557 books match the query 'Poems' and 23 start with r

cover of Rabbits Could Sing: Poems

Rabbits Could Sing

Poems

Amber Flora Thomas

University of Alaska Press, 2012

The poems included in The Rabbits Could Sing delve farther into territory that Amber Flora Thomas visited in her prize-winning book Eye of Water, showing even more clearly how “the seam has been pulled so far open on the past” that “the dress will never close.” Here, the poem acts not as a body in itself but as a garb drawn around the here and now. Loss, longing, and violation are sustenance to a spirit jarred from its animal flesh and torn apart, unsettling the reader with surprising images that are difficult to forget. The poems in The Rabbits Could Sing invite the reader into a world thick with the lush bounty of summer in the far north, where the present is never far from the shadow of the past.
 

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cover of Rain, Wind, Thunder, Fire, Daughter: Poems

Rain, Wind, Thunder, Fire, Daughter

Poems

H. G. Dierdorff

University of Nevada Press, 2024

2022 Betsy Joiner Flanagan Poetry Prize winner

Rain, Wind, Thunder, Fire, Daughter
 is a story about leaving religion and coming of age in a world of accelerating climate apocalypses and environmental loss. In her debut collection of poems, H. G. Dierdorff interweaves an investigation of wildfires in Eastern Washington with a personal account of growing up in Christian fundamentalism, calling our attention to the violent histories undergirding both.

“I want you to touch the fire / sparking from my lips” the opening sonnet commands, daring the reader to abandon the safety of analytical distance and draw near to the moment of ignition itself. The voice that emerges is incessant, ecstatic, explosive. Fire erupts from every page, multiplying into rage, desire, judgement, responsibility, and renewal. 

A love song to the forests of the Pacific Northwest, a dramatic portrait of a daughter struggling to find her place in her family, and a philosophical exploration of the limits of language and belief, this collection demands the necessity of both pleasure and grief as responses to a world on fire.
 
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cover of Raw Silk: Poems

Raw Silk

Poems

Meena Alexander

Northwestern University Press, 2004

A deeply moving collection from a poet who crosses borders

New York City poet Meena Alexander was born in Allahabad, India and divided her childhood between India and the Sudan. From her cross-cultural perspective, Alexander writes with moving intensity of post-September 11 events as she evokes violence and civil strife, love, despair, and a hard-won hope. This autobiographical cycle of poems reflects the surrealism of such a life, and is shot through with the frissons of pleasure and pain, of beauty and tension, that mark a truly global identity. 
 

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cover of Red Army Red: Poems

Red Army Red

Poems

Jehanne Dubrow

Northwestern University Press, 2012

Displaying a sure sense of craft and a sharp facility for linking personal experience to the public realms of history and politics, Jehanne Dubrow’s Red Army Red chronicles the coming of age of a child of American diplomats in Eastern Europe in the 1980s. In the last moments of the Cold War, Poland—the setting for many of the poems—lurches fitfully from a society characterized by hardship and deprivation toward a free-market economy. The contradictions and turmoil generated by this transition are the context in which an adolescent girl awakens to her sexuality. With wit and subtlety, Dubrow makes apparent the parallels between the body and the body politic, between the fulfillment of individual and collective desires.
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cover of Red Silk: Poems

Red Silk

Poems

Maryfrances Wagner

BkMk Press, 2022

Red Silk by Missouri Poet Laureate Maryfrances Wagner is now back in print. Winner of the Thorpe Menn Award, Red Silk’s subjects draw upon her Italian-American immigrant family, personal reverberations of the Vietnam War, and coming of age in the Midwest.  
 
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cover of Refugia: Poems

Refugia

Poems

Kyce Bello

University of Nevada Press, 2019

Winner of the 2020 New Mexico-Arizona Book Awards 
Winner of the inaugural Interim 2018 Test Site Poetry Series Prize


Refugia is a bright and hopeful voice in the current conversation about climate change. Kyce Bello’s stunning debut ponders what it means to inhabit a particular place at a time of enormous disruption, witnessing a beloved landscape as it gives way to, as Bello writes, “something other and unknown, growing beyond us.” Ultimately an exploration of resilience, Refugia brings to life the author’s home ground in Northern New Mexico and carefully observes the seasons in parallel with personal cycles of renewal and loss. These vivid poems touch upon history, inheritance, drought, and most of all, trees—be they Western conifers succumbing to warming temperatures, ramshackle orchards along the Rio Grande, or family trees reaching simultaneously into the past and future.

Like any wilderness, Refugia creates a terrain that is grounded in image and yet many-layered and complex. These poems write us back into an ecological language of place crucial to our survival in this time of environmental crisis.
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cover of Renunciation: POEMS

Renunciation

POEMS

Corey Marks

University of Illinois Press, 2000

Renunciation introduces a powerful new poet whose work, though it treads the ground of silence and loss, bears a redemptive grace. Disquieting and healing, Corey Marks's poems hold to "a moment when possibility / bristles so close it holds a shape in the air."
 
The sculptor Gislebertus, Doubting Thomas, Theseus, and John Keats share space in the pages of Renunciation with a survivor of the bomb in Hiroshima, a blind girl in the South American jungle, and DeSoto's thirteen swine in the hold of a ship bound for America. Rich with almost palpable nuances of light and sound, Marks's lyric meditations unravel a constant play of loss and continuation, "mending sense from spare threads" and hovering over connections undone even as they are made.
 
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cover of Repair Attempts: Poems

Repair Attempts

Poems

Cameron Quan

Northwestern University Press, 2027

A poetic reckoning with personal, political, and historical wounds

The titular “repair attempts” describes the words and actions people use to heal broken connections and de-escalate conflict. In his debut collection, Cameron Quan transforms this concept into a powerful lens for examining moral responsibility in contemporary America. Quan’s Repair Attempts navigates Asian American identity, American exceptionalism, patriarchal violence, grief, and the nature of apologies. The speakers grapple with transgression and healing from unexpected angles, asking what kind of repair is possible in a world marred by atrocities. These poems dance across landscapes—from an imagined American holiday of atonement to the pope’s apology to Indigenous peoples, from a mother preparing to flee domestic violence to an unsettling childhood game boys play with butterflies. A chorus of repair attempts that toggle between the personal and political, this collection invites us into difficult territory where failure, wrongdoing, and shame require a collective reckoning and a collective effort to be better.

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cover of Republic of Mercy: Poems

Republic of Mercy

Poems

Sharon Wang

Tupelo Press, 2018

In Sharon Wang’s thrilling and corporeal geometry, touch dominates, if often in its ‘aftermarks’: singes, whiffs, folds of fabric, echoing gestures between bodies. With generous language and quicksilver intelligence, Wang expresses ‘a hunger so large it stops the mouth.’ Her poems describe what is ‘hard and brilliant,’ the spaces between objects, and what’s left in the wake of losses. “Despite its attunement both to elegy and to witness, the mode is praise: ‘He loved the world. He loved it suddenly / and without reason.’ . . . As the poet works to understand, ‘If in fact it wasn’t possible to build / the world anew,’ she does build––extravagantly, judiciously, lovingly. The result is a book of radiant integrity.” — from the judges’ citation for the Kundiman Poetry Prize.
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cover of Restoration: Poems

Restoration

Poems

Christina Pugh

Northwestern University Press, 2008

Complex and focused, this collection of poems moves along the line between waking and sleeping to reveal a narrator who is contemplating her origins as well as her future. Pugh frequently turns in her work to the image of a bed--as a source of comfort, an erotic landing, and a place for dreaming. For Pugh, dreams both obscure and reveal, their language a code to be analyzed, as in her longer meditation inspired by Freud's case history "Dora." After dipping dangerously far into dreams, Pugh's poems return to a world of activity, full of physicality before becoming calm. At the end of the book, the self is restored and can see the world through a newly formed lens taken from its dreams.

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cover of Retribution Forthcoming: Poems

Retribution Forthcoming

Poems

Katie Berta

Ohio University Press, 2024

Influenced by Alice Notley, Eileen Myles, Rachel Zucker, and other poets of the New York school, the poems in Retribution Forthcoming blend a talky, quick, funny voice with candid examinations of gender norms, class pressures, and the existential. Their speaker explores her mortality anxiety through her experiences of gendered exploitation, reflecting on bodily autonomy and the nexus of violences that women face. Using oblique and direct strategies, these poems recount sexual coercion, the ways consumerist society reinforces and reifies gender conformity and performativity, and the psychological ramifications of these abuses of power. Retribution Forthcoming examines selfhood, consciousness, and mortality as they intertwine with our identities and the ways those identities are politicized. At its core, though, this book is an account of sexual assault and its aftermath, exploring how trauma interacts with belief and our ability to trust others and ourselves.
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cover of Retrieving Bones: Stories and Poems of the Korean War

Retrieving Bones

Stories and Poems of the Korean War

Ehrhart, W. D.

Rutgers University Press, 1999

The Korean War was a major event in American history. It marked an abrupt end to the euphoria Americans felt in the wake of victory in World War II and turned out to be the harbinger of disaster in Vietnam a decade later.

Though three years of brutal fighting resulted in millions of casualties, the final truce line of 1953 corresponded almost exactly to the positions the opponents held when the fighting began. Back home, the returning veterans met with little interest in or appreciation of what they had endured. Consequently, literary responses to the Korean War did not find an eager readership. Few people, it seemed, wanted to read about what they perceived as a backwater war that possessed neither grand scale nor apparent nobility, a war that ended not with a bang, but a whimper.

Yet an important literature has come out of the Korean War. As we mark the fiftieth anniversary of the war, these writings are well worth our attention. Many of the twelve stories and fifty poems assembled in Retrieving Bones have long been out of print and are almost impossible to find in any other source. The editors have enhanced this collection by providing maps, a chronology of the Korean War, and annotated lists of novels, works of nonfiction, and films. In a detailed introduction, Ehrhart and Jason discuss the milestones of the Korean War and place each fiction writer and poet represented into historical and literary contexts.

Among the writers and poets are

· James Lee Burke

· Eugene Burdick

· William Chamberlain

· Rolando Hinojosa

· Reg Saner

· Vern Sneider

· Stanford Whitmore

· Keith Wilson

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cover of Reveille: Poems

Reveille

Poems

George David Clark

University of Arkansas Press, 2015

In Reveille a man suffers fits of supernatural coughing, flytraps attack a child, a moray haunts a waterbed, and the prodigal son stalks his local brothel in a pair of lionhide pajamas. These poems survey their host of holy objects and exotic creatures the way one might the emblems in a dream: curious of their meanings but reluctant to interpret them and simplify their mystery. Theologically playful, rhetorically sophisticated, and formally ambitious, Reveille is rooted in awe and driven by the impulse to praise. At heart, these are love poems, though their loves are varied and complicated by terrible threats: that we will cry out and not be answered, fall asleep and never wake. Against such jeopardy Reveille fixes our attention on a lightening horizon.
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cover of Rhythm & Booze: POEMS

Rhythm & Booze

POEMS

Julie Kane

University of Illinois Press, 2003

Arranged in four parts--each associated with a particular Louisiana city--the poems in Rhythm & Booze trace the hardships and uncertainties, as well as the moments of unexpected sublimity, of a life lived in a continuous struggle between fresh starts and destructive old patterns.
 
Mirroring the music of New Orleans, Kane's poems combine traditional form with improvisational flourishes. Rhythm & Booze charts her progress as she undertakes a number of journeys, from youth to experience, from blues bars to college classrooms, from city to country, from chaos to something approaching peace.
 
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cover of Rice: Poems

Rice

Poems

Nikky Finney

Northwestern University Press, 2013

In Rice, her second volume of poetry, Nikky Finney explores the complexity of rice as central to the culture, economy, and mystique of the coastal South Carolina region where she was born and raised. The prized Carolina Gold rice paradoxically made South Carolina one of the most oppressive states for slaves and also created the remarkable Gullah culture on the coastal islands. The poems in Rice compose a profound and unflinching journey connecting family and the paradoxes of American history, from the tragic times when African slaves disembarked on the South Carolina coast to the triumphant day when Judge Ernest A. Finney Jr., Nikky’s father, was sworn in as South Carolina’s first African American chief justice. Images from the Finney family archive illustrate and punctuate this collection. Rice showcases Finney’s hungry intellect, her regional awareness and pride, and her sensitivity to how cultures are built and threatened.

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cover of Riddle Field: Poems

Riddle Field

Poems

Derek Thomas Dew

University of Nevada Press, 2020

Winner of the 2019 Interim Test Site Poetry Series Prize

"Dew is an exciting and complex new voice in contemporary poetry."
—Publisher's Weekly
 
The beautifully crafted poems in Riddle Field explore two parallel themes, the impact of the impending destruction of a dam on a small town and the trauma of sexual abuse and eventual recovery from it. This work focuses on the environment, human and physical, in which the loss of nature and innocence is born and calls attention to the many ways we create both intimacy and distance when trauma is hidden or denied. Derek Thomas Dew’s language is harsh, honest, and sometimes heartbreaking. His poems capture the confusion and fatigue that must be navigated for a victim of abuse to piece himself back together and the internal strife that comes with carry-ing a traumatic secret that can no longer be ignored. 

Rich with unforgettable images and the quiet strength of hard-won survival, Riddle Field tackles the complex process of achieving self-awareness and recovery in the wake of profound trauma.
 
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cover of Rift: Poems

Rift

Poems

Barbara Helfgott Hyett

University of Arkansas Press, 2008

Barbara Helfgott Hyett's new collection considers, from close and afar, the elemental forces coming to bear on human character in our time. In one sense a personal explication of a long marriage and its betrayal, these stunning poems take solace in nature's steadfastness, and in the prospect of a newly resilient self, awakened to the predicament of a battered world. The title poem spills across the face of history—9/11, Hiroshima, the harrowing geological formation of earth, the sudden appearance of cave art, and ultimately, the uncertainty of God. The Daphne and Apollo sequence invents fourteen speakers, including a chisel, a river god, the sculptor, Bernini, and the poet, Ovid, each telling his own story as together they deconstruct the longstanding myth of lust gone awry. Such is the imaginative, kaleidoscopic process of Rift, in which acts of observation shatter and shift our view of experience. While we ache for the loss in these poems, Helfgott Hyett risks such honest grief that redemption comes, free standing and moral, on its own.
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cover of Rita Dove's Cosmopolitanism: POEMS

Rita Dove's Cosmopolitanism

POEMS

Malin Pereira

University of Illinois Press, 2003

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cover of Rosa's Einstein: Poems

Rosa's Einstein

Poems

Jennifer Givhan

University of Arizona Press, 2019

Rosa’s Einstein is a Latinx retelling of the Brothers Grimm’s Snow-White and Rose-Red, reevaluating border, identity, and immigration narratives through the unlikely amalgamation of physics and fairy tale.

In this full-length poetry collection, the girls of Rosa’s Einstein embark on a quest to discover what is real and what is possible in the realms of imagination, spurred on by scientific curiosity and emotional resilience. Following a structural narrative arc inspired by the archetypal hero’s journey, sisters Rosa and Nieve descend into the desert borderlands of New Mexico to find resolution and healing through a bold and fearless examination of the past, meeting ghostly helpers and hinderers along the way. These metaphorical spirits take the shape of circus performers, scientists, and Lieserl, the lost daughter Albert Einstein gave away.

Poet Jennifer Givhan reimagines the life of Lieserl, weaving her search for her scientist father with Rosa and Nieve’s own search for theirs. Using details both from Einstein’s known life and from quantum physics, Givhan imagines Lieserl in a circus-like landscape of childhood trauma and survival, guided by Rosa and Nieve.
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cover of Rosarium: Poems

Rosarium

Poems

Hannah Dow

Acre Books, 2018

Hannah Dow’s debut poetry collection, Rosarium, is a series of beautiful interrogations. In precise, luminous language, Dow engages the mysteries of faith as a catalyst for meditations on the contradictory human condition—our knot of body and spirit. These poems engage the inexplicable, attempting to articulate the tension between doubt and a longing for certainty, between belief in the potency of language and acceptance of its failures. Yet these lyrics never evaporate into abstraction. They pulse with the particular. Postcards that read as prayers (spoken without hope of response) lead us around the corporeal world through vastly different landscapes—from Mississippi, to California, to Europe, to the Middle East—showing how place shapes us, how the mind cannot escape the body.
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cover of Rousing the Machinery: Poems

Rousing the Machinery

Poems

Catherine MacDonald

University of Arkansas Press, 2012

2012 Miller Williams Arkansas Poetry Prize Winner
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cover of Rumor: Poems

Rumor

Poems

Pimone Triplett

Northwestern University Press, 2009

In Rumor, her third collection of poems, Pimone Triplett summons diverse Eastern and Western influences to reckon the public and private costs of the overwhelming glut of "intelligence," or information, that we face in contemporary life. Triplett relays the voices, both personal and distant, that too often are only partially heard. The most difficult realities of family life are chronicled in "Family Spirits, with Voice of One Child Miscarried," in which Triplett uses free verse that incorporates the traditional Thai verse form of khap yanii.

Over the course of the book, she explores how a child grows from a hint, a rumor, to a full force of intelligence and knowing. "Motherland" and "Last Wave" amplify voices, respectively, of exploited children in the brutal Thai sex trade and the victims in the aftermath of the 2004 tsunami in the Indian Ocean. The fragmentary nature of rumor, whether in the form of tabloid gossip or in the spread of partial knowledge, has consequence on a personal and even a world historical scale in Triplett's powerful poems.


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cover of Run in Such a Way: Poems

Run in Such a Way

Poems

Justin Danzy

Northwestern University Press, 2027

A poet’s candid and probing exploration of faith, Blackness, and masculinity

With poems that closely examine familial bonds and heritage, biblical teachings, a shifting understanding of home, and the violence of toxic masculinity, Justin Danzy’s Run in Such a Way sits at the crossroads of religion, race, gender, and more. A collection about pursuit, tracking the narrative of its speaker’s journey toward a deeper understanding of himself and of his community as he moves from child to man, the book wrestles with the way an identity is constructed, deconstructed, and reconstructed again throughout one’s life. Playful and sincere in equal measure, Danzy’s command of the line carries us through as we travel with the speaker to the precipice of belief. Danzy’s lyrical voice and fealty to his people pays homage to the world that made him, and considers all that the speaker of this tremendous debut has—both wisely and foolishly—run toward and away from in the search for truth.

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