Michael Knapp, Ercan Ayboga, and Anja Flach
Pluto Press, 2016
Emily C. Bruce
University of Massachusetts Press, 2021
Edited by Charles L. Davis II, Kathryn E. Holliday, and Joanna Merwood-Salisbury
University of Texas Press, 2026
A critical reassessment of nineteenth‑century American architecture that uncovers how race, settler colonialism, and contested national identities shaped the built environment and its historiography.
Rewriting American Architecture offers a revisionist riposte to the canonical story of nineteenth-century American architecture. Drawing on new archival research and revisionist historiography, the essays in this volume reveal how American architecture was shaped not by inevitable progress toward a unified national culture but by the turbulent realities of race, labor, settler colonialism, and territorial expansion. Rather than treating architecture as an apolitical aesthetic expression, the contributors expose it as an active arena in which the meanings of nationhood were constructed, contested, and often violently enforced. From Indigenous spatial practices and Black institutional building to transnational exchanges and the racial politics embedded in professionalization, this collection reframes the built environment as central to the competing cultural, political, and geographic claims that defined the United States during this period.
Hasnul Insani Djohar
The Ohio State University Press, 2024
Christopher Carter
University of Alabama Press, 2015
Exposing the politics of seeing: how documentary photographs confront inequality and reshape public understanding.
In Rhetorical Exposures, Christopher Carter explores social documentary photography from the nineteenth century to the present in order to illuminate the political dimensions and consequences of photographs taken and selected to highlight social injustice. Documentary photography aims to capture the material reality of life. Carter demonstrates how the creation and display of documentary photographs—often now called “imagetexts”—both invite analysis and raise persistent questions about the political and social causes for the bleak scenes of poverty and distress captured on film.
Carter’s carefully reasoned monograph examines both formal qualities of composition and the historical contexts of the production and display of documentary photographs. In Rhetorical Exposures, Carter explores Jacob Riis’s heartrending photos of Manhattan’s poor in late nineteenth-century New York, Walker Evans’s iconic images of tenant farmers in west Alabama, Ted Streshinsky’s images of 1960s social movements, Camilo José Vergara’s photographic landscapes of urban dereliction in the 1970s, and Chandra McCormick’s portraits of New Orleans’s Ninth Ward scarred by Hurricane Katrina.
While not ascribing specifically political or Marxist intentions to the photographers discussed, Carter frames his arguments in a class-based dialectic that addresses material want as an ineluctable result of social inequality. Carter argues that social documentary photography has the powerful capacity to disrupt complacent habits of viewing and to prompt viewers to confront injustice. Though photography may induce socially disruptive experiences, it remains vulnerable to the same power dynamics it subverts. Therefore, Carter offers a “rhetoric of exposure” that outlines how such social documentary images can be treated as highly tensioned rhetorical objects. His framework enables the analysis of photographs as heterogeneous records of the interaction of social classes and expressions of specific built environments. Rhetorical Exposures also discusses how photographs interact with oral and print media and relate to creations as diverse as public memorials, murals, and graphic novels.
As the creation and dissemination of new media continues to evolve in an environment of increasing anxiety about growing financial inequality, Rhetorical Exposures offers a very apt and timely discussion of the ways social documentary photography is created, employed, and understood.
Kari Campeau
The Ohio State University Press, 2025
Rhetorics of Refusal focuses on a recent public health crisis—Minnesota’s 2017 measles outbreak—to recast vaccine refusals less as products of poor health literacy or disinformation and more as strategic and generative acts of noncompliance. The outbreak, which primarily affected unvaccinated Somali children, occurred at the nexus of declining vaccination rates, spiking autism concerns, antivaccination predation, and a fraying public health infrastructure. However, during a year-long ethnographic study at a Somali health center, Kari Campeau found that personal stories from parents offered a much different picture of vaccine refusal than the one painted by news media. Tracking refusals across four sites, Campeau argues for the importance of approaching refusals as rhetorical and participatory strategies that hold institutions accountable, press for change, and practice care within emergent biosocial communities. Moreover, she views refusal as necessary and potentially transformative in situations where refusers have little access to power or platform. By contextualizing refusals in longer cultural and political histories, Campeau unsettles traditional narratives of medical dissent while offering new entry points into discussions on racialized biopolitics, care, disability, and public health.
Daniel J. Herman
University of Arizona Press, 2012
Winner Labriola Center American Indian National Book Award
For thousands of years, humans have lived on the sprawling escarpment in Arizona known as the Mogollon Rim, a stretch that separates the valleys of central Arizona from the mountains of the north. A vast portion of this dramatic landscape is the traditional home of the Dilzhe’e (Tonto Apache) and the Yavapai. Now Daniel Herman offers a compelling narrative of how—from 1864 to 1934—the Dilzhe’e and the Yavapai came to central Arizona, how they were conquered, how they were exiled, how they returned to their homeland, and how, through these events, they found renewal.
Herman examines the complex, contradictory, and very human relations between Indians, settlers, and Federal agents in late nineteenth- and early twentieth-century Arizona—a time that included Arizona’s brutal Indian wars. But while most tribal histories stay within the borders of the reservation, Herman also chronicles how Indians who left the reservation helped build a modern state with dams, hydroelectricity, roads, and bridges. With thoughtful detail and incisive analysis, Herman discusses the complex web of interactions between Apache, Yavapai, and Anglos that surround every aspect of the story.
Rim Country Exodus is part of a new movement in Western history emphasizing survival rather than disappearance. Just as important, this is one of the first in-depth studies of the West that examines race as it was lived. Race was formulated, Herman argues, not only through colonial and scientific discourses, but also through day-to-day interactions between Indians, agents, and settlers. Rim Country Exodus offers an important new perspective on the making of the West.
Carroll L. Riley
University of Utah Press, 1995
Rio del Norte chronicles the upper Rio Grande region and its divers peoples across twelve thousand years of continuous history. Based on the most up-to-date historical and archaeological research, Rio del Norte is a tour de force, highlighting the unbroken history of the upper Rio Grande.
Beginning with the mammoth hunters of eleven millennia ago, Carroll Riley adeptly eaves the threads of twelve thousand years of continuous history through the introduction of agriculture, the rise of the Basketmaker-Pueblo (Anasazi) people, and the extraordinary "quickening" that occurred along the Rio Grande and its tributaries as the Anasazi era ended.
At that time large towns appeared, some holding several thousand people who practiced irrigation-based agriculture, maintained complex social and political organizations, and had a rich artistry. This "golden age" was continuing when Spaniards contacted, then colonized and missionized the region. In 1680 the Pueblos joined in a powerful record and ousted the invaders. Although the Spanish returned, the Pueblos have maintained important parts of their cultural heritage to the present.
Christopher Lamberti, completed and edited by Sean Dinces
Temple University Press, 2027
Riot Zone presents a compelling forensic microhistory of the racial violence that exploded in Chicago starting on July 27, 1919, when a Black teenager named Eugene Williams drowned in Lake Michigan after white beachgoers attacked him as he swam with friends. In the days that followed, white gang members terrorized African Americans on the city’s South Side and Black Chicagoans armed and defended themselves in response. By the end of the first week of August, when the rioting finally ended, thirty-eight Chicagoans lay dead and hundreds nursed injuries as a result of what became known as America’s “Red Summer.”
The late Christopher Lamberti, with the help of editor Sean Dinces, recounts this sobering history using GIS software to map what occurred. The authors revisit and debunk ideas about the role race and ethnicity played in the riot and its aftermath, showing how the politics of housing and racial conflicts over residential space set the stage for the riots that ensued.
With insights that echo in today’s conflicts, Riot Zone proves that there is still plenty to learn about the history of America’s ongoing struggle with urban and racial violence.
Negesti Kaudo
The Ohio State University Press, 2022
Ty Matejowsky
University of Alabama Press, 2025
Risqué Business serves up the breastaurant industry, where food service, sex appeal, identity, and gender politics mix.
Risqué Business explores the rise and ongoing cultural reckoning of “breastaurants”: sports bar–style restaurants like Hooters and Twin Peaks, which have long relied on the sexualized presentation of female servers to attract a mostly straight, male clientele. Ty Matejowsky, professor of anthropology at the University of Central Florida, is uniquely positioned in America’s foundational, breastaurant-saturated landscape. From this vantage, he offers a well-balanced account that draws on pop culture, media analysis, and contemporary gender politics. He delivers a smart, layered analysis of how breastaurants commodify youth and femininity, uphold retrograde masculinity, and serve as symbolic battlegrounds in today's highly charged political environments including America's deeply polarized Red State/Blue State divide.
With case studies, cultural critique, and a critical lens on labor and sexuality, Matejowsky reveals how these restaurants are more than just risqué marketing gimmicks. They reflect deeper anxieties about gender, identity, and the uneasy fusion of sex and service in American consumer culture. Risqué Business is a high-spirited study of an industry that thrives at the intersection of appetite and identity.
Sarah Weiss
University of Illinois Press, 2019
Amos Megged
University Press of Colorado, 2019
Mary Martha Thomas
University of Alabama Press, 1987

Donald Engels
University of Chicago Press, 1990
William J. Slater, Editor
University of Michigan Press, 1996
Edited by Amelia F. Miller and A. R. Riggs
University of Massachusetts Press, 2007
Susan Gubar
University of Illinois Press, 2006
With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor.
A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on the challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, postcolonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; and the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future.

Evelyn Peters
University of Manitoba Press, 2018
Sarah Muir
University of Chicago Press, 2021
Patrick O’Hare
Pluto Press, 2021

Patrick O’Hare
Pluto Press, 2021
Steve Martinot
Temple University Press, 2002
Grif Stockley
University of Arkansas Press, 2008
Winner of the 2010 Booker Worthen Literary Prize, and the 2009 Ragsdale Award.
From the Civil War to Reconstruction, the Redeemer period, Jim Crow, and the modern civil rights era to the present, Ruled by Race describes the ways that race has been at the center of much of the state’s formation and image since its founding. Grif Stockley uses the work of published and unpublished historians and exhaustive primary source materials along with stories from authors as diverse as Maya Angelou and E. Lynn Harris to bring to life the voices of those who have both studied and lived the racial experience in Arkansas.
Topics range from the well-known Little Rock Central High Crisis of 1957 to lesser-known events such as the Elaine Race Massacres of 1919 and the shocking yet sadly commonplace attitudes found in newspaper reports and speeches. Through the words of the most powerful Arkansans such as racist Arkansas Govenor Jeff Davis (1901–1906) to the least powerful, including an unflinching look at the narratives of former slaves, readers will come away with increased awareness of the ways that race continues to affect where Arkansans live, send their children to school, work, travel, shop, spend leisure time, worship, and choose their friends and life partners.
Lawrence J. Nelson
University of Missouri Press, 2003
Colleen M. Scanlan Lyons
University of Arizona Press, 2022
Arcadius Kahan
University of Chicago Press, 1989
Julie A. Cassiday
University of Wisconsin Press, 2023