835 books match the query 'France' and 60 start with s

cover of Sacred Boundaries: Religious Coexistence and Conflict in Early-Modern France

Sacred Boundaries

Religious Coexistence and Conflict in Early-Modern France

Keith P. Luria

Catholic University of America Press, 2005

Religious rivalry and persecution have bedeviled so many societies that confessional difference often seems an unavoidable source of conflict. Sacred Boundaries challenges this assumption by examining relations between the Catholic majority and Protestant minority in seventeenth-century France as a case study of two religious groups constructing confessional difference and coexistence
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cover of Sacred Revolutions: Durkheim And The College De Sociologie

Sacred Revolutions

Durkheim And The College De Sociologie

Michele H. Richman

University of Minnesota Press, 2002

Explores the role of the sacred in the response of French intellectuals to the rise of fascism during the 1930s

How is it that the most radical cultural iconoclasts of the interwar years—Georges Bataille, Roger Caillois, and Michel Leiris—could have responded to the rise of fascism by taking refuge in a "sacred sociology"? This is the question that Michèle H. Richman poses in a work that examines this seemingly paradoxical development. Her book traces the overall implications for French social thought of the "ethnographic detour" that began with Durkheim’s interest in Australian aboriginal religion—implications that reach back to the Revolution of 1789 and forward to the student protests of May 1968.

Richman argues that by revising a phenomenon at once as familiar and as exotic as the sacred, these intellectuals forged a point of view relevant to politics, art, and eroticism in the modern period. Assimilating sociology to this revised notion of the sacred, they revitalized a critical discourse based on anthropological thinking dating back to Montaigne and culminating in Rousseau. Her work thus supplies an important chapter in the history of the human sciences while demonstrating the formation of an innovative critical discourse that straddles literary theory, social thought, and religious and cultural studies.
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cover of Sade: A Biographical Essay

Sade

A Biographical Essay

Laurence L. Bongie

University of Chicago Press, 1998

The writings of the Marquis de Sade have recently attained notoriety in the canon of world literature. Now Sade himself is often celebrated as a heroic apostle of individual rights and a giant of philosophical thought. In this detailed investigative work, Laurence Bongie tests these claims and finds them unfounded and undeserved.

"A valuable correction to the perception of Sade as a profound thinker, a great writer, and a martyr to liberty. Drawing on original archival work, Bongie tries to illuminate Sade's childhood and his relationship with his parents. . . . Fluent and well-informed."—Library Journal

"Mr. Bongie . . . has written an investigation focusing on one aspect of Sade's character and development, his heretofore neglected relationship with his aristocratic mother. . . . A profitable selection."—Richard Bernstein, New York Times

"A welcome corrective. Bongie's book . . . aims to deflate the exalted claims made about the marquis by demonstrating that he was a monstrous character."—Scott Stossel, Boston Phoenix Literary Supplement
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cover of Saharan Jews and the Fate of French Algeria

Saharan Jews and the Fate of French Algeria

Sarah Abrevaya Stein

University of Chicago Press, 2014

The history of Algerian Jews has thus far been viewed from the perspective of communities on the northern coast, who became, to some extent, beneficiaries of colonialism.  But to the south, in the Sahara, Jews faced a harsher colonial treatment. In Saharan Jews and the Fate of French Algeria, Sarah Abrevaya Stein asks why the Jews of Algeria’s south were marginalized by French authorities, how they negotiated the sometimes brutal results, and what the reverberations have been in the postcolonial era.
           
Drawing on materials from thirty archives across six countries, Stein tells the story of colonial imposition on a desert community that had lived and traveled in the Sahara for centuries. She paints an intriguing historical picture—of an ancient community, trans-Saharan commerce, desert labor camps during World War II, anthropologist spies, battles over oil, and the struggle for Algerian sovereignty. Writing colonialism and decolonization into Jewish history and Jews into the French Saharan one, Saharan Jews and the Fate of French Algeria is a fascinating exploration not of Jewish exceptionalism but of colonial power and its religious and cultural differentiations, which have indelibly shaped the modern world. 
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cover of Saint Genet: Actor and Martyr

Saint Genet

Actor and Martyr

Jean-Paul Sartre

University of Minnesota Press, 2012

Saint Genet is Jean-Paul Sartre’s classic biography of Jean Genet—thief, convict, and great artist—a character of almost legendary proportions whose influence grows stronger with time. Bringing together two of the century’s greatest minds and artists, Saint Genet is at once a compelling psychological portrait, masterpiece of literary criticism, and one of Sartre’s most personal and inspired philosophical creations.

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cover of Saint-Simon and the Court of Louis XIV

Saint-Simon and the Court of Louis XIV

Emmanuel Le Roy Ladurie

University of Chicago Press, 2001

The Duke of Saint-Simon (1675—1755) was by all accounts, including his own, a sensitive, self-obsessed, ill-tempered man. A courtier and phenomenal chronicler of court life under Louis XIV, he produced the monumental work Memoirs, running to thousands of pages, in which the intrigues, personalities, activities, and gossip of life at Versailles are recorded in acerbic detail. Drawing heavily on these Memoirs, renowned historian Emmanuel Le Roy Ladurie offers a wonderful portrait of life under Louis XIV, focusing on the fundamental issues of hierarchy and rank in this tightly controlled universe.

Saint-Simon and the Court of Louis XIV, expertly translated by Arthur Goldhammer, is a historical essay about court life, built with the wide range of tools Ladurie so expertly employs: ethnography, history, literary criticism, and historiography. Ladurie recreates a world in which man is most definitely born unequal, a world circumscribed entirely by purity of bloodline, which nonetheless directly preceded the birth of democratic thought and political action. Locked into a virtual caste system, courtiers formed within their ranks cabals, factions, and groups bonded by common ideological principles in order to survive the political order of the court. Thus Saint-Simon and the Court of Louis XIV is not only about Saint-Simon's place in this constellation but also the constellation itself and how understanding it forces us to a reevaluation of political life in France during the Old Regime.

Including a biographical sketch of Saint-Simon and more than 30 illustrations of court life and its members, Saint-Simon and the Court of Louis XIV will delight those interested in French history as well as instruct those interested in political history.
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cover of Sainted Women of the Dark Ages

Sainted Women of the Dark Ages

Jo Ann McNamara, John E. Halborg, and Gordon Whatley, eds.

Duke University Press, 1992

Sainted Women of the Dark Ages makes available the lives of eighteen Frankish women of the sixth and seventh centuries, all of whom became saints. Written in Latin by contemporaries or near contemporaries, and most translated here for the first time, these biographies cover the period from the fall of the Roman Empire and the conversion of the invading Franks to the rise of Charlemagne's family.
Three of these holy women were queens who turned to religion only after a period of intense worldly activity. Others were members of the Carolingian family, deeply implicated in the political ambitions of their male relatives. Some were partners in the great Irish missions to the pagan countryside and others worked for the physical salvation of the poor. From the peril and suffering of their lives they shaped themselves as paragons of power and achievement. Beloved by their sisters and communities for their spiritual gifts, they ultimately brought forth a new model of sanctity.
These biographies are unusually authentic. At least two were written by women who knew their subjects, while others reflect the direct testimony of sisters within the cloister walls. Each biography is accompanied by an introduction and notes that clarify its historical context. This volume will be an excellent source for students and scholars of women's studies and early medieval social, religious, and political history.
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cover of Salut!: France Meets Philadelphia

Salut!

France Meets Philadelphia

Lynn Miller and Therese Dolan

Temple University Press, 2021

One highly visible example of French influence on the city of Philadelphia is the Benjamin Franklin Parkway, modeled on the Champs-Élysées. In Salut!, Lynn Miller and Therese Dolan trace the fruitful, three-centuries-long relationship between the City of Brotherly Love and France. This detailed volume illustrates the effect of Huguenots settling in Philadelphia and 18-year-old William Penn visiting Paris, all the way up through more recent cultural offerings that have helped make the city the distinctive urban center it is today. 

Salut! provides a magnifique history of Philadelphia seen through a particular cultural lens. The authors chronicle the French influence during colonial and revolutionary times. They highlight the contributions of nineteenth-century French philanthropists, such as Stephen Girard and the Dupont family. And they showcase the city’s vibrant visual arts community featuring works from the Philadelphia Museum of Art, the Rodin Museum, the Barnes Foundation, and the Joan of Arc sculpture, as well as studies of artists Thomas Eakins, Mary Cassatt, and Henry Ossawa Tanner. There is also a profile of renowned Le Bec-Fin chef Georges Perrier, who made Philadelphia a renowned culinary destination in the twentieth century.

With lavish illustrations and enthusiastic text, Salut!celebrates a potpourri of all things French in the Philadelphia region.

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cover of Salvaging the Past: Georges Hoentschel and French Decorative Arts from The Metropolitan Museum of Art, 1907-2013

Salvaging the Past

Georges Hoentschel and French Decorative Arts from The Metropolitan Museum of Art, 1907-2013

Daniëlle O. Kisluk-Grosheide

Bard Graduate Center, 2013

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cover of Saving Our Children From Poverty: What the United States Can Learn From France

Saving Our Children From Poverty

What the United States Can Learn From France

Barbara R. Bergmann

Russell Sage Foundation, 1996

More than one in five American children live below the poverty line, a proportion that exceeds that of any other advanced nation. Although large numbers of Western European children live with single or unemployed parents, or belong to disadvantaged minorities, they are better shielded from severe deprivation by carefully designed public assistance programs. Saving Our Children from Poverty describes one of the most successful European systems of assistance for families, that of France, and through comparison with American programs offers a valuable guide to improving our own safety net for children and reforming our dysfunctional welfare system. Saving Our Children from Poverty details the array of benefits available to both high- and low-income families in France. Government-run nursery schools provide free, high-quality care for almost all children between the ages of three and six. Children also receive guaranteed medical care under a national health insurance plan. The French system offers married couples most of the same benefits as single parents, and creates strong incentives to seek and hold jobs rather than remain on welfare. A French single mother who chooses to work still receives substantial income supplements, housing assistance, subsidized health care, and access to public child care facilities. In stark contrast, her American counterpart loses most of her cash benefits if she takes a job and receives no government assistance with child care. Because American policies focus disproportionately on aiding the poorest non-working families, parents forced to rely on low-wage jobs are frequently left without the resources to provide their children with an adequate standard of living. As the public debate on welfare reform continues to rage, ever more American children fall into poverty. Why does the nation remain so unresponsive to their plight? Saving Our Children from Poverty probes the American aversion to national assistance programs, citing the negative attitudes that have seeped into the current political discourse. A lack of faith in the federal government's administrative abilities has bolstered a trend toward decentralization of programs, as well as a growing resistance to taxation. Racial antipathies and a belief that financial support encourages irresponsibility further undermine the development of programs for those in need. Saving Our Children from Poverty illustrates what a nation no wealthier than ours can realistically accomplish and afford, and concludes with a viable blueprint for successfully applying aspects of France's system to the United States.
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cover of School, State, and Society: The Growth of Elementary Schooling in Nineteenth-Century France--A Quantitative Analysis

School, State, and Society

The Growth of Elementary Schooling in Nineteenth-Century France--A Quantitative Analysis

Raymond Grew and Patrick J. Harrigan

University of Michigan Press, 1992

School, State, and Society is a comprehensive analysis of French elementary education in the nineteenth century. It begins in the decades before the Guizot law of 1833, which made the establishment of public schools in every commune France's national policy, and continues to 1906, just after Church and state were formally separated and Catholic schools officially abolished. Grew and Harrigan base their study on the vast amount of statistical information that was systematically collected in France beginning in the 1830s. This information was put into machine-readable form for computer analysis.  School, State, and Society examines several important aspects of elementary schools in France in the nineteenth century: the availability of schooling; enrollment; different types of schools (Catholic and lay, public and private); schooling for girls versus schooling for boys; elementary teachers' the elementary school as an institution and the links between elementary education and further instruction; and budgets and expenditures. The analysis revises some standard interpretations of the role of Catholic schools and of a nationally centralized system. The picture that emerges challenges some common impressions – among them that schooling in France progressed slowly and late, that it had to overcome great local resistance, and that the enrollment of girls long lagged behind that of boys.
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cover of Science in the Age of Sensibility: The Sentimental Empiricists of the French Enlightenment

Science in the Age of Sensibility

The Sentimental Empiricists of the French Enlightenment

Jessica Riskin

University of Chicago Press, 2002

Empiricism today implies the dispassionate scrutiny of facts. But Jessica Riskin finds that in the French Enlightenment, empiricism was intimately bound up with sensibility. In what she calls a "sentimental empiricism," natural knowledge was taken to rest on a blend of experience and emotion.

Riskin argues that sentimental empiricism brought together ideas and institutions, practices and politics. She shows, for instance, how the study of blindness, led by ideas about the mental and moral role of vision and by cataract surgeries, shaped the first school for the blind; how Benjamin Franklin's electrical physics, ascribing desires to nature, engaged French economic reformers; and how the question of the role of language in science and social life linked disputes over Antoine Lavoisier's new chemical names to the founding of France's modern system of civic education.

Recasting the Age of Reason by stressing its conjunction with the Age of Sensibility, Riskin offers an entirely new perspective on the development of modern science and the history of the Enlightenment.
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cover of Sealed in Parchment: Rereadings of Knighthood in the Illuminated Manuscripts of Chretien de Troyes

Sealed in Parchment

Rereadings of Knighthood in the Illuminated Manuscripts of Chretien de Troyes

Sandra Hindman

University of Chicago Press, 1994

Chretien de Troyes was France's great medieval poet—inventor of the genre of courtly romance and popularizer of the Arthurian legend. The forty-four surviving manuscripts of his work (ten of them illuminated) pose a number of questions about who used these books and in what way. In Sealed in Parchment, Sandra Hindman scrutinizes both text and images to reveal what the manuscripts can tell us about medieval society and politics.
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cover of Second Front Now--1943: An Opportunity Delayed

Second Front Now--1943

An Opportunity Delayed

Walter Scott Dunn

University of Alabama Press, 2009

Addresses head-on the central issue of invasion timing in the Allied European strategy of World War II

In Second Front Now – 1943: An Opportunity Delayed, military historian Walter S. Dunn offers a sharply argued and meticulously researched reassessment of one of the most consequential strategic debates of World War II: the decision not to launch a full-scale Allied invasion of Western Europe in 1943. At a time when Nazi Germany was stretched across multiple fronts and the Soviet Union bore the brunt of the fighting in the East, the question of when—and where—to open a Second Front in Europe became a defining issue among Allied leaders.

Dunn explores the complex interplay of military planning, political caution, logistical constraints, and inter-Allied tensions that led Britain and the United States to postpone a cross-Channel invasion. Drawing from official records, wartime correspondence, and operational analyses, he reconstructs the strategic environment of 1943 and challenges the conventional wisdom that the delay was inevitable—or even prudent. Instead, Dunn presents a compelling case that an earlier invasion may have been both feasible and decisive, potentially shortening the war and altering the balance of postwar power.

With clarity and analytical rigor, the book examines the competing priorities of Churchill, Roosevelt, and Stalin, the influence of Mediterranean operations, and the evolving capabilities of Allied forces. It also considers the broader implications of the delay, including its impact on Soviet–Western relations and the shaping of the Cold War order that followed.

Blending narrative accessibility with scholarly depth, Second Front Now – 1943 is essential reading for students, historians, and anyone interested in the strategic decisions that defined the Allied path to victory. Dunn invites readers to reconsider a pivotal “missed moment” in history—and to reflect on how differently the war, and the world, might have unfolded.


 

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cover of Secret Origins of Modern Microeconomics: Dupuit and the Engineers

Secret Origins of Modern Microeconomics

Dupuit and the Engineers

Robert B. Ekelund Jr. and Robert F. Hébert

University of Chicago Press, 1999

How did contemporary microeconomic theory emerge? Who were its chief architects? Conventional wisdom points largely to the work of Alfred Marshall (1842-1924) and his colleagues in England in the late nineteenth century. In this highly original and important contribution to the history of economic thought, Robert Ekelund and Robert Hébert convincingly argue that the intellectual tradition of microeconomic inquiry was initiated by members of the Corps des Ingénieurs des Ponts et Chaussées (French corps of state civil engineers), most notably Jules Dupuit (1804-66). Using documents previously unavailable in English, the authors present a cohesive and original picture of French economic thought that solidly documents the contributions of Dupuit and his colleagues. This is a seminal work about the foundations of modern microeconomics.

"A very fine piece of work that provides material I have never seen before, is well written, and has undoubtable merits."—William Baumol, C.V. Starr Center for Applied Economics, New York University

"By bringing to the forefront the achievements of French engineer Jules Dupuit, this work changes our view of the history of microeconomics. Secret Origin of Modern Microeconomics is a commentary on our discipline's mythology of origins: it reminds us that, in the construction and maintenance of canonical authority, the recoginition of founding fathers requires simultaneous, often subtle, gestures of exclusion."—Philippe Fontaine, école Normale Supèrieure de Cachan
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cover of Seductive Journey: American Tourists in France from Jefferson to the Jazz Age

Seductive Journey

American Tourists in France from Jefferson to the Jazz Age

Harvey Levenstein

University of Chicago Press, 2000

For centuries, France has cast an extraordinary spell on travelers. Harvey Levenstein's Seductive Journey explains why so many Americans have visited it, and tells, in colorful detail, what they did when they got there. The result is a highly entertaining examination of the transformation of American attitudes toward French food, sex, and culture, as well as an absorbing exploration of changing notions of class, gender, race, and nationality.

Levenstein begins in 1786, when Thomas Jefferson instructed young upper-class American men to travel overseas for self-improvement rather than debauchery. Inspired by these sentiments, many men crossed the Atlantic to develop "taste" and refinement. However, the introduction of the transatlantic steamship in the mid-nineteenth century opened France to people further down the class ladder. As the upper class distanced themselves from the lower-class travelers, tourism in search of culture gave way to the tourism of "conspicuous leisure," sex, and sensuality. Cultural tourism became identified with social-climbing upper-middle-class women. In the 1920s, prohibition in America and a new middle class intent on "having fun" helped make drunken sprees in Paris more enticing than trudging through the Louvre. Bitter outbursts of French anti-Americanism failed to jolt the American ideal of a sensual, happy-go-lucky France, full of joie de vivre. It remained Americans' favorite overseas destination.

From Fragonard to foie gras, the delicious details of this story of how American visitors to France responded to changing notions of leisure and blazed the trail for modern mass tourism makes for delightful, thought-provoking reading.

"...a thoroughly readable and highly likable book."—Deirdre Blair, New York Times Book Review
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cover of Seeing Baya: Portrait of an Algerian Artist in Paris

Seeing Baya

Portrait of an Algerian Artist in Paris

Alice Kaplan

University of Chicago Press, 2024

The first biography of the Algerian artist Baya Mahieddine, celebrated in mid-twentieth-century Paris, her life shrouded in myth.  

On a flower farm in colonial Algeria, a servant and field worker known as Baya escaped the drudgery of her labor by coloring the skirts in fashion magazines. Three years later, in November 1947, her paintings and fanciful clay beasts were featured in a solo show in Paris. She wasn’t yet sixteen years old. In this first biography of Baya, Alice Kaplan tells the story of a young woman seemingly trapped in subsistence who becomes a sensation in the French capital, then mysteriously fades from the history of modern art—only to reemerge after independence as an icon of Algerian artistic heritage.
 
The toast of Paris for the 1947 season, Baya inspired colonialist fantasies about her “primitive” genius as well as genuine appreciation. She was featured in newspapers, on the radio, and in a newsreel; her art was praised by Breton and Camus, Marchand and Braque. At the dawn of Algerian liberation, her appearance in Paris was used to stage the illusion of French-Algerian friendship, while horrific French massacres in Algeria were still fresh in memory. 

Kaplan uncovers the central figures in Baya’s life and the role they played in her artistic career. Among the most poignant was Marguerite Caminat-McEwen-Benhoura, who took Baya from her sister’s farm to Algiers, where Baya worked as Marguerite’s maid and was given paint and brushes. A complex and endearing character, Marguerite—and her Pygmalion ambitions—was decisive in shaping Baya’s destiny. Kaplan also looks closely at Baya’s earliest paintings with an eye to their themes, their palette and design, and their enduring influence.

In vivid prose that brings Baya’s story into the present, Kaplan’s book, the fruit of scrupulous research in Algiers, Blida, Paris, and Provence, allows us to see in a whole new light the beloved artist who signed her paintings simply “Baya.”
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cover of Seeing Sarah Bernhardt: Performance and Silent Film

Seeing Sarah Bernhardt

Performance and Silent Film

Victoria Duckett

University of Illinois Press, 2015

The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth vaulted her to international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the center of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities. Instead, cinema's substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. It also allowed the aging actress to appear in the kinds of longer dramas she could no longer physically sustain onstage. As Duckett shows, Bernhardt contributed far more than star quality. Her theatrical practice on film influenced how the young medium changed the visual and performing arts. Her promoting of experimentation, meanwhile, shaped the ways audiences looked at and understood early cinema. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed the very act of watching film.
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cover of Seeking Provence: Old Myths, New Paths

Seeking Provence

Old Myths, New Paths

Nicholas Woodsworth

Haus Publishing, 2016

A region steeped in fable and myth, Provence is a cultural crossroads of European history. A source of inspiration to artists, poets, and troubadours, it is now an enviable refuge for the wealthy and fashionable. Nicholas Woodsworth, who was born in Ottawa, Canada, married into a Provençal family and has lived in the region for decades. Lovingly recounting vivid details of life in Provence, he provides here a welcome antidote to the typical rosé-tinted, romantic view of it being a perennially sunny destination for tourists.

The true Provençaux have always lived a hard life close to the land and the rhythms of the seasons. And it is in the revelation and understanding of these lives, of the Provençal people, that the truths of the region are to be found. As much a study of Provençal culture and history as a memoir and travel book, this is a deep and soulful investigation into a way of life that remains very distinct from that of the rest of France.
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cover of Selected Philosophical, Scientific, and Autobiographical Writings

Selected Philosophical, Scientific, and Autobiographical Writings

Marie-Geneviève-Charlotte Thiroux d’Arconville

Iter Press, 2018

Marie-Geneviève-Charlotte Thiroux d’Arconville combined fierce intellectual ambition with the proper demeanor of the wife of a leading magistrate. Bemoaning her lack of a formal education in childhood, as an adult she read widely, studied languages, and sought out mentors among the scientific elite of the day. Always publishing anonymously, her works included moralist philosophy, scientific and literary translations, original scientific research, fiction, and history. Recently, a trove of unpublished essays and autobiographical writings from her final years, long thought to have been lost, has come to light, revealing her as a writer of insight, wit, and feeling.

Edited and translated by Julie Candler Hayes

The Other Voice in Early Modern Europe: The Toronto Series, volume 58
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cover of Selected Works of Abbot Suger of Saint Denis

Selected Works of Abbot Suger of Saint Denis

Richard Abbot Suger of Saint-Denis

Catholic University of America Press, 2018

Translated with Introduction and Notes by Richard Cusimano and Eric Whitmore

Suger, the twelfth century abbot of Saint-Denis, has not received the respect and attention that he deserves. Bernard of Clairvaux and Peter the Venerable have garnered more attention, and students of medieval history know their names well. In one respect, however, Suger has earned due praise, for his architectural innovations to the church of Saint-Denis made it truly one of the most beautiful churches in Europe.

Students of history and architecture know Suger best for his work on Saint-Denis, the burial site of medieval French kings, queens, and nobility. The abbot enlarged, decorated, improved, and redesigned the building so beautifully that it is safe to say that he became the foremost church architect of twelfth-century France.

The man, however, was so much more than an architect. He served as a counselor and member of the courts of King Louis VI and VII, who sent him across Europe on diplomatic missions. He represented those kings at the papal curia and imperial diets. He was also a close friends and confidante of King Henry I of England, whom he often visited on behalf of French royal interests.

Never shy, Suger seems almost obsessed that his works and deeds not be forgotten. He acquired numerous properties and estates for his abbey, as well as improved the ones it already possessed. He built new buildings, barns, walls for villages, and increased the return of grain from all the abbey’s lands. Readers interested in the medieval agricultural system and way of life will also enjoy these texts.

Suger’s texts also provide a wealth of information about the events of his era as well as a large amount of biographical material on his accomplishments. This translation of his writings intends to enhance his reputation and make his name better known by students at all levels and among those interested in medieval topics.
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cover of Selected Works of Abbot Suger of Saint-Denis: Letters and Charters

Selected Works of Abbot Suger of Saint-Denis

Letters and Charters

Eric Abbot Suger of Saint-Denis

Catholic University of America Press, 2025

Abbot Suger of Saint-Denis was a pivotal figure in 12th-century France, leaving a lasting impact through his multifaceted foles. His dedication to his abbey of Saint-Denis, wise counsel to kings, mediation of church disputes, and involvement in the Crusades solidify his legacy. His letters and charters offer invaluable insights into the political, religious, and economic landscape of the era, particularly during the Capetian dynasty's formative years. Suger's letters, often addressed to powerful figures, reveal his adept political maneuvering. They document his efforts to consolidate royal authority, maintain peace, and defend the abbey's interests. These writings illuminate medieval diplomacy and the Church's influence on secular affairs. Suger served as a trusted advisor to Kings Louis VI and Louis VII, even acting as regent during the latter's absence on the Second Crusade. He skillfully resolved conflicts among ecclesiastical figures, bolstering royal authority and promoting church unity. Suger's charters meticulously detail the abbey's landholdings, privileges, and administrative practices, reflecting his commitment to restoring its wealth and prestige and protecting the abbey's lands from encroachment. These documents also provide crucial information about the economic and social conditions of 12th-century France, a pivotal period in the development of the French monarchy.
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cover of Selling the Yellow Jersey: The Tour de France in the Global Era

Selling the Yellow Jersey

The Tour de France in the Global Era

Eric Reed

University of Chicago Press, 2014

Yellow Livestrong wristbands were taken off across America in early 2013 when Lance Armstrong confessed to Oprah Winfrey that he had doped during the seven Tour de France races he won.  But the foreign cycling world, which always viewed Armstrong with suspicion, had already moved on. The bellwether events of the year were Chris Froome’s victory in the Tour and the ousting of Pat McQuaid as director of the Union Cycliste Internationale. Even without Armstrong, the Tour will roll on— its gigantic entourage includes more than 200 racers, 450 journalists, 260 cameramen, 2,400 support vehicles carrying 4,500 people, and a seven-mile-long publicity caravan. It remains one of the most-watched annual sporting events on television and a global commercial juggernaut.

In Selling the Yellow Jersey, Eric Reed examines the Tour’s development in France as well as the event’s global athletic, cultural, and commercial influences. The race is the crown jewel of French cycling, and at first the newspapers that owned the Tour were loath to open up their monopoly on coverage to state-owned television. However, the opportunity for huge payoffs prevailed, and France tapped into global networks of spectatorship, media, business, athletes, and exchanges of expertise and personnel. In the process, the Tour helped endow world cycling with a particularly French character, culture, and structure, while providing proof that globalization was not merely a form of Americanization, imposed on a victimized world. Selling the Yellow Jersey explores the behind-the-scenes growth of the Tour, while simultaneously chronicling France’s role as a dynamic force in the global arena.
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cover of Send the Alabamians: World War I Fighters in the Rainbow Division

Send the Alabamians

World War I Fighters in the Rainbow Division

Nimrod T. Frazer

University of Alabama Press, 2014

The Remarkable Story of Alabama's Soldiers in America's Great War.

Send the Alabamians recounts the story of the 167th Infantry Regiment of the WWI Rainbow Division from their recruitment to their valiant service on the bloody fields of eastern France in the climactic final months of World War I.

To mark the centenary of World War I, Send the Alabamians tells the remarkable story of a division of Alabama recruits whose service Douglas MacArthur observed had not “been surpassed in military history.” The book borrows its title from a quip by American General Edward H. Plummer who commanded the young men during the inauspicious early days of their service. Impressed with their ferocity and esprit de corps but exasperated by their rambunctiousness, Plummer reportedly exclaimed: In time of war, send me all the Alabamians you can get, but in
time of peace, for Lord’s sake, send them to somebody else!

The ferocity of the Alabamians, so apt to get them in trouble at home, proved invaluable in the field. At the climactic Battle of Croix Rouge, the hot-blooded 167th exhibited unflinching valor and, in the face of machine guns, artillery shells, and poison gas, sustained casualty rates over 50 percent to dislodge and repel the deeply entrenched and heavily armed enemy.

Relying on extensive primary sources such as journals, letters, and military reports, Frazer draws a vivid picture of the individual soldiers who served in this division, so often overlooked but critical to the war’s success. After Gettysburg, the Battle of Croix Rouge is the most significant military engagement to involve Alabama soldiers in the state’s history. Families and genealogists will value the full roster of the 167th that accompanies the text.

Richly researched yet grippingly readable, Nimrod T. Frazer’s Send the Alabamians will delight those interested in WWI, the World Wars, Alabama history, or southern military history in general. Historians of the war, regimental historians, military history aficionados, and those interested in previously unexplored facets of Alabama history will prize this unique volume as well.

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cover of Sensations: French Archaeology between Science and Spectacle, 1890–1940

Sensations

French Archaeology between Science and Spectacle, 1890–1940

Daniel J. Sherman

University of Chicago Press, 2025

Delves into two controversies from the French archaeological world to illuminate the tension between the discipline’s scientific ambitions and its hunger for media attention.
 
For well over a century, from Heinrich Schliemann’s sensational discoveries at Troy in the 1880s, through the Tutankhamun excavations of the 1920s, to the recent LIDAR-aided uncovering of lost Maya cities, archaeology has made headlines. In this new history of archaeology and its archival traces, Daniel J. Sherman treats the friction between science and spectacle as constitutive of the field. By exploring two long-running controversies that roiled the French archaeological world and its wider public in the first third of the twentieth century, he gives the science/media relationship a unique place in the history of archaeology—and its present.
 
The first controversy involves a dispute over the conduct of excavations at Carthage in Tunisia, then under French colonial rule. In the second, accusations of forgery clouded what seemed to be a stunning Neolithic find at a hamlet called Glozel, in the Auvergne region in central France. The affair divided the scholarly community and attracted enormous media attention across Europe and North America. Both controversies occurred at a transitional moment between what has been called the heroic age of archaeology, dominated by explorers and adventurers with little specialized training, and the beginnings of its professionalization. As Sherman shows, the two affairs put the methods, procedures, and networks of archaeology in the spotlight and profoundly shaped its history.
[more]
cover of Sensible Ecstasy: Mysticism, Sexual Difference, and the Demands of History

Sensible Ecstasy

Mysticism, Sexual Difference, and the Demands of History

Amy Hollywood

University of Chicago Press, 2001

Sensible Ecstasy investigates the attraction to excessive forms of mysticism among twentieth-century French intellectuals and demonstrates the work that the figure of the mystic does for these thinkers. With special attention to Georges Bataille, Simone de Beauvoir, Jacques Lacan, and Luce Irigaray, Amy Hollywood asks why resolutely secular, even anti-Christian intellectuals are drawn to affective, bodily, and widely denigrated forms of mysticism.

What is particular to these thinkers, Hollywood reveals, is their attention to forms of mysticism associated with women. They regard mystics such as Angela of Foligno, Hadewijch, and Teresa of Avila not as emotionally excessive or escapist, but as unique in their ability to think outside of the restrictive oppositions that continue to afflict our understanding of subjectivity, the body, and sexual difference. Mystics such as these, like their twentieth-century descendants, bridge the gaps between action and contemplation, emotion and reason, and body and soul, offering new ways of thinking about language and the limits of representation.
[more]
cover of Sentimental Education: The Story of a Young Man

Sentimental Education

The Story of a Young Man

Gustave Flaubert

University of Minnesota Press, 2024

A fresh and vivid translation of Flaubert’s influential bildungsroman


Gustave Flaubert conceived Sentimental Education, his final complete novel, as the history of his own generation, one that failed to fulfill the promise of the Revolution of 1848. Published a few months before the start of the 1870 Franco–Prussian War, it offers both a sweeping panorama of French society over three decades and an intimate bildungsroman of a young man from a small town who arrives in Paris when protests against the monarchy are increasing.

 

The novel’s protagonist, Frédéric Moreau, alternates between aimlessness and ambition as he searches for a meaningful life through love affairs and republican politics. Flaubert’s narrative includes scenes of high drama, as scattered protests across Paris swell into revolution, and quiet moments of self-aware romanticism, crafting a story that possesses the sweep and scope of a historical novel combined with deep emotion and scandalous intimacy. Suffused with tragedy and the poignancy of lost chances and wasted lives, Sentimental Education is sharpened by satirical observations of what Flaubert condemned as the Second Empire’s endemic hypocrisy and willful blindness.

 

This vibrant, new translation by Raymond N. MacKenzie includes an extensive critical introduction and annotations to help the modern reader appreciate Flaubert’s achievement. Sentimental Education intertwines the personal, the intimate, and the subjective with the political, social, and cultural, embedding Frédéric’s story in the larger arc of what Flaubert saw as France’s decline into mediocrity and imbecility in its politics and manners.

[more]
cover of Sentimental Savants: Philosophical Families in Enlightenment France

Sentimental Savants

Philosophical Families in Enlightenment France

Meghan K. Roberts

University of Chicago Press, 2016

Though the public may retain a hoary image of the lone scientific or philosophical genius generating insights in isolation, scholars discarded it long ago. In reality, the families of scientists and philosophers in the Enlightenment played a substantial role, not only making space for inquiry within the home but also assisting in observing, translating, calculating, and illustrating.

Sentimental Savants is the first book to explore the place of the family among the savants of the French Enlightenment, a group that openly embraced their families and domestic lives, even going so far as to test out their ideas—from education to inoculation—on their own children. Meghan K. Roberts delves into the lives and work of such major figures as Denis Diderot, Émilie Du Châtelet, the Marquis de Condorcet, Antoine Lavoisier, and Jérôme Lalande to paint a striking portrait of how sentiment and reason interacted in the eighteenth century to produce not only new kinds of knowledge but new kinds of families as well.
 
[more]
cover of Sex, France, and Arab Men, 1962–1979

Sex, France, and Arab Men, 1962–1979

Todd Shepard

University of Chicago Press, 2017

The aftermath of Algeria’s revolutionary war for independence coincided with the sexual revolution in France, and in this book Todd Shepard argues that these two movements are inextricably linked.​

Sex, France, and Arab Men is a history of how and why—from the upheavals of French Algeria in 1962 through the 1970s—highly sexualized claims about Arabs were omnipresent in important public French discussions, both those that dealt with sex and those that spoke of Arabs. Shepard explores how the so-called sexual revolution took shape in a France profoundly influenced by the ongoing effects of the Algerian revolution. Shepard’s analysis of both events alongside one another provides a frame that renders visible the ways that the fight for sexual liberation, usually explained as an American and European invention, developed out of the worldwide anticolonial movement of the mid-twentieth century.
[more]
cover of Shakespeare and the French Poet

Shakespeare and the French Poet

Yves Bonnefoy

University of Chicago Press, 2004

A meditation on the major plays of Shakespeare and the thorny art of literary translation, Shakespeare and the French Poet contains twelve essays from France's most esteemed critic and preeminent living poet, Yves Bonnefoy. Offering observations on Shakespeare's response to the spiritual crisis of his era as well as compelling insights on the practical and theoretical challenges of verse in translation, Bonnefoy delivers thoughtful, evocative essays penned in his characteristically powerful prose.

Translated specifically for an American readership, Shakespeare and the French Poet also features a new interview with Bonnefoy. For Shakespeare scholars, Bonnefoy enthusiasts, and students of literary translation, Shakespeare and the French Poet is a celebration of the global language of poetry and the art of "making someone else's voice live again in one's own."
[more]
cover of She Said No: The Gender of Consent from Fairy Tales to #MeToo

She Said No

The Gender of Consent from Fairy Tales to #MeToo

Jennifer Tamas

University of Delaware Press, 2027

She Said NO investigates the gender inequality in the authority to speak—and therefore to refuse—that prevailed in the establishment and interpretation of the French classics. By selecting authors deemed essential to French cultural heritage and erasing the works of women writers, this biased canon has systematically undervalued female agency—even in well-known works by both men and women, such as Beauty and the Beast, The Princess of Clèves, and "Little Red Riding Hood." With this book, Jennifer Tamas fills a striking gap in early modern French studies by conceptualizing consent in a society where being a woman made it structurally difficult to say "no." Yet, women did refuse. The history Tamas explores is one of forgotten, erased, misunderstood, or inadmissible refusals, and how they have been obscured. The #MeToo movement has brought questions of female agency and consent to the fore, and this book retraces an "archive of refusal" to serve as a source of inspiration for contemporary feminist discourse and to change our reception of the French canon. 

[more]
cover of Sheer Presence: The Veil in Manet’s Paris

Sheer Presence

The Veil in Manet’s Paris

Marni Reva Kessler

University of Minnesota Press, 2006

Tamar’s instrument of seduction in the Hebrew Bible, Penelope’s shroud in Homer’s Odyssey, accessory of brides as well as widows, and hallmark of the religious and the wealthy, the veil has historically been an intriguing signifier. Initially donned in France for liturgical purposes and later for masked balls and as a sun- and windscreen at the seashore, face-covering veils were adopted for fashionable urban use during the reign of Napoleon III. In Sheer Presence, Marni Reva Kessler demonstrates how this ubiquitous garment and its visual representations knot together many of the precepts of Parisian life. Considering the period from the beginning of Napoleon III’s rule in 1852 to 1889, when the Paris Universal Exhibition displayed veiled North African Muslims and other indigenous colonial peoples, Kessler deftly connects the increased presence of the veil on the streets and on canvas to Haussmann’s massive renovation of Paris. The fashion of veil wearing, she argues, was imbricated with broader concerns: fears of dust and disease fueled by Haussmannization and class mixing on the city streets, changes in ideals of youth and beauty, attempts to increase popular support for imperialism, and the development of modernist art practices. A veil was protection for the proper woman from the vices associated with the modern city, preserving—at least on the surface—her femininity and class superiority. Kessler explores these themes with close readings of paintings by Gustave Caillebotte, Edgar Degas, and Edouard Manet—including Manet’s perplexing portraits of artist Berthe Morisot—as well as photographs, images from the popular press, engravings, lithographs, and academic paintings. She also mines French fashion journals, etiquette books, novels, and medical publications for clues to the veil’s complex meanings during the period.Positioning the veil directly at the intersection of feminist, formalist, and social art history, Kessler offers a fresh perspective on period discourses of public health, seduction and sexuality, colonial stereotypes, and, ultimately, an emerging modernity.Marni Reva Kessler is assistant professor of art history at the University of Kansas.
[more]
cover of Simone de Beauvoir’s Political Thinking

Simone de Beauvoir’s Political Thinking

Edited by Lori Jo Marso and Patricia Moynagh

University of Illinois Press, 2006

By exploring the life and work of the influential feminist thinker Simone de Beauvoir, this book shows how each of us lives within political and social structures that we can--and must--play a part in transforming. It argues that Beauvoir’s careful examination of her own existence can also be understood as a dynamic method for political thinking.

As the contributors illustrate, Beauvoir's political thinking proceeds from the bottom up, using examples from individual lives as the basis for understanding and transforming our collective existence. For example, she embraced her responsibility as a French citizen as making her complicit in the French war against Algeria.  Here, she sees her role as an oppressor.  In other contexts, she looks to the lives of individual women, including herself, to understand the dimensions of gender inequality. 

This volume’s six tightly connected essays home in on the individual’s relationship to community, and how one’s freedom interacts with the freedom of other people. Here, Beauvoir is read as neither a liberal nor a communitarian. The authors focus on her call for individuals to realize their freedom while remaining consistent with ethical obligations to the community. Beauvoir's account of her own life and the lives of others is interpreted as a method to understand individuals in relations to others, and as within structures of personal, material, and political oppression. Beauvoir's political thinking makes it clear that we cannot avoid political action. To do nothing in the face of oppression denies freedom to everyone, including oneself.

[more]
cover of Sin and Salvation in Early Modern France: Three Women’s Stories

Sin and Salvation in Early Modern France

Three Women’s Stories

Marguerite d'Auge, Renée Burlamacchi, and Jeanne du Laurens

Iter Press, 2017

The texts available here in English for the first time open a window into the lives of three early modern Frenchwomen as they explore the common themes of family, memory, sin, and salvation. The Regrets of Marguerite d’Auge (1600), the Memoirs of Renée Burlamacchi (1623), and the Genealogy of Jeanne du Laurens (1631), taken from different genres of historical writings, raise important questions: Why and how did female authorship find its way into the historical record? How did these voices escape the censorship and prejudice against female publication? In a time of extreme religious conflict, how did these women convey their views on controversial issues such as primacy of grace, indulgences, and salvation without disrupting the gender expectations of the era?

[more]
cover of Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera

Singing Sappho

Improvisation and Authority in Nineteenth-Century Italian Opera

Melina Esse

University of Chicago Press, 2021

From the theatrical stage to the literary salon, the figure of Sappho—the ancient poet and inspiring icon of feminine creativity—played a major role in the intertwining histories of improvisation, text, and performance throughout the nineteenth century. Exploring the connections between operatic and poetic improvisation in Italy and beyond, Singing Sappho combines earwitness accounts of famous female improviser-virtuosi with erudite analysis of musical and literary practices. Melina Esse demonstrates that performance played a much larger role in conceptions of musical authorship than previously recognized, arguing that discourses of spontaneity—specifically those surrounding the improvvisatrice, or female poetic improviser—were paradoxically used to carve out a new authority for opera composers just as improvisation itself was falling into decline. With this novel and nuanced book, Esse persuasively reclaims the agency of performers and their crucial role in constituting Italian opera as a genre in the nineteenth century.
[more]
cover of Sixty Years' War for the Great Lakes, 1754-1814

Sixty Years' War for the Great Lakes, 1754-1814

David Curtis Skaggs

Michigan State University Press, 2001

The Sixty Years' War for the Great Lakes contains twenty essays concerning not only military and naval operations, but also the political, economic, social, and cultural interactions of individuals and groups during the struggle to control the great freshwater lakes and rivers between the Ohio Valley and the Canadian Shield. Contributing scholars represent a wide variety of disciplines and institutional affiliations from the United States, Canada, and Great Britain.
Collectively, these important essays delineate the common thread, weaving together the series of wars for the North American heartland that stretched from 1754 to 1814. The war for the Great Lakes was not merely a sideshow in a broader, worldwide struggle for empire, independence, self-determination, and territory. Rather, it was a single war, a regional conflict waged to establish hegemony within the area, forcing interactions that divided the Great Lakes nationally and ethnically for the two centuries that followed.

[more]
cover of Sky Pilots: The Yankee Division Chaplains in World War I

Sky Pilots

The Yankee Division Chaplains in World War I

Michael E. Shay

University of Missouri Press, 2014

This exploration of the noncombatants who earned the love and respect of the doughboys should appeal to armchair historians and scholars alike. Enhanced with photographs and an appendix summarizing the biographical information for each man, Sky Pilots is the first comprehensive look at the role of the Army chaplaincy at the divisional level. In August 1917, the U.S. 26th “Yankee” Division was formally activated for service in World War I. When the soldiers arrived in France, they were accompanied by more than three dozen volunteer chaplains. These clergymen experienced all the horrors of war, shared all the privations of the common soldier, and earned the love and affection of their “boys.” Two died, several were gassed or wounded, and many were decorated by France and the United States for their heroism, yet their stories have been lost to history. Through extensive research in published and archival sources, as well as firsthand materials obtained from the families of several chaplains, Michael E. Shay brings to life the story of these valiant men—a story of courage in the face of the horrors of war and of extreme devotion to the men they served.
 
Just as important, Sky Pilots follows the chaplains home and on to their subsequent careers. For many, their war experiences shaped their ministries, particularly in the area of ecumenism and the Social Gospel. Others left the ministry altogether. To fill in the chaplains’ stories, Shay also examines the evolution of the U.S. Army Chaplain Corps, the education of the newly appointed chaplains, and the birth of the Yankee Division.
[more]
cover of Soldiers Of Misfortune: lvoirien Tirailleurs of World War II

Soldiers Of Misfortune

lvoirien Tirailleurs of World War II

Nancy Ellen Lawler

Ohio University Press, 1992

This is a study of the African veterans of a European war. It is a story of men from the Cote d‘Ivoire, many of whom had seldom traveled more than a few miles from their villages, who served France as tirailleurs (riflemen) during World War II.

Thousands of them took part in the doomed attempt to hold back the armies of the Third Relch in 1940; many were to spend the rest of the war as prisoners in Germany or Occupied France.

Others more fortunate came under the authority of Vichy France, and were deployed in the Defense of the “Motherland” and its overseas possessions against the threat posed by the Allies. By 1943, the tirailleur regiments had passed into the service of de Gaulle’s free French and under Allied command, played a significant role in the liberation of Europe.

In describing these complex events, Dr. Lawler draws upon archives in both France and the Cote d’Ivoire. She also carried out an extensive series of interviews with Ivoirien veterans principally, but not exclusively, from the Korhogo region. The vividness of their testimony gives this study a special character. They talk freely not only of their wartime exploits, but also of their experiences after repatriation.

Lawler allows them to speak for themselves. They express their hatred of forced labor and military conscription, which were features of the colonial system, yet at the same time reveal a pride in having come to the defense of France. They describe their role in the nationalist struggle, as foot soldiers of Felix Houphouet-Boigny, but also convey their sense of having become a lost generation. They recognize that their experiences as French soldiers had become sadly irrelevant in a new nation in quest of its history.

[more]
cover of Soldiers of the French Revolution

Soldiers of the French Revolution

Alan Forrest

Duke University Press, 1989

In this work Alan Forrest brings together some of the recent research on the Revolutionary army that has been undertaken on both sides of the Atlantic by younger historians, many of whom look to the influential work of Braudel for a model. Forrest places the armies of the Revolution in a broader social and political context by presenting the effects of war and militarization on French society and government in the Revolutionary period.
Revolutionary idealists thought of the French soldier as a willing volunteer sacrificing himself for the principles of the Revolution; Forrest examines the convergence of these ideals with the ordinary, and often dreadful, experience of protracted warfare that the soldier endured.
[more]
cover of Some Reflections Upon Marriage

Some Reflections Upon Marriage

Mary Astell. Introduction by John A. Dussinger

University of Illinois Press, 2015

Published anonymously in 1700, Some Reflections upon Marriage lamented the inequities of the institution of marriage and reasoned against it with both traditional and innovative arguments. Mary Astell's tract, written in response to an infamous divorce case, forcefully argued against the grim but all-too-common prospect of a marriage of necessity to a man in search of power, money, or a trophy wife. Astell proposed education as the solution to women's second-class status, stating that knowledge alone could lead to a partnership based on friendship and respect. "Let us learn to pride ourselves in something more excellent than the invention of a fashion," she wrote, and her well-reasoned arguments soon won her a wide readership.
 
[more]
cover of Soundscapes of Liberation: African American Music in Postwar France

Soundscapes of Liberation

African American Music in Postwar France

Celeste Day Moore

Duke University Press, 2021

In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music's centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements.
[more]
cover of Sowing Empire: Landscape And Colonization

Sowing Empire

Landscape And Colonization

Jill H. Casid

University of Minnesota Press, 2005

Planting and transplanting, seeding and reshaping—landscaping practices that emerged in the eighteenth century—are inextricable from the contested terrain of empire within which they operated. From the plantations of the “nabobs” to the island gardens of narrative fiction, from William Beckford’s estate at Fonthill to Marie Antoinette’s ornamented farm, Sowing Empire considers imperial relandscaping—its patriarchal organization, heterosexual reproduction, and slavery—and how it contributed to the construction of imperial power. At the same time, the book shows how these picturesque landscapes and sugar plantations contained within them the seeds of resistance—how, for instance, slave gardens and the Afro-Caribbean practice of Vodou threatened authority and created new possibilities for once again transforming the landscape.In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H. Casid examines how landscaping functioned in an imperial mode that defined and remade the “heartlands” of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural system—as a means of regulating national, sexual, and gender identities—Casid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as “European.”Utilizing a wide range of both visual and written sources—maps, literature, and travel writing—this book is interdisciplinary in its methodology and in its scope. Sowing Empire explores how postcolonial and queer studies can alter art history and visual studies and, in turn, what close attention to the visual may offer to both postcolonial theorizing and historically and materially based colonial cultural studies.Jill H. Casid is assistant professor of art history and part of the developing transdisciplinary program in visual culture studies at the University of Wisconsin, Madison.
[more]
cover of Speculative Light: The Arts of Beauford Delaney and James Baldwin

Speculative Light

The Arts of Beauford Delaney and James Baldwin

Amy J. Elias, editor

Duke University Press, 2025

Over the course of a thirty-eight-year friendship, painter Beauford Delaney and writer James Baldwin shared their private lives and shaped one another’s artistic values. Speculative Light brings together scholars, critics, and artists who analyze the stylistic and historical import of Delaney's and Baldwin’s works and examine how this friendship fundamentally shaped the pair's ideas about art and life. The book’s contributors explore how the two men, sharing identities as queer Black American artists, first in New York and then as expatriates in France, created a speculative space in their work to think about more just and creative Black futures. Essay topics and issues range from masculinity, queerness, Blackness, and Americanness to the relationship between jazz, painting, and writing. Throughout, the contributors establish a positive history for Delaney's and Baldwin’s arts that refuses a subordinate role to white artists of the modernist avant-garde. Ultimately, Speculative Light demonstrates that Delaney and Baldwin's bond provides revolutionary grounds for theorizing contemporary Black art and life.

Contributors. Hilton Als, Nicholas Boggs, Indie A. Choudhury, Shawn Anthony Christian, Rachel Cohen, Amy J. Elias, Monika Gehlawat, David Leeming, D. Quentin Miller, Fred Moten, Walton M. Muyumba, Robert O’Meally, Ed Pavlić, Levi Prombaum, Robert Reid-Pharr, Tyler T. Schmidt, Abbe Schriber, Jered Sprecher, Stephen C. Wicks, Magdalena Zaborowska
[more]
cover of Spies in the Continental Capital: Espionage Across Pennsylvania During the American Revolution

Spies in the Continental Capital

Espionage Across Pennsylvania During the American Revolution

John A. Nagy

Westholme Publishing, 2011

The Critical Role of British, French, and American Intelligence Operations in Colonial Pennsylvania
It did not take long after the Seven Years’ War—the French and Indian War in North America—for France to return spies to America in order to determine the likelihood of regaining the territory they lost to Britain. One of the key places of French espionage was the colony of Pennsylvania since its frontier had been an important crossroads of French influence in North America. The French recognized then that there was a real possibility that the colonies would seek their independence from Britain. Against this backdrop, award-winning historian John A. Nagy begins his investigation of espionage in colonial Pennsylvania.

Philadelphia played a key role in the history of spying during the American Revolution because it was the main location for the Continental Congress, was occupied by the British Command, and then returned to Continental control. Philadelphia became a center of spies for the British and Americans—as well as double agents. George Washington was a firm believer in reliable military intelligence; after evacuating New York City, he neglected to have a spy network in place: when the British took over Philadelphia, he did not make the same mistake, and Washington was able to keep abreast of British troop strengths and intentions. Likewise, the British used the large Loyalist community around Philadelphia to assess the abilities of their Continental foes, as well as the resolve of Congress. In addition to describing techniques used by spies and specific events, such as the Major André episode, Nagy has scoured rare primary source documents to provide new and compelling information about some of the most notable agents of the war, such as Lydia Darragh, a celebrated American spy.

An important contribution to Revolutionary War history, Spies in the Continental Capital: Espionage Across Pennsylvania During the American Revolution demonstrates that intelligence operations on both sides emanating from Pennsylvania were vast, well-designed, and critical to understanding the course and outcome of the war.

[more]
cover of Spirits in the Consulting Room: Eight Tales of Healing

Spirits in the Consulting Room

Eight Tales of Healing

Serge Bouznah

Rutgers University Press, 2023

For any country that has a large and diverse migrant population, it is a struggle to connect these people to the country’s institutions, including the healthcare system, which can be overwhelming in its complexity. Cultural and language barriers often make it difficult for doctors to fully understand the symptoms of their migrant patients, reach accurate diagnoses, or properly treat their suffering. Thus, medical practitioners must attempt new, innovative practices in order to reach patients where they are and convince them to accept treatment from doctors they don’t totally understand. In France, Serge Bouznah and Catherine Lewertowski have pioneered one such practice—that of transcultural mediation. 
 
Drawn from two decades of their experience with transcultural mediation, Spirits in the Consulting Room tells the stories of eight patients—mainly migrants—and their families. Each chapter focuses on a different patient, and Christelle, Djibril, Moncef, Alhassane, Jacinthe, Amy, Cyril, Alice, and Pierre leap off the page as distinct people with unique situations. Together, these chapters reveal how patients’ comprehension of their symptoms is shaped by their cultural background, while recounting the challenges of translating that into terms the doctors can grasp. 
 
The book shows how trained transcultural mediators can help to redress the power imbalance between doctors and the migrants they treat, providing patients with advocates who respect the authority of their background and experiences and don’t just take the side of the medical professionals. The groundbreaking insights modeled in this book can be applied to any medical situation where doctors and patients find themselves speaking different languages. 
 
[more]
cover of St. Austin Review, Revolution Versus Revelation: France and the Faith, May/June 2015, Vol. 15, No. 3

St. Austin Review, Revolution Versus Revelation

France and the Faith, May/June 2015, Vol. 15, No. 3

Joseph Pearce

St. Augustine's Press, 2015

[more]
cover of Stardust

Stardust

Léonora Miano

Seagull Books, 2026

An unflinching look at the realities of racism, poverty, and exclusion in contemporary France—told through the eyes of a young Cameroonian mother navigating life on society’s edge.

At just twenty-three, Louise finds herself stranded in a Paris shelter with her baby, Bliss, in her arms while battling homelessness, racism, and the struggles that come with being a female immigrant trying to keep her dignity alive. Yet amid the chaos, Louise encounters a fragile network of mothers and survivors from the Maghreb and sub-Saharan Africa, each carrying their own story of violence, addiction, and resilience.

Based on a pivotal moment in author Léonora Miano’s own life, Stardust is a luminous story of the quiet power of choosing life. The novel was first composed over twenty years ago and remained unpublished for years. Now, Miano invites readers into her world, shedding light on the invisible corners of French society and offering a moving meditation on motherhood, dignity, and renewal. 
[more]
cover of State Anti-Intellectualism and the Politics of Gender and Race: Illiberal France and Beyond

State Anti-Intellectualism and the Politics of Gender and Race

Illiberal France and Beyond

Éric Fassin

Central European University Press, 2024

Eric Fassin examines the trend of State anti-intellectualism in France using the nation as a case study to demonstrate that this tendency is not limited to ostensibly illiberal regimes. He argues that today’s world requires an examination of this phenomenon beyond Cold War geopolitical divisions and highlights a global shift towards authoritarian neoliberalism. His book is a plea for the political urgency of intellectual work in a global moment of political anti-intellectualism.
The book covers the period from President Sarkozy to Prime Minister Valls and includes both firsthand and public cases of attacks against academics, not only in France, but also in Brazil, Hungary, Russia, Turkey, and the United States, with examples of State racism and the argument of the State against antiracism. The book also considers issues of censorship and cancel culture, concluding with Fassin’s firsthand account of attacks on him from the far-right.

[more]
cover of Step by Step: Everyday Walks in a French Urban Housing Project

Step by Step

Everyday Walks in a French Urban Housing Project

Jean-Francois Augoyard

University of Minnesota Press, 2007

The street riots that swept through France in the fall of 2005 focused worldwide attention on the plight of the country’s immigrants and their living conditions in the suburbs many of them call home. These high-density neighborhoods were constructed according to the principles of functionalist urbanism that were ascendant in the 1960s. Then, as now, the disparities between the planners’ utopian visions and the experiences of the inhabitants raised concerns, generating a number of sociological studies of the “new towns.” One of the most sophisticated and significant of these critiques is Jean-François Augoyard’s Step by Step, which was originally published in France in 1979 and famously influenced Michel de Certeau’s analysis of everyday life. Its examination of social life in the rationally planned suburb remains as cogent and timely as ever.

Step by Step is based on in-depth interviews Augoyard conducted with the inhabitants of l’Arlequin, a new town on the outskirts of Grenoble. A resident of l’Arlequin himself, Augoyard sought to understand how his neighbors used its passages, streets, and parks. He begins with a detailed investigation of the inhabitants’ daily walks before going on to consider how the built environment is personalized through place-names and shared memories, the ways in which sensory impressions define the atmosphere of a place and how, through individual and collective imagination, residents transformed l’Arlequin from a concept into a lived space.

In closely scrutinizing everyday life in l’Arlequin, Step by Step draws a fascinating portrait of the richness of social life in the new towns and sheds light on the current living conditions of France’s immigrants.

Jean-François Augoyard is professor of philosophy and musicology and doctor of urban studies at the Center for Research on Sonorous Space and the Urban Environment at the School of Architecture of Grenoble.

David Ames Curtis is a translator, editor, writer, and citizen activist.

Françoise Choay is professor emeritus in the history and theory of architecture at the University of Paris VIII and Cornell University and the author of numerous books and essays.

[more]
cover of Stories of Tonality in the Age of François-Joseph Fétis

Stories of Tonality in the Age of François-Joseph Fétis

Thomas Christensen

University of Chicago Press, 2019

Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
 
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