914 books match the query 'Medieval' and 42 start with p

cover of Pagans and Christians in the Late Roman Empire: New Evidence, New Approaches (4th–8th centuries)

Pagans and Christians in the Late Roman Empire

New Evidence, New Approaches (4th–8th centuries)

Marianne Sághy

Central European University Press, 2017

Do the terms 'pagan' and 'Christian,' 'transition from paganism to Christianity' still hold as explanatory devices to apply to the political, religious and cultural transformation experienced Empire-wise? Revisiting 'pagans' and 'Christians' in Late Antiquity has been a fertile site of scholarship in recent years: the paradigm shift in the interpretation of the relations between 'pagans' and 'Christians' replaced the old 'conflict model' with a subtler, complex approach and triggered the upsurge of new explanatory models such as multiculturalism, cohabitation, cooperation, identity, or group cohesion. This collection of essays, inscribes itself into the revisionist discussion of pagan-Christian relations over a broad territory and time-span, the Roman Empire from the fourth to the eighth century. A set of papers argues that if 'paganism' had never been fully extirpated or denied by the multiethnic educated elite that managed the Roman Empire, 'Christianity' came to be presented by the same elite as providing a way for a wider group of people to combine true philosophy and right religion. The speed with which this happened is just as remarkable as the long persistence of paganism after the sea-change of the fourth century that made Christianity the official religion of the State. For a long time afterwards, 'pagans' and 'Christians' lived 'in between' polytheistic and monotheist traditions and disputed Classical and non-Classical legacies.
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cover of Parables of Coercion: Conversion and Knowledge at the End of Islamic Spain

Parables of Coercion

Conversion and Knowledge at the End of Islamic Spain

Seth Kimmel

University of Chicago Press, 2015

In the sixteenth and seventeenth centuries, competing scholarly communities sought to define a Spain that was, at least officially, entirely Christian, even if many suspected that newer converts from Islam and Judaism were Christian in name only. Unlike previous books on conversion in early modern Spain, however, Parables of Coercion focuses not on the experience of the converts themselves, but rather on how questions surrounding conversion drove religious reform and scholarly innovation.
            In its careful examination of how Spanish authors transformed the history of scholarship through debate about forced religious conversion, Parables of Coercion makes us rethink what we mean by tolerance and intolerance, and shows that debates about forced conversion and assimilation were also disputes over the methods and practices that demarcated one scholarly discipline from another.
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cover of Paradosis and Survival: Three Chapters in the History of Epicurean Philosophy

Paradosis and Survival

Three Chapters in the History of Epicurean Philosophy

Diskin Clay

University of Michigan Press, 1998

Paradosis and Survival presents Diskin Clay's fifteen essays devoted to recovering the three main phases of Epicureanism in antiquity: the origin in the first generation of the school in Athens; its spread to Italy in the first century b.c.e.; and its movement to Lycia in the second century c.e. Clay recognizes the subtle intertwining of philosophy and lifestyle, and he makes use of papyri and inscriptions as well as familiar philosophical texts to illuminate both.
The first series of essays concentrates on the mechanisms Epicurus devised to assure the survival of the philosophy beyond its Athenian roots. Clay presents social history on an equal footing with doctrine, and offers for the first time evidence for hero cults among philosophers who believed that the soul died with the body. The second set of essays concentrates Epicureanism in the age of Cicero, Philodemus, and Lucretius. In the four essays on De Rerum Natura, Lucretius is viewed not as a transparency through which we can view the Greek of Epicurus, but a Roman philosopher in control of both doctrine and rhetoric. The book concludes with the study of the philosophy in Oenoanda, Lycia, in which the author brilliantly situates post-1968 discoveries from Oenoanda and the Villa de Papiri in Herculaneum in the context of the second-century mountain city.
This study of Epicureanism as a social movement will be of interest to students of ancient philosophy and the philosophy of early modern Europe, when Epicureanism was revived. In addition, scholars of the New Testament will find parallels to the rise and spread of Christianity.
Diskin Clay is the R. J. R. Nabisco Distinguished Professor of Classical Studies, Duke University.
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cover of Parody in the Middle Ages: The Latin Tradition

Parody in the Middle Ages

The Latin Tradition

Martha Bayless

University of Michigan Press, 1996

Parody in the Middle Ages: The Latin Tradition surveys and analyzes Latin parodies of texts and documents--Biblical parody, drinker's masses, bawdy litanies, lives of saints such as Nemo (Nobody) and Invicem (One-Another), and nonsense texts--in Western Europe from the early Middle Ages to the Renaissance. This book also sketches in the background to the canonical works of medieval literature: Chaucer's fabliaux, French comic tales such as the Roman de Renart, and medieval satire in general.
Bayless' study shows with great clarity that parody was a significant and vibrant literary form in the Middle Ages. In addition, her research sheds new light on clerical culture. The clerics who composed these parodies were far from meddling guardians of somber piety; rather, they appeared to see no contradiction between merriment and devotion. The wide dissemination and long life of these drolleries--some circulated for a thousand years--indicate a taste for clerical amusement that challenges conventional views of medieval solemnity.
Parody in the Middle Ages surveys in detail five of the most common traditions of parody. It provides a complete list of all known medieval Latin parodies, and also provides twenty complete texts in an appendix in the original Latin, with English translations. These texts have been collated from over a hundred manuscripts, many previously unknown. The study brings to light both a form and many texts that have remained obscure and inaccessible until now.
Parody in the Middle Ages appeals to the modern audience not only for its cultural value but also for the same reason the parodies appealed to the medieval audience: they are simply very funny. This welcome new volume will be of particular interest to students of medieval satire and literary culture, to medieval Latinists, and to those who want to explore the breadth of medieval culture.
Martha Bayless is Assistant Professor of English, University of Oregon.
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cover of Passionate Copying in Late Medieval Bohemia: The Case of Crux de Telcz (1434–1504)

Passionate Copying in Late Medieval Bohemia

The Case of Crux de Telcz (1434–1504)

Lucie Doležalová

Karolinum Press, 2021

A case study of the unusual liberties taken by the fifteenth-century Bohemian scribe Crux of Telcz.​

Passionate Copying in Late Medieval Bohemia addresses a unique case in the culture of manuscript transcription and textual transmission during the late fifteenth century, a transformative period in book history. This period is marked by the widespread intrusion of an unprecedented number of scribal paratexts—tables of contents, indices, explanatory notes, etc.—into transcribed manuscripts. To explore this development, the authors dig deep into a detailed case study of the Bohemian scribe Crux of Telč (1434–1504). Unlike most medieval copyists, who were stringent in their work even when inserting paratexts, Crux of Telč is notable for the extreme liberties he took with manuscript contents. Sometimes diligent, sometimes careless, his copies are notably rife with his own inventions and additions to the text. Crux’s life story is meticulously reconstructed in this book, relying on his colophons—the personal annotations left by medieval copyists to identify themselves and their circumstances—and other personal notes. The singularity of his approach to manuscripts is reinforced by the authors’ inclusion of a study of another late medieval scribe, Johannes Sintram of Würtzburg (d. 1450), whose scrivening is compared with that of Crux of Telč.
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cover of Peasantry in the Cheb City-State in the Late Middle Ages: Socioeconomic Mobility and Migration

Peasantry in the Cheb City-State in the Late Middle Ages

Socioeconomic Mobility and Migration

Tomáš Klír

Karolinum Press, 2024

A reassessment of fundamental scholarship on the Middle Ages, based on previously unknown medieval written source material.
 
The medieval peasantry represents a particularly compelling unknown for historians, as it holds the key to understanding both later economic growth and the surprising stagnation experienced in some European regions. Our current knowledge about the social structures and institutions of the medieval peasantry remains superficial, with almost nothing known about their real inner dynamics and demographic aspects. The present monograph confronts this issue head-on, taking advantage of previously neglected written sources from the Cheb city-state, which are unique in the European context. Drawing from this material, the book presents a remarkably detailed view of social mobility, migration, and the reproduction of social structures among the peasantry in the late Middle Ages while offering new perspectives on the mass abandonment of rural settlements during that period. It also identifies hitherto unknown mechanisms by which peasant communities responded to family demographic cycles and short-term economic fluctuations.
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cover of People, Personal Expression, and Social Relations in Late Antiquity, Volume II: Selected Latin Texts from Gaul and Western Europe

People, Personal Expression, and Social Relations in Late Antiquity, Volume II

Selected Latin Texts from Gaul and Western Europe

Ralph W. Mathisen

University of Michigan Press, 2003

Late Antiquity, which lies between Classical Antiquity and the Middle Ages (ca. A.D. 250-750), heralded the gradual decline of Mediterranean classical civilization, and the initial formation of a strictly western European, Christian society. During this period, three momentous developments threatened the paternalistic Roman social system: the rise of the Christian church, the disintegration of the Roman Empire in the west, and the establishment of the barbarian kingdoms.

The first of its type, this volume presents a collection of Latin source documents illustrating the social upheaval taking place in the Late Roman and early medieval worlds. The texts included in this volume provide the original Latin for the selections that are translated in People, Personal Expression, and Social Relations in Late Antiquity, Volume I. The 140 selected texts gathered from 70 different sources offer the reader firsthand experience with the ways that the Latin language was being used during the transformative period of Late Antiquity.

Ralph W. Mathisen is Professor of Ancient and Byzantine History; Louise Fry Scudder Professor of Humanities; and Director, Biographical Database for Late Antiquity at the University of South Carolina.

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cover of Peregrinations of the Word

Peregrinations of the Word

Louis Mackey

University of Michigan Press, 1997

One of the besetting problems of the present age is the conflict between criticism and commitment. Those who hold strong convictions fear that rational criticism may corrode the moral and religious foundations of society. Advocates of rational critique tend to perceive people with strong convictions as fanatics. The Middles Ages was likewise a time when people were both deeply committed and relentlessly rational. In Peregrinations of the Word, Louis Mackey examines the way important medieval thinkers dealt with the relation of faith and reason, in the hope that their example may assist contemporary society in harmonizing belief and critical vigilance.
Peregrinations of the Word consists of essays on five medieval philosophers: Augustine, Anselm, Aquinas, Bonaventure, and Duns Scotus. An essay on the tension between autobiography and theology in Augustine's Confessions is followed by a commentary on the dialogue of faith and reason in his On the Teacher. A third essay shows how Anselm's Proslogion both constructs and deconstructs the ontological proof of God's existence. There is a discussion of Bonaventure's staging of the opposition between Aristotle and the scriptures in terms of the respective languages. Finally there is an examination of the ways Duns Scotus's distinctive positions on the Incarnation, the Immaculate Conception, and the Eucharist shape his philosophical views.
Though each of these essays is an independent study, they have as a common theme the relation between faith and reason as understood in the Middle Ages; e.g., the conflict between the hermeneutic of reason and that of revelation in the construction of self; the dialectic of philosophical demonstration and devotional submission required of all discourse about God; and the resources available to medieval theology for resolving the conflict of nominalism and realism. Mackey maintains that medieval philosophy can only be understood in its theological and scriptural milieu. He has argued this point by showing how that milieu enabled these five thinkers to deal with a variety of philosophical issues. He concludes persuasively that religious beliefs and exegetical concerns did not shackle the medieval mind but rather liberated it and empowered it.
Louis Mackey is Professor of Philosophy, University of Texas at Austin.
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cover of Perspectives on the Old Saxon Heliand: Introductory and Critical Essays, with an Edition of the Leipzig Fragment

Perspectives on the Old Saxon Heliand

Introductory and Critical Essays, with an Edition of the Leipzig Fragment

Edited by Valentine A. Pakis

West Virginia University Press, 2010

Heliand, the Old Saxon poem based on the life of Christ in the Gospels, has become more available to students of Anglo-Saxon culture as its influence has reached into a wider range of fields from history to linguistics, literature, and religion. In Perspectives on the Old Saxon Heliand, Valentine Pakis brings together recent scholarship that both addresses new turns in the field and engages with the relevant arguments of the past three decades. Furthering the ongoing critical discussion of both text and culture, this volume also reflects on the current state of the field and demonstrates how it has evolved since the 1970s.

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cover of Peter of Cornwall’s Book of Revelations

Peter of Cornwall’s Book of Revelations

Peter of Cornwall

Bodleian Library Publishing, 2013

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cover of Petrarch and His Legacies

Petrarch and His Legacies

Edited by Ernesto Livorni and Jelena Todorovic

Arizona Center for Medieval and Renaissance Studies, 2021

This book gathers cutting-edge articles by prominent scholars reflecting on Petrarch’s poetry and his long legacy, from the Renaissance to the present day. The scholars engaged in this volume read Petrarch in the context of his own world and with a variety of theoretical and critical approaches, never overlooking the opportunity for an interdisciplinary reading that combines poetry and visual arts. The volume includes scholars from the United States and Europe (Italy, in particular), thus offering the opportunity to compare different theoretical approaches.  

The articles in the second half of the volume celebrate Petrarch’s legacies beyond the historically fundamental Renaissance Petrarchism, while exploring the presence of Petrarch’s poetry in several cultural realities. The scholars also read Petrarch with necessary attention to new disciplines such as digital humanities. The richness of the volume lies in these innovative perusals of Petrarch’s works not only through the critical lens of dedicated scholars, but also through their readings of artists who throughout the centuries appreciated and revived Petrarch’s poetry in their own literary endeavors.

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cover of Petrarch: A Critical Guide to the Complete Works

Petrarch

A Critical Guide to the Complete Works

Edited by Victoria Kirkham and Armando Maggi

University of Chicago Press, 2009

Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features.
            A sophisticated but accessible handbook that illuminates Petrarch’s love of  classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.

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cover of Phantom Byzantium: Europe, Empire, and Identity from Late Antiquity to World War II

Phantom Byzantium

Europe, Empire, and Identity from Late Antiquity to World War II

Anthony Kaldellis

University of Chicago Press, 2026

How the West appropriated aspects of the eastern Roman empire while portraying it as inferior.
 
Unveiling the ideological foundations of Byzantine studies, Phantom Byzantium is a pioneering survey of western European perceptions of the eastern Roman empire (also known as Byzantium) spanning late antiquity to World War II. Through ten chronological chapters, Anthony Kaldellis makes the case that western Europe gradually formed its identity by adopting prestigious cultural elements from the eastern empire but simultaneously portraying the east as inferior. The West modeled its Roman imperial style on Constantinople while minimizing the latter as Greek rather than Roman; appropriated a host of Christian traditions from the east while casting the east as schismatic, heretical, or treacherous; and, during the Renaissance, used classical Hellenic philology from Greek scholars before marginalizing them as unworthy bearers of that tradition. This orientalizing impulse worked to buttress western exceptionalism and resulted in the fictitious construction of “Byzantium” as Europe’s evil doppelgänger, embodying the worst versions of traditions fundamental to European identity and casting the region as despotic, superstitious, and degenerate.

Explaining the creation, history, and functions of the ideological construct of Byzantium in the western imagination and European self-fashioning, this book has critical implications for contemporary views of European history.

 
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cover of Philosophy in the Renaissance: An Anthology

Philosophy in the Renaissance

An Anthology

Paul Richard Blum

Catholic University of America Press, 2022

The Renaissance was a period of great intellectual change and innovation as philosophers rediscovered the philosophy of classical antiquity and passed it on to the modern age. Renaissance philosophy is distinct both from the medieval scholasticism, based on revelation and authority, and from philosophers of the seventeenth and eighteenth centuries who transformed it into new philosophical systems. Despite the importance of the Renaissance to the development of philosophy over time, it has remained largely understudied by historians of philosophy and professional philosophers. This anthology aims to correct this by providing scholars and students of philosophy with representative translations of the most important philosophers of the Renaissance. Its purpose is to help readers appreciate philosophy in the Renaissance and its importance in the history of philosophy. The anthology includes translations from philosophers from the thirteenth to the seventeenth centuries, and it ranges from works on moral and political philosophy, to metaphysics, epistemology, and natural philosophy, thereby providing historians and students of philosophy with a sense for the nature, breadth, and complexity of philosophy in the Renaissance. Each translation is accompanied by an introduction by a historian of Renaissance philosophy, as well as select secondary sources, in order to encourage further study. This anthology is a companion to Philosophers of the Renaissance, edited by Paul Richard Blum and published by Catholic University of America Press in 2010, which included essays on the writings of the same group of philosophers of the Renaissance: Raymond Llull, Gemistos Plethon, George of Trebizond, Basil Bessarion, Lorenzo Valla, Nicholas of Cusa, Leon Battista Alberti, Giovanni Pico della Mirandola, Marsilio Ficino, Pietro Pomponazzi, Niccolò Machiavelli, Heinrich Cornelius Agrippa von Nettesheim, Juan Luis Vives, Philipp Melanchthon, Petrus Ramus, Bernardino Telesio, Jacopo Zabarella, Michel de Montaigne, Francesco Patrizi, Giordano Bruno, Francisco Suàrez, Tommaso Campanella.
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cover of Physiologus: A Medieval Book of Nature Lore

Physiologus

A Medieval Book of Nature Lore

Translated by Michael J. Curley

University of Chicago Press, 2009

One of the most popular and widely read books of the Middle Ages, Physiologus contains allegories of beasts, stones, and trees both real and imaginary, infused by their anonymous author with the spirit of Christian moral and mystical teaching.  Accompanied by an introduction that explains the origins, history, and literary value of this curious text, this volume also reproduces twenty woodcuts from the 1587 version. Originally composed in the fourth century in Greek, and translated into dozens of versions through the centuries, Physiologus will delight readers with its ancient tales of ant-lions, centaurs, and hedgehogs—and their allegorical significance.

“An elegant little book . . . still diverting to look at today. . . . The woodcuts reproduced from the 1587 Rome edition are alone worth the price of the book.”—Raymond A. Sokolov, New York Times Book Review

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cover of Pierio Valeriano on the Ill Fortune of Learned Men: A Renaissance Humanist and His World

Pierio Valeriano on the Ill Fortune of Learned Men

A Renaissance Humanist and His World

Julia Haig Gaisser

University of Michigan Press, 1999

Julia Haig Gaisser provides us with a highly readable translation of and context for the interesting and little known sixteenth-century dialogue, De Litteratorum Infelicitate (On the Ill-Fortune of Learned Men) by Pierio Valeriano. The dialogue between several humanists takes place during Lent, 1529, less than two years after the Sack of Rome and just before the stirrings of the Counter Reformation. These humanists, including Valeriano, are gathered together discussing the lives and unhappy fortunes of humanists from 1470 to 1540. The stories are interesting not only for the direct historical information they provide, but also because they are colored by the knowledge that the glory days of humanism have passed, and the speakers are memorializing a lost era. This first English translation of Valeriano's work contains three sections: an introduction on Valeriano, Roman humanism, and the dialogue; the Latin text and facing English translation with historical notes; and biographies of the humanists involved. Gaisser's delightful book will satisfy all those interested in the world of the Roman humanist, for it elegantly provides a roster of major and minor figures, and the individual stories and characters are shown to be threads of a whole social and intellectual fabric.
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cover of Piers Plowan: The A Version, Revised Edition

Piers Plowan

The A Version, Revised Edition

William Langland

Catholic University of America Press, 2023

Passionate about trying to create social justice in a time of crisis after the Black Plague, William Langland spent his entire life working on Piers Plowman, an epic study of the human quest for truth, justice, and community. The "A Version," the first and shortest of the three versions he crafted, is wonderfully relatable and completely teachable to a modern student audience. Piers Plowman is becoming ever more relevant to students and scholars in English studies. Perhaps because the poem involves culture, religion, community, and work and engages explicitly with the histories of government and popular revolt, this allegorical tale of a wandering Christian named "Will," searching for truth with the aid of a humble plowman named Piers, has found new critical and pedagogic life in the last 20 years. Currently there are no translations of the A-version of Piers Plowman in print, so readers, scholars and teachers have been longing for an affordable, student-centered translation. The apparatus includes a 30-page historical and critical introduction, footnotes, a bibliography, a note on translation theory and practice, and samplings of the original text in Middle English, with a guide to pronunciation of that language. Piers Plowman is an extraordinary important document about the issues dramatically relevant to this day. It confronts poverty and inequity in 14th-century England and explores the need for virtue and social justice, encouraging its readers to create equality with open access for people of all classes and abilities. Though a Christian poem, Piers addresses issues of inclusivity, social responsibility and communal duty, as the poem’s protagonist wanders about the world, facing injustice and persecution as he looks for truth and salvation. Michael Calabrese, author of An Introduction to Piers Plowman and director of the Chaucer Studio’s Middle English recording of the poem, brings Piers Plowman to life for 21st-century students and for all readers interested in the history of society, virtue, faith and salvation.
[more]
cover of Piers Plowman: The A Version

Piers Plowman

The A Version

William Langland

Catholic University of America Press, 2020

Passionate about trying to create social justice in a time of crisis after the Black Plague, William Langland spent his entire life working on Piers Plowman, an epic study of the human quest for truth, justice, and community. The “A Version,” the first and shortest of the three versions he crafted, is wonderfully relatable and completely teachable to a modern student audience. Piers Plowman is becoming ever more relevant to students and scholars in English studies. Perhaps because the poem involves culture, religion, community, and work and engages explicitly with the histories of government and popular revolt, this allegorical tale of a wandering Christian named “Will,” searching for truth with the aid of a humble plowman named Piers, has found new critical and pedagogic life in the last 20 years. Currently there are no translations of the A-version of Piers Plowman in print, so readers, scholars and teachers have been longing for an affordable, student-centered translation. The apparatus includes a 30-page historical and critical introduction, footnotes, a bibliography, a note on translation theory and practice, and samplings of the original text in Middle English, with a guide to pronunciation of that language. Piers Plowman is an extraordinary important document about the issues dramatically relevant to this day. It confronts poverty and inequity in 14th-century England and explores the need for virtue and social justice, encouraging its readers to create equality with open access for people of all classes and abilities. Though a Christian poem, Piers addresses issues of inclusivity, social responsibility and communal duty, as the poem’s protagonist wanders about the world, facing injustice and persecution as he looks for truth and salvation. Michael Calabrese, author of An Introduction to Piers Plowman and director of the Chaucer Studio’s Middle English recording of the poem, brings Piers Plowman to life for 21st-century students and for all readers interested in the history of society, virtue, faith and salvation.
[more]
cover of Piety and Charity in Late Medieval Florence

Piety and Charity in Late Medieval Florence

John Henderson

University of Chicago Press, 1997

John Henderson examines the relationship between religion and society in late medieval Florence through the vehicle of the religious confraternity, one of the most ubiquitous and popular forms of lay association throughout Europe. This book provides a fascinating account of the development of confraternities in relation to other communal and ecclesiastical institutions in Florence. It is one of the most detailed analyses of charity in late medieval Europe.

"[A] long-awaited book. . . . [It is] the most complete survey of confraternities and charity, not only for Florence, but for any Italian city state to date. . . . This book recovers more vividly than other recent works what it meant to be a member of a confraternity in the late middle ages."—Samuel K. Cohn, Jr., Economic History Review

"Henderson offers new and fascinating information. . . . A stimulating and suggestive book that deserves a wide readership." —Gervase Rosser, Times Higher Education Supplement

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cover of Pilgram Marpeck: His Life and Social Theology

Pilgram Marpeck

His Life and Social Theology

Stephen B. Boyd

Duke University Press, 1992

This intellectual and social history is the first comprehensive biography of Pilgram Marpeck (c. 1495–1556), a radical reformer and lay leader of Anabaptist groups in Switzerland, Austria, and South Germany. Marpeck’s influential life and work provide a glimpse of the theologies and practices of the Roman Church and of various reform movements in sixteenth-century Europe.

Drawing on extensive archival data documenting Marpeck’s professional life, as well as on his numerous published and unpublished writings on theology and religious reform, Stephen B. Boyd traces Marpeck’s unconventional transition from mining magistrate to Anabaptist leader, establishes his connections with various radical social and religious groups, and articulates aspects of his social theology. Marpeck’s distinctive and eclectic theology, Boyd demonstrates, focused on the need for personal, uncoerced conversion, rejected state interference in the affairs of the church, denied the need for a monastic withdrawal from the secular world, and called for the Christian’s active pursuit of justice before God and among human beings.
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cover of Pilgrimage and Pogrom: Violence, Memory, and Visual Culture at the Host-Miracle Shrines of Germany and Austria

Pilgrimage and Pogrom

Violence, Memory, and Visual Culture at the Host-Miracle Shrines of Germany and Austria

Mitchell B. Merback

University of Chicago Press, 2013

In the late Middle Ages, Europe saw the rise of one of its most virulent myths: that Jews abused the eucharistic bread as a form of anti-Christian blasphemy, causing it to bleed miraculously. The allegation fostered tensions between Christians and Jews that would explode into violence across Germany and Austria. And pilgrimage shrines were built on the sites where supposed desecrations had led to miracles or to anti-Semitic persecutions. Exploring the legends, cult forms, imagery, and architecture of these host-miracle shrines, Pilgrimage and Pogrom reveals how they not only reflected but also actively shaped Christian anti-Judaism in the two centuries before the Reformation.
 
Mitchell B. Merback studies surviving relics and eucharistic cult statues, painted miracle cycles and altarpieces, propaganda broadsheets, and more in an effort to explore how accusation and legend were transformed into propaganda and memory. Merback shows how persecution and violence became interdependent with normative aspects of Christian piety, from pilgrimage to prayers for the dead, infusing them with the ideals of crusade. Valiantly reconstructing the cult environments created for these sacred places, Pilgrimage and Pogrom is an illuminating look at Christian-Jewish relations in premodern Europe.
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cover of Pious and Rebellious: Jewish Women in Medieval Europe

Pious and Rebellious

Jewish Women in Medieval Europe

Avraham Grossman

Brandeis University Press, 2004

This volume, an amazing act of historical recovery and reconstruction, offers a comprehensive examination of Jewish women in Europe during the High Middle Ages (1000–1300). Avraham Grossman covers multiple aspects of women’s lives in medieval Jewish society, including the image of woman, the structure of the family unit, age at marriage, position in family and society, her place in economic and religious life, her education, her role in family ceremonies, violence against women, and the position of the divorcée and the widow in society. Grossman shows that the High Middle Ages saw a distinct improvement in the status of Jewish women in Europe relative to their status during the Talmudic period and in Muslim countries. If, during the twelfth century, rabbis applauded women as "pious and pure" because of their major role in the martyrdom of the Crusades of 1096, then by the end of the thirteenth century, rabbis complained that women were becoming bold and rebellious. Two main factors fostered this change: first, the transformation of Jewish society from agrarian to "bourgeois," with women performing an increasingly important function in the family economy; and second, the openness toward women in Christian Europe, where women were not subjected to strict limitations based upon conceptions of modesty, as was the case in Muslim countries. The heart of Grossman’s book concerns the improvement of Jewish women’s lot, and the efforts of secular and religious authorities to impede their new-found status. Bringing together a variety of sources including halakhic literature, biblical and talmudic exegesis, ethical literature and philosophy, love songs, folklore and popular literature, gravestones, and drawings, Grossman’s book reconstructs the hitherto unrecorded lives of Jewish women during the Middle Ages.
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cover of Piroska and the Pantokrator: Dynastic Memory, Healing and Salvation in Komnenian Constantinople

Piroska and the Pantokrator

Dynastic Memory, Healing and Salvation in Komnenian Constantinople

Marianne Sághy

Central European University Press, 2019

This book is about the Christ Pantokrator, an imposing monumental complex serving monastic, dynastic, medical and social purposes in Constantinople, founded by Emperor John II Komnenos and Empress Piroska-Eirene in 1118. Now called the Zeyrek Mosque, the second largest Byzantine religious edifice after Hagia Sophia still standing in Istanbul represents the most remarkable architectural and the most ambitious social project of the Komnenian dynasty. This volume approaches the Pantokrator from a special perspective, focusing on its co-founder, Empress Piroska-Eirene, the daughter of the Hungarian king Ladislaus I. This particular vantage point enables its authors to explore not only the architecture, the monastic and medical functions of the complex, but also Hungarian-Byzantine relations, the cultural and religious history of early medieval Hungary, imperial representation, personal faith and dynastic holiness. Piroska's wedding with John Komnenos came to be perceived as a union of East and West. The life of the Empress, a "sainted ruler," and her memory in early Árpádian Hungary and Komnenian Byzantium are discussed in the context of women and power, monastic foundations, architectural innovations, and spiritual models.
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cover of Playing Dirty: Sexuality and Waste in Early Modern Comedy

Playing Dirty

Sexuality and Waste in Early Modern Comedy

Will Stockton

University of Minnesota Press, 2010

Playing Dirty is full of dirty jokes. Arguing that the early modern excremental body is in many ways an erotic body, Will Stockton—with humor and dry wit—reads psychoanalytic theory through early modern comedies, claiming that it is helpful, rather than inimical, to the project of historicizing the body.

Noting that psychoanalysis has traditionally operated in a paranoid framework that relentlessly produces evidence of the same “truths,” Stockton turns to a minority practice in psychoanalysis—associated with Jean Laplanche—to develop a more “playful” analytic for literary studies. This analytic brings together different discourses of sexuality and the body and allows individual writings to reform psychoanalytic wisdom about sexuality, waste, and comedy. Through original explorations of works by William Shakespeare, Ben Jonson, Sir John Harington, Thomas Nashe, and Geoffrey Chaucer, Stockton further encourages the reconciliation of psychoanalysis and queer historicism. He focuses in large part on the less-often-read texts of the early modern English canon, assessing the ways in which these books have been purged from the canon in the name of generic purity.

Playing Dirty builds on recent calls by Renaissance and medieval queer scholars for a method of literary analysis that is less constrained by the boundaries of periodicity and the supposed exigencies of historicism. To take Playing Dirty seriously is to accept its invitation to “play”—to queerly disrupt the modern divide in moving promiscuously between texts past and present.
[more]
cover of Plotting Gothic

Plotting Gothic

Stephen Murray

University of Chicago Press, 2015

A historian of medieval art and architecture with a rich appreciation of literary studies, Stephen Murray brings all those fields to bear on a new approach to understanding the great Gothic churches of the twelfth and thirteenth centuries.

Plotting Gothic positions the rhetoric of the Gothic as a series of three interlocking plots: a spatial plot tied to the material construction of the churches, a social plot stemming from the collaborative efforts that made Gothic output possible, and a rhetorical plot involving narratives that treat the churches as objects of desire. Drawing on the testimony of three witnesses involved in church building—Abbot Suger of Saint-Denis, Gervase of Canterbury, and the image maker Villard de Honnecourt—and a range of secondary sources, Murray traces common patterns in the way medieval buildings were represented in words and images. Our witnesses provide vital information about the way the great churches of Gothic were built and the complexity of their meanings. Taking a fresh approach to Gothic architecture, Plotting Gothic offers an invigorating new way to understand some of the most lasting achievements of the medieval era.
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cover of Pocket Magna Carta: 1217 Text and Translation

Pocket Magna Carta

1217 Text and Translation

Edited by the Bodleian Library

Bodleian Library Publishing, 2016

Magna Carta, or “Great Charter,” is one of the most important documents in legal history. Originating in 1215 as a peace treaty between King John and a group of rebellious barons at Runnymede, it put into law the concept of individual liberty and transformed the role of the monarch toward the people. Magna Carta was subsequently revised and reissued throughout the thirteenth century, and the ideas it expressed have had a profound influence, including on the US Constitution and Bill of Rights.

Pocket Magna Carta reproduces the 1217 reissue of this landmark document, including both the original Latin text and a modern translation, as well as an accessible introduction that traces the background of Magna Carta’s signing and subsequent revisions throughout the centuries. It also explains how the text has become an enduring symbol of freedom in Britain and the wider world. A clear and concise introduction to one of the most important documents in legal history, Pocket Magna Carta will be welcomed by those with an interest in British history or the wider history of Britain in the world.
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cover of Poetry and the Cult of the Martyrs: The Liber Peristephanon of Prudentius

Poetry and the Cult of the Martyrs

The Liber Peristephanon of Prudentius

Michael Roberts

University of Michigan Press, 1993

Prudentius' Peristephanon is a collection of martyr texts from a vital period for the growth of martyr cult in the West. Building on recent work on the cult of the saints and on the sacralization of the space and time, Roberts demonstrates how the Peristephanon relates to developments in late fourth century spirituality.
The author examines how Prudentius creates an idiom to express devotion to the martyrs, particularly in the structuring of narrative and the use of poetic language. Roberts concludes by demonstrating how Prudentius employs the model of martyr cult to articulate the status of Christian literature, the role of the bishop in the Christian community, and the symbolic status of Rome in the Christian West.
Michael Roberts is Robert Rich Professor of Latin, Wesleyan University.
Jacket art: Gold-glass vase, after A.D. 350. By permission of the Trustees of the British Museum.
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cover of Political Appetites: Food in Medieval English Romance

Political Appetites

Food in Medieval English Romance

Aaron Hostetter

The Ohio State University Press, 2017

Political Appetites: Food in Medieval English Romance is the first book-length examination of the cultural and theoretical resonances of food and cooking in medieval English literature, offering a new assessment of the vexed and critically underappreciated genre of romance. Aaron Hostetter moves beyond the critical assumptions of the food practices of medieval English culture as only reflecting Eucharistic preoccupations. Focusing on the romance literature of England, from tenth-century hagiographic verse to fifteenth-century courtly adventures, he also engages the politics of secular eating. Focus on the edible allows Political Appetites to apply fresh insights from cultural studies and critical theory to these narratives—to adumbrate their unique political perspectives. The analysis of food reveals these stories to be sophisticated responses to the material and political conditions of their day.
  
If humanity has attempted through its brief history to render the material world edible, then food and food practice not only influence our aspirations but also shift focus to the limits of human existence on this planet. In studying the foodways of the past as a fundamental economic activity, Political Appetites questions contemporary attitudes towards consumption as their proliferation and abuses create social inequities, menace ecosystems, and threaten to bring about the end of the Anthropocene Era.
 
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cover of Political Theology and Early Modernity

Political Theology and Early Modernity

Edited by Graham Hammill and Julia Reinhard Lupton

University of Chicago Press, 2012

Political theology is a distinctly modern problem, one that takes shape in some of the most important theoretical writings of the twentieth and twenty-first centuries. But its origins stem from the early modern period, in medieval iconographies of sacred kinship and the critique of traditional sovereignty mounted by Hobbes and Spinoza. In this book, Graham Hammill and Julia Reinhard Lupton assemble established and emerging scholars in early modern studies to examine the role played by sixteenth- and seventeenth-century literature and thought in modern conceptions of political theology.
 
Political Theology and Early Modernity explores texts by Shakespeare, Machiavelli, Milton, and others that have served as points of departure for such thinkers as Schmitt, Strauss, Benjamin, and Arendt. Written from a spectrum of positions ranging from renewed defenses of secularism to attempts to reconceive the religious character of collective life and literary experience, these essays probe moments of productive conflict, disavowal, and entanglement in politics and religion as they pass between early modern and modern scenes of thought. This stimulating collection is the first to answer not only how Renaissance and baroque literature help explain the persistence of political theology in modernity and postmodernity, but also how the reemergence of political theology as an intellectual and political problem deepens our understanding of the early modern period.
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cover of Portraits of Medieval and Renaissance Living: Essays in Memory of David Herlihy

Portraits of Medieval and Renaissance Living

Essays in Memory of David Herlihy

Samuel K. Cohn, Jr. and Steven A. Epstein, Editors

University of Michigan Press, 1996

This volume--a collection of essays dedicated to one of this century's most distinguished medieval historians, David Herlihy--introduces the general reader to the new social history of the Middle Ages and the Renaissance. The essays address three themes: sex and the family, power and patronage in local history, and society in town and countryside. The authors use current research to illustrate how Herlihy's ideas continue to shape work about the lives of powerful and ordinary people in this long and important period of Western history. Portraits of Medieval and Renaissance Living opens with Herlihy's final summary of his views on family history, followed by a reminiscence by his most important collaborator, Christiane Klapisch-Zuber. The first group of essays takes us inside specific familial settings, using recent methods in anthropological, legal, and women's studies to uncover new dimensions of medieval and Renaissance family life. A second group of studies focuses on the question of authority in medieval society and advances new theses about politics and society in Florence and other local settings. The final group of authors considers the special circumstances of town and countryside in Italy, England, and Spain and draws insightful generalizations across territorial and national boundaries. Like Herlihy's own work, these essays present innovative and challenging hypotheses about significant problems in the history of medieval and Renaissance Europe. Important new material on Florence, family history, religion, the Inquisition, and taxation is presented for the first time, but the essays are not simply technical exercises focused on small or isolated pieces of research. Thus the volume will go beyond the interest of specialists in medieval and Renaissance social history and will attract a wide audience of students and scholars.

[more]
cover of Power of the Weak: STUDIES ON MEDIEVAL WOMEN

Power of the Weak

STUDIES ON MEDIEVAL WOMEN

Edited by Jennifer Carpenter and Sally-Beth MacLean

University of Illinois Press, 1996

   Covering the eleventh through
        sixteenth centuries, these essays suggest that influence and power may
        have paradoxically been available to women despite, and sometimes precisely
        because of, their subordinate position in society. Striking for its range
        of scholarship, this collection explores the power and independence, relationships
        and influence of medieval queens, holy women, mothers, widows, Jewish
        conversas, and others. Latin and Anglo-Norman hagiography, confessors'
        manuals, coronation rituals, responsa literature, and legal theory
        are represented.
      "An intriguing exploration
        of a basic paradox of medieval society, and an excellent blend of theory
        and gender studies with detailed work relevant for social and political
        history." -- Joel Rosenthal, author of Patriarchy and Families
        of Privilege in Fifteenth-Century England
      JENNIFER CARPENTER
        is a lecturer in history at the University of Otago, Dunedin, New Zealand.
 
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cover of Practical Cues and Social Spectacle in the Chester Plays

Practical Cues and Social Spectacle in the Chester Plays

Matthew Sergi

University of Chicago Press, 2020

Amid the crowded streets of Chester, guild players portraying biblical characters performed on colorful mobile stages hoping to draw the attention of fellow townspeople. In the fifteenth and sixteenth centuries, these Chester plays employed flamboyant live performance to adapt biblical narratives. But the original format of these fascinating performances remains cloudy, as surviving records of these plays are sparse, and the manuscripts were only written down a generation after they stopped. Revealing a vibrant set of social practices encoded in the Chester plays, Matthew Sergi provides a new methodology for reading them and a transformative look at medieval English drama.

Carefully combing through the plays, Sergi seeks out cues in the dialogues that reveal information about the original staging, design, and acting. These “practical cues,” as he calls them, have gone largely unnoticed by drama scholars, who have focused on the ideology and historical contexts of these plays, rather than the methods, mechanics, and structures of the actual performances. Drawing on his experience as an actor and director, he combines close readings of these texts with fragments of records, revealing a new way to understand how the Chester plays brought biblical narratives to spectators in the noisy streets. For Sergi, plays that once appeared only as dry religious dramas come to life as raucous participatory spectacles filled with humor, camp, and devotion.
[more]
cover of Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve

Practicing Literary Theory in the Middle Ages

Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve

Eleanor Johnson

University of Chicago Press, 2013

Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature.
 
Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
[more]
cover of Practicing New Historicism

Practicing New Historicism

Catherine Gallagher and Stephen Greenblatt

University of Chicago Press, 2000

For almost twenty years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects.

In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristically dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations.

By juxtaposing analyses of Renaissance and nineteenth-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists' hostility to the potato? How does Pip's isolation in Great Expectations shed light on Hamlet's doubt?

Offering not only an insider's view of new historicism, but also a lively dialogue between a Renaissance scholar and a Victorianist, Practicing the New Historicism is an illuminating and unpredictable performance by two of America's most respected literary scholars.

"Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible."—Choice

"A tour de force of new literary criticism. . . . Gallagher and Greenblatt's virtuoso readings of paintings, potatoes (yes, spuds), religious ritual, and novels—all 'texts'—as well as essays on criticism and the significance of anecdotes, are likely to take their place as model examples of the qualities of the new critical school that they lead. . . . A zesty work for those already initiated into the incestuous world of contemporary literary criticism-and for those who might like to see what all the fuss is about."—Kirkus Reviews, starred review
[more]
cover of Prague, Jan Hus and Prague University

Prague, Jan Hus and Prague University

Martin Nodl

Karolinum Press, 2024

Contextualizes the Czech Reformation in the setting of Prague University.

The Czech Reformation offered a radical solution to the spiritual and institutional crisis of the late medieval church at the end of the fourteenth century. The beginnings of this reform are distinctly connected with Prague University, which drew many educated people to Prague from across Europe. Through John Hus—a former Prague University student who became its rector in 1402—the Czech Reformation gave rise to a new, radical ecclesiology. Not only did Hus challenge the hierarchical system of the church, but under his influence, the Czech Reformation acquired a specific national shape, and elements of Czech messianism emerged with the university.

Prague, John Hus and Prague University explores that sentiment within Prague University, as well as its limits and restrictive consequences for the Czech Reformation and Czech medieval society. Emphasis is placed on showing how Prague and the university became a world that existed outside the Christian ecumenism of the time.
[more]
cover of Precious Materials: The Arts of Metal in the Medieval Iranian World

Precious Materials

The Arts of Metal in the Medieval Iranian World

Annabelle Collinet

Gingko, 2024

A historic collection of metal art from ancient Iran, featuring images of more than 150 objects described in detail and fully illustrated, some with X-rays.

Medieval metalwork is one of the artistic highlights of the Iranian world, as well as of the Département des Arts de l’Islam at the Louvre in Paris, which holds more than one hundred and fifty objects from this period. A new approach to the study of a historic collection, Precious Material: The Arts of Metal in the Medieval Iranian World is a comprehensive overview of the production of metal in medieval Iran. Although this is one of the most important collections in the world, the objects, some well-known but many more unpublished, have never been studied or published as an ensemble. This volume includes a presentation of the collection through the lens of its centers of manufacture, a full technical analysis, as well as the functions and contexts in which the pieces were used. Each object is fully described and illustrated in color with close-up or X-ray images, and many inscriptions have been translated and are included in the catalog entries.
 
[more]
cover of Prefaces to Canon Law Books in Latin Christianity: Selected Translations, 500-1317, second edition

Prefaces to Canon Law Books in Latin Christianity

Selected Translations, 500-1317, second edition

Robert Somerville

Catholic University of America Press, 2021

An updated and expanded version of the original edition, published in 1998. That original edition went up through 1245. This new version extends to 1317 and adds two important prefaces. Praise for the First Edition “Both students and specialists can be grateful to the authors for this major contribution in English to the study of medieval canon law. It is a clear statement--one emphasized by the late John Gilchrist-that because of its critical importance in medieval life and culture canon law should not remain the obscure domain of specialists, but should be shared with students and non-specialists alike.” – The American Journal of Legal History “[A] learned and useful book, which for the first time assembles a body of canonistic prefaces, presents them in an accessible form, and provides students of medieval canonical thought with a valuable new resource for study and teaching.” – The Catholic Historical Review “This volume is an important and welcome addition to a field of studies where translations into English are few and far between. The breadth of the works selected, the quality of the translations, and the attention to detail that has long characterized the work of both editors make this a valuable resource for specialist and student alike.” – Church History “A welcome combination: a text that is informative for students and professionals alike. The translations succeed in rendering accessible to a general audience some otherwise highly inaccessible material. Somerville and Brasington are to be greatly commended for undertaking this very original enterprise and bringing it to successful parturition.” – Journal of Law and Religion “Somerville and Brasington have chosen to let their compilers and commentators speak for themselves. In doing so, they have had to wrestle with often obscure Latin and frequently less than satisfactory editions. That they succeed in making these texts intelligible through translation and annotation is no small feat.” – Sixteenth Century Journal “This is a significant, elegantly presented contribution to the field of theology, cultural history, and canon law.” – Theological Studies
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cover of Printing and Prophecy: Prognostication and Media Change 1450-1550

Printing and Prophecy

Prognostication and Media Change 1450-1550

Jonathan Green

University of Michigan Press, 2011

Printing and Prophecy: Prognostication and Media Change 1450-1550 examines prognostic traditions and late medieval prophetic texts in the first century of printing and their effect on the new medium of print. The many prophetic and prognostic works that followed Europe's earliest known printed book---not the Gutenberg Bible, but the Sibyl's Prophecy, printed by Gutenberg two years earlier and known today only from a single page---over the next century were perennial best sellers for many printers, and they provide the modern observer with a unique way to study the history and inner workings of the print medium. The very popularity of these works, often published as affordable booklets, raised fears of social unrest. Printers therefore had to meet customer demand while at the same time channeling readers' reactions along approved paths. Authors were packaged---and packaged themselves---in word and image to respond to the tension, while leading figures of early modern culture such as Paracelsus, Martin Luther, and Sebastian Brant used printed prophecies for their own purposes in a rapidly changing society.

Based on a wide reading of many sources, Printing and Prophecy contributes to the study of early modern literature, including how print changed the relationship among authors, readers, and texts. The prophetic and astrological texts the book examines document changes in early modern society that are particularly relevant to German studies and are key texts for understanding the development of science, religion, and popular culture in the early modern period. By combining the methods of cultural studies and book history, this volume brings a new perspective to the study of Gutenberg and later printers.

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cover of Promoting the Saints: Cults and Their Contexts from Late Antiquity until the Early Modern Period

Promoting the Saints

Cults and Their Contexts from Late Antiquity until the Early Modern Period

Ottó Gecser

Central European University Press, 2010

The studies in this volume concentrate on a complex set of socio-cultural phenomena, the cult of saints, in a variety of regions from Egypt to Poland, with a focus on Italy and Central Europe. The subjects of the contributions range in time from the fourth until the eighteenth century. The diversity of approaches adopted by the contributors—from literary analysis and historical anthropology to archaeology and art history—represents that open and multidisciplinary historical research that characterizes the work of Gábor Klaniczay to whom these essays are dedicated.
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cover of Prophets in Their Own Country: Living Saints and the Making of Sainthood in the Later Middle Ages

Prophets in Their Own Country

Living Saints and the Making of Sainthood in the Later Middle Ages

Aviad M. Kleinberg

University of Chicago Press, 1992

In this original study of the making of saintly reputations, Aviad M. Kleinberg shows how sainthood, though frequently seen as a personal trait, is actually the product of negotiations between particular individuals and their communities. Employing the methods of history, anthropology, and textual criticism, Kleinberg examines the mechanics of sainthood in daily interactions between putative saints and their audiences. This book will interest historians, anthropologists, sociologists, medievalists, and those interested in the study of religion.

"[A] fascinating and sometimes iconoclastic view of saints in the medieval period." —Sandra R. O'Neal, Theological Studies

"[An] important new book. . . . [And] an excellent piece of scholarship." —Diane L. Mockridge, Method & Theory in the Study of Religion

"[Kleinberg's] style is clear and accessible and his observations insightful; the book is a pleasure to read." —Veronica Lawrence, Theological Book Review

"Original and interesting. . . . [Kleinberg] has made a major contribution." —Anne L. Clark, American Historical Review

"Kleinberg's concern is not just with perceptions of sanctity, but, refreshingly, with what actually happened: and he is especially good on the conflict of the two. . . . [This] is not just a book but a way of thought, and one that promises interesting conversations at all levels from the church porch to the tutorial and the academic conference." —Helen Cooper, Times Literary Supplement

[more]
cover of Proslogion: including Gaunilo Objections and Anselm's Replies

Proslogion

including Gaunilo Objections and Anselm's Replies

St. Anselm of Canterbury

St. Augustine's Press, 2013

Written for his brother Benedictine monks around 1077, Anselm’s Proslogion is perhaps the best-known partially-read book of the Middle Ages. Many readers are familiar only with Anselm’s well-known argument for God’s existence in Chapters 2–4, which is often called the “ontological argument,” a misleading appellation coined centuries later by Immanuel Kant. In this argument Anselm begins with the thought of “something than which nothing greater is able to be thought,” and subsequently he leads the reader to see that such a reality necessarily exists and cannot be thought not to be. This argument – which is, to be sure, crucial to the work constitutes – but a small portion of the whole. Preceding it is a profound but oft-overlooked opening chapter in which Anselm contemplates his all-too-human condition and disposes the reader to receive aptly his argument for God’s existence in the next three chapters. And following this argument are 20 chapters in which Anselm artfully unfolds the depth and breadth of God’s true existence as that than which nothing greater is able to be thought, showing God to be (among other things) able-to-sense, pity-hearted, just, good, and uncircumscribed. Indeed, if the reader is willing to give himself over to the work as whole, he will be compelled, under Anselm’s deft guidance, to “endeavor to straighten up his mind toward contemplating God,” which is how Anselm describes his own role in the work in his prefatory remarks.

This edition provides a faithful yet readable English rendering of the whole Proslogion, the objections raised to Anselm’s argument by his contemporary Gaunilo, and Anselm’s replies to those objections. (After responding to Gaunilo, Anselm himself requested that these objections and replies be included in subsequent editions of the Proslogion.) This edition also includes an introduction that contextualizes the Proslogion within the monastic, pre-Scholastic age in which it first made its appearance. In addition, by means of notes and commentary, this edition articulates how to contextualize Anselm’s famous argument in the Proslogion as a whole and in light of his replies to Gaunilo, how to appreciate the artistry whereby Anselm knit the Proslogion together into a coherent and concise unity, and how the work may be taught effectively to interested students. These features set this affordable English edition of the Proslogion apart from those currently available, which too often fail to capture accurately the beauty of Anselm’s prose, which often treat the work through the lens of either later Scholasticism or contemporary analytic philosophy of religion, and which take little note of the craftsmanship whereby Anselm constructed this masterfully integrated work that is remembered too often for too few of its 24 chapters.

Matthew Walz has taught in the interdisciplinary program at Thomas Aquinas College in California, and since 2008 he has been a professor in the Philosophy Department of the University of Dallas.

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cover of Prostitution in Medieval Society: The History of an Urban Institution in Languedoc

Prostitution in Medieval Society

The History of an Urban Institution in Languedoc

Leah Lydia Otis

University of Chicago Press, 1985

"Prostitution in Medieval Society, a monograph about Languedoc between the twelfth and sixteenth centuries, is also much more than that: it is a compelling narrative about the social construction of sexuality."

– Catharine R. Stimpson
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