2194 books match the query 'Women's Studies' and 186 start with s

cover of Signs: Journal of Women in Culture and Society, volume 48 number 2 (Winter 2023)

Signs

Journal of Women in Culture and Society, volume 48 number 2 (Winter 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 48 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 48 number 3 (Spring 2023)

Signs

Journal of Women in Culture and Society, volume 48 number 3 (Spring 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 48 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 48 number 4 (Summer 2023)

Signs

Journal of Women in Culture and Society, volume 48 number 4 (Summer 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 48 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 49 number 1 (Autumn 2023)

Signs

Journal of Women in Culture and Society, volume 49 number 1 (Autumn 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 49 issue 1 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 49 number 2 (Winter 2024)

Signs

Journal of Women in Culture and Society, volume 49 number 2 (Winter 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 49 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 49 number 3 (Spring 2024)

Signs

Journal of Women in Culture and Society, volume 49 number 3 (Spring 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 49 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 49 number 4 (Summer 2024)

Signs

Journal of Women in Culture and Society, volume 49 number 4 (Summer 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 49 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 50 number 1 (Autumn 2024)

Signs

Journal of Women in Culture and Society, volume 50 number 1 (Autumn 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 50 issue 1 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 50 number 2 (Winter 2025)

Signs

Journal of Women in Culture and Society, volume 50 number 2 (Winter 2025)

The University of Chicago Press

University of Chicago Press Journals, 2025

This is volume 50 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 50 number 3 (Spring 2025)

Signs

Journal of Women in Culture and Society, volume 50 number 3 (Spring 2025)

The University of Chicago Press

University of Chicago Press Journals, 2025

This is volume 50 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 50 number 4 (Summer 2025)

Signs

Journal of Women in Culture and Society, volume 50 number 4 (Summer 2025)

The University of Chicago Press

University of Chicago Press Journals, 2025

This is volume 50 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 51 number 1 (Autumn 2025)

Signs

Journal of Women in Culture and Society, volume 51 number 1 (Autumn 2025)

The University of Chicago Press

University of Chicago Press Journals, 2025

This is volume 51 issue 1 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 51 number 2 (Winter 2026)

Signs

Journal of Women in Culture and Society, volume 51 number 2 (Winter 2026)

The University of Chicago Press

University of Chicago Press Journals, 2026

This is volume 51 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 51 number 3 (Spring 2026)

Signs

Journal of Women in Culture and Society, volume 51 number 3 (Spring 2026)

The University of Chicago Press

University of Chicago Press Journals, 2026

This is volume 51 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 51 number 4 (Summer 2026)

Signs

Journal of Women in Culture and Society, volume 51 number 4 (Summer 2026)

The University of Chicago Press

University of Chicago Press Journals, 2026

This is volume 51 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Siren Songs: Gender, Audiences, and Narrators in the Odyssey

Siren Songs

Gender, Audiences, and Narrators in the Odyssey

Lillian Eileen Doherty

University of Michigan Press, 1995

In Siren Songs: Gender, Audiences, and Narrators in the Odyssey, Lillian Eileen Doherty shows us that the attitude of Odysseus, as well as of the Odyssey, is highly ambivalent toward women. Odysseus rewards supportive female characters by treating them as privileged members of the audience for his own tales. At the same time, dangerous female narrators--who threaten to disrupt or revise the hero's story--are discredited by the narrative framework in which their stories appear.
Siren Songs synthesizes audience-oriented and narratological approaches, and examines the relationships among three kinds of audiences: internal, implied, and actual. The author prefaces her own reading of the Odyssey with an analysis of the issues posed by the earlier feminist readings on which she builds. Should the Odyssey be read as a "closed" text, that is, as one whose meaning is highly determined, or as an "open" text whose contradictions and ambiguities undercut its overt meanings?
Siren Songs presents a feminist critique of the Odyssey in an accessible manner aimed at a more general audience. All Greek is translated, and critical terminology is clearly defined.
Lillian Eileen Doherty is Associate Professor of Classics, University of Maryland, College Park.
[more]
cover of Sisters and Workers in the Middle Ages

Sisters and Workers in the Middle Ages

Edited by Judith M. Bennett, Elizabeth A. Clark, Jean F. O'Barr, B. Anne Vilen,

University of Chicago Press, 1989

Focusing on medieval women with a wide range of occupations and life-styles, the interdisciplinary essays in this collection examine women's activities within the patriarchal structures of the time. Individual essays explore women's challenges to a sexual ideology that confined them strictly to the roles of wives, mothers, and servants. Also included are sections on women and work, cultural production and literacy, and religious life.

These essays provide a greater understanding of the ways in which gender has played a part in determining relations of power in Western cultures. This volume makes a vital contribution to the current scholarship about women in the Middle Ages.
[more]
cover of Sisters for Justice: Small Acts in the Transformation of Apartheid South Africa

Sisters for Justice

Small Acts in the Transformation of Apartheid South Africa

Catherine Higgs

University of Wisconsin Press, 2025

Sisters for Justice explores the activism of a select number of Catholic religious sisters in South Africa, beginning in the 1960s. Catherine Higgs analyzes how these individuals’ seemingly small actions in a variety of spheres helped shift policy and contribute to the dismantling of the apartheid state. As she reveals, they helped provide basic medical services to displaced Africans, opened private convent schools to children of all races despite segregationist laws, advocated for African pension rights, served on justice and peace commissions, and joined protests—all while working within the context of a hierarchical male-led church initially hesitant to criticize a state openly hostile to Catholics.

Based on extensive oral history interviews with white and Black sisters as well as deep archival research, this groundbreaking book reveals a largely untold story, nested within the broader literature of women’s activism in South Africa. The result is a new perspective that expands and intensifies our understanding of a dramatic period during which individual actions, in the aggregate, contributed to social change.
[more]
cover of Sisters in Spirit: Mormon Women in Historical and Cultural Perspective

Sisters in Spirit

Mormon Women in Historical and Cultural Perspective

Edited by Maureen Ursenbach Beecher and Lavina Fielding Anderson

University of Illinois Press, 1987

This book of essays about Mormon women, all written and edited by scholars who are themselves Mormon women, is a brave and important work. Readers will fully appreciate just how brave and important it really is, however, if they can see how this work of historical theology fits into the history of historical writing about Mormon women, as well as how it fits into Mormon history itself.
 
"The women who contributed to this book are among the best of the Mormon literati . . . [they] hold that there is hope within the church for change, for reform, for expansion of the place of women." -- Women's Review of Books
 
"Historians of women in America have a great deal to learn from the history of Mormon women. This fine set of essays provides an excellent introduction to a subject about which we should all know more." -- Anne Firor Scott, author of Making the Invisible Woman Visible.
 
[more]
cover of Sisters in the Faith: Shaker Women and Equality of the Sexes

Sisters in the Faith

Shaker Women and Equality of the Sexes

Glendyne R. Wergland

University of Massachusetts Press, 2011

In 1788, following the death of charismatic founder Mother Ann Lee, the celibate religious group known as the Shakers set out to institutionalize equality of the sexes in their theology, government, and daily practice. In this book, Glendyne Wergland evaluates how well they succeeded in that mission by examining the experiences of women within Shaker communities over more than a century. 

Drawing on an extensive archive of primary documents, Wergland discusses topics ranging from girlhood, health, and dress to why women joined the Shakers and how they were viewed by those outside their community. She analyzes the division of labor between men and women, showing that there was considerable cooperation and reciprocity in carrying out most tasks—from food production to laundering to gathering firewood—even as gendered conflicts remained. 

In her conclusion, Wergland draws together all of these threads to show that Shaker communities achieved a remarkable degree of gender equality at a time when women elsewhere still suffered under the legal and social strictures of the traditional patriarchal order. In so doing, she argues, the experience of Shaker women served as a model for promoting women's rights in American political culture.

[more]
cover of Skeptical Feminism: Activist Theory, Activist Practice

Skeptical Feminism

Activist Theory, Activist Practice

Carolyn Dever

University of Minnesota Press, 2003

A clarion call for a new approach to feminist thought

In this major work, Carolyn Dever considers the ambivalence or outright hostility many feminists feel toward theory, arguing that a fundamental skepticism toward abstraction has been vital to the development of the movement.

Dever analyzes the politics of feminist theory by looking at its popular, activist, and academic modes, from the liberation movements of the 1970s to gender and queer studies now. Using key moments in the history of modern feminism-consciousness-raising, best-selling books like Sexual Politics by Kate Millett and The Women’s Room by Marilyn French, and media representations of women’s struggle for equality—Dever outlines heated debates over psychoanalysis, sexuality, and activism. The abstract and the grounded converge in discussions about the relationship between the feminist mind and the feminist body and in the preoccupation, both uneasy and utopian, with lesbian sexuality. Powerful, illuminating, and galvanizing, Skeptical Feminism traces the strategies the women’s movement has used to make theory matter—and points toward a new, politically engaged approach to feminist thought.
[more]
cover of Skin Deep, Spirit Strong: The Black Female Body in American Culture

Skin Deep, Spirit Strong

The Black Female Body in American Culture

Kimberly Wallace-Sanders, Editor

University of Michigan Press, 2002

The essays in Skin Deep, Spirit Strong: The Black Female Body in American Culture chart the ways that the simultaneous interrogation of gender, race, and corporeality shape the construction of black female representation. Kimberly Wallace-Sanders has enlisted a wide variety of scholarly perspectives and critical approaches about the place of black women's bodies within the American cultural consciousness. An impressive gathering of essays and visual art by feminist scholars and artists, the book presents a persuasive argument for broadening the ongoing scholarly conversations about the body. It makes clear that the most salient discourses in poststructuralist and feminist theory are made richer and more complex when the black female body is considered.
The collection blends original and classic essays to reveal the interconnections among art, literature, public policy, the history of medicine, and theories about sexuality with regard to bodies that are both black and female. Contributors include Rachel Adams, Elizabeth Alexander, Lisa Collins, Bridgette Davis, Lisa E.Farrington, Anne Fausto-Sterling, Beverly Guy-Sheftall, Evelynn Hammonds, Terri Kapsalis, Jennifer L. Morgan, Siobhan B. Somerville, Kimberly Wallace-Sanders, Carla Williams, and Doris Witt.
Skin Deep, Spirit Strong: The Black Female Body in American Culture will appeal to both the academic reader attempting to integrate race into discussion about the female body and to the general reader curious about the history of black female representation.
Kimberly Wallace-Sanders is Assistant Professor, Graduate Institute of Liberal Arts and Institute of Women's Studies, Emory University.
[more]
cover of Smoking and Pregnancy: The Politics of Fetal Protection

Smoking and Pregnancy

The Politics of Fetal Protection

Oaks, Laury

Rutgers University Press, 2001

The 1966 edition of the leading medical textbook states that pregnant women can safely smoke half a pack of cigarettes a day. Yet today, women who smoke during pregnancy are among the most vilified figures in public health campaigns. Laury Oaks argues this shift is not due solely to medical findings indicating that cigarette smoking may harm the fetus. Also responsible are a variety of social factors that converged more than a decade ago to construct the demonized category of the “pregnant smoker.”

This book charts the emergence of smoking during pregnancy as a public health concern and social problem. Oaks looks at the emphasis public health educators place on individual responsibility, the current legal and social assertion of fetal personhood, the changing expectations of pregnant and prepregnant women, and the advent of antismoking campaigns. She explores how public health educators discuss “the problem” with one another, how they communicate with pregnant smokers, and how these women themselves understand the “risk” of fetal harm. Finally, Oaks discusses the various meanings of “objective” statistics on the effects of smoking on the fetus, exploring the significance of cultural context in assessing the relative importance of those numbers. She argues that rather than bombarding pregnant women with statistics, health educators should consider the daily lives of these women and their socioeconomic status to understand why some women choose to smoke during pregnancy. Without downplaying the seriousness of the health risks that smoking poses to women and their babies, the book supports new efforts that challenge the moral policing of pregnant smokers.

[more]
cover of Sojourning for Freedom: Black Women, American Communism, and the Making of Black Left Feminism

Sojourning for Freedom

Black Women, American Communism, and the Making of Black Left Feminism

Erik S. McDuffie

Duke University Press, 2011

Sojourning for Freedom portrays pioneering black women activists from the early twentieth century through the 1970s, focusing on their participation in the U.S. Communist Party (CPUSA) between 1919 and 1956. Erik S. McDuffie considers how women from diverse locales and backgrounds became radicalized, joined the CPUSA, and advocated a pathbreaking politics committed to black liberation, women’s rights, decolonization, economic justice, peace, and international solidarity. McDuffie explores the lives of black left feminists, including the bohemian world traveler Louise Thompson Patterson, who wrote about the “triple exploitation” of race, gender, and class; Esther Cooper Jackson, an Alabama-based civil rights activist who chronicled the experiences of black female domestic workers; and Claudia Jones, the Trinidad-born activist who emerged as one of the Communist Party’s leading theorists of black women’s exploitation. Drawing on more than forty oral histories collected from veteran black women radicals and their family members, McDuffie examines how these women negotiated race, gender, class, sexuality, and politics within the CPUSA. In Sojourning for Freedom, he depicts a community of radical black women activist intellectuals who helped to lay the foundation for a transnational modern black feminism.
[more]
cover of Soldiers' Stories: Military Women in Cinema and Television since World War II

Soldiers' Stories

Military Women in Cinema and Television since World War II

Yvonne Tasker

Duke University Press, 2011

From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers’ Stories, Yvonne Tasker traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the Second World War, women were portrayed as auxiliaries, temporary necessities of “total war.” Later, nursing, with its connotations of feminine care, offered a solution to the “gender problem.” From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers’ Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, Tasker relates female soldiers’ provocative presence to contemporaneous political and cultural debates and to the ways that women’s labor and bodies are understood and valued.
[more]
cover of Solidarity & Care: Domestic Worker Activism in New York City

Solidarity & Care

Domestic Worker Activism in New York City

Alana Lee Glaser

Temple University Press, 2023

The members of the Domestic Workers United (DWU) organization—immigrant women of color employed as nannies, caregivers, and housekeepers in New York City—formed to fight for dignity and respect and to “bring meaningful change” to their work. Alana Lee Glaser examines the process of how these domestic workers organized against precarity, isolation, and exploitation to help pass the 2010 New York State Domestic Worker Bill of Rights, the first labor law in the United States protecting in-home workers.
 
Solidarity & Care examines the political mobilization of diverse care workers who joined together and supported one another through education, protests, lobbying, and storytelling. Domestic work activists used narrative and emotional appeals to build a coalition of religious communities, employers of domestic workers, labor union members, and politicians to first pass and then to enforce the new law.
 
Through oral history interviews, as well as ethnographic observation during DWU meetings and protest actions, Glaser chronicles how these women fought (and continue to fight) to improve working conditions. She also illustrates how they endure racism, punitive immigration laws, on-the-job indignities, and unemployment that can result in eviction and food insecurity.
 
The lessons from Solidarity & Care along with the DWU’s precedent-setting legislative success have applications to workers across industries.
 
All royalties will go directly to the Domestic Workers United
 
[more]
cover of Some Kind of Mirror: Creating Marilyn Monroe

Some Kind of Mirror

Creating Marilyn Monroe

Konkle, Amanda

Rutgers University Press, 2019

Although she remains one of the all-time most recognizable Hollywood icons, Marilyn Monroe has seldom been ranked among the greatest actors of her generation. Critics have typically viewed her film roles as mere extensions of her sexpot star persona. Yet this ignores both the subtle variations between these roles and the acting skill that went into the creation of Monroe’s public persona.
 
Some Kind of Mirror offers the first extended scholarly analysis of Marilyn Monroe’s film performances, examining how they united the contradictory discourses about women’s roles in 1950s America. Amanda Konkle suggests that Monroe’s star persona resonated with audiences precisely because it engaged with the era’s critical debates regarding femininity, sexuality, marriage, and political activism. Furthermore, she explores how Monroe drew from the techniques of Method acting and finely calibrated her performances to better mirror her audience’s anxieties and desires.
 
Drawing both from Monroe’s filmography and from 1950s fan magazines, newspaper reports, and archived film studio reports, Some Kind of Mirror considers how her star persona was coauthored by the actress, the Hollywood publicity machine, and the fans who adored her. It is about why 1950s America made Monroe a star, but it is also about how Marilyn defined an era.  
[more]
cover of Somebody's Children: The Politics of Transracial and Transnational Adoption

Somebody's Children

The Politics of Transracial and Transnational Adoption

Laura Briggs

Duke University Press, 2012

In Somebody's Children, Laura Briggs examines the social and cultural forces—poverty, racism, economic inequality, and political violence—that have shaped transracial and transnational adoption in the United States during the second half of the twentieth century and the first decade of the twenty-first. Focusing particularly on the experiences of those who have lost their children to adoption, Briggs analyzes the circumstances under which African American and Native mothers in the United States and indigenous and poor women in Latin America have felt pressed to give up their children for adoption or have lost them involuntarily.

The dramatic expansion of transracial and transnational adoption since the 1950s, Briggs argues, was the result of specific and profound political and social changes, including the large-scale removal of Native children from their parents, the condemnation of single African American mothers in the context of the civil rights struggle, and the largely invented "crack babies" scare that inaugurated the dramatic withdrawal of benefits to poor mothers in the United States. In Guatemala, El Salvador, and Argentina, governments disappeared children during the Cold War and then imposed neoliberal economic regimes with U.S. support, making the circulation of children across national borders easy and often profitable. Concluding with an assessment of present-day controversies surrounding gay and lesbian adoptions and the struggles of immigrants fearful of losing their children to foster care, Briggs challenges celebratory or otherwise simplistic accounts of transracial and transnational adoption by revealing some of their unacknowledged causes and costs.

[more]
cover of Songprints: The Musical Experience of Five Shoshone Women

Songprints

The Musical Experience of Five Shoshone Women

Judith Vander

University of Illinois Press, 1988

Perspectives on the twentieth-century lives of Shoshone women musicians

The musical lives of Native American women have experienced a century of cultural change and constancy. Judith Vander takes readers to the Shoshone of Wyoming's Wind River Reservation to meet five generations of Shoshone women. Vander’s conversations with Emily, Angelina, Alberta, Helene, and Lenore capture their distinct personalities as they share their thoughts, feelings, and attitudes toward their music.

Vander transcribes and analyzes seventy-five songs that the women sing. Each woman possesses a unique songprint—a repertoire distinctive to her culture, age, and personality. As Vander shows, the context of Shoshone social and religious ceremonies offers insights into the rise of the Native American Church, the emergence and popularity of the contemporary powwow, and the changing, enlarging role of women. In addition, two eyewitnesses accounts of Ghost Dance songs and performances elaborate on the function and meaning of the Ghost Dance among the Wind River Shoshones.

2nd Place from the Pauline Alderman Prize for New Scholarship on Women in Music from the International Congress on Women in Music. Winner of an ASCAP Deems Taylor Award, 1989.

[more]
cover of Sophie Taeuber-Arp and the Avant-Garde: A Biography

Sophie Taeuber-Arp and the Avant-Garde

A Biography

Roswitha Mair

University of Chicago Press, 2018

Sophie Taeuber-Arp was a quiet innovator whose fame has too often been yoked to that of her husband, Jean Arp. Over time, however, she has slowly come to be seen as one of the foremost abstract artists and designers of the twentieth century. The Swiss-born Taeuber-Arp had a front row seat to the first wave of Dadaism and was, along with Mondrian and Malevich, a pioneer of Constructivism. Her singular artwork incorporated painting, sculpture, dance, fiber arts, and architecture, as hers was one of the first oeuvres to successfully bridge the divide between fine and functional art.
 
Now Roswitha Mair has brought us the first biography of this unique polymath, illuminating not just Tauber-Arp’s own life and work, but also the various milieux and movements in which she traveled.  No fan of the Dadaists and their legacy will want to miss this first English-language translation.
 
[more]
cover of Sorcery and Sovereignty: Taxation, Power, and Rebellion in South Africa, 1880–1963

Sorcery and Sovereignty

Taxation, Power, and Rebellion in South Africa, 1880–1963

Sean Redding

Ohio University Press, 2006

Rebellions broke out in many areas of South Africa shortly after the institution of white rule in the late nineteenth century and continued into the next century. However, distrust of the colonial regime reached a new peak in the mid-twentieth century, when revolts erupted across a wide area of rural South Africa. All these uprisings were rooted in grievances over taxes. Rebels frequently invoked supernatural powers for assistance and accused government officials of using witchcraft to enrich themselves and to harm ordinary people.

As Sean Redding observes in Sorcery and Sovereignty, beliefs in witchcraft and supernatural powers were part of the political rhetoric; the system of taxation—with all its prescribed interactions between ruler and ruled—was intimately connected to these supernatural beliefs.

In this fascinating study, Redding examines how black South Africans’ beliefs in supernatural powers, along with both economic and social change in the rural areas, resulted in specific rebellions and how gender relations in black South African rural families changed. Sorcery and Sovereignty explores the intersection of taxation, political attitudes, and supernatural beliefs among black South Africans, shedding light on some of the most significant issues in the history of colonized Africa.

[more]
cover of Sounding the Modern Woman: The Songstress in Chinese Cinema

Sounding the Modern Woman

The Songstress in Chinese Cinema

Jean Ma

Duke University Press, 2015

From the beginning of the sound cinema era, singing actresses captivated Chinese audiences. In Sounding the Modern Woman, Jean Ma shows how their rise to stardom attests to the changing roles of women in urban modernity and the complex symbiosis between the film and music industries. The songstress—whether appearing as an opera actress, showgirl, revolutionary, or country lass—belongs to the lineage of the Chinese modern woman, and her forty year prevalence points to a distinctive gendering of lyrical expression in Chinese film. Ma guides readers through film history by way of the on and off-screen careers of many of the most compelling performers in Chinese film history, such as Zhou Xuan and Grace Chang, revealing the ways that national crises and Cold War conflict shaped their celebrity. As a bridge between the film cultures of prewar Shanghai and postwar Hong Kong, the songstress brings into view a dense web of connections linking these two periods and places that cut across the divides of war, national politics, and geography.
[more]
cover of South Asian Feminisms

South Asian Feminisms

Ania Loomba and Ritty A. Lukose, eds.

Duke University Press, 2012

During the past forty years, South Asia has been the location and the focus of dynamic, important feminist scholarship and activism. In this collection of essays, prominent feminist scholars and activists build on that work to confront pressing new challenges for feminist theorizing and practice. Examining recent feminist interventions in India, Pakistan, Sri Lanka, and Bangladesh, they address feminist responses to religious fundamentalism and secularism; globalization, labor, and migration; militarization and state repression; public representations of sexuality; and the politics of sex work. Their essays attest to the diversity and specificity of South Asian locations and feminist concerns, while also demonstrating how feminist engagements in the region can enrich and advance feminist theorizing globally.

Contributors. Flavia Agnes, Anjali Arondekar, Firdous Azim, Anannya Bhattacharjee, Laura Brueck, Angana P. Chatterji, Malathi de Alwis, Toorjo Ghose, Amina Jamal, Ratna Kapur, Lamia Karim, Ania Loomba, Ritty A. Lukose, Vasuki Nesiah, Sonali Perera, Atreyee Sen, Mrinalini Sinha, Ashwini Sukthankar

[more]
cover of Southern Discomfort: Women's Activism in Tampa, Florida, 1880s-1920s

Southern Discomfort

Women's Activism in Tampa, Florida, 1880s-1920s

Nancy A. Hewitt

University of Illinois Press, 2001

Linked to the Caribbean and southern Europe as well as to the Confederacy, the Cigar City of Tampa, Florida, never fit comfortably into the biracial mold of the New South. Nancy A. Hewitt explores the interactions among distinct groups of women--native-born white, African American, Cuban and Italian immigrant women--that shaped women's activism in the vibrant, multiethnic city.

Hewitt emphasizes the process by which women forged and reformulated their activist identities from Reconstruction through the U.S. declaration of war against Spain in April 1898, the industrywide cigar strike of 1901, and the emergence of progressive reform and labor militancy. She also recasts our understanding of southern history by demonstrating how Tampa's triracial networks alternately challenged and re-inscribed the South's biracial social and political order.

[more]
cover of Southern Womanhood and Slavery: A Biography of Louisa S. McCord, 1810-1879

Southern Womanhood and Slavery

A Biography of Louisa S. McCord, 1810-1879

Leigh Fought

University of Missouri Press, 2018

Southern Womanhood and Slavery is the first full-length biography of Louisa S. McCord, one of the most intriguing intellectuals in antebellum America. The daughter of South Carolina planter and politician Langdon Cheves, and an essayist in her own right, McCord supported unregulated free trade and the perpetuation of slavery and opposed the advancement of women’s rights. This study examines the origins of her ideas.

Leigh Fought constructs an exciting narrative that follows McCord from her childhood as the daughter of a state representative and president of the Bank of the United States through her efforts to accept her position as wife and mother, her career as an author and plantation mistress, and the Union invasion of South Carolina during the Civil War, to the end of her life in the emerging New South. Fought analyzes McCord’s poetry, letters, and essays in an effort to comprehend her acceptance of slavery and the submission of women. Fought concludes that McCord came to a defense of slavery through her experience with free labor in the North, which also reinforced her faith in the paternalist model for preserving social order.

McCord’s life as a writer on “unfeminine” subjects, her reputation as strong-minded and masculine, her late marriage, her continued ownership of her plantation after marriage, and her position as the matron of a Civil War hospital contradicted her own philosophy that women should remain the quiet force behind their husbands. She lived during a time of social flux in which free labor, slavery, and the role of women underwent dramatic changes, as well as a time that enabled her to discover and pursue her intellectual ambitions. Fought examines the conflict that resulted when those ambitions clashed with McCord’s role as a woman in the society of the South.

McCord’s voice was an interesting, articulate, and necessary feminine addition to antebellum white ideology. Moreover, her story demonstrates the ways in which southern women negotiated through patriarchy without surrendering their sense of self or disrupting the social order. Engaging and very readable, Southern Womanhood and Slavery will be of special interest to students of southern history and women’s studies, as well as to the general reader.

[more]
cover of Southern Women at the Millennium: A Historical Perspective

Southern Women at the Millennium

A Historical Perspective

Edited by Melissa Walker, Jeanette R. Dunn, & Joe P. Dunn, & Intro by Joe P. Dunn

University of Missouri Press, 2003

This collection of essays by eight scholars of southern women’s history traces the evolution of southern women’s lives during the twentieth century. Throughout this era, southern life, and in particular the opportunities for southern women, changed dramatically as southern women have taken leadership roles in business, government, education, and social programs.
The essayists employ a variety of approaches, ranging from case studies to historical overviews, but they all carefully place the developments in southern women’s lives in a national context. Most important, each author seeks to understand the nature of change in these women’s lives over the last century and to forecast the course of their lives in the future.
The first effort to synthesize research on southern women during this period, this collection will be useful to both scholars and students of southern history. Students will be provided with an introduction to women’s involvement in many areas of southern society, while scholars will appreciate the essays as a guide to new directions for research.
[more]
cover of Sovereign Women in a Muslim Kingdom: The Sultanahs of Aceh, 1641-1699

Sovereign Women in a Muslim Kingdom

The Sultanahs of Aceh, 1641-1699

Sher Banu Khan

National University of Singapore Press, 2018

The Islamic kingdom of Aceh was ruled by queens for half of the 17th century. Was female rule an aberration? Unnatural? A violation of nature, comparable to hens instead of roosters crowing at dawn? Indigenous texts and European sources offer different evaluations. Drawing on both sets of sources, this book shows that female rule was legitimised both by Islam and adat (indigenous customary laws), and provides original insights on the Sultanah’s leadership, their relations with male elites, and their encounters with European envoys who visited their court. The book challenges received views on kingship in the Malay world and the response of indigenous polities to east-west encounters in Southeast Asia’s Age of Commerce.
[more]
cover of Soviet Signoras: Personal and Collective Transformations in Eastern European Migration

Soviet Signoras

Personal and Collective Transformations in Eastern European Migration

Martina Cvajner

University of Chicago Press, 2019

Across the Western world, the air is filled with talk of immigration. The changes brought by immigration have triggered a renewed fervor for isolationism able to shutter political traditions and party systems. So often absent from these conversations on migration are however the actual stories and experiences of the migrants themselves. In fact, migration does not simply transport people. It also changes them deeply. Enter Martina Cvajner’s Soviet Signoras, a far-reaching ethnographic study of two decades in the lives of women who migrated to northern Italy from several former Soviet republics.

Cvajner details the personal and collective changes brought about by the experience of migration for these women: from the first hours arriving in a new country with no friends, relatives, or existing support networks, to later remaking themselves for their new environment. In response to their traumatic displacement, the women of Soviet Signoras—nearly all of whom found work in their new Western homes as elder care givers—refashioned themselves in highly sexualized, materialistic, and intentionally conspicuous ways. Cvajner’s focus on overt sexuality and materialism is far from sensationalist, though. By zeroing in on these elements of personal identity, she reveals previously unexplored sides of the social psychology of migration, coloring our contemporary discussion with complex shades of humanity.
[more]
cover of Spaces Of Their Own: Women’s Public Sphere in Transnational China

Spaces Of Their Own

Women’s Public Sphere in Transnational China

Mayfair Mei-Hui Yang

University of Minnesota Press, 1999

An exploration of women’s public expression--in China and beyond.

How are the public and political lives of Chinese women constrained by states and economies? And how have pockets of women’s consciousness come to be produced in and disseminated from this traditionally masculine milieu? The essays in this volume examine the possibilities for a public sphere for Chinese women, one that would emerge from concrete historical situations and local contexts and also cut across the political boundaries separating the Mainland, Taiwan, Hong Kong, and the West.

The challenges of this project are taken up in essays on the legacy of state feminism on the Mainland as contrasted with a grassroots women’s movement in Taiwan; on the role of the capitalist consumer economy in the emerging lesbian movement in Taiwan; and on the increased trafficking of women as brides, prostitutes, and mistresses between the Mainland and wealthy male patrons in Taiwan and Hong Kong. The writers’ examples of masculine domination in the media include the reformulation of Chinese women in Fifth Generation films for a transnational Western male film audience and the portrayal of Mainland women in Taiwanese and Hong Kong media. The contributors also consider male nationalism as it is revealed through both international sports coverage on television and in a Chinese television drama. Other works examine a women’s museum, a telephone hotline in Beijing, the films of Hong Kong filmmaker Ann Hui, the transnational contacts of a Taiwanese feminist organization, the diaspora of Mainland women writers, and the differences between Chinese and Western feminist themes.Contributors: Susan Brownell, U of Missouri; Virginia Cornue; Dai Jinhua, Beijing U; Kathleen Erwin; Elaine Yee Lin Ho, Hong Kong U; Lee Yuan-chen, Tamkang U; Li Xiaojiang, Zhengzhou U and Henan U; Lisa Rofel, U of California, Santa Cruz; Tze-lan Deborah Sang, U of Oregon; Shu-mei Shih, UCLA; Zhang Zhen. ISBN 0-8166-3145-X Cloth $49.95xxISBN 0-8166-3146-8 Paper $19.95x336 pages 9 black-and-white photos 5 7/8 x 9 FebruaryPublic Worlds Series, volume 4Translation inquiries: University of Minnesota Press
[more]
cover of Speaking Truths: Young Adults, Identity, and Spoken Word Activism

Speaking Truths

Young Adults, Identity, and Spoken Word Activism

Valerie Chepp

Rutgers University Press, 2022

The twenty-first century is already riddled with protests demanding social justice, and in every instance, young people are leading the charge. But in addition to protesters who take to the streets with handmade placards are young adults who engage in less obvious change-making tactics. In Speaking Truths, sociologist Valerie Chepp goes behind-the-scenes to uncover how spoken word poetry—and young people’s participation in it—contributes to a broader understanding of contemporary social justice activism, including this generation’s attention to the political importance of identity, well-being, and love.
 
Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism’s emphasis on personal storytelling and “truth,” the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change. Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic features of spoken word to empathically connect with others, advance intersectional and systemic analyses of inequality, and make social justice messages relatable across a diverse public. By creating allies and forging connections based on friendship, professional commitments, lived experiences, emotions, artistic kinship, and political views, this activist approach is highly integrated into the everyday lives of its practitioners, online and face-to-face.
 
Chepp argues that spoken word activism is a product of, and a call to action against, the neoliberal era in which poets have come of age, characterized by widening structural inequalities and increasing economic and social vulnerability. She illustrates how this deeply personal and intimate activist approach borrows from, builds upon, and diverges from previous social movement paradigms. Spotlighting the complexity and mutual influence of modern-day activism and the world in which it unfolds, Speaking Truths contributes to our understanding of contemporary social change-making and how neoliberalism has shaped this political generation’s experiences with social injustice.
[more]
cover of Speaking of the Self: Gender, Performance, and Autobiography in South Asia

Speaking of the Self

Gender, Performance, and Autobiography in South Asia

Anshu Malhotra and Siobhan Lambert-Hurley, editors

Duke University Press, 2015

Many consider the autobiography to be a Western genre that represents the self as fully autonomous. The contributors to Speaking of the Self challenge this presumption by examining a wide range of women's autobiographical writing from South Asia. Expanding the definition of what kinds of writing can be considered autobiographical, the contributors analyze everything from poetry, songs, mystical experiences, and diaries to prose, fiction, architecture, and religious treatises. The authors they study are just as diverse: a Mughal princess, an eighteenth-century courtesan from Hyderabad, a nineteenth-century Muslim prostitute in Punjab, a housewife in colonial Bengal, a Muslim Gandhian devotee of Krishna, several female Indian and Pakistani novelists, and two male actors who worked as female impersonators. The contributors find that in these autobiographies the authors construct their gendered selves in relational terms. Throughout, they show how autobiographical writing—in whatever form it takes—provides the means toward more fully understanding the historical, social, and cultural milieu in which the author performs herself and creates her subjectivity.

Contributors: Asiya Alam, Afshan Bokhari, Uma Chakravarti, Kathryn Hansen, Siobhan Lambert-Hurley, Anshu Malhotra, Ritu Menon, Shubhra Ray, Shweta Sachdeva Jha, Sylvia Vatuk
 
[more]
cover of Special Delivery: Epistolary Modes in Modern Fiction

Special Delivery

Epistolary Modes in Modern Fiction

Linda S. Kauffman

University of Chicago Press, 1992

Though letter writing is almost a lost art, twentieth-century writers have mimed the epistolary mode as a means of reevaluating the theme of love. In Special Delivery, Linda S. Kauffman places the narrative treatment of love in historical context, showing how politics, economics, and commodity culture have shaped the meaning of desire.

Kauffman first considers male writers whose works, testing the boundaries of genre and gender, imitate love letters: Viktor Shklovsky's Zoo, Vladimir Nabokov's Lolita, Roland Barthes's A Lover's Discourse, and Jacques Derrida's The Post Card. She then turns to three novels by women who are more preoccupied with politics than passion: Doris Lessing's The Golden Notebook, Alice Walker's The Color Purple, and Margaret Atwood's The Handmaid's Tale. By juxtaposing these "women's productions" with the men's "production of Woman," Special Delivery dismantles the polarities between male and female, theory and fiction, high and low culture, male critical theory, and feminist literary criticism. Kauffman demonstrates how all seven texts mercilessly expose the ideology of individualism and romantic love; each presents alternate paradigms of desire, wrested from Oedipus, grounded in history and politics, giving epistolarity a distinctively postmodern stamp.
[more]
cover of Spectacular Rhetorics: Human Rights Visions, Recognitions, Feminisms

Spectacular Rhetorics

Human Rights Visions, Recognitions, Feminisms

Wendy S. Hesford

Duke University Press, 2011

Spectacular Rhetorics is a rigorous analysis of the rhetorical frameworks and narratives that underlie human rights law, shape the process of cultural and legal recognition, and delimit public responses to violence and injustice. Integrating visual and textual criticism, Wendy S. Hesford scrutinizes “spectacular rhetoric,” the use of visual images and rhetoric to construct certain bodies, populations, and nations as victims and incorporate them into human rights discourses geared toward Westerners, chiefly Americans. Hesford presents a series of case studies critiquing the visual representations of human suffering in documentary films, photography, and theater. In each study, she analyzes works addressing a prominent contemporary human rights cause, such as torture and unlawful detention, ethnic genocide and rape as a means of warfare, migration and the trafficking of women and children, the global sex trade, and child labor. Through these studies, she demonstrates how spectacular rhetoric activates certain cultural and national narratives and social and political relations, consolidates identities through the politics of recognition, and configures material relations of power and difference to produce and, ultimately, to govern human rights subjects.
[more]
cover of Specters of Mother India: The Global Restructuring of an Empire

Specters of Mother India

The Global Restructuring of an Empire

Mrinalini Sinha

Duke University Press, 2006

Specters of Mother India tells the complex story of one episode that became the tipping point for an important historical transformation. The event at the center of the book is the massive international controversy that followed the 1927 publication of Mother India, an exposé written by the American journalist Katherine Mayo. Mother India provided graphic details of a variety of social ills in India, especially those related to the status of women and to the particular plight of the country’s child wives. According to Mayo, the roots of the social problems she chronicled lay in an irredeemable Hindu culture that rendered India unfit for political self-government. Mother India was reprinted many times in the United States, Great Britain, and India; it was translated into more than a dozen languages; and it was reviewed in virtually every major publication on five continents.

Sinha provides a rich historical narrative of the controversy surrounding Mother India, from the book’s publication through the passage in India of the Child Marriage Restraint Act in the closing months of 1929. She traces the unexpected trajectory of the controversy as critics acknowledged many of the book’s facts only to overturn its central premise. Where Mayo located blame for India’s social backwardness within the beliefs and practices of Hinduism, the critics laid it at the feet of the colonial state, which they charged with impeding necessary social reforms. As Sinha shows, the controversy became a catalyst for some far-reaching changes, including a reconfiguration of the relationship between the political and social spheres in colonial India and the coalescence of a collective identity for women.

[more]
cover of Spirit, Structure, and Flesh: Gender and Power in Yoruba African Instituted Churches

Spirit, Structure, and Flesh

Gender and Power in Yoruba African Instituted Churches

Deidre Helen Crumbley

University of Wisconsin Press, 2008

Although popularized in Africa by Western missionaries, the Christian faith as practiced by Africans has acquired unique traits over time. Some of the most radical reinterpretations of Christianity are offered by those churches known as “AICs” (variously, African Initiated, African Instituted, or African Independent Churches)—new denominations founded by Africans skeptical of dogma offered by mainstream churches with roots in European empires. As these churches spread throughout the African diaspora, they have brought with them distinct practices relating to gender. Such practices range from the expectation that women avoid holy objects and sites during menstruation to the maintenance of church structures in which both men and women may be ordained and assigned the same duties and responsibilities.
            How does having a female body affect one’s experience of indigenized Christianity in Africa? Spirit, Structure, and Flesh addresses this question by exploring the ways ritual, symbol, and dogma circumscribe, constrain, and liberate women in AICs. Through detailed description of worship and doctrine, as well as careful analyses of church history and organizational processes, Deidre Helen Crumbley explores gendered experiences of faith and power in three Nigerian indigenous AICs, demonstrating the roles of women in the day-to-day life of these churches.
[more]
cover of Spiritual Mestizaje: Religion, Gender, Race, and Nation in Contemporary Chicana Narrative

Spiritual Mestizaje

Religion, Gender, Race, and Nation in Contemporary Chicana Narrative

Theresa Delgadillo

Duke University Press, 2011

Gloria Anzaldúa’s narrative and theoretical innovations, particularly her concept of mestiza consciousness, have influenced critical thinking about colonialism, gender, history, language, religion, sexuality, spirituality, and subjectivity. Yet Anzaldúa’s theory of spiritual mestizaje has not been extensively studied until now. Taking up that task, Theresa Delgadillo reveals spiritual mestizaje as central to the queer feminist Chicana theorist’s life and thought, and as a critical framework for interpreting contemporary Chicana literary and visual narratives. First mentioned by Anzaldúa in her pioneering book Borderlands/La Frontera, spiritual mestizaje is a transformative process of excavating bodily memory to develop a radical, sustained critique of oppression and renew one’s relation to the sacred. Delgadillo analyzes the role of spiritual mestizaje in Anzaldúa’s work and in relation to other forms of spirituality and theories of oppression. Illuminating the ways that contemporary Chicana narratives visualize, imagine, and enact Anzaldúa’s theory and method of spiritual mestizaje, Delgadillo interprets novels, memoir, and documentaries. Her critical reading of literary and visual technologies demonstrates how Chicanas challenge normative categories of gender, sexuality, nation, and race by depicting alternative visions of spirituality.
[more]
cover of Spitting Image

Spitting Image

Kara van de Graaf

Southern Illinois University Press, 2018

Kara van de Graaf’s debut collection heralds the arrival of an essential new voice in contemporary poetry. Through poems that balance personal recollection with ekphrasis, science, and meditation, Van de Graaf searches for answers in the fluctuating relationship between the body and the self.
 
Taking as its primary theme the exploration of the female body in current culture, Spitting Image considers the myriad intersections of the body and gender, desire, relationships, and otherness. Van de Graaf interrogates underrepresented elements of the female experience, especially the physical, rhetorical, and aesthetic limitations of fatness in poetry and other arts. She then complicates those limitations through her use of innovative forms and imaginative verse, implicitly calling for poetry to engage with the female form in fresh ways. Throughout, Van de Graaf’s poems ask: In a time where we have more agency to define ourselves than ever before, what barriers still remain? What do our bodies mean to who we are?
 
At turns oblique and direct, Van de Graaf’s poems strive to create space for themselves not only in the field of contemporary poetry but also in a larger world that has been prone to ignoring or shaming women for their bodies. That these poems succeed on both counts is a testament to this remarkable new poet, who claims “That millimeter of space that means / all of us are apart, that means / we can never really touch / anything. . . . Yes, I want that, too.”
 
[more]
cover of Splintered Sisterhood: Gender and Class in the Campaign against Woman Suffrage

Splintered Sisterhood

Gender and Class in the Campaign against Woman Suffrage

Susan E. Marshall

University of Wisconsin Press, 1997

When Tennessee became the thirty-sixth and final state needed to ratify the Nineteenth Amendment in August 1920, giving women the right to vote, one group of women expressed bitter disappointment and vowed to fight against “this feminist disease.” Why this fierce and extended opposition? In Splintered Sisterhood, Susan Marshall argues that the women of the antisuffrage movement mobilized not as threatened homemakers but as influential political strategists.
    Drawing on surviving records of major antisuffrage organizations, Marshall makes clear that antisuffrage women organized to protect gendered class interests. She shows that many of the most vocal antisuffragists were wealthy, educated women who exercised considerable political influence through their personal ties to men in politics as well as by their own positions as leaders of social service committees. Under the guise of defending an ideal of “true womanhood,” these powerful women sought to keep the vote from lower-class women, fearing it would result in an increase in the “ignorant vote” and in their own displacement from positions of influence. This book reveals the increasingly militant style of antisuffrage protest as the conflict over female voting rights escalated. Splintered Sisterhood adds a missing piece to the history of women’s rights activism in the United States and illuminates current issues of antifeminism.

[more]
cover of Split: Class Divides Uncovered

Split

Class Divides Uncovered

Ben Tippet

Pluto Press, 2020

In 1990, John Major hailed 'the classless society'; in 1997, New Labour announced that 'we're all middle class now', yet we live in an age where food banks, pay day lenders and zero-hour contracts proliferate: it's clear that class matters. 

Foregrounding the economic nature of class, Split challenges the idea that class can be reduced to the cultural. From precarious labor to rising debt; from the housing crisis to environmental catastrophe; from an inflated prison population to the welfare state; Ben Tippet traces the class divide at the heart of all exploitation. Myth-busting meritocracy, he exposes the role that tax havens, colonialism and inheritance play in the wealth of the elite. 

Split highlights the potential for a diverse and eclectic working-class bloc to fight back in an age of austerity and uncertainty.
[more]
cover of Sportista: Female Fandom in the United States

Sportista

Female Fandom in the United States

Andrei S. Markovits

Temple University Press, 2012

The typical female sports fan remains very different from her male counterparts. In their insightful and engaging book, Sportista, Andrei S. Markovits and Emily Albertson examine the significant ways many women have become fully conversant with sports—acquiring a knowledge of and passion for them as a way of forging identities that until recently were quite alien to women.
 
Sportista chronicles the relationship that women have developed with sports in the wake of the second wave of feminism of the late 1960s and early 1970s. The changes women athletes have achieved have been nothing short of revolutionary. But, as Markovits and Albertson argue, women’s identities as sports fans, though also changed in recent decades, remain notably different from that of men. Sportista highlights the impediments to these changes that women have faced and the reality that, even as bona fide fans, they “speak” sports differently from and remain largely unaccepted by men.

In the series Politics, History and Social Change, edited by John C. Torpey

[more]