455 books match the query 'Feminism' and 27 start with s
Olga Rodriguez-Ulloa
University of Texas Press, 2026
Analyzing how Peruvian feminist art and activism subverts and reclaims the chola stereotype to confront colonial and patriarchal institutions.
Indigenous Andean women have long been derided in Peru, spurned by colonial and then national elites as depraved cholas. Olga Rodriguez-Ulloa shows how contemporary artists and activists not only reclaim this term of abuse but also mobilize the stereotype of the angry and perverted chola to confront the cruelties of patriarchy, capitalism, and white supremacy.
Sadistic Cholas examines music, visual arts, literature, and grassroots organizing by self-identified cholas—in particular, Black women and trans and queer feminists. Under colonial domination, cholas were destined for sexual coercion, labor extraction, and reproductive exploitation. While exhuming historical traces of chola resistance, Rodriguez-Ulloa argues that this condition of oppression persisted through the internal war of the 1980s, when Marxist women at the forefront of the armed campaign were condemned as hypersexual deviants. Inspired by their leftist forebears, today’s artists experiment with an aesthetic of sadistic vengeance, configured as rightful self-defense. Yet, in spite of their violent imagery, activist cholas pursue nonviolent goals, promoting a commons of care incorporating people, animals, and the environment.
Randall, Margaret
Rutgers University Press, 1994
Sandino's Daughters, Margaret Randall's conversations with Nicaraguan women in their struggle against the dictator Somoza in 1979, brought the lives of a group of extraordinary female revolutionaries to the American and world public. The book remains a landmark. Now, a decade later, Randall returns to interview many of the same women and others. In Sandino's Daughters Revisited, they speak of their lives during and since the Sandinista administration, the ways in which the revolution made them strong — and also held them back. Ironically, the 1990 defeat of the Sandinistas at the ballot box has given Sandinista women greater freedom to express their feelings and ideas.
Randall interviewed these outspoken women from all walks of life: working-class Diana Espinoza, head bookkeeper of a employee-owned factory; Daisy Zamora, a vice minister of culture under the Sandinistas; and Vidaluz Meneses, daughter of a Somozan official, who ties her revolutionary ideals to her Catholicism. The voices of these women, along with nine others, lead us to recognize both the failed promises and continuing attraction of the Sandinista movement for women. This is a moving account of the relationship between feminism and revolution as it is expressed in the daily lives of Nicaraguan women.
Inderpal Grewal
Duke University Press, 2017
Setsu Shigematsu
University of Minnesota Press, 2012
More than forty years ago a women’s liberation movement called ūman ribu was born in Japan amid conditions of radicalism, violence, and imperialist aggression. Setsu Shigematsu’s book is the first to present a sustained history of ūman ribu’s formation, its political philosophy, and its contributions to feminist politics across and beyond Japan. Through an in-depth analysis of ūman ribu, Shigematsu furthers our understanding of Japan’s gender-based modernity and imperialism and expands our perspective on transnational liberation and feminist movements worldwide.
In Scream from the Shadows, Shigematsu engages with political philosophy while also contextualizing the movement in relation to the Japanese left and New Left as well as the anti–Vietnam War and radical student movements. She examines the controversial figure Tanaka Mitsu, ūman ribu’s most influential activist, and the movement’s internal dynamics. Shigematsu highlights ūman ribu’s distinctive approach to the relationship of women—and women’s liberation—to violence: specifically, the movement’s embrace of violent women who were often at the margins of society and its recognition of women’s complicity in violence against other women.
Scream from the Shadows provides a powerful case study of a complex and contradictory movement with a radical vision of women’s liberation. It offers a unique opportunity to reflect on the blind spots within our contemporary and dominant views of feminism across their liberal, marxist, radical, Euro-American, postcolonial, and racial boundaries.
Kristen Ghodsee
Duke University Press, 2019
Elizabeth Francis
University of Minnesota Press, 2002
M. Murphy
Duke University Press, 2012
Murphy traces the transnational circulation of cheap, do-it-yourself health interventions, highlighting the uneasy links between economic logics, new forms of racialized governance, U.S. imperialism, family planning, and the rise of NGOs. In the twenty-first century, feminist health projects have followed complex and discomforting itineraries. The practices and ideologies of alternative health projects have found their way into World Bank guidelines, state policies, and commodified research. While the particular moment of U.S. feminism in the shadow of Cold War and postcolonialism has passed, its dynamics continue to inform the ways that health is governed and politicized today.
Westkaemper, Emily
Rutgers University Press, 2017
Eileen R. Meehan
University of Minnesota Press, 2001
A revelatory look at the ways that gender, power, and the media are intertwined.
It all comes down to sex and money: how the media are organized, how they work, what they say, who gets to say it and to whom. That is the message this book delivers—and then parses for its meaning to society and culture. Forcefully and persuasively, this groundbreaking volume uses the media to show how questions of gender and economics are inextricably linked to issues of power in Western capitalist societies. Integrating political economy and feminism, it offers a new understanding of communication at the personal, experiential, institutional, and structural levels-and exposes all the subtle and complex ways in which sex and money are sutured into individuals’ daily lives.
Contributors: Robin Andersen, Fordham U; Ellen Balka, Simon Fraser U; Amy Beer; Carolyn M. Byerly, Ithaca College; Ramona Curry, U of Illinois; Fred Fejes, Florida Atlantic U; Nancy Hauserman, U of Iowa; Michèle Martin, Carleton U, Canada; Stana Martin, Central Missouri State U; Lisa McLaughlin, Miami U, Ohio; Roopali Mukherjee, Indiana U; Angela R. Record; Karen Ross, Coventry U; H. Leslie Steeves, U of Oregon; Angharad N. Valdivia, U of Illinois; Janet Wasko, U of Oregon; and Justin Wyatt.McIntosh, Mary
Rutgers University Press, 1993
This provocative collection, by well-known feminists, surveys these arguments, and in particular asks why recent feminist debates about sexuality keep reducing to questions of pornography.
McIntosh, Mary
Rutgers University Press, 1993
Over the past twenty years debates about pornography have raged within feminism and beyond. Throughout the 1970s feminists increasingly addressed the problem of men's sexual violence against women, and many women reduced the politics of men's power over women to questions about sexuality. By the 1980s these questions had become more and more focused on the issue of pornography––now a metaphor for the menace of male power. Collapsing feminist politics into sexuality and sexuality into pornography has not only caused some of the deepest splits between feminists, but made it harder to think clearly about either sexuality or pornography––indeed, about feminist politics more generally.
This provocative collection, by well-known feminists on both sides of the Atlantic, surveys these arguments, and in particular asks why recent feminist debates about sexuality keep reducing to questions of pornography. The authors open up the debate by looking at such topics as the improbable alliance between the right and pro-censorship feminists, the displacement of heterosexual desire and its discontents onto pornography, Andrea Dworkin's novel Mercy, psychoanalytic reflections on fantasy, censorship in relation to AIDS work, the new lesbian and bisexual pornography, the controversy over Robert Mapplethorpe's supposed racism in his photos of black nudes, Mae West as sexual icon and her brushes with the law, and the female nude in "high" art.
In addition to the editors, the contributors are Elizabeth Cowie, Harriett Gilbert, Robin Gorna, Marybeth Hamilton, Loretta Loach, Anne McClintock, Kobena Mercer, Jane Mills, Mandy Merck, Lynda Nead, Gillian Rodgerson, Carol Smart, Carole S. Vance, Linda Williams, and Elizabeth Wilson.
Joanne E. Passet
University of Illinois Press, 2003
Edited by Sandra Harding and Jean F. O'Barr
University of Chicago Press, 1987
Jocelyn Olcott, Mary Kay Vaughan, and Gabriela Cano, eds.
Duke University Press, 2006
Concentrating on episodes and phenomena that occurred between 1915 and 1950, the contributors deftly render experiences ranging from those of a transgendered Zapatista soldier to upright damas católicas and Mexico City’s chicas modernas pilloried by the press and male students. Women refashioned their lives by seeking relief from bad marriages through divorce courts and preparing for new employment opportunities through vocational education. Activists ranging from Catholics to Communists mobilized for political and social rights. Although forced to compromise in the face of fierce opposition, these women made an indelible imprint on postrevolutionary society.
These essays illuminate emerging practices of femininity and masculinity, stressing the formation of subjectivity through civil-society mobilizations, spectatorship and entertainment, and locales such as workplaces, schools, churches, and homes. The volume’s epilogue examines how second-wave feminism catalyzed this revolutionary legacy, sparking widespread, more radically egalitarian rural women’s organizing in the wake of late-twentieth-century democratization campaigns. The conclusion considers the Mexican experience alongside those of other postrevolutionary societies, offering a critical comparative perspective.
Contributors. Ann S. Blum, Kristina A. Boylan, Gabriela Cano, María Teresa Fernández Aceves, Heather Fowler-Salamini, Susan Gauss, Temma Kaplan, Carlos Monsiváis, Jocelyn Olcott, Anne Rubenstein, Patience Schell, Stephanie Smith, Lynn Stephen, Julia Tuñón, Mary Kay Vaughan

John Scanzoni
University of Chicago Press, 1982
Carolyn Ross Johnston
University of Alabama Press, 1992
Jordan-Zachery, Julia S.
Rutgers University Press, 2018

Fitch, Melissa A
Rutgers University Press, 2009
Side Dishes considers feminist pornography and literary representations of masturbation, bisexuality, lesbianism, and sexual fantasies; the treatment of lust in stand-up comedy and science fiction; critical issues in leading feminist journals; and portrayals of sexuality in four contemporary Latin American films. Melissa A. Fitch concludes with a look at the rise of women's and gender studies programs in Latin America.
Fitch, Melissa A
Rutgers University Press, 2009
Side Dishes considers feminist pornography and literary representations of masturbation, bisexuality, lesbianism, and sexual fantasies; the treatment of lust in stand-up comedy and science fiction; critical issues in leading feminist journals; and portrayals of sexuality in four contemporary Latin American films. Melissa A. Fitch concludes with a look at the rise of women's and gender studies programs in Latin America.
Carolyn Dever
University of Minnesota Press, 2003
A clarion call for a new approach to feminist thought
In this major work, Carolyn Dever considers the ambivalence or outright hostility many feminists feel toward theory, arguing that a fundamental skepticism toward abstraction has been vital to the development of the movement.
Dever analyzes the politics of feminist theory by looking at its popular, activist, and academic modes, from the liberation movements of the 1970s to gender and queer studies now. Using key moments in the history of modern feminism-consciousness-raising, best-selling books like Sexual Politics by Kate Millett and The Women’s Room by Marilyn French, and media representations of women’s struggle for equality—Dever outlines heated debates over psychoanalysis, sexuality, and activism. The abstract and the grounded converge in discussions about the relationship between the feminist mind and the feminist body and in the preoccupation, both uneasy and utopian, with lesbian sexuality. Powerful, illuminating, and galvanizing, Skeptical Feminism traces the strategies the women’s movement has used to make theory matter—and points toward a new, politically engaged approach to feminist thought.Geoff Eley, Editor
University of Michigan Press, 1997
Christine Talbot
University of Illinois Press, 2024
Few figures in the history of the Church of Jesus Christ of Latter-day Saints provoke such visceral responses as Sonia Johnson. Her unrelenting public support of the Equal Rights Amendment (ERA) made her the face of LDS feminism while her subsequent excommunication roiled the faith community.
Christine Talbot tells the story of Sonia’s historic confrontation with the Church within the context of the faith’s first large-scale engagement with the feminist movement. A typical if well-educated Latter-day Saints homemaker, Sonia was moved to action by the all-male LDS leadership’s opposition to the ERA and a belief the Church should stay out of politics. Talbot uses the activist’s experiences and criticisms to explore the ways Sonia’s ideas and situation sparked critical questions about LDS thought, culture, and belief. She also illuminates how Sonia’s excommunication shaped LDS feminism, the Church’s antagonism to feminist critiques, and the Church itself in the years to come.
A revealing and long-overdue account, Sonia Johnson explores the life, work, and impact of the LDS feminist.
Anya Jabour
University of Illinois Press, 2019
Ania Loomba and Ritty A. Lukose, eds.
Duke University Press, 2012
Contributors. Flavia Agnes, Anjali Arondekar, Firdous Azim, Anannya Bhattacharjee, Laura Brueck, Angana P. Chatterji, Malathi de Alwis, Toorjo Ghose, Amina Jamal, Ratna Kapur, Lamia Karim, Ania Loomba, Ritty A. Lukose, Vasuki Nesiah, Sonali Perera, Atreyee Sen, Mrinalini Sinha, Ashwini Sukthankar
Mayfair Mei-Hui Yang
University of Minnesota Press, 1999
An exploration of women’s public expression--in China and beyond.
How are the public and political lives of Chinese women constrained by states and economies? And how have pockets of women’s consciousness come to be produced in and disseminated from this traditionally masculine milieu? The essays in this volume examine the possibilities for a public sphere for Chinese women, one that would emerge from concrete historical situations and local contexts and also cut across the political boundaries separating the Mainland, Taiwan, Hong Kong, and the West.
The challenges of this project are taken up in essays on the legacy of state feminism on the Mainland as contrasted with a grassroots women’s movement in Taiwan; on the role of the capitalist consumer economy in the emerging lesbian movement in Taiwan; and on the increased trafficking of women as brides, prostitutes, and mistresses between the Mainland and wealthy male patrons in Taiwan and Hong Kong. The writers’ examples of masculine domination in the media include the reformulation of Chinese women in Fifth Generation films for a transnational Western male film audience and the portrayal of Mainland women in Taiwanese and Hong Kong media. The contributors also consider male nationalism as it is revealed through both international sports coverage on television and in a Chinese television drama. Other works examine a women’s museum, a telephone hotline in Beijing, the films of Hong Kong filmmaker Ann Hui, the transnational contacts of a Taiwanese feminist organization, the diaspora of Mainland women writers, and the differences between Chinese and Western feminist themes.Contributors: Susan Brownell, U of Missouri; Virginia Cornue; Dai Jinhua, Beijing U; Kathleen Erwin; Elaine Yee Lin Ho, Hong Kong U; Lee Yuan-chen, Tamkang U; Li Xiaojiang, Zhengzhou U and Henan U; Lisa Rofel, U of California, Santa Cruz; Tze-lan Deborah Sang, U of Oregon; Shu-mei Shih, UCLA; Zhang Zhen. ISBN 0-8166-3145-X Cloth $49.95xxISBN 0-8166-3146-8 Paper $19.95x336 pages 9 black-and-white photos 5 7/8 x 9 FebruaryPublic Worlds Series, volume 4Translation inquiries: University of Minnesota PressJoeAnn Hart
University of Iowa Press, 2019
Judith Newton
University of Michigan Press, 1994