935 books match the query 'Ancient' and 46 start with r

cover of READING THUCYDIDES

READING THUCYDIDES

James V. Morrison

The Ohio State University Press, 2006

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cover of Ramesses III: The Life and Times of Egypt's Last Hero

Ramesses III

The Life and Times of Egypt's Last Hero

Edited by Eric H. Cline and David O'Connor

University of Michigan Press, 2012

In the tumultuous and vivid history of New Kingdom Egypt, Ramesses III's reign was prosperous and culturally rich. He fended off attacks by the "Sea Peoples" and others who threatened the state, he built the great temple of Medinet Habu, and he left wonderfully complete documents describing contemporary social structure and the economy. Amazingly, we even have an account from a contemporary judicial document that describes events leading to Ramesses III's assassination. This edited collection presents a detailed and informative look at the life, career, and world of one of Egypt's most important pharaohs, providing insight both on his reign and its aftermath and on the study of the political and cultural history of ancient Egypt. This collection offers the best new scholarship on Ramesses III, with contributions from Christopher J. Eyre; Ogden Goelet, Jr.; Peter W. Haider; Carolyn R. Higginbotham; Kenneth A. Kitchen; Bojana Mojsov; Steven R. Snape; Emily Teeter; and James M. Weinstein, as well as from David O'Connor and Eric H. Cline. It will be of interest to those with an informed amateur's interest in Egyptology as well as to scholars of Egyptian and biblical archaeology.
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cover of Reading Akkadian Prayers and Hymns: An Introduction

Reading Akkadian Prayers and Hymns

An Introduction

Alan Lenzi

SBL Press, 2011

A thorough text for students of ancient Mesopotamian religion and the Hebrew Bible

Alan Lenzi places Akkadian prayers and hymns within both a religious studies perspective and a Mesopotamian studies perspective. Complete with vocabulary glosses, grammatical notes, literary commentary, and comparative suggestions to biblical material, this book provides a crucial tool for accessing ancient texts related to our understanding of the Hebrew Bible.

Features:

  • Background essays
  • Discussion of classes of Mesopotamian prayers and their comparative use in biblical studies
  • Akkadian text, transliteration, translation, and commentary
  • Notes on vocabulary and grammar

Alan Lenziis Associate Professor of Hebrew Bible and Ancient Near East at University of the Pacific. He is the author of Secrecy and the Gods: Secret Knowledge in Ancient Mesopotamia and Biblical Israel (Neo-Assyrian Text Corpus Project).

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cover of Reading Death in Ancient Rome

Reading Death in Ancient Rome

Mario Erasmo

The Ohio State University Press, 2008

In Reading Death in Ancient Rome, Mario Erasmo considers both actual funerary rituals and their literary depictions in epic, elegy, epitaphs, drama, and prose works as a form of participatory theater in which the performers and the depicters of rituals engage in strategies to involve the viewer/reader in the ritual process, specifically by invoking and playing on their cultural associations at a number of levels simultaneously. He focuses on the associative reading process—the extent to which literary texts allude to funeral and burial ritual, the narrative role played by the allusion to recreate a fictive version of the ritual, and how the allusion engages readers’ knowledge of the ritual or previous literary intertexts.
 
Such a strategy can advance a range of authorial agendas by inviting readers to read and reread assumptions about both the surrounding Roman culture and earlier literature invoked through intertextual referencing. By (re)defining their relation to the dead, readers assume various roles in an ongoing communion with the departed.
 
Reading Death in Ancient Rome makes an important and innovative contribution to semiotic theory as applied to classical texts and to the emerging field of mortality studies. It should thus appeal to classicists as well as to advanced undergraduate and graduate students in art history and archeology.
 
 
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cover of Reading Greek with Jonah: A Mini-Course in Ancient Greek

Reading Greek with Jonah

A Mini-Course in Ancient Greek

James McDonough

Catholic University of America Press, 2026

Reading Greek with Jonah gives beginners the opportunity to engage directly with a work of ancient literature in their first year of Greek. It takes as its subject and parameters the Septuagint translation of the book of Jonah, using a core vocabulary of fewer than three hundred words and introducing grammar and syntax through readings quoted or adapted from Jonah and other books of the Greek Bible. The foundational grammar of Ancient Greek is presented in traditional terms, but in an original sequence intended to minimize difficulties in learning new word forms and grammatical concepts. No prior knowledge of Greek is assumed. The principles of verb conjugation, noun declension, and tense formation are illustrated through sentences and short readings of gradually increasing complexity. Repetition of vocabulary an-Coud sentence structures throughout the lessons aids in building memory and comprehension. Once they have encountered the essential grammar and vocabulary, students can read the book of Jonah with the help of the included lexicon and notes on advanced grammatical topics. An anthology of forty passages from the Septuagint and the New Testament provides opportunities for further reading and additional context for the language and themes of Jonah. Suitable for classroom use or for independent study, Reading Greek with Jonah may serve as a standalone Greek course or as the first in a sequence, to be followed by additional grammar study or an intermediate reader in Koine, Attic, or Homeric Greek.
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cover of Reading Virgil and His Texts: Studies in Intertextuality

Reading Virgil and His Texts

Studies in Intertextuality

Richard F. Thomas

University of Michigan Press, 2000

There has long been vital interest in the ways that texts affect each other--through translation, imitation, parody, and other forms of emulation and subversion. Throughout the last two millennia, the Virgilian text has created its own intertextual heritage, persisting in the works of Eliot, Frost, Lowell, and Heaney. Richard F. Thomas's new volume demonstrates that such control and manipulation of the inherited tradition is to be found with great intensity in the very author who, in turn, created his own complex tradition.
The articles and notes included in this volume have been selected for their diachronic aspect in addition to the synchronic status they had in their original context. Dealing with the intricate ways in which Virgil, and in the introductory chapter his predecessor Catullus, manipulated and appropriated their inherited Greek and Roman literary tradition, this book presents a coherent profile, through these detailed studies, of the mechanics of one of the most dynamic periods in the literary history of any culture.
Richard Thomas--one of the most important voices in Latin literary studies today--shows little anxiety about objections to authorial intentionality. Throughout there is a working assumption that intertextual connections can be established and, further, that functions and purposes, even intended ones, may be inferred from those connections.
This book will be of interest to scholars and students of Greek and Latin literature but will also be of great value to students of medieval, Renaissance, and early modern vernacular literatures, most of whose poets see themselves as closely connected to Virgil.
Richard F. Thomas is Professor of Greek and Latin, Harvard University.
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cover of Reading and Teaching Ancient Fiction: Jewish, Christian, and Greco-Roman Narratives

Reading and Teaching Ancient Fiction

Jewish, Christian, and Greco-Roman Narratives

Sara R. Johnson

SBL Press, 2018

The third volume of research on ancient fiction

This volume includes essays presented in the Ancient Fiction and Early Christian and Jewish Narrative section of the Society of Biblical Literature. Contributors explore facets of ongoing research into the interplay of history, fiction, and narrative in ancient Greco-Roman, Jewish, and Christian texts. The essays examine the ways in which ancient authors in a variety of genre and cultural settings employed a range of narrative strategies to reflect on pressing contemporary issues, to shape community identity, or to provide moral and educational guidance for their readers. Not content merely to offer new insights, this volume also highlights strategies for integrating the fruits of this research into the university classroom and beyond.

Features

  • Insight into the latest developments in ancient Mediterranean narrative
  • Exploration of how to use ancient texts to encourage students to examine assumptions about ancient gender and sexuality or to view familiar texts from a new perspective
  • Close readings of classical authors as well as canonical and noncanonical Jewish and Christian texts
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cover of Reciprocity, Truth, and Gender in Pindar and Aeschylus

Reciprocity, Truth, and Gender in Pindar and Aeschylus

Arum Park

University of Michigan Press, 2023

In Reciprocity, Truth, and Gender in Pindar and Aeschylus, author Arum Park explores two notoriously difficult ancient Greek poets and seeks to articulate the complex relationship between them. Although Pindar and Aeschylus were contemporaries, previous scholarship has often treated them as representatives of contrasting worldviews. Park’s comparative study offers the alternative perspective of understanding them as complements instead. By examining these poets together through the concepts of reciprocity, truth, and gender, this book establishes a relationship between Pindar and Aeschylus that challenges previous conceptions of their dissimilarity. The book accomplishes three aims: first, it shows that Pindar and Aeschylus frame their poetry using similar principles of reciprocity; second, it demonstrates that each poet depicts truth in a way that is specific to those reciprocity principles; and finally, it illustrates how their depictions of gender are shaped by this intertwining of truth and reciprocity. By demonstrating their complementarity, the book situates Pindar and Aeschylus in the same poetic ecosystem, which has implications for how we understand ancient Greek poetry more broadly: using Pindar and Aeschylus as case studies, the book provides a window into their dynamic and interactive poetic world, a world in which ostensibly dissimilar poets and genres actually have much more in common than we might think.
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cover of Recording Village Life: A Coptic Scribe in Early Islamic Egypt

Recording Village Life

A Coptic Scribe in Early Islamic Egypt

Jennifer A. Cromwell

University of Michigan Press, 2017

Recording Village Life presents a close study of over 140 Coptic texts written between 724–756 CE by a single scribe, Aristophanes son of Johannes, of the village Djeme in western Thebes. These texts, which focus primarily on taxation and property concerns, yield a wealth of knowledge about social and economic changes happening at both the community and country-wide levels during the early years of Islamic rule in Egypt. Additionally, they offer a fascinating picture of the scribe’s role within this world, illuminating both the practical aspects of his work and the social and professional connections with clients for whom he wrote legal documents.

Papyrological analysis of Aristophanes’ documents, within the context of the textual record of the village, shows a new and divergent scribal practice that reflects broader trends among his contemporaries: Aristophanes was part of a larger, national system of administrative changes, enacted by the country’s Arab rulers in order to better control administrative practices and fiscal policies within the country. Yet Aristophanes’ dossier shows him not just as an administrator, revealing details about his life, his role in the community, and the elite networks within which he operated. This unique perspective provides new insights into both the micro-history of an individual’s experience of eighth-century Theban village life, and its reflection in the macro social, economic, and political trends in Egypt at this time.

This book will prove valuable to scholars of late antique studies, papyrology, philology, early Islamic history, social and economic history, and Egyptology.
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cover of Religion in Ancient Etruria

Religion in Ancient Etruria

Jean-René Jannot, Translated by Jane K. Whitehead

University of Wisconsin Press, 2005

    This lively translation of Devins, Dieux et Démons is the first English-language edition of Jean-René Jannot’s highly informative examination of Etruscan religion.  Jannot tackles this elusive subject within three major constructs—death, ritual, and the nature of the gods—and presents recent discoveries in an accessible format.  Jane K. Whitehead’s translation updates Jannot’s innovative text and introduces readers of all types—students, scholars, and the general audience—to this thorough overview of ancient Etruscan beliefs, including the afterlife, funerary customs, and mythology.
    Provocative insights and thoughtful discussions contribute to an understanding of the prophetic nature of Etruscan culture.  Jannot investigates the elaborate systems of defining space and time that so distinctly characterize this ancient society.  Religion in Ancient Etruria offers a unique perspective that illuminates the origins of some of our own "modern" religious beliefs.
    This updated edition includes more than 100 illustrations that demonstrate early temples, statues, mirrors, tablets, and sculptures.

1998 French edition, Picard
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cover of Religion in Ancient Mesopotamia

Religion in Ancient Mesopotamia

Jean Bottéro

University of Chicago Press, 2001

One of the world's foremost experts on Assyriology, Jean Bottéro has studied the religion of ancient Mesopotamia for more than fifty years. Building on these many years of research, Bottéro here presents the definitive account of one of the world's oldest known religions. He shows how ancient Mesopotamian religion was practiced both in the public and private spheres, how it developed over the three millennia of its active existence, and how it profoundly influenced Western civilization, including the Hebrew Bible.
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cover of Religion, Empire, and Torture: The Case of Achaemenian Persia, with a Postscript on Abu Ghraib

Religion, Empire, and Torture

The Case of Achaemenian Persia, with a Postscript on Abu Ghraib

Bruce Lincoln

University of Chicago Press, 2007

How does religion stimulate and feed imperial ambitions and violence? Recently this question has acquired new urgency, and in Religion, Empire, and Torture, Bruce Lincoln approaches the problem via a classic but little-studied case: Achaemenian Persia.

Lincoln identifies three core components of an imperial theology that have transhistorical and contemporary relevance: dualistic ethics, a theory of divine election, and a sense of salvific mission. Beyond this, he asks, how did the Achaemenians understand their place in the cosmos and their moral status in relation to others? Why did they feel called to intervene in the struggle between good and evil? What was their sense of historic purpose, especially their desire to restore paradise lost? And how did this lead them to deal with enemies and critics as imperial power ran its course? Lincoln shows how these religious ideas shaped Achaemenian practice and brought the Persians unprecedented wealth, power, and territory, but also produced unmanageable contradictions, as in a gruesome case of torture discussed in the book’s final chapter. Close study of that episode leads Lincoln back to the present with a postscript that provides a searing and utterly novel perspective on the photographs from Abu Ghraib.
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cover of Religious Competition in the Greco-Roman World

Religious Competition in the Greco-Roman World

Nathaniel P. DesRosiers

SBL Press, 2016

Essays that broaden the historical scope and sharpen the parameters of competitive discourses

Scholars in the fields of late antique Christianity, neoplatonism, New Testament, art history, and rabbinics examine issues related to authority, identity, and change in religious and philosophical traditions of late antiquity. The specific focus of the volume is the examination of cultural producers and their particular viewpoints and agendas in an attempt to shed new light on the religious thinkers, texts, and material remains of late antiquity. The essays explore the major creative movements of the era, examining the strategies used to develop and designate orthodoxies and orthopraxies. This collection of essays reinterprets dialogues between individuals and groups, illuminating the mutual competition and influence among these ancient thinkers and communities.

Features:

  • Essays feature competitive discourse as the central organizing theme
  • Articles present unique theoretical models that are adaptable to different contexts and highly applicable to religious discourses before and after the Late Antique Period
  • Scholars cover a much wider range of traditions including Judaism, Christianity, paganism, and philosophy in order to provide the most complete portrait of the religious landscape
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cover of Repeat Performances: Ovidian Repetition and the <i>Metamorphoses<i/>

Repeat Performances

Ovidian Repetition and the <i>Metamorphoses<i/>

Edited by Laurel Fulkerson and Tim Stover

University of Wisconsin Press, 2016

Although repetition is found in all ancient literary genres, it is especially pervasive in epic poetry. Ovid’s Metamorphoses exploits this dimension of the epic genre to a great extent; past critics have faulted it as too filled with recycled themes and language. This volume seeks a deeper understanding of Ovidian repetitiveness in the context of new scholarship on intertextuality and intratextuality, examining the purposeful reuse of previous material and the effects produced by a text’s repetitive gestures.
            A shared vision of the possibilities of Latin epic poetry unites the essays, as does a series of attempts to realize those opportunities. Some of the pieces represent a traditional vein of allusion and intertextuality; others are more innovative in their approaches. Each, in a sense, stands as a placeholder for a methodology of theorizing the repetitive practices of poetry, of epic, and of Ovid in particular.

Contributors: Antony Augoustakis, Neil W. Bernstein, Barbara Weiden Boyd, Andrew Feldherr, Peter Heslin, Stephen Hinds, Sharon L. James, Alison Keith, Peter E. Knox, Darcy Krasne
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cover of Responses to Oliver Stone’s Alexander: Film, History, and Cultural Studies

Responses to Oliver Stone’s Alexander

Film, History, and Cultural Studies

Edited by Paul Cartledge and Fiona Rose Greenland; Afterword by Oliver Stone

University of Wisconsin Press, 2009

The charismatic Alexander the Great of Macedon (356–323 B.C.E.) was one of the most successful military commanders in history, conquering Asia Minor, Egypt, Persia, central Asia, and the lands beyond as far as Pakistan and India. Alexander has been, over the course of two millennia since his death at the age of thirty-two, the central figure in histories, legends, songs, novels, biographies, and, most recently, films. In 2004 director Oliver Stone’s epic film Alexander generated a renewed interest in Alexander the Great and his companions, surroundings, and accomplishments, but the critical response to the film offers a fascinating lesson in the contentious dialogue between historiography and modern entertainment.
    This volume brings together an intriguing mix of leading scholars in Macedonian and Greek history, Persian culture, film studies, classical literature, and archaeology—including some who were advisors for the film—and includes an afterword by Oliver Stone discussing the challenges he faced in putting Alexander’s life on the big screen. The contributors scrutinize Stone’s project from its inception and design to its production and reception, considering such questions as: Can a film about Alexander (and similar figures from history) be both entertaining and historically sound? How do the goals of screenwriters and directors differ from those of historians? How do Alexander’s personal relationships—with his mother Olympias, his wife Roxane, his lover Hephaistion, and others—affect modern perceptions of Alexander? Several of the contributors also explore reasons behind the film’s tepid response at the box office and subsequent controversies. 
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cover of Retelling the Siege of Jerusalem in Early Modern England

Retelling the Siege of Jerusalem in Early Modern England

Vanita Neelakanta

University of Delaware Press, 2019

This compelling book explores sixteenth- and seventeenth-century English retellings of the Roman siege of Jerusalem and the way they informed and were informed by religious and political developments. The siege featured prominently in many early modern English sermons, ballads, plays, histories, and pamphlets, functioning as a touchstone for writers who sought to locate their own national drama of civil and religious tumult within a larger biblical and post-biblical context. Reformed England identified with besieged Jerusalem, establishing an equivalency between the Protestant church and the ancient Jewish nation but exposing fears that a displeased God could destroy his beloved nation. As print culture grew, secular interpretations of the siege ran alongside once-dominant providentialist narratives and spoke to the political anxieties in England as it was beginning to fashion a conception of itself as a nation.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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cover of Rethinking Reality: Lucretius and the Textualization of Nature

Rethinking Reality

Lucretius and the Textualization of Nature

Duncan F. Kennedy

University of Michigan Press, 2002

How deeply into the structure of physical reality do the effects of our way of representing it reach? To what extent do constructivist accounts of scientific theorizing involve realist assumptions, and vice versa? This book provides a lucid and concise introduction to contemporary debates, taking as its theme the question of the relationship of representation and reality. It treats in an attractive and accessible way the historical, philosophical, and literary aspects of this question. In particular, it explores how the present relates to and configures claims to scientific knowledge from the past, taking as its main case study On the Nature of Things (De Rerum Natura), the poem on physics written by the Roman poet Lucretius in the 50s B.C.E.
The book engages in a sustained argument about realist assumptions in scientific and other discourses through detailed analysis and discussion of some of the most important recent contributions to this debate. Engaging sympathetically but not uncritically with constructivist accounts of scientific knowledge, the book takes up a sustained critique of recent contributions to that debate, including those of Ian Hacking, Evelyn Fox Keller, Bruno Latour, and Hans-Jörg Rheinberger. What are the implications of regarding such knowledge as "discovered" or "invented"? How is the rhetoric of such claims to be identified and the pretentions of those claims assessed?In what ways can realist and constructivist approaches be reconciled? How do these considerations affect the way we read scientific texts from the past and regard them historically?
What emerges is a fresh and challenging assessment of the role of time and temporal perspective in assessing claims to knowledge in scientific thought and of the importance of textuality to the history of knowledge. A wide variety of readers, from classicists and intellectual historians to epistemologists of science, will enjoy and learn from Rethinking Reality.
Duncan Kennedy is Reader in Latin Literature and the Theory of Criticism, University of Bristol. He is also the author of The Arts of Love: Five Studies in the Discourse of Roman Love Elegy.
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cover of Revolution Squared: Tahrir, Political Possibilities, and Counterrevolution in Egypt

Revolution Squared

Tahrir, Political Possibilities, and Counterrevolution in Egypt

Atef Shahat Said

Duke University Press, 2024

In Revolution Squared Atef Shahat Said examines the 2011 Egyptian Revolution to trace the expansive range of liberatory possibilities and containment at the heart of every revolution. Drawing on historical analysis and his own participation in the revolution, Said outlines the importance of Tahrir Square and other physical spaces as well as the role of social media and digital spaces. He develops the notion of lived contingency—the ways revolutionary actors practice and experience the revolution in terms of the actions they do or do not take—to show how Egyptians made sense of what was possible during the revolution. Said charts the lived contingencies of Egyptian revolutionaries from the decade prior to the revolution’s outbreak to its peak and the so-called transition to democracy to the 2013 military coup into the present. Contrary to retrospective accounts and counterrevolutionary thought, Said argues that the Egyptian Revolution was not doomed to defeat. Rather, he demonstrates that Egyptians did not fully grasp their immense clout and that limited reformist demands reduced the revolution’s potential for transformation.
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cover of Revolution: Modern Uprisings in Ancient Time

Revolution

Modern Uprisings in Ancient Time

Miriam Leonard

University of Chicago Press, 2025

A consideration of how modern revolutions have employed tropes of classical antiquity.
 
Despite its Latin etymology, “revolution” in its modern understanding arguably did not exist in antiquity, and revolution as we know it today is considered by many theorists to be a term born in modernity. While they certainly had times of momentous political upheaval, the Greeks and Romans tended to understand such events as part of a narrative of political continuity rather than novelty or rupture. Nevertheless, modern revolutions have repeatedly appropriated tropes of classical discourse, such as freedom, tyranny, tragedy, and fraternity.
 
With this book, Miriam Leonard offers a conceptual history of revolution, unraveling modernity’s yearning for the new and questioning why ancient concepts continue to play such an important role in political uprisings. Leonard looks at examples of appeals to antiquity during the French and Haitian Revolutions, in anticolonial struggles, and feminist and queer movements and considers works of theorists such as Karl Marx, Hannah Arendt, and Sigmund Freud that foreground an engagement with antiquity.
 
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cover of Revolutionizing a World: From Small States to Universalism in the Pre-Islamic Near East

Revolutionizing a World

From Small States to Universalism in the Pre-Islamic Near East

Mark Altaweel and Andrea Squitieri

University College London, 2018

This book investigates the long-term continuity of large-scale states and empires, and its effect on the Near East’s social fabric, including the fundamental changes that occurred to major social institutions. Its geographical coverage spans, from east to west, modern-day Libya and Egypt to Central Asia, and from north to south, Anatolia to southern Arabia, incorporating modern-day Oman and Yemen. Its temporal coverage spans from the late eighth century BCE to the seventh century CE during the rise of Islam and collapse of the Sasanian Empire.

The authors argue that the persistence of large states and empires starting in the eighth/seventh centuries BCE, which continued for many centuries, led to new sociopolitical structures and institutions emerging in the Near East. The primary processes that enabled this emergence were large-scale and long-distance movements, or population migrations. These patterns of social developments are analyzed under different aspects: settlement patterns, urban structure, material culture, trade, governance, language spread, and religion, all pointing at movement as the main catalyst for social change. This book’s argument is framed within a larger theoretical framework termed as "universalism," a theory that explains many of the social transformations that happened to societies in the Near East, starting from the Neo-Assyrian period and continuing for centuries. Among other influences, the effects of these transformations are today manifested in modern languages, concepts of government, universal religions and monetized and globalized economies.
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cover of Ritual Matters: Material Remains and Ancient Religion

Ritual Matters

Material Remains and Ancient Religion

Claudia Moser and Jennifer Knust, editors

University of Michigan Press, 2017

Ritual Matters interrupts the anachronistic binaries of religious practice and belief, the material and the theological, by taking a new approach to the study of archaeological remains of ancient religions. Focusing on the materiality of ritual—inherent in everything from monumental temples and altars, to votive offerings and codices, to sanctioned inscriptions and reliefs—allows for a novel vantage point from which to consider ancient religious practices, as well as an important counterbalance to more traditional conceptual perspectives often privileged in the field.

Material remains of religious practices may reveal striking local continuity, but they also highlight points of change, as distinct moments of manufacture and use transformed both sites and objects. Yet not every religious practice leaves a trace: the embodied use of imperial statuary, the rationale for the design of particular sacred books or the ephemeral “magical” implements designed by local religious experts leave few traces, if any, and are therefore less amenable to material investigation. What does remain, however, challenges any neat association between representation and reality or literary claim and practical application.

This volume represents a significant contribution to the material approach of studying the ancient Mediterranean’s diverse religious practices. In addition to volume editors Claudia Moser and Jennifer Knust, contributors include Henri Duday, Gunnel Ekroth, David Frankfurter, Richard Gordon, Valérie Huet, William Van Andringa, and Zsuzsanna Várhelyi. Topics covered include funerary remains, sacrificial practices, “magic,” Roman altars, imperial reliefs and statuary, and the role of sacred books.

 
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cover of Rival Praises: Ovid and the Metamorphosis of the Hymnic Tradition

Rival Praises

Ovid and the Metamorphosis of the Hymnic Tradition

Celia M. Campbell

University of Wisconsin Press, 2024

The Metamorphoses, written by the Roman poet Ovid, has fascinated readers ever since it was written in the first century CE, and here Celia M. Campbell offers a bold new interpretive approach. Reasserting the significance of the ancient hymnic tradition, she argues that the first pentad of Ovid’s Metamorphoses draws a programmatic strain of influence from hymns to the gods, in particular conversation—and competition—with the work of the Alexandrian poet Callimachus, a favored source of inspiration to Augustan writers. She suggests that Ovid read Callimachus’ six hymns as a self-conscious set—and reading the first five books of the Metamorphoses through Callimachus’ hymnic collection allows us to pierce the occasionally opaque and seemingly idiosyncratic mythology Ovid constructs. Through careful, innovative close readings, Campbell illustrates that Callimachus and the hymnic tradition provide a kind of interpretative key to unlocking the dynamic landscape of divine power in Ovid’s poetic cosmos.
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cover of Role Models in the Roman World: Identity and Assimilation

Role Models in the Roman World

Identity and Assimilation

Sinclair Bell and Inge Lyse Hansen, Editors

University of Michigan Press, 2008

The tendency of ancient Romans to look to mythical and historical figures for role models is everywhere evident in their surviving literary and material culture. This book broadens the horizon of the long-standing scholarly interest in role models in several ways, looking beyond the more familiar famous heroes---such as Achilles and Alexander the Great---and the paternal figures, both mythological and historical, that gave inspiration to later leaders and authors. From the adoption of specific aspects of a favored role model, to the creation of new visual languages for different social groups, to the deliberate counter of common models, this collection demonstrates the importance of exemplary figures in inspiring imitation and assimilation in the creation of new identities. Featuring world-renowned scholars and essays from a broad range of fields, including literature, art, and historiography, Role Models in the Roman World is a groundbreaking collection at the cusp of the newest scholarship of the classical world. "Role Models in the Roman World is an exciting collection, striking for the interdisciplinary range of its contributors and for their vigorous debates---indeed, strong disagreements---about ideas that are currently of fundamental importance in Roman studies: identity construction, exemplarity, memory, monumentality. In framing these crucial issues, and in displaying the range and diversity of current approaches to them, this collection will be useful to every student of the Roman world." ---Matthew Roller, Professor of Classics, Johns Hopkins University "This collection covers a full range of topics, from how the Romans interpreted their origins from the ashes of Troy on through themes in Roman literature, historiography, declamation, and art, ending with how Christians may have defined their self-presentation in part through reference to earlier, non-Christian models. The editors have shown themselves wonderfully adept at their task, and the result is a uniformly fine volume that will be widely consulted." ---Anthony Corbeill, Professor and Graduate Advisor, Department of Classics, University of Kansas "Significant essays by leading archaeologists, philologists, and art historians on a theme of central importance in the Roman world." ---Barbara Kellum, Professor and Chair, Department of Art, Smith College Jacket illustration: Side view of statue of Togato Barberini © Araldo de Luca/CORBIS
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cover of Roman Aristocrats in Barbarian Gaul: Strategies for Survival in an Age of Transition

Roman Aristocrats in Barbarian Gaul

Strategies for Survival in an Age of Transition

By Ralph W. Mathisen

University of Texas Press, 1992

Skin-clad barbarians ransacking Rome remains a popular image of the "decline and fall" of the Roman Empire, but why, when, and how the Empire actually fell are still matters of debate among students of classical history. In this pioneering study, Ralph W. Mathisen examines the "fall" in one part of the western Empire, Gaul, to better understand the shift from Roman to Germanic power that occurred in the region during the fifth century AD.

Mathisen uncovers two apparently contradictory trends. First, he finds that barbarian settlement did provoke significant changes in Gaul, including the disappearance of most secular offices under the Roman imperial administration, the appropriation of land and social influence by the barbarians, and a rise in the overall level of violence. Yet he also shows that the Roman aristocrats proved remarkably adept at retaining their rank and status. How did the aristocracy hold on?

Mathisen rejects traditional explanations and demonstrates that rather than simply opposing the barbarians, or passively accepting them, the Roman aristocrats directly responded to them in various ways. Some left Gaul. Others tried to ignore the changes wrought by the newcomers. Still others directly collaborated with the barbarians, looking to them as patrons and holding office in barbarian governments. Most significantly, however, many were willing to change the criteria that determined membership in the aristocracy. Two new characteristics of the Roman aristocracy in fifth-century Gaul were careers in the church and greater emphasis on classical literary culture.

These findings shed new light on an age in transition. Mathisen's theory that barbarian integration into Roman society was a collaborative process rather than a conquest is sure to provoke much thought and debate. All historians who study the process of power transfer from native to alien elites will want to consult this work.

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cover of Roman Art in the Private Sphere: New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula

Roman Art in the Private Sphere

New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula

Elaine K. Gazda, Editor

University of Michigan Press, 1991

"This is a stimulating book and should be compulsory reading for all students of Roman art."
---Classical Review
 
"For all the authors, attention to the ensemble, a sense of the relation between the formal and the iconographic, and the desire to historicize their material contribute to making this anthology unusual in its rigorous and creative attention to the way that art and architecture participate in the construction of the image of the Roman elite."
---Art Bulletin
 
Roman Art in the Private Sphere presents an impressive case for the social and art historical importance of the paintings, mosaics, and sculptures that filled the private houses of the Roman elite. The six essays in this volume range from the first century B.C.E. to the fourth century C.E., and from the Italian peninsula to the Eastern Empire and North African provinces.

The essays treat works of art that belonged to every major Roman housing type: the single-family atrium houses and the insula apartment blocks in Italian cities, the dramatically sited villas of the Campanian coast and countryside, and the palatial mansions of late antique provincial aristocrats.

In a complementary fashion the essays consider domestic art in relation to questions of decorum, status, wealth, social privilege, and obligation. Patrons emerge as actively interested in the character of their surroundings; artists appear as responsive to the desire of their patrons. The evidence in private art of homosexual conduct in high society is also set forth.

Originality of subject matter, sophisticated appreciation of stylistic and compositional nuance, and philosophical perceptions of the relationship of humanity and nature are among the themes that the essays explore. Together they demonstrate that Roman domestic art must be viewed on its own terms.

Elaine K. Gazda is Professor of the History of Art and Curator of Hellenistic and Roman Antiquities at the Kelsey Museum of Archaeology, University of Michigan.

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cover of Roman Art in the Private Sphere: New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula

Roman Art in the Private Sphere

New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula

Elaine K. Gazda, Editor

University of Michigan Press, 2010

"This is a stimulating book and should be compulsory reading for all students of Roman art."
---Classical Review
 
"[A] model exploration into the ways private décor can be used to facilitate a larger understanding of Roman art and society."
---Classical World
 
Roman Art in the Private Sphere presents an impressive case for the social and art historical importance of the paintings, mosaics, and sculptures that filled the private houses of the Roman elite. The six essays in this volume range from the first century BCE to the fourth century CE, and from the Italian peninsula to the Eastern Empire and North African provinces, treating works of art that belonged to every major Roman housing type: the single-family atrium houses and the insula apartment blocks in Italian cities, the dramatically sited villas of the Campanian coast and countryside, and the palatial mansions of late antique provincial aristocrats. This new edition includes a fresh contribution by editor Elaine Gazda, tracing the developments in the treatment of private Roman art since the publication of the original edition of Roman Art in the Private Sphere.
 
Elaine K. Gazda is Professor of the History of Art and Curator of Hellenistic and Roman Antiquities at the Kelsey Museum of Archaeology, University of Michigan.
[more]
cover of Roman Artists, Patrons, and Public Consumption: Familiar Works Reconsidered

Roman Artists, Patrons, and Public Consumption

Familiar Works Reconsidered

Brenda Longfellow and Ellen E. Perry, editors

University of Michigan Press, 2018

In recent decades, the study of Roman art has shifted focus dramatically from issues of connoisseurship, typology, and chronology to analyses of objects within their contemporary contexts and local environments. Scholars challenge the notion, formerly taken for granted, that extant historical texts—the writings of Vitruvius, for example—can directly inform the study of architectural remains. Roman-era statues, paintings, and mosaics are no longer dismissed as perfunctory replicas of lost Greek or  Hellenistic originals; they are worthy of study in their own right. Further, the scope of what constitutes Roman art has expanded to include the vast spectrum of objects used in civic, religious, funerary, and domestic contexts and from communities across the Roman Empire.

The work gathered in Roman Artists, Patrons, and Public Consumption displays the breadth and depth of scholarship in the field made possible by these fundamental changes. The first five essays approach individual objects and artistic tropes, as well as their cultural contexts and functions, from fresh and dynamic angles. The latter essays focus on case studies in Pompeii, demonstrating how close visual analysis firmly rooted in local and temporal contexts not only strengthens understanding of ancient interactions with monuments but also sparks a reconsideration of long-held assumptions reinforced by earlier scholarship.

These rigorous essays reflect and honor the groundbreaking scholarship of Elaine K. Gazda. In addition to volume editors Brenda Longfellow and Ellen E. Perry, contributors include Bettina Bergmann, Elise Friedland, Barbara Kellum, Diana Y. Ng, Jessica Powers, Melanie Grunow Sobocinski, Lea M. Stirling, Molly Swetnam-Burland, Elizabeth Wolfram Thill, and Jennifer Trimble.
[more]
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Roman Brick Stamps in the Kelsey Museum

John P. Bodel

University of Michigan Press, 1983

A catalogue of the largest known collection of brick stamps outside Italy
[more]
cover of Roman Coins and Public Life under the Empire: E. Togo Salmon Papers II

Roman Coins and Public Life under the Empire

E. Togo Salmon Papers II

George M. Paul and Michael Ierardi, Editors

University of Michigan Press, 1999

Roman coins often shed light on Roman public life and society through the legends, portraits, and images they bear. The papers collected in this volume were originally presented at the Second E. Togo Salmon Conference on Roman Studies. The eight contributors are specialists in Roman coins or Roman history and in the relations between them.
Coins are a unique source of information about the Roman world. In the case of the Roman Empire they were issued by or with the approval of the ruling power. The representations and legends they show therefore present an official view of contemporary affairs. The coins themselves, minted for official purposes such as paying the army, when studied carefully can help reconstruct official policies. They can also occasionally reveal what monuments now lost may have looked like.
It is not infrequent to come across pleas that the ancient historian should make more frequent use of numismatic evidence. These essays make clear that efforts are being made both by numismatists and by historians to bring the two disciplines together. At the same time the papers reveal that the task is by no means a straightforward one. The survival of Roman coins is variable, and so attempts to reconstruct the size and distribution of issues calls for skilled and experienced analysis. This collection of papers provides evidence for the kind of deductions that the historian may make from Roman coins as well as the illustrations of the pitfalls that await the unwary.
Those interested in Roman history, amateur coin collectors, and professional numismatists will all find much here to widen their knowledge of the public context of Roman coins.
George Paul is Professor of Classics, McMaster University. Michael Ierardi is Lecturer in Classics, McMaster University.
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cover of Roman Decorative Stone Collections in the Kelsey Museum of Archaeology

Roman Decorative Stone Collections in the Kelsey Museum of Archaeology

J. Clayton Fant, Leah E. Long, and Lynley J. McAlpine

University of Michigan Press, 2024

At the turn of the twentieth century, Francis W. Kelsey began to amass a large collection of artifacts from ancient sites across the Mediterranean, with an emphasis on Imperial Rome, to broaden the teaching of antiquity at the University of Michigan. Among the objects now housed in the museum that bears his name is a collection of seven hundred colorful stones dating to the Roman period, one of the largest and most varied collections of Roman decorative stones outside Europe. These pieces were obtained as archaeological artifacts, mostly architectural, with many deriving from well-known ancient buildings, such as the Baths of Diocletian in Rome and the Palace of Herod in Jericho, allowing for new interpretations of their architectural decoration and design. Chapters trace the formation of the collection, study the archaeology of the artifacts, and detail the history of each stone and its study with a comprehensive bibliography. 

In keeping with the nature of the collection, Roman Decorative Stone Collections focuses on archaeological contexts and object biographies, from the stones’ first use to their eventual display in the Kelsey Museum. Entries are accompanied by rich photographs detailing the stones’ appearances, environmental factors, and their collectors. The fully illustrated catalog includes essays deriving from Kelsey’s original notes on sources, buildings, sites, and dealers. As the first formal catalog of these items, Roman Decorative Stone Collections is an accessible resource of Roman archaeology, antiquities, and the decorative arts.
[more]
cover of Roman Family Festivals

Roman Family Festivals

Fanny Dolansky

University of Michigan Press, 2027

Fanny Dolansky’s Roman Family Festivals explores the vital role religious ritual played in domestic life for Roman families from 200 BCE to 200 CE. Seven festivals, from the Parentalia in February to the Saturnalia in December, are reconstructed and analyzed from varied perspectives, including those of men, women, and children who were free, enslaved, or formerly enslaved. The festivals addressed key concerns for families such as relations between freeborn and enslaved members of the household, spouses, adults and children, and the living and the dead, and played an important role in the ongoing processes of socialization and enculturation of  Roman identity. Integrating literary, epigraphic, papyrological, archaeological, and art historical sources, the study pays careful attention to the critical categories of age, gender, and juridical status to understand better who celebrated the festivals and how, and what their participation meant to them individually and to the collective. Roman Family Festivals demonstrates the longevity of family festivals and their continued relevance in late antiquity, despite a rapidly changing religious and cultural landscape.

[more]
cover of Roman Military Diplomas VI

Roman Military Diplomas VI

Edited by Paul Holder

University of London Press, 2024

The sixth volume in the renowned Roman Military Diplomas series brings together—in one accessible collection—the Roman military diplomas published between 2004 and 2007.

Each of the 179 diplomas collected here has been cataloged, transcribed, and reconstructed alongside information relating to its physical description, findspot, state of preservation, current location, and new readings, helping to illuminate everything from the commanders of units to the social lives of soldiers. The volume also includes a revised chronology of the diplomas, appendices providing important criteria in dating the fragments, comprehensive indices of witnesses, persons, places, and units, and—for the first time—a table of concordances enabling concurrent work with previous volumes in the Roman Military Diplomas series. Collectively, the volume offers new insights into Roman military procedures and personnel, the social and legal status of soldiers, and the afterlife of the diplomas. It is an essential reference tool for anyone researching Roman imperial history, the Roman army, and the Roman study of ancient inscriptions.
[more]
cover of Roman Military Law

Roman Military Law

By C. E. Brand

University of Texas Press, 1968

Rome was the law-giver for much of the modern world. She was also the greatest military power of antiquity, operating her military organization with remarkable efficiency and effectiveness throughout most of the then-known world. In view of the importance of both the legal and military aspects of the Roman Empire, an account of their combination in a system of disciplinary control for the Roman armies is of considerable significance to historians in both fields—and, in fact, to scholars in general. In Roman Military Law, C. E. Brand describes this system of control.

Since a characterization of such a system can be made most meaningful only against a background of Roman constitutional government and in the light of ideologies current at the time, Brand follows his initial “Note on Sources” with a sketch of the contemporary Roman scene. This first section includes a discussion of the Roman constitution and an examination of Roman criminal law.

The history of Rome, as a republic, principate, and empire, extended over a period of a thousand years, so any attempt to represent a generalized picture must be essentially a matter of extraction and condensation from the voluminous literature of the whole era. Nevertheless, from the fantastic evolution that is the history of Rome, Brand has been able to construct a more or less static historical mosaic that may be considered typically “Roman.” This comes into sharpest focus during the period of the Punic Wars, when the city and its people were most intensely Roman. The picture of the Roman armies is set into this basic framework, in chapters dealing with military organization, disciplinary organization, religion and discipline, and offenses and punishments.

The final section of the book considers briefly the vast changes in Roman institutions that came about under the armies of the Empire, and then concludes with the Latin text and an English translation of the only known code of Roman military justice, promulgated sometime during the later Empire, preserved in Byzantine literature, and handed down to medieval times in Latin translations of Byzantine Greek law, which it has heretofore been confused.

[more]
cover of Roman Political Ideas and Practice

Roman Political Ideas and Practice

F. E. Adcock

University of Michigan Press, 1964

A study of Roman politics from the early kings, through the Republic, to the age of the dictatorships. The story unfolds against a background of wars, financial tangles, shifting foreign policy, and personal rivalries. Sir Frank finds the secret of Roman power in the dignity of its great men and the liberty of the small. Though centuries have elapsed since the Caesars, we need not look far to discover in our own day the same conflicts between personal ambition and the dream of peace with dignity that consumed Rome. This book underscores the fragility of all political institutions, including our own.
[more]
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Roman Propertius and the Reinvention of Elegy

Jeri Blair DeBrohun

University of Michigan Press, 2003

Roman Propertius and the Reinvention of Elegy presents an arresting new interpretation of the intricate and complex poetry of Propertius' final collection. Jeri Blair DeBrohun illuminates the manner in which the poet reinvents and revitalizes his elegy in Book 4 by broadening its lyrical promise and ideological horizons.
DeBrohun finds the most striking element of Book 4 to be the apparent polarity of the poems, whose themes are split between new, aetiological subjects of Roman national significance and amatory affairs that evoke the themes of Propertius' first three books. In her compelling reassessment of Propertius' aspirations in Book 4, DeBrohun identifies the conflict between his new ambitions to produce Roman aetiological elegy and his traditional, exclusive devotion to erotic concerns as the central dynamic of his collection. Roman Propertius and the Reinvention of Elegy reveals how the poet came to find in the subcodes of the elegiac genre a medium of interaction between the opposing values of the two themes.
Roman Propertius will interest not only scholars and students of Greek and Roman Poetry but also students of later traditions who are interested in the questions of genre and the relationship between poetry and wider cultural discourses.
Jeri Blair DeBrohun is Associate Professor of Classics, Brown University.
[more]
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Roman Siege Warfare

Josh Levithan

University of Michigan Press, 2013

Roman siege warfare had its own structure and customs, and expectations both by the besieged and by the attacking army. Sieges are typically sorted by the techniques and technologies that attackers used, but the more fruitful approach offered in Roman Siege Warfare examines the way a siege follows or diverges from typical narrative and operational plotlines. Author Josh Levithan emphasizes the human elements—morale and motivation—rather than the engineering, and he recaptures the sense of a siege as an event in progress that offers numerous attitudes, methods, and outcomes. Sieges involved a concentration of violent effort in space and the practical challenge posed by a high wall: unlike field battles they were sharply defined in time, in space, and in operational terms.

Chapters examine motivation and behavior during a siege and focus on examples from both the Roman Republic and the Empire: Polybius, Livy, Julius Caesar, Flavius Josephus, and Ammianus Marcellinus. Levithan examines the “gadgetary turn,” during which writers began to lavish attention on artillery and wall-damaging techniques, fetishizing technology and obscuring the centrality of the assault and of human behavior.

This volume speaks to classicists and historians of all stripes. All passages are translated, and references are accessible to nonspecialists. Military historians will also find much of interest in the volume, in its treatment both of Roman military conduct and of wider military practice.

[more]
cover of Roman Theater and Society: E. Togo Salmon Papers I

Roman Theater and Society

E. Togo Salmon Papers I

William J. Slater, Editor

University of Michigan Press, 1996

Traditional theater in the Roman world depicted powerful emotions and political ideals that were often the norm in Roman society. Although modern historians have only a hazy perception of performances during both Republic and Empire, testimony to the greatness of the epoch's theater lies in the ruins that stretch across the expanse of the great "vanished empire."
William Slater's new volume Roman Theater and Society brings an important perspective to the much-maligned status of the Roman theater, which has only recently been reappraised and appreciated as uniquely Roman rather than criticized for not being Greek. From this point of embarkation, William Slater and the nine contributors discuss theater in Rome and the Greek east with a definition of performance incorporating not only stage performances but also dinnertime entertainment, sporting events, and political events. Contributors are T. D. Barnes, K. M. Coleman, J. C. Edmonson, E. R. Gebhard, J. R. Green, E. J. Jory, W. D. Lebek, and D. S. Potter.
Individual chapters combine literary evidence with archaeological, thereby engendering a deeper appreciation for the social and political roles of Roman theater. It becomes clear that these roles were of great influence in giving voice to the popular demands of the average Roman. In examining the roles of theater the contributors turn to the players and audience themselves for deeper understanding.
Roman Theater and Society will be of great interest to classicists, theater specialists, and anyone interested in the interplay among plays, theaters, and the people on stage and in the audience.
William J. Slater is Professor of Classics, McMaster University.
[more]
cover of Roman Voting Assemblies: From the Hannibalic War to the Dictatorship of Caesar

Roman Voting Assemblies

From the Hannibalic War to the Dictatorship of Caesar

Lily Ross Taylor

University of Michigan Press, 1991

Draws on archaeological evidence to reconstruct voting procedures in the assemblies
[more]
cover of Roman Women

Roman Women

Edited by Augusto Fraschetti

University of Chicago Press, 2001

This collection of essays features important Roman women who were active in politics, theater, cultural life, and religion from the first through the fourth centuries. The contributors draw on rare documents in an attempt to reconstruct in detail the lives and accomplishments of these exceptional women, a difficult task considering that the Romans recorded very little about women. They thought it improper for a woman's virtues to be praised outside the home. Moreover, they believed that a feeble intellect, a weakness in character, and a general incompetence prevented a woman from participating in public life.

Through this investigation, we encounter a number of idiosyncratic personalities. They include the vestal virgin Claudia; Cornelia, a matron; the passionate Fulvia; a mime known as "Lycoris"; the politician Livia; the martyr and writer Vibia Perpetua; a hostess named Helena Augusta; the intellectual Hypatia; and the saint Melania the Younger. Unlike their silent female counterparts, these women stood out in a culture where it was terribly difficult and odd to do so.

[more]
cover of Romans and Barbarians: The Decline of the Western Empire

Romans and Barbarians

The Decline of the Western Empire

E. A. Thompson

University of Wisconsin Press, 2002

The Fall of the Roman Empire—from the barbarian's perspective

Available for the first time in paperback, this classic work by renowned historian E.A. Thompson examines the fall of the Roman Empire in the West from the barbarian perspective and experience. Standard interpretations of the decline of the Roman Empire in the West view the barbarian invaders as destroyers. Thompson, however, argues that the relationship between the invaders and the invaded was far more complex than the common interpretation would suggest. This edition includes a new foreword by F.M. Clover and J.H.W.G. Liebeschuetz.
[more]
cover of Romans in a New World: Classical Models in Sixteenth-Century Spanish America

Romans in a New World

Classical Models in Sixteenth-Century Spanish America

David A. Lupher

University of Michigan Press, 2006

Romans in a New World shows how the ancient Romans haunted the Spanish conquest of the New World, more often than not as passionately rejected models. While the conquistadors themselves and their publicists challenged the reputations of the Romans for incomparable military genius and daring, Spanish critics of the conquest launched a concerted assault upon two other prominent uses of ancient Rome as a model: as an exemplar of imperialistic motives and behavior fit for Christians to follow, and as a yardstick against which to measure the cultural level of the natives of the New World.
In the course of this debate, many Spaniards were inspired to think more deeply on their own ethnic ancestry and identity, as Spanish treatment of the New World natives awakened the slumbering memory of Roman treatment of the Iberian tribes whom modern Spaniards were now embracing as their truest ancestors. At the same time, growing awareness of the cultural practices--especially the religious rituals--of the American natives framed a new perspective on both the pre-Christian ancestors of modern Europeans and even on the survival of "pagan" customs among modern Europeans themselves. In this incisive study, David A. Lupher addresses the increasingly debated question of the impact the discovery of the New World had upon Europeans' perceptions of their identity and place in history.
Romans in a New World holds much to interest both classicists and students of the history and culture of early modern Europe--especially, though not exclusively, historians of Spain. David A. Lupher's concern with the ideology of imperialism and colonization and with cross-cultural negotiations will be useful to students of cultural studies, as well.
David A. Lupher is Professor of Classics, University of Puget Sound.
[more]
cover of Rome's Visceral Reactions: Politics and Poetics in Flesh and Blood

Rome's Visceral Reactions

Politics and Poetics in Flesh and Blood

Caitlin Hines

University of Michigan Press, 2026

In ancient Rome, the Latin word viscera denoted the inner parts of the body, where physical sensations related to fear and anger could be felt and whose injury meant certain death. Viscera were also entangled with religious, political, and reproductive imagery: the word could refer to cuts of sacrificial meat, the inner workings of a governing body, a mother’s fertile womb, and the offspring she has carried. It appears in scientific descriptions of human anatomy, in elaborations of violent deaths, accusations of political conspiracy, and the laments of parents who must watch their children die. The sudden expansions of viscera into vivid metaphors for the body politic, the violated womb, and the desecrated sacrifice materialized in parallel with watershed moments in Roman history, reflecting urgent contemporary anxieties about politics, reproduction, and succession. Rome’s Visceral Reactions traces and interprets the semantic history of viscera, whose progressive acquisition of new meanings offers a compelling case for the dynamic interaction between body metaphor, semantic change, and political crisis at Rome.

Caitlin Hines follows the history of viscera from its earliest attestations through the end of the Julio-Claudian period and considers the works of Lucretius, Cicero, Vergil, Livy, Ovid, Seneca, and Lucan. Applying theories of embodied cognition and semantic change, Hines demonstrates how Roman authors influenced the development of their language through the invention, reception, and affirmation of innovative meanings and how pressing political and cultural crises could shape, and be shaped in return, by the sophisticated linguistic games of the Roman literary elite.
[more]
cover of Rome: A City out of Print

Rome

A City out of Print

Rose Marie San Juan

University of Minnesota Press, 2001

An intriguing look at what printed materials tell us about daily life and public space in seventeenth-century Rome. Focusing on images and descriptions of movement and spectacle-everyday street activities, congregations in market piazzas, life in the Jewish ghetto and the plague hospital, papal and other ceremonial processions, public punishment, and pilgrimage routes-Rose Marie San Juan uncovers the social tensions and conflicts within seventeenth century Roman society that are both concealed within and prompted by mass-produced representations of the city. These depictions of Rome-guidebooks, street posters, broadsheets and brochures, topographic and thematic maps, city views, and collectible images of landmarks and other famous sights-redefined the ways in which public space was experienced, controlled, and utilized, encouraging tourists, pilgrims, and penitents while constraining the activities and movements of women, merchants, dissidents, and Jews. San Juan contends that the representations of urban space afforded by new print technologies were appropriated by a wide variety of people in the city for purposes that ranged from regulation to opposition. A sophisticated analysis of the contested relations between people, print culture, and urban modernity, Rome: A City Out of Print also offers a rich portrait of the life of the street and the city. Rose Marie San Juan is associate professor in the Department of Art History, Visual Art, and Theory at the University of British Columbia.
[more]
cover of Royal Apologetic in the Ancient Near East

Royal Apologetic in the Ancient Near East

Andrew Knapp

SBL Press, 2015

A fresh exploration of apologetic material that pushes beyond form criticism

Andrew Knapp applies modern genre theory to seven ancient Near Eastern royal apologies that served to defend the legitimacy of kings who came to power under irregular circumstances. Knapp examines texts and inscriptions related to Telipinu, Hattusili III, David, Solomon, Hazael, Esarhaddon, and Nabonidus to identify transhistorical common issues that unite each discourse.

Features:

  • Compares Hittite, Israelite, Aramean, Assyrian, and Babylonian apologies
  • Examination of apologetic as a mode instead of a genre
  • Charts and illustrations
[more]
cover of Royal Hittite Instructions and Related Administrative Texts

Royal Hittite Instructions and Related Administrative Texts

Jared L. Miller

SBL Press, 2013

Few compositions provide as much insight into the structure of the Hittite state and the nature of Hittite society as the so-called Instructions. While these texts may strike the modern reader as didactic, the Hittites, who categorized them together with state treaties, understood them as “contracts” or “obligations,” consisting of the king’s instructions to officials such as priests and temple personnel, mayors, military officers, border garrison commanders, and palace servants. They detail how and in what spirit the officials are to carry out their duties and what consequences they are to suffer for failure. Also included are several examples of closely related oath impositions and oaths. Collecting for the first time the entire corpus of Hittite Instructions, this accessible volume presents these works in transliteration of the original texts and translation, with clear and readable introductory essays, references to primary and secondary sources, and thorough indices.
[more]
cover of Ruling Culture: Art Police, Tomb Robbers, and the Rise of Cultural Power in Italy

Ruling Culture

Art Police, Tomb Robbers, and the Rise of Cultural Power in Italy

Fiona Greenland

University of Chicago Press, 2021

Through much of its history, Italy was Europe’s heart of the arts, an artistic playground for foreign elites and powers who bought, sold, and sometimes plundered countless artworks and antiquities. This loss of artifacts looted by other nations once put Italy at an economic and political disadvantage compared with northern European states. Now, more than any other country, Italy asserts control over its cultural heritage through a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In its efforts to bring their cultural artifacts home, Italy has entered into legal battles against some of the world’s major museums, including the Getty, New York’s Metropolitan Museum, and the Louvre. It has turned heritage into patrimony capital—a powerful and controversial convergence of art, money, and politics.

In 2006, the then-president of Italy declared his country to be “the world’s greatest cultural power.” With Ruling Culture, Fiona Greenland traces how Italy came to wield such extensive legal authority, global power, and cultural influence—from the nineteenth century unification of Italy and the passage of novel heritage laws, to current battles with the international art market. Today, Italy’s belief in its cultural superiority is evident through interactions between citizens, material culture, and the state—crystallized in the Art Squad, the highly visible military-police art protection unit. Greenland reveals the contemporary actors in this tale, taking a close look at the Art Squad and state archaeologists on one side and unauthorized excavators, thieves, and smugglers on the other. Drawing on years in Italy interviewing key figures and following leads, Greenland presents a multifaceted story of art crime, cultural diplomacy, and struggles between international powers. 
[more]