Results by title

Charts the global resonance of the image of Nefertiti over the past century. 

From the moment that the bust of Nefertiti was uncovered after over three thousand years and shown at its first exhibition in Berlin in 1924, it rapidly became an iconic image. Today, the silhouette alone of this powerful ancient Egyptian queen is recognized and admired around the world.

In Nefertiti: The Making of a Global Icon, historian Sebastian Conrad tracks the full story of the world’s embrace and appropriation of this famous visage. Starting with the discovery of the bust and Germany’s claims to its possession, Conrad shows how it became a contested object, tracing Egypt’s efforts to call for its restitution from 1924 to the present. He also canvasses the uses to which Nefertiti’s image has been put and the causes with which it has been associated: for cosmetic ads and beauty clinics; by advocates for European unity; by drag queens and the queer community; by National Socialists; by nationalists in Egypt and Bengal; by Afro-Brazilian communities; and by important Black figures from Elijah Muhammad to Beyoncé. Against a global backdrop, Conrad showcases the stunning object’s fame and the often-controversial issues and debates in which it has been embroiled. He also argues that the story of Nefertiti’s trajectory offers insights into the changing shape of globalization from the era of imperialism to the present.

This accessible, deeply researched book reveals both how much is at stake in the life of objects and how Nefertiti’s arresting likeness continues to challenge us today.

The book opens with key themes that will help students and scholars understand the century, such as the civilization and barbarism binary, urbanism, the divide between conservatives and liberals, and transculturation. In the chapters that follow, Conway weaves transnational trends together with brief case studies and compelling snapshots that help us understand the period. How much did books and photographs cost in the nineteenth century? What was the dominant style in painting? What kinds of ballroom dancing were popular? Richly illustrated with striking photographs and lithographs, this is a book that invites the reader to rediscover a past age that is not quite past, still resonating into the present.

Nineteenth-Century Women’s Movements and the Bible examines politically motivated women’s movements in the nineteenth century, including the legal, cultural, and ecclesiastical contexts of women. Focusing on the period beginning with the French Revolution in 1789 through the end of World War I in 1918, contributors explore the many ways that women’s lives were limited in both the public and domestic spheres. Essays consider the social, political, biblical, and theological factors that resulted in a multinational raising of awareness and emancipation for women in the nineteenth century and the strengthening of their international networks. The contributors include Angela Berlis, Kristin Kobes Du Mez, Ute Gerhard, Christiana de Groot, Arnfriður Guðmundsdóttir, Izaak J. de Hulster, Elisabeth Joris, Christine Lienemann-Perrin, Amanda Russell-Jones, Claudia Setzer, Aud V. Tønnessen, Adriana Valerio, and Royce M. Victor.

Winner of the 2016 Eliza Atkins Gleason Book Award and the 2016 Lillian Smith Book Award
Americans tend to imagine their public libraries as time-honored advocates of equitable access to information for all. Through much of the twentieth century, however, many black Americans were denied access to public libraries or allowed admittance only to separate and smaller buildings and collections. While scholars have examined and continue to uncover the history of school segregation, there has been much less research published on the segregation of public libraries in the Jim Crow South. In fact, much of the writing on public library history has failed to note these racial exclusions.

In Not Free, Not for All, Cheryl Knott traces the establishment, growth, and eventual demise of separate public libraries for African Americans in the South, disrupting the popular image of the American public library as historically welcoming readers from all walks of life. Using institutional records, contemporaneous newspaper and magazine articles, and other primary sources together with scholarly work in the fields of print culture and civil rights history, Knott reconstructs a complex story involving both animosity and cooperation among whites and blacks who valued what libraries had to offer. African American library advocates, staff, and users emerge as the creators of their own separate collections and services with both symbolic and material importance, even as they worked toward dismantling those very institutions during the era of desegregation.