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At the same time, the United States felt the influence of the rise of popular mass-circulation newspapers and magazines and the surge in American book publishing. Concern over living correctly as well as prosperously was commonly discussed by leading authors and journalists, who were now writing for ever-expanding regional and national audiences. Women became more important as authors and editors, giving advice and building huge markets for women readers, with the magazine Godey's Lady's Book and novels by Susan Warner, Maria Cummins, and Harriet Beecher Stowe expressing women's views about the troubled state of society. Best-selling male writers--including novelist George Lippard, historian George Bancroft, and travel writer Bayard Taylor--were among those adding their voices to concerns about prosperity and morality and about America's place in the world. Writers and publishers discovered that a high moral tone could be exceedingly good for business.

The authors of this book examine how popular writers and widely read newspapers, magazines, and books expressed social tensions between prosperity and morality. This study draws on that nationwide conversation through leading mass media, including circulation-leading newspapers, the New York Herald and the New York Tribune, plus prominent newspapers from the South and West, the Richmond Enquirer and the Cincinnati Enquirer. Best-selling magazines aimed at middle-class tastes, Harper's Magazine and the Southern Literary Messenger, added their voices, as did two leading business magazines.

Unraveling the hidden influence of the paranormal on science, literature, and belief
 

Telepathy, clairvoyance, precognition, and telekinesis: these attributes of the paranormal mind are widely dismissed as nonsense, but what can an exploration of such pseudoscientific phenomena tell us about accepted scientific and cultural thought? In Parascientific Revolutions, Derek Lee traces the evolution of psi epistemologies across the twentieth and twenty-first centuries to uncover how these ideas have migrated into scientific fields such as quantum physics and neurology, as well as diverse literary genres including science fiction, ethnic literature, and even government training manuals.

Lee introduces the groundbreaking concept of “parascience,” a dynamic cultural space where ideas rejected by the scientific establishment blend with alternative strains of literary, mythic, and philosophical thought to regenerate and return to mainstream discourse. From early modernist works by James Joyce to postwar speculative fiction by Philip K. Dick to ethnofuturist narratives by Ruth Ozeki, Parascientific Revolutions demonstrates how cultural and intellectual currents reshape paranormal ideas over time. Examining psychic surveillance programs like Project Stargate and bizarre particles of extrasensory perception such as the psitron, Lee illustrates the ways paranormal concepts persist and evolve to influence culture.

Presenting pseudoscience as an inevitable by-product of the scientific process, Parascientific Revolutions offers fresh insight into how the paranormal mind continually challenges our understanding of knowledge and belief. It invites readers to reconsider the boundaries between science and the unknown, revealing a world where speculative thought and empirical investigation are deeply intertwined.

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A comprehensive history of masks in France from the seventeenth to the nineteenth century. 

Masks can conceal, disguise, or protect. They can guard status, inspire delight, or spread fear. They can also betray trust through insincerity, deceit, and hypocrisy. In Paris Concealed, historian James H. Johnson offers a sweeping history of masks both visible and unseen from the time of Louis XIV to the late nineteenth century, exploring the complex roles that masking and unmasking have played in the fashioning of our social selves.
 
Drawing from memoirs, novels, plays, and paintings, Paris Concealed explores the many domains in which masks have been decisive. Beginning in the court of Versailles, Johnson charts the genesis of courtly politesse and its widespread condemnation by Enlightenment philosophers and political thinkers. He describes strategies deployed in the era of the French Revolution for unmasking traitors and later efforts to penetrate criminal disguises through telltale marks on the body. He portrays the disruptive power of masks in public balls and carnivals and, with the coming of modernity, evokes their unsettling presence within the unconscious. 
 
Compellingly written and beautifully illustrated, Paris Concealed lays bare the mask’s transformations, from marking one’s position in a static society to inspiring imagined identities in meritocracies to impeding the elusive search for one’s true self.  To tell the history of masks, Johnson shows, is to tell the history of modern selfhood.

Besides Berlin, Budapest was the fastest-growing capital city in Europe at the end of the nineteenth century. Parlor and Kitchen, the work of a microhistorian and historical anthropologist, describes the development of private spaces in this newly emerged metropolis.

Author Gábor Gyáni has chosen two distinct groups of contemporary society: the upper middle class and the working class, to present their homes, domestic culture and attitudes. At the same time the book offers a panoramic view of the everyday life of the entire society, on social segregation and mobility. Behind the visual details the author reveals a great deal about the value systems of the groups of society investigated.

Reconstructing minute details as well as case studies, the author has relied on archival sources, private documents, and statistical data. The text is accompanied by contemporary photographs, maps and blueprints.

This enlightening and interesting volume will be of interest not only to historians, anthropologists and sociologists, but also to the general reader with an interest in urban history.

Gábor Gyáni is founder and editor of the quarterly Budapest Review of Books. He is President of the Hungarian-American Historians' Committee and Secretary of the Urban History Workshop of the Hungarian Academy of Sciences.

A student of the late professor Péter Hanák, Gyáni is active in research into the urban and social history of modern Hungary and the theory and methodology of history writing. 

Through the prism of one family's experience, this book explores questions of racial identity, religious tolerance, and black-white “passing” in America. Spanning the century from 1820 to 1920, it tells the story of Michael Morris Healy, a white Irish immigrant planter in Georgia; his African American slave Eliza Clark Healy, who was also his wife; and their nine children. Legally slaves, these brothers and sisters were smuggled north before the Civil War to be educated. In spite of the hardships imposed by American society on persons of mixed racial heritage, the Healy children achieved considerable success. Rejecting the convention that defined as black anyone with “one drop of Negro blood,” they were able to transform themselves into white Americans. 

Their unlikely ally in this transition was the Catholic church, as several of them became priests or nuns. One brother served as a bishop in Maine, another as rector of the Cathedral in Boston, and a third as president of Georgetown University. Of the two sisters who became nuns, one was appointed the superior of convents in the United States and Canada. Another brother served for twenty years as a captain in the U.S. Coast Guard, enforcing law and order in the waters off Alaska. The Healy children's transition from black to white should not have been possible according to the prevailing understandings of race, but they accomplished it with apparent ease. Relying on their abilities, and in most cases choosing celibacy, which precluded mixed-race offspring, they forged a place for themselves. They also benefited from the support of people in the church and elsewhere. Even those white Americans who knew the family's background chose to overlook their African ancestry and thereby help them to “get away” with passing. By exploring the lifelong struggles of the members of the Healy family to redefine themselves in a racially polarized society, this book makes a distinctive contribution to our understanding of the enduring dilemma of race in America.

Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin’s “Program for a Proletarian Children’s Theatre,” the first major consideration of Godard’s La chinoise as a “theatrical” work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene.

Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world.

Actor and singer Paul Robeson's performances in Othello, Show Boat, and The Emperor Jones made him famous, but his midcentury appearances in support of causes ranging from labor and civil rights to antilynching and American warmongering made him notorious. When Robeson announced at the 1949 Paris Peace Conference that it was "unthinkable" for blacks to go to war against the Soviet Union, the mainstream American press declared him insane. 
 
Notions of Communism, blackness, and insanity were interchangeably deployed during the Cold War to discount activism such as Robeson's, just a part of an array of social and cultural practices that author Tony Perucci calls the Cold War performance complex. Focusing on two key Robeson performances---the concerts in Peekskill, New York, in 1949 and his appearance before the House Committee on Un-American Activities in 1956---Perucci demonstrates how these performances and the government's response to them are central to understanding the history of Cold War culture in the United States. His book provides a transformative new perspective on how the struggle over the politics of performance in the 1950s was also a domestic struggle over freedom and equality. The book closely examines both of these performance events as well as artifacts from Cold War culture---including congressional documents, FBI files, foreign policy papers, the popular literature on mental illness, and government propaganda films---to study the operation of power and activism in American Cold War culture.

Three generations of a family of lawyers have run a firm founded in 1893 in the small city of Becskerek (today in Serbian Zrenjanin), first part of the Austro-Hungarian Habsburg monarchy, then Hungary, then Yugoslavia, then for a while under German occupation, then again part of Yugoslavia and finally Serbia. In the Banat district of the province of Vojvodina, the multiplicity of languages and religions and changes of place-names was a matter of course.

What is practically unprecedented, all files, folders and documents of the law office have survived. They concern marriages, divorces, births and testaments, as well as expulsions, emigrations, incarcerations and releases of these largely rural and small-town dwellers. Mundane cases reflect times through war, peace, revolution and counter-revolution, through serfdom and freedom, through comfort and poverty. The files also show everyday lives shaped in spite of history. Tibor Várady transforms them into affecting and vivid vignettes, selecting and commenting without sentimentality but with empathy. The law office of the three generations of the Várady family demonstrates that the legal profession permits and in difficult times even requires its members to defend the ordinary men and women against the powers of state and society.

A critical study of C.S. Lewis's “Ransom Trilogy” which analyses Lewis's methods and meanings, concentrating on this trilogy but also including relevant secondary work. Lewis's literary scholarship and display of Christian values are incorporated into this discussion.

How domestic life shaped identity, gender, and power in the American West

The controlling metaphor Cathryn Halverson uses in her engrossing study is “playing house.”  From Caroline Kirkland and Laura Ingalls Wilder to Willa Cather and Marilynne Robinson, from the mid-nineteenth to the late-twentieth centuries, western authors have persistently embraced wayward or eccentric housekeeping to prove a woman’s difference from western neighbors and eastern readers alike.

The readings in Playing House investigate the surprising textual ends to which westerners turn the familiar terrain of the home: evaluating community; arguing for different conceptions of race and class; and perhaps most especially, resisting traditional gender roles.  Western women writers, Halverson argues, render the home as a stage for autonomy, resistance, and imagination rather than as a site of sacrifice and obligation.

The western women examined in Playing House in the American West are promoted and read as representatives of a region, as insiders offering views of distant and intriguing ways of life, even as they conceive of themselves as outsiders. By playing with domestic conventions, they recast the region they describe, portraying the West as a place that fosters female agency, individuality, and subjectivity.

A stunning reproduction of the Bayeux Tapestry, transcribed and translated for today’s readers.

Undoubtedly, the Bayeux Tapestry is one of the most important documents in British history. The tapestry is a visual narrative account of the events leading up to, and including, the Norman Conquest during the eleventh century; as such, the tapestry’s historical significance is unparalleled in its depiction of one of the United Kingdom’s most pivotal time periods. This book reproduces the full cycle of images of the Bayeux Tapestry made in the nineteenth century by Victor Sansonetti, based on drawings made by Charles Alfred Stothard and published in his Vetusta Monumenta (1821-23) for the Society of Antiquaries. This edition not only translates the Latin tituli and includes an accessible introduction, but each tapestry scene is beautifully reproduced to maximum effect and accompanied by both the text and translation.

This first book-length examination of the Klan in Alabama represents exhaustive research that challenges traditional interpretations.

The Ku Klux Klan has wielded considerable power both as a terrorist group and as a political force. Usually viewed as appearing in distinct incarnations, the Klans of the 20th century are now shown by Glenn Feldman to have a greater degree of continuity than has been previously suspected. Victims of Klan terrorism continued to be aliens, foreigners, or outsiders in Alabama: the freed slave during Reconstruction, the 1920s Catholic or Jew, the 1930s labor organizer or Communist, and the returning black veteran of World War II were all considered a threat to the dominant white culture. Feldman offers new insights into this "qualified continuity" among Klans of different eras, showing that the group remained active during the 1930s and 1940s when it was presumed dormant, with elements of the "Reconstruction syndrome" carrying over to the smaller Klan of the civil rights era.

In addition, Feldman takes a critical look at opposition to Klan activities by southern elites. He particularly shows how opponents during the Great Depression and war years saw the Klan as an impediment to attracting outside capital and federal relief or as a magnet for federal action that would jeopardize traditional forms of racial and social control. Other critics voiced concerns about negative national publicity, and others deplored the violence and terrorism.

This in-depth examination of the Klan in a single state, which features rare photographs, provides a means of understanding the order's development throughout the South. Feldman's book represents definitive research into the history of the Klan and makes a major contribution to our understanding of both that organization and the history of Alabama.

A collection of prayers written by Du Bois for students at Atlanta University, thoughtfully compiled and introduced by Herbert Aptheker. These prayers are deeply committed to paying attention to and caring for the inner lives of Black Americans. Biblical familiarity and agnosticity are both present in these autobiographical writings, uplifting the hopes and practices of W. E. B. Du Bois's life, while meditating on the still relevant question of how to make “a good life for all.”

LGBT activist and civil rights history from the 1960s to the 2000s has had a huge impact on our social and political landscape in the UK, yet much of this history remains hidden.

Prejudice and Pride: LGBT Activist Stories from Manchester and Beyond explores aspects of LGBT activist history. It covers educational activism, youth work activism, and the history of the LGBT Centre in Manchester.

Through personal stories of activists, heard and recorded by young people from LGBT Youth North West, the book explores the "wibbly wobbly" nature of people's histories. It reveals how they interlink in surprising and creative ways to form the current landscape of both prejudice and pride. Also contains exercises for interpreting and ideas for collecting activist histories within youth work.