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This is the inside story of the Palestine Liberation Organisation (PLO), from its beginnings in 1964 to the signing of the Oslo agreement in 1993.

For over three decades, the main goal of the PLO was to achieve a just peace in the Arab-Israeli conflict, and to build a democratic state in Palestine for all its citizens. Shafiq Al-Hout, a high ranking PLO official until his resignation in 1993, provides previously unavailable details on the key events in its history such as its recognition by the UN and the Oslo peace negotiations. Taking us right to the heart of the decision making processes, this book explains the personalities and internal politics that shaped the PLO's actions and the Palestinian experience of the twentieth century.

Although he was an insider, Al-Hout's book does not shy from analysing and criticising decisions and individuals, including Yasser Arafat. This book is an essential piece of history that sheds new light on the significance of the PLO in the Palestinian struggle for justice.

My Lord, What a Morning is a gentle and engrossing memoir, abounding with the tender and inspiring stories of Marian Anderson's life in her own modest words. From her humble but proud beginnings in south Philadelphia to international vocal renown, the legendary contralto writes of triumph and adversity, of being grounded in faith and surrounded by family, and of the music that shaped her career. 

Anderson published My Lord, What a Morning in 1956 on the heels of her groundbreaking role as the first African American to perform at the Metropolitan Opera. In it are bittersweet reminiscences of a working-class childhood, from her first job scrubbing the neighbors' steps to the sorrow and upheaval of her father's untimely death. Here are the stories of a young girl with prodigious talent and her warm remembrances of the teachers, managers, friends, accompanists, and fans who worked to foster it. In addition, she provides a veritable travelogue of her concerts across the globe and rare glimpses at the personal life of a woman more concerned with family than celebrity. 

With eleven photographs and a touching new foreword by Anderson's nephew, famed conductor and poet James DePreist, this edition of My Lord, What a Morning revives the classic portrait of a musical legend who was resilient in the bullying face of bigotry and gracious in the unfaltering glow of fame.

My Name is LaMoosh is the life story of Warm Springs Tribal elder Linda Meanus. She grew up with her grandma Flora Thompson and grandpa Chief Tommy Thompson near Celilo Falls, a mighty fishery on the Columbia that was flooded in 1957 by the construction of The Dalles Dam. Linda persevered through this historic trauma and life’s challenges to teach young people about the Indigenous ways of the Columbia River.  

Intended for early readers to learn more about Native American history through a first-hand account, the book is also a reminder that Indigenous people continue to maintain a cultural connection to the land and river that gave them their identity.  

My Name is LaMoosh includes fact boxes that provide historical, cultural, and environmental context for Linda’s personal story. Hundreds of books exist about Lewis and Clark and their journey of “discovery.” This book balances our understanding of American history with the long-neglected voices of Indigenous people. Linda’s story is not just about historic trauma but also about resilience, perseverance, and reciprocity.

Experience a lifetime of adventure

This autobiography of prominent American archaeologist William G. Dever is unabashedly his story, in which he offers candid, often brutally honest, reflections on his life and sixty-five-year career. Dever places himself in the midst of a remarkable generation of giants in archaeology in Israel during a period when the fields of biblical and Israeli archaeology were evolving. With technical expertise developed over a lifetime of working alongside four generations of Israeli and foreign excavators, he recalls their exploits and shares numerous personal stories that few others would know. His memoir concludes with a postscript on the likely future of biblical archaeology and an annotated bibliography for serious readers who wish to explore some of the scholarly literature to flesh out Dever’s narrative.

Selected as an "Editors Choice" by the Chicago Tribune

Lennard J. Davis grew up as the hearing child of deaf parents. In this candid, affecting, and often funny memoir, he recalls the joys and confusions of this special world, especially his complex and sometimes difficult relationships with his working-class Jewish immigrant parents. Gracefully slipping through memory, regret, longing, and redemption, My Sense of Silence is an eloquent remembrance of human ties and human failings.

Seven women raise a child together while redefining their place in society at the beginning of the Women’s Movement in Denmark in the 1970s


On New Year’s Eve in Copenhagen in 1972, seven women had a child together: one gave birth and six others attended. They had met a year earlier at a feminist women’s camp on a small island and now, with about twenty other women’s liberationists, they occupied three dilapidated apartment buildings in the center of Copenhagen. One became the country’s first Women’s House, the nerve center of the Women’s Movement in Denmark, and the other two were women-only communal living spaces that were Pernille Ipsen’s first home. In this intimate portrait of life during the exhilarating early days of women’s liberation in Scandinavia and dramatic social change around the globe, she tells the stories of these seven women, her seven mothers.

Recounting her mothers’ history—from the passions and beliefs they shared to the political divisions over sexual identity that ultimately split them apart—Ipsen captures the individuality of each of her mothers as well as the common experiences that drew them together. As she deftly reflects the practical and emotional realities of her mothers’ women-centered life, Ipsen presents an engrossing picture of intersecting lives that, half a century ago, raised questions we still grapple with today: What is a family? Who is a woman? And who gets to decide? 

A chronicle of gender, sexuality, and feminism as it was constructed, contested, and lived, My Seven Mothers is an eye-opening account of the challenges and possibilities connected with liberation and radical social change during the 1970s. In this time of fierce struggles over family, sexuality, and child-rearing, it reminds us that new worlds are always possible.

In 2015, in a tragic natural disaster, a massive avalanche descended on the small Arctic Norwegian city of Longyearbyen, Svalbard, leveling eleven houses and killing a child and a young father. In this arresting book, journalist Line Nagell Ylvisåker explores the effects of a warming planet up close and personal, from inside a remote community intimately attuned to its environment.

Ylvisåker introduces readers to her friends and neighbors, including dedicated meteorologists racing to anticipate future disasters and a veteran trapper who harbors doubts about climate change even as he bears witness to a constantly shifting landscape. Blending memoir, long-form journalism, and scientific reportage, she provides an intimate picture of life in a place where the effects of climate change can be seen in all their startling reality—and a compelling and hopeful argument for collective and cooperative action across the globe.

In Myself and Strangers, John Graves, the highly regarded author of Goodbye to a River and other classic works, recalls the decade-long apprenticeship in which he found his voice as a writer. He recounts his wanderings from Texas to Mexico, New York, and Spain, where, like Hemingway, he hoped to find the material with which to write books that mattered. With characteristic honesty, Graves admits the false starts and dead ends that dogged much of his writing, along with the exhilaration he felt when the words finally flowed. He frankly describes both the pleasures and the restlessness of expatriate life in Europe after World War II—as well as his surprising discovery, when family obligations eventually called him home to Texas, that the years away had prepared him to embrace his native land as the fit subject matter for his writing. For anyone seeking the springs that fed John Graves' best-loved books, this memoir of apprenticeship will be genuinely rewarding.