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Tradition, Modernity, and the Making of Modern Orthodoxy.

For many histories of Modern Orthodox Judaism, Rabbi Samson Raphael Hirsch stands as the primary architect of the movement's encounter with modernity. In Rabbi Esriel Hildesheimer and the Creation of a Modern Jewish Orthodoxy, distinguished scholar David Ellenson expands that narrative by recovering the life, thought, and enduring influence of one of Hirsch's most important contemporaries. Through a careful examination of Rabbi Esriel Hildesheimer's writings, leadership, educational initiatives, and responses to the social and intellectual challenges of nineteenth-century Europe, Ellenson demonstrates how Hildesheimer helped forge a model of Orthodoxy that remained firmly committed to Jewish tradition while engaging constructively with the modern world.

Set against a period of profound cultural, political, and religious transformation, this volume explores the tensions confronting European Jewry as modernization, secular education, religious pluralism, and changing political realities reshaped Jewish communal life. Ellenson shows how Hildesheimer addressed these challenges not through rigid isolation but through a pragmatic and intellectually sophisticated approach that balanced fidelity to halakhah with openness to selected aspects of modern culture and scholarship. His vision helped establish a framework for Modern Orthodoxy that continues to influence contemporary Jewish thought and practice.

Beyond its biographical focus, the study provides broader insights into the emergence of Modern Orthodoxy as a religious and intellectual movement. By illuminating Hildesheimer's efforts to integrate traditional scholarship with contemporary realities, Ellenson offers readers a deeper understanding of how Judaism has negotiated the relationship between heritage and change. The result is both a compelling portrait of an influential rabbinic figure and an important examination of the forces that shaped modern Jewish religious identity.

Rabbi Esriel Hildesheimer and the Creation of a Modern Jewish Orthodoxy is essential reading for scholars and students of Jewish studies, religious studies, theology, European history, intellectual history, and modern Judaism. It will also appeal to rabbis, educators, and general readers seeking to understand the historical roots of contemporary Orthodox Jewish life and the ongoing dialogue between tradition and modernity.

Randy Travis’s 1986 breakthrough put him at the forefront of Nashville’s new traditionalist sound and, in the words of Garth Brooks, saved country music. The singer’s warm baritone and all-time classic songs like “Forever and Ever, Amen” landed him atop the charts sixteen times. His cross-genre appeal brought a level of multiplatinum success that no country artist before him had ever achieved.

Diane Diekman’s biography follows the life and career of one of country music’s most beloved figures. Steered from a troubled path as a teen, Travis served a long apprenticeship under manager and future wife Lib Hatcher before being rejected by the Nashville music industry as “too country.” The single “On the Other Hand” and his smash debut album did away with the doubters and began a dominant four-year run that stretched into ongoing success as a recording artist, trailblazing live performer, and actor in film and television. Diekman uses dozens of interviews and in-depth research to fill in the details of Travis’s pre-fame life and his enormous impact on country, popular, and gospel music. From there, she pivots to telling the story of the singer’s difficult divorce from Hatcher, subsequent problems with alcohol and run-ins with the law, and the challenges he overcame in the aftermath of a devastating 2013 stroke.

Informed by a wealth of new research and interviews, Randy Travis is the first in-depth biography of the country music legend.

Although religion has long occupied the attention of scholars it has uniformly been assumed by them to be a special case, either to be nurtured and curated or explained away by developing theories specifically suited to it. This bracketing of our object of study has isolated the field and made it difficult for many to understand: Is religion a theological enterprise? Is it suited to the public university? Does it offend against some people’s sensibilities? Redescriptions: Toward a New Comparative Religion proposes a model for how to address this ambiguity by averring that the things scholars call religion are simply routine human doings that are therefore comparable to any other aspect of culture. The book offers a series of controlled experiments in which some novel conclusions about seemingly religious items—from myths of origins to memorials for the dead—are reached by placing them into some unexpected relationships of comparison.

Engaging and informed, Restless Pilgrim is a groundbreaking study of an important figure in Latter-day Saint intellectual life during a transformative era in Church history.

To be a Christian is to be a convert. The word “convert” applies in a real sense both to cradle-born Catholics and to those, traditionally regarded as converts, who become Catholics as adults. The Catholic Church is the divinely established framework of the program of a conversion, which Christ presented as a thorough change of mind and heart (metanoia). While for a cradle-born Catholic the implementation of that program is usually a gradual process, for converts it contains a momentous act as they vote, so to speak, with their feet, on behalf of Truth, by joining the Church as the One True Fold, the Sole Ark of Salvation, to recall hallowed phrases dear to John Henry Newman, easily the greatest convert during the nineteenth century.
  The aim of this book is to summarize the lives of notable converts from Britain and Ireland and explain (by reference to quotations from their writings) why they entered the Catholic Church. These reasons were many. Some looked chiefly at history and saw the apostolic Church in their day to be residing in the Catholic communion. Others, though appreciating the fact of the gift of faith, saw reason as the chief support of the step they were taking. To yet others it was the endurance of both the Church and that remarkable office of the papacy that proved the necessary stimulus. Many were inspired by the witness of some unsung saint in their neighbourhood. Some were eminent even before their “move to Rome,” others almost completely unknown. Some found fame on their conversion, others suffered greatly for their zeal for the one true fold of Christ. Some came into the Church relatively early in life, others entered at the final hour, even while on their death bed.
 Taken altogether these accounts provide a profound and moving witness to the operation of divine grace in human souls.

A poet’s candid and probing exploration of faith, Blackness, and masculinity

With poems that closely examine familial bonds and heritage, biblical teachings, a shifting understanding of home, and the violence of toxic masculinity, Justin Danzy’s Run in Such a Way sits at the crossroads of religion, race, gender, and more. A collection about pursuit, tracking the narrative of its speaker’s journey toward a deeper understanding of himself and of his community as he moves from child to man, the book wrestles with the way an identity is constructed, deconstructed, and reconstructed again throughout one’s life. Playful and sincere in equal measure, Danzy’s command of the line carries us through as we travel with the speaker to the precipice of belief. Danzy’s lyrical voice and fealty to his people pays homage to the world that made him, and considers all that the speaker of this tremendous debut has—both wisely and foolishly—run toward and away from in the search for truth.