732 books match the query 'Indigenous' and 61 start with s

cover of Sacred Wilderness

Sacred Wilderness

Susan Power

Michigan State University Press, 2014

A Clan Mother story for the twenty-first century, Sacred Wilderness explores the lives of four women of different eras and backgrounds who come together to restore foundation to a mixed-up, mixed-blood woman—a woman who had been living the American dream, and found it a great maw of emptiness. These Clan Mothers may be wisdom-keepers, but they are anything but stern and aloof—they are women of joy and grief, risking their hearts and sometimes their lives for those they love. The novel swirls through time, from present-day Minnesota to the Mohawk territory of the 1620s, to the ancient biblical world, brought to life by an indigenous woman who would come to be known as the Virgin Mary. The Clan Mothers reveal secrets, the insights of prophecy, and stories that are by turns comic, so painful they can break your heart, and perhaps even powerful enough to save the world. In lyrical, lushly imagined prose, Sacred Wilderness is a novel of unprecedented necessity.
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cover of Sally in Three Worlds: An Indian Captive in the House of Brigham Young

Sally in Three Worlds

An Indian Captive in the House of Brigham Young

Virginia Kerns

University of Utah Press, 2021

In this remarkable and deeply felt book, Virginia Kerns uncovers the singular and forgotten life of a young Indian woman who was captured in 1847 in what was then Mexican territory. Sold to a settler, a son-in-law of Brigham Young, the woman spent the next thirty years as a servant to Young’s family. Sally, as they called her, lived in the shadows, largely unseen. She was later remembered as a “wild” woman made “tame” who happily shed her past to enter a new and better life in civilization. 

Drawing from a broad range of primary sources, Kerns retrieves Sally from obscurity and reconstructs her complex life before, during, and after captivity. This true story from the American past resonates deeply in the current moment, attentive as it is to killing epidemics and racial injustices. In telling Sally’s story, Kerns presents a new narrative of the American West. 

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cover of Salvage Archaeology in Painted Rocks Reservoir, Western Arizona

Salvage Archaeology in Painted Rocks Reservoir, Western Arizona

William W. Wasley and Alfred E. Johnson

University of Arizona Press, 1965

Salvage operations in Hohokam sites of the Colonial, Sedentary and Classic periods. Includes appendices on prehistoric maize and textiles.
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cover of Savages and Citizens: How Indigeneity Shapes the State

Savages and Citizens

How Indigeneity Shapes the State

Andrew Canessa and Manuela Lavinas Picq; Foreword by Jeff Ganohalidoh Corntassel

University of Arizona Press, 2024

Although Indigenous peoples are often perceived as standing outside political modernity, Savages and Citizens takes the provocative view that Indigenous people have been fundamental to how contemporary state sovereignty was imagined, theorized, and practiced.

Delving into European political philosophy, comparative politics, and contemporary international law, the book shows how the concept of indigeneity has shaped the development of the modern state. The exclusion of Indigenous people was not a collateral byproduct; it was a political project in its own right. The book argues that indigeneity is a political identity relational to modern nation-states and that Indigenous politics, although marking the boundary of the state, are co-constitutive of colonial processes of state-making. In showing how indigeneity is central to how the international system of states operates, the book forefronts Indigenous peoples as political actors to reject essentializing views that reduce them to cultural “survivors” rooted in the past.

With insights drawn from diverse global contexts and empirical research from Bolivia and Ecuador, this work advocates for the relevance of Indigenous studies within political science and argues for an ethnography of sovereignty in anthropology. Savages and Citizens makes a compelling case for the centrality of Indigenous perspectives to understand the modern state from political theory to international studies.
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cover of Scarlet and Black: Slavery and Dispossession in Rutgers History

Scarlet and Black

Slavery and Dispossession in Rutgers History

Fuentes, Marisa J

Rutgers University Press, 2016

The 250th anniversary of the founding of Rutgers University is a perfect moment for the Rutgers community to reconcile its past, and acknowledge its role in the enslavement and debasement of African Americans and the disfranchisement and elimination of Native American people and culture.

Scarlet and Black documents the history of Rutgers’s connection to slavery, which was neither casual nor accidental—nor unusual. Like most early American colleges, Rutgers depended on slaves to build its campuses and serve its students and faculty; it depended on the sale of black people to fund its very existence. Men like John Henry Livingston, (Rutgers president from 1810–1824), the Reverend Philip Milledoler, (president of Rutgers from 1824–1840), Henry Rutgers, (trustee after whom the college is named), and Theodore Frelinghuysen, (Rutgers’s seventh president), were among the most ardent anti-abolitionists in the mid-Atlantic.

Scarlet and black are the colors Rutgers University uses to represent itself to the nation and world. They are the colors the athletes compete in, the graduates and administrators wear on celebratory occasions, and the colors that distinguish Rutgers from every other university in the United States. This book, however, uses these colors to signify something else: the blood that was spilled on the banks of the Raritan River by those dispossessed of their land and the bodies that labored unpaid and in bondage so that Rutgers could be built and sustained. The contributors to this volume offer this history as a usable one—not to tear down or weaken this very renowned, robust, and growing institution—but to strengthen it and help direct its course for the future.

The work of the Committee on Enslaved and Disenfranchised Population in Rutgers History.

Visit the project's website at http://scarletandblack.rutgers.edu

 

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cover of Scouting for the Bluecoats: Navajos, Apaches, and the U.S. Military, 1873–1911

Scouting for the Bluecoats

Navajos, Apaches, and the U.S. Military, 1873–1911

Robert S. McPherson

University Press of Colorado, 2022

"With more than twenty books published about the Navajo people, Robert S. McPherson is one of the most prolific contemporary writers concerning their history and culture. Scouting for the Bluecoats addresses a little-known and, until now, undocumented story of an estimated five hundred Navajos employed by the United States Army, primarily in the campaigns against the Apaches between 1873 and 1886. The author takes us with these scouts as they guide U.S. soldiers into the deserts, canyons, and mountains of New Mexico, Arizona, and Northern Mexico; he also provides a solid context about the origin of the Navajos and Apaches, their intertribal conflicts, and their elements of shared culture. Once again McPherson demonstrates his skill as a master historian, his understanding of these people, and a meaningful context for this long-neglected story of warrior-soldiers whose fieldcraft and dedication proved critical in shaping relations between the military and two Indian tribes in the Southwest."
—Kent Powell, Senior historian at Utah Division of State History and editor of Utah State Historical Quarterly (retired)

"Scouting for the Bluecoats examines the important role that Navajos played in military operations during the last quarter of the nineteenth and beginning of the twentieth centuries. Unlike the famous Navajo code talkers of World War II, little has been written about these men who served in some of the most challenging and noteworthy struggles against the Apaches. Until now, their story has been forgotten. Navajo skills in understanding and tracking a wily foe across an inhospitable landscape proved to be essential elements in ending the Apache wars. For those interested in the recruitment and deployment of the scouts, measures taken to counter enemy tactics, and the challenge of obtaining recognition for their service, this book is an invaluable source and a must-read for any serious scholar of Navajo history."
—Ronald P. Maldonado, Tribal historic preservation officer (retired), Navajo Nation
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cover of Seeds of Tomorrow: Nurturing Roots of Oneida Governance

Seeds of Tomorrow

Nurturing Roots of Oneida Governance

Edited by Rebecca M. Webster and Lois Stevens

University of Wisconsin Press, 2026

This indispensable and unique volume is at once a history of and a pathfinder for the future of the Great Law, the governing principles behind the long-standing Haudenosaunee Confederacy. Focused on the Duck Creek Oneida people of Wisconsin, Seeds of Tomorrow draws together a wide range of tribal voices, from elders and community members to young people and academic experts. This collection chronicles the history of the Haudenosaunee Confederacy’s revolutionary governing principles, outlines the current state of tribal government, and proposes a vision for a political future that draws on traditional Indigenous practices and knowledge. This guide toward stronger sovereignty, revitalized community ties, and a healthier and more self-determined future based on traditional structures of governance is indigenization in practice: a model not just for Duck Creek Oneida but for Indigenous nations everywhere.

Contributors: Kenzie Allen, Marley Atkinson, Marena Bridges, Robert “Bob” Brown, Breann Clark, Julie Clark, Carol Cornelius, Margaret Cornelius, Randy Cornelius, Michele Doxtater, Richard “Lotni” Elm-Hill, Jennifer “Jen” Falck, William Gollnick, Joie Guiterrez, Gerald L. Hill, Jo Anne House, Toni M. House, Nicholas Metoxen, Paul Ninham, Saniya Ninham, John III Powless, Mark Powless, Nina Powless, Artley Skenandore, Lois Stevens, Vernon Stevens, Amelia “Mia” Webster, Grace Webster, Hunter D. Webster, Rebecca M. Webster, Arthur Wilbur, Jameson Wilson

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cover of Seeing Red: Anger, Sentimentality, and American Indians

Seeing Red

Anger, Sentimentality, and American Indians

Cari M. Carpenter

The Ohio State University Press, 2008

In Seeing Red, Cari M. Carpenter examines anger in the poetry and prose of three early American Indian writers: S. Alice Callahan, Pauline Johnson, and Sarah Winnemucca. In articulating a legitimate anger in the late nineteenth century, the first published indigenous women writers were met not only with stereotypes of “savage” rage but with social proscriptions against female anger. While the loss of land, life, and cultural traditions is central to the Native American literature of the period, this dispossession is only one side of the story. Its counterpart, indigenous claims to that which is threatened, is just as essential to these narratives. The first published American Indian women writers used a variety of tactics to protest such dispossession. Seeing Red argues that one of the most pervasive and intriguing of these is sentimentality.
 
Carpenter argues that while anger is a neglected element of a broad range of sentimental texts, it should be recognized as a particularly salient subject in early literature written by Native American women. To date, most literary scholars—whether they understand sentimentality in terms of sympathetic relations or of manipulative influence—have viewed anger as an obstacle to the genre. Placing anger and sentimentality in opposition, however, neglects their complex and often intimate relationship. This case study of three Native American women writers is not meant to fall easily into either the “pro” or “anti” sentimentality camp, but to acknowledge sentimentality as a fraught, yet potentially useful, mode for articulating indigenous women’s anger.
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cover of Self-Determined Stories: The Indigenous Reinvention of Young Adult Literature

Self-Determined Stories

The Indigenous Reinvention of Young Adult Literature

Mandy Suhr-Sytsma

Michigan State University Press, 2018

The first book of its kind, Self-Determined Stories: The Indigenous Reinvention of Young Adult Literature reads Indigenous-authored YA—from school stories to speculative fiction— not only as a vital challenge to stereotypes but also as a rich intellectual resource for theorizing Indigenous sovereignty in the contemporary era. Building on scholarship from Indigenous studies, children’s literature, and cultural studies, Suhr-Sytsma delves deep in close readings of works by Sherman Alexie, Jeannette Armstrong, Joseph Bruchac, Drew Hayden Taylor, Susan Power, Cynthia Leitich Smith, and Melissa Tantaquidgeon Zobel. Together, Suhr-Sytsma contends, these works constitute a unique Indigenous YA genre. This genre radically revises typical YA conventions while offering a fresh portrayal of Indigenous self-determination and a fresh critique of multiculturalism, heteropatriarchy, and hybridity. This literature, moreover, imagines compelling alternative ways to navigate cultural dynamism, intersectionality, and alliance-formation. Self-Determined Stories invites readers from a range of contexts to engage with Indigenous YA and convincingly demonstrates the centrality of Indigenous stories, Indigenous knowledge, and Indigenous people to the flourishing of everyone in every place.
 
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cover of Separate Paths: Lenapes and Colonists in West New Jersey

Separate Paths

Lenapes and Colonists in West New Jersey

Jean R. Soderlund

Rutgers University Press, 2022

Winner of the 2023 McCormick Prize from the New Jersey Studies Academic Alliance

Separate Paths: Lenapes and Colonists in West New Jersey is the first cross-cultural study of European colonization in the region south of the Falls of the Delaware River (now Trenton). Lenape men and women welcomed their allies, the Swedes and Finns, to escape more rigid English regimes on the west bank of the Delaware, offering land to establish farms, share resources, and trade. In the 1670s, Quaker men and women challenged this model with strategies to acquire all Lenape territory for their own use and to sell as real estate to new immigrants. Though the Lenapes remained sovereign and “old settlers” retained their Swedish Lutheran religion and ethnic autonomy, the West Jersey proprietors had considerable success in excluding Lenapes from their land. The Friends believed God favored their endeavor with epidemics of smallpox and other European diseases that destroyed Lenape families and communities. Affluent Quakers also introduced enslavement of imported Africans and Natives—and the violence that sustained it—to a colony they had promoted with the liberal West New Jersey Concessions of 1676-77. Thus, they defied their prior experience of religious persecution and their principles of peaceful resolution of conflict, equality of everyone before God, and the golden rule to treat others as you wish to be treated. Despite mutual commitment to peace by Lenapes, old settlers, and Friends, Quaker colonization had similar results to military conquests of Natives by English in Virginia and New England, and Dutch in the Hudson Valley and northern New Jersey. Still, in alliance with old settlers, Lenape communities survived in areas outside the focus of English colonization, in the Pine Barrens, upper reaches of streams, and Atlantic shore.
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cover of Sergie and the White Seal

Sergie and the White Seal

Garrett Igayux Pletnikoff

University of Alaska Press, 2026

“This story takes place on the island of Saint Paul, away and away in the Bering Sea. Saint Paul is home to many residents, from the blue foxes to the elusive reindeer, but the largest of these groups are the northern fur seals and the Unangan.”

So begins the story of Sergie Oustikoff, an Unangan teenager who can’t wait to leave his small island home; and Kotick, an albino fur seal who can imagine no better place in all the world. The two live separate lives, divided by species and habitat—until one day when an unknown danger arrives on Saint Paul Island, bringing fish shortages that threaten the livelihood of humans and fur seals alike. As Kotick turns to Sergie for help, Sergie grapples with the strange, shamanistic powers that seem to burgeon within him whenever the white seal is near. Along with a host of animal and human companions, the two embark on a quest to save their island that will lead them through the annals of history—and into a world of magic they never imagined. 

One hundred and thirty-two years after “The White Seal” first appeared in Rudyard Kipling’s The Jungle Book (1894), this retelling lends it a long-overdue Indigenous perspective. It recharacterizes the fur seals and the Unangan not as mortal enemies, but as equal partners in stewardship of their lands and seas. With Unangan Traditional Knowledge woven into the fabric of the story, and featuring over ninety Unangam Tunuu words and phrases, the tale of Sergie and Kotick invites readers to celebrate Saint Paul Island and all those who call it home.

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cover of Settlement, Subsistence, and Society in Late Zuni Prehistory

Settlement, Subsistence, and Society in Late Zuni Prehistory

Keith W. Kintigh

University of Arizona Press, 1985

Beginning about A.D. 1250, the Zuni area of New Mexico witnessed a massive population aggregation in which the inhabitants of hundreds of widely dispersed villages relocated to a small number of large, architecturally planned pueblos. Over the next century, twenty-seven of these pueblos were constructed, occupied briefly, and then abandoned. Another dramatic settlement shift occurred about A.D. 1400, when the locus of population moved west to the “Cities of Cibola” discovered by Coronado in 1540.
 
Keith W. Kintigh demonstrates how changing agricultural strategies and developing mechanisms of social integration contributed to these population shifts. In particular, he argues that occupants of the earliest large pueblos relied on runoff agriculture, but that gradually spring-and river-fed irrigation systems were adopted. Resultant strengthening of the mechanisms of social integration allowed the increased occupational stability of the protohistorical Zuni towns.
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cover of Settler Imperialism: Alaska Natives and the Myth of the Last Frontier

Settler Imperialism

Alaska Natives and the Myth of the Last Frontier

Jess Arnett

University of Minnesota Press, 2026

How Alaska redefined US colonialism through Indigenous resistance and legal innovation

Long treated as the symbolic “last frontier,” Alaska was, in fact, the United States’s first experiment in overseas empire. Settler Imperialism reveals these concepts as fictitious stories promoted by government officials and offers a sweeping history of Alaska Native legal and political struggle in the face of a colonial structure that defied the norms of US expansion. Examining Alaska as both a settler and imperial space, Jess Arnett challenges familiar narratives of American growth, sovereignty, and law.

Following the 1867 Treaty of Cession when the United States purchased Alaska from Russia, the federal government refused to sign treaties with Alaska Natives, excluded them from the Bureau of Indian Affairs, and denied the region designation as Indian Country. These departures from standard Indian policy created legal ambiguity that enabled new opportunities for land dispossession and resource extraction by state and corporate interests. Focusing on history from the late nineteenth century through the 1971 Alaska Native Claims Settlement Act, Arnett uncovers how the Tlingit, Haida, Tsimshian, and other Indigenous nations navigated and contested Alaska’s peculiar legal terrain. Members of these communities forcefully petitioned for US citizenship, mobilized Indigenous legal orders, and engaged selective federal Indian law to assert land rights and political authority.

By placing Alaska at the center of US colonial history, Settler Imperialism turns a critical lens on the evolution of America. To understand US expansion, race, and legal formation, Alaska must be seen not as the last frontier but as a proving ground for empire.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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cover of Settling the Frontier: Urban Development in America's Borderlands, 1600–1830

Settling the Frontier

Urban Development in America's Borderlands, 1600–1830

Joseph P. Alessi

Westholme Publishing, 2025

The Role of Indigenous People in the Founding of America's First Major Border Towns
In 1811, while escorting members of John Jacob Astor’s Pacific Fur Company up the Columbia River, their Chinookan guide refused to advance beyond a particular point that marked a boundary between his people and another indigenous group. Long before European contact, Native Americans created and maintained recognized borders, ranging from family hunting and fishing properties to larger tribal territories to vast river valley regions. Within the confines of these respective borders, the native population often established permanent settlements that acted as the venues for the major political, economic, and social activities that took place in virtually every part of precolonial North America. It was the location of these native settlements that played a major role in the establishment of the first European, and later, American frontier towns.
In Settling the Frontier: Urban Development in America’s Borderlands, 1600–1830, historian Joseph P. Alessi examines how the Pecos, Mohawk, Ohioan, and Chinook tribal communities aided Europeans and Americans in the founding of five of America’s earliest border towns—Santa Fe (New Mexico), Fort Amsterdam (New York City), Fort Orange (Albany, New York), Fort Pitt (Pittsburgh, Pennsylvania), and Fort Astoria (Portland, Oregon). Filling a void in scholarship about the role of Native American communities in  the settlement of North America, Alessi reveals that, although often resistant to European and American progress or abused by it, Indians played an integral role in motivating and assisting Europeans with the establishment of frontier towns. In addition to the location of these towns, the native population was often crucial to the survival of the settlers in unfamiliar and unforgiving environments. As a result, these new towns became the logistical and economic vanguards for even greater development and exploitation of North America. 
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cover of Seven Aunts

Seven Aunts

Staci Lola Drouillard

University of Minnesota Press, 2022

Part memoir, part cultural history, these memories of seven aunts holding home and family together tell a crucial, often overlooked story of women of the twentieth century

  

They were German and English, Anishinaabe and French, born in the north woods and Midwestern farm country. They moved again and again, and they fought for each other when men turned mean, when money ran out, when babies—and there were so many—added more trouble but even more love. These are the aunties: Faye, who lived in California, and Lila, who lived just down the street; Doreen, who took on the bullies taunting her “mixed-blood” brothers and sisters; Gloria, who raised six children (no thanks to all of her “stupid husbands”); Betty, who left a marriage of indenture to a misogynistic southerner to find love and acceptance with a Norwegian logger; and Carol and Diane, who broke the warped molds of their own upbringing.

From the fabric of these women’s lives, Staci Lola Drouillard stitches a colorful quilt, its brightly patterned pieces as different as her aunties, yet alike in their warmth and spirit and resilience, their persistence in speaking for their generation. Seven Aunts is an inspired patchwork of memoir and reminiscence, poetry, testimony, love letters, and family lore. 

In this multifaceted, unconventional portrait, Drouillard summons ways of life largely lost to history, even as the possibilities created by these women live on. Unfolding against a personal view of the settler invasion of the Midwest by men who farmed and logged, fished and hunted and mined, it reveals the true heart and soul of that history: the lives of the women who held together family, home, and community—women who defied expectations and overwhelming odds to make a place in the world for the next generation.

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cover of Seventh Generation Earth Ethics: Native Voices of Wisconsin

Seventh Generation Earth Ethics

Native Voices of Wisconsin

Patty Loew

Wisconsin Historical Society Press, 2025

Indigenous perspectives on sustainability, culture, and community

In this collection of twelve biographies, one from each of the Native nations in Wisconsin, author Patty Loew (Bad River Ojibwe) introduces readers to prominent figures in Native sustainability—people whose life’s work reflects the traditional ecological knowledge and cultural values of their people.    

Born out of Loew’s thirty years as a journalist and historian, Seventh Generation Earth Ethics highlights individuals who helped to sustain and nurture their nations.         

Walter Bresette, Red Cliff Ojibwe, community activist 

Hilary Waukau, Menominee, environmental warrior 

Frances Van Zile, Mole Lake (Sokaogon) Ojibwe, keeper of the water  

James Schlender, Lac Courte Oreilles Ojibwe, treaty rights guardian  

Jose Rose, Bad River Ojibwe, elder, environmentalist, and scholar  

Dorothy Davids, Stockbridge-Munsee Community Band of Mohican Indians, educator  

William Gollnick, Oneida, culture keeper 

Thomas St. Germaine, Lac du Flambeau Ojibwe, attorney  

Truman Lowe, Ho-Chunk, organic sculpture artist 

Jenny and Mary Thunder, Forest County Potawatomi, medicine women 

Wanda McFaggen, St. Croix Ojibwe, Tribal Historic Preservationist  

Caroline Andler, Brothertown Indian Nation, genealogist 

The indigenous people whose lives are depicted in Seventh Generation Earth Ethics understood the cultural gravity that kept their people rooted to their ancestral lands and acted in ways that ensured the growth and success of future generations.  

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cover of Severing the Ties that Bind: Government Repression of Indigenous Religious Ceremonies on the Prairies

Severing the Ties that Bind

Government Repression of Indigenous Religious Ceremonies on the Prairies

Katherine Pettipas

University of Manitoba Press, 1994

Religious ceremonies were an inseparable part of Aboriginal traditional life, reinforcing social, economic, and political values. However, missionaries and government officials with ethnocentric attitudes of cultural superiority decreed that Native dances and ceremonies were immoral or un-Christian and an impediment to the integration of the Native population into Canadian society. Beginning in 1885, the Department of Indian Affairs implemented a series of amendments to the Canadian Indian Act, designed to eliminate traditional forms of religious expression and customs, such as the Sun Dance, the Midewiwin, the Sweat Lodge, and giveaway ceremonies.However, the amendments were only partially effective. Aboriginal resistance to the laws took many forms; community leaders challenged the legitimacy of the terms and the manner in which the regulations were implemented, and they altered their ceremonies, the times and locations, the practices, in an attempt both to avoid detection and to placate the agents who enforced the law.Katherine Pettipas views the amendments as part of official support for the destruction of indigenous cultural systems. She presents a critical analysis of the administrative policies and considers the effects of government suppression of traditional religious activities on the whole spectrum of Aboriginal life, focussing on the experiences of the Plains Cree from the mid-1880s to 1951, when the regulations pertaining to religious practices were removed from the Act. She shows how the destructive effects of the legislation are still felt in Aboriginal communities today, and offers insight into current issues of Aboriginal spirituality, including access to and use of religious objects held in museum repositories, protection of sacred lands and sites, and the right to indigenous religious practices in prison.
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cover of Shame and Endurance: The Untold Story of the Chiricahua Apache Prisoners of War

Shame and Endurance

The Untold Story of the Chiricahua Apache Prisoners of War

H. Henrietta Stockel

University of Arizona Press, 2004

Many readers may be familiar with the wartime exploits of the Apaches; this book relates the untold story of their postwar fate. It tells of the Chiricahua Apaches’ 27 years of imprisonment as recorded in American dispatches, reports, and news items: documents that disclose the confusion, contradictions, and raw emotions expressed by government and military officials regarding the Apaches while revealing the shameful circumstances in which they were held.

First removed from Arizona to Florida, the prisoners were eventually relocated to Mount Vernon Barracks in Alabama, where, in the words of one Apache, "We didn’t know what misery was until they dumped us in those swamps." Pulmonary disease took its toll—by 1894, disease had killed nearly half of the Apaches—and after years of pressure from Indian rights activists and bureaucratic haggling, Fort Sill in Oklahoma was chosen as a more healthful location. Here they were given the opportunity to farm, and here Geronimo, who eventually converted to Christianity, died of pneumonia in 1909 at the age of 89, still a prisoner of war. In the meantime, many Apache children had been removed to Carlisle, Pennsylvania, for education—despite earlier promises that families would not be split up—and most eventually lost their cultural identity.

Henrietta Stockel has combed public records to reconstruct this story of American shame and Native endurance. Unabashedly speaking on behalf of the Apaches, she has framed these documents within a readable narrative to show how exasperated public officials, eager to openly demonstrate their superiority over "savages" who had successfully challenged the American military for years, had little sympathy for the consequences of their confinement. Although the Chiricahua Apaches were not alone in losing their ancestral homelands, they were the only American Indians imprisoned for so long a time in an environment that continually exposed them to illnesses against which they had no immunity, devastating families even more than warfare. Shame and Endurance records events that ought never to be repeated—and tells a story that should never be forgotten.
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cover of Sharing the Desert: The Tohono O'odham in History

Sharing the Desert

The Tohono O'odham in History

Winston P. Erickson

University of Arizona Press, 1994

This book marks the culmination of fifteen years of collaboration between the University of Utah's American West Center and the Tohono O'oodham Nation's Education Department to collect documents and create curricular materials for use in their tribal school system. . . . Erickson has done an admirable job compiling this narrative.—Pacific Historical Review
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cover of Sherman Alexie: A Collection of Critical Essays

Sherman Alexie

A Collection of Critical Essays

Jeff Berglund

University of Utah Press, 2010

Sherman Alexie is, by many accounts, the most widely read American Indian writer in the United States and likely in the world.  A literary polymath, Alexie's nineteen published books span a variety of genres and include his most recent National Book Award-winning The Absolutely True Diary of a Part-Time Indian.

Now, for the first time, a volume of critical essays is devoted to Alexie's work both in print and on the big screen.  Editors Jeff Berglund and Jan Roush have assembled twelve leading scholars of American Indian literature to provide new perspectives on a writer with his finger on the pulse of America.

Interdisciplinary in their approach to Alexie's work, these essays cover the writer's entire career, and are insightful and accessible to scholars and lay readers alike.  This volume is a worthy companion to the work of one of our nations's most recognized contemporary voices.

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cover of Shoshonean Peoples and the Overland Trail: Frontiers of the Utah Superintendency of Indian Affairs, 1849–1869

Shoshonean Peoples and the Overland Trail

Frontiers of the Utah Superintendency of Indian Affairs, 1849–1869

Richard Saunders

Utah State University Press, 2007

This compilation of Dale Morgan’s  historical work on Indians in the Intermountain West focuses primarily on the Shoshone who lived near the Oregon and California trails. Three connected works by Morgan are included: First is his classic article on the history of the Utah Superintendency of Indian Affairs. This is followed by an important set of government reports and correspondence from the National Archives concerning the Eastern Shoshone and their leader Washakie. Morgan heavily annotated these for serial publication in the Annals of Wyoming. He also wrote a previously unpublished history of early relations among the Western Shoshone, emigrants, and the government along the California Trail. Morgan biographer Richard L. Saunders introduced, edited, and further annotated this collection. His introduction includes an intellectual biography of Morgan that focuses on the place of the anthologized pieces in Morgan’s corpus. Gregory E. Smoak, a leading historian of the Shoshone, contributed an ethnohistorical essay as additional context for Morgan’s work.

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cover of Singing Paths: The Nomadic Sensibility of Mongolian Urtyn duu

Singing Paths

The Nomadic Sensibility of Mongolian Urtyn duu

Sunmin Yoon

University of Illinois Press, 2027

Mongolian urtyn duu, or long-song, is a living tradition shaped by nomadic life, ecology, and embodied experience. Sunmin Yoon draws from over fifteen years of fieldwork to reveal urtyn duu as music but also a way of knowing the world through the body, senses, and environment. As Yoon shows, rural and urban singers alike learn their craft through daily experiences of listening to landscapes, animals, and community voices. These practices forge deep links between sound, memory, and place. The singers’ use of breath, movement, and feeling produces powerful emotional and sensory experiences that connect both musicians and listeners with wider ecological and spiritual worlds. Though reflecting social change and modern Mongolia’s history, the tradition at the music’s heart continues to call upon and convey the core values of a nomadic people.

Enlightening and evocative, Singing Paths offers an eyewitness look at a rarely explored musical tradition.
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cover of Sinking Suspicions

Sinking Suspicions

Sara Sue Hoklotubbe

University of Arizona Press, 2014

Suspicions run high when murder mixes with identity theft in the latest installment of the popular Sadie Walela mystery series set in Cherokee Country. No sooner does Sadie embark on an unexpected business trip to the beautiful island of Maui, when her long-time neighbor, Buck Skinner, a full-blood Cherokee and World War II veteran, goes missing and becomes the prime suspect in the murder of a petty identity thief.

Iconic lawman Lance Smith joins a community-wide search, but Buck is nowhere to be found. As evidence mounts against her old friend, Sadie rushes to return home to help—only to be delayed by an island-wide earthquake and her own sinking suspicions.

A diverse cast of characters weave together a breathless story of murder, thievery, and the toll of war on the human spirit. In her effort to restore balance to her neighbor’s life, Sadie not only uncovers the truth, but unravels much more than a murder.
 
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cover of Sioux War Dispatches: Reports from the Field, 1876-1877

Sioux War Dispatches

Reports from the Field, 1876-1877

Marc H. Abrams

Westholme Publishing, 2012

Rare, First-Hand Accounts from Newspaper Correspondents Describing the Course of America’s Largest Indian War, Compiled and Edited for the First Time in One Volume

“No one commands better the story of the Great Sioux War of 1876–1877 as presented in the nation’s newspapers than does Marc Abrams. Here is Abrams’s story of America’s greatest Indian war woven from those timely reports, augmented with insightful introductions and annotations. Abrams has produced a significant addition to the historiography of this endlessly fascinating struggle and its colorful personalities.” —Paul L. Hedren, author of After Custer: Loss and Transformation in Sioux Country

“Marc Abrams has provided an invaluable service to both scholars and lay readers in compiling this treasure trove of primary information. Like the correspondents he has come to know through his research, Marc has done the hard work; we need only read in comfort and benefit from his efforts.” —Douglas W. Ellison, author of Sole Survivor: An Examination of the Frank Finkel Narrative

“Marc Abrams’s book is an exciting and innovative approach that brings immediacy to the campaigns of Custer, Crook, and Miles, and teems with fascinating new detail. Sioux War Dispatches not only offers a gripping contemporary window into those times, it fills an important reference need as well.” —Jerome A. Greene, author of Stricken Field: The Little Bighorn Since 1876

Sioux War Dispatches: Reports from the Field, 1876-1877, tells the story of the Great Sioux War, including the battle of the Little Big Horn, primarily through the eyes of contemporary newspaper correspondents, both civilian and military. The volume begins with the Black Hills dilemma and the issue of the unceded territory (the disputed lands that were adjacent to the Great Sioux Reservation) and continues through to the spring of 1877 with the surrender of the legendary Sioux leader Crazy Horse. Along the way readers will learn about the Reynolds battle, the skirmish at Tongue River Heights, the battle of the Rosebud, the battle of the Little Big Horn, the skirmish at Warbonnet Creek, the fight at Slim Buttes, and more. In addition to numerous annotated excerpts from those who were there, are rare original dispatches, reprinted in full, that will take readers on a wild ride through several battles.
[more]
cover of Sitting Bull

Sitting Bull

Bill Yenne

Westholme Publishing, 2008

An Acclaimed Biography of the Greatest American Indian Leader
Sitting Bull's name is still the best known of any American Indian leader, but his life and legacy remain shrouded with misinformation and half-truths. Sitting Bull's life spanned the entire clash of cultures and ultimate destruction of the Plains Indian way of life. He was a powerful leader and a respected shaman, but neither fully captures the enigma of Sitting Bull. He was a good friend of Buffalo Bill and skillful negotiator with the American government, yet erroneously credited with both murdering Custer at the Little Big Horn and with being the chief instigator of the Ghost Dance movement. The reality of his life, as Bill Yenne reveals in his absorbing new portrait, Sitting Bull, is far more intricate and compelling. Tracing Sitting Bull's history from a headstrong youth and his first contact with encroaching settlers, through his ascension as the spiritual and military leader of the Lakota, friendship with a Swiss-American widow from New York, and death at the hands of the Indian police on the eve of the massacre at Wounded Knee, Yenne scoured rare contemporary records and consulted Sitting Bull's own "Hieroglyphic Autobiography" in the course of his research. While Sitting Bull was the leading figure of Plains Indian resistance his message, as Yenne explains, was of self-reliance, not violence. At the Battle of the Little Bighorn, Sitting Bull was not confronting Custer as popular myth would have it, but riding through the Lakota camp making sure the most defenseless of his tribe--the children--were safe. In Sitting Bull we find a man who, in the face of an uncertain future, helped ensure the survival of his people.

[more]
cover of Sixteenth Century Maiolica Pottery in the Valley of Mexico

Sixteenth Century Maiolica Pottery in the Valley of Mexico

Florence C. Lister and Robert H. Lister

University of Arizona Press, 1982

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.
[more]
cover of Skin for Skin: Death and Life for Inuit and Innu

Skin for Skin

Death and Life for Inuit and Innu

Gerald M. Sider

Duke University Press, 2014

Since the 1960s, the Native peoples of northeastern Canada, both Inuit and Innu, have experienced epidemics of substance abuse, domestic violence, and youth suicide. Seeking to understand these transformations in the capacities of Native communities to resist cultural, economic, and political domination, Gerald M. Sider offers an ethnographic analysis of aboriginal Canadians' changing experiences of historical violence. He relates acts of communal self-destruction to colonial and postcolonial policies and practices, as well as to the end of the fur and sealskin trades. Autonomy and dignity within Native communities have eroded as individuals have been deprived of their livelihoods and treated by the state and corporations as if they were disposable. Yet Native peoples' possession of valuable resources provides them with some income and power to negotiate with state and business interests. Sider's assessment of the health of Native communities in the Canadian province of Labrador is filled with potentially useful findings for Native peoples there and elsewhere. While harrowing, his account also suggests hope, which he finds in the expressiveness and power of Native peoples to struggle for a better tomorrow within and against domination.
 
[more]
cover of Skins: A Novel

Skins

A Novel

Adrian C. Louis

University of Nevada Press, 2022

By the end of the twentieth century, Adrian C. Louis had become one of the most powerful voices in the canon of Native American literature. Skins, his best-known work, is now offered by the University of Nevada Press with a new foreword by David Pichaske.

It’s the early 1990s and Rudy Yellow Shirt and his brother, Mogie, are living on the Pine Ridge Reservation in South Dakota, home of the legendary Oglala Sioux warrior Crazy Horse. Both Vietnam veterans, the men struggle with daily life on the rez. Rudy, a criminal investigator with the Pine Ridge Public Safety Department, must frequently arrest his neighbors and friends, including his brother, who has become a rez wino.

But when Rudy falls and hits his head on a rock while pursuing a suspected murderer, Iktome the trickster enters his brain. Iktome restores Rudy’s youthful sexual vigor—long-lost to years of taking high blood pressure pills—and ignites his desire for political revenge via an alter ego, the “Avenging Warrior.” As the Avenging Warrior, Rudy takes direct action to punish local criminals. In a violent act, he torches the local liquor store, nearly burning Mogie alive while he is hiding on the store’s roof, plotting to steal booze. Although the brothers reconcile before Mogie dies, he leaves the Avenging Warrior with one final mission: go to Mount Rushmore and blow the nose off George Washington’s face.

Louis’s critically acclaimed novel was made into a movie in 2002, directed by Chris Eyre.
[more]
cover of Skunk Hill: A Native Ceremonial Community in Wisconsin

Skunk Hill

A Native Ceremonial Community in Wisconsin

Robert A. Birmingham

Wisconsin Historical Society Press, 2015

Rising above the countryside of Wood County, Wisconsin, Powers Bluff is a large outcrop of quartzite rock that resisted the glaciers that flattened the surrounding countryside. It is an appropriate symbol for the Native people who once lived on its slopes, quietly resisting social forces that would have crushed and eroded their culture. A large band of Potawatomi, many returnees from the Kansas Prairie Band Potawatomi reservation, established the village of Tah-qua-kik or Skunk Hill in 1905 on the 300-foot-high bluff, up against the oddly shaped rocks that topped the hill and protected the community from the cold winter winds.
 
In Skunk Hill, archeologist Robert A. Birmingham traces the largely unknown story of this community, detailing the role it played in preserving Native culture through a harsh period of US Indian policy from the 1880s to 1930s. The story’s central focus is the Drum Dance, also known as the Dream Dance or Big Drum, a pan-tribal cultural revitalization movement that swept the Upper Midwest during the Great Suppression, emphasizing Native values and rejecting the vices of the white world. Though the community disbanded by the 1930s, the site, now on the National Register of Historic
Places with two dance circles still visible on the grounds, stands as testimony to the efforts of its members to resist cultural assimilation. 
[more]
cover of Societies in Eclipse: Archaeology of the Eastern Woodlands Indians, A.D. 1400-1700

Societies in Eclipse

Archaeology of the Eastern Woodlands Indians, A.D. 1400-1700

Edited by David S. Brose, C. Wesley Cowan, and Robert C. Mainfort

University of Alabama Press, 2001

Combines recent research with insights from anthropology, historiography, and oral tradition to examine the cultural landscape preceding and immediately following the arrival of Europeans

After establishing the distribution of prehistoric and historic populations from the northeastern Appalachian forests to the southern trans-Mississippian prairies, the contributors consider the archaeological and cultural record of several specific groups, including Mohawk and Onondaga, Monacan, Coosa, and Calusa. For each, they present new evidence of cultural changes prior to European contact, including populations movements triggered by the Little Ice Age (AD 1550–1770), shifting exchange and warfare networks, geological restriction of effective maize subsistence, and use of empty hunting territories as buffers between politically unstable neighbors. The contributors also trace European influences, including the devastation caused by European-introduced epidemics and the paths of European trade goods that transformed existing Native American-exchange networks.

While the profound effects of European explorers, missionaries, and traders on Eastern Woodlands tribes cannot be denied, the archaeological evidence suggests that several indigenous societies were already in the process of redefinition prior to European contact. The essays gathered here show that, whether formed in response to natural or human forces, cultural change may be traced through archaeological artifacts, which play a critical role in answering current questions regarding cultural persistence.
 
[more]
cover of Song of the Sky: Versions of Native American Song-Poems

Song of the Sky

Versions of Native American Song-Poems

Brian Swann

University of Massachusetts Press, 1993

“Swann's ‘concrete’ renderings of the poems are visually striking and are meant to embody the notions of silence and cycle that are so important in Native American culture. . . . [He] does a fine job of encouraging readers to return to return to these original songs and poems from a culture that most latter-day Americans know far too little about.”—Anne Bromley, Georgia Review


Based on the work of anthropologist collectors, this compendium of more than 100 Native American chants and songs revises and updates a prior edition out of print since 1989. ‘These poems are not translations,’ argues Swann. They're versions that have gone through ‘a series of mediations and filters and exist somewhere between the individual lyric voice’ and a diverse, multileveled Native American imaginative-mystical identity. Whether versions, translations, or poems, whether sung at a Crazy Dance, potlatch, corn-grinding, or curative or marriage ceremony, whether celebrating buffalo, maize, red fox, or tobacco, these works capture the ‘otherness’ of the primeval spirit of the Native American fusion of natural and supernatural, animal and deity. Originally performed aloud, these ‘verbal artifacts’—which are sometimes breathtakingly pure, sometimes obscure—reveal that there can be no conventional or single notion of ‘the Indian.’”—Library Journal

[more]
cover of Sonora: A Description of the Province

Sonora

A Description of the Province

Ignaz Pfefferkorn; Foreword by Bernard L. Fontana; Translated and Annotated by Theodore E. Treutlein

University of Arizona Press, 1989

"The bloodsucking bat, construction of bows and arrows, the punishment for adultery among the Apaches... all was grist that dropped into the industrious mill of Father Pfefferkorn's eyes, ears, and brain."—Saturday Review

"To be read for enjoyment; nevertheless, the historian will find in it a wealth of information that has been shrewdly appraised, carefully sifted, and creditably related."—Catholic Historical Review

"Of interest not only to the historian but to the geographer and anthropologist."—Pacific Historical Review
 
[more]
cover of Sounding Thunder: The Stories of Francis Pegahmagabow

Sounding Thunder

The Stories of Francis Pegahmagabow

Brian D. McInnes

Michigan State University Press, 2016

Francis Pegahmagabow (1889–1952), an Ojibwe of the Caribou clan, was born in Shawanaga First Nation, Ontario. Enlisting at the onset of the First World War, he served overseas as a scout and sniper and became Canada’s most decorated Indigenous soldier. After the war, Pegahmagabow settled in Wasauksing First Nation, Ontario, where he married and raised six children. He served his community as both Chief and Councillor and was a founding member of the Brotherhood of Canadian Indians, the first national Indigenous political organization. In 1949 and 1950, he was elected the Supreme Chief of the National Indian Government.
 
Francis Pegahmagabow’s stories describe many parts of his life and are characterized by classic Ojibwe narrative. They reveal aspects of Francis’s Anishinaabe life and worldview. Interceding chapters by Brian McInnes provide valuable cultural, spiritual, linguistic, and historical insights that give a greater context and application for Francis’s words and world. Presented in their original Ojibwe as well as in English translation, the stories also reveal a rich and evocative relationship to the lands and waters of Georgian Bay.
 
In Sounding Thunder, Brian McInnes provides a new perspective on Pegahmagabow and his experience through a unique synthesis of Ojibwe oral history, historical record, and Pegahmagabow family stories.
 
[more]
cover of Southeastern Indians Life Portraits: A Catalogue of Pictures 1564-1860

Southeastern Indians Life Portraits

A Catalogue of Pictures 1564-1860

Emma Lila Fundaburk

University of Alabama Press, 1958

This pictorial classic is a valuable ethnological record of southeastern Indians that also showcases the work of early photographers and artists.

A collection of over 350 photographs, paintings, drawings,and woodcuts, Life Portraits offers us an important visual representation of southeastern Indians—at work, at play, in rituals, and in death—when they first encountered Europeans.

Studied by historians and archaeologists, as well as museum exhibit designers and costumers, these illustrations provide a wealth of information on native dress and jewelry, house construction, agricultural techniques, warfare, and other aspects of American Indian life. Among the tribes illustrated are Natchez, Choctaw, Creek, Chickasaw, Cherokee, Seminole, Chitimacha, Timucua, Powhatan, Tuscarora, Caddo, Yuchi, and Shawnee.

A special section of the book quotes historic narratives and comments on the life and work of the artists, lithographers, photographers, and engravers who made the originals. Included among these are Jacques le Moyne, John White, Theodore De Bry, Francis Parsons, Joshua Reynolds, John Trumball, George Catlin, John Mix Stanley, Thomas McKenney, and Samuel Waugh.

Life Portraits has been a classic title in southeastern archaeology and a staple of bookstores and museum shops around the country since its original publication in 1958. Because the carefully identified illustrations were secured from a wide variety of sources, including the British Museum, the Charleston Museum, the New York Public Library, and the Oklahoma Historical Society, this volume represents the most comprehensiveand widely available record of Indian images. Designed for Americana collections, it will appeal to general readers as well as professional historians and archaeologists.

[more]
cover of Southern Epistemologies: Knowledge, Wisdom, and Understanding in the Andes and Western Amazon

Southern Epistemologies

Knowledge, Wisdom, and Understanding in the Andes and Western Amazon

Edited by H. Clark Barrett, Michael L. Cepek, Pablo Quintanilla, Emanuele Fabiano, and Edouard Machery

HAU, 2026

Discovers how language, culture, and place shape knowledge across the Andes and Western Amazon.

What does it mean to know, and how is knowledge practiced? How can Indigenous perspectives challenge conventional concepts of knowledge in the Global North? Drawing on Indigenous epistemologies from the Andes and Western Amazon, Southern Epistemologies investigates how knowledge, wisdom, and understanding are shaped by local cultures, languages, bodies, and environments.

Bringing together linguists, philosophers, anthropologists, and Indigenous knowledge holders, the volume examines the dynamic interactions between culture, language, and place, showing how the unique linguistic histories and worldviews of Andean and Amazonian societies inform distinct ways of knowing. By interpreting these perspectives on their own terms, the book offers fresh insights into the plurality and diversity of human knowledge.

As the first volume specifically focused on Indigenous South American epistemologies, Southern Epistemologies foregrounds Indigenous knowledge systems and science while fostering dialogue with academic traditions. By opening new interdisciplinary and cross-cultural conversations, this groundbreaking volume challenges conventional notions of knowledge and illuminates how engagement with Indigenous perspectives can expand and enrich our understanding of what it truly means to know.
[more]
cover of Southern Footprints: Exploring Gulf Coast Archaeology

Southern Footprints

Exploring Gulf Coast Archaeology

Gregory A. Waselkov and Philip J. Carr

University of Alabama Press, 2024

Unearthing the Gulf Coast’s past—one footprint at a time.

Southern Footprints celebrates more than fifty years of archaeological research along the Gulf Coast by the University of South Alabama and the Center for Archaeological Studies. Archaeologists Gregory A. Waselkov and Philip J. Carr, the former and current directors of the center, present the “greatest hits” that have transformed knowledge of human history on the Alabama and Mississippi Gulf Coast from the Ice Age until recently. Each archaeological site, from surface collections to premiere archaeological preserves, such as Old Mobile and Holy Ground, offers clues to the past.

The chapters in this collection are arranged chronologically and survey the history and archaeology of a wide range of significant sites, including the Gulf Shores canoe canal, Bottle Creek Mounds, Old Mobile, Fort Mims, Spanish Fort, Spring Hill College, and Mobile River Bridge.

Waselkov and Carr take care to acknowledge in these stories populations who have been historically underdocumented, now recognizing the contributions of Native Americans and African Americans that have been uncovered through archaeology. The authors reveal the dire impacts of climate change, environmental disasters, development, and neglect—and convey their urgency to protect these areas of shared history—as a result of the meticulous excavation, analysis, and preservation of artifacts from these sites. Color photographs showcase the archaeology as it unfolds, often with the help of dedicated volunteers. Southern Footprints will serve as an indispensable reference on the rich Gulf Coast heritage for all to appreciate.

[more]
cover of Sovereign Erotics: A Collection of Two-Spirit Literature

Sovereign Erotics

A Collection of Two-Spirit Literature

Edited by Qwo-Li Driskill, Daniel Heath Justice, Deborah Miranda, and Lisa Tatonetti

University of Arizona Press, 2011

Two-Spirit people, identified by many different tribally specific names and standings within their communities, have been living, loving, and creating art since time immemorial. It wasn’t until the 1970s, however, that contemporary queer Native literature gained any public notice. Even now, only a handful of books address it specifically, most notably the 1988 collection Living the Spirit: A Gay American Indian Anthology. Since that book’s publication twenty-three years ago, there has not been another collection published that focuses explicitly on the writing and art of Indigenous Two-Spirit and Queer people.

This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two.

Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century.

Contributors: Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack
[more]
cover of Sovereign Selves: American Indian Autobiography and the Law

Sovereign Selves

American Indian Autobiography and the Law

David J. Carlson

University of Illinois Press, 2005

This book is an exploration of how American Indian autobiographers' approaches to writing about their own lives have been impacted by American legal systems from the Revolutionary War until the 1920s. Historically, Native American autobiographers have written in the shadow of "Indian law," a nuanced form of natural law discourse with its own set of related institutions and forms (the reservation, the treaty, etc.). In Sovereign Selves, David J. Carlson develops a rigorously historicized argument about the relationship between the specific colonial model of "Indian" identity that was developed and disseminated through U.S. legal institutions, and the acts of autobiographical self-definition by the "colonized" Indians expected to fit that model.

Carlson argues that by drawing on the conventions of early colonial treaty-making, nineteenth- and early twentieth-century Indian autobiographers sought to adapt and redefine the terms of Indian law as a way to assert specific property-based and civil rights. Focusing primarily on the autobiographical careers of two major writers (William Apess and Charles Eastman), Sovereign Selves traces the way that their sustained engagement with colonial legal institutions gradually enabled them to produce a new rhetoric of "Indianness."

[more]
cover of Sovereign Traces, Volume 1: Not (Just) (An)Other

Sovereign Traces, Volume 1

Not (Just) (An)Other

Gordon D. Henry Jr.

Michigan State University Press, 2018

By merging works of contemporary North American Indian literature with imaginative illustrations by U.S. and Canadian artists, Sovereign Traces, Volume 1: Not (Just) (An)Other provides a unique, extended possibility for audiences to engage with works by prominent authors such as Stephen Graham Jones, Gordon Henry Jr., Gerald Vizenor, Warren Cariou, Niigaanwewidam James Sinclair, Louise Erdrich, Joy Harjo, Richard Van Camp, and Gwen Westerman. Through this exciting medium, Sovereign Traces beckons to audiences that are both new to and familiar with Native writing, allowing for possibilities for reimagined readings along the way. Readers will find works of graphic literature, uniquely including both poetry and fiction, newly adapted from writing by American Indians and First Peoples.
 
[more]
cover of Sovereigns of Gold, Spirits of Silver: Ritual, History, and Hierarchy in Madagascar

Sovereigns of Gold, Spirits of Silver

Ritual, History, and Hierarchy in Madagascar

Maurizio Esposito La Rossa

HAU, 2026

How the inhabitants of Western Madagascar reshape their collective identity and negotiate their place within contemporary society through royal rituals and the reinterpretation of the past.

In a postcolonial republic marked by recurrent crises, royal hierarchy continues to frame social inequalities. Within this context, both the descendants of slaves and the newly rich seek to claim or legitimize new hierarchical positions by reformulating historical narratives and establishing them through royal rituals. Focusing on a cult dedicated to the spirits of the ancestors of the Silver Dynasty, Maurizio Esposito La Rossa investigates the categories of “silver” and “gold” that structure the hierarchy of the Sakalava monarchy and are also mobilized by politicians to legitimize their power.

Through multi-sited ethnography, the book offers a broader reflection on the link between narratives and places and on contrasting ways of conceiving history. Whereas Western historiography—and the rise of the nation-state—tends to produce unified historical narratives, the Sakalava monarchies conceive of history as rooted in specific places and social groups, where multiple versions coexist and contend. Combining the divergent demands of a historical anthropology and an anthropology of history, this book endeavors to recount another history of the Sakalava monarchy, without neglecting the polyphony that characterizes it. By tracing how the past is mobilized, transformed, and contested in the present, the book speaks to anthropologists, historians, and readers interested in the intricate entanglements of history, ritual, and political power in postcolonial settings.
 

[more]
cover of Spanish Colonial Tucson: A Demographic History

Spanish Colonial Tucson

A Demographic History

Henry F. Dobyns

University of Arizona Press, 1976

“[Dobyns] has written a fascinating account of the ethnic development of early Tucson. Using a variety of methods and sources, he reveals how Spaniards, mestizos from New Spain, and Native Americans from many tribes laid the ethnic foundations for the modern city. The book also provides much insight into the general history of Spanish colonial society as it evolved in the Tucson area to 1821. . . . Dobyns, utilizing previously unpublished primary sources, allows the early inhabitants of the Tucson area to speak for themselves, and their comments add much to a very colorful and exciting but often grim story. . . . And his penetrating look at the ethnic development of early Tucson should attract attention from anyone interested in a better understanding of how the nation as a whole achieved its multi-cultural character.” —The Journal of American History
[more]
cover of Speak to Me Words: Essays on Contemporary American Indian Poetry

Speak to Me Words

Essays on Contemporary American Indian Poetry

Edited by Dean Rader and Janice Gould

University of Arizona Press, 2003

Although American Indian poetry is widely read and discussed, few resources have been available that focus on it critically. This book is the first collection of essays on the genre, bringing poetry out from under the shadow of fiction in the study of Native American literature.

Speak to Me Words is a stimulating blend of classic articles and original pieces that reflect the energy of modern American Indian literary studies. Highlighting various aspects of poetry written by American Indians since the 1960s, it is a wide-ranging collection that balances the insights of Natives and non-Natives, men and women, old and new voices. Included here are such landmark articles as "Answering the Deer" by Paula Gunn Allen, "Herbs of Healing" by Carter Revard, and "Song, Poetry and Language—Expression and Perception" by Simon Ortiz—all pieces that have shaped how we think about Native poetry. Among the contributions appearing for the first time are Elaine Jahner writing on Paula Gunn Allen's use of formal structures; Robert Nelson addressing pan-Indian tropes of emergence, survival, return, and renewal; and Janet McAdams focusing on Carter Revard's "angled mirrors." Although many Native writers may disregard distinctions between genres, together these writings help readers see the difference between American Indian poetry and other forms of Native literature.

These essays are as broad, encompassing, and provocative as Native poetry itself, branching off from and weaving back into one another. In showing how American Indian poetry redefines our social order and articulates how Indian communities think about themselves, these writers establish a new foundation for the study—and enjoyment—of this vital art.

[more]
cover of Speaking for the Generations: Native Writers on Writing

Speaking for the Generations

Native Writers on Writing

Edited by Simon J. Ortiz

University of Arizona Press, 1997

Now it is my turn to stand. At Acoma Pueblo meetings, members rise and announce their intention to speak. In that moment they are recognized and heard. In Speaking for the Generations, Acoma Pueblo poet Simon Ortiz brings together contemporary Native American writers to take their turn. Each offers an evocation of herself or himself, describing the personal, social, and cultural influences on her or his development as a writer. Although each writer's viewpoint is personal and unique, together they reflect the rich tapestry of today's Native literature.

Of varied backgrounds, the writers represent Indian heritages and cultures from the Pacific Northwest to the northern plains, from Canada to Guatemala. They are poets, novelists, and playwrights. And although their backgrounds are different and their statements intensely personal, they share common themes of their relationship to the land, to their ancestors, and to future generations of their people. From Gloria Bird's powerful recounting of personal and family history to Esther Belin's vibrant tale of her urban Native homeland in Los Angeles, these writers reveal the importance of place and politics in their lives. Leslie Marmon Silko calls upon the ancient tradition of Native American storytelling and its role in connecting the people to the land. Roberta J. Hill and Elizabeth Woody ponder some of the absurdities of contemporary Native life, while Guatemalan Victor Montejo takes readers to the Mayan world, where a native culture had writing and books long before Europeans came.

Together these pieces offer an inspiring portrait of what it means to be a Native writer in the twentieth century. With passion and urgency, these writers are speaking for themselves, for their land, and for the generations.
[more]
cover of Speaking for the People: Native Writing and the Question of Political Form

Speaking for the People

Native Writing and the Question of Political Form

Mark Rifkin

Duke University Press, 2021

In Speaking for the People Mark Rifkin examines nineteenth-century Native writings to reframe contemporary debates around Indigenous recognition, refusal, and resurgence. Rifkin shows how works by Native authors (William Apess, Elias Boudinot, Sarah Winnemucca, and Zitkala-Ša) illustrate the intellectual labor involved in representing modes of Indigenous political identity and placemaking. These writers highlight the complex processes involved in negotiating the character, contours, and scope of Indigenous sovereignties under ongoing colonial occupation. Rifkin argues that attending to these writers' engagements with non-native publics helps provide further analytical tools for addressing the complexities of Indigenous governance on the ground—both then and now. Thinking about Native peoplehood and politics as a matter of form opens possibilities for addressing the difficult work involved in navigating among varied possibilities for conceptualizing and enacting peoplehood in the context of continuing settler intervention. As Rifkin demonstrates, attending to writings by these Indigenous intellectuals provides ways of understanding Native governance as a matter of deliberation, discussion, and debate, emphasizing the open-ended unfinishedness of self-determination.
[more]
cover of Spider Woman Stories

Spider Woman Stories

G. M. Mullett

University of Arizona Press, 1979

"The adventures of Spider Woman and her twin grandsons and other characters are much more than exciting stories. They indicate the importance of traditions, social life, and customs among the Hopi... These abridged and expurgated accounts can be read by children and adults alike, not only for their cultural value but also as fine literature."—Arizona Highways

"This is a fine introduction to Hopi mythology and values. It recreates an authentic poetic spirit and makes the reader eager to read more Hopi tales." —New Mexico Humanities Review
[more]
cover of Splendid Land, Splendid People: The Chickasaw Indians to Removal

Splendid Land, Splendid People

The Chickasaw Indians to Removal

James R. Atkinson

University of Alabama Press, 2003

A thorough examination of the Chickasaw Indians, tracing their history as far back as the documentation and archeological record will allow
 
Before the Chickasaws were removed to lands in Oklahoma in the 1800s, the heart of the Chickasaw Nation was located east of the Mississippi River in the upper watershed of the Tombigbee River in what is today northeastern Mississippi. Their lands had been called "splendid and fertile" by French governor Bienville at the time they were being coveted by early European settlers. The people were also termed “splendid” and described by documents of the 1700s as “tall, well made, and of an unparalleled courage. . . . The men have regular features, well-shaped and neatly dressed; they are fierce, and have a high opinion of themselves.”
The progenitors of the sociopolitical entity termed by European chroniclers progressively as Chicasa, Chicaca, Chicacha, Chicasaws, and finally Chickasaw may have migrated from west of the Mississippi River in prehistoric times. Or migrating people may have joined indigenous populations. Despite this longevity in their ancestral lands, the Chickasaw were the only one of the original "five civilized tribes" to leave no remnant community in the Southeast at the time of removal.

Atkinson thoroughly researches the Chickasaw Indians, tracing their history as far back as the documentation and archaeological record will allow. He historicizes from a Native viewpoint and outlines political events leading to removal, while addressing important issues such as slave-holding among Chickasaws, involvement of Chickasaw and neighboring Indian tribes in the American Revolution, and the lives of Chickasaw women.

Splendid Land, Splendid People will become a fundamental resource for current information and further research on the Chickasaw. A wide audience of librarians, anthropologists, historians, and general readers have long awaited publication of this important volume.
 
[more]
cover of Staging Christ's Passion in Eighteenth-Century Nahua Mexico

Staging Christ's Passion in Eighteenth-Century Nahua Mexico

Louise M. Burkhart

University Press of Colorado, 2023

Staging Christ’s Passion in Eighteenth-Century Nahua Mexico explores the Passion plays performed in Nahuatl (Aztec) by Indigenous Mexicans living under Spanish colonial occupation. Though sourced from European writings and devotional practices that emphasized the suffering of Christ and his mother, this Nahuatl theatrical tradition grounded the Passion story in the Indigenous corporate community. Passion plays had courted controversy in Europe since their twelfth-century origin, but in New Spain they faced Catholic authorities who questioned the spiritual and intellectual capacity of Indigenous people and, in the eighteenth century, sought to suppress these performances. Six surviving eighteenth-century scripts, variants of an original play possibly composed early in the seventeenth century, reveal how Nahuas passed along this model text while modifying it with new dialogue, characters, and stage techniques. Louise M. Burkhart explores the way Nahuas merged the Passion story with their language, cultural constructs, social norms, and religious practices while also responding to surveillance by Catholic churchmen. Analytical chapters trace significant themes through the six plays and key these to a composite play in English included in the volume.

A cast with over fifty distinct roles acted out events extending from Palm Sunday to Christ’s death on the cross. One actor became a localized embodiment of Jesus through a process of investiture and mimesis that carried aspects of pre-Columbian materialized divinity into the later colonial period. The play told afar richer version of the Passion story than what later colonial Nahuas typically learned from their priests or catechists. And by assimilating Jesus to an Indigenous, or macehualli, identity, the players enacted a protest against colonial rule.

The situation in eighteenth-century New Spain presents both a unique confrontation between Indigenous communities and Enlightenment era religious reformers and a new chapter in an age-old power game between popular practice and religious orthodoxy. By focusing on how Nahuas localized the universalizing narrative of Christ’s Passion, Staging Christ’s Passion in Eighteenth-Century Nahua Mexico offers an unusually in-depth view of religious life under colonial rule.

Burkhart’s
accompanying website also makes available transcriptions and translations of the six Nahuatl-language plays, four Spanish-language plays composed in response to the suppression of the Nahuatl practice, and related documentation, providing a valuable resource for anyone interested in consulting the original material.    

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plays composed in response to the suppression of the Nahuatl practice, and related documentation,
providing a valuable resource for anyone interested in consulting the original material
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cover of Standing on the Walls of Time: Ancient Art of Utah's Cliffs and Canyons

Standing on the Walls of Time

Ancient Art of Utah's Cliffs and Canyons

Kevin T. Jones and Layne Miller

University of Utah Press, 2019

In western culture, rock art has traditionally been viewed as “primitive” and properly belonging in the purview of anthropologists rather than art scholars and critics. This volume, featuring previously unpublished photographs of Utah’s magnificent rock art by long-time rock art researcher Layne Miller and essays by former Utah state archaeologist Kevin Jones, views rock art through a different lens.

Miller’s photographs include many rare and relatively unknown panels and represent a lifetime of work by someone intimately familiar with the Colorado Plateau. The photos highlight the astonishing variety of rock art as well as the variability within traditions and time periods. Jones’s essays furnish general information about previous Colorado Plateau cultures and shine a light on rock art as art. The book emphasizes the exqui­site artistry of these ancient works and their capacity to reach through the ages to envelop and inspire viewers.
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cover of State and Reservation: New Perspectives on Federal Indian Policy

State and Reservation

New Perspectives on Federal Indian Policy

Edited by George Pierre Castile and Robert L. Bee

University of Arizona Press, 1992

Ten original essays focus on the rise, change, and persistence of the Native American reservation system. Contributors drawn from history, anthropology, sociology, and political science offer divergent points of view buttressed by historical and ethnographic case studies. Together, these articles suggest that the time has come—or is long overdue—to rethink the basic assumptions underlying Federal Indian policy.

CONTENTS
Introduction, George Pierre Castile & Robert L. Bee
Part I—Historical Foundations of the Reservation System
An Elusive Institution: The Meanings of Indian Reservations in Gold Rush California, John M. Findlay
Crow Leadership Amidst Reservation Oppression, Frederick E. Hoxie
Part II—The Nonreservation Experience
Utah Indians and the Homestead Laws, Martha C. Knack
The Enduring Reservations of Oklahoma, John H. Moore
Without Reservation: Federal Indian Policy and the Landless Tribes of Washington, Frank W. Porter, III
Part III—Power and Symbols
Riding the Paper Tiger, Robert L. Bee
Indian Sign: Hegemony and Symbolism in Federal Indian Policy, George P. Castile
Part IV—The Resource Base
Primitive Accumulation, Reservations, and the Alaska Native Claims Settlement Act, Lawrence Weiss & David C.Maas
Shortcomings of the Indian Self-Determination Policy, George S. Esber, Jr.
Getting to Yes in the New West: The Negotiation of Policy, Thomas R. McGuire
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