1861 books match the query 'Social life and customs' and 147 start with s

cover of Space: A Memoir

Space

A Memoir

Jesse Lee Kercheval

University of Wisconsin Press, 2014

Jesse Lee Kercheval opens her story in Cocoa, Florida, in 1966 as a precocious ten-year-old whose family—father, mother, two little girls—is trying to ride the Space Race’s tide of optimism. But even as the rockets keep going up, the Kercheval family slowly spirals down.
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cover of Spain during World War II

Spain during World War II

Wayne H Bowen

University of Missouri Press, 2006

The story of Spain during World War II has largely been viewed as the story of dictator Francisco Franco’s foreign diplomacy in the aftermath of civil war. Wayne H. Bowen now goes behind the scenes of fascism to reveal less-studied dimensions of Spanish history. By examining the conflicts within the Franco regime and the daily lives of Spaniards, he has written the first book-length assessment of the regime’s formative years and the struggle of its citizens to survive. 

Bowen argues that the emphasis of previous scholars on Spain’s foreign affairs is misplaced—that even the most pro-Axis elements of Franco’s regime were more concerned with domestic politics, the potential for civil unrest, and poverty than with events in Europe. Synthesizing a wide range of Spanish-language scholarship and recently declassified government documents, Bowen reveals how Franco’s government stumbled in the face of world war, inexperienced leaders, contradictory political ideology, and a divided populace. His book tells the dramatic story of a six-year argument among the general, the politicians, and the clerics on nothing less than what should be the nature of the new Spain, touching on issues as diverse as whether the monarchy should be restored and how women should dress.

Examining the effects of World War II years on key facets of Spanish life—Catholicism, the economy, women, leisure, culture, opposition to Franco, and domestic politics—Bowen explores a wide range of topics: the grinding poverty following the civil war, exacerbated by poor economic decisions; restrictions on employment for women versus the relative autonomy enjoyed by female members of the Falange; the efforts of the Church to recover from near decimation; and methods of repression practiced by the regime against leftists, separatists, and Freemasons.  He also shows that the lives of most Spaniards remained apolitical and centered on work, family, and leisure marked by the popularity of American movies and the resurgence of loyalty to regional sports teams.

            Unlike other studies that have focused exclusively on Spain’s foreign affairs during the Second World War, Bowen’s work stresses the importance of the home front not only in keeping Spain out of the war but also in keeping Franco in power. He shows that in spite of internal problems and external distractions, Franco’s government managed to achieve its goals of state survival and internal peace. As the only single-volume survey of this era available in English, Spain during World War II is a masterful synthesis that offers a much-needed alternative view of the Franco regime during crucial times as it provides a testament to the Spanish people’s will to survive.

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cover of Speaking Yiddish to Chickens: Holocaust Survivors on South Jersey Poultry Farms

Speaking Yiddish to Chickens

Holocaust Survivors on South Jersey Poultry Farms

Seth Stern

Rutgers University Press, 2023

NJSAA McCormick Prize  / Scholarly Category Winner (2024)

Most of the roughly 140,000 Holocaust survivors who came to the United States in the first decade after World War II settled in big cities such as New York. But a few thousand chose an alternative way of life on American farms. More of these accidental farmers wound up raising chickens in southern New Jersey than anywhere else. Speaking Yiddish to Chickens is the first book to chronicle this little-known chapter in American Jewish history when these mostly Eastern European refugees – including the author’s grandparents - found an unlikely refuge and gateway to new lives in the US on poultry farms. They gravitated to a section of south Jersey anchored by Vineland, a small rural city where previous waves of Jewish immigrants had built a rich network of cultural and religious institutions.

This book relies on interviews with dozens of these refugee farmers and their children, as well as oral histories and archival records to tell how they learned to farm while coping with unimaginable grief. They built small synagogues within walking distance of their farms and hosted Yiddish cultural events more frequently found on the Lower East Side than perhaps anywhere else in rural America at the time. Like refugees today, they embraced their new American identities and enriched the community where they settled, working hard in unfamiliar jobs for often meager returns. Within a decade, falling egg prices and the rise of industrial-scale agriculture in the South would drive almost all of these novice poultry farmers out of business, many into bankruptcy. Some hated every minute here; others would remember their time on south Jersey farms as their best years in America. They enjoyed a quieter way of life and more space for themselves and their children than in the crowded New York City apartments where so many displaced persons settled. This is their remarkable story of loss, renewal, and perseverance in the most unexpected of settings.

Author Facebook page (https://www.facebook.com/YiddishtoChickens)
 
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cover of Spectacular Wealth: The Festivals of Colonial South American Mining Towns

Spectacular Wealth

The Festivals of Colonial South American Mining Towns

By Lisa Voigt

University of Texas Press, 2016

Bridging print culture and performance, Spectacular Wealth draws on eighteenth-century festival accounts to explore how colonial residents of the silver-mining town of Potosí, in the viceroyalty of Peru, and the gold-mining region of Minas Gerais, in Brazil, created rich festive cultures that refuted European allegations of barbarism and greed. In her examination of the festive participation of the towns’ diverse inhabitants, including those whose forced or slave labor produced the colonies’ mineral wealth, Lisa Voigt shows how Amerindians, Afro-descendants, Europeans, and creoles displayed their social capital and cultural practices in spectacular performances.

Tracing the multiple meanings and messages of civic festivals and religious feast days alike, Spectacular Wealth highlights the conflicting agendas at work in the organization, performance, and publication of festivals. Celebrants and writers in mining boomtowns presented themselves as far more than tributaries yielding mineral wealth to the Spanish and Portuguese empires, using festivals to redefine their reputations and to celebrate their cultural, spiritual, and intellectual wealth.

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cover of Speculative Relations: Indigenous Worlding and Repair

Speculative Relations

Indigenous Worlding and Repair

Joseph M. Pierce

Duke University Press, 2025

Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In Speculative Relations, Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through relations committed to reciprocity and care for human and more-than-human beings. Drawing on Cherokee thinking, Indigenous queer theory, literary and cultural studies, and art criticism, he illuminates pathways for understanding and resisting the ongoing damages of colonialism while pointing to future worlds and imaginaries that breathe life into Indigenous thought and practice. Analyzing a range of materials—from photography, literature, and sculpture to film and ethnography—Pierce reveals how speculation, as a form of situated knowledge production, can repair and reimagine the worlds that colonialism sought to destroy. In doing so, Pierce highlights how gestures, poetics, and embodiment can uphold tradition and harness the imaginative power of speculation to create pathways for living in good relations.
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cover of Spirit Children: Illness, Poverty, and Infanticide in Northern Ghana

Spirit Children

Illness, Poverty, and Infanticide in Northern Ghana

Aaron R. Denham

University of Wisconsin Press, 2019

In parts of West Africa, some babies and toddlers are considered spirit children—nonhumans sent from the forest to cause misfortune and destroy the family. These are usually deformed or ailing infants, the very young whose births coincide with tragic events, or children who display unusual abilities. In some of these cases, families seek a solution in infanticide. Many others do not.

Refusing to generalize or oversimplify, Aaron R. Denham offers an ethnographic study of the spirit child phenomenon in Northern Ghana that considers medical, economic, religious, and political realities. He examines both the motivations of the families and the structural factors that lead to infanticide, framing these within the context of global public health. At the same time, he turns the lens on Western societies and the misunderstandings that prevail in discourse about this controversial practice. Engaging the complexity of the context, local meanings, and moral worlds of those confronting a spirit child, Denham offers visceral accounts of families' life and death decisions.
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cover of Spirit Lands of the Eagle and Bear: Numic Archaeology and Ethnohistory in the Rocky Mountains and Borderlands

Spirit Lands of the Eagle and Bear

Numic Archaeology and Ethnohistory in the Rocky Mountains and Borderlands

Robert H. Brunswig

University Press of Colorado, 2020

Spirit Lands of the Eagle and Bear explores advances in the prehistory and early history of Numic hunter-gatherers in the Rocky Mountain West through the presentation and analysis of archaeological and historic research on the period from the earliest established presence in the Rockies and its borderlands more than a thousand years ago to the forced removal of Ute, Shoshone, and other tribes to reservations in the mid-nineteenth century.
 
New research into Numic archaeology, ethnohistory, and ethnography is significantly changing the understanding of migratory patterns, cultural interactions, chronology, and shared cultural-religious practices of regionally defined Numic branches and non-Numic populations of the American West. Contributors examine case studies of Ute and Shoshone material culture (ceramics, lithics, features and structures, trade and seasonal migration), chronology (dendrochronology, radiocarbon dating, thermoluminescence), and subsistence systems (hunting camps, game drives, faunal and botanical evidence of food sources). They also delineate different hunter-gatherer “ethnic groups” who co-occupied or interacted within one another’s territories through trade, raiding, or seasonal subsistence migrations, such as the Late Fremont/Ute and the Shoshone or the early Navajo/Ute and the Shoshone.
 
With a strong emphasis on diverse cases and new and original archaeological, ethnohistoric, and ethnographic lines of evidence, Spirit Lands of the Eagle and Bear interweaves anthropological theory and innovative applications of leading-edge scientific methodologies and technologies. The book presents a cross-section of field, laboratory, and ethnohistoric studies—including indigenous consultation—that explore past, recent, and ongoing developments in Numic cultural history and prehistory. It will be of interest to scholars of Southwestern archaeology, as well as private and government cultural resource specialists and museum staff.
 
Contributors:
Richard Adams, John Cater, Christine Chady, David Diggs, Rand Greubel, John Ives, Byron Loosle, Curtis Martin, Sally McBeth, Lindsay Montgomery, Bryon Schroeder, Matthew Stirn
 
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cover of Spirit Things

Spirit Things

Lara Messersmith-Glavin

University of Alaska Press, 2022

A collection of essays that evoke an adventurous spirit and the craving for myth, Spirit Things examines the hidden meanings of objects found on a fishing boat, as seen through the eyes of a child. Author Lara Messersmith-Glavin blends memoir, mythology, and science as she relates the uniqueness and flavor of the Alaskan experience through her memories of growing up fishing in the commercial salmon industry off Kodiak Island.
 
“Spirit things” are those mundane objects that offer new insights into the world on closer consideration—fishing nets, a favorite knife, and the bioluminescent gleam of seawater in a twilight that never truly grows dark. Spirit Things recounts stories of fishing, family, synesthesia, storytelling, gender, violence, and meaning. Each essay takes an object and follows it through histories: personal, material, and scientific, drawing together the delicate lines that link things through their making and use, their genesis and evolution, and the ways they gain significance in an individual’s life.
 
A contemplative take on everything from childcare to neurodivergence, comfort foods to outlaws, Spirit Things uses experiences from the human world and locates them on the edges of nature. Contact with wilderness, with wildness, be it twenty-foot seas in the ocean off Alaska’s coast or chairs flying through windows of a Kodiak bar, provides an entry point for meditations on the ways in which patterns, magic, and wonder overlap.
 
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cover of Spirits of Just Men: Mountaineers, Liquor Bosses, and Lawmen in the Moonshine Capital of the World

Spirits of Just Men

Mountaineers, Liquor Bosses, and Lawmen in the Moonshine Capital of the World

Charles D. Thompson, Jr.

University of Illinois Press, 2011

Spirits of Just Men tells the story of moonshine in 1930s America, as seen through the remarkable location of Franklin County, Virginia, a place that many still refer to as the "moonshine capital of the world." Charles D. Thompson Jr. chronicles the Great Moonshine Conspiracy Trial of 1935, which made national news and exposed the far-reaching and pervasive tendrils of Appalachia's local moonshine economy. Thompson, whose ancestors were involved in the area's moonshine trade and trial as well as local law enforcement, uses the event as a stepping-off point to explore Blue Ridge Mountain culture, economy, and political engagement in the 1930s. Drawing from extensive oral histories and local archival material, he illustrates how the moonshine trade was a rational and savvy choice for struggling farmers and community members during the Great Depression.
 
Local characters come alive through this richly colorful narrative, including the stories of Miss Ora Harrison, a key witness for the defense and an Episcopalian missionary to the region, and Elder Goode Hash, an itinerant Primitive Baptist preacher and juror in a related murder trial. Considering the complex interactions of religion, economics, local history, Appalachian culture, and immigration, Thompson's sensitive analysis examines the people and processes involved in turning a basic agricultural commodity into such a sought-after and essentially American spirit.
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cover of Sportista: Female Fandom in the United States

Sportista

Female Fandom in the United States

Andrei S. Markovits

Temple University Press, 2012

The typical female sports fan remains very different from her male counterparts. In their insightful and engaging book, Sportista, Andrei S. Markovits and Emily Albertson examine the significant ways many women have become fully conversant with sports—acquiring a knowledge of and passion for them as a way of forging identities that until recently were quite alien to women.
 
Sportista chronicles the relationship that women have developed with sports in the wake of the second wave of feminism of the late 1960s and early 1970s. The changes women athletes have achieved have been nothing short of revolutionary. But, as Markovits and Albertson argue, women’s identities as sports fans, though also changed in recent decades, remain notably different from that of men. Sportista highlights the impediments to these changes that women have faced and the reality that, even as bona fide fans, they “speak” sports differently from and remain largely unaccepted by men.

In the series Politics, History and Social Change, edited by John C. Torpey

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cover of Sports in Zion: Mormon Recreation, 1890-1940

Sports in Zion

Mormon Recreation, 1890-1940

Richard Ian Kimball

University of Illinois Press, 2002

If a religion cannot attract and instruct young people, it will struggle to survive, which is why recreational programs were second only to theological questions in the development of twentieth-century Mormonism. In this book, Richard Ian Kimball explores how Mormon leaders used recreational programs to ameliorate the problems of urbanization and industrialization and to inculcate morals and values in LDS youth. As well as promoting sports as a means of physical and spiritual excellence, Progressive Era Mormons established a variety of institutions such as the Deseret Gymnasium and camps for girls and boys, all designed to compete with more "worldly" attractions and to socialize adolescents into the faith.

Kimball employs a wealth of source material including periodicals, diaries, journals, personal papers, and institutional records to illuminate this hitherto underexplored aspect of the LDS church. In addition to uncovering the historical roots of many Mormon institutions still visible today, Sports in Zion is a detailed look at the broader functions of recreation in society.

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cover of Stagecoach and Tavern Tales of the Old Northwest

Stagecoach and Tavern Tales of the Old Northwest

Harry Ellsworth Cole. Edited by Louise Phelps Kellogg. Foreword by Patrick J. Brunet

Southern Illinois University Press, 1997

One journalist curious about life in the taverns along the stagecoach lines in Wisconsin and northern Illinois from the early 1800s until the 1880s was Harry Ellsworth Cole. While he could not sample strong ales at all of the taverns he wrote about, Cole did study newspaper accounts, wrote hundreds of letters to families of tavern owners, read widely in regional history, and traveled extensively throughout the territory. The result, according to Brunet, is a "nostalgic, sometimes romantic, well-written, and easily digested social history."

At Cole’s death, historian Louise Phelps Kellogg edited his manuscript, which in this case involved turning his notes and illustrations into a book and publishing it with the Arthur H. Clark Company in 1930.

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cover of Stare in the Darkness: The Limits of Hip-hop and Black Politics

Stare in the Darkness

The Limits of Hip-hop and Black Politics

Lester K. Spence

University of Minnesota Press, 2010

Rap’s critique of police brutality in the 1980s. The Hip Hop Political Convention. The rise (and fall) of Kwame Kilpatrick, the “hip-hop mayor” of Detroit. Barack Obama echoing the body language of Jay-Z on the campaign trail.

A growing number of black activists and artists claim that rap and hip-hop are the basis of an influential new urban social movement. Simultaneously, black citizens evince concern with the effect that rap and hip-hop culture exerts on African American communities. According to a recent Pew survey conducted on the opinions of Black Americans, 71 percent of blacks think that rap is a bad influence. To what extent are African American hopes and fears about hip-hop’s potential political power justified? In Stare in the Darkness, Lester K. Spence answers this question using a blend of neoliberal analysis, survey data, experiments, and case studies.

Spence finds that rap does in fact influence black political attitudes. However, rap also reproduces rather than critiques neoliberal ideology. Furthermore, black activists seeking to create an innovative model of hip-hop politics are hamstrung by their reliance on outmoded forms of organizing. By considering the possibilities inherent in the most prolific and prominent activities of hip-hop politics, Stare in the Darkness reveals, in a clear and practical manner, the political consequences of rap culture for black publics.
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cover of Stars Fell on Alabama

Stars Fell on Alabama

Carl Carmer

University of Alabama Press, 2000

A timeless journey into the heart and folklore of Alabama.

Stars Fell on Alabama is a landmark work of Southern literature that transports readers to Alabama during the early 20th century. Written by Carl Carmer, this evocative narrative blends memoir, travel writing, and folklore to paint a rich portrait of a region steeped in tradition and complexity. Carmer captures the rhythms of rural life, the haunting beauty of the landscape, and the voices of its people—farmers, musicians, storytellers—whose tales reveal the cultural fabric of the Deep South. From ghost stories and folk songs to accounts of social customs and racial tensions, this book offers an unflinching yet affectionate look at Alabama’s heritage. Both a historical document and a literary masterpiece, Stars Fell on Alabama remains essential reading for anyone interested in Southern history, American folklore, and the enduring power of storytelling.

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cover of States Of Exception: Everyday Life and Postcolonial Identity

States Of Exception

Everyday Life and Postcolonial Identity

Keya Ganguly

University of Minnesota Press, 2001

Explores the conflict between capitalism and tradition in an immigrant community.

A philosophical anthropology of everyday experience, this book is also a deeply informed and thought-provoking reflection on the work of cultural critique. States of Exception looks into a community of immigrants from India living in southern New Jersey—a group to whom the author, as a daughter of two of its members, enjoyed unprecedented access.

Her position allows Keya Ganguly to approach the culture of a middle-class group (albeit one that is marginalized by racial prejudice), while the group’s relatively comfortable and protected style of life offers unusual insight into the concept of the everyday and the sense in which a seemingly commonplace existence can be understood as in crisis: a state of exception. Thus, Ganguly draws on the work of the Frankfurt School, particularly Walter Benjamin and Theodor Adorno, to explore the possibilities of a dialectical critique of the everyday—a state of exception informing ordinary yet crisis-ridden narratives of the self under late capitalism.
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cover of Stealing with the Eyes: Imaginings and Incantations in Indonesia

Stealing with the Eyes

Imaginings and Incantations in Indonesia

Will Buckingham

Haus Publishing, 2018

The Tanimbar Islands of Indonesia are remote and largely neglected by outsiders. Will Buckingham went there, as an anthropologist in training, with a mission. He hoped to meet three remarkable sculptors: the crippled Matias Fatruan, the buffalo hunter Abraham Amelwatin, and Damianus Masele, who was skilled in black magic, but who abstained out of Christian principle. Part memoir, part travelogue, Stealing with the Eyes is the story of these men, and also of how stumbling into a world of witchcraft, sickness, and fever led Buckingham to question the validity of his anthropological studies, and eventually to abandon them for good. 

Through his encounters with these remarkable craftsmen—which in relating her also interweaves with Tanimbarese history, myth, and philosophy dating back to ancient times— we are shown the forces at play in all of our lives: the struggle between the powerful and the powerless, the tension between the past and the future, and how to make sense of a world that is in constant flux.
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cover of Steamboat Modernity: Travel, Transport, and Social Transformation on the Lower Danube, 1830–1860

Steamboat Modernity

Travel, Transport, and Social Transformation on the Lower Danube, 1830–1860

Constantin Ardeleanu

Central European University Press, 2024

Through a skillful combination of economic and cultural history, this book describes the impact on Moldavia and Wallachia of steam navigation on the Danube. The Danube route integrated the two principalities into a dense network of European roads and waterways. From the 1830s to the 1860s, steamboat transport transformed time and space for the areas that benefited from regular services. River traffic accelerated urban development along the Lower Danube and contributed directly to institutional modernization in one of Europe’s peripheries.

Beyond technological advances and the transportation of goods on a trans-imperial waterway, steamboat travel revolutionized human interactions, too. The book offers a fascinating insight into the social and cultural milieu of the nineteenth century, drawing on first-hand accounts of Danube cruising. Describing the story of travelers who interacted, met, and visited the places they stopped, Constantin Ardeleanu creates a transnational history of travel up and down the Danube from Vienna to Constantinople. The pleasures and sometimes the travails of the travelers unfold against a backdrop of technical and economic transformation in the crucial period of modernization.

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cover of Steaming to the North: The First Summer Cruise of the US Revenue Cutter Bear, Alaska and Chukotka, Siberia, 1886

Steaming to the North

The First Summer Cruise of the US Revenue Cutter Bear, Alaska and Chukotka, Siberia, 1886

Katherine C. Donahue and David C. Switzer

University of Alaska Press, 2014

On a rugged frontier where the ocean was king, most laws came from those who ruled the sea—and few ships policed the western Arctic like the revenue cutter Bear. Commissioned into the organization that would eventually become the US Coast Guard, the Bear patrolled and charted the waters of Alaska and Siberia, bringing medical care, saving lives, and dealing out justice when needed. The ship’s crew and famous captain, the fiery Michael Healy, looked out for Natives and Americans alike in a time when Alaska was adjusting to its new status as a US territory.

Steaming to the North follows the Bear from May to October 1886 as it takes its first summer cruise from San Francisco up to Point Barrow and back again. This is the first book to exhibit the photographs taken by 3rd Lt. Charles Kennedy of New Bedford, introducing rarely seen photos of the last sail-and-steam whaling ships, capturing early interactions of Natives with white whalemen and explorers, and showing lives otherwise lost to time. Essays follow the logbook of the cruise and allow readers to vividly ride alongside the crew on a history-making voyage.
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cover of Steppin' Out: New York Nightlife and the Transformation of American Culture

Steppin' Out

New York Nightlife and the Transformation of American Culture

Lewis A. Erenberg

University of Chicago Press, 1984

The evolution of New York nightlife from the Gay Nineties through the Jazz Age was, as Lewis A. Erenberg shows, both symbol and catalyst of America's transition out of the Victorian period. Cabaret culture led the way to new styles of behavior and consumption, dissolving conventional barriers between classes, races, the sexes—even between life and art. A fabulous era of chorus girls, jazz players, lobster palaces, and hip flasks—the age of Sophie Tucker, Irene and Vernon Castle, and Gilda Gray—tangos through the pages of this ground-breaking, as well as entertaining, cultural history.
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cover of Stepping Out of the Shadows: Alabama Women, 1819–1990

Stepping Out of the Shadows

Alabama Women, 1819–1990

Mary Martha Thomas

University of Alabama Press, 1995

Discover the women who transformed Alabama's past and continue to inspire its future.

The history of Alabama has been told, but most often in terms of white men and their politics and economics. Now a more complex story of the state is emerging from the shadows of history in a new book that investigates the place of women from the perspective of race, class, and gender. Stepping Out of the Shadows, is a compilation of articles first presented at the 1990 Alabama Women’s History Forum in Birmingham, and edited by Mary Martha Thomas. The writers discuss the lives of women in antebellum Alabama and reexamine the roles of both black and white women as missionaries during Reconstruction, as reformers and suffrage leaders in the Progressive era, and as members of the state legislature in the 20th century.
 

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cover of Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India

Stigmas of the Tamil Stage

An Ethnography of Special Drama Artists in South India

Susan Seizer

Duke University Press, 2005

A study of the lives of popular theater artists, Stigmas of the Tamil Stage is the first in-depth analysis of Special Drama, a genre of performance unique to the southernmost Indian state of Tamilnadu. Held in towns and villages throughout the region, Special Drama performances last from 10 p.m. until dawn. There are no theatrical troupes in Special Drama; individual artists are contracted “specially” for each event. The first two hours of each performance are filled with the kind of bawdy, improvisational comedy that is the primary focus of this study; the remaining hours present more markedly staid dramatic treatments of myth and history. Special Drama artists themselves are of all ages, castes, and ethnic and religious affiliations; the one common denominator in their lives is their lower-class status. Artists regularly speak of how poverty compelled their entrance into the field.

Special Drama is looked down upon by the middle- and upper-classes as too popular, too vulgar, and too “mixed.” The artists are stigmatized: people insult them in public and landlords refuse to rent to them. Stigma falls most heavily, however, on actresses, who are marked as “public women” by their participation in Special Drama. As Susan Seizer’s sensitive study shows, one of the primary ways the performers deal with such stigma is through humor and linguistic play. Their comedic performances in particular directly address questions of class, culture, and gender deviations—the very issues that so stigmatize them. Seizer draws on extensive interviews with performers, sponsors, audience members, and drama agents as well as on careful readings of live Special Drama performances in considering the complexities of performers’ lives both on stage and off.
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cover of Still Philadelphia

Still Philadelphia

Fredric Miller

Temple University Press, 1983

This is a book about Philadelphia and about photography, but it is not the usual book about either. On one level, this is the pictorial story of a great industrial metropolis in transition. It is the story of a railroad city, a city of trolleys and subways and horse-drawn vehicles, as it gradually succumbed to the automobile. It is the story of a city filled with neighborhood industry giving way to suburbs, to commuter travel, and to a change in the very nature of work. It is the story of a city spreading out, expanding and doubling in population in fifty years. It is the story of urban exuberance and vitality where ethnic groups mixed and mingled, but it is also the story of slums and poverty, crime and conflict. A Philadelphia family album, filled with pictures of ordinary people, Still Philadelphia focuses on the city of immigrants and industry, not on the lives and houses of the wealthy.

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cover of Still Rainin' Still Dreamin': Hall Anderson's Ketchikan

Still Rainin' Still Dreamin'

Hall Anderson's Ketchikan

Hall Anderson

University of Alaska Press, 2010

A staff photographer for the Ketchikan Daily News, Hall Anderson counted among his early influences photographers like Robert Frank and Henri Cartier-Bresson, who understood the visual bounty to be found in photographing the candid side of life. For more than twenty-five years, Anderson has brought this perspective to his photographic endeavors, both personal and professional, in the small town of Ketchikan in southeast Alaska.

Still Rainin' Still Dreamin' showcasesone hundred of Anderson's prize-winning black-and-white images, which collectively chronicle three decades of life in Ketchikan, spanning its transition from a timber- and fishing-based economy to one built on a booming tourism industry. From timber carnivals to election coverage to Fourth of July parades, Still Rainin' Still Dreamin' is a poignant celebration of the uncanny juxtapositions found in everyday life.

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cover of Stirring the Pot: A History of African Cuisine

Stirring the Pot

A History of African Cuisine

James C. McCann

Ohio University Press, 2009

Africa’s art of cooking is a key part of its history. All too often Africa is associated with famine, but in Stirring the Pot, James C. McCann describes how the ingredients, the practices, and the varied tastes of African cuisine comprise a body of historically gendered knowledge practiced and perfected in households across diverse human and ecological landscape. McCann reveals how tastes and culinary practices are integral to the understanding of history and more generally to the new literature on food as social history.

Stirring the Pot offers a chronology of African cuisine beginning in the sixteenth century and continuing from Africa’s original edible endowments to its globalization. McCann traces cooks’ use of new crops, spices, and tastes, including New World imports like maize, hot peppers, cassava, potatoes, tomatoes, and peanuts, as well as plantain, sugarcane, spices, Asian rice, and other ingredients from the Indian Ocean world. He analyzes recipes, not as fixed ahistorical documents,but as lively and living records of historical change in women’s knowledge and farmers’ experiments. A final chapter describes in sensuous detail the direct connections of African cooking to New Orleans jambalaya, Cuban rice and beans, and the cooking of African Americans’ “soul food.”

Stirring the Pot breaks new ground and makes clear the relationship between food and the culture, history, and national identity of Africans.

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cover of Stored in the Bones: Safeguarding Indigenous Living Heritages

Stored in the Bones

Safeguarding Indigenous Living Heritages

Agnieszka Pawłowska-Mainville

University of Manitoba Press, 2023

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cover of Stories Of An Imaginary Childhood

Stories Of An Imaginary Childhood

Melvin Jules Bukiet

University of Wisconsin Press, 2002

In Stories of an Imaginary Childhood Melvin Jules Bukiet inscribes the world that might have been his own if not for the catastrophe that destroyed most of Jewish life in eastern Europe during the 1940s. Set before the Holocaust in the tiny Polish shtetl of Proszowice, each interconnected story follows the young protagonist through the pleasures and humiliations of childhood and the rites of manhood, as he fights against historical, social, and psychological forces that threaten to pull him down.

"Bukiet proves that he is an expert at the [short story] form. His stories lift and soar, encompassing a world of truth in just a few pages. His characters have flesh and life. . . . Bukiet’s topics are varied and universal: first love, growing up, trying to get along with people who are different. Each of these is approached with great humor and a deep respect for life experience."—Daniel Neman, Richmond News Leader

"Jewish-American fiction of a new order, one able to bring the best that has been thought and said about voice and literary texture to the service of a world with richer meaning and a deeper resonance."—Sanford Pinsker, Midstream

"Bukiet is enchanting, original, and thoroughly irresistible in any disguise. Stories of an Imaginary Childhood is an extraordinary achievement, an immensely enjoyable collection of truly remarkable tales."—Susan Miron, Miami Herald

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cover of Stories as Equipment for Living: Last Talks and Tales of Barbara Myerhoff

Stories as Equipment for Living

Last Talks and Tales of Barbara Myerhoff

Barbara Myerhoff

University of Michigan Press, 2007

Barbara Myerhoff's groundbreaking work in reflexivity and narrative ethnography broke with tradition by focusing not on the raw ethnographic data, but on her interaction with those she studied. Myerhoff's unfinished projects, including her final talks on storytelling, ritual, and the "culture of aging and Yiddishkeit," offer a magisterial summary of her life's work.

"The beauty of Stories as Equipment for Living is the quality of being a compilation of rescued fragments, bits and pieces of a great master's writing and thinking that were coming towards synthesis but had never reached a finished form prior to her death. This collection is an examination of the place of narrative in human life, the synthetic nature of culture and the constant search for visibility particularly by those relegated for one reason or another to the margins. A thought-provoking book worthy of extended reflection."
---Jack Kugelmass, Professor of Anthropology and Director of Jewish Studies, University of Florida

"Stories as Equipment for Living achieves a nice balance between preserving Myerhoff's work in its original form and reconstructed contexts, but presenting it in a manner relevant to readers a generation after her death. The book documents Myerhoff's growing involvement with Jewish culture, the actual process of anthropological work through field notes, and the picture of how she always was bouncing the fine details of this combined professional and personal venture off the 'big questions' of anthropology in its broadest sense."
---Harvey E. Goldberg, Professor of Sociology and Anthropology, Hebrew University, Israel

"These essays capture the rhythm of Barbara Myerhoff's words and her vivid and distinctive train of thought, bringing the reader into the classroom of one of anthropology's finest lecturers. As an anthropologist with a poet's gift for language, she utilizes the tools of ethnography and extraordinary powers of observation---a remarkable 'ethnographic eye'---to explore the outward expressions and inner lives of the Fairfax neighborhood of L.A. These stories are not only glorious introductions to the study of culture, but provide in their revelations a reason for studying it. They are required reading for anyone passionate to know what an anthropologist can teach us about communities and ultimately about ourselves."
---Steve Zeitlin, Director, City Lore: The New York Center for Urban Folk Culture

"Master of the third voice, the voice of collaboration, Myerhoff is at once a consummate listener and inspired storyteller. This book offers a rare and luminous opening into the working process and wisdom of one of the great anthropologists of the twentieth century."
---Barbara Kirshenblatt-Gimblett, Professor of Performance Studies at New York University and coauthor of They Called Me Mayer July: Painted Memories of a Jewish Childhood in Poland Before the Holocaust

"Myerhoff and her collaborators have given her 'Hasidim,' her disciples old and new, a final and precious gift."
---Jonathan Boyarin, The Robert M. Beren Distinguished Professor of Modern Jewish Studies at the University of Kansas and author of Thinking in Jewish

Barbara Myerhoff was a renowned anthropologist who did pioneering work in gerontology, Jewish studies, folklore, and narrative anthropology. She is best known for her ethnography of and personal involvement with a community of elderly immigrant Jews in California. Her writings and lectures have had an enormous impact on all of these areas of study, and her books are widely celebrated, especially Number Our Days, whose companion documentary film won an Academy Award.

Marc Kaminsky is a psychotherapist, a poet, a writer, and the former codirector of the Institute on Humanities, Arts and Aging of the Brookdale Center on Aging.

Mark Weiss is a writer, an editor, a translator, and a poet; his books include the widely praised Across the Line/Al Otro Lado.

Deena Metzger is a novelist, a poet, and the founding codirector (with Marc Kaminsky) of the Myerhoff Center.

Thomas R. Cole is the Beth and Toby Grossman Professor and Director of the McGovern Center for Health, Humanities, and the Human Spirit at the University of Texas Health Science Center in Houston, and a Professor of Humanities in the Department of Religious Studies at Rice University; his expertise lies in the history of aging and humanistic gerontology.

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cover of Stories from the Heart: Missouri's African American Heritage

Stories from the Heart

Missouri's African American Heritage

Compiled by Gladys Caines-Coggswell

University of Missouri Press, 2009

Winner, Distinguished Literary Achievement Award, Governor's Humanities Award in Exemplary Community Achievement given by the Missouri Humanities Council, 2010

All along the river, from the front porches of Hannibal to the neighborhoods of St. Louis to the cotton fields of the Bootheel and west to Kansas City, stories are being told.

This collection of family stories and traditional tales brings to print down-home stories about all walks of African American life. Passed down from grandparents and great-grandparents, they have been lovingly gathered by Gladys Caines Coggswell as she visited Missouri communities and participated in storytelling events over the last two decades. These stories bring to life characters with uncommon courage, strength, will, and wit as they offer insight into African American experiences throughout the state’s history.

Often profound, always entertaining, some of these stories hark back to times barely remembered. Many tell of ordinary folks who achieved victories in the face of overwhelming odds. They range from recollections of KKK activities—recalling a Klan leader who owned property on which a black family lived as “the man who was always so nice to us”—to remembered differences between country and city schools and black schoolchildren introduced to Dick and Jane and Little Black Sambo. Stories from the Bootheel shed light on family life, sharecropping, and the mechanization of cotton culture, which in one instance led to a massive migration of rats as the first mechanical cotton pickers came in.

As memorable as the stories are the people who tell them, such as the author’s own “Uncle Pete” reporting on a duck epidemic or Evelyn Pulliam of Kennett telling of her resourceful neighbors in North Lilburn. Loretta Washington remembers sitting on her little wooden stool beside her great-grandmother’s rocking chair on the front porch in Wardell, mesmerized by stories—and the time when rocking chair and little wooden stool were moved inside and the stories stopped. Marlene Rhodes writes of her mother’s hero, Odie, St. Louis “Entrepreneur and English gentleman.”

Whether sharing previously unknown stories from St. Louis or betraying the secret of “Why Dogs Chase Cats,” this book is a rich repository of African American life. And if some of these tales seem unusual, the people remembering them will be the first to tell you: that’s the way it was. Coggswell preserves them for posterity and along with them an important slice of Missouri history.
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cover of Stories of Our Lives: Memory, History, Narrative

Stories of Our Lives

Memory, History, Narrative

Frank de Caro

Utah State University Press, 2013

In Stories of Our Lives Frank de Caro demonstrates the value of personal narratives in enlightening our lives and our world. We all live with legends, family sagas, and anecdotes that shape our selves and give meaning to our recollections. Featuring an array of colorful stories from de Caro’s personal life and years of field research as a folklorist, the book is part memoir and part exploration of how the stories we tell, listen to, and learn play an integral role in shaping our sense of self. 
 
De Caro’s narrative includes stories within the story: among them a near-mythic capture of his golden-haired grandmother by Plains Indians, a quintessential Italian rags-to-riches grandfather, and his own experiences growing up in culturally rich 1950s New York City, living in India amid the fading glories of a former princely state, conducting field research on Day of the Dead altars in Mexico, and coming home to a battered New Orleans after Hurricane Katrina.
 
Stories of Our Lives shows that our lives are interesting, and that the stories we tell—however particular to our own circumstances or trivial they may seem to others—reveal something about ourselves, our societies, our cultures, and our larger human existence.
[more]
cover of Stories: Contemporary Southern Short Fiction

Stories

Contemporary Southern Short Fiction

Donald Hays

University of Arkansas Press, 1989

[more]
cover of Story Of Reo Joe: Work, Kin, And Community

Story Of Reo Joe

Work, Kin, And Community

Lisa M. Fine

Temple University Press, 2004

The Reo Motor Car Company operated in Lansing, Michigan, for seventy years, and encouraged its thousands of workers to think of themselves as part of a factory family. Reo workers, most typically white, rural, native-born Protestant men, were dubbed Reo Joes. These ordinary fellows had ordinary aspirations: job security, decent working conditions, and sufficient pay to support a family. They treasured leisure time for family activities (many sponsored by the company), hunting, and their fraternal organizations. Even after joining a union, Reo Joes remained loyal to the company and proud of the community built around it. Lisa M. Fine tells the Reo story from the workers' perspective on the vast social, economic, and political changes that took place in the first three quarters of the twentieth century. Lisa Fine explores their understanding of the city where they lived, the industry that employed them, and the ideas about work, manhood, race, and family that shaped their identities. The Story of Reo Joe is, then, a book about historical memory; it challenges us to reconsider what we think we know about corporate welfare, unionization, de-industrialization, and working-class leisure.
[more]
cover of Straight Korean Female Fans and Their Gay Fantasies

Straight Korean Female Fans and Their Gay Fantasies

Jungmin Kwon

University of Iowa Press, 2019

This book is about ardent Korean female fans of gay representation in the media, their status in contemporary Korean society, their relationship with other groups such as the gay population, and, above all, their contribution to reshaping the Korean media’s portrayal of gay people. Jungmin Kwon names the Korean female fandom for gay portrayals as “FANtasy” subculture, and argues that it adds to the present visibility of the gay body in Korean mainstream media, thus helping to change the public’s perspective toward sexually marginalized groups.

The FANtasy subculture started forming around text-based media, such as yaoi, fan fiction, and U.S. gay-themed dramas (like Will & Grace), and has been influenced by diverse social, political, and economic conditions, such as the democratization of Korea, an open policy toward foreign media products, the diffusion of consumerism, government investment in the culture, the Hollywoodization of the film industry, and the popularity of Korean culture abroad. While much scholarly attention has been paid to female fandom for homoerotic cultural texts in many countries, this book seeks to explore a relatively neglected aspect of the subculture: its location in and influence on Korean society at large.
[more]
cover of Strange Enemies: Indigenous Agency and Scenes of Encounters in Amazonia

Strange Enemies

Indigenous Agency and Scenes of Encounters in Amazonia

Aparecida Vilaça

Duke University Press, 2010

In 1956, in the Brazilian state of Rondônia, a group of Wari’ Indians had their first peaceful contact with whites: Protestant missionaries and officers from the national Indian Protection Service. On returning to their villages, the Wari’ announced, “We touched their bodies!” Meanwhile the whites reported to their own people that “the region’s most warlike tribe has entered the pacification phase!” Initially published in Brazil, Strange Enemies is an ethnographic narrative of the first encounters between these peoples with radically different worldviews.

During the 1940s and 1950s, white rubber tappers invading the Wari’ lands raided the native villages, shooting and killing their victims as they slept. These massacres prompted the Wari’ to initiate a period of intense retaliatory warfare. The national government and religious organizations subsequently intervened, seeking to “pacify” the Indians. Aparecida Vilaça was able to interview both Wari’ and non-Wari’ participants in these encounters, and here she shares their firsthand narratives of the dramatic events. Taking the Wari’ perspective as its starting point, Strange Enemies combines a detailed examination of these cross-cultural encounters with analyses of classic ethnological themes such as kinship, shamanism, cannibalism, warfare, and mythology.

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cover of Straw in the Sun: A Memoir

Straw in the Sun

A Memoir

Charlie May Simon

University of Arkansas Press, 2025

“Last spring I went to Rocky Crossing again. New green grass was sprouting on the high ridge of the road that led there, and now and then there grew a persimmon shoot, or a small hickory, where a nut had fallen and opened deep in the untrampled earth. But the ruts made long ago by passing wagons were still there, guiding the wheels of our car through the dense forest, around the boulders and between the tall trees. I was like a ghost returning to a place once loved.”
 
These opening lines of Charlie May Simon’s Straw in the Sun invite readers on a personal journey of remembrance as Simon recounts her homesteading experiment in Depression-era Arkansas. Years before she established herself as a regional author of national renown, she chose a spot near Cove Creek, now part of Ouachita National Forest, to forge a home from rugged land, meeting both a backbreaking series of challenges and a vivid cast of characters in the process.
 
Nationally popular upon its release in 1945, Simon’s lyrical memoir was praised from the outset for its warmth and charm. At once an ethnographic narrative of a hill community and an accessible portrait of Ozarks memories at their most idyllic, Straw in the Sun, offered here with a robust introduction from Simon scholar Aleshia O’Neal, is a classic ready for rediscovery by a new generation of readers.
[more]
cover of Strictly from Hungary

Strictly from Hungary

Ladislas Farago

Westholme Publishing, 2004

“Rich in humor, confidence men, and charm."—New York Times
Known for his best-selling military histories, Ladislas Farago also wrote a witty tribute to his homeland, Strictly from Hungary. Noting that Hungary has produced some of the world's most renowned artists, scientists, and financiers as well as its share of world-class con-artists, charlatans, and rakes, Farago sets out to explain just how one tiny country can be responsible for so much talent, both good and bad. Using stories from his days as a struggling writer in the bustling café scenes of Budapest and New York City, Farago demonstrates the Hungarian knack for remaining irrepressible and optimistic even in the face of catastrophe. Here we meet Zoltan, a fellow Bohemian who presents his astonished benefactor with a play "about nothing," a theme later made famous by another writer of Hungarian descent, Jerry Seinfeld. Farago also introduces us to "Baby Kiss," a vivacious Hungarian beauty queen, and the story of how she ended up in Fort Worth, Texas; Orkeny, a double agent for America at the height of the Cold War who "spiced up" his reports to keep everyone happy, and the author's own experience getting mustered into the supposedly non-existent Royal Hungarian Army. Farago's reminiscence validates what most Hungarians believe: that Hungary is the center of the world and that everyone has some connection to the land of the Magyars. In that spirit, Farago learns that George Washington himself was "strictly from Hungary." This edition is introduced by the author's son, who shows that the same vibrant spirit described by his father remains the hallmark of the Hungarian temperament.
[more]
cover of Studies In Italian American Folklore

Studies In Italian American Folklore

Luisa Del Giudice

Utah State University Press, 1994

[more]
cover of Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance

Stunning Males and Powerful Females

Gender and Tradition in East Javanese Dance

Christina Sunardi

University of Illinois Press, 2015

In east Javanese dance traditions like Beskalan and Ngremo, musicians and dancers negotiate gender through performances where males embody femininity and females embody masculinity.

Christina Sunardi ventures into the regency of Malang in east Java to study and perform with dancers. Through formal interviews and casual conversation, Sunardi learns about their lives and art. Her work shows how performers continually transform dance traditions to negotiate, and renegotiate, the boundaries of gender and sex--sometimes reinforcing lines of demarcation, sometimes transgressing them, and sometimes doing both simultaneously. But Sunardi's investigation moves beyond performance. It expands notions of the spiritual power associated with female bodies and feminine behavior, and the ways women, men, and waria (males who dress and live as female) access the magnetic power of femaleness.

A journey into understudied regions and ideas, Stunning Males and Powerful Females reveals how performances seemingly fixed by tradition are instead dynamic environments for cultural negotiation and change surrounding questions of sex and gender.

[more]
cover of Subfloor Pits and the Archaeology of Slavery in Colonial Virginia

Subfloor Pits and the Archaeology of Slavery in Colonial Virginia

Patricia Samford

University of Alabama Press, 2007

Investigates the development of hypotheses about how West African, possibly Igbo, cultural traditions were maintained and transformed in the Virginia Chesapeake

Enslaved Africans and their descendants comprised a significant portion of colonial Virginia populations, with most living on rural slave quarters adjacent to the agricultural fields in which they labored. Archaeological excavations into these home sites have provided unique windows into the daily lifeways and culture of these early inhabitants.
 
A common characteristic of Virginia slave quarters is the presence of subfloor pits beneath the houses. The most common explanations of the functions of these pits are as storage places for personal belongings or root vegetables, and some contextual and ethnohistoric data suggest they may have served as West Africa-style shrines. Through excavations of 103 subfloor pits dating from the 17th through mid-19th centuries, Samford reveals a wealth of data including shape, location, surface area, and depth, as well as contents and patterns of related feature placement. Archaeology reveals the material circumstances of slaves’ lives, which in turn opens the door to illuminating other aspects of life: spirituality, symbolic meanings assigned to material goods, social life, individual and group agency, and acts of resistance and accommodation. Analysis of the artifact assemblages allows the development of hypotheses about how West African, possibly Igbo, cultural traditions were maintained and transformed in the Virginia Chesapeake.
[more]
cover of Substance and Seduction: Ingested Commodities in Early Modern Mesoamerica

Substance and Seduction

Ingested Commodities in Early Modern Mesoamerica

Edited by Stacey Schwartzkopf and Kathryn E. Sampeck

University of Texas Press, 2017

Chocolate and sugar, alcohol and tobacco, peyote and hallucinogenic mushrooms—these seductive substances have been a nexus of desire for both pleasure and profit in Mesoamerica since colonial times. But how did these substances seduce? And when and how did they come to be desired and then demanded, even by those who had never encountered them before? The contributors to this volume explore these questions across a range of times, places, and peoples to discover how the individual pleasures of consumption were shaped by social, cultural, economic, and political forces.

Focusing on ingestible substances as a group, which has not been done before in the scholarly literature, the chapters in Substance and Seduction trace three key links between colonization and commodification. First, as substances that were taken into the bodies of both colonizers and colonized, these foods and drugs participated in unexpected connections among sites of production and consumption; racial and ethnic categories; and free, forced, and enslaved labor regimes. Second, as commodities developed in the long transition from mercantile to modern capitalism, each substance in some way drew its enduring power from its ability to seduce: to stimulate bodies; to alter minds; to mark class, social, and ethnic boundaries; and to generate wealth. Finally, as objects of scholarly inquiry, each substance rewards interdisciplinary approaches that balance the considerations of pleasure and profit, materiality and morality, and culture and political economy.

[more]
cover of Sucking Salt: Caribbean Women Writers, Migration, and Survival

Sucking Salt

Caribbean Women Writers, Migration, and Survival

Meredith M. Gadsby

University of Missouri Press, 2006

It is a persistent image in Caribbean literature. But for Caribbean women especially, salt—particularly the image of sucking salt—has long signified how they have endured hardship and found ways to transcend it.
            In this study of Caribbean women writers, Meredith Gadsby examines the fiction and poetry of both emigrant and island women to explore strategies they have developed for overcoming the oppression of racism, sexism, and economic deprivation in their lives and work. She first reviews the cultural and historical significance of salt in the Caribbean, then delineates creative resistance to oppression as expressed in the literature of Caribbean women writing about their migration to the United States, Great Britain, and Canada.           
            From British poet Dorothea Smartt to Edwidge Danticat of New York’s Haitian community—and with a special emphasis on the creative artistry of Paule Marshall—Gadsby shows how, through migration, these writers’ protagonists move into and through metropolitan spaces to create new realities for themselves, their families, and their communities. Her work draws on critical and ethnographic studies as well as creative works to take in a range of topics, not only considering the salty sexuality of calypso songs and offering new insights into Jamaican slackness culture but also plumbing her own family history to weave the travels of her mother and aunts from Barbados into her studies of migrating writers.
Through these close readings, Gadsby shows that Caribbean women express complex identities born out of migration and develop practical approaches to hardship that enable them to negotiate themselves out of difficulty. Her innovative study reveals that “sucking salt” is an articulation of a New World voice connoting adaptation, improvisation, and creativity—and lending itself to new understandings of diaspora, literature, and feminism.
[more]
cover of Sugar Bush Babies: Stories of My Ojibwe Grandmother

Sugar Bush Babies

Stories of My Ojibwe Grandmother

Janis A. Fairbanks

University of Minnesota Press, 2025

A memoir of lessons learned from an Ojibwe grandmother during the time of Relocation
 

Why, her mother asked, did Janis keep running away from kindergarten? She wanted to go home. But not to the house they had just moved to in Duluth, with its gravel yard and traffic noise. She was a country girl, and home was the log cabin among the wildflowers on the Leech Lake Indian Reservation in Bena, Minnesota. Knowing they were now going to stay in the city, Janis’s parents offered her a compromise: during the summer, Janis could leave the bustle of Duluth and live with her grandmother on the Fond du Lac Reservation, listening to stories, learning Ojibwe, and finding her place in the world. In Sugar Bush Babies, Janis A. Fairbanks returns to that time of Relocation, dislocation, and discovery, taking us home with her through stories of childhood and lessons learned at her grandmother’s knee, enveloped in love and tradition.

 

Through the eyes of a child and the teachings of an elder, Fairbanks revisits her life during Indian Relocation from reservations to urban areas, from Ojibwe villages to white communities whose ideas about Indians came from Hollywood Westerns. Recalling her early childhood at Leech Lake, her school days in Duluth, and her summers in Fond du Lac, Janis brings the gifts of living history full circle, continuing the traditions of carrying family lore, women’s wisdom, and Indigenous culture from generation to generation.

 

There are tales told at nighttime or during thunderstorms; lessons in Native medicine; stories of Grandma’s recollections of boarding school, Daddy’s days as a lumberjack, and Mother’s special powers; memories of wash days and dancing, of powwows and Girl Scout camp, of snaring rabbits, selling lilacs, and attending the circus. A lyrical memoir, Sugar Bush Babies conveys the eloquence of women speaking and sharing through generations and the lasting power of tradition.

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cover of Sugar Girls & Seamen: A Journey into the World of Dockside Prostitution in South Africa

Sugar Girls & Seamen

A Journey into the World of Dockside Prostitution in South Africa

Henry Trotter

Ohio University Press, 2011

Sugar Girls and Seamen illuminates the shadowy world of dockside prostitution in South Africa, focusing on the women of Cape Town and Durban who sell their hospitality to foreign sailors.

Dockside “sugar girls” work at one of the busiest cultural intersections in the world. Through their continual interactions with foreign seamen, they become major traffickers in culture, ideas, languages, styles, goods, currencies, genes, and diseases. Many learn the seamen’s languages, develop emotional relationships with them, have their babies, and become entangled in vast webs of connection. Henry Trotter argues that these South African women are the ultimate cosmopolitans, the unsung sirens of globalization.

Based on research at the seamen’s nightclubs, plus countless interviews with sugar girls, sailors, club owners, cabbies, bouncers, and barmaids, this book provides a comprehensive account of dockside prostitution at the southern tip of Africa. Through stories, analysis, and firsthand experiences, it reveals this gritty world in all its raw vitality and fragile humanity. Sugar Girls and Seamen is simultaneously racy and light, critical and profound.

[more]
cover of Sunday Afternoon on the Porch: Reflections of a Small Town in Iowa, 1939-1942

Sunday Afternoon on the Porch

Reflections of a Small Town in Iowa, 1939-1942

Everett W. Kuntz

University of Iowa Press, 2008

In 1939, just before graduating from high school in the small town of Ridgeway in northeast Iowa, Everett Kuntz spent his entire savings of $12.50 on a 35mm Argus AF camera. He made a camera case from a worn-out boot, scraps from a tin can, and a clasp from his mother’s purse. For the next several years, especially during the summers when he worked on his parents’ dairy farm, he clicked the shutter of his trusty Argus all around the quiet town.

Everett bought movie reel film in bulk from a mail-order house, rolled his own film, and developed it in a closet at home, but he never had the money to print his photographs. More than two thousand negatives stayed in a box while he married, raised a family, and worked as an electrical engineer in the Twin Cities. When he became ill with cancer in the fall of 2002—sixty years after he had developed the last of his bulk film—Everett opened his time capsule and printed the images from his youth. He died in 2003, having brought his childhood town back to life just as he was leaving it.

A sense of peace radiates from these images. Whether skinny-dipping in the Turkey River, wheelbarrow-racing, threshing oats, milking cows, visiting with relatives after church, or hanging out at the drugstore or the movies, Ridgeway’s hardworking citizens are modest and trusting and luminous in their graceful harmony and their unguarded affection for each other. Visiting the town in 2006 as he was writing the text to accompany these photographs, Jim Heynen crafted vignettes that perfectly complement these rediscovered images by blending fact and fiction to give context and voice to Ridgeway’s citizens.
[more]
cover of Surf and Rescue: George Freeth and the Birth of California Beach Culture

Surf and Rescue

George Freeth and the Birth of California Beach Culture

Patrick Moser

University of Illinois Press, 2022

The mixed-race Hawaiian athlete George Freeth brought surfing to Venice, California, in 1907. Over the next twelve years, Freeth taught Southern Californians to surf and swim while creating a modern lifeguard service that transformed the beach into a destination for fun, leisure, and excitement. Patrick Moser places Freeth’s inspiring life story against the rise of the Southern California beach culture he helped shape and define. Freeth made headlines with his rescue of seven fishermen, an act of heroism that highlighted his innovative lifeguarding techniques. But he also founded California's first surf club and coached both male and female athletes, including Olympic swimming champion and “father of modern surfing” Duke Kahanamoku. Often in financial straits, Freeth persevered as a teacher and lifeguarding pioneer--building a legacy that endured long after his death during the 1919 influenza pandemic.

A compelling merger of biography and sports history, Surf and Rescue brings to light the forgotten figure whose novel way of seeing the beach sparked the imaginations of people around the world.

[more]
cover of Survival Food: North Woods Stories by a Menominee Cook

Survival Food

North Woods Stories by a Menominee Cook

Thomas Pecore Weso

Wisconsin Historical Society Press, 2023

An intimate and engaging Native food memoir

In these coming-of-age tales set on the Menominee Indian Reservation of the 1980s and 1990s, Thomas Pecore Weso explores the interrelated nature of meals and memories. As he puts it, “I cannot separate foods from the moments in my life when I first tasted them.” Weso’s stories recall the foods that influenced his youth in northern Wisconsin: subsistence meals from hunted, fished, and gathered sources; the culinary traditions of the German, Polish, and Swedish settler descendants in the area; and the commodity foods distributed by the government—like canned pork, dried beans, and powdered eggs—that made up the bulk of his family’s pantry. His mom called this “survival food.”

These stories from the author’s teen and tween years—some serious, some laugh-out-loud funny—will take readers from Catholic schoolyards to Native foot trails to North Woods bowling alleys, while providing Weso’s perspective on the political currents of the era. The book also contains dozens of recipes, from turtle soup and gray squirrel stew to twice-baked cheesy potatoes. This follow-up to Weso’s Good Seeds: A Menominee Indian Food Memoir is a hybrid of modern foodways, Indigenous history, and creative nonfiction from a singular storyteller.

2024 Wisconsin Library Association Outstanding Achievement Award 

​
2024 PEN Oakland Josephine Miles Award for Excellence 

Silver winner of the 2023 Midwest Book Award for Cookbooks/Crafts/Hobbies  

Thomas Pecore Weso’s Survival Food was selected by the Wisconsin Center for the Book as the Wisconsin entry in the “Great Reads from Great Places” program of the Library of Congress.



“This book is not only about survival food, but about the singular beauty, creativity, and fortitude that comes out of that survival.”
—Chef Sean Sherman, author, The Sioux Chef’s Indigenous Kitchen 

“Survival Food is interesting because it’s one part cookbook, three parts memoir, one part history, and one part multidisciplinary exploration of its setting, northern Wisconsin."
—James Norton, The Cookbook Test

“Nothing brings people together like good food and good stories. There’s an abundance of both in Thomas Pecore Weso’s latest memoir. As Weso attests, food can bring back happy, loving memories of times that were far from happy. Even a tray of funeral sandwiches brings a kind of comfort. This is a wonderful, honest portrait of northeastern Wisconsin, enlightening even to those of us who call this area home.”
—Jared Santek, Founder & Artistic Director, Write On Door County

“Survival Food provides ample nourishment for the mind and body. . . . The stories, told with humor and affection, are complemented by recipes ranging from mouth-watering instructions for cooking wild asparagus to ever-so-interesting advice for preparing bear stew.”
—Lucille Lang Day, author of Birds of San Pancho and Other Poems of Place and coeditor of Red Indian Road West: Native American Poetry from California 

“His grandmother cooked according to Native traditions; his mother, ‘a nontraditional college student during my teens,’ resorted to instant meals. His grandfather was town constable and days spent with him brought Weso to the meatloaf, sausage and sauerkraut of German and Polish neighbors. Uncle Buddy’s flash car brings buckwheat pancakes to Weso’s mind, and he lived for a time near Cheese Box Curve—so called after a truck hauling dairy products overturned. Weso includes a few recipes, but mostly, Survival Food is an entertaining look back at life in Wisconsin’s rural north.”
—David Luhrssen, Shepherd Express 

“Survival Food: North Woods Stories by a Menominee Cook by Thomas Pecore Weso is a posthumous sequel to his celebrated collection of family stories, Good Seeds: A Menominee Food Memoir. . . . Rich with captivating tales that include driving a convertible on logging roads, agreeing on terms before throwing eggs at passing cars, and his grandmother’s brief stay in a jailhouse she’d later purchase, Weso’s entries offer readers catharsis—demonstrating how to laugh, boast, debate, eat, mourn, and heal.”
—Ryan Winn, College of Menominee Nation, Tribal College Journal 


 
[more]
cover of Surviving in Two Worlds: Contemporary Native American Voices

Surviving in Two Worlds

Contemporary Native American Voices

By Lois Crozier-Hogle and Darryl Babe Wilson

University of Texas Press, 1997

Surviving in Two Worlds brings together the voices of twenty-six Native American leaders. The interviewees come from a variety of tribal backgrounds and include such national figures as Oren Lyons, Arvol Looking Horse, John Echohawk, William Demmert, Clifford Trafzer, Greg Sarris, and Roxanne Swentzell.

Their interviews are divided into five sections, grouped around the themes of tradition, history and politics, healing, education, and culture. They take readers into their lives, their dreams and fears, their philosophies and experiences, and show what they are doing to assure the survival of their peoples and cultures, as well as the earth as a whole. Their analyses of the past and present, and especially their counsels for the future, are timely and urgent.

[more]
cover of Sweet and Sour Pie: A Wisconsin Boyhood

Sweet and Sour Pie

A Wisconsin Boyhood

Dave Crehore

University of Wisconsin Press, 2009

As a young boy, Dave Crehore moved with his parents from northern Ohio to the shipbuilding town of Manitowoc on the shores of Wisconsin’s Lake Michigan, where the Germanic inhabitants punctuate their conversations with “enso,” the local radio station interrupts Beethoven for commercials, and the outdoors are a wellspring of enlightenment.
    Crehore’s stories of his youth in 1950s Wisconsin are peppered with engaging characters and a quiet wit. A grouse-hunting expedition goes awry when an eccentric British businessman bags an escaped bantam rooster with a landing net. Crehore's great-grandfather gets in trouble one Christmas when he sneaks a whoopee-cushion under a guest’s seat. The elderly Frau Blau gets trapped in an outhouse by a shady auctioneer during a farm sale. Through all the adventures—and misadventures—in a small town and in the great outdoors of Wisconsin, family is always at the center. This gently humorous look back at a baby-boomer’s awakening to adulthood will be appreciated by members of any generation.
 
 
Honorable Mention, Kingery/Derleth Book Length Nonfiction, Council for Wisconsin Writers

Finalist, Humor, Midwest Book Awards
 
 
[more]