Results by title
1031 books match the query 'Intellectual life' and 28 start with n
Narratives of Greater Mexico
Essays on Chicano Literary History, Genre, and BordersBy Héctor Calderón
University of Texas Press, 2005
Once relegated to the borders of literature—neither Mexican nor truly American—Chicana/o writers have always been in the vanguard of change, articulating the multicultural ethnicities, shifting identities, border realities, and even postmodern anxieties and hostilities that already characterize the twenty-first century. Indeed, it is Chicana/o writers' very in-between-ness that makes them authentic spokespersons for an America that is becoming increasingly Mexican/Latin American and for a Mexico that is ever more Americanized.
In this pioneering study, Héctor Calderón looks at seven Chicana and Chicano writers whose narratives constitute what he terms an American Mexican literature. Drawing on the concept of "Greater Mexican" culture first articulated by Américo Paredes, Calderón explores how the works of Paredes, Rudolfo Anaya, Tomás Rivera, Oscar Zeta Acosta, Cherríe Moraga, Rolando Hinojosa, and Sandra Cisneros derive from Mexican literary traditions and genres that reach all the way back to the colonial era. His readings cover a wide span of time (1892-2001), from the invention of the Spanish Southwest in the nineteenth century to the América Mexicana that is currently emerging on both sides of the border. In addition to his own readings of the works, Calderón also includes the writers' perspectives on their place in American/Mexican literature through excerpts from their personal papers and interviews, correspondence, and e-mail exchanges he conducted with most of them.
Nation and World, Church and God
The Legacy of Garry WillsEdited by Kenneth L. Vaux and Melanie Baffes
Northwestern University Press, 2014
Garry Wills is the polymathic public intellectual bemoaned as missing from American letters. A professor emeritus at Northwestern University, he has built upon his early studies in classics and patristics, while bringing his considerable intellect to bear on American culture, politics, and religion, notably through provocative articles and books on wars, past and present presidents, and the Catholic Church Wills has distinguished himself in the crowded field of Civil War history; fearlessly taken on the legacies of Richard Nixon and Ronald Reagan, among other presidents; and offered a critical voice in many fraught ethical discussions, especially in the areas of war and peace.
Nation and World, Church and God gathers original critical reflections by leading writers and scholars on Garry Wills’s life work. Organized around the themes of “Classics,” “Civil War,” “War and Peace,” and “Theology, Church, and the Arts,” the book reflects the cultural acumen, fine-grained political analysis, ethical candor, and theological wisdom of one of America’s most prolific writers.
National Identities and Post-Americanist Narratives
Donald E. Pease
Duke University Press, 1994
This volume, originally published as a special issue of bounrary 2, focuses on the process of assembling and dismantling the American national narrative(s), sketching its inception and demolition. The contributors examine various cultural, political, and historical sources--colonial literature, mass movements, epidemics of disease, mass spectacle, transnational corporations, super-weapons, popular magazines, literary texts--out of which this narrative was constructed, and propose different understandings of nationality and identity following in its wake.
Contributors. Jonathan Arac, Lauren Berlant, Robert J. Corber, Elizabeth Freeman, Kathryn V. Lingberg, Jack Matthews, Alan Nadel, Patrick O'Donnell, Daniel O'Hara, Donald E. Pease, Ross Posnock, John Carlos Rowe, Rob Wilson
National Romanticism
The Formation of National MovementsMiroslav Hroch
Central European University Press, 2007
Nationalists and Nomads
Essays on Francophone African Literature and CultureChristopher L. Miller
University of Chicago Press, 1999
Miller ranges from the beginnings of francophone African literature—which he traces not to the 1930s Negritude movement but to the largely unknown, virulently radical writings of Africans in Paris in the 1920s—to the evolving relations between African literature and nationalism in the 1980s and 1990s. Throughout he aims to offset the contemporary emphasis on the postcolonial at the expense of the colonial, arguing that both are equally complex, with powerful ambiguities. Arguing against blanket advocacy of any one model (such as nationalism or hybridity) to explain these ambiguities, Miller instead seeks a form of thought that can read and recognize the realities of both identity and difference.
Native American Performance and Representation
Edited by S. E. Wilmer
University of Arizona Press, 2009
This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs, racial discrimination, Native women’s position in a multicultural society, and the relationship between authenticity and hybridity in Native performance.
An important addition to the new and growing field of Native performance, Wilmer’s book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native American studies but also to those concerned with women’s and gender studies, literary and film studies, and cultural studies.
Native American Verbal Art
Texts and ContextsWilliam M. Clements
University of Arizona Press, 1996
He examines in depth Henry Timberlake’s 1765 translation of a Cherokee war song that was probably the first printed English rendering of a Native American "poem." He discusses early-nineteenth-century textualizers and translators who saw in Native American verbal art a literature manqué that they could transform into a fully realized literature, with particular attention to the work of Henry Rowe Schoolcraft, an Indian agent and pioneer field collector who developed this approach to its fullest. He discusses the "scientific" textualizers of the late nineteenth century who viewed Native American discourse as a data source for historical, ethnographic, and linguistic information, and he examines the work of Natalie Curtis, whose field research among the Hopis helped to launch a wave of interest in Native Americans and their verbal art that continues to the present.
In addition, Clements addresses theoretical issues in the textualization, translation, and anthologizing of American Indian oral expression. In many cases the past records of Native American expression represent all we have left of an entire verbal heritage; in most cases they are all that we have of a particular heritage at a particular point in history. Covering a broad range of materials and their historical contexts, Native American Verbal Art identifies the agendas that have informed these records and helps the reader to determine what remains useful in them. It will be a welcome addition to the fields of Native American studies and folklore.
Nature and Culture in the Northern Forest
Region, Heritage, and Environment in the Rural NortheastPavel Cenkl
University of Iowa Press, 2010
Nearly 30 million acres of the Northern Forest stretch across New York, Vermont, New Hampshire, and Maine. Within this broad area live roughly a million residents whose lives are intimately associated with the forest ecosystem and whose individual stories are closely linked to the region’s cultural and environmental history. The fourteen engaging essays in Nature and Culture in the Northern Forest effectively explore the relationships among place, work, and community in this complex landscape. Together they serve as a stimulating introduction to the interdisciplinary study of this unique region.
Each of the four sections views through a different lens the interconnections between place and people. The essayists in “Encounters” have their hiking boots on as they focus on personal encounters with flora and fauna of the region. The energizing accounts in “Teaching and Learning” question our assumptions about education and scholarship by proposing invigorating collaborations between teachers and students in ways determined by the land itself, not by the abstractions of pedagogy. With the freshness of Thoreau’s irreverence, the authors in “Rethinking Place” look at key figures in the forest’s literary and cultural development to help us think about the affiliations between place and citizenship. In “Nature as Commodity,” three essayists consider the ways that writers from the nineteenth and early twentieth centuries thought about nature as a product and, thus, how their conclusions bear on the contemporary retailing of place.
The writers in Nature and Culture in the Northern Forest reveal the rich affinities between a specific place and the literature, thought, and other cultural expressions it has nurtured. Their insightful and stimulating connections exemplify adventurous bioregional thinking that encompasses both natural and cultural realities while staying rooted in the particular landscape of some of the Northeast’s wildest forests and oldest settlements.
Nazi Culture
Intellectual, Cultural, and Social Life in the Third ReichGeorge L. Mosse
University of Wisconsin Press, 2003
What was life like under the Third Reich? What went on between parents and children? What were the prevailing attitudes about sex, morality, religion? How did workers perceive the effects of the New Order in the workplace? What were the cultural currents—in art, music, science, education, drama, and on the radio?
Professor Mosse’s extensive analysis of Nazi culture—groundbreaking upon its original publication in 1966—is now offered to readers of a new generation. Selections from newspapers, novellas, plays, and diaries as well as the public pronouncements of Nazi leaders, churchmen, and professors describe National Socialism in practice and explore what it meant for the average German.
By recapturing the texture of culture and thought under the Third Reich, Mosse’s work still resonates today—as a document of everyday life in one of history’s darkest eras and as a living memory that reminds us never to forget.
Negotiating Difference
Race, Gender, and the Politics of PositionalityMichael Awkward
University of Chicago Press, 1995
From Spike Lee's She's Gotta Have It to Michael Jackson's physical transmutations, from Toni Morrison's Song of Solomon to August Wilson's Fences, from male scholars' investments in feminism to white scholars' in black texts—Awkward explores cultural moments that challenge the exclusive critical authority of race and gender. In each instance he confronts the question: What do artists, scholars, and others concerned with representations of Afro-American life make of the view that gender, race, and sexuality circumscribe their own and others' lives and narratives? Throughout he demonstrates the perils and merits of the sort of "boundary crossing" this book ultimately makes: a black male feminism.
In pursuing a black male feminist criticism, Awkward's study acknowledges the complexities of interpretation in an age when a variety of powerful discourses have proliferated on the subject of racial, gendered, and sexual difference; at the same time, it identifies this proliferation as an opportunity to negotiate seemingly fixed cultural and critical positions.
Negritude Women
T. Denean Sharpley-Whiting
University of Minnesota Press, 2002
Rediscovers the crucial role that women played in the influential Negritude movement.
The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aimé Césaire, Léopold Sédar Senghor, and Léon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by the women who were not merely integral to the success of the movement, but often in its vanguard.
Through such disparate tactics as Lacascade’s use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Césaire’s revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude-black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa-Sharpley-Whiting provides the movement’s first genuinely inclusive history.
Negro Thought in America, 1880-1915
Racial Ideologies in the Age of Booker T. WashingtonAugust Meier
University of Michigan Press, 1963
New Deal Archaeology in Tennessee
Intellectual, Methodological, and Theoretical ContributionsEdited by David H. Dye
University of Alabama Press, 2016
Exploring how New Deal innovation transformed archaeology in the American South.
New Deal Archaeology in Tennessee tells the engrossing story of Southeastern archaeology in the 1930s. The Tennessee Valley Authority Act of May 1933 initiated an ambitious program of flood control and power generation by way of a chain of hydroelectric dams on the Tennessee River. The construction of these dams flooded hundreds of thousands of square miles of river bottoms, campsites, villages, and towns that had been homes to Native Americans for centuries. This triggered an urgent need to undertake extensive archaeological fieldwork throughout the region. Those studies continue to influence contemporary archaeology.
The state of Tennessee and the Tennessee Valley were especially well suited research targets thanks to their mild climate and long field seasons. A third benefit in the 1930s was the abundance of labor supplied by Tennesseans unemployed during the Great Depression. Within months of the passage of the Tennessee Valley Authority Act, teams of archaeologists fanned out across the state and region under the farsighted direction of Smithsonian Institution curators Neil M. Judd, Frank H. H. Roberts, and Frank M. Setzler. The early months of 1934 would become the busiest period of archaeological fieldwork in US history.
The twelve insightful essays in New Deal Archaeology in Tennessee document and explore this unique peak in archaeological study. Chapters highlight then-new techniques such as mound “peeling” and stratigraphic excavation adapted from the University of Chicago; the four specific New Deal sites of Watts Bar Reservoir, Mound Bottom, Pack, and Chickamauga Basin; bioarchaeology in the New Deal; and the enduring impact of the New Deal on contemporary fieldwork.
The challenges of the 1930s in recruiting skilled labor, training unskilled ancillary labor, developing and improvising new field methods, and many aspects of archaeological policies, procedures, and best-practices laid much of the foundation of contemporary archaeological practice. New Deal Archaeology in Tennessee offers an invaluable record of that pivotal time for professional, student, and amateur archaeologists.
New Latina Narrative
The Feminine Space of Postmodern EthnicityEllen McCracken
University of Arizona Press, 1999
New Perspectives on the Black Intellectual Tradition
Edited by Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer
Northwestern University Press, 2018
The book examines four central themes within the black intellectual tradition: black internationalism, religion and spirituality, racial politics and struggles for social justice, and black radicalism. The essays identify the emergence of black thought within multiple communities internationally, analyze how black thinkers shaped and were shaped by the historical moment in which they lived, interrogate the ways in which activists and intellectuals connected their theoretical frameworks across time and space, and assess how these strains of thought bolstered black consciousness and resistance worldwide.
Defying traditional temporal and geographical boundaries, New Perspectives on the Black Intellectual Tradition illuminates the origins of and conduits for black ideas, redefines the relationship between black thought and social action, and challenges long-held assumptions about black perspectives on religion, race, and radicalism. The intellectuals profiled in the volume reshape and redefine the contours and boundaries of black thought, further illuminating the depth and diversity of the black intellectual tradition.
New Perspectives on the Irish Diaspora
Edited by Charles Fanning
Southern Illinois University Press, 2000
In New Perspectiveson the Irish Diaspora, Charles Fanning incorporates eighteen fresh perspectives on the Irish diaspora over three centuries and around the globe. He enlists scholarly tools from the disciplines of history, sociology, literary criticism, folklore, and culture studies to present a collection of writings about the Irish diaspora of great variety and depth.
New Science, New World
Denise Albanese
Duke University Press, 1996
Albanese reads the inaugurators of the scientific revolution against the canonical authors of early modern literature, discussing Galileo’s Dialogue on the Two Chief World Systems and Bacon’s New Atlantis as well as Milton’s Paradise Lost and Shakespeare’s The Tempest. She examines how the newness or “novelty” of investigating nature is expressed through representations of the New World, including the native, the feminine, the body, and the heavens. “New” is therefore shown to be a double sign, referring both to the excitement associated with a knowledge oriented away from past practices, and to the oppression and domination typical of the colonialist enterprise. Exploring the connections between the New World and the New Science, and the simultaneously emerging patterns of thought and forms of writing characteristic of modernity, Albanese insists that science is at its inception a form of power-knowledge, and that the modern and postmodern division of “Two Cultures,” the literary and the scientific, has its antecedents in the early modern world.
New Science, New World makes an important contribution to feminist, new historicist, and cultural materialist debates about the extent to which the culture of seventeenth-century England is proto-modern. It will offer scholars and students from a wide range of fields a new critical model for historical practice.
Nicaragua and the Politics of Utopia
Development and Culture in the Modern StateDaniel Chavez
Vanderbilt University Press, 2015
For each era, Chavez reveals the ways Nicaraguan popular culture adapted and interpreted the new political order, shaping, critiquing, or amplifying the regime's message of stability and prosperity for the people. These tactics of interpretation, otherwise known as meaning-making, became all-important for the Nicaraguan people, as they opposed the autocracy of Somocismo, or complemented the Sandinistas, or struggled to find their place in the Neoliberal era. In every case, Chavez shows the reflective nature of cultural production and its pursuit of utopian idealism.
Nineteenth-Century Scottish Rhetoric
The American ConnectionWinifred Bryan Horner
Southern Illinois University Press, 1992
Winifred Bryan Horner argues that an understanding of the changes that occurred in the content of nineteenth-century courses in logic, rhetoric, and belles lettres taught in Scottish universities provides important critical insight into the development of the twentieth-century American composition course, as well as courses in English literature and critical theory.
Because of the inaccessibility of primary materials documenting the changes in courses taught at Scottish universities, the impression remains that the nineteenth century represents a break with the traditional school curriculum rather than a logical transition to a new focus of study. Horner has discovered that the notes of students who attended these classes—meticulously transcribed records of the lectures that professors dictated in lieu of printed texts—provide reliable documentation of the content of courses taught during the period. Using these records, Horner traces the evolution of current traditional composition, developed in the United States in the first part of the twentieth century, from courses taught in nineteenth-century, northern Scottish universities. She locates the beginning of courses in English literature and belletristic composition in the southern schools, particularly Edinburgh.
Horner’s study opens new vistas for the study of the evolution of university curricula, especially the never before acknowledged influence of belletristric rhetoric on the development of the North American composition course.
Nineteenth-Century Spanish America
A Cultural HistoryChristopher Conway
Vanderbilt University Press, 2015
The book opens with key themes that will help students and scholars understand the century, such as the civilization and barbarism binary, urbanism, the divide between conservatives and liberals, and transculturation. In the chapters that follow, Conway weaves transnational trends together with brief case studies and compelling snapshots that help us understand the period. How much did books and photographs cost in the nineteenth century? What was the dominant style in painting? What kinds of ballroom dancing were popular? Richly illustrated with striking photographs and lithographs, this is a book that invites the reader to rediscover a past age that is not quite past, still resonating into the present.
No Gifts from Chance
A Biography of Edith WhartonBy Shari Benstock
University of Texas Press, 2004
The first new biography of America's foremost woman of letters in twenty years, No Gifts from Chance presents an Edith Wharton for our times. Far from the emotionally withdrawn and neurasthenic victim of earlier portraits, she is revealed here as an ambitious, disciplined, and self-determined woman who fashioned life to her own desires. Drawing on government records, legal and medical documents, and recently opened collections of Wharton's letters, Shari Benstock's biography offers new information on what have been called the key mysteries of her life: the question of her paternity, her troubled relations with her mother and older brothers, her marriage to manic-depressive Teddy Wharton, and her extramarital affair with Morton Fullerton.
No Love Without Poetry
The Memoirs of Marina Tsvetaeva's DaughterAriadna Efron
Northwestern University Press, 2009
The memoirs of Ariadna Efron provide an intimate and indispensable perspective on the poet Marina Tsvetaeva’s life and work, told from the point of view of her daughter. This wrenching story about the difficulty of living with genius charts Efron’s relationship with her parents as they navigate art and exile.
Efron’s rapport with her mother, already intense, became strained under the hardships imposed by early twentieth century Russian political upheaval. Efron recounts the family’s travels from Moscow to Germany, to Czechoslovakia, and finally to France, where, against her mother’s advice, Efron decided to return to Russia. Diane Nemec Ignashev draws on Efron’s short stories and her mother’s notebooks to supplement the original memoirs. Haunting and poignant, No Love without Poetry completes extant historical records on Tsvetaeva—and showcases Efron as a literary force in her own right.
No Place of Grace
Antimodernism and the Transformation of American Culture, 1880-1920T. J. Jackson Lears
University of Chicago Press, 2021
First published in 1981, T. J. Jackson Lears’s No Place of Grace is a landmark book in American studies and American history, acclaimed for both its rigorous research and the deft fluidity of its prose. A study of responses to the emergent culture of corporate capitalism at the turn of the twentieth century, No Place of Grace charts the development of contemporary consumer society through the embrace of antimodernism—the effort among middle- and upper-class Americans to recapture feelings of authentic experience. Rather than offer true resistance to the increasingly corporatized bureaucracy of the time, however, antimodernism helped accommodate Americans to the new order—it was therapeutic rather than oppositional, a striking forerunner to today’s self-help culture. And yet antimodernism contributed a new dynamic as well, “an eloquent edge of protest,” as Lears puts it, which is evident even today in anticonsumerism, sustainable living, and other practices. This new edition, with a lively and discerning foreword by Jennifer Ratner-Rosenhagen, celebrates the fortieth anniversary of this singular work of history.
No Place of Grace
Antimodernism and the Transformation of American Culture, 1880–1920T. J. Jackson Lears
University of Chicago Press, 1994
"It's an understatement to call No Place of Grace a brilliant book. . . . It's the first clear sign I've seen that my generation, after marching through the '60s and jogging through the '70s might be pausing to examine what we've learned, and to teach it."—Walter Kendrick, Village Voice
"One can justly make the claim that No Place of Grace restores and reinterprets a crucial part of American history. Lears's method is impeccable."—Ann Douglas, The Nation
No Short Journeys
The Interplay of Cultures in the History and Literature of the BorderlandsCecil Robinson
University of Arizona Press, 1992
"In graceful prose, the longtime English professor leads readers on a leisurely stroll through the literary landscape of the Southwest."—Journal of Arizona History
"Does more for reconstructing American literature than any of the contemporary American literature anthologies that are on the market today. . . . Strongly recommended."—Choice
Nominal Things
Bronzes in the Making of Medieval ChinaJeffrey Moser
University of Chicago Press, 2023
This book opens in eleventh-century China, where scholars were the first in world history to systematically illustrate and document ancient artifacts. As Jeffrey Moser argues, the visual, technical, and conceptual mechanisms they developed to record these objects laid the foundations for methods of visualizing knowledge that scholars throughout early modern East Asia would use to make sense of the world around them.
Of the artifacts these scholars studied, the most celebrated were bronze ritual vessels that had been cast nearly two thousand years earlier. While working to make sense of the relationship between the bronzes’ complex shapes and their inscribed glyphs, they came to realize that the objects were “nominal things”—objects inscribed with names that identified their own categories and uses. Eleventh-century scholars knew the meaning of these glyphs from hallowed Confucian writings that had been passed down through centuries, but they found shocking disconnects between the names and the bronzes on which they were inscribed. Nominal Things traces the process by which a distinctive system of empiricism was nurtured by discrepancies between the complex materiality of the bronzes and their inscriptions. By revealing the connections between the new empiricism and older ways of knowing, the book explains how scholars refashioned the words of the Confucian classics into material reality.
Nowville
The Untold History of Nashville's Contemporary Art SceneJoe Nolan
Vanderbilt University Press, 2024
This is the origin story of Nashville’s surging contemporary art scene told by the ones who were there before anyone else. Not a story about commercial spaces or official institutions—this is the story of moldy warehouse studios and improvised galleries, happy-kegger after-parties and front lawn art sales, exhibitions in apartment living rooms and secret art displays hidden in plain sight.
Nowville is an oral history of the Nashville art scene beginning in the 1990s. Author Joe Nolan tracks down the city’s art punks, art monks, radical art students, and visionary pioneers to share what made their moments in Nashville so special. He also offers insights into how this homespun movement powered by DIY innovating came to be a thriving creative community and a cornerstone of the city’s contemporary allure.
This book is the recipient of the 2025 Norman L. and Roselea J. Goldberg Prize from Vanderbilt University Press for the best book in the area of art or medicine.
Nuyorican Feminist Performance
From the Café to Hip Hop TheaterPatricia Herrera
University of Michigan Press, 2020
The Nuyorican Poets Café has for the past forty years provided a space for multicultural artistic expression and a platform for the articulation of Puerto Rican and black cultural politics. The Café’s performances—poetry, music, hip hop, comedy, and drama—have been studied in detail, but until now, little attention has been paid to the voices of its women artists. Through archival research and interview, Nuyorican Feminist Performance examines the contributions of 1970s and ’80s performeras and how they challenged the Café’s gender politics. It also looks at recent artists who have built on that foundation with hip hop performances that speak to contemporary audiences. The book spotlights the work of foundational artists such as Sandra María Esteves, Martita Morales, Luz Rodríguez, and Amina Muñoz, before turning to contemporary artists La Bruja, Mariposa, Aya de León, and Nilaja Sun, who infuse their poetry and solo pieces with both Nuyorican and hip hop aesthetics.