210 books match the query 'African Studies' and 11 start with p

cover of Pan-African Resonance: Music, Migration, and Everyday Practice in London and Accra

Pan-African Resonance

Music, Migration, and Everyday Practice in London and Accra

Alison Okuda

Ohio University Press, 2026

As African and Caribbean nations gained independence from Britain in the 1950s and 1960s, many young musicians, students, and professionals crossed the Atlantic in search of new opportunities and built vibrant communities. Pan-African Resonance: Music, Migration, and Everyday Practice in London and Accra traces these journeys from Ghana, Trinidad and Tobago, Jamaica, Saint Lucia, Barbados, and Guyana, exploring how migrants practiced pan-Africanism through music across continents and generations. Drawing on musical recordings, newspapers, oral histories, and government documents from six countries, Alison Okuda demonstrates that pan-African solidarity thrived through the everyday creation and enjoyment of popular music. The book unfolds in two parts. Starting in the 1950s, it examines how Ghanaian highlife and Trinidadian calypso brought together musicians and young members of the independence generation, first in London and later in Accra. Even amid cultural tensions, Ghanaian and Caribbean communities expressed aspirations for freedom and unity in nightclubs, recording studios, private homes, and public streets. Before Ghana’s 1966 coup d’état, Ghanaians and diasporic Africans collaborated to shape an independent African-Atlantic world. Although the coup disrupted formal Pan-Africanist organizing, in the second part of the book Okuda shows that in the 1970s a new generation sustained dynamic networks of solidarity through highlife, reggae, and other popular styles—heard in recordings, radio broadcasts, live performances, and community events. Influenced by generational change and musical fluidity, African diasporic unity has remained central to popular music, migration, and politics in Ghana and the wider African-Atlantic world into the twenty-first century. Offering a rich interdisciplinary approach, Pan-African Resonance will appeal to readers interested in popular culture, transnational history, diaspora studies, and modern African history.

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cover of Pathos and Power: Interdisciplinary Perspectives on Widowhood in Africa, Past and Present

Pathos and Power

Interdisciplinary Perspectives on Widowhood in Africa, Past and Present

Benjamin N. Lawrance and Joanna Davidson

Ohio University Press, 2025

The collected essays in Pathos and Power provide a critical exploration of widowhood in Africa through a series of historical and contemporary case studies. The book challenges a simplistic understanding of widowhood by highlighting how the experience varies according to age, class, race, religion, and geographic location. The contributors investigate how the category of widowhood can obscure or reveal various social dynamics while demonstrating the diversity of material, symbolic, and embodied circumstances faced by African widows. The volume considers the forces shaping the lives of widows by examining the structural and legal challenges they encounter, including discriminatory practices in social, economic, and political spheres. Through discussions of precolonial, colonial, and postcolonial contexts, it explores the intersections of custom, law, patriarchy, and feminism while delving into the potentially liberatory opportunities that widowhood sometimes presents. The book also raises broader questions about gender, personhood, marriage, autonomy, and national identity, emphasizing how widowhood informs key conceptual debates in African studies. Editors Joanna Davidson and Benjamin N. Lawrance bring together scholars across such fields as anthropology, gender studies, history, law, and political science. The authors employ a range of methodologies, including archival research, ethnography, and storytelling, to illuminate widowhood in new and innovative ways. The volume’s rich empirical studies and theoretical insights offer a valuable resource for scholars seeking to understand widowhood and its broader implications in African societies. CONTRIBUTORS Rogaia Mustafa Abusharaf Fisayo Ajala Catherine E. Bolten Abbass Braham Mariana Candido Joanna Davidson Mariana Dias Paes Ramadan El-Khouli Casey Golomski Juelma Gomes de Matos Ngãla Benjamin N. Lawrance Kenda Mutongi Richard L. Roberts Enid Schildkrout Kate Skinner Wallace Teska Benjamin Twagira Sarah J. Zimmerman

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cover of Petroforms: Oil and the Shaping of Nigerian Aesthetics

Petroforms

Oil and the Shaping of Nigerian Aesthetics

Helen Kapstein

West Virginia University Press, 2025

2026 PROSE Award Finalist, Humanities: Literature

Petroforms contributes a much-needed theory of form and genre to the cutting-edge field of petrocriticism, itself an offshoot of developments in postcolonial ecocriticism. Studies of resource fiction and inquiries in the energy humanities have recently taken their rightful place as necessary reflections on the role of the literary imagination in intervening in the Anthropocene as we find ourselves precariously placed in the face of a fossil fuel crisis, climate change, and mass extinctions.

With Petroforms, Helen Kapstein undertakes close readings of a range of Nigerian aesthetic forms: short stories, romance novels, documentary film, the “Nollywood” film industry, fine art sculpture, and poetry. She uses these forms to argue that the demands of paying attention to petroleum extraction, production, consumption, and distribution in the creation of resource fictions must necessarily alter and affect conventional forms and structures. What results is a new set of genre-bending forms, like documentary film that we can read as horror, in response to the forceful and fluid demands of the petroleum industry and its master narrative.
Nigeria is one of the world’s largest oil-producing nations, in which that production is concentrated in the Niger Delta, resulting in a local environment that has been steadily degraded by oil spills, flares, pollution, and contamination, and a local culture shaped by false scarcity in a space of abundance, murderous politics, and escalating violence. At the same time as the Niger Delta grounds Kapstein’s argument in its own political realities and cultural responses, Nigeria’s participation in a global economy of petrodependency allows her theory of petroforms to be extended and applied more generally.

What Peter Hitchcock calls “oil’s generative law” is that it is “everywhere and obvious, it must be opaque or otherwise fantastic.” He means the coexistence of oil’s taken-for-granted qualities is something constitutive of every level of everyday life and its spectacular displays—gushers, spills, explosions. Oil’s nature, the fact that it is everywhere, unctuously oozing into every corner of everyday life, means that it constantly spills over out of our existing forms, genres, and systems, demanding accommodation. To try to contain it, we create new forms. Thus, a petroform is simultaneously reactionary (a necessary response to oil’s pressures, a by-product of the commodity itself) and resistant (an attempt at containment, at generating a retort to the very thing that shapes it). Each form figures oil and then configures and reconfigures itself in reaction to it.

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cover of Pioneers Of Change In Ethiopia: The Reformist Intellectuals of the Early Twentieth Century

Pioneers Of Change In Ethiopia

The Reformist Intellectuals of the Early Twentieth Century

Bahru Zewde

Ohio University Press, 2002

In this exciting new study, Bahru Zewde, one of the foremost historians of modern Ethiopia, has constructed a collective biography of a remarkable group of men and women in a formative period of their country’s history. Ethiopia’s political independence at the end of the nineteenth century put this new African state in a position to determine its own levels of engagement with the West. Ethiopians went to study in universities around the world. They returned with the skills of their education acquired in Europe and America, and at home began to lay the foundations of a new literature and political philosophy. Pioneers of Change in Ethiopia describes the role of these men and women of ideas in the social and political transformation of the young nation and later in the administration of Haile Selassie.

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cover of Postcolonial Imperialism: Critique of the Society of Dazzlements

Postcolonial Imperialism

Critique of the Society of Dazzlements

Joseph Tonda. Translated by Cheryl Smeall

Duke University Press, 2026

Postcolonial Imperialism considers the inability to distinguish between reality and fiction as a key condition of contemporary life. If postcolonial theory has highlighted how white colonizers created images of racialized Others which project their own self-hatred or disavowal, Joseph Tonda here shows how these images have in turn colonized Western imaginaries. He argues that the Global North’s obsession with its own phantoms takes a newly powerful form in the dazzling images of postcolonial screens. With examples ranging from Nicki Minaj to Osama Bin Laden and child soldier Johnny Mad Dog, Tonda reflects on power by analyzing the dazzlements of both Central Africa and the West, showing how African life prefigures Western experiences. Translated from its original French, Postcolonial Imperialism is a prescient critique of authoritarian attempts to enforce alternate realities, and of the many ways screens can distort our vision.
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cover of Predatory Welfare: Debt, Race, and Cash Transfers

Predatory Welfare

Debt, Race, and Cash Transfers

Erin Torkelson

Duke University Press, 2026

In Predatory Welfare, Erin Torkelson explores how the direct cash transfer program instituted in South Africa revised and reworked post-apartheid racialized and gendered dispossession, despite its promise of ameliorating extreme poverty. Beginning in 2012, she focuses on how poor Black South African women asserted their entitlements to social assistance and responsibilities for familial care against the pressures of expropriation built into the grant payment system. Because the grants did not cover monthly bills, recipients were pushed into predatory loans collateralized by welfare payments. Torkelson finds that the state-sponsored but privately-run program was fundamentally undermined by its reliance on digital financial technologies which encoded wider forces of colonial rule, nationalist politics, and global development. Even when the government assumed control of grant payment in 2018, the neoliberal bent of fiscal policy continued to drive recipients into debt in new ways. Drawing on seven years of ethnographic fieldwork and organization—in grant payment queues, loan offices, grocery stores, Parliament, and the Constitutional Court—Torkelson demonstrates how cash transfers can offer a means to making racial capitalism more acceptable and how recipients can push back to demand reparation.
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cover of Preparing the Modern Meal: Urban Capitalism and Working-Class Food in Kenya's Port City

Preparing the Modern Meal

Urban Capitalism and Working-Class Food in Kenya's Port City

Devin Smart

Ohio University Press, 2025

A case study on how urban capitalism created a new working-class food system in the port city of Mombasa during the twentieth century​.

In the early twentieth century, East Africans lived primarily in rural areas, cultivating most of the food they consumed. By the start of the twenty-first century, though, millions of people lived in cities, where they purchased their food from markets and eateries. This transformation reflects broader historical shifts in food production, preparation, and consumption throughout the world from a rural subsistence model to a commercial system. Preparing the Modern Meal explores this economic revolution in Mombasa, Kenya, and examines the experiences of those who migrated from rural settings to an Indian Ocean town where they became dependent on the capitalist market for their daily meals.

The change to a commercial food system reshaped the culinary culture of East Africa. In rural communities, diets were diverse and varied with the seasons. Conversely, Mombasa’s commercial supply chains, which steadily delivered staples like maize meal, wheat flour, tea, and meat, led to a more uniform urban cuisine that remained consistent throughout the year.

Urbanization also altered gender roles in cooking. In rural households women prepared the food, but in Mombasa many workers lived in all-male housing and had to cook for themselves. Some even took up cooking as a profession, thus expanding the role of men in the culinary domain. In addition to these themes, Preparing the Modern Meal reviews the emergence of new businesses, particularly those of street food vendors who provided affordable meals in residential neighborhoods and to nearby workplaces. However, these makeshift eateries often clashed with the vision for commerce in a modern city held by municipal officials, who often sought to eliminate these businesses through fines, arrests, and demolition campaigns. Through the lens of food, this book explores the conflicts between elite ideas about urban modernity and the actual ways that poor communities made their lives work in an unequal city.

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cover of Private Subjects: Family Photography in South Africa and the Right to Opacity

Private Subjects

Family Photography in South Africa and the Right to Opacity

John Peffer

Duke University Press, 2026

In Private Subjects, John Peffer presents perspectives about everyday uses of photography in predominantly Black South African communities during apartheid to give insight into how these images are seen through the eyes of those who own them today. In South Africa, portrait photography was used to create positive self-images during times of hardship and subjection. Peffer shows how owners limited the distribution of their photographs to close networks of family and friends as a means of establishing control over their own image. He develops an intersubjective method for writing about vernacular photographic experience that keeps the people that appear in those photographs at the center of the story, creating a space to converse about race and history in their own ways rather than be explained from outside the frame. He then considers cultural and legal histories of the ownership of the self-image, theorizes an ethics for looking at others’ private family photographs, and argues for a model of writing and scholarship that protects people’s desires for opacity.
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cover of Privileged Minorities: A History of Wealth Concentration in South Africa

Privileged Minorities

A History of Wealth Concentration in South Africa

Mesrob Vartavarian

Ohio University Press, 2026

Explores how anticolonial movements in South Africa enabled enduring inequality through the rise of privileged minorities and exclusive economic advantages

In Privileged Minorities, Mesrob Vartavarian examines a central paradox in South African history: how a nation shaped by anticolonial struggle became fertile ground for wealth concentration and enduring inequality. While these contradictions are not unique to South Africa, its historical trajectory offers broader insights into persistent disparities across African societies.

Vartavarian argues that the rise of privileged minorities—small, exclusive groups that dominate political and economic life—paralleled the development of successful anticolonial movements. These minorities secured exclusive advantages, defined as benefits and protections that enabled material accumulation. Such advantages included land seizures, racialized labor systems, access to coercive institutions, favorable regulatory environments, and targeted state expenditures. Though these mechanisms could foster overall economic growth, they disproportionately benefited select oligarchies and middle classes.

The book traces how distinct sociocultural groups in South Africa navigated and negotiated these advantages from the Dutch colonial era through the rise and decline of African National Congress rule. Rather than dismantling minority privilege, challenges from marginalized groups often served to reshape entrenched advantages by incorporating new actors into existing structures. These dynamics produced composite systems of accumulation that sustained inequality. Through this historical lens, Privileged Minorities offers a compelling framework for understanding how structural advantage persists and evolves, even in the wake of liberation.

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cover of Projections of Dakar: (Re)Imagining Urban Senegal through Cinema

Projections of Dakar

(Re)Imagining Urban Senegal through Cinema

Devin Bryson and Molly Krueger Enz

Ohio University Press, 2024

Projections of Dakar studies the audiovisual creations and practices of twenty-first-century Senegalese filmmakers living, working, and distributing their films in urban Senegal. Although some observers have described contemporary Senegalese cinema as a dying industry, this book shows that it retains great potential. Senegalese cinematic practitioners are forging unique, dynamic responses to social challenges and producing content in innovative forms.

Like contemporary Senegalese cinema, African urban centers are often perceived as sites of despair and social decay. In each chapter of this book, Devin Bryson and Molly Krueger Enz focus on a particular urban issue and analyze how Senegalese filmmakers document and reimagine it from diverse perspectives and contexts. The authors draw from interviews and ethnographic observations to center filmmakers’ practices and conceptualizations of contemporary cinema in Dakar. Bryson and Enz trace developments in production, distribution, viewership, and audience response since 2012 to study how these films and their production both reveal and contribute to how people live in the city, relate to one another, build their lives, advocate for change, find joy and meaning, and build community. They also document and articulate more equitable and inclusive forms of these activities. Ultimately, the book illustrates how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants.
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cover of Protest Arts, Gender, and Social Change: Fiction, Popular Songs, and the Media in Hausa Society across Borders

Protest Arts, Gender, and Social Change

Fiction, Popular Songs, and the Media in Hausa Society across Borders

Ousseina D. Alidou

University of Michigan Press, 2024

Protest Arts, Gender, and Social Change: Fiction, Popular Songs, and the Media in Hausa Society across Borders by Ousseina Alidou examines how a new generation of novelists, popular songwriters, and musical performers in contemporary Hausa society are using their creative works to effect social change. This book empathizes with the reality of the forms of oppression, social isolation, and marginalization that vulnerable and underprivileged communities in contemporary Hausa society in Northern Nigeria and the Niger Republic have been experiencing from the mid-1980s to the present. It also highlights the ways in which song performances produce an intertextual dialogue between their lyrics and visual dramatic narratives to raise awareness against social ills, including gender-based violence and social inequalities exposed by biomedical health pandemics such as HIV and COVID-19. In these creative Hausa narratives, the oppressed and marginalized have agency in articulating their own experiences.

While there is an abundance of social science studies giving voice to the dominant actors of hegemonic violence in Hausa society, there is a dearth of works that center the voices of the afflicted, unprivileged, and marginalized class, among whom are women and youth. One aim of this book is to examine the ways popular songs and fiction fill up the humanistic urgency to capture the dignity of the life of those dehumanized by local, national, and international hegemonic religious and secular forces. The book focuses on the resistance narratives of one female novelist and six song composers and performers that generate alternative counterhegemonic responses to dominant patriarchal discourses produced by cultural, religious, and political elites, thus reaching out to marginalized local and national communities and global audiences. Alidou interweaves the social, political, and biomedical epidemics with the concept of “Hausa interiority” to create a unique perspective on contemporary Hausa culture and politics through the lens of artistic productions.
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