1668 books match the query 'Popular culture' and 33 start with o
James W. Hulse
University of Nevada Press, 2003
The cultural and intellectual history of the Silver State is examined through the creation of its libraries. In Oases of Culture, veteran Nevada historian James W. Hulse recounts the tortuous and often colorful history of Nevada’s libraries and the work of the dedicated librarians, educators, civic leaders, women’s organizations, philanthropists, and politicians who struggled to make the democratic vision of free libraries available to all Nevadans. From the establishment of the State Library in 1865, only one year after statehood, through the creation of tax-supported public libraries after passage of a library law in 1895, to the development of today’s modern university and community college libraries and the public-library information services that serve Nevada’s booming and increasingly diverse population, Hulse recounts the trials and triumphs of Nevada’s libraries. He also examines the role of Nevada librarians in fostering literacy and confronting the First Amendment controversies that have periodically shaken the nation’s cultural foundations.
Pamela Buck
University of Delaware Press, 2024
Ray B. Browne
University of Wisconsin Press, 1982
This book demonstrates the importance of the study of fetishes and fetishism in the study of popular culture. Some of the essays cover rather "conventional" manifestations in the world today; others demonstrate the fetishistic qualities of some unusual items. But all illustrate without any doubt that, like the icon, the ritual, and many other items in society, fetishes, fetishism and fetishists must be studied and understood before we can begin to understand the complexity of present-day society.
Edited by Loren Glass and Charles Francis Williams
The Ohio State University Press, 2011
Over the course of the nineteenth century in both Europe and the United States, the state usurped the traditional authority of the church in regulating sexual expression and behavior. In the same century philosophers of classical liberalism identified that state function as a threat to individual liberty. Since then, liberalism has provided the framework for debates over obscenity around the globe.
Nick Salvato
Duke University Press, 2016
W. J. T. Mitchell, Bernard E. Harcourt, and Michael Taussig
University of Chicago Press, 2013
Michael Joyce
University of Michigan Press, 1996
Sarah Waldorf
J. Paul Getty Trust, The, 2020
Mikita Brottman
Vanderbilt University Press, 2005
Shawn Hall
University of Nevada Press, 1998
Elko County, in the old heart of Nevada, is rich in historic sites, many of them hitherto uncharted and some verging on disappearing. For the first time, historian Shawn Hall identifies and locates the ghost towns and old mining camps of Elko County and recounts their colorful histories. Following a guidebook format, Hall divides the county into five easily accessible regions, then lists the historic sites within each region and provides directions to reach them. He offers a brief history of each site as well as a description of its extant structures and their present condition. The result is a lively compilation of local history and mining and ranching lore that records the dramatic past of Nevada’s northeast corner, its pioneers and prospectors, its towns and mines, its outlaws, ranchers, merchants, mining concerns, and civic leaders. The book offers never-before available information about the old heart of Nevada and the people who settled there. It will be of enduring value to tourists and weekend explorers, historic preservationists, and all those interested in the history and artifacts of this region.
Edited by Rye Dag Holmboe and Susan Morris
University College London, 2021
Fleetwood, Nicole R
Rutgers University Press, 2015
Linda Williams
Duke University Press, 2014
Chris Gavaler
University of Iowa Press, 2015
Mike Hilleary
University of Massachusetts Press, 2020
Gerald Early
University of Michigan Press, 2004
Erin Hanna
Rutgers University Press, 2020
Stanley K. Abe
University of Chicago Press, 2002

Edited by Ray B. Browne and Arthur B. Neal
University of Wisconsin Press, 2001
Patrick Galbraith
Duke University Press, 2019
Hiroki Azuma
University of Minnesota Press, 2009
Seulghee Lee
The Ohio State University Press, 2025
In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West.
By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.
Priscilla L. Walton
University of Illinois Press, 2004
Stephen Wade
University of Illinois Press, 2026
John Bush Jones
Brandeis University Press, 2004
Thomas Cassirer
University of Massachusetts Press, 1993
This volume celebrates the work of Ousmane Sembène, the brilliant African filmmaker and writer. Since the 1950s, working in his native Senegal, Sembène has produced a series of films and novels that incisively depict the realities of contemporary African experience, particularly that of urban and industrial Africa. The book begins with critical essays on Sembène’s oeuvre by Frederick Ivor Case, Françoise Pfaff, Mbye Cham, and Claire Andrade-Warkins. There follows a series of presentations by distinguished black writers who discuss their craft and the ways in which language can function as a political act of cultural legitimation. These writers include Toni Cade Bambara, Earl Lovelace, Ngũgĩ wa Thiong’o, John Edgar Wideman, and Sembène.
The next section reproduces Sembène’s remarks on his film Camp de Thiaroye and an extended interview he recorded in Toronto in 1992. His comments are presented in both French and English. The volume concludes with annotated bibliographies of Sembène’s novels and of the films he has written and directed.
Corey K. Creekmur and Alexander Doty, eds.
Duke University Press, 1995
Contributors. Sabrina Barton, Edith Becker, Rhona J. Berenstein, Nayland Blake, Michelle Citron, Danae Clark, Corey K. Creekmur, Alexander Doty, Richard Dyer, Heather Findlay, Jan Zita Grover, Essex Hemphill, John Hepworth, Jeffrey Hilbert, Lucretia Knapp, Bruce La Bruce, Al LaValley, Julia Lesage, Michael Moon, Michael Musto, B. Ruby Rich, Marlon Riggs, Arlene Stein, Chris Straayer, Anthony Thomas, Mark Thompson, Valerie Traub, Thomas Waugh, Patricia White, Robin Wood
Nicholas Thomas
University of Michigan Press, 1996
Despite the enormous amount of work that has attempted to combine historical and anthropological approaches in recent years, few books have outlined the underlying premises that make integration of the two fields difficult. In Out of Time, Nicholas Thomas argues that a "historical perspective" cannot simply be added to conventional anthropology, which systematically takes ethnography "out of time." Drawing examples from the Polynesian anthropological literature, he points to discredited social evolutionary ideas that have persisted even after apparently dramatic theoretical shifts and to the need to take seriously sources that anthropologists have previously dismissed. When it was first published in 1989, Out of Time generated much-needed discussion on the appropriate models for historical anthropology. Thomas considered that both the historical structuralism of Marshall Sahlins and neo-Marxist regional systems theory had failed to transcend crucial limitations of conventional anthropology. Yet they provided elements of a more stimulating and critical perspective, which would also take account of contemporary political developments in the Pacific region. For this second edition, Thomas has added an afterword that reflects on the book's initial reception and brings its critique up to date. He suggests a need to historicize the professionalization of anthropology as a discipline to understand shifts in practice and the need to acknowledge the historical specificity and limits of all forms of cultural knowledge, whether "Western" or indigenous. Out of Time will be a useful text for graduate courses in anthropology, history, and cultural studies. "This book displays rare integrity: Thomas' intellectual stance toward the theoretical approaches of others is fully consistent with his own discursive practices." --Contemporary Pacific.
Nona Willis Aronowitz
University of Minnesota Press, 2010

Brian McFarlane
Intellect Books, 2026
Anastasia Gordienko
University of Wisconsin Press, 2023
The Russian shanson can be heard across the country today, on radio and television shows, at mass events like political rallies, and even at the Kremlin. Yet despite its ubiquity, it has attracted almost no scholarly attention. Anastasia Gordienko provides the first full history of the shanson, from its tenuous ties to early modern criminals’ and robbers’ folk songs, through its immediate generic predecessors in the Soviet Union, to its current incarnation as the soundtrack for daily life in Russia. It is difficult to firmly define the shanson or its family of song genres, but they all have some connection, whether explicit or implicit, to the criminal underworld or to groups or activities otherwise considered subversive. Traditionally produced by and popular among criminals and other marginalized groups, and often marked by characters and themes valorizing illegal activities, the songs have undergone censorship since the early nineteenth century. Technically legal only since the collapse of the Soviet Union, the shanson is today not only broadly popular but also legitimized by Vladimir Putin’s open endorsement of the genre.
Peter Bacon Hales
University of Chicago Press, 2014
Frankie Hutton
University of Wisconsin Press, 1995