397 books match the query 'Rome' and 23 start with s

cover of Saeculum: Defining Historical Eras in Ancient Roman Thought

Saeculum

Defining Historical Eras in Ancient Roman Thought

Paul Hay

University of Texas Press, 2023

How the notion of unique eras influenced the Roman view of time and the narration of history from various perspectives.

The Victorian Era. The Age of Enlightenment. The post-9/11 years. We are accustomed to demarcating history, fencing off one period from the next. But societies have not always operated in this way. Paul Hay returns to Rome in the first century BCE to glimpse the beginnings of periodization as it is still commonly practiced, exploring how the ancient Romans developed a novel sense of time and used it to construct their views of the past and of the possibilities of the future.

It was the Roman general Sulla who first sought to portray himself as the inaugurator of a new age of prosperity, and through him Romans adopted the Etruscan term saeculum to refer to a unique era of history. Romans went on to deepen their investment in periodization by linking notions of time to moments of catastrophe, allowing them to conceptualize their own epoch and its conclusion, as in the literature of Vergil and Horace. Periodization further introduced the idea of specific agents of change into Roman thought—agents that were foundational to narratives of progress and decline. An eye-opening account, Saeculum describes nothing less than an intellectual and cognitive revolution, that fundamentally reorganized the meanings of history and time.

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cover of Satire and the Threat of Speech: Horace's Satires, Book 1

Satire and the Threat of Speech

Horace's Satires, Book 1

Catherine M. Schlegel

University of Wisconsin Press, 2006

In his first book of Satires, written in the late, violent days of the Roman republic, Horace exposes satiric speech as a tool of power and domination. Using critical theories from classics, speech act theory, and others, Catherine Schlegel argues that Horace's acute poetic observation of hostile speech provides insights into the operations of verbal control that are relevant to his time and to ours. She demonstrates that though Horace is forced by his political circumstances to develop a new, unthreatening style of satire, his poems contain a challenge to our most profound habits of violence, hierarchy, and domination. Focusing on the relationships between speaker and audience and between old and new style, Schlegel examines the internal conflicts of a notoriously difficult text. This exciting contribution to the field of Horatian studies will be of interest to classicists as well as other scholars interested in the genre of satire.
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cover of Satyr Square: A Year, a Life in Rome

Satyr Square

A Year, a Life in Rome

Leonard Barkan

Northwestern University Press, 2008

Part memoir, part literary criticism, part culinary and aesthetic travelogue, this loving reflection is a poignant, funny narrative about an American professor spending a year in Rome. A scarred veteran of academic culture wars retreating to a cradle of culture, Barkan is at first hungry, lonely, and uncertain of his intellectual mission. But soon he is appointed unofficial mascot of an eccentric community of gastronomes, becomes virtually bilingual, and falls in love. As the year progresses, he finds his voice as a writer, loses his lover, and definitively returns to America with heart, mind, and body. His memoir is the celebration of a life lived in the uncanny spaces where art and real people intersect.

Barkan’s reminiscence is not just about the Renaissance and ancient statuary, or Shakespeare and Mozart, Charles Bukowski and Paul de Man, eggplant antipasto and Brunello di Montalcino, foot fetishism and sulfur baths. At the heart of the narrative—beneath that beguiling surface of irony, humor, and misdirection—is a man of genuine ardor, struggling with what it means to be a homosexual and a Jew, trying to rediscover or reinvent his own intellectual passions. Hilarious, erudite, and lusciously rendered, Satyr Square gives us the whole of a life made up from fragments of Italy, art, food, and longing.

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cover of Secret History

Secret History

Procopius

University of Michigan Press, 1961

Written with passion and personal malice, the Secret History of Procopius is a scathing indictment of the emperor Justinian and his sixth-century Byzantine court. Never has there been a more calculated attempt to ruin an entire reign in the eyes of posterity. Procopius writes of:
. . . How the Great General Belisarius was hoodwinked by his wife, whose lover became a monk.
. . . How Theodora, most depraved of all empresses, won Justinian's love.
. . . How she saved five hundred harlots from a life of sin, made off with her own natural son, and other curious incidents of her passion.
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cover of Selected Epigrams

Selected Epigrams

Martial, Translated with notes by Susan McLean, Introduction by Marc Kleijwegt

University of Wisconsin Press, 2014

This lively translation accurately captures the wit and uncensored bawdiness of the epigrams of Martial, who satirized Roman society, both high and low, in the first century CE. His pithy little poems amuse, but also offer vivid insight into the world of patrons and clients, doctors and lawyers, prostitutes, slaves, and social climbers in ancient Rome. The selections cover nearly a third of Martial's 1,500 or so epigrams, augmented by an introduction by historian Marc Kleijwegt and informative notes on literary allusion and wordplay by translator Susan McLean.
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cover of Seneca: Fifty Letters of a Roman Stoic

Seneca

Fifty Letters of a Roman Stoic

Lucius Annaeus Seneca

University of Chicago Press, 2021

A selection of Seneca’s most significant letters that illuminate his philosophical and personal life.
 
“There is only one course of action that can make you happy. . . . rejoice in what is yours. What is it that is yours? Yourself; the best part of you.” 
 
In the year 62, citing health issues, the Roman philosopher Seneca withdrew from public service and devoted his time to writing. His letters from this period offer a window onto his experience as a landowner, a traveler, and a man coping with the onset of old age. They share his ideas on everything from the treatment of enslaved people to the perils of seafaring, and they provide lucid explanations for many key points of Stoic philosophy.
 
This selection of fifty letters brings out the essentials of Seneca’s thought, with much that speaks directly to the modern reader. Above all, they explore the inner life of the individual who proceeds through philosophical inquiry from a state of emotional turmoil to true friendship, self-determination, and personal excellence. 
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cover of Shakespeare's Roman Trilogy: The Twilight of the Ancient World

Shakespeare's Roman Trilogy

The Twilight of the Ancient World

Paul A. Cantor

University of Chicago Press, 2017

Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976). With Shakespeare’s Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community.

Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds.
More broadly, Cantor places Shakespeare’s plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare’s works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare’s Roman Trilogy reveals the true profundity of the Roman Plays.
 
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cover of Shakespeare's Rome: Republic and Empire

Shakespeare's Rome

Republic and Empire

Paul A. Cantor

University of Chicago Press, 2017

For more than forty years, Paul Cantor’s Shakespeare’s Rome has been a foundational work in the field of politics and literature. While many critics assumed that the Roman plays do not reflect any special knowledge of Rome, Cantor was one of the first to argue that they are grounded in a profound understanding of the Roman regime and its changes over time. Taking Shakespeare seriously as a political thinker, Cantor suggests that his Roman plays can be profitably studied in the context of the classical republican tradition in political philosophy.
           
In Shakespeare’s Rome, Cantor examines the political settings of Shakespeare’s Roman plays, Coriolanus and Antony and Cleopatra, with references as well to Julius Caesar. Cantor shows that Shakespeare presents a convincing portrait of Rome in different eras of its history, contrasting the austere republic of Coriolanus, with its narrow horizons and martial virtues, and the cosmopolitan empire of Antony and Cleopatra, with its “immortal longings” and sophistication bordering on decadence.
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cover of Shaping Roman Landscape: Ecocritical Approaches to Architecture and Wall Painting in Early Imperial Italy

Shaping Roman Landscape

Ecocritical Approaches to Architecture and Wall Painting in Early Imperial Italy

Mantha Zarmakoupi

J. Paul Getty Trust, The, 0

A groundbreaking ecocritical study that examines how ideas about the natural and built environment informed architectural and decorative trends of the Roman Late Republican and Early Imperial periods.
 
Landscape emerged as a significant theme in the Roman Late Republican and Early Imperial periods. Writers described landscape in texts and treatises, its qualities were praised and sought out in everyday life, and contemporary perceptions of the natural and built environment, as well as ideas about nature and art, were intertwined with architectural and decorative trends.
 
This illustrated volume examines how representations of real and depicted landscapes, and the merging of both in visual space, contributed to the creation of novel languages of art and architecture. Drawing on a diverse body of archaeological, art historical, and literary evidence, this study applies an ecocritical lens that moves beyond the limits of traditional iconography. Chapters consider, for example, how garden designs and paintings appropriated the cultures and ecosystems brought under Roman control and the ways miniature landscape paintings chronicled the transformation of the Italian shoreline with colonnaded villas, pointing to the changing relationship of humans with nature. Making a timely and original contribution to current discourses on ecology and art and architectural history, Shaping Roman Landscape reveals how Roman ideas of landscape, and the decorative strategies at imperial domus and villa complexes that gave these ideas shape, were richly embedded with meanings of nature, culture, and labor.
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cover of Silence in Catullus

Silence in Catullus

Benjamin Eldon Stevens

University of Wisconsin Press, 2014

Both passionate and artful, learned and bawdy, Catullus is one of the best-known and critically significant poets from classical antiquity. An intriguing aspect of his poetry that has been neglected by scholars is his interest in silence, from the pauses that shape everyday conversation to linguistic taboos and cultural suppressions and the absolute silence of death.
            In Silence in Catullus, Benjamin Eldon Stevens offers fresh readings of this Roman poet's most important works, focusing on his purposeful evocations of silence. This deep and varied "poetics of silence" takes on many forms in Catullus's poetic corpus: underscoring the lyricism of his poetry; highlighting themes of desire, immortality-in-culture, and decay; accenting its structures and rhythms; and, Stevens suggests, even articulating underlying philosophies. Combining classical philological methods, contemporary approaches to silence in modern literature, and the most recent Catullan scholarship, this imaginative examination of Catullus offers a new interpretation of one of the ancient world's most influential and inimitable voices.
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cover of Silenced Voices: The Poetics of Speech in Ovid

Silenced Voices

The Poetics of Speech in Ovid

Bartolo A. Natoli

University of Wisconsin Press, 2021

Silenced Voices is a pointed examination of the loss of speech, exile from community, and memory throughout the literary corpus of the Roman poet Ovid. In his book-length poem Metamorphoses, characters are transformed in ways that include losing their power of human speech. In Tristia and Epistulae ex Ponto, poems written after Ovid's exile from Rome in 8 ce, he represents himself as also having been transformed, losing his voice.

Bartolo A. Natoli provides a unique cross-reading of these works. He examines how the motifs and ideas articulated in the Metamorphoses provide the template for the poet's representation of his own exile. Ovid depicts his transformation with an eye toward memory, reformulating how his exile would be perceived by his audience. His exilic poems are an attempt to recover the voice he lost and to reconnect with the community of Rome.
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cover of Slavery and Sexuality in Classical Antiquity

Slavery and Sexuality in Classical Antiquity

Edited by Deborah Kamen and C. W. Marshall

University of Wisconsin Press, 2021

Slavery and sexuality in the ancient world are well researched on their own, yet rarely have they been examined together. This volume is the first to explore the range of roles that sex played in the lives of enslaved people in antiquity beyond prostitution, bringing together scholars of both Greece and Rome to consider important and complex issues. Chapters address a wealth of art, literature, and drama to analyze a wide range of issues, including gendered power dynamics, sexual violence in slave revolts, same-sex relations between free and enslaved people, and the agency of assault victims.
 
Slavery and Sexuality in Classical Antiquity reveals the often hidden and contradictory attitudes concerning the sexual identities and expression of enslaved people. These individuals were typically objectified by both social convention and legal description but were also recognized as human subjects, with subjectivity and sexual desires of their own. The contributors provoke valuable and fascinating questions that not only recognize the trauma and struggles of enslaved people but also point to the apparent inconsistencies in the mindsets of the enslavers. The resulting volume expands our understanding of both sexuality and slavery in ancient Greece and Rome, as separate subjects and as they impacted each other.
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cover of Soldiers and Silver: Mobilizing Resources in the Age of Roman Conquest

Soldiers and Silver

Mobilizing Resources in the Age of Roman Conquest

By Michael J. Taylor

University of Texas Press, 2020

By the middle of the second century BCE, after nearly one hundred years of warfare, Rome had exerted its control over the entire Mediterranean world, forcing the other great powers of the region—Carthage, Macedonia, Egypt, and the Seleucid empire—to submit militarily and financially. But how, despite its relative poverty and its frequent numerical disadvantage in decisive battles, did Rome prevail? Michael J. Taylor explains this surprising outcome by examining the role that manpower and finances played, providing a comparative study that quantifies the military mobilizations and tax revenues for all five powers. Though Rome was the poorest state, it enjoyed the largest military mobilization, drawing from a pool of citizens, colonists, and allies, while its wealthiest adversaries failed to translate revenues into large or successful armies. Taylor concludes that state-level extraction strategies were decisive in the warfare of the period, as states with high conscription and low taxation raised larger, more successful armies than those that primarily sought to maximize taxation. Comprehensive and detailed, Soldiers and Silver offers a new and sophisticated perspective on the political dynamics and economies of these ancient Mediterranean empires.
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cover of Soldiers, Cities, and Civilians in Roman Syria

Soldiers, Cities, and Civilians in Roman Syria

Nigel Pollard

University of Michigan Press, 2000

When one mentions "empire," one place probably comes to mind: Rome. The Romans conquered an empire that covered almost the complete extent of their known world. With a territory that large, there was, of course, a huge cultural diversity between the different corners of the empire. How could the central authority in Rome bring together all the different cultures, religions and customs under one administrative umbrella? Soldiers, Cities and Civilians in Roman Syria explores some of the interactions between the imperial authority and the subjected peoples in the territory of Syria. It looks at how the imperial power controlled its subjects, how the agents of the imperial power (administrators, soldiers, etc.) interacted with those subjects, and what impact the imperial power had on the culture of ruled territories. The Roman empire had few civilian administrators, so soldiers were the representatives of imperial government to be encountered by many provincial civilians. Soldiers, Cities and Civilians in Roman Syria employs the evidence of Roman texts and documents and modern archaeological excavation as well as "alternative" sources, such as the literature of the subject peoples and informal texts such as graffiti, to examine the relationship between soldiers and civilians in the important frontier province of Syria.
Nigel Pollard is currently a Research Assistant at the Institute of Archaeology, University of Oxford.
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cover of Space, Geography, and Politics in the Early Roman Empire

Space, Geography, and Politics in the Early Roman Empire

Claude Nicolet

University of Michigan Press, 2015

Drawing on unexpected texts both ancient and modern, Space, Geography, and Politics in the Early Roman Empire offers startling insights into the character of Rome and its princeps-turned-emperor, Augustus. Claude Nicolet documents Roman expansion at the start of the early imperial period and explores how Romans came to map the world they knew and conquered. The roles of both the agrimensores, who worked in the state’s interest observing and recording new territories, and M. Vipsanius Agrippa, the sometime son-in-law of Emperor Augustus, are considered. Nicolet also presents the integral relations between territorial expansion and political expansion, as well as between propaganda cultivated in the national interest and propaganda designed to secure the status of the princeps as primus inter pares, first among equals.
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cover of Speculum Iuris: Roman Law as a Reflection of Social and Economic Life in Antiquity

Speculum Iuris

Roman Law as a Reflection of Social and Economic Life in Antiquity

Jean-Jacques Aubert and Boudewijn Sirks, Editors

University of Michigan Press, 2002

Roman public and private law regulated many aspects of life in Antiquity. The legal sources, statutes, juristic opinions, textbooks, documents and reports preserve a wealth of information that illuminates Roman society and economy. However, the use of this kind of evidence can be extremely difficult. With this volume, classicists, historians, and legal scholars propose various ways to integrate the legal evidence with other sources for ancient social and economic history.
Speculum Iuris examines the complex relationship between law and social practice from the particular angle of Roman legislation and jurisprudence as conditioned by or reacting to a specific social, economic, and political context. Using various strategies, the editors and contributors mine a huge body of texts to study attitudes and behaviors of the Roman upper class, whose social concerns are reflected in the development of legal rules.
A close reading of juristic opinions and Republican or imperial legislation allows the contributors to find rationales behind rules and decisions in order to explain practices and mentalities of the elite within a larger social context. This book demonstrates clearly that Roman law was not divorced from the realities of daily life, even if some jurists may have been working with purely hypothetical cases.
Speculum Iuris provides a multidisciplinary approach to the question of the interplay of legal and social forces in the Roman world. As such, it will be a helpful study for general classicists and ancient historians, as well as for legal historians, social historians, economic historians, sociologists, and cultural anthropologists.
Jean-Jacques Aubert is Professor of Latin Language and Literature, University of Neuchâtel, Switzerland. Boudewijn Sirks is Professor of the History of Ancient Law, the History of European Private Law, and German Civil Law, Institute for the History of Law, Germany.
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cover of Staging Masculinity: The Rhetoric of Performance in the Roman World

Staging Masculinity

The Rhetoric of Performance in the Roman World

Erik Gunderson

University of Michigan Press, 2000

Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a "good man" and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire?
Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator's despised double, the dangers of homoerotic pleasure, and Cicero's De Oratore, as what good theory and practice ought to look like.
Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University.
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cover of Stealing from the Gods: Temple Robbery in the Roman Imagination

Stealing from the Gods

Temple Robbery in the Roman Imagination

Isabel K. Köster

University of Michigan Press, 2026

Stealing from the Gods investigates how authors writing between the first century BCE and second century CE addressed the issue of temple robbery or sacrilegium. As a self-proclaimed empire of pious people, the Romans viewed temple robbery as deeply un-Roman and among the worst of offenses. On the other hand, given the constant financial pressures of warfare and administration, it was inevitable that the Romans would make use of the riches stored in sanctuaries. In order to resolve this dilemma, the Romans distinguished sharply between acceptable and unacceptable removals of sacred property. When those who conducted themselves as proper Romans plundered the property of the gods, their actions were for the good of the state. In contrast, the temple robber was viewed as a stranger to the norms of Roman society and an enemy of the state.

Ancient authors including Cicero, Caesar, Livy, Appian, and Pausanias present isolated, grotesque individuals whose actions have no bearing on the conduct of Romans as a whole, rendering temple robbery not a matter of collective responsibility, but of individual moral failure. By revealing how narratives of temple robbery are constructed from a literary perspective and how they inform discourses about military conquest and imperial rule, Isabel K. Köster shines a new light on how the Romans coped with the more pernicious aspects of their empire.
 
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cover of Stock Characters Speaking: Eight Libanian Declamations Introduced and Translated

Stock Characters Speaking

Eight Libanian Declamations Introduced and Translated

Robert J. Penella

University of Michigan Press, 2023

Declamations were composed and orally delivered in the Roman Empire by sophists, or teachers of rhetoric, of whom the Greek-speaking Libanius was one of the most distinguished. Stock Characters Speaking may be thought of as emerging from three developments of recent decades: an explosive interest in late antiquity, a newly sympathetic interest in rhetoric (including ancient declamation), and a desire to bring Libanius’s massive corpus into English and other modern languages.

In this book, author Robert J. Penella translates eight of Libanius’s declamations: 29, 30, 34, 35, 37, 45, 46, 47, and, in an appendix, the thirteenth-century Gregory of Cyprus’s response to Declamation 34. Each translation is accompanied by an introduction, in which Penella examines the themes, structure, and the stasis, or key issue, of the declamations. Figures who appear in the translated declamations include a parasite who has lost his patron, a man envious of his rich neighbor, a miser’s son, a poor man willing to die for his city, a rich war-hero accused of aiming at tyranny, and a convict asking for exile. Three of these declamations have appeared in German; otherwise, these translations are the first into a modern language.
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cover of Stones, Bones, and the Sacred: Essays on Material Culture and Ancient Religion in Honor of Dennis E.

Stones, Bones, and the Sacred

Essays on Material Culture and Ancient Religion in Honor of Dennis E.

Alan H. Cadwallader

SBL Press, 2016

A crucial text for any university course on the interaction of archaeology and the Bible

The world of early Christians was not a world lived in texts; it was a world saturated with material reality and concerns: what, where and when to eat or drink; how to present oneself in the space of bodily life and that of death; how to move from one place to another; what impacted status or the adjudication of legal charges. All these and more controlled so much of life in the ancient world. The Christians were not immune from the impact of these realities. Sometimes they absorbed their surrounds; sometimes they quite explicitly rejected the material practices bearing in on them; frequently they modified the practice and the rationale to create a significant Christian alternative. The collection of essays in this volume come from a range of international scholars who, for all their different interests and critical commitments, are yet united in treasuring research into the Greek and Roman worlds in which Christians sought to make their way. They offer these essays in honor of one who has made a lifetime's work in mining ancient material culture to extract nuggets of insight into early Christian dining practices: Dennis E. Smith.

Features

  • Rich examples of method in the utilization of ancient material culture for biblical interpretation.
  • Thirteen essays with a response from Dennis E. Smith
  • Maps, diagrams, and plates
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    cover of Stories and Histories of Islamic Art in Italy: Supplements to the Memoirs of the American Academy in Rome

    Stories and Histories of Islamic Art in Italy

    Supplements to the Memoirs of the American Academy in Rome

    Edited by Silvia Armando

    University of Michigan Press, 2027

    In the past decades, scholarship on Islamic art has challenged the parameters of the discipline, but in the process, the Italian context has often been overlooked. Gathering the voices of prominent international specialists, the book fills an important gap by presenting new research on topics ranging from the medieval to modern periods. Contributors investigate how Islamic artifacts were collected, categorized, and studied; examine Orientalism(s) in Italy and beyond; reconstruct the genealogies of scholars who helped found and develop the academic discipline and museum practices; and offer new scholarship on ceramics, textiles, metalwork, rock crystals, numismatics, and archaeology. The volume reveals the interchange between romantic reveries and more “scientific” Islamic art studies. Following the model of counter-Orientalism proposed by Karla Mallette, it raises questions of identity, otherness, and self-representation within a cultural and geographical context where the Islamic “component” was—and is—perceived either as exotic or integral to Italian identity. 

    With over 100 illustrations, Stories and Histories of Islamic Art in Italy explores how amateurs, artists, and intellectuals perceived of, depicted, and wrote about the Islamic world, offering new ways to examine Italy’s Islamic past. 

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    cover of Stumbling Blocks: Roman Poems

    Stumbling Blocks

    Roman Poems

    Karl Kirchwey

    Northwestern University Press, 2017

    Through six earlier books Karl Kirchwey has rewarded readers with poems of great musicality, visual richness, and historical resonance. Stumbling Blocks: Roman Poems represents a culmination of his “formal mastery”—an honor often too loosely bestowed in contemporary American poetry, but one Kirchwey thoroughly earns.

    As in his 1998 New York Times Notable Book The Engrafted Word, the city of Rome becomes a lens through which to understand the contemporary human experience and the upheavals of human loss. Stumbling Blocks takes as its starting point the shattered ancient Roman ruins described in Renaissance poet Joachim du Bellay's celebrated sonnet—a landscape of death feeding upon itself and restored to life in the imagination of each successive generation to salvage its own narratives.

    Kirchwey builds new arches and mythological intersections in exquisite poems that take long walks in the Eternal City, through landscapes far away and deep within. This gorgeous collection takes us back in time and brings us forward through our Old and New Worlds, revealing through the religion of art both beauty and atrocity.
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    cover of Symbols of Wealth and Power: Architectural Terracotta Decoration in Etruria and Central Italy, 640-510 B.C.

    Symbols of Wealth and Power

    Architectural Terracotta Decoration in Etruria and Central Italy, 640-510 B.C.

    Nancy A. Winter

    University of Michigan Press, 2009

    Although initially intended for the innovative, if prosaic, purpose of providing waterproof and fireproof cover for earlier thatch-roofed homes, fired clay tiles, in seventh- and sixth-century Etruria and Central Italy, combined with Etruscan love of adornment to create exceptional domestic and religious building decoration. Featuring statues and figured friezes of humans, animals, and mythological figures intended to convey the status of the owner or dedicator, the surviving terracotta roofs provide important insights into the architectural history of Etruria. With Symbols of Wealth and Power, Nancy A. Winter has provided a definitive overview of the evidence for these roofing elements that will enhance our knowledge of Etruscan---and more broadly, ancient---architecture.

    Nancy A. Winter is an archaeologist and former librarian of the American School of Classical Studies, Athens. She is the author of Greek Architectural Terracottas: From the Prehistoric to the End of the Archaic Period (1993).

    Also of Interest
    Role Models in the Roman World: Identity and Assimilation, edited by Sinclair Bell and Inge Lyse Hansen
    The Maritime World of Ancient Rome, edited by Robert L. Hohlfelder
    Cosa: The Black-Glaze Pottery 2, by Ann Reynolds Scott
    Jacket illustration: Tuscania, Ara del Tufo, 560–550 B.C.
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