2194 books match the query 'Women's Studies' and 78 start with r

cover of Rethinking Global Sisterhood: Western Feminism and Iran

Rethinking Global Sisterhood

Western Feminism and Iran

Nima Naghibi

University of Minnesota Press, 2007

Western women’s involvement in Persia dates from the mid-nineteenth century, when female adventurers and missionaries first encountered their veiled Muslim “sisters.” Twentieth-century Western and state-sponsored Iranian feminists continued to use the image of the veiled woman as the embodiment of backwardness. Yet, following the 1979 revolution, indigenous Iranian feminists became more vocal in their resistance to this characterization.

In Rethinking Global Sisterhood, Nima Naghibi makes powerful connections among feminism, imperialism, and the discourses of global sisterhood. Naghibi investigates topics including the state-sponsored Women’s Organization of Iran and the involvement of feminists such as Betty Friedan and Gloria Steinem in the Iranian feminism movement before and during the 1979 revolution. With a potent analysis of cinema, she examines the veiled woman in the films of Tahmineh Milani, Ziba Mir-Hosseini and Kim Longinotto, and Mahnaz Afzali.

At a time when Western relations with the Muslim world are in crisis, Rethinking Global Sisterhood provides much-needed insights and explores the limitations and possibilities of cross-cultural feminist social and political interventions.

Nima Naghibi is assistant professor of English at Ryerson University in Toronto.

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cover of Rethinking Sexual Harrassment

Rethinking Sexual Harrassment

Clare Brant

Pluto Press, 1994

'An innovative and challenging title from feminists in Britain [...] makes a valuable contribution to understanding sexual harassment' Feminist Bookstore News

'Serious and scholarly ... deserves a wide audience' Journal of the Institute of Health Education

'Excellent ... However familiar the subject may seem - or precisely because we all think we know what term 'sexual harassment' means - these discussions open up a series of vital questions, both theoretical and practical. Rethinking Sexual Harassment is a valuable contribution to a debate that continues all around us' Parallax

Sexual harassment continues to stimulate controversy and attract partisan responses. This is an exciting and original exploration of how it came to be defined, what institutional forces and contexts shape our understanding of it. This multidisciplinary study brings together essays from feminist scholars in the fields of law, literature, the social sciences, history and cultural studies.

The contributors' central argument is an awareness of the social and discursive contexts required to challenge sexual harassment effectively. Offering insight into current limitations and making practical suggestions for ways forward, this wide-ranging collection addresses general readers and professionals alike.

Contributors include Suzanne Gibson; Helen Watson; Gargi Bhattacharyya; Ruth Jamieson; Celia Kitzinger; Suzanne Raitt; Ros Hunt; Diane Purkiss; Padma Anagol-McGinn and Jane Beckett
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cover of Retroactivism in the Lesbian Archives: Composing Pasts and Futures

Retroactivism in the Lesbian Archives

Composing Pasts and Futures

Jean Bessette

Southern Illinois University Press, 2018

Winner, 2018 Winifred Bryan Horner Outstanding Book Award

Grassroots historiography has been essential in shaping American sexual identities in the twentieth century. Retroactivism in the Lesbian Archives examines how lesbian collectives have employed “retroactivist” rhetorics to propel change in present identification and politics. By appropriating and composing versions of the past, these collectives question, challenge, deconstruct, and reinvent historical discourse itself to negotiate and contest lesbian identity.
 
Bessette considers a diverse array of primary sources, including grassroots newsletters, place-based archives, experimental documentary films, and digital video collections, to investigate how retroactivists have revised and replaced dominant accounts of lesbian deviance. Her analysis reveals inventive rhetorical strategies leveraged by these rhetors to belie the alienating, dispersing effects of discourses that painted women with same-sex desire as diseased and criminal. Focusing on the Daughters of Bilitis, the Lesbian Herstory Archives, and the June L. Mazer Archives, and on historiographic filmmakers such as Barbara Hammer and Cheryl Dunye, Bessette argues that these retroactivists composed versions of a queer past that challenged then-present oppressions, joined together provisional communities, and disrupted static definitions and associations of lesbian identity.
 
Retroactivism in the Lesbian Archives issues a challenge to feminist and queer scholars to acknowledge how historiographic rhetoric functions in defining and contesting identities and the historical forces that shape them.
 
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cover of Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot

Revenge of the She-Punks

A Feminist Music History from Poly Styrene to Pussy Riot

By Vivien Goldman

University of Texas Press, 2019

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women.

With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem “Identity,” with the refrain “Identity is the crisis you can't see.” Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.

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cover of Reverend Addie Wyatt: Faith and the Fight for Labor, Gender, and Racial Equality

Reverend Addie Wyatt

Faith and the Fight for Labor, Gender, and Racial Equality

Marcia Walker-McWilliams

University of Illinois Press, 2016

Labor leader, civil rights activist, outspoken feminist, African American clergywoman--Reverend Addie Wyatt stood at the confluence of many rivers of change in twentieth century America. The first female president of a local chapter of the United Packinghouse Workers of America, Wyatt worked alongside Martin Luther King Jr. and Eleanor Roosevelt and appeared as one of Time magazine's Women of the Year in 1975. Marcia Walker-McWilliams tells the incredible story of Addie Wyatt and her times. What began for Wyatt as a journey to overcome poverty became a lifetime commitment to social justice and the collective struggle against economic, racial, and gender inequalities. Walker-McWilliams illuminates how Wyatt's own experiences with hardship and many forms of discrimination drove her work as an activist and leader. A parallel journey led her to develop an abiding spiritual faith, one that denied defeatism by refusing to accept such circumstances as immutable social forces.
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cover of Revolting Bodies?: The Struggle to Redefine Fat Identity

Revolting Bodies?

The Struggle to Redefine Fat Identity

Kathleen LeBesco

University of Massachusetts Press, 2004

Viewed as both unhealthy and unattractive, fat people are widely represented in popular culture and in interpersonal interactions as revolting—as agents of abhorrence and disgust. Yet if we think about “revolting” in a different way, Kathleen LeBesco argues, we can recognize fatness as not simply an aesthetic state or a medical condition, but a political one. If we think of revolting in terms of overthrowing authority, rebelling, protesting, and rejecting, then corpulence carries a whole new weight as a subversive cultural practice that calls into question received notions about health, beauty, and nature. 

Revolting Bodies examines a number of sites of struggle over the cultural meaning of fatness. The book is grounded in scholarship on identity politics, the social construction of beauty, and the subversion of hegemonic medical ideas about the dangers of fatness. It explains how the redefinition of fat identities has been undertaken by people who challenge conventional understandings of nature, health, and beauty and, in so doing, alter their individual and collective relationships to power. 

LeBesco explores how the bearer of a fat body is marked as a failed citizen, inasmuch as her powers as a worker, shopper, and sexually “desirable” subject are called into question. At the same time, she highlights fat fashion, relations among fat, queer, and disability politics and activism, and online communities as opportunities for transforming these pejorative stereotypes of fatness. Her discussion of the long-term ramifications of denying bodily agency—in effect, letting biological determinism run rampant—has implications not only for our understanding of fatness but also for future political practice.

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cover of Revolutionary Feminists: The Women's Liberation Movement in Seattle

Revolutionary Feminists

The Women's Liberation Movement in Seattle

Barbara Winslow

Duke University Press, 2023

Revolutionary Feminists tells the story of the radical women’s liberation movement in Seattle in the 1960s and 1970s from the perspective of a founding member, Barbara Winslow. Drawing on her collection of letters, pamphlets, and photographs as well as newspaper accounts, autobiographies, and interviews, Winslow emphasizes the vital role that Black women played in the women’s liberation movement to create meaningful intersectional coalitions in an overwhelmingly White city. Winslow brings the voices and visions of those she calls the movement’s “ecstatic utopians” to life. She charts their short-term successes and lasting achievements, from organizing women at work and campaigning for subsidized childcare to creating women-centered rape crisis centers, health clinics, and self-defense programs. The Seattle movement was essential to winning the first popular vote in the United States to liberalize abortion laws. Despite these achievements, Winslow critiques the failure of the movement's White members to listen to Black, Latina, Indigenous, and Asian American and Pacific Islander feminist activists. Reflecting on the Seattle movement’s accomplishments and shortcomings, Winslow offers a model for contemporary feminist activism.
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cover of Revolutionary Women in Postrevolutionary Mexico

Revolutionary Women in Postrevolutionary Mexico

Jocelyn Olcott

Duke University Press, 2005

Revolutionary Women in Postrevolutionary Mexico is an empirically rich history of women’s political organizing during a critical stage of regime consolidation. Rebutting the image of Mexican women as conservative and antirevolutionary, Jocelyn Olcott shows women activists challenging prevailing beliefs about the masculine foundations of citizenship. Piecing together material from national and regional archives, popular journalism, and oral histories, Olcott examines how women inhabited the conventionally manly role of citizen by weaving together its quotidian and formal traditions, drawing strategies from local political struggles and competing gender ideologies.

Olcott demonstrates an extraordinary grasp of the complexity of postrevolutionary Mexican politics, exploring the goals and outcomes of women’s organizing in Mexico City and the port city of Acapulco as well as in three rural locations: the southeastern state of Yucatán, the central state of Michoacán, and the northern region of the Comarca Lagunera. Combining the strengths of national and regional approaches, this comparative perspective sets in relief the specificities of citizenship as a lived experience.

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cover of Revolutionizing Women's Healthcare: The Feminist Self-Help Movement in America

Revolutionizing Women's Healthcare

The Feminist Self-Help Movement in America

Hannah Dudley-Shotwell

Rutgers University Press, 2020

Winner of the 2021 Frances Richardson Keller-Sierra Prize from the Western Association of Women Historians (WAWH)​

Revolutionizing Women’s Healthcare is the story of a feminist experiment: the self-help movement. This movement arose out of women’s frustration, anger, and fear for their health. Tired of visiting doctors who saw them as silly little girls, suffering shame when they asked for birth control, seeking abortions in back alleys, and holding little control over their own reproductive lives, women took action. Feminists created “self-help groups” where they examined each other’s bodies and read medical literature. They founded and ran clinics, wrote books, made movies, undertook nationwide tours, and raided and picketed offending medical institutions. Some performed their own abortions. Others swore off pharmaceuticals during menopause. Lesbian women found “at home” ways to get pregnant. Black women used self-help to talk about how systemic racism affected their health. Hannah Dudley-Shotwell engagingly chronicles these stories and more to showcase the creative ways women came together to do for themselves what the mainstream healthcare system refused to do.
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cover of Rhetorical Feminism and This Thing Called Hope

Rhetorical Feminism and This Thing Called Hope

Cheryl Glenn

Southern Illinois University Press, 2018

Rhetoric and feminism have yet to coalesce into a singular recognizable field. In this book, author Cheryl Glenn advances the feminist rhetorical project by introducing a new theory of rhetorical feminism. Clarifying how feminist rhetorical practices have given rise to this innovative approach, Rhetorical Feminism and This Thing Called Hope equips the field with tools for a more expansive and productive dialogue.
 
Glenn’s rhetorical feminism offers an alternative to hegemonic rhetorical histories, theories, and practices articulated in Western culture. This alternative theory engages, addresses, and supports feminist rhetorical practices that include openness, authentic dialogue and deliberation, interrogation of the status quo, collaboration, respect, and progress. Rhetorical feminists establish greater representation and inclusivity of everyday rhetors, disidentification with traditional rhetorical practices, and greater appreciation for alternative means of delivery, including silence and listening. These tenets are supported by a cogent reconceptualization of the traditional rhetorical appeals, situating logos alongside dialogue and understanding, ethos alongside experience, and pathos alongside valued emotion.
 
Threaded throughout the book are discussions of the key features of rhetorical feminism that can be used to negotiate cross-boundary mis/understandings, inform rhetorical theories, advance feminist rhetorical research methods and methodologies, and energize feminist practices within the university. Glenn discusses the power of rhetorical feminism when applied in classrooms, the specific ways it inspires and sustains mentoring, and the ways it supports administrators, especially directors of writing programs. Thus, the innovative theory of rhetorical feminism—a theory rich with tactics and potentially broad applications—opens up a new field of research, theory, and practice at the intersection of rhetoric and feminism. 
 
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cover of Rhetorics of Motherhood

Rhetorics of Motherhood

Lindal Buchanan

Southern Illinois University Press, 2013

Becoming a mother profoundly alters one’s perception of the world, as Lindal Buchanan learned firsthand when she gave birth. Suddenly attentive to representations of mothers and mothering in advertisements, fiction, film, art, education, and politics, she became intrigued by the persuasive force of the concept of motherhood, an interest that unleashed a host of questions: How is the construct defined? How are maternal appeals crafted, presented, and performed? What do they communicate about gender and power? How do they affect women? Her quest for answers has produced Rhetorics of Motherhood, the first book-length consideration of the topic through a feminist rhetorical lens.

 Although both male and female rhetors employ motherhood to promote themselves and their agendas, Buchanan argues it is particularly slippery terrain for women—on the one hand, affording them authority and credibility but, on the other, positioning them disadvantageously within the gendered status quo. Rhetorics of Motherhood investigates that paradox by detailing the cultural construction and performance of the Mother in American public discourse, tracing its use and impact in three case studies, and by theorizing how, when, and why maternal discourses work to women’s benefit or detriment. In the process, the reader encounters a fascinating array of issues—including birth control, civil rights, and abortion—and rhetors, ranging from Diane Nash and Margaret Sanger to Sarah Palin and Michelle Obama.

As Buchanan makes clear, motherhood is a rich site for investigating the interrelationships among gender, power, and public discourse. Her latest book contributes to the discipline of rhetoric by attending to and making a convincing case for the significance of this understudied subject. With its examination of timely controversies, contemporary and historical figures, and powerful women, Rhetorics of Motherhood will appeal to a wide array of readers in rhetoric, communications, American studies, women’s studies, and beyond.

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cover of Right Here I See My Own Books: The Woman's Building Library at the World's Columbian Exposition

Right Here I See My Own Books

The Woman's Building Library at the World's Columbian Exposition

Sarah Wadsworth

University of Massachusetts Press, 2012

On May 1, 1893, the World's Columbian Exposition in Chicago opened its gates to an expectant public eager to experience firsthand its architectural beauty, technological marvels, and vast array of cultural treasures gathered from all over the world. Among the most popular of the fair's attractions was the Woman's Building, a monumental exhibit hall filled with the products of women's labor—including more than 8,000 volumes of writing by women. Right Here I See My Own Books examines the progress, content, and significance of this historic first effort to assemble a comprehensive library of women's texts.

By weaving together the behind-the-scenes story of the library's formation and the stories between the covers of books on display, Wadsworth and Wiegand firmly situate the Woman's Building Library within the historical context of the 1890s. Interdisciplinary in approach, their book demonstrates how this landmark collection helped consolidate and institutionalize women's writing in conjunction with the burgeoning women's movement and the professionalization of librarianship in late nineteenth-century America.

Americans in this period debated a wide range of topics, including women's rights, gender identity, racial politics, nationalism, regionalism, imperialism, and modernity. These debates permeated the cultural climate of the Columbian Exposition. Wadsworth and Wiegand's book illuminates the range and complexity of American women's responses to these issues within a public sphere to which the Woman's Building provided unprecedented access.
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cover of Righteous Sisterhood: The Politics and Power of an All-Women's Motorcycle Club

Righteous Sisterhood

The Politics and Power of an All-Women's Motorcycle Club

Sarah L. Hoiland

Temple University Press, 2025

A righteous sister identifies herself as a biker. She might wrench, or maintain, her own bike, and she prefers to ride with other righteous sisters. Righteous Sisterhood is Sarah Hoiland’s insightful ethnography about an all-women motorcycle club (MC). She recounts stories of women bikers for whom riding in an MC is “an act of rebellion” and “liberating” even as it constrains—a reactionary populist version of the American Dream dipped in “girl power.”

Granted unprecedented access to the MC’s initiation rituals, annual ceremonies, and the extensive socialization process, Hoiland investigates this fascinating subculture, why women choose to join, and why, in some cases, they exit or become exiled.

Righteous Sisterhood also reveals complex and contradictory gender and political dynamics within the club and within the larger subculture. The MC provides a unique, liberatory, womanist space within the larger male-dominated MC social world, but these women remain outsiders, with political voices that are lost in the misogyny of alt-right spaces. As Hoiland emphasizes, the quest for righteous sisterhood is about finding individual excellence and camaraderie while seeking recognition and immortality within the MC.
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cover of Riotous Flesh: Women, Physiology, and the Solitary Vice in Nineteenth-Century America

Riotous Flesh

Women, Physiology, and the Solitary Vice in Nineteenth-Century America

April R. Haynes

University of Chicago Press, 2015

Nineteenth-century America saw numerous campaigns against masturbation, which was said to cause illness, insanity, and even death. Riotous Flesh explores women’s leadership of those movements, with a specific focus on their rhetorical, social, and political effects, showing how a desire to transform the politics of sex created unexpected alliances between groups that otherwise had very different goals.

As April R. Haynes shows, the crusade against female masturbation was rooted in a generally shared agreement on some major points: that girls and women were as susceptible to masturbation as boys and men; that “self-abuse” was rooted in a lack of sexual information; and that sex education could empower women and girls to master their own bodies. Yet the groups who made this education their goal ranged widely, from “ultra” utopians and nascent feminists to black abolitionists. Riotous Flesh explains how and why diverse women came together to popularize, then institutionalize, the condemnation of masturbation, well before the advent of sexology or the professionalization of medicine.
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cover of Ritual Medical Lore of Sephardic Women: Sweetening the Spirits, Healing the Sick

Ritual Medical Lore of Sephardic Women

Sweetening the Spirits, Healing the Sick

Isaac Jack Lévy and Rosemary Lévy Zumwalt

University of Illinois Press, 2002

Winner of the Ellii Kongas-Maranda Prize from the Women's Section of the American Folklore Society, 2003.

Ritual Medical Lore of Sephardic Women preserves the precious remnants of a rich culture on the verge of extinction while affirming women's pivotal role in the health of their communities. Centered around extensive interviews with elders of the Sephardic communities of the former Ottoman Empire, this volume illuminates a fascinating complex of preventive and curative rituals conducted by women at home--rituals that ensured the physical and spiritual well-being of the community and functioned as a vital counterpart to the public rites conducted by men in the synagogues.

Isaac Jack Lévy and Rosemary Lévy Zumwalt take us into the homes and families of Sephardim in Turkey, Israel, Greece, the former Yugoslavia, and the United States to unravel the ancient practices of domestic healing: the network of blessings and curses tailored to every occasion of daily life; the beliefs and customs surrounding mal ojo (evil eye), espanto (fright), and echizo (witchcraft); and cures involving everything from herbs, oil, and sugar to the powerful mumia (mummy) made from dried bones of corpses.

For the Sephardim, curing an illness required discovering its spiritual cause, which might be unintentional thought or speech, accident, or magical incantation.  The healing rituals of domesticated medicine provided a way of making sense of illness and a way of shaping behavior to fit the narrow constraints of a tightly structured community. Tapping a rich and irreplaceable vein of oral testimony, Ritual Medical Lore of Sephardic Women offers fascinating insight into a culture where profound spirituality permeated every aspect of daily life.

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cover of Ritual Soundings: Women Performers and World Religions

Ritual Soundings

Women Performers and World Religions

Sarah Weiss

University of Illinois Press, 2019

The women of communities in Hindu India and Christian Orthodox Finland alike offer lamentations and mockery during wedding rituals. Catholic women of southern Italy perform tarantella on pilgrimages while Muslim Berger girls recite poetry at Moroccan weddings. Around the world, women actively claim agency through performance during such ritual events. These moments, though brief, allow them a rare freedom to move beyond culturally determined boundaries.
 
In Ritual Soundings, Sarah Weiss reads deeply into and across the ethnographic details of multiple studies while offering a robust framework for studying music and world religion. Her meta-ethnography reveals surprising patterns of similarity between unrelated cultures. Deftly blending ethnomusicology, the study of gender in religion, and sacred music studies, she invites ethnomusicologists back into comparative work, offering them encouragement to think across disciplinary boundaries. As Weiss delves into a number of less-studied rituals, she offers a forceful narrative of how women assert agency within institutional religious structures while remaining faithful to the local cultural practices the rituals represent.
 
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cover of River Dialogues: Hindu Faith and the Political Ecology of Dams on the Sacred Ganga

River Dialogues

Hindu Faith and the Political Ecology of Dams on the Sacred Ganga

Georgina Drew

University of Arizona Press, 2017

India’s sacred Ganga River is arguably one of the most iconic sites for worship, with a continuity of rituals for the living and the dead that span over two millennia. Along the river, from high in the Himalaya to the vast plains below, people gather daily to worship the Ganga through prayer and song. But large government-sponsored dams threaten to upend these practices.

In River Dialogues, Georgina Drew offers a detailed ethnographic engagement with the social movements contesting hydroelectric development on the Ganga. The book examines the complexity of the cultural politics that, on the one hand, succeeded in influencing an unprecedented reversal of government plans for three contested hydroelectric projects, and how, on the other hand, this decision sparked ripples of discontent after being paired with the declaration of a conservation zone where the projects were situated.

The book follows the work of women who were initially involved in efforts to stop the disputed projects. After looking to their discourses and actions, Drew argues for the use of a political ecology analysis that incorporates the everyday practice and everyday religious connections that animated the cultural politics of development. Drew offers a nuanced understanding of the struggles that communities enact to assert their ways of knowing and caring for resources that serves as an example for others critically engaging with the growing global advocacy of the “green economy” model for environmental stewardship.

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cover of Robert Frost and Feminine Literary Tradition

Robert Frost and Feminine Literary Tradition

Karen L. Kilcup

University of Michigan Press, 1998

In spite of Robert Frost's continuing popularity with the public, the poet remains an outsider in the academy, where more "difficult" and "innovative" poets like T. S. Eliot and Ezra Pound are presented as the great American modernists. Robert Frost and Feminine Literary Tradition considers the reason for this disparity, exploring the relationship between notions of popularity, masculinity, and greatness. Karen Kilcup reveals Frost's subtle links with earlier "feminine" traditions like "sentimental" poetry and New England regionalist fiction, traditions fostered by such well-known women precursors and contemporaries as Lydia Sigourney, Sarah Orne Jewett, and Mary E. Wilkins Freeman. She argues that Frost altered and finally obscured these "feminine" voices and values that informed his earlier published work, and that to appreciate his achievement fully, we need to recover and acknowledge the power of his affective, emotional voice in counterpoint and collaboration with his more familiar ironic and humorous tones.Robert Frost and Feminine Literary Tradition also explores the links between cultural femininity and homoeroticism in Frost's work, and investigates the conjunctions and disjunctions between Frost and such modernist women poets as Amy Lowell and Edna St. Vincent Millay. The book contributes to ongoing debates about sentimentalism, regionalism, modernism, and the cultural construction of gender in American literature of the nineteenth and early twentieth centuries. With its interest in popular magazines, folktales, gossip, and children's literature, the book also engages elements of cultural studies and popular culture. "Kilcup demonstrates a remarkably thorough understanding of issues raised by feminist critics over the past few decades. . . . Fascinating and convincing." --Jay Parini, Middlebury College
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cover of Rocking the Boat: Union Women's Voices, 1915-1975

Rocking the Boat

Union Women's Voices, 1915-1975

O'Farrell, Brigid

Rutgers University Press, 1996

Rocking the Boat is a celebration of strong, committed women who helped to build the American labor movement. Through the stories of eleven women from a wide range of backgrounds, we experience the turmoil, hardships, and accomplishments of thousands of other union women activists through the period spanning the Great Depression, the New Deal, World War II, the McCarthy era, the civil rights movement, and the women's movement. These women tell powerful stories that highlight and detail women's many roles as workers, trade unionists, and family members. They all faced difficulties in their personal lives, overcame challenges in their unions, and individually and collectively helped improve women's everyday working lives.

Maida Springer-Kemp came from New York City's Harlem, Local 22 of the International Ladies' Garment Workers' Union, to represent the AFL-CIO in Africa. In Chicago, Alice Peurala fought for her job in the steel mill and her place in the steel workers' union. Jessie De La Cruz organized farm workers in California. Esther Peterson, organizer, educator, and lobbyist, became an advisor to four U.S. presidents. In chapters based on oral history interviews, these women and others provide new perspectives and practical advice for today's working women. They share an idealistic and practical commitment to the labor movement. As Dorothy Haener of the United Auto Workers and a founding member of the National Organization of Women said, "You have to take a look at how to rock the boat. You don't want to spill yourself out if you can avoid it, but sometimes you have to rock the boat." From these women we, too, learn how to rock the boat.

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cover of Romancing the Sperm: Shifting Biopolitics and the Making of Modern Families

Romancing the Sperm

Shifting Biopolitics and the Making of Modern Families

Diane Tober

Rutgers University Press, 2019

The 1990s marked a new era in family formation. Increased access to donor sperm enabled single women and lesbian couples to create their families on their own terms, outside the bounds of heterosexual married relationships. However, emerging “alternative” families were not without social and political controversy. Women who chose to have children without male partners faced many challenges in their quest to have children. Despite current wider social acceptance of single people and same sex couples becoming parents, many of these challenges continue.
 
In Romancing the Sperm, Diane Tober explores the intersections between sperm donation and the broader social and political environment in which “modern families” are created and regulated. Through tangible and intimate stories, this book provides a captivating read for anyone interested in family and kinship, genetics and eugenics, and how ever-expanding assisted reproductive technologies continue to redefine what it means to be human.  
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cover of Romantic Women Writers: Voices and Countervoices

Romantic Women Writers

Voices and Countervoices

Paula R. Feldman and Theresa M. Kelley

Brandeis University Press, 1995

Essays forging a new definition of Romanticism that includes the wide range of women's artistic expression.
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cover of Rooms of Our Own

Rooms of Our Own

Susan Gubar

University of Illinois Press, 2006

With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor.

A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on the challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, postcolonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; and the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future.

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cover of Rosa Bonheur: The Artist's (Auto)biography

Rosa Bonheur

The Artist's (Auto)biography

Anna Klumpke

University of Michigan Press, 2001

Hailed by her contemporaries as the most popular animal-painter, male or female, of the nineteenth century, the French artist Rosa Bonheur (1822-99) lived to see her name become a household word. In a century that did its best to keep women "in their place," Bonheur, like George Sand--to whom she was often compared--defined herself outside of the social and legal codes of her time. To the horror and bewilderment of many, she earned her own money, managed her own property, wore trousers, hunted, smoked, and lived in retreat with female companions in a little chateau near Fountainebleau named The Domain of Perfect Affection.
Rosa Bonheur: The Artist's (Auto)Biography brings this extraordinary woman to life in a unique blend of biography and autobiography. Coupling her own memories with Bonheur's first-person account, Anna Klumpke, a young American artist who was Bonheur's lover and chosen portraitist, recounts how she came to meet and fall in love with Bonheur. Bonheur's account of her own life story, set nicely within Klumpke's narrative, sheds light on such topics as gender formation, institutional changes in the art world, governmental intervention in the arts, the social and legal regulation of dress codes, and the perceived transgressive nature of female sexual companionship in a repressive society, all with the distinctive flavor of Bonheur's artistic personality.
Gretchen van Slyke's translation provides a rare glimpse into the unconventional life of this famous French painter, and renders accessible for the first time in English this public statement of Bonheur's artistic credo. More importantly, whether judged by her century's standards (or perhaps even our own), it details a story of lesbian love that is bold, unconventional, and courageous.
"The remarkable life of Rosa Bonheur, one of the most highly decorated artists and certainly the best known female artist of her time in nineteenth-century France, is long overdue for further scrutiny." --Therese Dolan, Temple University
Gretchen van Slyke is Associate Professor of French, University of Vermont.
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cover of Rosa Luxemburg: Socialism or Barbarism: Selected Writings

Rosa Luxemburg

Socialism or Barbarism: Selected Writings

Rosa Luxemburg

Pluto Press, 2010

Rosa Luxemburg (1871-1919) was one of the most brilliant and passionate minds drawn to the revolutionary socialist movement. An outstanding social and economic theorist of the twentieth century, and a dedicated political activist, she proved willing to go to prison and even give her life for her beliefs.

Providing an extensive overview of her writings, this volume contains a number of items never before anthologised. Her work was broad in scope tackling capitalism and socialism; globalisation and imperialism; history; war and peace; social struggles, trade unions, political parties; class, gender, race; the interconnection of humanity with the natural environment. The editors provide an extensive and informative introduction outlining and evaluating her life and thought.

This is the most comprehensive introduction to the range of Rosa Luxemburg’s thought.

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cover of Roxana's Children: The Biography of a Nineteenth-Century Vermont Family

Roxana's Children

The Biography of a Nineteenth-Century Vermont Family

Lynn A. Bonfield

University of Massachusetts Press, 1995

Roxana's Children is a well-researched and well written biography of Roxana Brown Walbridge Watts (1802-62) and her descendants. The book is constructed from the descendants' 300 preserved letters, 30 diaries, and photographs from the family's village life during 19th-century Vermont. Bonfield and Morrison use these sources to discuss social change and movement in American life.
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cover of Running on Hope: Female Community Health Labor in Rajasthan, India

Running on Hope

Female Community Health Labor in Rajasthan, India

Svea Closser and Surendra Singh Shekhawat

Vanderbilt University Press, 2025

This book is freely available in an open-access edition thanks to the generous support of Johns Hopkins University.

Throughout India, Accredited Social Health Activists (ASHAs) visit households in their communities to deliver essential health services and link community members with key health benefits. Like many other female Community Health Workers across the world, ASHAs are often portrayed as virtuous, passive volunteers, selflessly providing services to their neighbors.

The reality is more complicated and much more interesting. Drawing on ethnographic work in Rajasthan, Running on Hope follows ASHAs through striking personal transformations. From their positions as rural daughters‑in‑law—a particularly low‑power position in Rajasthan—ASHAs have, over years of work, gained unprecedented autonomy for young rural women. They have also gained a deep understanding of what many argue is the exploitation involved in their low‑ranking position in the health system. ASHAs often earn less than $100 per month for extensive work, well below the legal minimum wage.

To counter this, many ASHAs have joined unions—an endeavor that has ultimately proven disappointing: union leaders’ desires for political advancement are often at odds with ASHAs’ own needs. However, ASHAs do not have connections, money, or social power to organize effectively on their own, without a political patron. In Running on Hope, authors Svea Closser and Surendra Singh Shekhawat interview women who work as ASHAs to learn about their organizing goals, their roles in their community as conduits to health education and resources, and their hopes for a better future.

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cover of Ruth Bader Ginsburg’s Legacy of Dissent: Feminist Rhetoric and the Law

Ruth Bader Ginsburg’s Legacy of Dissent

Feminist Rhetoric and the Law

Katie L. Gibson

University of Alabama Press, 2018

A rhetorical analysis of Justice Ruth Bader Ginsburg’s feminist jurisprudence.

Ruth Bader Ginsburg’s lifelong effort to reshape the language of American law has had profound consequences: she has shifted the rhetorical boundaries of jurisprudence on a wide range of fundamental issues from equal protection to reproductive rights. Beginning in the early 1970s, Ginsburg led a consequential attack on sexist law in the United States. By directly confronting the patriarchal voice of the law, she pointedly challenged an entrenched genre of legal language that silenced the voices and experiences of American women and undermined their status as equal citizens. On the United States Supreme Court, Justice Ginsburg continues to challenge the traditional scripts of legal discourse to insist on a progressive vision of the Constitution and to demand a more inclusive and democratic body of law.

This illuminating work examines Justice Ruth Bader Ginsburg’s contributions in reshaping the rhetoric of the law (specifically through the lens of watershed cases in women’s rights) and describes her rhetorical contributions—beginning with her work in the 1970s as a lawyer and an advocate for the ACLU’s Women’s Rights Project through her tenure as a Supreme Court justice. Katie L. Gibson examines Ginsburg’s rhetoric to argue that she has dramatically shifted the boundaries of legal language. Gibson draws from rhetorical theory, critical legal theory, and feminist theory to describe the law as a rhetorical genre, arguing that Ginsburg’s jurisprudence can appropriately be understood as a direct challenge to the traditional rhetoric of the law.

Ruth Bader Ginsburg stands as an incredibly important figure in late twentieth- and early twenty-first-century feminism. While a growing number of admirers celebrate Justice Ginsburg’s voice of dissent today, Ginsburg’s rhetorical legacy reveals that she has long articulated a sharp and strategic voice of judicial dissent. This study contributes to a more complete understanding of her feminist legacy by detailing the unique contributions of her legal rhetoric.

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cover of Rwandan Women Rising

Rwandan Women Rising

Swanee Hunt

Duke University Press, 2017

In the spring of 1994, the tiny African nation of Rwanda was ripped apart by a genocide that left nearly a million dead. Neighbors attacked neighbors. Family members turned against their own. After the violence subsided, Rwanda's women—drawn by the necessity of protecting their families—carved out unlikely new roles for themselves as visionary pioneers creating stability and reconciliation in genocide's wake. Today, 64 percent of the seats in Rwanda's elected house of Parliament are held by women, a number unrivaled by any other nation. 
 
While news of the Rwandan genocide reached all corners of the globe, the nation's recovery and the key role of women are less well known. In Rwandan Women Rising, Swanee Hunt shares the stories of some seventy women—heralded activists and unsung heroes alike—who overcame unfathomable brutality, unrecoverable loss, and unending challenges to rebuild Rwandan society. Hunt, who has worked with women leaders in sixty countries for over two decades, points out that Rwandan women did not seek the limelight or set out to build a movement; rather, they organized around common problems such as health care, housing, and poverty to serve the greater good. Their victories were usually in groups and wide ranging, addressing issues such as rape, equality in marriage, female entrepreneurship, reproductive rights, education for girls, and mental health. 
 
These women's accomplishments provide important lessons for policy makers and activists who are working toward equality elsewhere in Africa and other postconflict societies. Their stories, told in their own words via interviews woven throughout the book, demonstrate that the best way to reduce suffering and to prevent and end conflicts is to elevate the status of women throughout the world.
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