeper questioning of what it means to be Philadelphian in a time of renewal and continuing struggle.

Contributors: Alexander Alberro, Alliyah Allen, Laurie Allen, Andrew Friedman, Justin Geller, Kristen Giannantonio, Jane Golden, Aviva Kapust, Fariah Khan, Homay King, Stephanie Mach, Trapeta B. Mayson, Nathaniel Popkin, Ursula Rucker, Jodi Throckmorton, Salamishah Tillet, Jennifer Harford Vargas, Naomi Waltham-Smith, Bethany Wiggin, Mariam I. Williams, Leslie Willis-Lowry,  and the editors.

Artists: Tania Bruguera, Mel Chin, Kara Crombie, Tyree Guyton, Hans Haacke, David Hartt, Sharon Hayes, King Britt and Joshua Mays, Klip Collective, Duane Linklater, Emeka Ogboh, Karyn Olivier, Michelle Angela Ortiz, Kaitlin Pomerantz, RAIR, Alexander Rosenberg, Jamel Shabazz, Hank Willis Thomas, Shira Walinsky and Southeast by Southeast, and Marisa Williamson.

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cover of Monument Lab: Re:Generation

Monument Lab

Re:Generation

Edited by Paul M. Farber and Sue Mobley

Temple University Press, 2026

Beginning in 2022, the Philadelphia-based nonprofit public art, history, and design studio, Monument Lab, launched a nationwide initiative organized around a central question: Which stories belong in public? The editors and contributors to Monument Lab: Re:Generation responded with creative and impactful projects of reclamation that provide a deeper understanding of how monuments live and function in communities.

Monument Lab: Re:Generation presents case studies that travel across America, highlighting local commemorative campaigns dedicated to advancing public memory. Featuring articles and artwork from the country’s leading monument makers, each project includes a framing essay that provides insights into the varied contexts of location, culture, form, and subject matter.

Monument Lab: Re:Generation provides innovative, healing, and practical approaches to the United States’ unreconciled past and divided present facing our nation. In doing so, it invites readers to engage with a broader discourse of monuments and public memory.

Contributors: Thomas J. Adams, Kareal Amenumey, Sháńdíín Brown, Jonathan Jae-an Crisman, Kristen Dorsey, Aruna D'Souza, Mariluz Franco Ortiz, Jacqui Germain, Grace Sanders Johnson, Dani R. Merriman, Deirdre Cooper Owens, Naima Murphy Salcido, Kirk Savage, Clint Smith, Tsione Wolde-Michael, Eric Zimmer, and the editors
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cover of Monumental Anxieties: Homoerotic Desire and Feminine Influence in 19-th Century U.S. Literature

Monumental Anxieties

Homoerotic Desire and Feminine Influence in 19-th Century U.S. Literature

Derrick, Scott S

Rutgers University Press, 1997

Scott Derrick has written an original book that contributes significantly to current revisions of the nineteenth-century American literary tradition's representation of gender and sexuality. His interpretation of feminist, lesbian-feminist, and gay issues in nineteenth-century American literature as complementary enlarges our historical understanding and helps build the coalition politics needed in these areas."-John Carlos Rowe, University of California, Irvine

Recent gender-based scholarship on nineteenth-century American literature has established male authors' crucial awareness of the competition from popular women writers. And critical work in gay studies and queer theory has stressed the importance in canonical American literature of homoerotic relations between men, even before "homosexuality" became codified at the end of the century. Scott Derrick draws on these insights to explore the ways in which male authors struggle to refigure literature-historically devalued as feminine-as a masculine and heterosexual enterprise. Derrick focuses on scenes of compositional crisis that reveal how male identity itself is at risk in the perils and possibilities of being a male author in a feminized literary marketplace.

He suggests that traditionally valued texts by Hawthorne, Poe, James, Sinclair, and Crane have at their core combustible four-sided conflicts between feminine identifications and masculine distancings, homoerotic longings and homophobic dreads, conflicts which are largely determined by domestic ideals of male and female roles within the nineteenth-century family. The negotiation of such conflicts is controlled by the nature of fiction writing, which both frees the imagination to explore forbidden fantasies and harnesses the imagination to public understandings of the proper form and content of fiction. Thus Monumental Anxieties also contributes to recent debates about the social shaping of contemporary homosexuality and to the history of American masculinity.

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cover of Monumental Lies: Early Nevada Folklore of the Wild West

Monumental Lies

Early Nevada Folklore of the Wild West

Ronald M. James

University of Nevada Press, 2023

A playful embrace of tall tales and exaggeration, Monumental Lies explores the evolution of folklore in the Wild West.

Monumental Lies: Early Nevada Folklore of the Wild West opens the door to understanding how legends and traditions emerged during the first decades following the “Rush to Washoe,” which transformed the region beginning in 1859. During this Wild West period, there was widespread celebration of deceit, manifesting in tall tales, burlesque lies, practical jokes, and journalistic hoaxes. Humor was central to these endeavors and practitioners easily found themselves scorned if they failed to be adequately funny. This ethos became central to the way folklore emerged during the formative years of the Nevada territory and state.
 
The tens of thousands of people who came to the West, attracted by gold and silver mining, brought distinct cultural legacies. The interaction of diverse perspectives, even while new stories and traditions coalesced or simply appeared, was a complex process. Author Ronald M. James addresses how the fluidity of the region affected new expressions of folklore as they took root.
 
Mark Twain, often a go-to source for collections of early tall tales of this region, cannot be overlooked, but his interaction with local traditions was specific and narrow. More importantly, William Wright—publishing as Dan De Quille—arose as a key collector of legends, a counterpart of early European folklorists. With a bedrock understanding of what unfolded in the nineteenth century, it is possible to consider 
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cover of Monumental Matters: The Power, Subjectivity, and Space of India's Mughal Architecture

Monumental Matters

The Power, Subjectivity, and Space of India's Mughal Architecture

Santhi Kavuri-Bauer

Duke University Press, 2011

Built in the sixteenth and seventeenth centuries, India’s Mughal monuments—including majestic forts, mosques, palaces, and tombs, such as the Taj Mahal—are world renowned for their grandeur and association with the Mughals, the powerful Islamic empire that once ruled most of the subcontinent. In Monumental Matters, Santhi Kavuri-Bauer focuses on the prominent role of Mughal architecture in the construction and contestation of the Indian national landscape.

She examines the representation and eventual preservation of the monuments, from their disrepair in the colonial past to their present status as protected heritage sites. Drawing on theories of power, subjectivity, and space, Kavuri-Bauer’s interdisciplinary analysis encompasses Urdu poetry, British landscape painting, imperial archaeological surveys, Indian Muslim identity, and British tourism, as well as postcolonial nation building, World Heritage designations, and conservation mandates. Since Independence, the state has attempted to construct a narrative of Mughal monuments as symbols of a unified, secular nation. Yet modern-day sectarian violence at these sites continues to suggest that India’s Mughal monuments remain the transformative spaces—of social ordering, identity formation, and national reinvention—that they have been for centuries.
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cover of Monumentality: Geographies, Histories, Ideologies

Monumentality

Geographies, Histories, Ideologies

Elizabeth Kassler-Taub

J. Paul Getty Trust, The, 0

An exploration of how monuments—both physical and conceptual—shape memory, identity, and public debate across cultures and time.

This compelling volume invites readers to reimagine how monuments shape history, identity, and public space. Monumentality is explored as a dynamic and contested idea—one that moves beyond grand buildings and enduring structures to understand how societies remember the past and envision the future.

Engaging scholarly essays, accompanied by focused reflections on objects held in Getty collections, analyze the emotional, ideological, and technological dimensions of monuments by tracing their changing meanings across cultures and historical periods. Spanning themes of destruction, circulation, territorialization, and empire, the book investigates topics such as the ruin aesthetic of the Paris Commune, the material remnants of Buddhism in India, the construction of Cold War dams, and the influence of Almohad minaret architecture. Throughout, readers will encounter the enduring effects of colonialism, modernization, and settlements on societies around the world—from nineteenth-century West Africa to postwar Japan and Guam to present-day Israel and Ukraine.

Together, these studies integrate histories of art, architecture, and urban landscapes to examine the role of monuments in contemporary life. Monumentality offers fresh perspectives on what we choose to honor, why the past is preserved (or forgotten), and how the complex narratives embedded in memorials or public art condition our experience of the present.

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cover of Monuments Askew: An Elliptical History of the Factory of the Eccentric Actor

Monuments Askew

An Elliptical History of the Factory of the Eccentric Actor

Maria Corrigan

Rutgers University Press, 2025

Monuments Askew: An Elliptical History of the Factory of the Eccentric Actor presents a cultural history of the Factory of the Eccentric Actor (FEKS), an avant-garde collective of Ukrainian artists whose unique approach to monumental history generated a new kind of cinema for a modernizing Soviet era. Often lost in the shuffle of this period, FEKS’s vibrant and experimental cinematic output initiated a youthful and cheeky overhaul of Soviet revolutionary culture. Monuments Askew reveals the foundational role of this understudied group of artists—including Grigori Kozintsev and Leonid Trauberg—and uses their own theoretical contributions to undo the “foundations” of our understanding of Soviet media and arts. As a counter to a solely cinema-focused conceptualization of this era, Corrigan develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKS’s body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself.
 
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cover of Monuments and Territory: War Memorials in Russian-Occupied Ukraine

Monuments and Territory

War Memorials in Russian-Occupied Ukraine

Mischa Gabowitsch

Central European University Press, 2025

From the very first weeks of Russia’s large-scale attack on Ukraine in February 2022, Russian soldiers, politicians, and proxy administrators expended considerable effort interacting with monuments on newly occupied territory. Why did the invaders care enough about war memorials to divert scarce resources to destroying, maintaining, or building them amid a massive war? Why did they remove some memorials and spare others? What was the point of commemorating past victories and defeats while bombing Ukrainian cities, and how did commemorative ceremonies in the occupied territories

change over the first year of the war? What was the broader impact of monument-related practices beyond the local settings in which they occurred? And what does the Ukrainian case teach us more generally about how memorials to past wars can be used to justify new conquests? These are some of the questions this book explores, based on fieldwork in occupied Ukraine and online research.

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cover of Monuments of Romanesque Art: The Art of the Church Treasures in Northwestern Europe

Monuments of Romanesque Art

The Art of the Church Treasures in Northwestern Europe

Hanns Swarzenski

University of Chicago Press, 1974

This beautiflly illustrated book presents as an artistic whole the chief monuments in ivory, gold, bronze, enamel, and manuscript illumination of north-west Europe from A.D. 800 to 1200. Hanns Swarzenski has selected more than 560 illustrations to exemplify the continuity of artistic development irrespective of the materials in which individual works are executed or the local schools to which they belong. These illustrations offer a splendid presentation of Romanesque art—the most extensive ever brought together between the covers of one book.
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cover of Moorings and Metaphors: Figures of Culture and Gender in Black Women's Literature

Moorings and Metaphors

Figures of Culture and Gender in Black Women's Literature

Karla F. Holloway

Rutgers University Press, 1991

Moorings and Metaphors is one of the first studies to examine the ways that cultural tradition is reflected in the language and figures of black women's writing. In a discussion that includes the works of Gloria Naylor, Alice Walker, Ama Ata Aidoo, Ntozake Shange, Buchi Emecheta, Octavia Butler, Efua Sutherland, and Gayl Jones, and with a particular focus on Toni Morrison's Beloved and Flora Nwapa's Efuru, Holloway follows the narrative structures, language, and figurative metaphors of West African goddesses and African-American ancestors as they weave through the pages of these writers' fiction. She explores what she would call the cultural and gendered essence of contemporary literature that has grown out of the African diaspora.

Proceeding from a consideration of the imaginative textual languages of contemporary African-American and West African writers, Holloway asserts the intertextuality of black women's literature across two continents. She argues the subtext of culture as the source of metaphor and language, analyzes narrative structures and linguistic processes, and develops a combined theoretical/critical apparatus and vocabulary for interpreting these writers' works. The cultural sources and spiritual considerations that inhere in these textual languages are discussed within the framework Holloway employs of patterns of revision, (re)membrance, and recursion--all of which are vehicles for expressive modes inscribed at the narrative level. Her critical reading of contemporary black women's writing in the United States and West Africa is unique, radical, and sure to be controversial.
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cover of Moorings: Portuguese Expansion and the Writing of Africa

Moorings

Portuguese Expansion and the Writing of Africa

Josiah Blackmore

University of Minnesota Press, 2008

How Africa was perceived in the early modern imaginary

In this first book to study Portuguese texts about Africa, Moorings brings an important but little-known body of European writings to bear on contemporary colonial thought. Images of Africa as monstrous, dangerous, and lush were created in early Portuguese imperial writings and dominated its representation in European literature. Moorings establishes these key works in their proper place: foundational to Western imperial discourse.

Attentive to history as well as the nuances of language, Josiah Blackmore leads readers from the formation of the “Moor” in medieval Iberia to the construction of a full colonial imaginary, as found in the works of two writers: the royal chronicler Gomes Eanes de Zurara and the epic poet Luís de Camões. Blackmore’s original work helps to explain how concepts and myths—such as the “otherness” of Africa and Africans—originated, functioned, and were perpetuated.Delving into the Portuguese imperial experience, Moorings enriches our understanding of historical and literary imagination during a significant period of Western expansion.
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cover of Moquis and Kastiilam: Hopis, Spaniards, and the Trauma of History, Volume I, 1540–1679

Moquis and Kastiilam

Hopis, Spaniards, and the Trauma of History, Volume I, 1540–1679

Edited by Thomas E. Sheridan, Stewart B. Koyiyumptewa, Anton Daughters, Dale S. Brenneman, T. J. Ferguson, Leigh Kuwanwisiwma, and Lee Wayne Lomayestewa

University of Arizona Press, 2015

The first of a two-volume series, Moquis and Kastiilam tells the story of the encounter between the Hopis, who the Spaniards called Moquis, and the Spaniards, who the Hopis called Kastiilam, from the first encounter in 1540 until the eve of the Pueblo Revolt of 1680. By comparing and contrasting Spanish documents with Hopi oral traditions, the editors portray a balanced presentation of their shared past. Translations of sixteenth-, seventeenth-, and eighteenth-century documents written by Spanish explorers, colonial officials, and Franciscan missionaries tell the perspectives of the European visitors, and oral traditions recounted by Hopi elders reveal the Indigenous experience.

The editors argue that the Spanish record is incomplete, and only the Hopi perspective can balance the story. The Spanish documentary record (and by extension the documentary record of any European or Euro-American colonial power) is biased and distorted, according to the editors, who assert there are enormous silences about Hopi responses to Spanish missionization and colonization. The only hope of correcting those weaknesses is to record and analyze Hopi oral traditions, which have been passed down from generation to generation, and give voice to Hopi values and Hopi social memories of what was a traumatic period in their past.

Spanish abuses during missionization—which the editors address specifically and directly as the sexual exploitation of Hopi women, suppression of Hopi ceremonies, and forced labor of Hopis—drove Hopis to the breaking point, inspiring a Hopi revitalization that led them to participate in the Pueblo Revolt. Those abuses, the revolt, and the resistance that followed remain as open wounds in Hopi society today.
[more]
cover of Moquis and Kastiilam: Hopis, Spaniards, and the Trauma of History, Volume II, 1680–1781

Moquis and Kastiilam

Hopis, Spaniards, and the Trauma of History, Volume II, 1680–1781

Edited by Thomas E. Sheridan, Stewart B. Koyiyumptewa, Anton Daughters, Dale S. Brenneman, T. J. Ferguson, Leigh Kuwanwisiwma, and Lee Wayne Lomayestewa

University of Arizona Press, 2020

The second in a two-volume series, Moquis and Kastiilam, Volume II, 1680–1781 continues the story of the encounter between the Hopis, who the Spaniards called Moquis, and the Spaniards, who the Hopis called Kastiilam, from the Pueblo Revolt in 1680 through the Spanish expeditions in search of a land route to Alta California until about 1781. By comparing and contrasting Spanish documents with Hopi oral traditions, the editors present a balanced presentation of a shared past. Translations of sixteenth-, seventeenth-, and eighteenth-century documents written by Spanish explorers, colonial officials, and Franciscan missionaries tell the perspectives of the European visitors, and oral traditions recounted by Hopi elders reveal the Indigenous experience.

The editors argue that only the Hopi perspective can balance the story recounted in the Spanish documentary record, which is biased, distorted, and incomplete (as is the documentary record of any European or Euro-American colonial power). The only hope of correcting those weaknesses and the enormous silences about the Hopi responses to Spanish missionization and colonization is to record and analyze Hopi oral traditions, which have been passed down from generation to generation since 1540, and to give voice to Hopi values and social memories of what was a traumatic period in their past.

Volume I documented Spanish abuses during missionization, which the editors address specifically and directly as the sexual exploitation of Hopi women, suppression of Hopi ceremonies, and forced labor of Hopi men and women. These abuses drove Hopis to the breaking point, inspiring a Hopi revitalization that led them to participate in the Pueblo Revolt and to rebuff all subsequent efforts to reestablish Franciscan missions and Spanish control. Volume II portrays the Hopi struggle to remain independent at its most effective—a mixture of diplomacy, negotiation, evasion, and armed resistance. Nonetheless, the abuses of Franciscan missionaries, the bloodshed of the Pueblo Revolt, and the subsequent destruction of the Hopi community of Awat’ovi on Antelope Mesa remain historical traumas that still wound Hopi society today.

[more]
cover of Morafe: Person, Family, and Nation in Colonial Bechuanaland, 1880s–1950s

Morafe

Person, Family, and Nation in Colonial Bechuanaland, 1880s–1950s

Khumisho Moguerane

Ohio University Press, 2024

In Morafe, Khumisho Moguerane has written a luminous exploration of two generations of the prominent Molema family. They were “border people” who straddled what would become present-day South Africa and Botswana. The book begins in the 1880s at the frontier of the new British territories of Bechuanaland (North West and Northern Cape provinces) and the Bechuanaland Protectorate (Botswana), where the political boundary between these two territories was negligible and where skin color did not yet necessarily connect with a particular social or political status or affect economic opportunity.

Morafe ends in the 1950s, when the political boundary mattered profoundly, dividing two very different colonial dispensations of racial ordering and classification, and two separate traditions of nationalist politics. With this landmark publication, Moguerane reveals that “the nation” is less “out there,” in public institutions and political struggles, and more “in here,” in the everyday drama of personal and ordinary lives.

[more]
cover of Moral Economies of Corruption: State Formation and Political Culture in Nigeria

Moral Economies of Corruption

State Formation and Political Culture in Nigeria

Steven Pierce

Duke University Press, 2016

Nigeria is famous for "419" e-mails asking recipients for bank account information and for scandals involving the disappearance of billions of dollars from government coffers. Corruption permeates even minor official interactions, from traffic control to university admissions. In Moral Economies of Corruption Steven Pierce provides a cultural history of the last 150 years of corruption in Nigeria as a case study for considering how corruption plays an important role in the processes of political change in all states. He suggests that corruption is best understood in Nigeria, as well as in all other nations, as a culturally contingent set of political discourses and historically embedded practices. The best solution to combatting Nigerian government corruption, Pierce contends, is not through attempts to prevent officials from diverting public revenue to self-interested ends, but to ask how public ends can be served by accommodating Nigeria's history of patronage as a fundamental political principle.
 
 
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cover of Moral Entanglements: Conserving Birds in Britain and Germany

Moral Entanglements

Conserving Birds in Britain and Germany

Stefan Bargheer

University of Chicago Press, 2018

At the center of Stefan Bargheer’s account of bird watching, field ornithology, and nature conservation in Britain and Germany stands the question of how values change over time and how individuals develop moral commitments. Using life history data derived from written narratives and oral histories, Moral Entanglements follows the development of conservation from the point in time at which the greatest declines in bird life took place to the current efforts in large-scale biodiversity conservation and environmental policy within the European Union. While often depicted as the outcome of an environmental revolution that has taken place since the 1960s, Bargheer demonstrates to the contrary that the relevant practices and institutions that shape contemporary conservation have evolved gradually since the early nineteenth century. Moral Entanglements further shows that the practices and institutions in which bird conservation is entangled differ between the two countries. In Britain, birds derived their meaning in the context of the game of bird watching as a leisure activity. Here birds are now, as then, the most popular and best protected taxonomic group of wildlife due to their particularly suitable status as toys in a collecting game, turning nature into a playground. In Germany, by contrast, birds were initially part of the world of work. They were protected as useful economic tools, rendering services of ecological pest control in a system of agricultural production modeled after the factory shop floor. Based on this extensive analysis, Bargheer formulates a sociology of morality informed by a pragmatist theory of value.
[more]
cover of Moral Enterprise: Literature and Education in Antebellum America

Moral Enterprise

Literature and Education in Antebellum America

Derek Pacheco

The Ohio State University Press, 2013

Moral Enterprise: Literature and Education in Antebellum America, by Derek Pacheco,investigates an important moment in the history of professional authorship. Pacheco uses New England “literary reformers” Horace Mann, Nathaniel Hawthorne, Elizabeth Peabody, and Margaret Fuller to argue that writers came to see in educational reform, and the publication venues emerging in connection with it, a means to encourage popular authorship while validating literary work as a profession. Although today’s schools are staffed by systematically trained and institutionally sanctioned teachers, in the unregulated, decentralized world of antebellum America, literary men and women sought the financial stability of teaching while claiming it as moral grounds for the pursuit of greater literary fame.
Examining the ethically redemptive and potentially lucrative definition of antebellum author as educator, this book traces the way these literary reformers aimed not merely at social reform through literature but also at the reform of literature itself by employing a wide array of practices—authoring, editing, publishing, and distributing printed texts—brought together under the aegis of modern, democratic education. Moral Enterprise identifies such endeavors by their dual valence as bold, reformist undertakings and economic ventures, exploring literary texts as educational commodities that might act as entry points into, and ways to tame, what Mann characterized as the “Alexandrian library” of American print culture.
[more]
cover of Moral Philosophy and Development: The Human Condition in Africa

Moral Philosophy and Development

The Human Condition in Africa

Tedros Kiros

Ohio University Press, 1992

Although development issues generally have been considered in a framework of economic theory and politics, in this volume Tedros Kiros looks to European ideas of moral philosophy to explain the underdevelopment of Africa and the persistent African food crisis. He draws upon the works of Adam Smith, David Ricardo, Karl Marx and the concepts of hegemony and counter-hegemony. Kiros points out that Africans and Europeans held opposing worldviews upon their initial contact and agrees with those who explain the present condition in Africa partly as the result of European colonialism. In his concluding chapter he develops principles of moral philosophy to guide Africans and others in the future economic development of the African continent.
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cover of Moral Politics in the Philippines: Inequality, Democracy and the Urban Poor

Moral Politics in the Philippines

Inequality, Democracy and the Urban Poor

Wataru Kusaka

National University of Singapore Press, 2017

Moral Politics in the Philippines offers an in-depth examination of the political participation and discourse of the urban poor in Manila. After the ousting of Ferdinando Marcos in 1986, society in the Philippines fractured along socioeconomic lines. The educated middle class began to recognize themselves as moral citizens and political participants while condemning the poor as immoral “masses” who earn money illegally and support corrupt leaders. Conversely, the poor believe themselves to be morally upright and criticize the rich as arrogant oppressors. Wataru Kusaka looks at the dangers of this moralization of politics during the last several decades, and he analyzes the damaging effects it has had on democracy by excluding much of society and marginalizing the interests of those most in need of resources.
 
 
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cover of Moralia et Ascetica Armeniaca: The Oft-Repeated Discourses

Moralia et Ascetica Armeniaca

The Oft-Repeated Discourses

Abraham Terian

Catholic University of America Press, 2022

The twenty-three discourses presented in this volume have a long textual history that ascribes them to St. Gregory the Illuminator of Armenia (d. 328), a prevalent view that lasted through the nineteenth century. Armenian scholarship through the last century has tended to ascribe them to St. Mashtots‘, the inventor of the Armenian alphabet (d. 440). In his critical introduction to this first-ever English translation of the discourses, Terian presents them as an ascetic text by an anonymous abbot writing near the end of the sixth century. The very title in Armenian, Yačaxapatum Čaŕk‘, literally, “Oft-Repeated Discourses,” further validates their ascetic environment, where they were repeatedly related to novices. For want of answers to introductory questions regarding authorship and date, and because of the pervasive grammatical difficulties of the text, the document has remained largely unknown in scholarship. The discourses include many of the Eastern Fathers’ favorite theological themes. They are heavily punctuated with biblical quotations and laced with recurring biblical images and phraseology; the doctrinal and functional centrality of the Scriptures is emphasized throughout. They are replete with traditional Christian moral teachings that have acquired elements of moral philosophy transmitted through Late Antiquity. Echoes of St. Basil’s thought are heard in several of them, and some evidence of the author’s dependence on the Armenian version of the saint’s Rules, translated around the turn of the sixth century, is apparent. On the whole they show how Christians were driven by the Johannine love-command and the Pauline Spirit-guided practice of virtuous living, ever maturing in the ethos of an in-group solidarity culminating in monasticism.
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cover of Morality and the Mail in Nineteenth-Century America

Morality and the Mail in Nineteenth-Century America

Wayne E. Fuller

University of Illinois Press, 2003

Morality and the Mail in Nineteenth-Century America explores the evolution of postal innovations that sparked a communication revolution in nineteenth-century America. Wayne E. Fuller examines how evangelical Protestants, the nation’s dominant religious group, struggled against those transformations in American society that they believed threatened to paganize the Christian nation they were determined to save.

Drawing on House and Senate documents, postmasters general reports, and the Congressional Record, as well as sermons, speeches, and articles from numerous religious and secular periodicals, Fuller illuminates the problems the changed postal system posed for evangelicals, from Sunday mail delivery and Sunday newspapers to an avalanche of unseemly material brought into American homes via improved mail service and reduced postage prices. Along the way, Fuller offers new perspectives on the church and state controversy in the United States as well as on publishing, politics, birth control, the lottery, censorship, Congress’s postal power, and the waning of evangelical Protestant influence.
 
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cover of Morals Of History

Morals Of History

Tzvetan Todorov

University of Minnesota Press, 1995

[more]
cover of Morbid Cravings: Appetite and Addiction in the Nineteenth Century

Morbid Cravings

Appetite and Addiction in the Nineteenth Century

Hannah Markley

The Ohio State University Press, 2027

Traces the comorbidity of eating disorders and drug addiction in nineteenth-century British literature and culture, as a product of and contributor to colonial expansion.

Morbid Cravings is the first book toexamine how eating disorders and drug addiction developed in the nineteenth century as entwined psychosocial responses to imperial-driven cultural demands that Britons regulate their appetites. Through close readings of Jane Austen, Thomas De Quincey, Sydney Whiting, and Arthur Conan Doyle, Hannah Markley explores the comorbidity of these disorders in relation to imperial trade and colonial conquest, applying a postcolonial lens to show us how emerging, separate diagnostic categories were in fact structured by the same social and economic systems.

During the seventeenth and eighteenth centuries, the influx of sugar, tea, coffee, opium, chocolate, and tobacco began to transform British diets and nervous systems, creating dependence on not only these substances but on the colonial systems that delivered them. In turn, medicine attempted to curtail these appetites by promoting restrictive dietary practices. By focusing on how anorexia nervosa, opium-eating, dyspepsia, and compulsive injection emerged in relation to attempts to regulate British appetites for colonial substances, Markley argues that the medico-ideological imperative to restrict appetites produced interrelated representations of eating disorders and addictions that ultimately enacted the voracious logic of British racial capitalism.
[more]
cover of More Adventures with Britannia: Personalities, Politics and Culture in Britain

More Adventures with Britannia

Personalities, Politics and Culture in Britain

Edited by Wm. Roger Louis

University of Texas Press, 1998

Collecting the interpretations of outstanding writers on the literature and history of modern Britain, this book deals with a rich variety of themes, some familiar, many unexpected, taking the reader on a highly engaging excursion through British life and intellectual biography. The scope includes not only the personalities, politics, and culture of England, Wales, Scotland, and Ireland, but also the interaction of British and other societies throughout the world.

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cover of More Art in the Public Eye

More Art in the Public Eye

Micaela Martegani, Jeff Kaspar, and Emma Drew, editors

Duke University Press, 2019

More Art in the Public Eye offers critical insight into the ever-growing field of socially engaged public art by demonstrating how the committed collaboration of artists, community members, and cultural producers can meaningfully impact our collective futures. Presented through the lens of More Art's fifteen-year history, the public art projects featured in this book expose issues of systemic inequality and injustice, stoke debate, and inspire alternatives. Artists and participants reflect on their works in newly conducted interviews, while essays from thinkers and actors in the field help situate the projects and the mission of socially engaged art in terms of greater cultural and political paradigms. More Art in the Public Eye establishes the framework for the conditions under which organizations like More Art operate, highlights the many meta-questions behind socially engaged public art, and seeks to amplify the wide array of voices that make up a project.

Contributors. Rebecca Amato, Michael Birchall, Ofri Cnaani, Michelle Coffey, Jennifer Dalton, Emma Drew, Pablo Helguera, Mary Jane Jacob, Jessica Lynne, Jeff Kasper, Kimsooja, Micaela Martegani, Andrea Mastrovito, Tony Oursler, William Powhida, Ernesto Pujol, Michael Rakowitz, Kirk Savage, Dread Scott, Andres Serrano, Gregory Sholette, Xaviera Simmons, Krzysztof Wodiczko
[more]
cover of More City than Water: A Houston Flood Atlas

More City than Water

A Houston Flood Atlas

Edited by Lacy M. Johnson and Cheryl Beckett

University of Texas Press, 2022

2022 Art in Service to the Environment Award, Sierra Club Lone Star Chapter
Honorable Mention, 2022 Nonfiction Prize, Writers' League of Texas

Writers explore a city’s relationship with chronic catastrophic flooding.

Shortly after Hurricane Harvey dumped a record 61 inches of rain on Houston in 2017, celebrated writer and Bayou City resident Lacy M. Johnson began collecting flood stories. Although these stories attested to the infinite variety of experience in America’s most diverse city, they also pointed to a consistent question: What does catastrophic flooding reveal about this city, and what does it obscure?

More City than Water brings together essays, conversations, and personal narratives from climate scientists, marine ecologists, housing activists, urban planners, artists, poets, and historians as they reflect on the human geography of a region increasingly defined by flooding. Both a literary and a cartographic anthology, More City than Water features striking maps of Houston’s floodplains, waterways, drainage systems, reservoirs, and inundated neighborhoods. Designed by University of Houston seniors from the Graphic Design program, each map, imaginative and precise, shifts our understanding of the flooding, the public’s relationship to it, and the fraught reality of rebuilding. Evocative and unique, this is an atlas that uncovers the changing nature of living where the waters rise.

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cover of More Forgotten Towns of Southern New Jersey

More Forgotten Towns of Southern New Jersey

Henry Beck

Rutgers University Press, 1963

From Colonial days to the early 1900s, iron forges, glass plants, lumber and paper mills flourished in the New Jersey of the Pine Barrens, in old Burlington, Gloucester and Salem Counties. Around the inlets of the Atlantic shore and on Delaware Bay, whaling and shipbuilding were important industries. Times have changed. Many of the old towns have fallen into ruin or disappeared, swallowed up in the abandoned lands of South Jersey or swept away by the unrelenting tides of the Jersey coast. 

Henry Charlton Black, raised in Haddonfield for years, shared his endless delight in the land and the lore of South Jersey. He, like a few other devoted Jerseyans, began to hunt out in the 1930s the old sites and to record the stories handed down from generation to generation, clear back to early settlers. In this sequel to Forgotten Towns of Southern New Jersey, his visits to the state's early heritage - churches, villages, and roads - are continued. He explores the routes of old railroads and the tangled wilderness of the Forked River Mountains, and he tells the lost stories of forgotten glass and iron and shipbuilding villages. 
[more]
cover of More Important Than the Music: A History of Jazz Discography

More Important Than the Music

A History of Jazz Discography

Bruce D. Epperson

University of Chicago Press, 2013

Today, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson’s More Important Than the Music. Following the dedicated few who sought to keep jazz’s legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer.

Epperson examines the documentation of recorded jazz from its casual origins as a novelty in the 1920s and ’30s, through the overwhelming deluge of 12-inch vinyl records in the middle of the twentieth century, to the use of computers by today’s discographers. Though he focuses much of his attention on comprehensive discographies, he also examines the development of a variety of related listings, such as buyer’s guides and library catalogs, and he closes with a look toward discography’s future. From the little black book to the full-featured online database, More Important Than the Music offers a history not just of jazz discography but of the profoundly human desire to preserve history itself.
[more]
cover of More Nights than Days: A Survey of Writings of Child Genocide Survivors

More Nights than Days

A Survey of Writings of Child Genocide Survivors

Yudit Kiss

Central European University Press, 2023

More Nights Than Days is a unique exploration of the experience of children who survived the Holocaust—including Roma and Sinti victims—and the genocides in Cambodia, Rwanda, and Bosnia. Children are among the principal victims of armed conflicts and slaughters; nonetheless, they perceive events through the prism of their unique perspective and have a range of coping techniques adults don't possess.


This overview of writings of ninety-one child survivors bears evidence from a wide range of human ruthlessness. The author presents little-known texts along with famous memoirs and autobiographical fiction, with abundant quotations. Many of these are not only compelling as historical testimony, but poetic and stirringly expressive. Yudit Kiss has not written a historical study or literary criticism of the children’s books. She explores, instead, what the authors went through and what they felt and understood about their experience. An accessible and captivating reading, this volume presents a close-up, human size dimension of the destruction. The books written by child survivors also describe the resources and means that helped them to remain human even in the deepest well of inhumanity, offering precious lessons about resistance and resilience.M

[more]
cover of More Peoples of Las Vegas: One City, Many Faces

More Peoples of Las Vegas

One City, Many Faces

Jerry L Simich

University of Nevada Press, 2010

The remarkable economic growth of Las Vegas between 1980 and 2007 created a population boom and a major increase in the ethnic and religious diversity of the city. Today, over 21 percent of the city’s population is foreign born, and over 30 percent speak a language other than English at home. The local court system offers interpreters in 82 languages, and in 2005/2006, for example, more than 11,000 people, originating from 138 countries, were naturalized there as American citizens.More Peoples of Las Vegas extends the survey of this city’s cosmopolitan population begun in The Peoples of Las Vegas (University of Nevada Press, 2005). As in the previous book, this volume includes well-established groups like the Irish and Germans, and recently arrived groups like the Ethiopians and Guatemalans. Essays describe the history of each group in Las Vegas and the roles they play in the life and economy of the city. The essays also explore the influence of modern telecommunications and accessible air travel, showing how these factors allow newcomers to create transnational identities and maintain ties with families and culture back home. They also examine the role of local institutions—including clubs, religious organizations, shops, restaurants, and newspapers and other media—in helping immigrants maintain their ethnic and religious identities and in disseminating national and even regional cultures of origin.More Peoples of Las Vegas adds to our awareness of the rich and varied ethnic and religious character of Las Vegans. In a broader context, it offers thoughtful perspectives on the impact of globalization on a major American city and on the realities of immigrant life in the twenty-first century.

[more]
cover of More Philadelphia Murals and the Stories They Tell

More Philadelphia Murals and the Stories They Tell

Jane Golden

Temple University Press, 2006

More than twenty years ago, a New Jersey artist started a project for the Philadelphia Anti-Graffiti Network that encouraged young people to paint murals on a few buildings around the city. Jane Golden could not have known that the Mural Arts Program (MAP) would become the nation's largest public art program and a model for programs throughout the country. With more than 2600 murals throughout Philadelphia, the program has brightened the lives of countless residents and tourists while providing a creative outlet for an astounding array of artists. MAP now works with more than 3000 students around the city, engaging them in a curriculum that teaches not only artistic skills but civic engagement and personal responsibility. In this sequel to the bestselling Philadelphia Murals and the Stories They Tell, published in 2002, More Philadelphia Murals and the Stories They Tell shares with the earlier work its beautiful color photography, along with profiles of the artists. Featured here is the remarkable story of an unlikely artistic collaboration—between boys who live in a residential facility, a community in the Kensington section of Philadelphia, and men who are incarcerated in a maximum-security state correctional facility. The 1/8 of a mile long mural they created, about balanced and restorative justice, was intended to help the young men give something back to a community they had harmed and help the community wrestle with issues around crime and violence. In the process of creating the mural, it became a life-changing experience for all involved. By recounting this story and the many others behind the works of art, More Philadelphia Murals and the Stories They Tell is as inspirational as it is beautiful.
[more]
cover of More Real Courage: Transforming Honor at the Early Naval Academy

More Real Courage

Transforming Honor at the Early Naval Academy

Samuel Limneos

University of Alabama Press, 2026

How discipline and conscience displaced anger and reputation in the early US Navy’s crucible of leadership

More Real Courage: Transforming Honor at the Early Naval Academy is a work of narrative history that traces a hard-fought moral transformation within the United States Navy’s officer corps. Samuel J. Limneos reveals an institutional struggle between competing ideals of courage, as traditional notions of offense, reputation, and aggression collided with emerging values of restraint, loyalty, and duty. Through intensely human stories of conflict, discipline, and conscience, the book shows how honor was contested, defended, and ultimately reshaped into a standard grounded in moral courage and professional responsibility.

Set across three pivotal decades at the Naval Academy, the study examines how midshipmen learned to navigate a culture inherited from European martial traditions while serving a rapidly changing republic. Limneos illuminates the professionalization of naval officers during the mid-nineteenth century, demonstrating how commitment, longsuffering, and performance of duty gradually displaced volatile codes of personal honor. Bridging social, cultural, and institutional history, More Real Courage fills a significant gap in naval historiography and speaks directly to enduring debates over character, leadership, and education in the armed forces. The book offers enduring moral lessons for naval historians, military professionals, and readers seeking to understand how national character is forged amid conflict, reform, and cultural change.
 

[more]
cover of More Than Black: Multiracial Identity & New Racial Order

More Than Black

Multiracial Identity & New Racial Order

G. Reginald Daniel

Temple University Press, 2001

In the United States, anyone with even a trace of African American ancestry has been considered black. Even as the twenty-first century opens, a racial hierarchy still prevents people of color, including individuals of mixed race, from enjoying the same privileges as Euro-Americans. In this book, G. Reginald Daniel argues that we are at a cross-roads, with members of a new multiracial movement pointing the way toward equality.

Tracing the centuries-long evolution of Eurocentrism, a concept geared to protecting white racial purity and social privilege, Daniel shows how race has been constructed and regulated in the United States. The so-called one-drop rule (i.e., hypodescent) obligated individuals to identify as black or white, in effect erasing mixed-race individuals from the social landscape. For most of our history, many mixed-race individuals of African American descent have attempted to acquire the socioeconomic benefits of being white by forming separate enclaves or "passing." By the 1990s, however, interracial marriages became increasingly common, and multiracial individuals became increasingly political, demanding institutional changes that would recognize the reality of multiple racial backgrounds and challenging white racial privilege.

More Than Black? regards the crumbling of the old racial order as an opportunity for substantially more than an improvement in U.S. race relations; it offers no less than a radical transformation of the nation's racial consciousness and the practice of democracy.
[more]
cover of More Than God Demands: Politics and Influence of Christian Missions in Northwest Alaska, 1897-1918

More Than God Demands

Politics and Influence of Christian Missions in Northwest Alaska, 1897-1918

Anthony Urvina with Sally Urvina

University of Alaska Press, 2016

Near the turn of the twentieth century, the territorial government of Alaska put its support behind a project led by Christian missionaries to convert Alaska Native peoples—and, along the way, bring them into “civilized” American citizenship. Establishing missions in a number of areas inhabited by Alaska Natives, the program was an explicit attempt to erase ten thousand years of Native culture and replace it with Christianity and an American frontier ethic.
            Anthony Urvina, whose mother was an orphan raised at one of the missions established as part of this program, draws on details from her life in order to present the first full history of this missionary effort. Smoothly combining personal and regional history, he tells the story of his mother’s experience amid a fascinating account of Alaska Native life and of the men and women who came to Alaska to spread the word of Christ, confident in their belief and unable to see the power of the ancient traditions they aimed to supplant.
[more]
cover of More Than Science and Sputnik: The National Defense Education Act of 1958

More Than Science and Sputnik

The National Defense Education Act of 1958

Wayne J. Urban

University of Alabama Press, 2010

A behind-the-scenes look at the creation of the National Defense Education Act.

Sparked by dramatic Soviet achievements, particularly in nuclear technology and the development of the Sputnik space orbiter, the United States responded in the late 1950s with an extraordinary federal investment in education. Designed to overcome a perceived national failure to produce enough qualified scientists, engineers, and mathematicians to compete with the Communist bloc, the effort resulted in the National Defense Education Act of 1958 (NDEA). Representative Carl Elliott and Senator Lister Hill both from Alabama, and then Assistant Secretary of Health, Education, and Welfare, Elliot Richardson were the prime movers in shaping of this landmark legislation.

More than Science and Sputnik analyzes primary documents of the three leaders to describe the political process that established the NDEA. The book illustrates what the assumptions of the key players were, and why they believed the act was needed.
[more]
cover of More Than Sheepherders: The American Basques of Elko County, Nevada

More Than Sheepherders

The American Basques of Elko County, Nevada

Joxe K. Mallea-Olaetxe

University of Nevada Press, 2025

In the remote community of Elko, Nevada, the Altube brothers and the Garats started fabled ranches in the early 1870s. These hardy citizens created the foundation of a community that still exists today, rooted in the traditions and cultures of American Basque families.

Joxe K. Mallea-Olaetxe presents a modern study focused on the post-1970s, when the retired Basque sheepherders and their families became the dominant Americanized minority in the area. During this time, the Fourth of July National Basque Festival began to attract thousands of visitors from as far away as Europe to the small Nevada community and brought to light the vibrant customs of these Nevadans.

This book explores the American Basques’ present-day place in the West, bolstered by the collaborative efforts of four contributors, including two women—all who have been residents of Elko. The writers offer firsthand knowledge of their heritage through numerous vignettes, and these deeply personal perspectives will entice readers into Mallea-Olaetxe’s singular and entertaining historical account.
 
[more]
cover of More Than Words: A Memoir of a Writing Life

More Than Words

A Memoir of a Writing Life

Jerry Apps

Wisconsin Historical Society Press, 2022

In this combination memoir and craft book, award-winning author Jerry Apps shares the next phase in his life story begun in Limping through Life and Once a Professor. Beginning with a boyhood surrounded by storytellers, Jerry takes readers along on his path to becoming one of the Midwest’s best-known and most revered writers. In characteristic no-nonsense style, he shares the joys, disappointments, and frustrations of the writing life and describes the genesis and creation of many of his best-known books. In recounting his nearly six-decade writing career, Jerry provides an insider’s view into the creative process, delving into sources for ideas, research strategies, and guidelines and essential tools for writing. Along the way he recalls his relationships with publishers, editors, TV producers, librarians, booksellers, and others and shares a scrapbook’s worth of stories—some funny, some heartwarming, a few of them harrowing—from the road. A book for book lovers!
 
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