3785 books match the query 'Poetry' and 116 start with o

cover of Out of Nowhere: New and Selected Poems

Out of Nowhere

New and Selected Poems

Mary Ann Taylor-Hall

Ohio University Press, 2017

The first comprehensive poetry collection by award-winning Kentucky writer and poet Mary Ann Taylor-Hall Selected and arranged by the author, the poems in Out of Nowhere unfold as a luminous narrative of the poet’s life, moving through seasons of experience—from the first stirrings of childhood consciousness to present-day meditations on loss and grief—with candor, clarity, and startling tenderness. She opens to the reader the intimate landscape of her life in rural Kentucky, which she connects directly to the immensities and astonishing mysteries of the universe that come smashing through even our most ordinary days. Published in 2017 by Old Cove Press
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cover of Out of Silence: Selected Poems

Out of Silence

Selected Poems

Muriel Rukeyser

Northwestern University Press, 1992

Out of Silence is a poetry book encompassing the contradictions of twentieth-century America. 
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cover of Outlaw Style: Poems

Outlaw Style

Poems

R. T. Smith

University of Arkansas Press, 2007

Outlaw Style is a collection of narrative and lyric poems, many of them in the tradition of Robert Browning’s dramatic monologues. While gothic imagery, humor, and nineteenth-century diction and reference alternate and interweave, the four thematic currents that converge in the collection are music, race, spirituality, and the impact of monstrosity on somewhat innocent bystanders. Poems like “Dar He,” “Scuppernongs,” and “Plantation of the Mad” address the history of American racial intolerance with muted horror, while the final series of poems explores the roots and impact of traditional music, from unsettling songs of the Carter Family through Delta Blues and the haunting ballad “Strange Fruit.” The collection also features poems, such as “Shepherd Ollie Strawbridge on the Chicken Business,” which question the nature of spirituality; and the central section, “The Booth Prism,” performs a kind of séance in which the author channels the voices of many of the people—from Anna Surratt Tonry to Booth’s lovers and siblings—whose lives were altered by contact with Lincoln’s assassin. Throughout Outlaw Style formal and vernacular rhythms stand in counterpoint, images of violence excavate a stark and troubling beauty, and history and mystery fuse and feud, as the landscape and culture of the American South are presented for interrogation and understanding.
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cover of Outward: Adrienne Rich’s Expanding Solitudes

Outward

Adrienne Rich’s Expanding Solitudes

Ed Pavlic

University of Minnesota Press, 2021

The first scholarly study of Adrienne Rich’s full career examines the poet through her developing approach to the transformative potential of relationships
 

Adrienne Rich is best known as a feminist poet and activist. This iconic status owes especially to her work during the 1970s, while the distinctive political and social visions she achieved during the second half of her career remain inadequately understood. In Outward, poet, scholar, and novelist Ed Pavlić considers Rich’s entire oeuvre to argue that her most profound contribution in poems is her emphasis on not only what goes on “within us” but also what goes on “between us.” Guided by this insight, Pavlić shows how Rich’s most radical work depicts our lives—from the public to the intimate—in shared space rather than in owned privacy.

Informed by Pavlić’s friendship and correspondence with Rich, Outward explores how her poems position visionary possibilities to contend with cruelty and violence in our world. Employing an innovative framework, Pavlić examines five kinds of solitude reflected in Rich’s poems: relational solitude, social solitude, fugitive solitude, dissident solitude, and radical solitude. He traces the importance of relationships to her early writing before turning to Rich’s explicitly antiracist and anticapitalist work in the 1980s, which culminates with her most extensive sequence, “An Atlas of the Difficult World.” Pavlić concludes by examining the poet’s twenty-first century work and its depiction of relationships that defy historical divisions based on region, race, class, gender, and sexuality.

A deftly written engagement in which one poet works within the poems of another, Outward reveals the development of a major feminist thinker in successive phases as Rich furthers her intimate and erotic, social and political reach. Pavlić illuminates Rich’s belief that social divisions and the power of capital inform but must never fully script our identities or our relationships to each other. 
 

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cover of Over This Soil: An Anthology of World Farm Poems

Over This Soil

An Anthology of World Farm Poems

Catherine Webster

University of Iowa Press, 1998

As a natural outgrowth from her anthology of contemporary American farm poems,Handspan of Red Earth, editor Catherine Webster has devoted herself over the past years to gathering this collection of farm poems from writers around the world. She has done her work with great energy, thoroughness, skill, and love.

Over This Soil urges us to preserve our farmlands, to increase our responsibilities of land stewardship, and to intelligently maintain the agricultural necessities of our lives. It is an important agricultural and literary document for our planet at this time.

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cover of Overwinter

Overwinter

Jeremy Pataky

University of Alaska Press, 2015

A debut collection from an exciting new voice in Alaska poetry, Overwinter reconciles the natural quiet of wilderness with the clamor of built environments. Jeremy Pataky’s migration between Anchorage and Wrangell-St. Elias National Park inspires these poems that connect urban to rural. This duality permeates Overwinter. Moments are at turns fevered or serene. The familial and romantic are measured against the wildness of the Far North. Empty spaces bring both solace and loneliness in full. Past loves haunt the present, surviving in the spaces sculpted by language.
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cover of Ovid's Causes: Cosmogony and Aetiology in the Metamorphoses

Ovid's Causes

Cosmogony and Aetiology in the Metamorphoses

K. Sara Myers

University of Michigan Press, 1994

Ovid’s Causes offers a new reassessment of the poet’s longest and most difficult poem, the Metamorphoses. This poem has long been denied epic stature because of its stylistic and thematic diversity. K. Sara Myers demonstrates that the poem must be understood as the inheritor and interpreter of the Roman tradition of cosmological epic. She situates the poem in the traditions and conventions of Roman poetry and considers the ways in which it both fulfills and overturns the expectations of the epic genre.
 
The first and final chapters of this book examine the scientific and cosmological framework of the poem. Ovid’s juxtaposition of scientific and mythological explanations is an aspect of his sophisticated manipulation of truth and fiction, and of the claims of philosophical poetry and mythological poetry.
 
This illuminating study presents much useful material for students of Roman poetry or of Greek literary influences that profoundly influenced its development. Students and scholars of ancient poetical traditions will likewise find much of interest.
 
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cover of Owl Question: Poems

Owl Question

Poems

Faith Shearin

Utah State University Press, 2004

Winner of the sixth annual May Swenson Poetry Award, The Owl Question underscores and relishes life's transitions from young girl to woman, from child to wife to mother, and from isolation to connection this poet's bright sense of abundance and awe, here expressed in finely tuned detail and refreshingly open observation, reads like a collective memory. Though private and closely held, these questionings are as familiar as our own souls, and in their transformation to poetry, Shearin has created the very "map" she wishes to guide her when she "can't learn the world fast enough."
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cover of Oyster Saloon

Oyster Saloon

Desirée Alvarez

Omnidawn, 2026

Poetry that considers art, family history, and creativity.

This collection charts the life of an artist and her passion for nature through the making of a painting. Poems revel in the space humans occupy within the natural world, considering ways of living that range from harmonious to extractive. Alvarez reflects on petroleum, plastic, robots, monsters, and a swath of art history and family history—from her Latino father's time working as an artist in Andy Warhol’s Factory to the teachings of Hokusai. Acting asa séance conjuring the voices of the dead as a guide, the book is part elegy to the poet’s mother, who was a painter and gardener. Steeped in the rural New England countryside of the poet’s childhood and the lore of her indigenous ancestral family in Puerto Rico and Mexico, Oyster Saloon straddles contrasting heritage and landscapes and considers what it means to live a creative life.

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cover of Ozone Journal

Ozone Journal

Peter Balakian

University of Chicago Press, 2015

WINNER OF THE PULITZER PRIZE

from "Ozone Journal"
 
Bach’s cantata in B-flat minor in the cassette,
we lounged under the greenhouse-sky, the UVBs hacking
at the acids and oxides and then I could hear the difference
 
between an oboe and a bassoon
at the river’s edge under cover—
trees breathed in our respiration;
 
there was something on the other side of the river,
something both of us were itching toward—
 
radical bonds were broken, history became science.
We were never the same.
 
The title poem of Peter Balakian's Ozone Journal is a sequence of fifty-four short sections, each a poem in itself, recounting the speaker's memory of excavating the bones of Armenian genocide victims in the Syrian desert with a crew of television journalists in 2009. These memories spark others—the dissolution of his marriage, his life as a young single parent in Manhattan in the nineties, visits and conversations with a cousin dying of AIDS—creating a montage that has the feel of history as lived experience. Bookending this sequence are shorter lyrics that span times and locations, from Nairobi to the Native American villages of New Mexico. In the dynamic, sensual language of these poems, we are reminded that the history of atrocity, trauma, and forgetting is both global and ancient; but we are reminded, too, of the beauty and richness of culture and the resilience of love.
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cover of of Women: 20 Japanese Female Poets / 20 Waka Poems

of Women

20 Japanese Female Poets / 20 Waka Poems

Edited by Naoko Fujimoto

Tupelo Press, 2026

A collection of translated Japanese waka-poems, including text collage and haibun-style discourses on translation.

Of Women is a collection of translations of Japanese waka-poems from the seventh century to the twelfth century, featuring twenty female poets from this period, when Japanese women’s literature flourished. This book includes poems by famous writers from the era, such as Sei Shonagon (The Pillow Book) and Murasaki Shikibu (The Tale of Genji), and introduces some lesser-known female poets as well. 

Waka compacts much information in a short form: words with double meanings, unfamiliar phrases, habits foreign to non-Japanese speakers, and hidden historical backgrounds. Direct translations would fail to capture the author’s full intent, so Of Women takes several approaches to capture the original sensory images, including text collage and haibun, short essays that provide historical context and introduce the author before each waka.
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cover of of blue & bone: Poems

of blue & bone

Poems

Michal 'MJ' Jones

Northwestern University Press, 2027

Winner of the 2026 Cave Canem Angela Jackson Prize

The second collection from acclaimed poet Michal “MJ” Jones, of blue & bone reckons with the Hart family murder-suicide. On March 26, 2018, white wives Jen and Sarah Hart drove themselves and their six adopted Black children—Markis, Hannah, Devonte, Jeremiah, Abigail, and Ciera Rose—off a cliff in Mendocino County, California. Before this tragedy and while the families of origin battled to keep their children, the Harts evaded culpability for over a decade of child abuse, protected under the guise of innocence and privilege. A collection of documentary poetics, of blue & bone engages persona, ode, and lyrical poetry to reflect on the question How could this have happened? Jones carefully studies the nuances and intersections of race, queerness, and class crucial to this question, employing delicate and powerful language to explore a devastating tragedy and attempt to make sense out of monstrous devastation. Vulnerable and raw, this collection cuts deeply through blue and bone.

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cover of oh orchid o’clock

oh orchid o’clock

Endi Bogue Hartigan

Omnidawn, 2023

Poems that break down, expose, and reconsider our notions of time.
 
This collection speaks the language of the clock as a living instrument, exposing the sensory impacts of our obsession with time. In oh orchid o’clock, lyrics wind through histories like a nervous system through a body. The poems speak to how we let our days become over-clocked, over-transactional, and over-weaponed. With an instrumental sensibility, Endi Bogue Hartigan investigates what it is to be close to time—collective time, with its alarms and brutalities, and bodily time, intricate and familial. She considers how can we be both captured and complicit within systems of measurement, and she invites us to imagine how to break from, create, or become immune to them. Her poems use language to expose the face of the clock to reveal how gears press against interconnecting systems—economic, capitalist, astronomical, medical, governmental, and fantastical.
 
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cover of oh, you thought this was a date?!: Apocalypse Poems

oh, you thought this was a date?!

Apocalypse Poems

C. Russell Price

Northwestern University Press, 2022

Appalachian genderqueer punk writer C. Russell Price’s first full-length poetry collection is a somatic grimoire exploring desire, gender, and sexuality in multiverse littered with flowers and product placement. Part pop culture bubblegum lip smack, part battle cry, this collection asks, What is radical vengeance, and does true survivorship from sexual trauma exist only in fantasy, or is it an attainable reality?
 
Price’s cinematic approach to language and scene is on full display, as well as their dark humor and resilience. Within these pages, the surreal is familiar and grief is a national pastime. If the end is near, who among us would not put on Fleetwood Mac? Who would not clean up their eyeliner just a smidge? This collection pulses with the beat that follows destruction (whether human or natural), the moment the jaw unhinges. These poems are not for pearl clutchers. They are for those who have already felt their private apocalypse.
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cover of once upon a twin: poems

once upon a twin

poems

Raymond Luczak

Gallaudet University Press, 2021

When Raymond Luczak was growing up deaf in a hearing Catholic family of nine children, his mother shared conflicting stories about having had a miscarriage after—or possibly around—the time he was conceived. As an elegy to his lost twin, this book asks: If he had a twin, just how different would his life have been? 
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cover of or, on being the other woman

or, on being the other woman

Simone White

Duke University Press, 2022

In or, on being the other woman, Simone White considers the dynamics of contemporary black feminist life. Throughout this book-length poem, White writes through a hybrid of poetry, essay, personal narrative, and critical theory, attesting to the narrative complexities of writing and living as a black woman and artist. She considers black social life—from art and motherhood to trap music and love—as unspeakably troubling and reflects on the degree to which it strands and punishes black women. She also explores what constitutes sexual freedom and the rewards and dangers that come with it. White meditates on trap music and the ways artists such as Future and Meek Mill and the sonic waves of the drum machine convey desire and the black experience. Charting the pressures of ordinary black womanhood, White pushes the limits of language, showing how those limits can be the basis for new modes of expression.
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