397 books match the query 'Rome' and 23 start with s
Paul Hay
University of Texas Press, 2023
How the notion of unique eras influenced the Roman view of time and the narration of history from various perspectives.
The Victorian Era. The Age of Enlightenment. The post-9/11 years. We are accustomed to demarcating history, fencing off one period from the next. But societies have not always operated in this way. Paul Hay returns to Rome in the first century BCE to glimpse the beginnings of periodization as it is still commonly practiced, exploring how the ancient Romans developed a novel sense of time and used it to construct their views of the past and of the possibilities of the future.
It was the Roman general Sulla who first sought to portray himself as the inaugurator of a new age of prosperity, and through him Romans adopted the Etruscan term saeculum to refer to a unique era of history. Romans went on to deepen their investment in periodization by linking notions of time to moments of catastrophe, allowing them to conceptualize their own epoch and its conclusion, as in the literature of Vergil and Horace. Periodization further introduced the idea of specific agents of change into Roman thought—agents that were foundational to narratives of progress and decline. An eye-opening account, Saeculum describes nothing less than an intellectual and cognitive revolution, that fundamentally reorganized the meanings of history and time.
Catherine M. Schlegel
University of Wisconsin Press, 2006
Leonard Barkan
Northwestern University Press, 2008
Part memoir, part literary criticism, part culinary and aesthetic travelogue, this loving reflection is a poignant, funny narrative about an American professor spending a year in Rome. A scarred veteran of academic culture wars retreating to a cradle of culture, Barkan is at first hungry, lonely, and uncertain of his intellectual mission. But soon he is appointed unofficial mascot of an eccentric community of gastronomes, becomes virtually bilingual, and falls in love. As the year progresses, he finds his voice as a writer, loses his lover, and definitively returns to America with heart, mind, and body. His memoir is the celebration of a life lived in the uncanny spaces where art and real people intersect.
Barkan’s reminiscence is not just about the Renaissance and ancient statuary, or Shakespeare and Mozart, Charles Bukowski and Paul de Man, eggplant antipasto and Brunello di Montalcino, foot fetishism and sulfur baths. At the heart of the narrative—beneath that beguiling surface of irony, humor, and misdirection—is a man of genuine ardor, struggling with what it means to be a homosexual and a Jew, trying to rediscover or reinvent his own intellectual passions. Hilarious, erudite, and lusciously rendered, Satyr Square gives us the whole of a life made up from fragments of Italy, art, food, and longing.
Procopius
University of Michigan Press, 1961
Martial, Translated with notes by Susan McLean, Introduction by Marc Kleijwegt
University of Wisconsin Press, 2014
Lucius Annaeus Seneca
University of Chicago Press, 2021
Paul A. Cantor
University of Chicago Press, 2017
Paul A. Cantor
University of Chicago Press, 2017
Mantha Zarmakoupi
J. Paul Getty Trust, The, 0
Benjamin Eldon Stevens
University of Wisconsin Press, 2014
Bartolo A. Natoli
University of Wisconsin Press, 2021
Edited by Deborah Kamen and C. W. Marshall
University of Wisconsin Press, 2021
By Michael J. Taylor
University of Texas Press, 2020
Nigel Pollard
University of Michigan Press, 2000
Claude Nicolet
University of Michigan Press, 2015
Jean-Jacques Aubert and Boudewijn Sirks, Editors
University of Michigan Press, 2002
Erik Gunderson
University of Michigan Press, 2000
Isabel K. Köster
University of Michigan Press, 2026
Robert J. Penella
University of Michigan Press, 2023
Declamations were composed and orally delivered in the Roman Empire by sophists, or teachers of rhetoric, of whom the Greek-speaking Libanius was one of the most distinguished. Stock Characters Speaking may be thought of as emerging from three developments of recent decades: an explosive interest in late antiquity, a newly sympathetic interest in rhetoric (including ancient declamation), and a desire to bring Libanius’s massive corpus into English and other modern languages.
In this book, author Robert J. Penella translates eight of Libanius’s declamations: 29, 30, 34, 35, 37, 45, 46, 47, and, in an appendix, the thirteenth-century Gregory of Cyprus’s response to Declamation 34. Each translation is accompanied by an introduction, in which Penella examines the themes, structure, and the stasis, or key issue, of the declamations. Figures who appear in the translated declamations include a parasite who has lost his patron, a man envious of his rich neighbor, a miser’s son, a poor man willing to die for his city, a rich war-hero accused of aiming at tyranny, and a convict asking for exile. Three of these declamations have appeared in German; otherwise, these translations are the first into a modern language.Alan H. Cadwallader
SBL Press, 2016
A crucial text for any university course on the interaction of archaeology and the Bible
The world of early Christians was not a world lived in texts; it was a world saturated with material reality and concerns: what, where and when to eat or drink; how to present oneself in the space of bodily life and that of death; how to move from one place to another; what impacted status or the adjudication of legal charges. All these and more controlled so much of life in the ancient world. The Christians were not immune from the impact of these realities. Sometimes they absorbed their surrounds; sometimes they quite explicitly rejected the material practices bearing in on them; frequently they modified the practice and the rationale to create a significant Christian alternative. The collection of essays in this volume come from a range of international scholars who, for all their different interests and critical commitments, are yet united in treasuring research into the Greek and Roman worlds in which Christians sought to make their way. They offer these essays in honor of one who has made a lifetime's work in mining ancient material culture to extract nuggets of insight into early Christian dining practices: Dennis E. Smith.
Features

Edited by Silvia Armando
University of Michigan Press, 2027
In the past decades, scholarship on Islamic art has challenged the parameters of the discipline, but in the process, the Italian context has often been overlooked. Gathering the voices of prominent international specialists, the book fills an important gap by presenting new research on topics ranging from the medieval to modern periods. Contributors investigate how Islamic artifacts were collected, categorized, and studied; examine Orientalism(s) in Italy and beyond; reconstruct the genealogies of scholars who helped found and develop the academic discipline and museum practices; and offer new scholarship on ceramics, textiles, metalwork, rock crystals, numismatics, and archaeology. The volume reveals the interchange between romantic reveries and more “scientific” Islamic art studies. Following the model of counter-Orientalism proposed by Karla Mallette, it raises questions of identity, otherness, and self-representation within a cultural and geographical context where the Islamic “component” was—and is—perceived either as exotic or integral to Italian identity.
With over 100 illustrations, Stories and Histories of Islamic Art in Italy explores how amateurs, artists, and intellectuals perceived of, depicted, and wrote about the Islamic world, offering new ways to examine Italy’s Islamic past.
Karl Kirchwey
Northwestern University Press, 2017
Nancy A. Winter
University of Michigan Press, 2009
Although initially intended for the innovative, if prosaic, purpose of providing waterproof and fireproof cover for earlier thatch-roofed homes, fired clay tiles, in seventh- and sixth-century Etruria and Central Italy, combined with Etruscan love of adornment to create exceptional domestic and religious building decoration. Featuring statues and figured friezes of humans, animals, and mythological figures intended to convey the status of the owner or dedicator, the surviving terracotta roofs provide important insights into the architectural history of Etruria. With Symbols of Wealth and Power, Nancy A. Winter has provided a definitive overview of the evidence for these roofing elements that will enhance our knowledge of Etruscan---and more broadly, ancient---architecture.
Nancy A. Winter is an archaeologist and former librarian of the American School of Classical Studies, Athens. She is the author of Greek Architectural Terracottas: From the Prehistoric to the End of the Archaic Period (1993).