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A groundbreaking collection of fiction from Iceland’s best contemporary authors

This extraordinary collection, the first anthology of Icelandic short fiction published in English translation, features work by twenty of Iceland’s most popular and celebrated living authors—including Andri Snær Magnason, Jón Kalman Stefánsson, Kristín Ómarsdóttir, and Auður Jónsdóttir—granddaughter of Halldór Laxness, who won the 1955 Nobel Prize in Literature. 

Celebrated in Europe and Scandinavia but less known in the English-speaking world, these writers traverse realms of darkness and light that will be familiar to readers who have fallen under the spell of Scandinavian fiction. While uniquely Icelandic in topography and tenor, with a touch of the island’s supernatural charm, the stories traffic in the enduring and universal complexities of human nature. Here is a fictional universe where the ghosts of Vikings and spirits tread, volcanoes grumble underfoot, and writers trip the Northern Lights fantastic across the landscape of the Icelandic imagination. 

At long last, readers can enjoy award-winning stories now expertly rendered into English by the country’s most renowned translators. In “Killer Whale” a father contemplates euthanasia for a terminally ill child, in “Self Portrait” a vacationing family in Spain crosses paths with migrants, in “Escape for Men” a woman searches for an ex-lover in the South of France, and in “The Most Precious Secret” the nature of artists and the art world is mercilessly revealed. Both the Viking myths of Iceland’s forefathers and the cutting-edge modern world of the country today are brilliantly alive in these remarkable and original stories.

This collection is an excursion to an island where almost two million travelers descend yearly on a population of 345 thousand natives. Iceland is the place Björk calls home, the location where Game of Thrones was filmed—a place with open lava fields, glaciers, and iceberg lagoons among other natural wonders that is becoming one of the “hottest” tourist destinations on earth.

Out of the Blue transports readers to Iceland’s timeless and magical island of Vikings and geographical wonders, and it promises to be a seminal collection that will define Icelandic literature in translation for decades to come. 

Contributors: Auður Ava Olafsdóttir, Kristín Eiríksdóttir, Þórarinn Eldjárn, Gyrðir Elíasson, Einar Örn Gunnarsson, Ólafur Gunnarsson, Einar Már Guðmundsson, Auður Jónsdóttir, Gerður Kristný, Andri Snær Magnason, Óskar Magnússon, Bragi Ólafsson, Kristín Ómarsdóttir, Óskar Árni Óskarsson, Magnús Sigurðsson, Jón Kalman Stefánsson, Ágúst Borgþór Sverrisson, Guðmundur Andri Thorsson, Þórunn Erlu-Valdimarsdóttir, Rúnar Helgi Vignisson.

Since Vatican Council II, convent walls have crumbled. and the structures that once separated nuns from the world are gone. Out of the Cloister is an organizational analysis of the structural and ideological changes that took place in Catholic religious orders of women in the United States. Many nuns today dress in street clothes, choose their own jobs, have a degree of financial independence from the larger order, and may not be recognized by their coworkers as nuns. What might once have been defined as a "total institution" has become, within the span of a few years, a type of voluntary organization where members join together loosely to achieve a common purpose.

Helen Rose Fuchs Ebaugh approaches religious orders as utopian communities and examines how contact with the larger society has affected the distinctiveness and solidarity that hold such groups together. She analyzes the patterns occurring within orders with particular focus on the relationship between organizational change and membership loss. Since changes have been introduced into religious orders at different rates, and since orders vary in such characteristics as size and educational level of members, it is possible to analyze relationships between exit rates and other organizational variables. The complex interplay of education and membership loss is one of the organizational dilemmas the author examines.

Although she is no longer a part of organized religious life, Ebaugh spent ten years as a nun and during that time collected much of the data presented in this book. As a nun she also helped conduct a number of self-studies and evaluations involved with the post-Vatican II reform and renewal efforts. She is therefore in the unique position of a researcher who collected data as an insider and analyzed it as an outsider.

This book is one of the first systematic, empirical studies of religious orders in the United States and one of the few sociological investigations of convents and the changes occurring within them.

From the Grand Ole Opry to the National Barn Dance, how radio changed life in rural America

Out of the Dark: A History of Radio and Rural America shows how radio—especially clear channel network stations—brought news, markets, weather, religion, and entertainment into isolated farm homes between the 1920s and 1950s, narrowing rural–urban divides while also sustaining distinctly rural tastes (e.g., barn dance music). Craig argues that battery “farm radios,” high power stations, and national networking transformed daily life, work rhythms, consumer habits, and political participation, making radio the central domestic technology of the Depression era and beyond. 

Craig blends regulatory and industry milestones, such as the Radio Act of 1927, with sociological studies, USDA extension records, FCC surveys, census tables, and rich case studies including WLS Chicago’s “National Barn Dance,” WSM Nashville’s “Grand Ole Opry,” and others. He mines audience research, diaries, program schedules, and tables that track the spread of radio. The book’s distinctive contributions include detailed charts (ownership by region; clear channel assignments) and vivid narratives of stations, formats, and personalities that connected farm families to national culture while preserving local identity. 

The book is ideal for scholars and students of US social, rural, and media history; communication policy and political communication; country and bluegrass music history; agricultural extension; and American studies. It will also engage librarians, curators, and public historians seeking context for rural collections; journalists and podcasters tracing the roots of today’s information ecosystems; and general readers interested in how radio re made community life long before the internet.

A treasure chest of stories by Swedish authors from the 1880s to the 1950s, many appearing for the first time in English

In the late nineteenth century, Swedish romanticism gave way to vibrant new literary styles that flourished through the 1950s. Out of the Darkness is the first anthology to bring the short fiction of this golden age of Swedish literature to English readers, celebrating the country’s rich literary tradition and several of its most renowned authors. The stories in this volume (many in entirely new translations, and most never before published in English) reflect the arc of the short story in Sweden, from realism to symbolism to modernist experimentation, and stand as lyrical exemplars of the creativity and depth of Swedish literature.

Some stories explore themes of crime and refuge, others ask what makes life meaningful, and some challenge sexual and social constructs of their time. All are fueled by shadows—of evil, madness, or fate, eerie fantasy or grim reality. Including internationally famous authors like August Strindberg, Stig Dagerman, and Nobel laureate Selma Lagerlöf, Out of the Darkness also features writing by influential women such as Victoria Benedictsson and Agnes von Krusenstjerna, who are less familiar to English readers. A showcase of stylistic virtuosity and incisive social commentary, Out of the Darkness at last brings this remarkable period of Swedish prose into the light.

Contributors: Victoria Benedictsson, Hjalmar Bergman, Karin Boye, Stig Dagerman, Thorsten Jonsson, Agnes von Krusenstjerna, Selma Lagerlöf, August Strindberg, Hjalmar Söderberg.

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Even before he wrote his bestselling book The Ethnic Cleansing of Palestine, historian Ilan Pappe was a controversial figure in Israel. In Out of the Frame, he gives a full account of his break with mainstream Israeli scholarship and its consequences.

Here he traces his journey of discovery from the whispers of Palestinian classmates to his realisation that the 'enemy's' narrative of the events of 1948 was correct. After completing his thesis at Oxford University in the early 1980s, he returned to Palestine determined to protect the memory of the Nakbah. For the first time he gives the details of the formidable opposition he faced in Israel, including death threats fed by the media, denunciations by the Knesset and calls for him to be sacked from his post at Haifa university.

This revealing work, written with dignity and humour, highlights Israel's difficulty in facing up to its past and forging a peaceful, inclusive future in Palestine.

Comics have long been a subject of moral panics, no doubt thanks to their in-your-face illustrations and their association with young readers. Indeed, the politicians and parents behind today’s book-banning campaigns reserve special ire for graphic novels. What makes today’s controversies different is the content of the alleged obscenity. Instead of targeting sex as such, censors now focus on affirmations of nonheteronormative identity, as in Maia Kobabe’s Gender Queer. And while violence is a constant in comics, stories that acknowledge nationalist oppression and violence, such as Art Spiegelman’s Maus, are also being blacklisted.

Out of the Gutters assembles scholars from diverse disciplines to examine US comics, graphic novels, and cartooning that have been challenged as obscene or transgressive. Covering well-known underground figures like Robert Crumb and Charles Burns, newcomers such as C. Spike Trotman and Emil Ferris, and mainstream creators including Chris Claremont and Archie Goodwin, the collection explores the market economics of transgression, historical representations of graphic violence, the ever-changing meaning of pornography, sex-positive comics by BIPOC authors, and queerness in pop-culture mega-properties like X-Men and The Walking Dead.

Winner, A Choice Outstanding Academic Book

When the Oakland, California, school board called African American English "Ebonics" and claimed that it "is not a black dialect or any dialect of English," they reignited a debate over language, race, and culture that reaches back to the era of slavery in the United States. In this book, John Baugh, an authority on African American English, sets new parameters for the debate by dissecting and challenging many of the prevailing myths about African American language and its place in American society.

Baugh's inquiry ranges from the origins of African American English among slaves and their descendants to its recent adoption by standard English speakers of various races. Some of the topics he considers include practices and malpractices for educating language minority students, linguistic discrimination in the administration of justice, cross-cultural communication between Blacks and whites, and specific linguistic aspects of African American English. This detailed overview of the main points of debate about African American language will be important reading for both scholars and the concerned public.

From New York to Singapore, from Chicago to London, the trading floors of the world’s financial markets are icons of global capitalism. Images of them are used on the news all the time—traders burying their heads in their hands when the market is down, their arms flailing in a frenzy when fortunes are rising—to convey the current state of the economy. But these marketplaces, and the cultural life that sustains them, are dissolving into the ether of the digital age: powerful financial institutions are shutting down the trading pits, replacing face-to-face exchanges with an electronic network where traders sit, face to screen, finger to mouse, and compete in a global arena made up of digits and charts. 

Out of the Pits considers the implications of this sea change for everyone involved, from the traders and brokers to the market as a whole. Caitlin Zaloom takes us down to the floor at the Chicago Board of Trade and into a digital dealing room in the City of London. Drawing on her own firsthand experiences as a clerk and a trader and on her unusual access to these key sites of global finance, she explainshow changes at the world’s leading financial exchanges have transformed economic cultures and the craft of speculation; how people and places are responding to the digital transition; how traders are remaking themselves to compete in the contemporary marketplace; and how brokers, business managers, and software designers are collaborating to build new financial markets. 

A penetrating and richly detailed account of how cities, culture, and technology shape everyday life in the new global economy, Out of the Pits will be must reading for business buffs or anyone who has ever wondered how financial markets work.

Guatemala’s “Ten Years of Spring” (1944–1954) began when citizens overthrew a military dictatorship and ushered in a remarkable period of social reform. This decade of progressive policies ended abruptly when a coup d’état, backed by the United States at the urging of the United Fruit Company, deposed a democratically elected president and set the stage for a period of systematic human rights abuses that endured for generations. Presenting the research of diverse anthropologists and historians, Out of the Shadow offers a new examination of this pivotal chapter in Latin American history.

Marshaling information on regions that have been neglected by other scholars, such as coastlines dominated by people of African descent, the contributors describe an era when Guatemalan peasants, Maya and non-Maya alike, embraced change, became landowners themselves, diversified agricultural production, and fully engaged in electoral democracy. Yet this volume also sheds light on the period’s atrocities, such as the US Public Health Service’s medical experimentation on Guatemalans between 1946 and 1948. Rethinking institutional memories of the Cold War, the book concludes by considering the process of translating memory into possibility among present-day urban activists.