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As a young man, Finger reveled in the easy homosociality of his London polytechnical school, where he launched a student literary society in the mold of the city’s private men’s clubs. Throughout his life, as he wandered from England to Patagonia to the United States, he tried to recreate similarly open spaces—such as Gayeta, his would-be art colony in Arkansas. But it was through his idiosyncratic magazine All’s Well that he constructed his most successful social network, writing articles filled with coded signals and winking asides for an inner circle of understanding readers.

Capitalizing on the publishing opportunities of the day, Finger used every means available to express his twin loves—literature and men. He produced an enormous body of work, and his short, semiautobiographical fiction won some critical acclaim. Ultimately, the children’s book that won Finger a Newbery Medal ushered him into the public eye, ending his development as an author of serious queer literature.

Shared Secrets is both the story of Finger’s remarkable, adventurous life and a rare look at a community of gay writers and artists who helped shaped twentieth-century American culture, even as they artfully concealed their own identities.

Memoir typically places selfhood at the center. Interestingly, the genre's recent surge in popularity coincides with breakthroughs in scholarship focused on selfhood in a new way: as an always renewing, always emerging entity. Suzanne Bost draws on feminist and posthumanist ideas to explore how three contemporary memoirists decenter the self. Latinx writers John Rechy, Aurora Levins Morales, and Gloria E. Anzaldúa work in places where personal history intertwines with communities, environments, animals, plants, and spirits. This dedication to interconnectedness resonates with ideas in posthumanist theory while calling on indigenous worldviews. As Bost argues, our view of life itself expands if we look at how such frameworks interact with queer theory, disability studies, ecological thinking, and other fields. These webs of relation in turn mediate experience, agency, and lift itself.A transformative application of posthumanist ideas to Latinx, feminist, and literary studies, Shared Selves shows how memoir can encourage readers to think more broadly and deeply about what counts as human life.

In the lightly-populated northwestern corner of Nevada, a former geologist and rural schoolteacher, a published poet and ranch owner, and an artist and environmentalist make for an intriguing—perhaps even unlikely—trio of friends. In this evocative collection of personal essays, each offers her voice as a testament to the joys and struggles of creating a home and connecting to the land and the people who live there.

Stories of ranch hands and Ladies’ Clubs, raising chickens and raising children, pulling up roots and planting dreams tumble together in a mélange of lives lived well and thoughtfully. Sharing Fencelines is as much about art as it is about activism, as much about personal growth as it is about growing community. What these women offer us is the sweet taste of what is possible, and the blended harmony of their voices echoes across the mountains and washes and deserts, resonating in our own hearts, our own homes.

Carolyn Dufurrena’s "The Flying Heart Museum" pays homage to a layered landscape of unique individuals—not the least of which are her students, searching for themselves in the Nevada wilderness: "You know how your spirit betrays you when you’re not thinking to protect yourself. Jose has been dreaming, doodling away, and his pencil has discovered this flying heart, as big as the Puritan meetinghouse....He has drawn the log cabin around the heart, and labeled it. At recess I ask him, gently, 'So, Jose, what’s in there, in your Flying Heart Museum?'"

In "Shared Fencelines," Linda Hussa reveals the mystery of horses, the gift of water, and the serendipity of love: "My first hurt came from a horse when I tried to shinny up the feathered leg of our old gelding as I’d seen my brother and sister do. Twelve hundred pounds of him stepped on my bare foot. Mom carried her shrieking two-year-old to the house...she cut off the dangling nail saying Popeye didn’t mean to, he just didn’t notice my little foot. Then she cradled my face in her cool hands and said she hoped I would forgive him and we could be friends again."

"Fire Hall" by Sophie Sheppard paints a picture of a families and communities forged against the backdrop of a rugged, rural life: "Here, when there is a funeral, the whole town comes. First to arrive are the older women, vestiges of the Lake City Ladies Club that was disbanded a few years ago because most of the younger women have jobs and no longer stay at home. At the potluck funeral dinner everyone will file in together: the women unfamiliar in dresses ordered from catalogs, the mens' hatless foreheads glowing pale in contrast to the tan of their freshly shaven jaws, the younger people that I won’t recognize."

At the age of fifty and faced with severe depression, Salomea Genin began to write about her family's history. From stories both told and untold, Genin recreates the lives of the Zwerling family in the Jewish quarter of Lvov: Shulim, her strict and deeply religious grandfather; his patient but tired wife Dvoire; and his beautiful, rebellious daughter Shayndl, who marries a dreamer against her father's wishes and without his blessing, and who will later become Salomea Genin's mother.

Genin's richly detailed portrait shows the effects of a family's struggle—personal, religious, social, and for their very survival—against the shadow of the Nazi rise to power.

Born and raised in Britain, Thom Gunn has lived in the United States since 1954. He is well known as a poet and is increasingly gaining recognition as a literary critic. Gunn’s main concern in Shelf Life is with twentieth-century American poets, both the famous and the obscure; he also discusses other matters, including the Elizabethans, Christopher Isherwood as man and stylist, and Gunn’s own poetry, which he touches on indirectly in the first two sections of the book and directly in the last.
 
Gunn’s criticism communicates his own enthusiasm for poetry. He tries to show his readers how to get a first foothold into the work of some of his favorite poets, whether Wyatt or Whitman, Mina Loy or Robert Creeley.
 

Bobby Burns arrived in Tucson, Arizona, with a few dollars in his pocket and no place to live. Without family, without a job, he had nowhere to go but a homeless shelter. How did a college graduate find himself so close to life on the streets? In a voice that is startling for its simplicity and utter honesty, Burns tells the story of how he slipped into homelessness, how he learned what it means to live in a place where nobody will notice if you disappear, and how he emerged to tell his story. Bobby's diary of 41 days without a home brings readers into the world of a homeless shelter.

Shelter is filled with the sights and sounds of homelessness. Shelter life is patterned by meals provided by church volunteers, lines for soap and clean towels, the repeated meticulous washing of hands by an obsessive-compulsive resident, the rare pleasure of a fried chicken dinner, the illicit smell of marijuana within the shelter. Burns witnesses the residents' struggles with drugs, alcohol, and disability, and he wonders daily whether he will have the courage to emerge from this life. Bobby's diary expresses the full range of emotions of a homeless person: anger, self-pity, pride, humility, shame, depression, and optimism. These are not contradictions; taken together they represent the real feelings provoked by homelessness.

But with rare inner courage, Bobby stokes the fires of hope within himself, marking the days in his journal to keep himself from sliding deeper into a spiral of despair. Bobby confronts his own stereotypes about the homeless and learns firsthand what it means to struggle daily for survival and for dignity. He learns greater courage and he learns greater kindness. He is given food and a bed for 41 days, but he finds shelter on his own, deep within himself.

Upon moving to Appalachian Ohio with their two small children, Richard Gilbert and his wife are thrilled to learn there still are places in America that haven’t been homogenized. But their excitement over the region’s beauty and quirky character turns to culture shock as they try to put down roots far from their busy professional jobs in town. They struggle to rebuild a farmhouse, and Gilbert gets conned buying equipment and sheep—a ewe with an “outie” belly button turns out to be a neutered male, and mysterious illnesses plague the flock. Haunted by his father’s loss of his boyhood farm, Gilbert likewise struggles to earn money in agriculture. Finally an unlikely teacher shows him how to raise hardy sheep—a remarkable ewe named Freckles whose mothering ability epitomizes her species’ hidden beauty. Discovering as much about himself as he does these gentle animals, Gilbert becomes a seasoned agrarian and a respected livestock breeder. He makes peace with his romantic dream, his father, and himself. Shepherd, a story both personal and emblematic, captures the mythic pull and the practical difficulty of family scale sustainable farming.

Henry Warner Slocum, a Union major general who was a corps and army commander in the Civil War, served from the first call for troops until he stood with William Tecumseh Sherman to receive Joseph E. Johnston’s surrender after Appomattox. He saw action at Bull Run, Chancellorsville, and Gettysburg, and by the end of the war he had taken command of the Army of Georgia, yet historians have largely overlooked this key commander.

            Brian Melton has written the first scholarly account of this important general—the first full-length biography in nearly a century—who as one of Sherman’s most trusted commanders exercised significant influence during the Civil War. Although Slocum is remembered primarily for his lackluster performance at Gettysburg, Melton discloses that there is more to him than current history credits, offering a holistic account of his life to show that his career was much more significant than has been supposed.

            Slocum took on the characteristics of the leaders he served, and Melton reveals how Slocum’s attitudes and tactics changed dramatically between commanders to explain why he proved to be of little help to George McClellan and almost a liability while serving under “Fighting Joe” Hooker and yet was an effective commander under Sherman. Slocum became Sherman’s “left arm” and adapted so thoroughly to his style of generalship that he anticipated the general’s intentions on two important occasions, and Melton contends that Slocum was a much more important contributor to the success of Sherman’s later campaigns than has been acknowledged, becoming at times more aggressive and driving than Sherman himself.

            Melton ultimately considers Slocum’s fate as one of the forgotten generals of the Civil War—brought on largely by his joining the Democratic Party in 1865—and demonstrates why previous simplistic depictions of Slocum miss the mark. By providing the first detailed look at this important second-tier commander, Sherman’s Forgotten General illuminates the influences, events, and individuals of Slocum’s career to show that, while he may not have changed the course of the war, he played a conspicuous and important role in its successful execution that has long deserved to be recognized.

Sherwood Anderson, an important American novelist and short-story writer of the early twentieth century, is probably best known for his novel Winesburg, Ohio. His realistic and nonformulaic writing style would influence the next generation of authors, most notably Ernest Hemingway and William Faulkner.
    Walter Rideout’s Sherwood Anderson: A Writer in America is a seminal work that reintroduces us to this important, yet recently neglected, American writer, giving him long overdue attention. This second volume of the monumental two-volume work covers Anderson’s life after his move in the mid-1920s to “Ripshin,” his house near Marion, Virginia (where Volume 1 ended.) The second volume covers his return to business pursuits; his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic; and finally his unexpected death in 1941.
    No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson’s friends and family members, or as complete in its vision of the man and the writer. Rideout uncovers much new information about events and people in Anderson’s life and provides a new perspective on many of his works. This two-volume biography presents Anderson’s many remarkable attributes more clearly than ever before, while astutely placing his life and writings in the broader social, political, and artistic movements of his times.


Outstanding Book, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Outstanding Academic Title, Choice Magazine

Winner, Biography Award, Society of Midland Authors

The life of a Mormon intellectual in the secular academic community is likely to include some contradictions between belief, scholarship, and the changing times. In his memoir, Armand L. Mauss recounts his personal and intellectual struggles—inside and outside the LDS world—from his childhood to his days as a graduate student at UC Berkeley in the 1960s through his many years as a professor.

As an important and influential observer and author in the Mormon intellectual world, Mauss has witnessed how, in attempting to suppress independent and unsponsored scholarship during the final decades of the twentieth century, LDS leaders deliberately marginalized important intellectual support and resources that could have helped, in the twenty-first century, to refurbish the public image of the church. As a sociologist, he notes how the LDS Church, as a large, complex organization, strives to adjust its policies and practices in order to maintain an optimal balance between unique, appealing claims on the one hand and public acceptance on the other. He also discusses national and academic controversies over the New Religious Movements of the 1960s and 1970s. Writing in clear language, Mauss shows how he has navigated the boundaries where his faith and academic life intersect, and reveals why a continuing commitment to the LDS Church must be a product of choice more than of natural or supernatural “proof.”
 

In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen.

Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself. Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood’s star personas sent mixed messages about Americans’ identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellweger’s dithering romantics to Tina Fey’s neurotic professionals to Hilary Swank’s vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and “Brangelina” became more famous for their real-life romantic dramas—at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men. With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today.

Ann Lewis's childhood was marked by an unusual rhythm. Each year the thawing and freezing of the Great Lakes signaled the beginning and end of the shipping season, months of waiting that were punctuated by brief trips to various ports to meet her father, the captain.

With lively storytelling and vivid details, Lewis captures the unusual life of shipping families whose days and weeks revolved around the shipping industry on the Great Lakes. She paints an intriguing and affectionate portrait of her father, a talented pianist whose summer job aboard an ore freighter led him to a life on the water. Working his way up from deckhand to ship captain, Willis Michler became the master of thirteen ships over a span of twenty-eight years. From the age of twelve, Ann accompanied the captain to the ports of Milwaukee, Chicago, Toledo, and Cleveland on the lower Great Lakes. She describes sailing through stormy weather and starry nights, visiting the engine room, dining at the captain's table, and wheeling the block-long ship with her father in the pilot house. Through her mother's stories and remarks, Lewis also reveals insights into the trials and rewards of being a ship captain's wife. The book is enhanced by the author's vintage snapshots, depicting this bygone lifestyle.

Janice Gary never walked alone without a dog - a big dog. Once, she was an adventurer, a girl who ran off to California with big dreams and hopes of leaving her past behind. But after a brutal rape, her youthful bravado vanished, replaced by a crippling need for safety. When she rescues a gangly Lab-Rottweiler pup,Gary is sure she’s found her biggest protector yet. But after Barney is attacked by a vicious dog, he becomes a clone of his attacker, trying to kill any dog that comes near him. Walking with Barney is impossible. Yet walking without him is unthinkable.
    After years of being exiled by her terror and Barney’s defensiveness, Janice risks taking her dog to a park near the Chesapeake Bay. There, she begins the messy, lurching process of walking into her greatest fears. As the leash of the past unravels, Barney sheds the defensive behaviors that once shackled him and Gary steps out of the self-imposed isolation that held her captive for three decades. Beautifully written, Short Leash is much more than a “dog story” or a book about recovering from trauma. It is a moving tale of love and loss, the journey of a broken soul finding itsway toward wholeness.

Shouting Down the Silence presents the first complete biography of Stanley Elkin, a preeminent novelist who consistently won high marks from critics but whose complexities of style seemed destined to elude the popular acclaim he hoped to attain. From the publication of his second novel, A Bad Man, in 1967 to his death in 1995, Elkin was tormented by the desire for both material and artistic success. Elkin's novels were taught in colleges and universities, his fiction received high praise from critics and reviewers (two of his novels won National Book Critics Circle Awards), and his short stories were widely anthologized--and yet he was unable to achieve renown beyond the avant-garde, or to escape the stigma of being an "academic writer." He wanted to be Faulkner, but he had trouble being Elkin. Drawing on personal interviews and an intimate knowledge of Elkins's life and works, David C. Dougherty captures Elkin's early life as the son of a charismatic, intimidating, and remarkably successful Jewish immigrant from Russia, as well as his later career at Washington University in St. Louis. A frequent participant at the annual Bread Loaf Writers' conference, he was the friend--and sometime antagonist--of other important writers, particularly Saul Bellow, William Gass, Howard Nemerov, and Robert Coover. Despite failed attempts to bridge the gap from his academic post to wide popular success, Elkin continued to write essays, stories, and novels that garnered unerring praise. His was a classic dilemma of an intellectual aesthete loath to make use of the common devices of popular appeal. The book details the ambition, the success, the friction, and the foibles of a writer who won fame, but not the fame he wanted.

Nineteenth-century paleontologists boasted that, shown a single bone, they could identify or even reconstruct the extinct creature it came from with infallible certainty—“Show me the bone, and I will describe the animal!” Paleontologists such as Georges Cuvier and Richard Owen were heralded as scientific virtuosos, sometimes even veritable wizards, capable of resurrecting the denizens of an ancient past from a mere glance at a fragmentary bone. Such extraordinary feats of predictive reasoning relied on the law of correlation, which proposed that each element of an animal corresponds mutually with each of the others, so that a carnivorous tooth must be accompanied by a certain kind of jawbone, neck, stomach, limbs, and feet.
 
Show Me the Bone tells the story of the rise and fall of this famous claim, tracing its fortunes from Europe to America and showing how it persisted in popular science and literature and shaped the practices of paleontologists long after the method on which it was based had been refuted. In so doing, Gowan Dawson reveals how decisively the practices of the scientific elite were—and still are—shaped by their interactions with the general public.

Marshall Keeble (1878–1968) was the premier evangelist in black Churches of Christ from 1931 until his death in 1968. Born and reared in middle Tennessee, Keeble came under the influence of Preston Taylor, Samuel Womack, and Alexander Campbell, as well as the social influence of Booker T. Washington. In 1914, Keeble committed himself to full-time evangelism and by the 1920s had established himself as a noteworthy preacher. By the time of his death, he reportedly had baptized 40,000 people and had established more than 200 congregations, some of which still flourish today. Show Us How You Do It is the first critical study of Keeble and his evangelical career.

 

Based on primary sources, Edward Robinson reconstructs the life, public ministry, missionary activities, and the reception of Keeble among Churches of Christ. He also explores Keeble’s relationship with white businessmen and how he secured white support in establishing a large fellowship of African American Churches of Christ in the South. Show Us How You Do It details Keeble’s theology, ethos, and polemics toward other churches. Robinson demonstrates Keeble’s legacy in the labor of his African American co-workers and of the students who attended Nashville Christian Institute.

 

Of the approximately 2.5 million members of the Churches of Christ in the U.S., an estimated 10 percent are African-Americans, and many in this fellowship can trace their affiliation to Keeble and to those whom he trained.

A central figure in Illinois’ early history, Sidney Breese forged an eventful public life that spanned the state’s transition from a frontier territory to a modern industrial society. Joseph A. Ranney tells the story of the lasting achievements and far-reaching legal decisions that defined Breese’s career.

Born in New York, Breese moved to Illinois in 1818. An ambitious personality combined with acumen in law, politics, and business boosted Breese into the state’s frontier elite and involved him in the political controversies that roiled the Jacksonian Era. First a circuit court judge, Breese rose to the state Supreme Court before his election to the US Senate in 1842. Breese focused his senatorial energies on westward expansion and transforming the nation into a world power—ambitions symbolized by his pivotal role in the creation of the Illinois Central Railroad. After returning to the state Supreme Court, Breese ruled on essential cases that enshrined expansionist jurisprudence in American law and regulated the growing power of corporations in post–Civil War America.

A first full-length biography, Sidney Breese places the life of an overlooked figure within legal and Illinois history.

The only child of deaf Puerto Rican immigrants, Andrés Torres grew up in New York City in a large, extended family that included several deaf aunts and uncles. In Signing in Puerto Rican: A Hearing Son and His Deaf Family, he opens a window into the little known culture of Deaf Latinos chasing the immigrant American dream. Like many children of deaf adults (codas), Torres loved his parents deeply but also longed to be free from being their interpreter to the hearing world. Torres’s story is unique in that his family communicated in three languages. The gatherings of his family reverberated with “deaf talk,” in sign, Spanish, and English. What might have struck outsiders as a strange chaos of gestures and mixed spoken languages was just normal for his family.

Torres describes his early life as one of conflicting influences in his search for identity. His parents’ deep involvement in the Puerto Rican Society for the Catholic Deaf led him to study for the priesthood. He later left the seminary as his own ambitions took hold. Torres became very active in the Puerto Rico independence party against the backdrop of the Civil Rights movement and protest against the Vietnam War. Throughout these defining events, Torres’s journey never took him too far from his Deaf Puerto Rican family roots and the passion of arms, hands, and fingers filling the air with simultaneous translation and understanding.

n 1968, Tommie Smith and his teammate John Carlos won the gold and silver medals, respectively, for the 200 meter dash.  Receiving their medals on the dais, they raised their fists and froze a moment in time that will forever be remembered as a powerful day of protest.  In this, his autobiography, Smith tells the story of that moment, and of his life before and after it, to explain what that moment meant to him. 

In Silent Gesture, Smith recounts his life before and after the 1968 Olympics: his life-long commitment to athletics, education, and human rights.  He dispels some of the myths surrounding his and Carlos' act on the dais -- contrary to legend, Smith wasn't a member of the Black Panthers, but a member of the US Olympic Project for Human Rights -- and describes in detail the planning and risks involved in his protest.  Smith also details his many years after Mexico City of devotion to human rights, athletics, and education.  A unique resource for anyone concerned with international sports, history, and the African American experience, Silent Gesture contributes a complete picture of one of the most famous moments in sports history, and of a man whose actions always matched his words.

Rendered in lovely, full-color illustrations, Silent Observer traces the early life of author Christy MacKinnon in Nova Scotia at the turn of the century. Born in 1889, the author lost her hearing from “the Winter fever” at the age of two. Her story tells of a simple, charming life on her family’s farm by the bay and in the schoolhouse where her father taught her in their hometown of Boisdale.

Silent Observer is an affectionate, poignant memoir of childhood as seen through the eyes of a vivacious young girl. Teachers, parents, and children will share in their enjoyment of this beautiful, sensitive story of a harder but wonderful time that has passed.

Revised and updated, Duane A. Smith's classic study of this important silver mining town is back in print.

Recounts the remarkable life of a Prussian/Polish Jew who immigrated to the United States as a teenager in the 1850s and became one of the nation’s best-known physicians by the turn of the century

After medical study in South Carolina and Virginia on the eve of the Civil War, Simon Baruch served the Confederacy as a surgeon for three years, twice undergoing capture and internment. Despite economic hardships while practicing in South Carolina during Reconstruction, he helped to reactivate the State Medical Association and served as president of the State Board of Health. 

In 1881 he joined the exodus of southern physicians and scientists of that period, taking up residence in New York City, where he rose to prominence through his advocacy of surgery in one of the early operations for appendicitis and through is role as the protective physician in a widely publicized “child cruelty” case involving the musical prodigy, Josef Hofmann. Baruch became a leader in the nationwide movement to establish free public baths for tenement dwellers and in the development of expert medical journalism. Although his advocacy of such natural remedies as water, fresh air, and diet often made him appear unaccountably iconoclastic to his contemporaries, he has gained posthumous recognition as a pioneer in physical medicine.

Bernard N. Baruch, one of his four sons, has memorialized this work through endowments for research and instruction in physical medicine and rehabilitation. Ward reconstructs the life of a medical student in the South at the opening of the Civil War, the adventures of a Confederate surgeon, and the difficulties of a practitioner in Reconstruction South Carolina. Simon Baruch’s physician’s registers and his correspondence with colleagues afford the reader an immediate sense of the therapeutic dilemmas facing physicians and patients of his era. Baruch’s experiences while establishing himself in New York City after 1881 reflect the challenges facing those trying to break into what was then the nation’s medical capital—as well as that city’s rich opportunities and heady intellectual atmosphere. His energetic campaign for free public baths illustrates one of the most colorful chapters of American social history, as immigrants flooded the cities at the turn of the century. As medical editor of the New York Sun from 1912 to 1918, Baruch touched on most of the health concerns of that period and a few—such as handgun control—that persist to this day.

The texts available here in English for the first time open a window into the lives of three early modern Frenchwomen as they explore the common themes of family, memory, sin, and salvation. The Regrets of Marguerite d’Auge (1600), the Memoirs of Renée Burlamacchi (1623), and the Genealogy of Jeanne du Laurens (1631), taken from different genres of historical writings, raise important questions: Why and how did female authorship find its way into the historical record? How did these voices escape the censorship and prejudice against female publication? In a time of extreme religious conflict, how did these women convey their views on controversial issues such as primacy of grace, indulgences, and salvation without disrupting the gender expectations of the era?

Singers Die Twice: A Journey to the Land of Dhrupad tells the story of Peter Pannke’s life in music, his travels from Cologne to Varanasi, from Delhi to the forests of Vrindavan, from Darbhanga back to Berlin, of how he studied in the gharana of the famous Mallik family and became Germany’s best-known exponent of Indian classical music. His richly woven tale takes readers from the beginning of the gharana in the 1700s, through the last splendid days of the maharaja of Darbhanga and other proud patrons who inspired Satyajit Ray’s 1957 classic film The Music Room, to the Maha Kumbh Mela that opened the twenty-first century. Along the way, we meet colourful characters whose names are still known to every devotee of dhrupad: the grand old Pandit Ram Chatur Mallik, the pious and inspiring Pandit Vidur Mallik, Pannke himself, a master of the sarangi, and the humbler musicians and travelling players who bring music of all kinds to the fields of Bihar, across India and beyond. Singers Die Twice is the inspiring story of a master musician in the world that he loves.

An extraordinary man, who advanced human knowledge on many fronts, Sir Aurel Stein (1862-1943) pursued dramatic adventure with scientific purpose. Jeannette Mirsky has drawn from Stein's voluminous outpouring of books and articles as well as from his letters and unpublished archival materials to produce a lively and definitive biography of this archaeological explorer, geographer, historical topographer, and linguist.

"[Mirsky] has digested the correspondence, and she quotes so skillfully that her book will save many people the trouble of reading Stein's own exhaustive and exhausting volumes. Definitive."—Larry McMurtry, Washington Post

"A first-rate and unique biography of one of the more significant explorers of Central Asia and the Indo-Iranian borderlands. . . . Mirsky has recreated not only the life of an intrepid explorer but the spirit of the times."—Choice

"Mirsky has performed a signal service in distilling the life, travels, and letters of Aurel Stein into a manageable, graceful, and meaningful synthesis."—Theodore A. Wertime, Technology and Culture

Raised with twelve brothers in a part of the segregated South that provided no school for African American children through the 1940s, Sylvia Bell White went North as a teenager, dreaming of a nursing career and a freedom defined in part by wartime rhetoric about American ideals. In Milwaukee she and her brothers persevered through racial rebuffs and discrimination to find work. Barred by both her gender and color from employment in the city’s factories, Sylvia scrubbed floors, worked as a nurse’s aide, and took adult education courses.

            When a Milwaukee police officer killed her younger brother Daniel Bell in 1958, the Bell family suspected a racial murder but could do nothing to prove it—until twenty years later, when one of the two officers involved in the incident unexpectedly came forward. Daniel’s siblings filed a civil rights lawsuit against the city and ultimately won that four-year legal battle. Sylvia was the driving force behind their quest for justice.

            Telling her whole life story in these pages, Sylvia emerges as a buoyant spirit, a sparkling narrator, and, above all, a powerful witness to racial injustice. Jody LePage’s chapter introductions frame the narrative in a historical span that reaches from Sylvia’s own enslaved grandparents to the nation’s first African American president. Giving depth to that wide sweep, this oral history brings us into the presence of an extraordinary individual. Rarely does such a voice receive a hearing.

Winner, Wisconsin Historical Society Book Award of Merit

Wallace Fowlie here gives us his third book of memoirs—the best yet. Sites is thematically focused on places that marked Fowlie's life and affected his way of looking at the world. This brilliantly written book exhibits great clarity and elegant simplicity, virtues that only an experienced—and good—writer can achieve. Although Sites has a strong unfolding narrative pattern that encourages you to read it from beginning to end, it can be browsed in to good purpose, for you can read any chapter out of sequence and still relish it.