18284 books match the query 'United States' and 397 start with n

cover of New Musical Figurations: Anthony Braxton's Cultural Critique

New Musical Figurations

Anthony Braxton's Cultural Critique

Ronald M. Radano

University of Chicago Press, 1993

New Musical Figurations exemplifies a dramatically new way of configuring jazz music and history. By relating biography to the cultural and musical contours of contemporary American life, Ronald M. Radano observes jazz practice as part of the complex interweaving of postmodern culture—a culture that has eroded conventional categories defining jazz and the jazz musician. Radano accomplishes all this by analyzing the creative life of Anthony Braxton, one of the most emblematic figures of this cultural crisis.

Born in 1945, Braxton is not only a virtuoso jazz saxophonist but an innovative theoretician and composer of experimental art music. His refusal to conform to the conventions of official musical culture has helped unhinge the very ideologies on which definitions of "jazz," "black music," "popular music," and "art music" are founded.

New Musical Figurations gives the richest view available of this many-sided artist. Radano examines Braxton's early years on the South Side of Chicago, whose vibrant black musical legacy inspired him to explore new avenues of expression. Here is the first detailed history of Braxton's central role in the Association for the Advancement of Creative Musicians, the principal musician-run institution of free jazz in the United States. After leaving Chicago, Braxton was active in Paris and New York, collaborating with Philip Glass, Steve Reich, Frederic Rzewski, and other composers affiliated with the experimental-music movement. From 1974 to 1981, he gained renown as a popular jazz performer and recording artist. Since then he has taught at Mills College and Wesleyan University, given lectures on his theoretical musical system, and written works for chamber groups as well as large, opera-scale pieces.

The neglect of radical, challenging figures like Braxton in standard histories of jazz, Radano argues, mutes the innovative voice of the African-American musical tradition. Refreshingly free of technical jargon, New Musical Figurations is more than just another variation on the same jazz theme. Rather, it is an exploratory work as rich in theoretical vision as it is in historical detail.
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cover of New Orleans Sports: Playing Hard in the Big Easy

New Orleans Sports

Playing Hard in the Big Easy

Thomas Aiello

University of Arkansas Press, 2019

New Orleans has long been a city fixated on its own history and culture. Founded in 1718 by the French, transferred to the Spanish in the 1763 Treaty of Paris, and sold to the United States in 1803, the city’s culture, law, architecture, food, music, and language share the influence of all three countries. This cultural mélange also manifests in the city’s approach to sport, where each game is steeped in the city’s history.

Tracing that history from the early nineteenth century to the present, while also surveying the state of the city’s sports historiography, New Orleans Sports places sport in the context of race relations, politics, and civic and business development to expand that historiography—currently dominated by a text that stops at 1900—into the twentieth century, offering a modern examination of sports in the city.
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cover of New Orleans Style and the Writing of American Jazz History

New Orleans Style and the Writing of American Jazz History

Bruce Boyd Raeburn

University of Michigan Press, 2009

New Orleans Style tells the tale of the recognition of New Orleans jazz as a discrete style and how that recognition affected the writing of American jazz history. The men and women who participated in the awakening of American jazz scholarship were partisans of a community of "hot" record collectors, whose interest in the origins of jazz was a foregone conclusion. As an international network of these collectors took shape between the 1920s and 1934, they provided a mechanism for the circulation of historical information on jazz, which then became the basis for the emergence of a jazz literati writing for magazines such as Down Beat, Esquire, the New Republic, and Jazz Information. It was not until later that writers like Charles Edward Smith and William Russell, inspired by their love for the music and emphasizing "New Orleans style," explained in works such as Jazzmen (1939) and The Jazz Record Book (1942) that jazz was "born in New Orleans." Raeburn traces the conceptualization of jazz history derived from Jazzmen to jazz's ultimate refuge in New Orleans and its integration into the cultures which it celebrated. The result is an essential work of jazz criticism that will fill a major gap in the field's literature.
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cover of New Orleans and the Creation of Transatlantic Opera, 1819–1859

New Orleans and the Creation of Transatlantic Opera, 1819–1859

Charlotte Bentley

University of Chicago Press, 2022

A history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world.

New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city’s operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans’s Francophone theater, the Théâtre d’Orléans, as well as the performers who came to the city and the reception they received. But opera’s significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans.
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cover of New Perspectives in American Jewish History: A Documentary Tribute to Jonathan D. Sarna

New Perspectives in American Jewish History

A Documentary Tribute to Jonathan D. Sarna

Edited by Mark A. Raider and Gary Phillip Zola

Brandeis University Press, 2021

Widely regarded as today’s foremost American Jewish historian, Jonathan D. Sarna had a huge impact on the academy. Sarna’s influence is perhaps nowhere more apparent than among his former doctoral students—a veritable “Sarna diaspora” of over three dozen active scholars around the world. Both a tribute to Sarna and an important collection in its own right, New Perspectives in American Jewish History was compiled by Sarna’s former students and presents previously unpublished, neglected, or rarely seen historical documents and images that illuminate the breadth, diversity, and dynamism of the American Jewish experience. Beginning with the earliest known Jewish divorce in circum-Atlantic history (1774) and concluding with a Black Lives Matter Haggadah supplement (2019), the collection travels across time and space to shed light on intriguing and generative moments that span the varieties of Jewish experience in the American setting from the colonial era to the present. The materials underscore the interrelationship of myriad themes including ritual observance, Jewish-Christian relations, civil rights, Zionism and Israel, and immigration. While not intended as a comprehensive treatment of American Jewish history, the collection offers a chronological road map of American Jewry’s evolving self-understanding and encounter with America over the course of four centuries. A brief prefatory note sets up the analytic context of each document and helps to unpack and explore its significance. The capacious and multifaceted quality of the American Jewish experience is further amplified here by a sampling of artistic texts such as photographs, advertisements, cartoons, and more. 

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cover of New Perspectives on the Irish Diaspora

New Perspectives on the Irish Diaspora

Edited by Charles Fanning

Southern Illinois University Press, 2000

In New Perspectiveson the Irish Diaspora, Charles Fanning incorporates eighteen fresh perspectives on the Irish diaspora over three centuries and around the globe. He enlists scholarly tools from the disciplines of history, sociology, literary criticism, folklore, and culture studies to present a collection of writings about the Irish diaspora of great variety and depth.

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cover of New Perspectives on the Origins of Americanist Archaeology

New Perspectives on the Origins of Americanist Archaeology

Edited by David L. Browman and Stephen Williams

University of Alabama Press, 2002

In this landmark book, experienced scholars take a retrospective look at the developing routes that have brought American archaeologists into the 21st century.




In 1996, the Society for American Archaeology's Committee on the History of Archaeology established a biennial symposium
named after Gordon R. Willey, one of the fathers of American archaeology, to focus on the history of the discipline. This volume grew out of the
second symposium, presented at the 1998 meeting of the Society for American Archaeology.





Interest in the intellectual history of the field is certainly nothing new—the first such volume appeared in 1856—but previously, focus has been on individuals and their theories and methods, or on various government agencies that supported, developed, or mandated
excavations in North America. This volume, however, focuses on the roots of Americanist archaeology, including its pre-1915 European connections, and on some of the earliest work by women archaeologists, which has been largely overlooked.





Full of valuable insights for archaeologists and anthropologists—both professional and amateur—into the history and
development of Americanist archaeology, New Perspectives will also inspire and serve as a model for future research.


 

David Browman is Professor of Anthropology and Chair of the Interdisciplinary Program in Archaeology at Washington University. Stephen Williams is Professor Emeritus of Anthropology at Harvard University.

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cover of New Political Religions, or an Analysis of Modern Terrorism

New Political Religions, or an Analysis of Modern Terrorism

Barry Cooper

University of Missouri Press, 2004

In New Political Religions, or an Analysis of Modern Terrorism, Barry Cooper applies the insights of Eric Voegelin to the phenomenon of modern terrorism. Cooper points out that the chief omission from most contemporary studies of terrorism is an analysis of the “spiritual motivation” that is central to the actions of terrorists today. When spiritual elements are discussed in conventional literature, they are grouped under the opaque term religion. A more conceptually adequate approach is provided by Voegelin’s political science and, in particular, by his Schellingian term pneumopathology—a disease of the spirit.

While terrorism has been used throughout the ages as a weapon in political struggles, there is an essential difference between groups who use these tactics for more of less rational political goals and those seeking more apocalyptic ends. Cooper argues that today's terrorists have a spiritual perversity that causes them to place greater significance on killing than on exploiting political grievances. He supports his assertion with an analysis of two groups that share the characteristics of a pneumopathological consciousness—Aum Shinrikyo, the terrorist organization that poisoned thousands of Tokyo subway riders in 1995, and Al-Qaeda, the group behind the infamous 9/11 killings.

Cooper applies the Voegelinian terms first reality (a commonsense goal regarding legitimate political grievances) and second reality (a fantastic objective sought by those whose rationality has been obscured) to show the major divide between political and apocalyptic terrorist groups. Osama Bin Laden's "second reality" was the imaginary goal that the 9/11 attack was supposed to achieve, and the commonsense reality was what truly happened (the deaths of nearly 3,000 people and the United States's subsequent military response). Cooper shows how such spiritual perversity enables a human being, imagining himself empowered by God, to go on a campaign of mass destruction.

Cooper concludes with a chapter on the uniqueness of terrorist networks, their limitations, and the means by which they can be dealt with. In the ongoing conversations among specialists in terrorist studies, as well as the ordinary discourse of citizens in western democracies wishing to understand the world around them, this book will add a distinctive voice.

 

 

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cover of New Roots in America's Sacred Ground: Religion, Race, and Ethnicity in Indian America

New Roots in America's Sacred Ground

Religion, Race, and Ethnicity in Indian America

Joshi, Khyati Y

Rutgers University Press, 2006

In this compelling look at second-generation Indian Americans, Khyati Y. Joshi draws on case studies and interviews with forty-one second-generation Indian Americans, analyzing their experiences involving religion, race, and ethnicity from elementary school to adulthood.  As she maps the crossroads they encounter as they navigate between their homes and the wider American milieu, Joshi shows how their identities have developed differently from their parents’ and their non-Indian peers’ and how religion often exerted a dramatic effect.

The experiences of Joshi’s research participants reveal how race and religion interact, intersect, and affect each other in a society where Christianity and whiteness are the norm. Joshi shows how religion is racialized for Indian Americans and offers important insights in the wake of 9/11 and the backlash against Americans who look Middle Eastern and South Asian.

Through her candid insights into the internal conflicts contemporary Indian Americans face and the religious and racial discrimination they encounter, Joshi provides a timely window into the ways that race, religion, and ethnicity interact in day-to-day life.

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cover of New Strategies for Wicked Problems: Science and Solutions in the 21st Century

New Strategies for Wicked Problems

Science and Solutions in the 21st Century

Edward P. Weber

Oregon State University Press, 2017

According to Wikipedia: "A wicked problem is one that is impossible or difficult to solve because of incomplete, contradictory, and changing requirements that are often difficult to recognize.  The term 'wicked' refers to such a problem's resistance to resolution, not to an evil nature.  Classic examples of wicked problems include economic, environmental, and political issues.”
 
We now live in a world full of wicked problems, most of them urgent challenges calling out for creative, democratic, and effective solutions.  Ed Weber, Denise Lach, and Brent Steele, of the Oregon State University School of Public Policy, solicited papers from a wide variety of accomplished scholars in the fields of science, politics, and policy with significant research experience to address this challenge.  The resultant collection focuses on major contemporary environmental and natural resource policy issues, and proposes an assortment of alternative problem-solving methodologies to tackle such problems. 
 
New Strategies for Wicked Problems will appeal to scholars, students, and decision-makers wrestling with wicked problems and “post-normal” science settings beyond simply environmental and natural resource-based issues.  It will provide much needed guidance to policymakers, citizens, public managers, and various stakeholders who are struggling with wicked problems in their professional lives.

Other Contributors:
Tanya Heikkila
Helen Ingram
Ann C. Keller
Bob Lackey
Anna Pakenham Stevenson
Christopher M. Weible
Daniel R. Williams
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cover of New Television: The Aesthetics and Politics of a Genre

New Television

The Aesthetics and Politics of a Genre

Martin Shuster

University of Chicago Press, 2017

Even though it’s frequently asserted that we are living in a golden age of scripted television, television as a medium is still not taken seriously as an artistic art form, nor has the stigma of television as “chewing gum for the mind” really disappeared.
 
Philosopher Martin Shuster argues that television is the modern art form, full of promise and urgency, and in New Television, he offers a strong philosophical justification for its importance. Through careful analysis of shows including The Wire, Justified, and Weeds, among others; and European and Anglophone philosophers, such as Stanley Cavell, Hannah Arendt, Martin Heidegger, and John Rawls; Shuster reveals how various contemporary television series engage deeply with aesthetic and philosophical issues in modernism and modernity. What unifies the aesthetic and philosophical ambitions of new television is a commitment to portraying and exploring the family as the last site of political possibility in a world otherwise bereft of any other sources of traditional authority; consequently, at the heart of new television are profound political stakes.
 
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cover of New Territories, New Perspectives: The Religious Impact of the Louisiana Purchase

New Territories, New Perspectives

The Religious Impact of the Louisiana Purchase

Edited & Intro by Richard J. Callahan, Jr.

University of Missouri Press, 2008

With the doubling of America’s territory that came with the Louisiana Purchase, American culture was remapped in the bargain. The region’s indigenous inhabitants had already been joined by Catholic missionaries, both French and Spanish, along with Africans brought as slaves to the Caribbean islands and North America; now all were met by a predominantly Protestant culture rushing westward.

New Territories, New Perspectives marks the first study to take the Louisiana Purchase as the focal point for considering the development of American religious history. The process of transforming the Louisiana Territory into U.S. territory meant shaping the space to conform to American cultural and religious identity, and this volume investigates continuities, disruptions, and changes relating to religion in this context.

The contributors ask what might happen to our understanding of religion in America if we look at it through the lens of this annexation. Initial chapters offer fresh perspectives on the new territory by those who settled it, primarily easterners, exploring such topics as the built environment of the region as seen in such settings as frontier camp meetings and communitarian societies, ideas of destiny amid the clash of cultural groups, and religiously significant aspects of African American life.

Subsequent essays take up the religious history of the region from the perspective of New Orleans and the Caribbean. They include an exploration of the roots of Pentecostalism in the mix of black and white cultures in the Mississippi Delta, the “vodou” link between New Orleans and Haiti, and the African-Creole performances of Mardi Gras Indians.

Together, these essays invite readers to consider intersecting histories that are too often neglected in our understanding of America’s religious development, particularly issues that stand apart from traditional histories of religion in the Midwest. By exploring the unexpected, they also promote different ways of thinking about American religious history as a whole.

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cover of New Thoughts on the Black Arts Movement

New Thoughts on the Black Arts Movement

Edited by Lisa Gail Collins and Margo Natalie Crawford

Rutgers University Press, 2006

During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture—which came to be known as the Black Arts Movement—has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.
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cover of New Visions of Community in Contemporary American Fiction: Tan, Kingsolver, Castillo, Morrison

New Visions of Community in Contemporary American Fiction

Tan, Kingsolver, Castillo, Morrison

Magali Cornier Michael

University of Iowa Press, 2006

In this engaging, optimistic close reading of five late twentieth-century novels by American women, Magali Cornier Michael illuminates the ways in which their authors engage with ideas of communal activism, common commitment, and social transformation. The fictions she examines imagine coalition building as a means of moving toward new forms of nonhierarchical justice; for ethnic cultures that, as a result of racist attitudes, have not been assimilated, power with each other rather than power over each other is a collective goal.Michael argues that much contemporary American fiction by women offers models of care and nurturing that move away from the private sphere toward the public and political. Specifically, texts by women from such racially marked ethnic groups as African American, Asian American, Native American, and Mexican American draw from the rich systems of thought, histories, and experiences of these hybrid cultures and thus offer feminist and ethical revisions of traditional concepts of community, coalition, subjectivity, and agency.Focusing on Amy Tan’s The Joy Luck Club, Barbara Kingsolver’s The Bean Trees and Pigs in Heaven, Ana Castillo’s So Far from God, and Toni Morrison’s Paradise, Michael shows that each writer emphasizes the positive, liberating effects of kinship and community. These hybrid versions of community, which draw from other-than-dominant culturally specific ideas and histories, have something to offer Americans as the United States moves into an increasingly diverse twenty-first century. Michael provides a rich lens through which to view both contemporary fiction and contemporary life.
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cover of New Work of Writing Across the Curriculum: Diversity and Inclusion, Collaborative Partnerships, and Faculty Development

New Work of Writing Across the Curriculum

Diversity and Inclusion, Collaborative Partnerships, and Faculty Development

Staci M. Perryman-Clark

Utah State University Press, 2023

The New Work of Writing Across the Curriculum is a descriptive analysis of how institutions can work to foster stronger intellectual activities around writing as connected to campus-wide diversity and inclusion initiatives. Author Staci M. Perryman-Clark blends theory and practice, grounds disciplinary conversations with practical examples of campus work, and provides realistic expectations for operations with budgetary constraints while enhancing diversity, equity, and inclusion work in higher education.
 
Many of these initiatives are created in isolation, reinforcing institutional silos that are not used strategically to gain the attention of senior administrators, particularly those working at state-supported public institutions who must manage shrinking institutional budgets. Yet teaching and learning centers and WAC programs gain tremendously from one another by building explicit partnerships on campus-wide diversity initiatives that emphasize cultural competence. In addition, both cultural competence and written proficiency enhance the transferable skills necessary for completing undergraduate education requirements, and this work can be leveraged to draw the attention of senior administrative leadership.
 
Faculty development and WAC need to make diversity and inclusion initiatives a priority for professional development. The New Work of Writing Across the Curriculum reviews initiatives that point to increased understanding of diversity and inclusion that will be of significance to administrators, WAC specialists, faculty developers, and diversity officers across the spectrum of institutions of higher learning.
 
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cover of New World, Known World: Shaping Knowledge in Early Anglo-American Writing

New World, Known World

Shaping Knowledge in Early Anglo-American Writing

David Read

University of Missouri Press, 2005

New World, Known World examines the works of four writers closely associated with the early period of English colonization, from 1624 to 1649: John Smith’s Generall Historie of Virginia, William Bradford’s Of Plymouth Plantation, Thomas Morton’s New English Canaan, and Roger Williams’s A Key into the Language of America (in conjunction with another of Williams’s major works, The Bloudy Tenent of Persecution). David Read addresses these texts as examples of what he refers to as “individual knowledge projects”— the writers’ attempts to shape raw information and experience into patterns and narratives that can be compared with and assessed against others from a given society’s fund of accepted knowledge.
            Read argues that the body of Western knowledge in the period immediately before the development of well-defined scientific disciplines is primarily the work of individuals functioning in relative isolation, rather than institutions working in concert. The European colonization of other regions in the same period exposes in a way few historical situations do both the complexity and the uncertainty involved in the task of producing knowledge.   
            Read treats each work as the project of a specific mind, reflecting a high degree of intentionality and design, and not simply as a collection of documentary evidence to be culled in the service of a large-scale argument. He shows that each author adds a distinct voice to the experience of North American colonization and that each articulates it in ways that are open to analysis in terms of form, style, convention, rhetorical strategies, and applications of metaphor and allegory.
            By applying the tools of literary interpretation to colonial texts, Read reaches a fuller understanding of the immediate consequences of English colonization in North America on the culture’s base of knowledge. Students and scholars of early modern colonialism and transatlantic studies, as well as those with interests in seventeenth-century American and English literature, should find this book of particular value.  
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cover of New Writing Classroom: Listening, Motivation, and Habits of Mind

New Writing Classroom

Listening, Motivation, and Habits of Mind

Patrick Sullivan

Utah State University Press, 2014

In A New Writing Classroom, Patrick Sullivan provides a new generation of teachers a means and a rationale to reconceive their approach to teaching writing, calling into question the discipline's dependence on argument.

Including secondary writing teachers within his purview, Sullivan advocates a more diverse, exploratory, and flexible approach to writing activities in grades six through thirteen. A New Writing Classroom encourages teachers to pay more attention to research in learning theory, transfer of learning, international models for nurturing excellence in the classroom, and recent work in listening to teach students the sort of dialogic stance that leads to higher-order thinking and more sophisticated communication.

The conventional argumentative essay is often a simplistic form of argument, widely believed to be the most appropriate type of writing in English classes, but other kinds of writing may be more valuable to students and offer more important kinds of cognitive challenges. Focusing on listening and dispositions or "habits of mind” as central elements of this new composition pedagogy, A New Writing Classroom draws not just on composition studies but also on cognitive psychology, philosophy, learning theory, literature, and history, making an exciting and significant contribution to the field. 

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cover of New York City Politics: Governing Gotham

New York City Politics

Governing Gotham

Berg, Bruce F

Rutgers University Press, 2018

Most experts consider economic development to be the dominant factor influencing urban politics. They point to the importance of the finance and real estate industries, the need to improve the tax base, and the push to create jobs. Bruce F. Berg maintains that there are three forces which are equally important in explaining New York City politics: economic development; the city’s relationships with the state and federal governments, which influence taxation, revenue and public policy responsibilities; and New York City’s racial and ethnic diversity, resulting in demands for more equitable representation and greater equity in the delivery of public goods and services.

New York City Politics focuses on the impact of these three forces on the governance of New York City’s political system including the need to promote democratic accountability, service delivery equity, as well as the maintenance of civil harmony. This second edition updates the discussion with examples from the Bloomberg and de Blasio administrations as well as current public policy issues including infrastructure, housing and homelessness, land use regulations, and education.  
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cover of New York Recentered: Building the Metropolis from the Shore

New York Recentered

Building the Metropolis from the Shore

Kara Murphy Schlichting

University of Chicago Press, 2019

The history of New York City’s urban development often centers on titanic municipal figures like Robert Moses and on prominent inner Manhattan sites like Central Park. New York Recentered boldly shifts the focus to the city’s geographic edges—the coastlines and waterways—and to the small-time unelected locals who quietly shaped the modern city. Kara Murphy Schlichting details how the vernacular planning done by small businessmen and real estate operators, performed independently of large scale governmental efforts, refigured marginal locales like Flushing Meadows and the shores of Long Island Sound and the East River in the late nineteenth and early twentieth centuries. The result is a synthesis of planning history, environmental history, and urban history that recasts the story of New York as we know it.

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cover of New York Sports: Glamour and Grit in the Empire City

New York Sports

Glamour and Grit in the Empire City

Stephen Norwood

University of Arkansas Press, 2018

New York has long been both America’s leading cultural center and its sports capital, with far more championship teams, intracity World Series, and major prizefights than any other city. Pro football’s “Greatest Game Ever Played” took place in New York, along with what was arguably history’s most significant boxing match, the 1938 title bout between Joe Louis and Max Schmeling. As the nation’s most crowded city, basketball proved to be an ideal sport, and for many years it was the site of the country’s most prestigious college basketball tournament. New York boasts storied stadiums, arenas, and gymnasiums and is the home of one of the world’s two leading marathons as well as the Belmont Stakes, the third event in horse racing’s Triple Crown.

New York sportswriters also wield national influence and have done much to connect sports to larger social and cultural issues, and the vitality and distinctiveness of New York’s street games, its ethnic institutions, and its sports-centered restaurants and drinking establishments all contribute to the city’s uniqueness.

New York Sports collects the work of fourteen leading sport historians, providing new insight into the social and cultural history of America’s major metropolis and of the United States. These writers address the topics of changing conceptions of manhood and violence, leisure and social class, urban night life and entertainment, women and athletics, ethnicity and assimilation, and more.
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cover of New York Undercover: Private Surveillance in the Progressive Era

New York Undercover

Private Surveillance in the Progressive Era

Jennifer Fronc

University of Chicago Press, 2009

To combat behavior they viewed as sexually promiscuous, politically undesirable, or downright criminal, social activists in Progressive-era New York employed private investigators to uncover the roots of society’s problems. New York Undercover follows these investigators—often journalists or social workers with no training in surveillance—on their information-gathering visits to gambling parlors, brothels, and meetings of criminal gangs and radical political organizations.

Drawing on the hundreds of detailed reports that resulted from these missions, Jennifer Fronc reconstructs the process by which organizations like the National Civic Federation and the Committee of Fourteen generated the knowledge they needed to change urban conditions. This information, Fronc demonstrates, eventually empowered government regulators in the Progressive era and beyond, strengthening a federal state that grew increasingly repressive in the interest of pursuing a national security agenda. Revealing the central role of undercover investigation in both social change and the constitution of political authority, New York Undercover narrates previously untold chapters in the history of vice and the emergence of the modern surveillance state.

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cover of New York in Quotations

New York in Quotations

Compiled by Jaqueline Mitchell

Bodleian Library Publishing, 2014

“Make your mark in New York and you are a made man,” wrote Mark Twain, encapsulating both the naked ambition of the city’s citizens and the opportunities up for grabs in the Big Apple. Others take a more cynical approach, calling the city “an aviary overstocked with jays” (O. Henry), a “sucked orange” (Ralph Waldo Emerson), or “fantastically charmless and elaborately dire” (Henry James). Over the last three-and-a-half centuries, this glamorous, twenty-four hour city has attracted a multitude of thinkers, poets, novelists and playwrights, many of whom have brilliantly encapsulated its unique spirit through verse, prose, or the ultimate wisecrack.
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cover of New York, Chicago, Los Angeles: America’s Global Cities

New York, Chicago, Los Angeles

America’s Global Cities

Janet Abu-Lughod

University of Minnesota Press, 2001

A renowned scholar compares America's three global cities. "Abu-Lughod nicely characterizes the distinctive feel and experience of the three cities. She works her way through the history, the statistics, and the economic forces, but she ends up on the sidewalk, marveling at the complexity that has been created by an extraordinary history, and enamored of it. What is most urgent about her book is not so much her analysis of the urban condition as her devotion to cities. The city has been under attack by theorists and sprawlers for a long time now, but this fine book provides necessary examples of how the city may be intelligently loved." --Nathan Glazer in The New Republic "In a pathbreaking analysis, Abu-Lughod demonstrates the historical roots of what is usually described as a contemporary phenomenon." --MultiCultural Review "Substantial, in-depth comparison of more than one large city by a single urban scholar, while not unprecedented, is a difficult project to execute competently. Abu-Lughod has done a commendable job. One can only hope that others will follow her pioneering work and provide comparative and historical analyses of other global cities." --Urban Geography "For those of us who are interested in historical-geographical approaches to comparative urbanization, Janet Abu-Lughod's new work, New York, Chicago, Los Angeles: America's Global Cities, comes as a welcome relief. This impressive volume provides a comprehensive, readable, and lively interpretation of the three leading U.S. metropolitan areas. Although Abu-Lughod is a trained urban sociologist, she has a keen sensitivity to historical, spatial, economic, political, and cultural considerationsits real strengths lie in an exhaustive review of empirical evidence from the three metropolises and a rich illustration of points with abundant maps, tables, and figures. Abu-Lughod excels in profiling the trajectories of America's three largest city-regions. I find the book to be a tour de force, the worthwhile result of many years of study and observation. Happily, the book presents the material in a straightforward way and is remarkably free of the jargon that sometimes plagues global-city studies. I hope the book receives wide circulation. Abu-Lughod, after a long scholarly career in urban studies, may have achieved her magnum opus in this ambitious study of America's three preeminent global cities." --Geographical Review "Janet Abu-Lughod's book is both a fascinating history of New York, Chicago, and Los Angeles and a history of the United States from a new perspective. The stories of the three cities are beautifully overlapped but consistent in themselves, related to one another but self-sufficient. This is a very American book-despite the author's wealth of experience abroad. Her forte is the new narrative she weaves from existing research. The book provides a remarkably systematic and organized narrative of urbanization in the 19th and 20th centuries. It is also replete with a collection of individual anecdotal evidence and an impressive multitude of single conceptual and metaphorical observations that are often hidden in the empirical material presented throughout the book. This book represents an outstanding achievement. It will be-and deserves to be-an instant classic. Abu-Lughod's major opus is expressive of a life's work among the great American urbanists and planners of the 20th century. Abu-Lughod is a living example of what the best of urbanism can produce in a largely suburban America. In this sense, the book gives planners a giant source of inspiration: the big picture in long waves. The city lives despite itself." --Roger Keil, Journal of the American Planning Association "Janet L. Abu-Lughod's book is the first to compare these cities in an ambitious in-depth study that takes into account each city's unique history, following their development from their earliest days to their current status as players on the global state." --Bulletin of Science, Technology & Society New York, Chicago, and Los Angeles--for all their differences, they are quintessentially American cities. They are also among the handful of cities in the world that can truly be called "global." Janet L. Abu-Lughod's book is the first to compare them in an ambitious in-depth study that takes into account each city's unique history, following their development from their earliest days to their current status as players on the global stage. Unlike most other global cities, New York, Chicago, and Los Angeles all quickly grew from the nearly blank slate of the American landscape to become important beyond the nation's borders early in their histories. As a result, Abu-Lughod is able to show the effect of globalization on each city's development from its beginnings. While all three are critical to global economics and the spread of American culture to the farthest reaches of an increasingly interlinked world, their influence reflects their individual histories and personalities. In a masterful synthesis of historical and economic information, Abu-Lughod clarifies how each city's global role is--and will be--affected by geography, ethnicity of population, political institutions, and tradition of governance. New York, Chicago, and Los Angeles are more than global players: they are also home to forty million people. Abu-Lughod closes the book with a set of vignettes that captures the cities' differences as perceived by one who has lived in them. Bringing together the local and the global in thoroughly unexpected and enlightening ways, this important volume offers fascinating insight into these vital urban centers. "Comparative urbanism has few practitioners as distinguished as Janet L. Abu-Lughod. In this monumental study, Professor Abu-Lughod rescues Los Angeles from eccentricity by placing it in comparative context alongside the two most accepted urban paradigms of the United States: New York and Chicago. In doing so, she has added a new city--the City of Angels--to the front ranks of American cities and has significantly enhanced our understanding of New York and Chicago as well." --Kevin Starr, State Librarian of California "This breathtaking tour through the history of the three largest cities of the United States synthesizes the essentials of their varied history in a readable, lively form. New York, Chicago, Los Angeles is the first book I have seen by a single author who has lived in and become intimately knowledgeable about each of the cities, has plumbed their history, examined statistics, and pulled together a comparison that places the data and accounts in the context of personal experience. Abu-Lughod concludes the book with a set of human vignettes that captures differences and similarities among the cities, in the lived experience of a user and employer of each of the cities." --Peter Marcuse, Columbia University "A masterful comparative history of the three cities. Abu-Lughod's scholarship is impeccable and her book extremely well written." --John Friedmann, Professor Emeritus, UCLA, author of Endangered Dreams: The Great Depression and California and The Dream Endures: California Enters the 1940s. Janet L. Abu-Lughod, professor emerita of sociology of Northwestern University and the Graduate Faculty of the New School for Social Research, has been writing about and studying cities for more than fifty years. Her books include From Urban Village to East Village: The Battle for New York's Lower East Side; Changing Cities: Urban Sociology; Before European Hegemony: The World System A.D. 1250-1350; Rabat: Urban Apartheid in Morocco; and Cairo: 1001 Years of the City Victorious, among many other publications. In 1999 she received the Robert and Helen Lynd Award (American Sociological Association, Section on Community and Urban Sociology) for distinguished lifetime contributions to the study of cities.
[more]
cover of New on the Job: A School Librarian's Guide to Success

New on the Job

A School Librarian's Guide to Success

Hilda K. Weisburg

American Library Association, 2014

[more]
cover of New on the Job: A School Library Media Specialist's Guide to Success

New on the Job

A School Library Media Specialist's Guide to Success

Ruth Toor

American Library Association, 2007

[more]
cover of Newark's Little Italy: The Vanished First Ward

Newark's Little Italy

The Vanished First Ward

Immerso, Michael

Rutgers University Press, 1997

Michael Immerso traces the history of the First Ward from the arrival of the first Italian in the 1870s until 1953 when the district was uprooted to make way for urban renewal. Richly illustrated with photographs culled from the albums and shoeboxes in the private collections of hundreds of former First Ward families from all across the United States, the book documents the evolution of the district from a small immigrant quarter into a complex Italian-American neighborhood that thrived during the first half of this century.
[more]
cover of Newbery & Caldecott Medal Books, 1986-2000: A Comprehensive Guide to the Winners

Newbery & Caldecott Medal Books, 1986-2000

A Comprehensive Guide to the Winners

American Library Association, 2001

[more]
cover of Newcomers In Workplace: Immigrants and the Restructing of the U.S. Economy

Newcomers In Workplace

Immigrants and the Restructing of the U.S. Economy

edited by Louise Lamphere, Alex Stepick and Guillermo Grenier

Temple University Press, 1994

Newcomers in the Workplace documents and dramatizes the changing face of the American workplace, transformed in the 1980s by immigrant workers in all sectors. This collection of excellent ethnographies captures the stench of meatpacking plants, the clatter of sewing machines, the sweat of construction sites, and the strain of management-employee relations in hotels and grocery stores as immigrant workers carve out crucial roles in a struggling economy.

Case studies focus on three geographical regions—Philadelphia, Miami, and Garden City, Kansas—where the active workforce includes increasing numbers of Cubans, Haitians, Koreans, Puerto Ricans, Laotians, Vietnamese, and other new immigrants. The portraits show these newcomers reaching across ethnic boundaries in their determination to retain individualism and to insure their economic survival.


In the series Labor and Social Change, edited by Paula Rayman and Carmen Sirianni.

 

[more]
cover of Newcomers, Outsiders, and Insiders: Immigrants and American Racial Politics in the Early Twenty-first Century

Newcomers, Outsiders, and Insiders

Immigrants and American Racial Politics in the Early Twenty-first Century

Ronald Schmidt Sr., Yvette M. Alex-Assensoh, Andrew L. Aoki, and Rodney E. Hero

University of Michigan Press, 2009

Over the past four decades, the United States has experienced the largest influx of immigrants in its history. Not only has the ratio of European to non-European newcomers changed, but recent arrivals are coming from the Asian subcontinent, Southeast Asia, South America, and other regions which have not previously supplied many immigrants to the United States. In this timely study, a team of political scientists examines how the arrival of these newcomers has affected the efforts of long-standing minority groups---Blacks, Latinos, and Asian Pacific Americans---to gain equality through greater political representation and power. The authors predict that, for some time to come, the United States will function as a complex multiracial hierarchy, rather than as a genuine democracy.
[more]
cover of Newcomers: Gentrification and Its Discontents

Newcomers

Gentrification and Its Discontents

Matthew L. Schuerman

University of Chicago Press, 2019

Gentrification is transforming cities, small and large, across the country. Though it’s easy to bemoan the diminished social diversity and transformation of commercial strips that often signify a gentrifying neighborhood, determining who actually benefits and who suffers from this nebulous process can be much harder. The full story of gentrification is rooted in large-scale social and economic forces as well as in extremely local specifics—in short, it’s far more complicated than both its supporters and detractors allow.

In Newcomers, journalist Matthew L. Schuerman explains how a phenomenon that began with good intentions has turned into one of the most vexing social problems of our time. He builds a national story using focused histories of northwest Brooklyn, San Francisco’s Mission District, and the onetime site of Chicago’s Cabrini-Green housing project, revealing both the commonalities among all three and the place-specific drivers of change. Schuerman argues that gentrification has become a too-easy flashpoint for all kinds of quasi-populist rage and pro-growth boosterism. In Newcomers, he doesn’t condemn gentrifiers as a whole, but rather articulates what it is they actually do, showing not only how community development can turn foul, but also instances when a “better” neighborhood truly results from changes that are good. Schuerman draws no easy conclusions, using his keen reportorial eye to create sharp, but fair, portraits of the people caught up in gentrification, the people who cause it, and its effects on the lives of everyone who calls a city home.
[more]
cover of Newport In Rockies: Life & Good Times Of

Newport In Rockies

Life & Good Times Of

Marshall Sprague

Ohio University Press, 1988

In 1871, General William Jackson Palmer, a Civil War cavalry hero, dreamed of a Rocky Mountain resort town where sedate, temperate, wealthy folk could enjoy life in tranquil comfort. From its inception as a tiny resort hamlet, Colorado Springs has grown into the second largest city in the Colorado Rockies, with a projected population by 1990 of 400,000. Marshall Sprague tells the remarkable and colorful story of a community that, despite its massive growth, never abandoned its original vision of comfort and gentility. His account, illustrated with rare archival photographs, has been revised and enlarged for the 1990s.

In the town's early years, rich easterners and Englishmen came seeking adventure, romance, and gentility. But when gold was discovered at nearby Cripple Creek in 1900, Colorado Springs became an instant boom town. A second major boom came several decades later, when local boosters persuaded the Army to choose Colorado Springs as the site for Fort Carson, a training center for 30,000 troops. Other military projects followed, including Peterson Field, Ent Air Force Base, the underground North American Air Defense Command Combat Operations Center, and in 1954, the U.S. Air Force Academy. More recent projects, discussed in a new final chapter, include the Olympic Training Center and the Olympic Hall of Fame, as well as high-tech industries and advances in culture, education, and recreation.

As the city sprawls eastward onto the prairie, it bears little resemblance to General Palmer's 1871 village. Yet the general's dream of a quality town in a quality environment has continued to inspire generations of administrators and boosters who have made Colorado Springs a model of urban prosperity.
[more]
cover of News Parade: The American Newsreel and the World as Spectacle

News Parade

The American Newsreel and the World as Spectacle

Joseph Clark

University of Minnesota Press, 2020

A fascinating look at the United States’ conflicted relationship with news and the media, through the lens of the newsreel

When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized “indisputable evidence” of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel’s methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel’s place in the history of twentieth-century American culture and film history.

Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel’s coverage of Charles Lindbergh’s transatlantic flight and the Sino–Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship.

In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public’s relationship with the news in the 1930s—a history that can help us to better understand the transformations happening today.

[more]
cover of News That Matters: Television and American Opinion

News That Matters

Television and American Opinion

Shanto Iyengar and Donald R. Kinder

University of Chicago Press, 1987

"News That Matters does matter, because it demonstrates conclusively that television newscasts powerfully affect opinion. . . . All that follows, whether it supports, modifies, or challenges their conclusions, will have to begin here."—Aaron Wildavsky, The Public Interest

"Because of its methodological integrity and richness, News That Matters is likely to be regarded as an impressive, possibliy grounbreaking work."—Neil Postman, New York Times Book Review
[more]
cover of News That Matters: Television and American Opinion, Updated Edition

News That Matters

Television and American Opinion, Updated Edition

Shanto Iyengar and Donald R. Kinder

University of Chicago Press, 2010

Almost twenty-five years ago, Shanto Iyengar and Donald R. Kinder first documented a series of sophisticated and innovative experiments that unobtrusively altered the order and emphasis of news stories in selected television broadcasts.  Their resulting book News That Matters, now hailed as a classic by scholars of political science and public opinion alike, is here updated for the twenty-first century, with a new preface and epilogue by the authors. Backed by careful analysis of public opinion surveys, the authors show how, despite changing American politics, those issues that receive extended coverage in the national news become more important to viewers, while those that are ignored lose credibility. Moreover, those issues that are prominent in the news stream continue to loom more heavily as criteria for evaluating the president and for choosing between political candidates.

“News That Matters does matter, because it demonstrates conclusively that television newscasts powerfully affect opinion. . . . All that follows, whether it supports, modifies, or challenges their conclusions, will have to begin here.”—The Public Interest

[more]
cover of News from the New American Diaspora: and Other Tales of Exile

News from the New American Diaspora

and Other Tales of Exile

By Jay Neugeboren

University of Texas Press, 2005

Prize-winning novelist Jay Neugeboren's third collection of short stories focuses on Jews in various states of exile and expatriation—strangers in strange lands, far from home. These dozen tales, by an author whose stories have been selected for more than fifty anthologies, including Best American Short Stories and O. Henry Prize Stories, span the twentieth century and vividly capture brief moments in the lives of their characters: a rabbi in a small town in New England struggling to tend to his congregation and himself, retirees who live in Florida but dream of Brooklyn, a boy at a summer camp in upstate New York learning about the Holocaust for the first time, Russians living in Massachusetts with the family who helped them immigrate. In "The Other End of the World," an American soldier who has survived life in a Japanese prisoner of war camp grieves for members of his family murdered in a Nazi death camp, and in "Poppa's Books" a young boy learns to share his father's passion for the rare books that represent the Old World. "This Third Life" tells of a divorced woman who travels across Germany searching for new meaning in her life after her children leave home, while both "His Violin" and "The Golden Years" explore the plight of elderly Jews, displaced from New York City to retirement communities in Florida, who struggle with memory, madness, and mortality.

Set in various times and places, these poignant stories are all tales of personal exile that also illuminate that greater diaspora—geographical, emotional, or spiritual—in which many of us, whether Jews or non-Jews, live.

[more]
cover of News on the American Dream: A History of the Portuguese Press in the United States

News on the American Dream

A History of the Portuguese Press in the United States

Alberto Pena Rodríguez, Translated by Serena J. Rivera

Tagus Press, 2020

News on the American Dream traces the development of the Portuguese­-American press from its beginnings in the late nineteenth century to the present, taking readers from the East Coast to Hawaii, with strategic stops in places with large Portuguese communities, including New Bedford, Massachusetts; Oakland, California; and Newark, New Jersey. Alberto Pena Rodríguez's nuanced analysis of the political, economic, social, and cultural roles played by these publications proves how important they were for the Portuguese-­American community and the history of the ethnic press in the United States. Fascinating narratives about the founders, editors, and owners of these publications—and their challenges, squabbles, and successes—round out this engaging study.

[more]
cover of News to Me: Adventures of an Accidental Journalist

News to Me

Adventures of an Accidental Journalist

Laurie Hertzel

University of Minnesota Press, 2010

The story of a journalist’s coming of age in Duluth during the boom days of print

Laurie Hertzel wasn't yet a teenager in Duluth, Minnesota, when she started her first newspaper, which she appropriately christened Newspaper. Complete with the most sensational headlines of the day-MARGO FLUEGEL HAS ANOTHER BIRTHDAY!-and with healthy competition from her little brothers and their rival publication, Magapaper (a magazine and a newspaper), this venture would become Hertzel's first step toward realizing what her heart was already set on: journalism as her future.

News to Me is the adventurous story of Hertzel's journey into the bustling world of print journalism in the mid-1970s, a time when copy was still banged out on typewriters by chain-smoking men in fedoras and everybody read the paper. A coming-of-age tale in more ways than one, Hertzel's eighteen-year career at the Duluth News Tribune began when journalism was a predominantly male profession. And while the newspaper trade was booming, Duluth had fallen on difficult times as factories closed and more and more people moved away. Hertzel describes her climb up the ranks of the paper against the backdrop of a Midwestern city during a time of extraordinary change. She was there during major events like the Congdon murders, the establishment of the BWCA, and the rise of Indian treaty rights, and eventually follows the biggest story of her life to Soviet Russia-and completely blows her deadline.

Written with the insight and humor of someone who makes a living telling stories, News to Me is the chronicle of a small-city newspaper on the cusp of transformation, an affectionate portrait of Duluth and its people, and the account of a talented, persistent journalist who witnessed it all and was changing right along with it-whether she wanted to or not.

(Oh, Newspaper doggedly outlasted the full-color Magapaper).

[more]
cover of News: The Politics of Illusion, Tenth Edition

News

The Politics of Illusion, Tenth Edition

W. Lance Bennett

University of Chicago Press, 2016

For over thirty years, News: The Politics of Illusion has not simply reflected the political communication field—it has played a major role in shaping it. Today, the familiar news organizations of the legacy press are operating in a fragmenting and expanding mediaverse that resembles a big bang of proliferating online competitors that are challenging the very definition of news itself. Audience-powered sites such as the Huffington Post and Vox blend conventional political reporting with opinion blogs, celebrity gossip, and other ephemera aimed at getting clicks and shares. At the same time, the rise of serious investigative organizations such as ProPublica presents yet a different challenge to legacy journalism. Lance Bennett’s thoroughly revised tenth edition offers the most up-to-date guide to understanding how and why the media and news landscapes are being transformed. It explains the mix of old and new, and points to possible outcomes. Where areas of change are clearly established, key concepts from earlier editions have been revised. There are new case studies, updates on old favorites, and insightful analyses of how the new media system and novel kinds of information and engagement are affecting our politics. As always, News presents fresh evidence and arguments that invite new ways of thinking about the political information system and its place in democracy.
 
[more]
cover of Newspaperwoman of the Ozarks: The Life and Times of Lucile Morris Upton

Newspaperwoman of the Ozarks

The Life and Times of Lucile Morris Upton

Susan Croce Kelly

University of Arkansas Press, 2023

Lucile Morris Upton landed her first newspaper job out West in the early 1920s, then returned home to spend half a century reporting on the Ozarks world she knew best. Having come of age just as women gained the right to vote, she took advantage of opportunities that presented themselves in a changing world. During her years as a journalist, Upton rubbed shoulders with presidents, flew with aviation pioneer Wiley Post, covered the worst single killing of US police officers in the twentieth century, wrote an acclaimed book on the vigilante group known as the Bald Knobbers, charted the growth of tourism in the Ozarks, and spearheaded a movement to preserve iconic sites of regional history. Following retirement from her newspaper job, she put her experience to good use as a member of the Springfield City Council and community activist.

Told largely through Upton’s own words, this insightful biography captures the excitement of being on the front lines of newsgathering in the days when the whole world depended on newspapers to find out what was happening.

Winner, 2024 Missouri Literary Award
First Place, 2024 Missouri Professional Communicators Communications Contest
Finalist, Society of Midland Authors Book Award

[more]
cover of Newsprint Metropolis: City Papers and the Making of Modern Americans

Newsprint Metropolis

City Papers and the Making of Modern Americans

Julia Guarneri

University of Chicago Press, 2017

At the turn of the twentieth century, ambitious publishers like Joseph Pulitzer, William Randolph Hearst, and Robert McCormick produced the most spectacular newspapers Americans had ever read.  Alongside current events and classified ads, publishers began running comic strips, sports sections, women’s pages, and Sunday magazines. Newspapers’ lavish illustrations, colorful dialogue, and sensational stories seemed to reproduce city life on the page. 

Yet as Julia Guarneri reveals, newspapers did not simply report on cities; they also helped to build them.  Metropolitan sections and civic campaigns crafted cohesive identities for sprawling metropolises.  Real estate sections boosted the suburbs, expanding metropolitan areas while maintaining cities’ roles as economic and information hubs.  Advice columns and advertisements helped assimilate migrants and immigrants to a class-conscious, consumerist, and cosmopolitan urban culture.

Newsprint Metropolis offers a tour of American newspapers in their most creative and vital decades.  It traces newspapers’ evolution into highly commercial, mass-produced media, and assesses what was gained and lost as national syndicates began providing more of Americans’ news.  Case studies of Philadelphia, New York, Chicago, and Milwaukee illuminate the intertwined histories of newspapers and the cities they served.  In an era when the American press is under attack, Newsprint Metropolis reminds us how papers once hosted public conversations and nurtured collective identities in cities across America. 

[more]
cover of Next Time We Strike

Next Time We Strike

Allan Kent Powell

Utah State University Press, 1992

May 1, 1900 turned into a day of horror at Scofield, Utah, where a mine explosion killed two hundred men. In the traumatic days that followed, the surviving miners began to understand that they, too, might be called to make this ultimate sacrifice for mine owners. The time for unionization in Utah was at hand.

A sensitive and in-depth portrayal of the efforts to unionize Utah's coal miners, The Next Time We Strike explores the ethnic tensions and nativistic sentiments that hampered unionization efforts even in the face of mine explosions and economic exploitation. Powell utilizes oral interviews, coal company reports, newspapers, letters, and union records to tell the story from the miners' perspective.
[more]
cover of Next to Godliness: Confronting Dirt and Despair in Progressive Era New York City

Next to Godliness

Confronting Dirt and Despair in Progressive Era New York City

Daniel Burnstein

University of Illinois Press, 2010

To many Progressive Era reformers, the extent of street cleanliness was an important gauge for determining whether a city was providing the conditions necessary for impoverished immigrants to attain a state of "decency"--a level of individual well-being and morality that would help ensure a healthy and orderly city. Daniel Eli Burnstein's study examines prominent street sanitation issues in Progressive Era New York City--ranging from garbage strikes to "juvenile cleaning leagues"--to explore how middle-class reformers amassed a cross-class and cross-ethnic base of support for social reform measures to a degree greater than in practically any other period of prosperity in U.S. history. The struggle for enhanced civic sanitation serves as a window for viewing Progressive Era social reformers' attitudes, particularly their emphasis on mutual obligations between the haves and have-nots, and their recognition of the role of negative social and physical conditions in influencing individual behaviors.
[more]
cover of Next to the Color Line: Gender, Sexuality, and W. E. B. Du Bois

Next to the Color Line

Gender, Sexuality, and W. E. B. Du Bois

Susan Gillman

University of Minnesota Press, 2007

Although W. E. B. Du Bois did not often pursue the connections between the “Negro question” that defined so much of his intellectual life and the “woman question” that engaged writers and feminist activists around him, Next to the Color Line argues that within Du Bois’s work is a politics of juxtaposition that connects race, gender, sexuality, and justice.This provocative collection investigates a set of political formulations and rhetorical strategies by which Du Bois approached, used, and repressed issues of gender and sexuality. The essays in Next to the Color Line propose a return to Du Bois, not only to reassess his politics but also to demonstrate his relevance for today’s scholarly and political concerns.Contributors: Hazel V. Carby, Yale U; Vilashini Cooppan, U of California, Santa Cruz; Brent Hayes Edwards, Rutgers U; Michele Elam, Stanford U; Roderick A. Ferguson, U of Minnesota; Joy James, Williams College; Fred Moten, U of Southern California; Shawn Michelle Smith, St. Louis U; Mason Stokes, Skidmore College; Claudia Tate, Princeton U; Paul C. Taylor, Temple U.Susan Gillman is professor of literature at the University of California, Santa Cruz. Alys Eve Weinbaum is associate professor of English at the University of Washington, Seattle.
[more]
cover of Nice Guys Finish Last

Nice Guys Finish Last

Leo Durocher with Ed Linn

University of Chicago Press, 2009

“I believe in rules. Sure I do. If there weren't any rules, how could you break them?”

The history of baseball is rife with colorful characters. But for sheer cantankerousness, fighting moxie, and will to win, very few have come close to Leo “the Lip” Durocher. Following a five-decade career as a player and manager for baseball’s most storied franchises, Durocher teamed up with veteran sportswriter Ed Linn to tell the story of his life in the game. The resulting book, Nice Guys Finish Last, is baseball at its best, brimming with personality and full of all the fights and feuds, triumphs and tricks that made Durocher such a success—and an outsized celebrity.

Durocher began his career inauspiciously, riding the bench for the powerhouse 1928 Yankees and hitting so poorly that Babe Ruth nicknamed him “the All-American Out.” But soon Durocher hit his stride: traded to St. Louis, he found his headlong play and never-say-die attitude a perfect fit with the rambunctious “Gashouse Gang” Cardinals. In 1939, he was named player-manager of the Brooklyn Dodgers—and almost instantly transformed the underachieving Bums into perennial contenders. He went on to manage the New York Giants, sharing the glory of one of the most famous moments in baseball history, Bobby Thomson’s “shot heard ’round the world,” which won the Giants the 1951 pennant. Durocher would later learn how it felt to be on the other side of such an unforgettable moment, as his 1969 Cubs, after holding first place for 105 days, blew a seemingly insurmountable 8-1/2-game lead to the Miracle Mets.

All the while, Durocher made as much noise off the field as on it. His perpetual feuds with players, owners, and league officials—not to mention his public associations with gamblers, riffraff, and Hollywood stars like George Raft and Larraine Day—kept his name in the headlines and spread his fame far beyond the confines of the diamond.

A no-holds-barred account of a singular figure, Nice Guys Finish Last brings the personalities and play-by-play of baseball’s greatest era to vivid life, earning a place on every baseball fan’s bookshelf.

[more]
cover of Night Hawk: A Nineteenth-Century Superhero and the Dawn of American Mass Culture

Night Hawk

A Nineteenth-Century Superhero and the Dawn of American Mass Culture

Matthew Warner Osborn

University of Chicago Press, 2026

Unmasks the long-forgotten story of how a flying, superhuman vigilante played a pivotal role in the founding of the American labor movement.

On July 5, 1828, more than a century before Superman arrived on Earth, a superhero took flight in Philadelphia’s night sky. Buried on page three of a small local newspaper, the announcement of his arrival appeared under the title “The Night-Hawk, No. 1” with a cryptic epigraph from Romeo and Juliet: “I’ll be a candleholder and look on.” Who and what was the Night Hawk? As Matthew Warner Osborn reveals, this was the sobriquet of a mysterious columnist for the weekly Mechanics’ Free Press, the first radical socialist newspaper in America. Dressed in a mysterious cloak, the Night Hawk soared over Philadelphia, revealing the evil crimes of prominent gentlemen, fighting murderous criminals, and calling out fraudulent moral authorities. 

The Night Hawk was the ingenious invention of an impoverished actor, Cornelius A. Logan, who created the character as a public champion of Philadelphia’s Working Men’s movement, the first successful American labor party. The Night Hawk’s nocturnal adventures transformed their socialist ideology into an entertaining fantasy that dramatized the struggle against industrial exploitation and the degradation of working people. The success of the character made Logan into a celebrity, and he went on to become a popular and innovative comedian on the antebellum stage.

A harbinger of the superheroes we know today, the Night Hawk promises to illuminate dark secrets from the past, but he can also shed light on our present. He ignites our need to see corrupt elites unmasked and held accountable for their actions, all while protecting the innocent and oppressed. Americans have always loved to fantasize about powerful superheroes who hide behind masks while chasing bad guys, and Osborn shows in this entertaining history how the Night Hawk was perhaps the first standard bearer for that enduring mystique. 

[more]
cover of Night Life: Nature from Dusk to Dawn

Night Life

Nature from Dusk to Dawn

Diana Kappel-Smith

University of Arizona Press, 0

Journey with Diana Kappel-Smith into the nocturnal world of wild North America. Night Life combines scientific descriptions and personal reflections on creatures ranging from spiders and snakes to large predators of the northern Plains.
[more]
cover of Night Moves

Night Moves

By Jessica Hopper

University of Texas Press, 2018

Written in taut, mesmerizing, often hilarious scenes, Night Moves captures the fierce friendships and small moments that form us all. Drawing on her personal journals from the aughts, Jessica Hopper chronicles her time as a DJ, living in decrepit punk houses, biking to bad loft parties with her friends, exploring Chicago deep into the night. And, along the way, she creates an homage to vibrant corners of the city that have been muted by sleek development. A book birthed in the amber glow of Chicago streetlamps, Night Moves is about a transformative moment of cultural history—and how a raw, rebellious writer found her voice.

[more]
cover of Night Riders of Reelfoot Lake

Night Riders of Reelfoot Lake

Paul Vanderwood

University of Alabama Press, 2003

A notable and tragic case of the struggle between legal and social justice

Reelfoot Lake has been a hunting and fishing paradise from the time of its creation in 1812, when the New Madrid earthquake caused the Mississippi River to flow backward into low-lying lands. Situated in the northwestern corner of the state of Tennessee, it attracted westward-moving pioneers, enticing some to settle permanently on its shores.

Threatened in 1908 with the loss of their homes and livelihoods to aggressive, outsider capitalists, rural folk whose families had lived for generations on the bountiful lake donned hoods and gowns and engaged in “night riding,” spreading mayhem and death throughout the region as they sought vigilante justice. They had come to regard the lake as their own, by “squatters’ rights,” but now a group of entrepreneurs from St. Louis had bought the titles to the land beneath the shallow lake and were laying legal claim to Reelfoot in its entirety. People were hanged, beaten, and threatened and property destroyed before the state militia finally quelled the uprising. A compromise that made the lake public property did not entirely heal the wounds which continue to this day.

Paul Vanderwood reconstructs these harrowing events from newspapers and other accounts of the time. He also obtained personal interviews with participants and family members who earlier had remained mum, still fearing prosecution. The Journal of American History declares his book “the complete and authentic treatment” of the horrific dispute and its troubled aftermath.
 
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cover of Night Riders: Defending Community in the Black Patch, 1890–1915

Night Riders

Defending Community in the Black Patch, 1890–1915

Christopher Waldrep

Duke University Press, 1993

In the late nineteenth century, industrialization was making its way into rural America. In an agricultural region of Kentucky and Tennessee called the Black Patch for the dark tobacco grown there, big business arrived with a vengeance, eliminating competition, manipulating prices, and undermining local control. The farmers fought back. Night Riders tells the story of the struggle that followed, and reveals the ambiguities and complexities of a drama that convulsed this community for over two decades.
Christopher Waldrep shows that, contrary to many accounts, these wealthy tobacco planters did not resist these new forces simply because of a nostalgia for a bygone time. Instead, many sought to become modern capitalists themselves--but on their own terms. The South's rural elite found their ability to hire and control black labor--the established racial practice of the community--threatened by the low prices offered by big companies for their raw materials. In response, farmers organized and demanded better prices for their tobacco. The tobacco companies then attempted to divide the farmers by offering higher prices to those willing to break with the others. When some cultivators succumbed, their betrayal awakened a deeply rooted vigilante tradition that called for the protection of community at all costs. Waldrep analyzes the spasm of violence that ensued in which horsemen, riding at night, destroyed tobacco barns and the warehouses where the companies stored their tobacco. But despite this fierce upheaval, the Black Patch community endured.
The most thorough treatment ever given to the Black Patch war, Night Riders illuminates a moment in history in which the traditional and the modern, the rural and the industrial, fought for the future--and past--of a community.
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cover of Nightmare on Iwo Jima: A Marine in Combat

Nightmare on Iwo Jima

A Marine in Combat

Patrick F. Caruso, with a foreword by David G. Rathgeber

University of Alabama Press, 2007

On February 19, 1945, the 4th and 5th Marine Divisions stormed ashore from a naval support force. Among them was green young lieutenant Pat Caruso who became de facto company commander when the five officers ranking him were killed or wounded. He led his rapidly diminishing force steadily forward for the next few days, when a day’s gains were measured in yards. Caruso was eventually wounded himself and was evacuated. Realizing that the heroism of his comrades would be lost by the decimation of his unit, Caruso latched onto any paper he could find and filled every blank space with his memory of the fighting. This edition has a new foreword and index, boasts nine new photographs, and a map of the action. It resumes its place as a classic account of the experience of being in close, direct, and constant contact with a determined enemy at close quarters. Many did not survive; those who did were changed forever.
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