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This expansive volume examines the intersections of gender, race, sexuality, and other formations of identity in early modern representations of queens.

Race/Queer/Queens is a new intervention into the well-established field of queenship and royalty studies. Queens/(queans) are at once the epitome of royal power and the exemplum of gendered disenfranchisement. The essays in this volume address the interlocking methodologies of premodern critical race studies, gender and sexuality studies, and queer and trans theory to shed light on how gendered negotiations of power, reproductive politics, and embodied performance are determined by and inscribed within a hierarchy of gender, race, class, religion, nationhood, and sexuality. Ranging across early modern drama, poetry, and prose by the likes of William Shakespeare, Ben Jonson, Lucy Hutchinson, and Hester Pulter, the essays in Race/Queer/Queens offer new intersectional approaches to studies of early modern history, genealogy, embodiment, and the nation, including model methodologies and directions for future scholarship.

Beyond the battlefield: How race and gender redefined war, identity, and memory in Civil War America.

Race and Gender at War is a collection of essays that illuminates ways that race and gender have persistently shaped the military history of the United States. Editors Lesley J. Gordon and Andrew J. Huebner showcase historians with varied research agendas in the field of “war and society,” a fertile area of inquiry that shares space (and often overlaps) with operational studies inside the broader field of military history. Chronicling more than 150 years of American history, the essays in this volume demonstrate that the tensions and injustices surrounding race, gender, and the military remain relevant and controversial, and continue to roil American politics, society, and culture to this day.

Spanning the two centuries from the 1830s to the present, the collection examines topics such as Choctaw Natives who served in the Confederate Army, the trailblazing but fraught experiences of Black servicemen from the Civil War through World War I, the hypersexualized images of World War II servicemen, and the varied and mutable roles of women in the armed services. Utilizing diverse methodologies, the book examines how these factors influenced everything from military policy to civilian experiences, encompassing topics like martial rhetoric, citizenship, propaganda, and patriotism.
 

CONTRIBUTORS

Kevin Adams / Amanda Bellows / Kari L. Boyd-Weisenberger / Michele Curran Cornell / Lesley J. Gordon / Andrew J. Huebner / Gregory Mixon / Caroline Wood Newhall / Heather Marie Stur / Patrick T. Troester / Chad L. Williams / Fay A. Yarbrough

A bold addition to an advancing field, Radical Aesthetics and Modern Black Nationalism rewrites recent black cultural production even as it uncovers unexpected ways of locating black radicalism.

The account of one radically new school year for a Teacher of the Year and for his nonbinary, art-obsessed, brilliant child 

Seven-year-old Ollie was researching local advanced school programs—because every second grader does that, right? Ollie, who used to hate weekends because they meant no school, was crying on the way to school almost every day. Sure, there were the slings and arrows of bullies and bad teachers, but, maybe worse, Ollie, a funny, anxious, smart kid with a thing for choir and an eye for graphic art, was gravely underchallenged and also struggling with identity and how to live totally as themselves. Ollie begged to switch to a new school with “kids like me,” where they wouldn’t feel so alone, or so bored, and so they made the change. 

Raising Ollie is dad Tom Rademacher’s story (really, many stories) of that eventful and sometimes painful school year, parenting Ollie and relearning every day what it means to be a father and teacher. As Ollie—who is nonbinary and uses they/them pronouns, and prefers art to athletics, vegetables to cake, and animals to most humans—flourishes in their new school, Rademacher is making an eye-opening adjustment to a new school of his own, one that’s whiter and more suburban than anywhere he has previously taught, with a history of racial tension that he tries to address and navigate. 

While Ollie is learning to code, 3D model, animate, speak Japanese, and finally feel comfortable at school, Rademacher increasingly sees how his own educational struggles, anxieties, and childhood upbringing are reflected in his teaching, writing, and parenting, as well as in Ollie’s experience. And with this story of one anything-but-academic year of inquiry and wonder, doubt and revelation, he shows us how raising a kid changes everything—and how much raising a kid like Ollie can teach us about who we are and what we’re doing in the world.

For over a century, National Geographic has shaped American visual culture, captivating audiences with stunning photography and compelling storytelling. Yet behind its iconic yellow border lies a fraught legacy of gender bias, racial misrepresentation, and colonialist narratives.In this incisive study, Leland G. Spencer examines the brand's recent attempts to reckon with that legacy across its magazine and television platforms. From special issues spotlighting transgender lives, to a public acknowledgment of past racism, to a magazine edition created entirely by women, these efforts signal a move toward inclusivity. But as Spencer reveals through rigorous rhetorical analysis, these gestures often fall short. The texts themselves frequently echo the same systemic inequalities they seek to redress. National Geographic's progressive rebranding, he argues, remains tangled in the very histories it aims to transcend.
 

Winner of the 2019 Tobin Siebers Prize for Disability Studies in the Humanities

Kateřina Kolářová’s Rehabilitative Postsocialism offers a timely interdisciplinary and intersectional analysis of how disability, race, class, and gender operate as ideological tools within the postsocialist Czech Republic (formerly Czechoslovakia). Kolářová presents postsocialism as an analytic that can and should be brought to bear to understand cultural politics, economic formations, and state politics through the present day. 

Rehabilitative Postsocialism names disability, sexuality, and race as central yet invisible to negotiations of the postsocialist consensus. Drawing from a rich and varied archive, Rehabilitative Postsocialism maps the formation of new structures of inequalities and social imaginaries of wellness, merit, and justice in order to understand current articulations of global disenchantment with democracy, social justice, and solidarity. The book also makes clear that disability, race, and ethnicity continue to circulate in depictions of Eastern Europe as suspended in a chronic developmental “delay.” Rehabilitative Postsocialism both situates this positioning within its political and historical formation and offers the analytical tools to challenge its continued deployment.

Following the first edition’s breakthrough study of popular feminism in 2010s popular music, this new edition of Resilience & Melancholy expands its original analysis into the 2020s. Robin James reads pop music from artists like Taylor Swift, Charli XCX, Rihanna, Beyonce, and Lady Gaga against the work of philosophers, feminists, and media theorists like Michel Foucault, Patricia Hill Collins, and Steven Shaviro. The result is an accessible dive into the last two decades of pop music and its politics.

Throughout the book, James shows how pop music and the politics of gender and race intersect in their discourse of resilience. While the book argues that resilience is a postfeminist strategy that invites female artists to lean into patriarchal, racial, capitalist privilege, it also finds that artists such as Beyonce, Rihanna, and Atari Teenage Riot offer a melancholic alternative to resilience in their work. As music has continued to evolve, this melancholic opposition has evolved and responded to the co-optation of melancholy into chill, the asset-ification of music, the de-monetization of musical labor, and the rise of a reactionary masculine resilience.

Exploring how language shapes sexuality, power, and belonging.

Davin Allen Grindstaff, through a series of close textual analyses examining public discourse, uncovers the rhetorical modes of persuasion surrounding the construction of gay male sexual identity. In Part One, Grindstaff establishes his notion of the "rhetorical secret" central to constructions of gay male identity: the practice of sexual identity as a secret, its promise of a coherent sexual self, and the perpetuation of secrecy as a product and strategy of heteronormative discourse.

Grindstaff continues in Part Two to examine major issues related to contemporary conceptions of gay male identity: overturning sodomy laws; public debates over same-sex marriages; medical and social responses to the HIV/AIDS crisis; the rhetorical power of hyper-masculine body images and homoeroticism to creative communities; and, finally, what Grindstaff considers to be the most mysterious and significant rhetorical practice of all: coming out of the closet.

By investigating the public discourse--texts and images that circulate, produce knowledge, and become means of persuasion--surrounding the constructions of sexual identity, Grindstaff challenges heteronormative concepts of sexuality itself, thus creating new maps of social power and new paths of resistance.

Risqué Business serves up the breastaurant industry, where food service, sex appeal, identity, and gender politics mix.

Risqué Business explores the rise and ongoing cultural reckoning of “breastaurants”: sports bar–style restaurants like Hooters and Twin Peaks, which have long relied on the sexualized presentation of female servers to attract a mostly straight, male clientele. Ty Matejowsky, professor of anthropology at the University of Central Florida, is uniquely positioned in America’s foundational, breastaurant-saturated landscape. From this vantage, he offers a well-balanced account that draws on pop culture, media analysis, and contemporary gender politics. He delivers a smart, layered analysis of how breastaurants commodify youth and femininity, uphold retrograde masculinity, and serve as symbolic battlegrounds in today's highly charged political environments including America's deeply polarized Red State/Blue State divide.

With case studies, cultural critique, and a critical lens on labor and sexuality, Matejowsky reveals how these restaurants are more than just risqué marketing gimmicks. They reflect deeper anxieties about gender, identity, and the uneasy fusion of sex and service in American consumer culture. Risqué Business is a high-spirited study of an industry that thrives at the intersection of appetite and identity.

Exploring gender and sexuality in the Gilded Age through one sensationalized life

Addie Liona Walker. Leon A. Belmont. Nova McClure Carr. Romantic Sensation tells the full story of this one ordinary person’s singular life. Assigned a female sex at birth, Addie was born in Massachusetts in 1853 and lived as a woman for twenty-five years. After transitioning in 1878, Addie became Leon and lived as a man for twenty-four years before making a second gender transition and living as a woman, Nova, for the rest of her life. Placing these milestones within the historical context of the late nineteenth and early twentieth centuries, Lizzie Ehrenhalt traces Belmont’s life, from child laborer to husband, from outlaw to heartthrob, and from stepfather to single mother.

Belmont was a Gilded Age celebrity: he made national news for breaking an ordinance against dressing as the “opposite” sex in Minneapolis, and he inspired a media frenzy when one of his girlfriends told police that he was a woman. While newspapers labeled Belmont a “curious and romantic sensation,” Ehrenhalt shows that he was not much of a sensation after all. Illuminating what his story can tell us about Americans’ developing understandings of sexuality and gender in the 1850s through the 1920s, she reveals how Belmont’s run-ins with police, doctors, courts, and reporters resonate in the evolution of the LGBTQIA+ identities we recognize today.

An empathetic case study of a figure often denied respect in the telling of his story, Romantic Sensation presents Belmont’s gender transitions not as puzzles in need of solving but as acts grounded in the cultural milieu of the Gilded Age. Traversing the dramatic economic upheavals of the second industrial revolution, the Era of Good Stealings, and the Great Railroad Strike of 1922, and spanning the Cult of Domesticity, the invention of sexology, and the rise of New Womanhood, Ehrenhalt uses Belmont’s example to demonstrate how trans, queer, and intersex histories are inseparable from American history.

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