Results by title

4531 books match the query 'Cultural & Ethnic Studies' and 296 start with s

cover of Shrinking Wealth: Psychoanalyzing Elites in São Paulo

Shrinking Wealth

Psychoanalyzing Elites in São Paulo

Ana Y. Ramos-Zayas

Duke University Press, 2027

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cover of Shugendo: Essays on the Structure of Japanese Folk Religion

Shugendo

Essays on the Structure of Japanese Folk Religion

Miyake Hitoshi; Edited and with an Introduction by H. Byron Earhart

University of Michigan Press, 2001

This volume of essays is the first comprehensive publication in English of the work of Miyake Hitoshi, a distinguished scholar of Shugendō (mountain asceticism) and one of the foremost researchers on Japanese folk religion. Miyake defines folk religion as “religion that merges from the necessities of community life.” In Miyake’s systematic methodological and theoretical approach, Shugendō is a classic example of Japanese folk religion, for it blends many traditions (shamanism, Taoism, Buddhism, and Shinto) into a distinctive Japanese religious worldview and is typical of Japanese religion generally.
The first part of this book is devoted to Shugendō’s history, organization, ritual, austerities, thought, and cosmology. Related subjects include exorcism and the exclusion of women. The second part of the book provides research and reflection on Japanese folk religion, including essays on the idea of nature, worldly benefits, new religions, death and rebirth, and the structure of folk religion.
Shugendō: Essays on the Structure of Japanese Folk Religion clarifies much of the logic behind Japanese religious syncretism. It is essential reading not only for those interested in Japanese history, culture, and religion but also for those studying world religions and folk culture.
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cover of Side Dishes: Latina American Women, Sex, and Cultural Production

Side Dishes

Latina American Women, Sex, and Cultural Production

Fitch, Melissa A

Rutgers University Press, 2009

Moving beyond the "main dishes" of traditional literary works, Side Dishes offers a provocative and delicious new understanding of Latin American women's authorship and activism. The book illuminates a wealth of creative and intellectual work by Latin American women—editors, directors, cartoonists, academics, performance artists, and comedians—and explores them in light of their treatment of women's sexuality.

Side Dishes considers feminist pornography and literary representations of masturbation, bisexuality, lesbianism, and sexual fantasies; the treatment of lust in stand-up comedy and science fiction; critical issues in leading feminist journals; and portrayals of sexuality in four contemporary Latin American films. Melissa A. Fitch concludes with a look at the rise of women's and gender studies programs in Latin America.

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cover of Side Dishes: Latina American Women, Sex, and Cultural Production

Side Dishes

Latina American Women, Sex, and Cultural Production

Fitch, Melissa A

Rutgers University Press, 2009

Moving beyond the "main dishes" of traditional literary works, Side Dishes offers a provocative and delicious new understanding of Latin American women's authorship and activism. The book illuminates a wealth of creative and intellectual work by Latin American women—editors, directors, cartoonists, academics, performance artists, and comedians—and explores them in light of their treatment of women's sexuality.

Side Dishes considers feminist pornography and literary representations of masturbation, bisexuality, lesbianism, and sexual fantasies; the treatment of lust in stand-up comedy and science fiction; critical issues in leading feminist journals; and portrayals of sexuality in four contemporary Latin American films. Melissa A. Fitch concludes with a look at the rise of women's and gender studies programs in Latin America.

[more]
cover of Sideways Developments: Queer and Trans Aesthetics of Global Hong Kong

Sideways Developments

Queer and Trans Aesthetics of Global Hong Kong

Kai Hang Cheang

University of Michigan Press, 2026

Sideways Developments examines Hong Kong Anglophone and Cantophone literature and visual culture to trace the forms of queer and trans survival and flourishing in the Asian century. Contesting the cisgender, heterosexual, linear tropes that constitute developmentalist narratives deployed by superpowers—from colonial Britain to 20th-century America to a rising China—Cheang argues that sideways aesthetics define the narratives through which the LGBTQ+ community navigates personal and socioeconomic transitions. Through formalist analyses of a range of genres, Cheang reveals the affordances of queer and trans cultures for addressing the question of Hong Kong during its period of promised transition until 2047.

In this moment of multiple crises, Sideways Developments offers a timely hermeneutic and theory of solidarity and sustainability. The book tracks how sideways aesthetics have evolved from a feature of LGBTQ+ plots, performance, and nonlinear approaches to space-time to a form of togetherness that links postcolonial Hong Kong with struggles worldwide. Using what Cheang terms intersectional formalism as an analytical tool, the book provides a multilayered examination of the alternative pathways exemplified by queer and trans resilience and regeneration.
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cover of Sideways Selves: Travesti and Jotería Struggles Across the Américas

Sideways Selves

Travesti and Jotería Struggles Across the Américas

PJ DiPietro

University of Texas Press, 2025

2026 Sylvia Rivera Award in Transgender Studies, The Center for LGBTQ Studies (CLAGS), CUNY

How trans and non-binary networks engage in decoloniality across hemispheres. 

A deeply informed, theoretically rich work of inquiry and critique, Sideways Selves learns from two communities of migrants as they contest their marginalization under the colonial regime of gender—colonial because, as PJ DiPietro affirms, Indigenous and Afro-diasporic conceptions of embodiment have been displaced by the European-Christian order of gender. Following gender-nonconforming Aymara, Kolla, and mixed-race exiles in Buenos Aires and K’iche’, Nahua, and Central American migrants in the San Francisco Bay Area, DiPietro takes stock of a collective, transnational effort to reimagine ideas of personhood and kinship that gender makes unthinkable.

The communities DiPietro studies create new kinds of identities, collective and genderless in nature. Their ways of thinking and doing, though radical, are motivated by old wisdom, storytelling, healing, and religion—brujería, curanderismo, Voudoun, and other practices that colonialism, capitalism, and the nation-state have unsuccessfully tried to erase. In equal measures philosophical and ethnographic, Sideways Selves witnesses and listens as these displaced people—displaced from their homes and from the moral geography of the West—show us what a just, decolonial world could actually be.

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cover of Sierra Leone's Settler Women Traders: Women on the Afro-European Frontier

Sierra Leone's Settler Women Traders

Women on the Afro-European Frontier

E. Frances White

University of Michigan Press, 1987

The early part of the nineteenth century saw the establishment of West Africa’s Sierra Leone settlement as an important center for the expanding trade economy. A surprising number of Sierra Leonean traders were Krio women, whose crosscultural background helped them to mediate the contact between European and African markets.In Sierra Leone's Settler Women Traders, E. Frances White has unearthed the fascinating social and economic history of these women traders from the late eighteenth to the mid-twentieth century. Using a lively mixture of newspaper accounts, contemporary observations, colonial documents, and oral histories, this book tells the story of former slaves and captives from Jamaica, North America, and other areas of West Africa who became successful traders linking their regional trade networks with the international economy. The study traces the eventual decline of the Sierra Leone traders’ influence under the extension of colonial rule and documents the gradual shift of Krio women into professional and semiprofessional occupations.Sierra Leone's Settler Women Traders rescues these women from the invisibility that often befails colonial subcultures and sheds new light on the role of women as cultural brokers across ethnic boundaries, resulting in a study that makes a significant contribution to the ongoing debate over the impact of colonial rule on women in Africa.
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cover of Signifying Europe

Signifying Europe

Johan Fornäs

Intellect Books, 2012

Signifying Europe provides a systematic overview of the wide range of symbols used to represent Europe and Europeanness, both by the political elite and the broader public. Through a critical interpretation of the meanings of the various symbols—and their often contradictory or ambiguous dimensions—Johan Fornäs uncovers illuminating insights into how Europe currently identifies itself and is identified by others outside its borders. While the focus is on the European Union’s symbols, those symbols are also interpreted in relation to other symbols of Europe. Offering insight into the cultural dimensions of European unification, this volume will appeal to students, scholars, and politicians interested in European policy issues, cultural studies, and postnational cultural identity.

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cover of Signifying Without Specifying: Racial Discourse in the Age of Obama

Signifying Without Specifying

Racial Discourse in the Age of Obama

Li, Stephanie

Rutgers University Press, 2011

On the campaign trail, Barack Obama faced a difficult task—rallying African American voters while resisting his opponents’ attempts to frame him as “too black” to govern the nation as a whole. Obama’s solution was to employ what Toni Morrison calls “race-specific, race-free language,” avoiding open discussions of racial issues while using terms and references that carried a specific cultural resonance for African American voters.

Stephanie Li argues that American politicians and writers are using a new kind of language to speak about race. Challenging the notion that we have moved into a “post-racial” era, she suggests that we are in an uneasy moment where American public discourse demands that race be seen, but not heard. Analyzing contemporary political speech with nuanced readings of works by such authors as Toni Morrison, Jhumpa Lahiri, and Colson Whitehead, Li investigates how Americans of color have negotiated these tensions, inventing new ways to signal racial affiliations without violating taboos against open discussions of race.

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cover of Signing in Puerto Rican: A Hearing Son and His Deaf Family

Signing in Puerto Rican

A Hearing Son and His Deaf Family

Andrés Torres

Gallaudet University Press, 2009

The only child of deaf Puerto Rican immigrants, Andrés Torres grew up in New York City in a large, extended family that included several deaf aunts and uncles. In Signing in Puerto Rican: A Hearing Son and His Deaf Family, he opens a window into the little known culture of Deaf Latinos chasing the immigrant American dream. Like many children of deaf adults (codas), Torres loved his parents deeply but also longed to be free from being their interpreter to the hearing world. Torres’s story is unique in that his family communicated in three languages. The gatherings of his family reverberated with “deaf talk,” in sign, Spanish, and English. What might have struck outsiders as a strange chaos of gestures and mixed spoken languages was just normal for his family.

Torres describes his early life as one of conflicting influences in his search for identity. His parents’ deep involvement in the Puerto Rican Society for the Catholic Deaf led him to study for the priesthood. He later left the seminary as his own ambitions took hold. Torres became very active in the Puerto Rico independence party against the backdrop of the Civil Rights movement and protest against the Vietnam War. Throughout these defining events, Torres’s journey never took him too far from his Deaf Puerto Rican family roots and the passion of arms, hands, and fingers filling the air with simultaneous translation and understanding.

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cover of Signs and Cities: Black Literary Postmodernism

Signs and Cities

Black Literary Postmodernism

Madhu Dubey

University of Chicago Press, 2003

Signs and Cities is the first book to consider what it means to speak of a postmodern moment in African-American literature. Dubey argues that for African-American studies, postmodernity best names a period, beginning in the early 1970s, marked by acute disenchantment with the promises of urban modernity and of print literacy.

Dubey shows how black novelists from the last three decades have reconsidered the modern urban legacy and thus articulated a distinctly African-American strain of postmodernism. She argues that novelists such as Octavia Butler, Samuel Delany, Toni Morrison, Gloria Naylor, Ishmael Reed, Sapphire, and John Edgar Wideman probe the disillusionment of urban modernity through repeated recourse to tropes of the book and scenes of reading and writing. Ultimately, she demonstrates that these writers view the book with profound ambivalence, construing it as an urban medium that cannot recapture the face-to-face communities assumed by oral and folk forms of expression.
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cover of Simple Not Easy: Reflections on community social responsibility and tolerance

Simple Not Easy

Reflections on community social responsibility and tolerance

Terrence Roberts

Parkhurst Brothers, Inc., 2010

HE MADE  HISTORY. HE TELLS THE TRUTHS HE  KNOWS.
 LEAD TITLE/Our  National Conversation Series

"Terrence Roberts is in the truest sense an upstander - an individual whose voice and actions compel us to explore difficult topics and challenge us to face our shared history, honestly. His words and reflections celebrate the notion of difference, model socially responsible behavior and promote tolerance in our daily lives. Reading this book, you will be inspired, in Dr. Roberts's words, to 'think  beyond the ordinary."
----Margot  Stern Strom, Executive  Director, Facing History and Ourselves, Inc.

"Terrence  Roberts  challenges  all of  us to make the world  more inclusive  by adjusting  our 'mental maps.'  He reminds  us that we will not achieve that long-sought  beloved  community  until we  recognize   the  value  of  each  individual-until  we  affirm  each  other.  Simple,  NotEasy is one trailblazer's  mingling  of  history  and  contemporary  mattersto engage a new conversations on community, social responsibility and tolerance. A powerful  book  by  a civil rights  legend."
--- Lawrence J. Pijeaux, Jr., Ed.D.,
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cover of Sing and Sing On: Sentinel Musicians and the Making of the Ethiopian American Diaspora

Sing and Sing On

Sentinel Musicians and the Making of the Ethiopian American Diaspora

Kay Kaufman Shelemay

University of Chicago Press, 2022

A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution.

Sing and Sing On is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world’s oldest monarchies and installed a brutal military regime. Musicians were among the first to depart the region, their lives shattered by revolutionary violence, curfews, and civil war. Reconstructing the memories of forced migration, Sing and Sing On traces the challenges musicians faced amidst revolutionary violence and the critical role they played in building communities abroad.

Drawing on the recollections of dozens of musicians, Sing and Sing On details personal, cultural, and economic hardships experienced by musicians who have resettled in new locales abroad. Kay Kaufman Shelemay highlights their many artistic and social initiatives and the ways they have offered inspiration and leadership within and beyond a rapidly growing Ethiopian American diaspora. While musicians held this role as sentinels in Ethiopian culture long before the revolution began, it has taken on new meanings and contours in the Ethiopian diaspora. The book details the ongoing creativity of these musicians while exploring the attraction of return to their Ethiopian homeland over the course of decades abroad. Ultimately, Shelemay shows that musicians are uniquely positioned to serve this sentinel role as both guardians and challengers of cultural heritage.
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cover of Singing Paths: The Nomadic Sensibility of Mongolian Urtyn duu

Singing Paths

The Nomadic Sensibility of Mongolian Urtyn duu

Sunmin Yoon

University of Illinois Press, 2027

Mongolian urtyn duu, or long-song, is a living tradition shaped by nomadic life, ecology, and embodied experience. Sunmin Yoon draws from over fifteen years of fieldwork to reveal urtyn duu as music but also a way of knowing the world through the body, senses, and environment. As Yoon shows, rural and urban singers alike learn their craft through daily experiences of listening to landscapes, animals, and community voices. These practices forge deep links between sound, memory, and place. The singers’ use of breath, movement, and feeling produces powerful emotional and sensory experiences that connect both musicians and listeners with wider ecological and spiritual worlds. Though reflecting social change and modern Mongolia’s history, the tradition at the music’s heart continues to call upon and convey the core values of a nomadic people.

Enlightening and evocative, Singing Paths offers an eyewitness look at a rarely explored musical tradition.
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cover of Sissy Insurgencies: A Racial Anatomy of Unfit Manliness

Sissy Insurgencies

A Racial Anatomy of Unfit Manliness

Marlon B. Ross

Duke University Press, 2022

In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington’s practice of cleaning as an iteration of sissiness, Baldwin’s self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
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cover of Sista, Speak!: Black Women Kinfolk Talk about Language and Literacy

Sista, Speak!

Black Women Kinfolk Talk about Language and Literacy

By Sonja L. Lanehart

University of Texas Press, 2002

2003 — Honorable Mention, Myers Outstanding Book Award – The Gustavus Myers Center for the Study of Bigotry and Human Rights in North America

The demand of white, affluent society that all Americans should speak, read, and write "proper" English causes many people who are not white and/or middle class to attempt to "talk in a way that feel peculiar to [their] mind," as a character in Alice Walker's The Color Purple puts it. In this book, Sonja Lanehart explores how this valorization of "proper" English has affected the language, literacy, educational achievements, and self-image of five African American women—her grandmother, mother, aunt, sister, and herself.

Through interviews and written statements by each woman, Lanehart draws out the life stories of these women and their attitudes toward and use of language. Making comparisons and contrasts among them, she shows how, even within a single family, differences in age, educational opportunities, and social circumstances can lead to widely different abilities and comfort in using language to navigate daily life. Her research also adds a new dimension to our understanding of African American English, which has been little studied in relation to women.

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cover of Sister: An African American Life in Search of Justice

Sister

An African American Life in Search of Justice

Sylvia Bell White and Jody LePage

University of Wisconsin Press, 2013

Raised with twelve brothers in a part of the segregated South that provided no school for African American children through the 1940s, Sylvia Bell White went North as a teenager, dreaming of a nursing career and a freedom defined in part by wartime rhetoric about American ideals. In Milwaukee she and her brothers persevered through racial rebuffs and discrimination to find work. Barred by both her gender and color from employment in the city’s factories, Sylvia scrubbed floors, worked as a nurse’s aide, and took adult education courses.
            When a Milwaukee police officer killed her younger brother Daniel Bell in 1958, the Bell family suspected a racial murder but could do nothing to prove it—until twenty years later, when one of the two officers involved in the incident unexpectedly came forward. Daniel’s siblings filed a civil rights lawsuit against the city and ultimately won that four-year legal battle. Sylvia was the driving force behind their quest for justice.
            Telling her whole life story in these pages, Sylvia emerges as a buoyant spirit, a sparkling narrator, and, above all, a powerful witness to racial injustice. Jody LePage’s chapter introductions frame the narrative in a historical span that reaches from Sylvia’s own enslaved grandparents to the nation’s first African American president. Giving depth to that wide sweep, this oral history brings us into the presence of an extraordinary individual. Rarely does such a voice receive a hearing.

Winner, Wisconsin Historical Society Book Award of Merit
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cover of Sisters in the Life: A History of Out African American Lesbian Media-Making

Sisters in the Life

A History of Out African American Lesbian Media-Making

Yvonne Welbon and Alexandra Juhasz, editors

Duke University Press, 2018

From experimental shorts and web series to Hollywood blockbusters and feminist porn, the work of African American lesbian filmmakers has made a powerful contribution to film history. But despite its importance, this work has gone largely unacknowledged by cinema historians and cultural critics. Assembling a range of interviews, essays, and conversations, Sisters in the Life tells a full story of African American lesbian media-making spanning three decades. In essays on filmmakers including Angela Robinson, Tina Mabry and Dee Rees; on the making of Cheryl Dunye's The Watermelon Woman (1996); and in interviews with Coquie Hughes, Pamela Jennings, and others, the contributors center the voices of black lesbian media makers while underscoring their artistic influence and reach as well as the communities that support them. Sisters in the Life marks a crucial first step in narrating the history and importance of these compelling yet unsung artists.

Contributors. Jennifer DeVere Brody, Jennifer DeClue, Raul Ferrera-Balanquet, Alexis Pauline Gumbs, Thomas Allen Harris, Devorah Heitner, Pamela L. Jennings, Alexandra Juhasz, Kara Keeling, Candace Moore, Marlon Moore, Michelle Parkerson, Roya Rastegar, L. H. Stallings, Yvonne Welbon, Patricia White, Karin D. Wimbley
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cover of Sistuhs in the Struggle: An Oral History of Black Arts Movement Theater and Performance

Sistuhs in the Struggle

An Oral History of Black Arts Movement Theater and Performance

La Donna L. Forsgren

Northwestern University Press, 2021

Outstanding Academic Title, CHOICE

The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women’s, and theater history. This groundbreaking study documents how black women theater artists and activists—many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors—disseminated the black aesthetic and emboldened their communities.

Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare, and three-time Tony-nominated writer and composer Micki Grant, La Donna L. Forsgren centers black women’s cultural work as a crucial component of civil rights and black power activism. Sistuhs in the Struggle is an essential collection for theater scholars, historians, and students interested in learning how black women’s art and activism both advanced and critiqued the ethos of the Black Arts and Black Power movements.

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cover of Sites of Slavery: Citizenship and Racial Democracy in the Post–Civil Rights Imagination

Sites of Slavery

Citizenship and Racial Democracy in the Post–Civil Rights Imagination

Salamishah Tillet

Duke University Press, 2012

More than forty years after the major victories of the civil rights movement, African Americans have a vexed relation to the civic myth of the United States as the land of equal opportunity and justice for all. In Sites of Slavery Salamishah Tillet examines how contemporary African American artists and intellectuals—including Annette Gordon-Reed, Barbara Chase-Riboud, Bill T. Jones, Carrie Mae Weems, and Kara Walker—turn to the subject of slavery in order to understand and challenge the ongoing exclusion of African Americans from the founding narratives of the United States. She explains how they reconstruct "sites of slavery"—contested figures, events, memories, locations, and experiences related to chattel slavery—such as the allegations of a sexual relationship between Thomas Jefferson and Sally Hemings, the characters Uncle Tom and Topsy in Harriet Beecher Stowe's novel Uncle Tom's Cabin, African American tourism to slave forts in Ghana and Senegal, and the legal challenges posed by reparations movements. By claiming and recasting these sites of slavery, contemporary artists and intellectuals provide slaves with an interiority and subjectivity denied them in American history, register the civic estrangement experienced by African Americans in the post–civil rights era, and envision a more fully realized American democracy.
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cover of Sites of Translation: What Multilinguals Can Teach Us about Digital Writing and Rhetoric

Sites of Translation

What Multilinguals Can Teach Us about Digital Writing and Rhetoric

Laura Gonzales

University of Michigan Press, 2018

Winner of the 2016 Sweetland Digital Rhetoric Collaborative Book Prize

Sites of Translation illustrates the intricate rhetorical work that multilingual communicators engage in as they translate information for their communities. Blending ethnographic and empirical methods from multiple disciplines, Laura Gonzales provides methodological examples of how linguistic diversity can be studied in practice, both in and outside the classroom, and provides insights into the rhetorical labor that is often unacknowledged and made invisible in multilingual communication. Sites of Translation is relevant to researchers and teachers of writing as well as technology designers interested in creating systems, pedagogies, and platforms that will be more accessible and useful to multilingual audiences. Gonzales presents multilingual communication as intellectual labor that should be further valued in both academic and professional spaces, and supported by multilingual technologies and pedagogies that center the expertise of linguistically diverse communicators.
 

[more]
cover of Six Paintings from Papunya: A Conversation

Six Paintings from Papunya

A Conversation

Fred R. Myers and Terry Smith

Duke University Press, 2024

In the early 1970s at Papunya, a remote settlement in the Central Australian desert, a group of Indigenous artists decided to communicate the sacred power of their traditional knowledge to the wider worlds beyond their own. Their exceptional, innovative efforts led to an outburst of creative energy across the continent that gave rise to the contemporary Aboriginal art movement that continues to this day. In their new book, anthropologist Fred Myers and art critic Terry Smith discuss six Papunya paintings featured in a 2022 exhibition in New York. They draw on several discourses that have developed around First Nations art—notably anthropology, art history, and curating as practiced by Indigenous and non-Indigenous interpreters. Their focus on six key paintings enables unusually close and intense insight into the works’ content and extraordinary innovation. Six Paintings from Papunya also includes a reflection by Indigenous curator and scholar Stephen Gilchrist, who considers the nature and significance of this rare transcultural conversation.
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cover of Skin Acts: Race, Psychoanalysis, and the Black Male Performer

Skin Acts

Race, Psychoanalysis, and the Black Male Performer

Michelle Ann Stephens

Duke University Press, 2014

In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers—Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley—to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cultural moment, examining his performance in the context of contemporary race relations and visual regimes. Drawing on Lacanian psychoanalysis and performance theory, Stephens contends that while black skin is subject to what Frantz Fanon called the epidermalizing and hardening effects of the gaze, it is in the flesh that other—intersubjective, pre-discursive, and sensuous—forms of knowing take place between artist and audience. Analyzing a wide range of visual, musical, and textual sources, Stephens shows that black subjectivity and performativity are structured by the tension between skin and flesh, sight and touch, difference and sameness.
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cover of Skin Deep, Spirit Strong: The Black Female Body in American Culture

Skin Deep, Spirit Strong

The Black Female Body in American Culture

Kimberly Wallace-Sanders, Editor

University of Michigan Press, 2002

The essays in Skin Deep, Spirit Strong: The Black Female Body in American Culture chart the ways that the simultaneous interrogation of gender, race, and corporeality shape the construction of black female representation. Kimberly Wallace-Sanders has enlisted a wide variety of scholarly perspectives and critical approaches about the place of black women's bodies within the American cultural consciousness. An impressive gathering of essays and visual art by feminist scholars and artists, the book presents a persuasive argument for broadening the ongoing scholarly conversations about the body. It makes clear that the most salient discourses in poststructuralist and feminist theory are made richer and more complex when the black female body is considered.
The collection blends original and classic essays to reveal the interconnections among art, literature, public policy, the history of medicine, and theories about sexuality with regard to bodies that are both black and female. Contributors include Rachel Adams, Elizabeth Alexander, Lisa Collins, Bridgette Davis, Lisa E.Farrington, Anne Fausto-Sterling, Beverly Guy-Sheftall, Evelynn Hammonds, Terri Kapsalis, Jennifer L. Morgan, Siobhan B. Somerville, Kimberly Wallace-Sanders, Carla Williams, and Doris Witt.
Skin Deep, Spirit Strong: The Black Female Body in American Culture will appeal to both the academic reader attempting to integrate race into discussion about the female body and to the general reader curious about the history of black female representation.
Kimberly Wallace-Sanders is Assistant Professor, Graduate Institute of Liberal Arts and Institute of Women's Studies, Emory University.
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cover of Skin Deep: How Race and Complexion Matter in the "Color-Blind" Era

Skin Deep

How Race and Complexion Matter in the "Color-Blind" Era

Edited by Cedric Herring, Verna M. Keith, and Hayward Derrick Horton

University of Illinois Press, 2004

Shattering the myth of the color-blind society, the essays in Skin Deep examine skin tone stratification in America, which affects relations not only among different races and ethnic groups but also among members of individual ethnicities.
 
Written by some of the nation's leading thinkers on race and colorism, these essays ask whether skin tone differentiation is imposed upon communities of color from the outside or is an internally-driven process aided and abetted by community members themselves. They also question whether the stratification process is the same for African Americans, Hispanics, and Asian Americans.
 
Skin Deep addresses such issues as the relationship between skin tone and self esteem, marital patterns, interracial relationships, socioeconomic attainment, and family racial identity and composition. The essays also grapple with emerging issues such as biracialism, color-blind racism, and 21st century notions of race.
 
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cover of Skin and Starch: Manioc and Worldmaking in the Caribbean

Skin and Starch

Manioc and Worldmaking in the Caribbean

Isabel Bradley

Duke University Press, 2027

Skin and Starch traces the movements and meanings of manioc, also known as cassava or yuca, across the Atlantic world to show how this tropical plant sustained both colonial exploitation and assertions of Black and Indigenous humanity. Isabel Bradley follows manioc from Caribbean forest gardens to slaving ships, from plantation provision grounds to maroon subsistence networks, to reveal how transplantations of this tuberous root helped to shape human projects of subjugation and self-making. Drawing from an extensive archive of natural histories, plantation records, printed images, material culture, and francophone Caribbean literature and art, Bradley argues that embodied encounters between manioc and its growers informed modes of perception and possibility for subjects navigating colonial modernity. Skin and Starch presents a dynamic study of the diverse knowledges produced in the orbit of manioc cultivation and the generative forms of resistance and worldmaking that emerged within and against colonial monoculture and its violence.
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cover of Skin and Starch: Manioc and Worldmaking in the Caribbean

Skin and Starch

Manioc and Worldmaking in the Caribbean

Isabel Bradley

Duke University Press, 2027

Skin and Starch traces the movements and meanings of manioc, also known as cassava or yuca, across the Atlantic world to show how this tropical plant sustained both colonial exploitation and assertions of Black and Indigenous humanity. Isabel Bradley follows manioc from Caribbean forest gardens to slaving ships, from plantation provision grounds to maroon subsistence networks, to reveal how transplantations of this tuberous root helped to shape human projects of subjugation and self-making. Drawing from an extensive archive of natural histories, plantation records, printed images, material culture, and francophone Caribbean literature and art, Bradley argues that embodied encounters between manioc and its growers informed modes of perception and possibility for subjects navigating colonial modernity. Skin and Starch presents a dynamic study of the diverse knowledges produced in the orbit of manioc cultivation and the generative forms of resistance and worldmaking that emerged within and against colonial monoculture and its violence.
[more]
cover of Skyscrapers in Havana: How the Cuban Revolution Reimagined Modern Architecture

Skyscrapers in Havana

How the Cuban Revolution Reimagined Modern Architecture

Rubén Gallo

University of Chicago Press, 2027

Why Havana attracted the most important architects in the 1950s, and how the Cuban Revolution transformed the uses of these impressive skyscrapers. 

During the 1950s, Havana’s Vedado district became an epicenter of modern architecture. Architects from around the world—including Mies van der Rohe, Richard Neutra, and Josep Lluis Sert—worked in Cuba and helped make Havana one of the most modern capitals in Latin America. After the Cuban Revolution, the buildings designed during Cuba’s American-influenced hyper-capitalist past had to be reimagined, about what use what use could luxury hotels, private condominiums, and golf clubs could have in a socialist society. Writers and artists from around the world including Simone de Beauvoir, Agnès Varda, Allen Ginsberg, Graham Greene, and Gabriel García Márquez flocked to Havana to witness the first socialist experiment in the Americas and marveled at the modern towers. French philosopher Jean-Paul Sartre wrote about “Skyscrapers in Havana” for his first journalistic piece about his trip. In contrast, modern architects abandoned Cuba after the Revolution: not even those designers who had built projects there set foot in the island again. 

Considering Havana’s architecture as part of a larger Cuban modernity, Gallo places built projects in dialogue with film, literature, and other cultural texts, revealing how poets, novelists, filmmakers, and designers theorized the city’s urban fabric. Skyscrapers in Havana features six chapters, each devoted to an iconic modernist structure, as well as five shorter meditations on the architects, including Le Corbusier, who had the opportunity to go to Cuba after the Revolution but decided to stay away. 

[more]
cover of Slavery and Secession in Arkansas: A Documentary History

Slavery and Secession in Arkansas

A Documentary History

James J. Gigantino

University of Arkansas Press, 2015

2016 Choice Outstanding Academic Title

The absorbing documents collected in Slavery and Secession in Arkansas trace Arkansas’s tortuous road to secession and war. Drawn from contemporary pamphlets, broadsides, legislative debates, public addresses, newspapers, and private correspondence, these accounts show the intricate twists and turns of the political drama in Arkansas between early 1859 and the summer of 1861. From an early warning of what Republican political dominance would mean for the South, through the initial rejection of secession, to Arkansas’s final abandonment of the Union, readers, even while knowing the eventual outcome, will find the journey both suspenseful and informative.

Revealing both the unique features of the secession story in Arkansas and the issues that Arkansas shared with much of the rest of the South, this collection illustrates how Arkansans debated their place in the nation and, specifically, how the defense of slavery—as both an assurance of continued economic progress and a means of social control—remained central to the decision to leave the Union and fight alongside much of the South for four bloody years of civil war.
[more]
cover of Slavery and Utopia: The Wars and Dreams of an Amazonian World Transformer

Slavery and Utopia

The Wars and Dreams of an Amazonian World Transformer

By Fernando Santos-Granero,

University of Texas Press, 2018

In the first half of the twentieth century, a charismatic Peruvian Amazonian indigenous chief, José Carlos Amaringo Chico, played a key role in leading his people, the Ashaninka, through the chaos generated by the collapse of the rubber economy in 1910 and the subsequent pressures of colonists, missionaries, and government officials to assimilate them into the national society. Slavery and Utopia reconstructs the life and political trajectory of this leader whom the people called Tasorentsi, the name the Ashaninka give to the world-transforming gods and divine emissaries that come to this earth to aid the Ashaninka in times of crisis.

Fernando Santos-Granero follows Tasorentsi’s transformations as he evolved from being a debt-peon and quasi-slave to being a slave raider; inspirer of an Ashaninka movement against white-mestizo rubber extractors and slave traffickers; paramount chief of a multiethnic, anti-colonial, and anti-slavery uprising; and enthusiastic preacher of an indigenized version of Seventh-Day Adventist doctrine, whose world-transforming message and personal influence extended well beyond Peru’s frontiers. Drawing on an immense body of original materials ranging from archival documents and oral histories to musical recordings and visual works, Santos-Granero presents an in-depth analysis of chief Tasorentsi’s political discourse and actions. He demonstrates that, despite Tasorentsi’s constant self-reinventions, the chief never forsook his millenarian beliefs, anti-slavery discourse, or efforts to liberate his people from white-mestizo oppression. Slavery and Utopia thus convincingly refutes those who claim that the Ashaninka proclivity to messianism is an anthropological invention.

[more]
cover of Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage

Slavery at Sea

Terror, Sex, and Sickness in the Middle Passage

Sowande M Mustakeem

University of Illinois Press, 2016

Most times left solely within the confine of plantation narratives, slavery was far from a land-based phenomenon. This book reveals for the first time how it took critical shape at sea. Expanding the gaze even more deeply, the book centers how the oceanic transport of human cargoes--infamously known as the Middle Passage--comprised a violently regulated process foundational to the institution of bondage.

Sowande' Mustakeem's groundbreaking study goes inside the Atlantic slave trade to explore the social conditions and human costs embedded in the world of maritime slavery. Mining ship logs, records and personal documents, Mustakeem teases out the social histories produced between those on traveling ships: slaves, captains, sailors, and surgeons. As she shows, crewmen manufactured captives through enforced dependency, relentless cycles of physical, psychological terror, and pain that led to the the making--and unmaking--of enslaved Africans held and transported onboard slave ships. Mustakeem relates how this process, and related power struggles, played out not just for adult men, but also for women, children, teens, infants, nursing mothers, the elderly, diseased, ailing, and dying. Mustakeem offers provocative new insights into how gender, health, age, illness, and medical treatment intersected with trauma and violence transformed human beings into the world's most commercially sought commodity for over four centuries.

[more]
cover of Slavery in the Great Lakes Region of East Africa

Slavery in the Great Lakes Region of East Africa

Henri Médard

Ohio University Press, 2007

Slavery in the Great Lakes Region of East Africa is a collection of ten studies by the most prominent historians of the region. Slavery was more important in the Great Lakes region of Eastern Africa than often has been assumed, and Africans from the interior played a more complex role than was previously recognized. The essays in this collection reveal the connections between the peoples of the region as well as their encounters with the conquering Europeans. The contributors challenge the assertion that domestic slavery increased in Africa as a result of the international trade. Slavery in this region was not a uniform phenomenon and the line between enslaved and non-slave labor was fine. Kinship ties could mark the difference between free and unfree labor. Social categories were not always clear-cut and the status of a slave could change within a lifetime.

Contents:
- Introduction by Henri Médard
- Language Evidence of Slavery to the Eighteenth Century by David Schoenbrun
- The Rise of Slavery & Social Change in Unyamwezi 1860–1900 by Jan-Georg Deutsch
- Slavery & Forced Labour in the Eastern Congo 1850–1910 by David Northrup
- Legacies of Slavery in North West Uganda ‘The One-Elevens’ by Mark Leopold
- Human Booty in Buganda: The Seizure of People in War, c.1700–c.1900 by Richard Reid
- Stolen People & Autonomous Chiefs in Nineteenth-Century Buganda by Holly Hanson
- Women’s Experiences of Slavery in Late Nineteenth- & Early Twentieth-Century Uganda by Michael W. Tuck
- Slavery & Social Oppression in Ankole 1890–1940 by Edward I. Steinhart
- The Slave Trade in Burundi & Rwanda at the Beginning of German Colonisation 1890–1906 by Jean-Pierre Chretien
- Bunyoro & the Demography of Slavery Debate by Shane Doyle

[more]
cover of Slavery's Slaughterhouse: Legacies of Animal Agriculture and Chattel Slavery

Slavery's Slaughterhouse

Legacies of Animal Agriculture and Chattel Slavery

Samantha Janaki Pergadia

Duke University Press, 2027

[more]
cover of Slavery, Emancipation and Colonial Rule in South Africa

Slavery, Emancipation and Colonial Rule in South Africa

Wayne Dooling

Ohio University Press, 2008

Slavery, Emancipation and Colonial Rule in South Africa examines the rural Cape Colony from the earliest days of Dutch colonial rule in the mid-seventeenth century to the outbreak of the South African War in 1899. For slaves and slave owners alike, incorporation into the British Empire at the beginning of the nineteenth century brought fruits that were bittersweet. The gentry had initially done well by accepting British rule, but were ultimately faced with the legislated ending of servile labor. To slaves and Khoisan servants, British rule brought freedom, but a freedom that remained limited. The gentry accomplished this feat only with great difficulty. Increasingly, their dominance of the countryside was threatened by English-speaking merchants and money-lenders, a challenge that stimulated early Afrikaner nationalism. The alliances that ensured nineteenth-century colonial stability all but fell apart as the descendants of slaves and Khoisan turned on their erstwhile masters during the South African War of 1899–1902.
[more]
cover of Slaves and Slaveholders in Bermuda, 1616-1782

Slaves and Slaveholders in Bermuda, 1616-1782

Virginia Bernhard

University of Missouri Press, 1999

Slaves and Slaveholders in Bermuda, 1616-1782, offers a fresh perspective on the complex relationship between racism and slavery in the often overlooked second-oldest English colony in the New World. As the first blacks were brought onto the islands not specifically for slave labor, but for their expertise as pearl divers and cultivators of West Indies plants, Bermuda's racial history began to unfold much differently from that of the Caribbean islands or of the North American mainland.

Bermuda's history records the arrival of the first blacks, the first English law passed to control the behavior of the "Negroes," and the creation of ninety-nine-year indentures for black and Indian servants. When the inevitable reality of slavery took hold in Bermuda, slaveholders realized that they, like their slaves, were not free. Slavery dictated and strained the relationships between whites and blacks, but in this smallest of English colonies it differed from slavery elsewhere because of the uniquely close master-slave relations created by Bermuda's size and maritime economy.

At only twenty-one square miles in area, Bermuda saw slaves and slaveholders working and living closer together than in other societies. The emphasis on maritime pursuits offered slaves a degree of autonomy and a sense of identity unequaled in other English colonies. This groundbreaking history of Bermuda's slavery reveals fewer runaways, less-violent rebellions, and relatively milder punishments for offending slaves.

Bernhard delves into the origins of Bermuda's slavery, its peculiar nature, and its effects on blacks and whites. The study is based on archival research drawn from wills and inventories, laws and court cases, governors' reports and council minutes. Intended as an introduction to both the history of the islands and the rich sources for further research, this book will prove invaluable to scholars of slavery, as well as those interested in historical archaeology, anthropology, maritime history, and colonial history.

[more]
cover of Slaves of the State: Black Incarceration from the Chain Gang to the Penitentiary

Slaves of the State

Black Incarceration from the Chain Gang to the Penitentiary

Dennis Childs

University of Minnesota Press, 2015

The Thirteenth Amendment to the United States Constitution, passed in 1865, has long been viewed as a definitive break with the nation’s past by abolishing slavery and ushering in an inexorable march toward black freedom. Slaves of the State presents a stunning counterhistory to this linear narrative of racial, social, and legal progress in America.

Dennis Childs argues that the incarceration of black people and other historically repressed groups in chain gangs, peon camps, prison plantations, and penitentiaries represents a ghostly perpetuation of chattel slavery. He exposes how the Thirteenth Amendment’s exception clause—allowing for enslavement as “punishment for a crime”—has inaugurated forms of racial capitalist misogynist incarceration that serve as haunting returns of conditions Africans endured in the barracoons and slave ship holds of the Middle Passage, on plantations, and in chattel slavery.

Childs seeks out the historically muted voices of those entombed within terrorizing spaces such as the chain gang rolling cage and the modern solitary confinement cell, engaging the writings of Toni Morrison and Chester Himes as well as a broad range of archival materials, including landmark court cases, prison songs, and testimonies, reaching back to the birth of modern slave plantations such as Louisiana’s “Angola” penitentiary.

Slaves of the State paves the way for a new understanding of chattel slavery as a continuing social reality of U.S. empire—one resting at the very foundation of today’s prison industrial complex that now holds more than 2.3 million people within the country’s jails, prisons, and immigrant detention centers.

[more]
cover of Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity

Slaves to Fashion

Black Dandyism and the Styling of Black Diasporic Identity

Monica L. Miller

Duke University Press, 2009

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

 

Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

[more]
cover of Slaves, Peasants, and Rebels: Reconsidering Brazilian Slavery

Slaves, Peasants, and Rebels

Reconsidering Brazilian Slavery

Stuart B. Schwartz

University of Illinois Press, 1992

Once preoccupied with Brazilian slavery as an economic system, historians shifted their attention to examine the nature of life and community among enslaved people. Stuart B. Schwartz looks at this change while explaining why historians must continue to place their ethnographic approach in the context of enslavement as an oppressive social and economic system. Schwartz demonstrates the complexity of the system by reconsidering work, resistance, kinship, and relations between enslaved persons and peasants. As he shows, enslaved people played a role in shaping not only their lives but Brazil’s institutionalized system of slavery by using their own actions and attitudes to place limits on slaveholders. 

A bold analysis of changing ideas in the field, Slaves, Peasants, and Rebels provides insights on how the shifting power relationship between enslaved people and slaveholders reshaped the contours of Brazilian society.

[more]
cover of Slim's Table: Race, Respectability, and Masculinity

Slim's Table

Race, Respectability, and Masculinity

Mitchell Duneier

University of Chicago Press, 1992

At the Valois "See Your Food" cafeteria on Chicago's South Side, black and white men gather over cups of coffee and steam-table food. Mitchell Duneier, a sociologist, spent four years at the Valois writing this moving profile of the black men who congregate at "Slim's Table." Praised as "a marvelous study of those who should not be forgotten" by the Wall Street Journal,Slim's Table helps demolish the narrow sociological picture of black men and simple media-reinforced stereotypes. In between is a "respectable" citizenry, too often ignored and little understood.

"Slim's Table is an astonishment. Duneier manages to fling open windows of perception into what it means to be working-class black, how a caring community can proceed from the most ordinary transactions, all the while smashing media-induced stereotypes of the races and race relations."—Citation for Chicago Sun Times Chicago Book of the Year Award

"An instant classic of ethnography that will provoke debate and provide insight for years to come."—Michael Eric Dyson, Chicago Tribune

"Mr. Duneier sees the subjects of his study as people and he sees the scale of their lives as fully human, rather than as diminished versions of grander lives lived elsewhere by people of another color. . . . A welcome antidote to trends in both journalism and sociology."—Roger Wilkins, New York Times Book Review
[more]
cover of Slumming: Sexual and Racial Encounters in American Nightlife, 1885-1940

Slumming

Sexual and Racial Encounters in American Nightlife, 1885-1940

Chad Heap

University of Chicago Press, 2009

During Prohibition, “Harlem was the ‘in’ place to go for music and booze,” recalled the African American chanteuse Bricktop. “Every night the limousines pulled up to the corner,” and out spilled affluent whites, looking for a good time, great jazz, and the unmatchable thrill of doing something disreputable.
 
That is the indelible public image of slumming, but as Chad Heap reveals in this fascinating history, the reality is that slumming was far more widespread—and important—than such nostalgia-tinged recollections would lead us to believe. From its appearance as a “fashionable dissipation” centered on the immigrant and working-class districts of 1880s New York through its spread to Chicago and into the 1930s nightspots frequented by lesbians and gay men, Slumming charts the development of this popular pastime, demonstrating how its moralizing origins were soon outstripped by the artistic, racial, and sexual adventuring that typified Jazz-Age America. Vividly recreating the allure of storied neighborhoods such as Greenwich Village and Bronzeville, with their bohemian tearooms, rent parties, and “black and tan” cabarets, Heap plumbs the complicated mix of curiosity and desire that drew respectable white urbanites to venture into previously off-limits locales. And while he doesn’t ignore the role of exploitation and voyeurism in slumming—or the resistance it often provoked—he argues that the relatively uninhibited mingling it promoted across bounds of race and class helped to dramatically recast the racial and sexual landscape of burgeoning U.S. cities.
 
Packed with stories of late-night dance, drink, and sexual exploration—and shot through with a deep understanding of cities and the habits of urban life—Slumming revives an era that is long gone, but whose effects are still felt powerfully today.
[more]
cover of Smaddification: Dance and Decolonization in Jamaica

Smaddification

Dance and Decolonization in Jamaica

Amanda Michelle Reid

Duke University Press, 2026

In Smaddification, Amanda Michelle Reid uses performance and dance studies to consider body politics in mid-twentieth-century Jamaica following its independence. According to Jamaican scholar and artistic leader Rex Nettleford, cofounder of the National Dance Theatre Company of Jamaica, smaddification refers to the process of becoming someone: of self-actualization through movement, spectacle, and taking up space. Through this lens, Reid traces a dynamic approach to Jamaican decolonization wherein the arts, and movement in particular, became central to activist-dancers’ performances and theories of freedom. She also takes up the work of artists and scholars such as Katherine Dunham, Ivy Baxter, and Sylvia Wynter to bring the maximalist and expressive dance theater productions of this period to life, arguing that their embrace of the spectacular demands that we expand our understanding of Jamaica’s vanguard contributions to global black nationalist aesthetics. Bringing a queer and feminist approach to interpretating this moment of liberation, Smaddification follows the processes through which Jamaican dancers identified, defined, and institutionalized how to move freely as black people in a newly independent nation.
[more]
cover of Small Well Lane: A Contemporary Chinese Play and Oral History

Small Well Lane

A Contemporary Chinese Play and Oral History

Li Longyun

University of Michigan Press, 2002

Li Longyun's five-act play, Small Well Lane (Xiaojing hutong), is a spoken drama published in Beijing in 1981. With a cast of nearly thirty characters of different social roles and individual persona, the play provides a vivid sense of how a group of working class Beijing residents living in a courtyard compound in a back alley, or hutong, named "Small Well Lane" experienced China's revolution from 1949 to 1980. It beautifully records the art of talking and living among Beijing back alley folk and provides a vivid contrast to the concerns and lives of China's elites.
This authoritative translation by Hong Jiang and Timothy Cheek is accompanied by notes and annotations to help readers not familiar with China's modern history. A special appendix and ten photographs bring to life the culture of Beijing's famous back alleys.
This edition of Small Well Lane provides readers, and especially students of modern Chinese history, politics, and literature, with a compelling story of the human experience of Mao's revolution in China. It will be of interest to students of modern China and specialists in Chinese history and literature as well as to the general reader.
Li Longyun is a professional playwright working at the Beijing People's Art Theater. Hong Jiang is Assistant Professor of Chinese Language and Literature, Colorado College. Timothy Cheek is Associate Professor of History, Colorado College.
[more]
cover of Smuggled Chinese

Smuggled Chinese

Ko-Lin Chin

Temple University Press, 1999

No one knows how many Chinese are being smuggled into the United States, but credible estimates put the number at 50,000 arrivals each year. Astonishing as this figure is, it represents only a portion of the Chinese illegally residing in the United States. Smuggled Chinese presents a detailed account of how this traffic is conducted and what happens to the people who risk their lives to reach Gold Mountain.

When the Golden Venture ran aground off New York's coast in 1993 and ten of the 260 Chinese on board drowned, the public outcry about human smuggling became front-page news. Probing into the causes and consequences of this clandestine traffic, Ko-lin Chin has interviewed more than 300 people -- smugglers, immigrants, government officials, and  business owners -- in the United States, China, and Taiwan. Their poignant and chilling testimony describes a flourishing industry in which smugglers -- big and little snakeheads -- command fees as high as $30,000 to move desperate but hopeful men and women around the world. For many who survive the hunger, filthy and  crowded conditions, physical and sexual abuse, and other perils of the arduous journey, life in the United States, specifically in New York's Chinatown, is a disappointment if not a curse. Few will return to China, though, because their families depend on the money and status gained by having a relative in the States.

In Smuggled Chinese, Ko-lin Chin puts a human face on this intractable international problem, showing how flaws in national policies and lax law enforcement perpetuate the cycle of desperation and suffering. He strongly believes, however, that the problem of human smuggling will continue as long as China's citizens are deprived of fundamental human rights and economic security.

Smuggled Chinese will engage readers interested in human rights, Asian and Asian American studies, urban studies, and sociology.
[more]
cover of So Unimaginable a Price: Baldwin and the Black Atlantic

So Unimaginable a Price

Baldwin and the Black Atlantic

John E. Drabinski

Northwestern University Press, 2026

Rereading Baldwin’s nonfiction in the context of midcentury Black Atlantic thought
 
James Baldwin’s nonfiction offers some of the most important and challenging thinking on the experience of race, history, and memory in the Black Atlantic world. Yet much of the scholarly literature on Baldwin’s writing reads his work from inside the sociocultural context of the United States, alongside key interlocutors like Richard Wright, Ralph Ellison, and Lorraine Hansberry. So Unimaginable a Price: Baldwin and the Black Atlantic shifts the critical frame, examining Baldwin’s work as part of a midcentury moment across the wider Atlantic world and tying his reflections to those of thinkers in the Caribbean and Africa to underscore the widening sense, as well as the particularity, of his critical claims. Who is Baldwin to the Atlantic world? And who, then, is Baldwin to the United States? John E. Drabinski recasts Baldwin as a Black Atlantic writer whose unique qualities as a thinker are enhanced by their similarities and differences with fellow writers of liberation in the global Black world.
[more]
cover of Social Archaeology Futures

Social Archaeology Futures

Rosemary A. Joyce

University Press of Colorado, 2027

Social Archaeology Futures brings together archaeologists from the Mediterranean, North America, and Latin America to consider what a “social archaeology” should be after the emergence of strong commitments to community engagement and ethical conduct in the field, establishing archaeology as a practice that both presents research and theories about people in the past and engages with people in the present to whom those findings matter. These rich narratives present a cutting-edge approach from established and emerging scholars, bridging the gap between the scholarly project of knowledge production and the social projects of care and repair.

What archaeologists say matters because they shape ideas about what is natural, what “past” led to the present, and how people’s identities took form. This leads to concerns with ethical approaches to representation, to amending the fractures archaeology has produced in previous periods, and to ensuring that communities that are sources of information also benefit from the knowledge produced. Contributors share an understanding of the historical development of social life as an outcome of the decisions and dispositions of living people. Reaching beyond archaeology to natural science, social science, humanities, and the arts, they demonstrate the continued and expanding relevance of archaeological work in transdisciplinary, not merely interdisciplinary, contexts.

Social Archaeology Futures broadens concepts around who counts as a participant in the archaeological process and what counts as archaeology, extending the understanding of the practice well beyond the idea of excavation and lab analysis to include community events, reconsideration of museum collections and archives, and engagement in storytelling. Social archaeology is the future of archaeology, making this volume of considerable interest to students, scholars, and general readers interested in anthropology, art history, heritage studies, and museum studies.

[more]
cover of Social Causes of Environmental Destruction in Latin America

Social Causes of Environmental Destruction in Latin America

Michael Painter and William H. Durham, Editors

University of Michigan Press, 1995

The Social Causes of Environmental Destruction in Latin America is a timely examination of critical cases of land degradation, deforestation, and resource depletion in Central and South America. The contributors—seasoned researchers with years of experience in the regions they discuss—convincingly document the idea that the causes of environmental destruction have their origins in social relations, specifically the dynamics of social classes with fundamentally divergent interests. The conditions facing impoverished families on the one hand, and the granting of land on a concessionary basis to powerful individuals and corporations on the other, create incentives to extensive land use without conservation. The book thus refutes simplistic arguments that address environmental destruction as an outcome of population growth and suggests that advocacy for social equity is not merely an idealistic quest but an ecological imperative.This book is essential reading for anyone interested in development issues and should appeal particularly to anthropologists, sociologists, economists, demographers, and geographers.
[more]
cover of Social Exchange: Barter as Economic and Cultural Activism in Medellín, Colombia

Social Exchange

Barter as Economic and Cultural Activism in Medellín, Colombia

Brian J. Burke

Rutgers University Press, 2022

Money occupies a powerful place in our lives – it is a problem, a goal, and motivator, a measure of self-worth and national progress, and even an influence on how we relate to each other and to nature – but what happens when communities start to reinvent money and markets? Over the last twenty-five years, grassroots activists in Medellín, Colombia, have used barter markets and community currencies as one strategy to re-weave a social fabric shredded by violence and to establish an economy founded on respect and reciprocity rather than exploitation. In Social Exchange, Brian J. Burke provides a deep ethnographic investigation of this activism and its effects. This story draws us into the cultural and material effects of capitalism and narco-violence, while also helping us understand what new radical imaginations look like and how people bring them to life. The result is an intimate glimpse of urban life in Latin America, as well as a broader analysis of non-capitalist or post-capitalist possibility.
[more]
cover of Social Functions of Language in a Mexican-American Community

Social Functions of Language in a Mexican-American Community

George Carpenter Barker

University of Arizona Press, 1972

Social Functions of Language in a Mexican-American Community is an inquiry into how language functions in the life of a bilingual minority group in process of cultural change, this study investigated the acculturation and assimilation of individuals of Mexican descent living in Tucson, Arizona. Specifically, the language usage and interpersonal relations of individuals from representative families in the bilingual community of Tucson, the usage of bilingual social groups in the community, and the linguistic and cultural contacts between bilinguals and members of the larger Tucson community were examined.

Data were drawn from observational studies of individuals and families; observation of group activities; and observation of, supplemented by questionnaires on, the cultural interests of Mexican children and their families. Some conclusions of the study were that Spanish came to be identified in the Mexican community as the language of intimate and family relations, while English came to be identified as the language of formal social relations and of all relations with Anglos. It was also found that the younger American-born group reject both Spanish and English in favor of their own language, Pachuco. Tables depicting the characteristics of 20 families, the language usage of families, and the language usage in personal relationships of English and Spanish are included. Suggestions for further research are made. 
[more]
cover of Social Justice in Diverse Suburbs: History, Politics, and Prospects

Social Justice in Diverse Suburbs

History, Politics, and Prospects

Christopher Niedt

Temple University Press, 2013

American suburbs have been seen as both exclusive idylls for elites as well as crucibles for new ideologies of gender, class, race, and property. But few have considered what the growing diversity of suburban America has meant for progressive social, economic, and political justice movements. Social Justice in Diverse Suburbs is a pioneering and multidisciplinary volume that reassesses commonplace understandings of suburban activism. 

Editor Christopher Niedt and his contributors shed light on organizing and conflict in the suburbs with historical and contemporary case studies. Chapters address topical issues ranging from how suburbanites actively fought school segregation to industrial pollution and displacement along the suburban-rural fringe. Social Justice in Diverse Suburbs also considers struggles for integration and environmental justice as well as efforts to preserve suburban history and organize immigrant communities.

Contributors include: Douglas R. Appler, Aaron Cavin, Nancy A. Denton, Lisa Feldstein, Casey Gallagher, Anne Galletta, Joseph Gibbons, Robert Gioielli, Lucas Owen Kirkpatrick, JoAnna Mitchell-Brown, Manuel Pastor, john a. powell, Jason Reece, Alex Schafran, June Williamson, and the editor.
[more]
cover of Social Media Tribes: Jordan's Bedouin and the Margins of the State

Social Media Tribes

Jordan's Bedouin and the Margins of the State

Geoffrey F. Hughes

University of Texas Press, 2026

An examination of the uses of social media in Jordan through the experiences of Bedouin tribespeople.

It has become something of a cliché to say that social media is making us tribal. But what do self-styled tribespeople themselves think about social media, and how might they help us better understand the role of the internet in our current political moment? Drawing on in-depth ethnographic fieldwork among Bedouin in Jordan, Social Media Tribes underscores the varied but broadly intelligible ways in which distinctive groups domesticate social media to suit their needs.

Organized around key concepts in Bedouin life (including tribalism, envy, and mercy), Social Media Tribes moves between Facebook-mediated tribal truces, upstart online media platforms, palatial urban villas where self-appointed sheikhs dispense justice, and street clashes organized over WhatsApp in rural communities ignored by state development projects. A meticulous researcher and insightful participant-observer, Geoffrey Hughes reframes social media as part of a global renegotiation of the state-society divide that both preceded the emergence of social media platforms and, in turn, feeds off of them. In this telling, the internet represents a new frontier that, like older frontiers, heralds both novel freedoms and novel forms of social control.

[more]