479 books match the query 'New York (State)' and 22 start with r

cover of Race In The Hood: Conflict and Violence among Urban Youth

Race In The Hood

Conflict and Violence among Urban Youth

Howard Pinderhughes

University of Minnesota Press, 1997

A compelling study of the origins of racial conflict and violence in America.

“We’ll just be hanging out, partying. And somebody will say, ‘Hey, let’s go on a mission.’ That’s when you go looking for people who don’t belong in the neighborhood, and you beat ’em up. Sometimes we go out lookin’ for blacks to jump. Sometimes we look for anybody who ain’t supposed to be there.” —Sal, Avenue T Boys

Why are racial conflict and violence among the most enduring problems in American society? Why do some youths express racism violently while others develop tolerance and respect for those who are different? What can we as a society do to foster open-mindedness among children and teenagers? Seeking answers to these questions, Howard Pinderhughes spent two years talking to and studying three groups of New York City adolescents: the predominantly Italian American Avenue T Boys from the Bensonhurst section of Brooklyn; a group of African American teenagers from Schomberg Plaza in East Harlem; and a group of Albanian American youth from Pelham Park in the Bronx. Through the voices of these young people, Pinderhughes examines how racial attitudes and identities develop in communities and are then expressed as either tolerance, resulting in territorial cooperation, or hatred, resulting in racial conflict. Race in the Hood draws a picture of young people who grew up in similar class circumstances, facing remarkably similar problems and issues, with one significant difference in their lives-their race or ethnicity. Pinderhughes argues that the key to success in developing racial tolerance lies in the transformation of racialized grassroots ideologies through community and school-based multicultural education. A sophisticated and nuanced study of race relations in New York City, Race in the Hood points to areas of concern and directions for change in all of our communities.
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cover of Race and Religion Among the Chosen People of Crown Heights

Race and Religion Among the Chosen People of Crown Heights

Goldschmidt, Henry

Rutgers University Press, 2006

In August of 1991, the Brooklyn neighborhood of Crown Heights was engulfed in violence following the deaths of Gavin Cato and Yankel Rosenbaum—a West Indian boy struck by a car in the motorcade of a Hasidic spiritual leader and an orthodox Jew stabbed by a Black teenager. The ensuing unrest thrust the tensions between the Lubavitch Hasidic community and their Afro-Caribbean and African American neighbors into the media spotlight, spurring local and national debates on diversity and multiculturalism. Crown Heights became a symbol of racial and religious division. Yet few have paused to examine the nature of Black-Jewish difference in Crown Heights, or to question the flawed assumptions about race and religion that shape the politics—and perceptions—of conflict in the community.

In Race and Religion among the Chosen Peoples of Crown Heights, Henry Goldschmidt explores the everyday realities of difference in Crown Heights. Drawing on two years of fieldwork and interviews, he argues that identity formation is particularly complex in Crown Heights because the neighborhood’s communities envision the conflict in remarkably diverse ways. Lubavitch Hasidic Jews tend to describe it as a religious difference between Jews and Gentiles, while their Afro-Caribbean and African American neighbors usually define it as a racial difference between Blacks and Whites. These tangled definitions are further complicated by government agencies who address the issue as a matter of culture, and by the Lubavitch Hasidic  belief—a belief shared with a surprising number of their neighbors—that they are a “chosen people” whose identity transcends the constraints of the social world.

The efforts of the Lub­avitch Hasidic community to live as a divinely chosen people in a diverse Brooklyn neighbor­hood where collective identi­ties are generally defined in terms of race illuminate the limits of American multiculturalism—a concept that claims to celebrate diversity, yet only accommodates variations of certain kinds. Taking the history of conflict in Crown Heights as an invitation to reimagine our shared social world, Goldschmidt interrogates the boundaries of race and religion and works to create space in American society for radical forms of cultural difference.

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cover of Radiant Daughter: A Novel

Radiant Daughter

A Novel

Patricia Grossman

Northwestern University Press, 2010

In Radiant Daughter, award-winning novelist Patricia Grossman follows a Czech-American family for twenty-seven years, beginning in suburban Chicago in 1969 and ending in Brooklyn, in seaside “Little Odessa,” in 1996. Though the novel begins as a traditional assimilation story—immigrant parents, “native” children, and the conflicts one might expect—it evolves into a highly particular and harrowing tale surrounding the descent of Elise Blazek, the family’s brightest star. Radiant Daughter is also a story of translation—between generations, from the Czech of Irena and Stepan, to the “American” of the children, and finally to the Russian that is Elise’s academic specialty.

 Radiant Daughter explores all that is human, from the most self-destructive behavior to the highest forms of commitment and self-sacrifice. Even at her lowest moments, Irena never loses her fierce love for the daughter who has traveled so utterly beyond her reach. For Elise, the future will always be complicated: a precarious balance between periods of insight, bursts of accomplishment, and the abyss of her illness.

Reminiscent, on the one hand, of the meticulously constructed mother-daughter dynamic in Carol Shields’s Unless and, on the other, of the anarchic real-life experience of Big and Little Edie Beale in Grey Gardens, Grossman’s moving narrative breaks new ground in exploring a dangerous turn in the complex bond between a mother and her adult child.

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cover of Radical Gotham: Anarchism in New York City from Schwab's Saloon to Occupy Wall Street

Radical Gotham

Anarchism in New York City from Schwab's Saloon to Occupy Wall Street

Edited by Tom Goyens

University of Illinois Press, 2017

New York City's identity as a cultural and artistic center, as a point of arrival for millions of immigrants sympathetic to anarchist ideas, and as a hub of capitalism made the city a unique and dynamic terrain for anarchist activity. For 150 years, Gotham's cosmopolitan setting created a unique interplay between anarchism's human actors and an urban space that invites constant reinvention. Tom Goyens gathers essays that demonstrate anarchism's endurance as a political and cultural ideology and movement in New York from the 1870s to 2011. The authors cover the gamut of anarchy's emergence in and connection to the city. Some offer important new insights on German, Yiddish, Italian, and Spanish-speaking anarchists. Others explore anarchism's influence on religion, politics, and the visual and performing arts. A concluding essay looks at Occupy Wall Street's roots in New York City's anarchist tradition. Contributors: Allan Antliff, Marcella Bencivenni, Caitlin Casey, Christopher J. Castañeda, Andrew Cornell, Heather Gautney, Tom Goyens, Anne Klejment, Alan W. Moore, Erin Wallace, and Kenyon Zimmer.
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cover of Raving

Raving

McKenzie Wark

Duke University Press, 2023

What is an art of life for what feels like the end of a world? In Raving McKenzie Wark takes readers into the undisclosed locations of New York’s thriving underground queer and trans rave scene. Techno, first and always a Black music, invites fresh sonic and temporal possibilities for this era of diminishing futures. Raving to techno is an art and a technique at which queer and trans bodies might be particularly adept but which is for anyone who lets the beat seduce them. Extending the rave’s sensations, situations, fog, lasers, drugs, and pounding sound systems onto the page, Wark invokes a trans practice of raving as a timely aesthetic for dancing in the ruins of this collapsing capital.
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cover of Ready-to-Wear and Ready-to-Work: A Century of Industry and Immigrants in Paris and New York

Ready-to-Wear and Ready-to-Work

A Century of Industry and Immigrants in Paris and New York

Nancy L. Green

Duke University Press, 1997

Nancy L. Green offers a critical and lively look at New York’s Seventh Avenue and the Parisian Sentier in this first comparative study of the two historical centers of the women’s garment industry. Torn between mass production and "art," this industry is one of the few manufacturing sectors left in the service-centered cities of today. Ready-to-Wear and Ready-to-Work tells the story of urban growth, the politics of labor, and the relationships among the many immigrant groups who have come to work the sewing machines over the last century.

Green focuses on issues of fashion and fabrication as they involve both the production and consumption of clothing. Traditionally, much of the urban garment industry has been organized around small workshops and flexible homework, and Green emphasizes the effect this labor organization had on the men and mostly women who have sewn the garments. Whether considering the immigrant Jews, Italians, Puerto Ricans, Dominicans, and Chinese in New York or the Chinese-Cambodians, Turks, Armenians, and Russian, Polish, and Tunisian Jews in Paris, she outlines similarities of social experience in the shops and the unions, while allowing the voices of the workers, in all their diversity to be heard.

A provocative examination of gender and ethnicity, historical conflict and consensus, and notions of class and cultural difference, Ready-to-Wear and Ready-to-Work breaks new ground in the methodology of comparative history.
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cover of Real Black: Adventures in Racial Sincerity

Real Black

Adventures in Racial Sincerity

John L. Jackson Jr.

University of Chicago Press, 2005

New York's urban neighborhoods are full of young would-be emcees who aspire to "keep it real" and restaurants like Sylvia's famous soul food eatery that offer a taste of "authentic" black culture. In these and other venues, authenticity is considered the best way to distinguish the real from the phony, the genuine from the fake. But in Real Black, John L. Jackson Jr. proposes a new model for thinking about these issues—racial sincerity.

Jackson argues that authenticity caricatures identity as something imposed on people, imprisoning them within stereotypes: an African American high school student who excels in the classroom, for instance, might be dismissed as "acting white." On the other hand, sincerity, as Jackson defines it, imagines authenticity as an incomplete measuring stick, an analytical model that attempts to deny people agency in their search for identity. 

Drawing on more than ten years of ethnographic research in and around New York City, Jackson offers a kaleidoscope of subjects and stories that directly  and indirectly address how race is negotiated in today's world—including tales of book-vending numerologists, urban conspiracy theorists, corrupt police officers, mixed-race neo-Nazis, and gospel choirs forbidden to catch the Holy Ghost. Jackson records and retells their interconnected sagas, all the while attempting to reconcile these stories with his own crisis of identity and authority as an anthropologist terrified by fieldwork. Finding ethnographic significance where mere mortals see only bricks and mortar, his invented alter ego Anthroman takes to the streets, showing how race is defined and debated, imposed and confounded every single day.
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cover of Reconstructing Chinatown: Ethnic Enclave, Global Change

Reconstructing Chinatown

Ethnic Enclave, Global Change

Jan Lin

University of Minnesota Press, 1998

An exploration of this fascinating community as a window on globalization.

In the American popular imagination, Chinatown is a mysterious and dangerous place, clannish and dilapidated, filled with sweatshops, vice, and organized crime. In this well-written and engaging volume, Jan Lin presents a real-world picture of New York City’s Chinatown, countering this “orientalist” view by looking at the human dimensions and the larger forces of globalization that make this vital neighborhood both unique and broadly instructive.

Using interviews with residents, firsthand observation, archival research, and U.S. census data, Lin delivers an informed, reliable picture of Chinatown today. Lin claims that to understand contemporary ethnic neighborhoods like this one we must dispense with notions of monolithic “community.” When he looks at Chinatown, Lin sees a neighborhood that is being rebuilt, both literally and economically. Rather than a clannish and unified peer group, he sees substantial class inequality and internal social conflict. There is also social change, most visibly manifested in dramatic episodes of collective action by sweatshop workers and community activists and in the growing influence of Chinatown’s denizens in electoral politics. Popular portrayals of Chinatown also reflect a new global reality: as American cities change with the international economy, traditional assumptions about immigrant incorporation into U.S. society alter as well. Lin describes the public disquiet and official response regarding immigration, sweatshops, and the influx of Asian capital. He outlines the ways that local, state, and federal governments have directed and gained from globalization in Chinatown through banking deregulation and urban redevelopment policy. Finally, Lin puts forth Chinatown as a central enclave in the “world city” of New York, arguing that globalization brings similar structural processes of urban change to diverse locations. In the end, Lin moves beyond the myth of Chinatown, clarifying the meaning of globalization and its myriad effects within the local context.
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cover of Red International and Black Caribbean: Communists in New York City, Mexico and the West Indies, 1919-1939

Red International and Black Caribbean

Communists in New York City, Mexico and the West Indies, 1919-1939

Margaret Stevens

Pluto Press, 2017

Too often grouped together, the black radicalism movement has a history wholly separate from the international communist movement of the early twentieth century. In Red International and Black Caribbean Margaret Stevens sets out to correct this enduring misconception. Focusing on the period 1919-39, Stevens explores the political roots of a dozen Communist organizations and parties that were headquartered in New York City, Mexico, and the Caribbean. She describes the inner workings of the Red International—the revolutionary global political network established under the Communist International—in relation to struggles against racial and colonial oppression. In doing so, she also highlights how the significant victories and setbacks of black people fighting against racial oppression developed within the context of the global Communist movement.
 
Challenging dominant accounts, Red International and Black Caribbean debunks the “great men” narrative, emphasizes the role of women in their capacity as laborers, and paints the true struggles of black peasants and workers in Communist parties. 
 
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cover of Rediscovering Jacob Riis: Exposure Journalism and Photography in Turn-of-the-Century New York

Rediscovering Jacob Riis

Exposure Journalism and Photography in Turn-of-the-Century New York

Bonnie Yochelson and Daniel Czitrom

University of Chicago Press, 2014

Before publishing his pioneering book How the Other Half Lives—a photojournalistic investigation into the poverty of New York’s tenement houses, home to three quarters of the city’s population—Jacob Riis (1849-1914) spent his first years in the United States as an immigrant and itinerant laborer, barely surviving on his carpentry skills until he landed a job as a muckraking reporter. These early experiences provided Riis with an understanding of what it was like to be poor in the immigrant communities that populated New York’s slums, and it was this empathy that would shine through in his iconic photos.

With Rediscovering Jacob Riis, art historian Bonnie Yochelson and historian Daniel Czitrom place Jacob Riis’s images in historical context even as they expose a clear sightline to the present. In the first half of their book, Czitrom explores Riis’s reporting and activism within the gritty specifics of Gilded Age New York: its new immigrants, its political machines, its fiercely competitive journalism, its evangelical reformers, and its labor movement. In delving into Riis’s intellectual education and the lasting impact of How the Other Half Lives, Czitrom shows that though Riis argued for charity, not sociopolitical justice, the empathy that drove his work continues to inspire urban reformers today.
In the second half of the book, Yochelson describes for the first time Riis’s photographic practice: his initial reliance on amateur photographers to take the photographs he needed, his own use of the camera, and then his collecting of photographs by professionals, who by 1900 were documenting social reform efforts for government agencies and charities. She argues that while Riis is rightly considered a revolutionary in the history of photography, he was not a photographic artist. Instead, Riis was a writer and lecturer who first harnessed the power of photography to affect social change.

As staggering inequality continues to be an urgent political topic, this book, illustrated with nearly seventy of Riis’s photographs, will serve as a stunning reminder of what has changed, and what has not.
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cover of Reel Freedom: Black Film Culture in Early Twentieth-Century New York City

Reel Freedom

Black Film Culture in Early Twentieth-Century New York City

Alyssa Lopez

Temple University Press, 2025

Reel Freedom intimately captures the relationship between Black film culture and space in New York City. Alyssa Lopez argues that Black film culture, from its origins in the early twentieth century to its firm establishment in the 1930s, was necessarily both entertainment and resistance, connected as it was to Black New Yorkers’ demands for access and equality in the city.

Lopez investigates how ordinary people, labor activists, journalists, filmmakers, theater managers, and owners all shaped Black film culture. Black girls and women used moviegoing as a means of independence and control over their lives. Race filmmaker Oscar Micheaux fought with New York State’s censorship board to get his films screened with limited edits in local theaters. And Harlem’s Black projectionists battled for unionization and fair pay, while journalists linked cinema to Black New Yorkers’ lived experiences.

In Reel Freedom, Lopez chronicles the wide-ranging and remarkable pervasiveness of Black film culture in New York City, redefining a period and place most associated with the Harlem Renaissance.  In doing so, she illustrates how Black New Yorkers leveraged cinema to make the city their own and to enjoy urban living to its fullest.

In the series Urban Life, Landscape, and Policy
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cover of Regina Anderson Andrews, Harlem Renaissance Librarian

Regina Anderson Andrews, Harlem Renaissance Librarian

Ethelene Whitmire

University of Illinois Press, 2015

The first African American to head a branch of the New York Public Library (NYPL), Regina Andrews led an extraordinary life. Allied with W. E. B. Du Bois, Andrews fought for promotion and equal pay against entrenched sexism and racism and battled institutional restrictions confining African American librarians to only a few neighborhoods within New York City.

Andrews also played a key role in the Harlem Renaissance, supporting writers and intellectuals with dedicated workspace at her 135th Street Branch Library. After hours she cohosted a legendary salon that drew the likes of Langston Hughes and Zora Neale Hurston. Her work as an actress and playwright helped establish the Harlem Experimental Theater, where she wrote plays about lynching, passing, and the Underground Railroad.

Ethelene Whitmire's new biography offers the first full-length study of Andrews's activism and pioneering work with the NYPL. Whitmire's portrait of her sustained efforts to break down barriers reveals Andrews's legacy and places her within the NYPL's larger history.

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cover of Rehabilitating Lochner: Defending Individual Rights against Progressive Reform

Rehabilitating Lochner

Defending Individual Rights against Progressive Reform

David E. Bernstein

University of Chicago Press, 2011

In this timely reevaluation of an infamous Supreme Court decision, David E. Bernstein provides a compelling survey of the history and background of Lochner v. New York. This 1905 decision invalidated state laws limiting work hours and became the leading case contending that novel economic regulations were unconstitutional. Sure to be controversial, Rehabilitating Lochner argues that the decision was well grounded in precedent—and that modern constitutional jurisprudence owes at least as much to the limited-government ideas of Lochner proponents as to the more expansive vision of its Progressive opponents.
 

Tracing the influence of this decision through subsequent battles over segregation laws, sex discrimination, civil liberties, and more, Rehabilitating Lochner argues not only that the court acted reasonably in Lochner, but that Lochner and like-minded cases have been widely misunderstood and unfairly maligned ever since.

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cover of Reinventing Care: Assisted Living in New York City

Reinventing Care

Assisted Living in New York City

David Barton Smith

Vanderbilt University Press, 2003

TThe recent growth of "assisted living" facilities and programs has shaken the foundations of the system of long-term care for the elderly in the United States. Fueled by consumer frustrations with the available options, notably nursing homes, the assisted living model emerged during the 1990s to promise shelter, health care, control of one's own life, less government involvement, and a "real home." But how well have the advocates and developers of assisted living delivered on such promises? And what are the model's implications for public policy and the future of caregiving?

In Reinventing Care, David Barton Smith offers brilliant insights into those questions by examining the realities of assisted living in New York City. Encompassing the largest, most concentrated population of elderly in the United States, New York spends more per person caring for its seniors than any other urban center. Yet, while the size of the city's care system boggles the mind, it nevertheless contains the same elements that exist in other metropolitan areas and thus provides valuable lessons for the nation as a whole.

Smith's study draws on twenty-five years of research, including hundreds of interviews and visits to representative facilities. He provides a succinct overview of how care is presently organized for New York's aging population and traces the history of the system up to the present. Among the key issues he addresses are the role of market forces and government regulation, the impact of class differences on access to quality care, and the ways in which perceptions of community affect the creation and management of assisted living programs. At the heart of the book are ten fascinating case studies, half of them focused on private-pay facilities and the other half on public-pay institutions.

While finding that the actualities of assisted living rarely match the rhetoric of its proponents, Smith sees much to admire in its goals. He suggests tactics and strategies--such as promoting family- and community-based models of assisted living and adopting a standard of licensure for certain facilities--that could point the way to a better future.

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cover of Relatability: Sharing and Oversharing with the New York School Poets

Relatability

Sharing and Oversharing with the New York School Poets

Brian Glavey

University of Chicago Press, 2026

An engaging account of how the New York School poets used art to imagine their queerness as something that might be shared with other people.

How did Frank O’Hara and other New York School poets—a small coterie associated with experimental art and gay culture —become fixtures in today’s culture, quoted on prestige television shows, in teen romances, and at the wedding ceremonies of straight celebrities? How, in other words, did these poets become so relatable? Brian Glavey’s Relatability tells the story of an aesthetic as it traveled from a cluster of mostly queer poets in the middle of the twentieth century to become increasingly central to everyday life in the early twenty-first century. 

That the New York School poets are more relatable now than they were during their own lifetime speaks in part to the growing acceptance of same-sex desire in American culture. But Glavey argues that this transformation also tells the story of a shift in the way that aesthetic experience is understood to work. Moving away from forms of modernist impersonality, O’Hara, John Ashbery, James Schuyler, and Joe Brainard made sociability central to the experience of art and literature. Attempting to share their experience of works of art, they were willing to risk the reader’s judgment that they had, perhaps, overshared. Glavey advances an idea of aesthetic judgment that takes seriously its missed connections as well as its successes. Relatability adds a fresh perspective to current conversations around attachment and affect in literary studies.

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cover of Remaking New York: Primitive Globalization And The Politics Of Urban Community

Remaking New York

Primitive Globalization And The Politics Of Urban Community

William Sites

University of Minnesota Press, 2003

Uses New York City to discuss the ways that policy has mismanaged the effects of globalization

Inequality increases, instability grows, communities fragment: this is the fate of a city in the wake of globalization—but is globalization really the cause? Proposing a new perspective on politics, globalization, and the city, this provocative book argues that such urban problems result in part from U.S. policies that can be changed.

William Sites develops the concept of primitive globalization, identifying a pattern of reactive politics—ad hoc measures to subsidize business, displace the urban poor, and dismantle the welfare state—that uproots social actors (corporations, citizens, urban residents) and facilitates a damaging, short-term-oriented type of international integration. In light of this theory, Sites examines the transformation of New York City since the 1970s, focusing on the logic of political action at national, local, and neighborhood levels. In the process, the story of late twentieth-century New York and its Lower East Side community emerges as something different: not a tale of globalist transformation or of local resurgence but a distinctly American case, one in which urban politics and the state, in their own right, exacerbate inequality and community fragmentation within the city.
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cover of Remarkable Curiosity: Dispatches from a New York City Journalist's 1873 Railroad Trip across the American West

Remarkable Curiosity

Dispatches from a New York City Journalist's 1873 Railroad Trip across the American West

Jerald T. Milanich

University Press of Colorado, 2008

Collected in this volume for the first time are Cummings's portraits of a land and its assortment of characters unlike anything back East. Characters like Pedro Armijo, the New Mexican sheep tycoon who took Denver by storm, and more prominently the Mormon prophet Brigham Young and one of his wives, Ann Eliza Young, who was filing for divorce at the time of Cummings's arrival.

Although today he is virtually unknown, during his lifetime Cummings was one of the most famous newspapermen in the United States, in part because of stories like these. Complete with a biographical sketch and historical introduction, A Remarkable Curiosity is an enjoyable read for anybody interested in the American West in the latter half of the nineteenth century.

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cover of Resilient City: The Economic Impact of 9/11

Resilient City

The Economic Impact of 9/11

Howard Chernick

Russell Sage Foundation, 2005

The strike against the World Trade Center on September 11, 2001, was a violent blow against the United States and a symbolic attack on capitalism and commerce. It shut down one of the world's busiest commercial centers for weeks, destroyed or damaged billions of dollars worth of property, and forced many New York City employers to slash their payrolls or move jobs to other areas. The immediate economic effect was substantial, but how badly did 9/11 affect New York City's economy in the longer term? In Resilient City, Howard Chernick and a team of economic experts examine the city's economic recovery in the three years following the destruction of the Twin Towers. Assessing multiple facets of the New York City economy in the years after 9/11, Resilient City discerns many hopeful signs among persistent troubles. Analysis by economist Sanders Korenman indicates that the value of New York–based companies did not fall relative to other firms, indicating that investors still believe that there are business advantages to operating in New York despite higher rates of terrorism insurance and concerns about future attacks. Cordelia Reimers separates the economic effect of 9/11 from the effects of the 2001 recession by comparing employment and wage trends for disadvantaged workers in New York with those in five major U.S. cities. She finds that New Yorkers fared at least as well as people in other cities, suggesting that the decline in earnings and employment for low-income New York workers in 2002 was due more to the recession than to the effects of 9/11. Still, troubles remain for New York City. Howard Chernick considers the substantial fiscal implications of the terrorist attacks on New York City, estimating that the attack cost the city about $3 billion in the first two years alone; a sum that the city now must make up through large tax increases, spending cuts, and substantial additional borrowing, which will inevitably be a burden on future budgets. The terrorist attacks of September 11 dealt a severe blow to the economy of New York City, but it was far from a knock-out punch. Resilient City shows that New York's dynamic, flexible economy has absorbed the hardships inflicted by the attacks, and provides a thorough, authoritative A Russell Sage Foundation September 11 Initiative Volume
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cover of Rivington Street: A NOVEL

Rivington Street

A NOVEL

Meredith Tax

University of Illinois Press, 1982

This sprawling historical novel follows the fortunes of four enterprising, courageous Jewish women on New York's Lower East Side. Hannah Levy masterminds her family's escape, despite her radical husband's objections, from czarist Russia after the Kishinev pogroms; elder daughter Sarah becomes a union organizer and a socialist while the younger Ruby rises to the top of the fashion design world; their friend Rachel abandons her ultra-Orthodox background to go to work for the Jewish Daily Forward. Through their lives, loves, and convictions, Meredith Tax draws the reader irresistibly into the explosive events that shaped women's possibilities in the early twentieth century.
 
An absorbing, epic novel, Rivington Street is also suitable for use as a classroom text.
 
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cover of Robert Clifton Weaver and the American City: The Life and Times of an Urban Reformer

Robert Clifton Weaver and the American City

The Life and Times of an Urban Reformer

Wendell E. Pritchett

University of Chicago Press, 2008

From his role as Franklin Roosevelt’s “negro advisor” to his appointment under Lyndon Johnson as the first secretary of Housing and Urban Development, Robert Clifton Weaver was one of the most influential domestic policy makers and civil rights advocates of the twentieth century. This volume, the first biography of the first African American to hold a cabinet position in the federal government, rescues from obscurity the story of a man whose legacy continues to affect American race relations and the cities in which they largely play out.

Tracing Weaver’s career through the creation, expansion, and contraction of New Deal liberalism, Wendell E. Pritchett illuminates his instrumental role in the birth of almost every urban initiative of the period, from public housing and urban renewal to affirmative action and rent control. Beyond these policy achievements, Weaver also founded racial liberalism, a new approach to race relations that propelled him through a series of high-level positions in public and private agencies working to promote racial cooperation in American cities. But Pritchett shows that despite Weaver’s efforts to make race irrelevant, white and black Americans continued to call on him to mediate between the races—a position that grew increasingly untenable as Weaver remained caught between the white power structure to which he pledged his allegiance and the African Americans whose lives he devoted his career to improving. 

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cover of Rogue Scholar: The Sinister Life and Celebrated Death of Edward H. Rulloff

Rogue Scholar

The Sinister Life and Celebrated Death of Edward H. Rulloff

Richard W. Bailey

University of Michigan Press, 2003

This is the tale of the insalubrious and utterly failed life of the notorious nineteenth-century thief, murderer, professional impostor, and would-be philologist Edward Rulloff, who was condemned to die and hanged for his crimes. The life of Rulloff is a sordid account of misguided genius and abysmal consequences. Those who loved him courted disaster, and, in every case, the courtship flowered into catastrophe.
Richard Bailey's narrative, calm and impartial yet spiked with wit and suspense, captures perfectly the slightly haunted and overwrought air of Victorian rural America, calling on newspaper accounts, interviews, and eyewitness reports of the day. Inevitably, the quiet accumulation of details builds to a story that transcends its individual events to touch on the universal themes of any age.
Rogue Scholar is about the evil of one man who lived a life of deception and crime. Yet in a larger sense it is also the portrait of a condemned soul in its final hours, an examination of the death penalty, and a reminder that media sensationalism is nothing new.
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cover of Rubbish!: The Archaeology of Garbage

Rubbish!

The Archaeology of Garbage

William Rathje and Cullen Murphy

University of Arizona Press, 2001

It is from the discards of former civilizations that archaeologists have reconstructed most of what we know about the past, and it is through their examination of today’s garbage that William Rathje and Cullen Murphy inform us of our present. Rubbish! is their witty and erudite investigation into all aspects of the phenomenon of garbage. Rathje and Murphy show what the study of garbage tells us about a population’s demographics and buying habits. Along the way, they dispel the common myths about our “garbage crisis”—about fast-food packaging and disposable diapers, about biodegradable garbage and the acceleration of the average family’s garbage output. They also suggest methods for dealing with the garbage that we do have.
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