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Laura Redden Searing (1839-1923) defied critics of the time by establishing herself as a successful poet, a poet who was deaf. She began writing verse at the Missouri School for the Deaf in 1858, and, under the pseudonym Howard Glyndon, soon found herself catapulted into national prominence by her patriotic Civil War poems. Abraham Lincoln himself bought her books, the most critically acclaimed being Idylls of Battle and Poems of the Rebellion, published in 1864. Her poem “Belle Missouri” became the song of the Missouri Volunteers, and she was sent by the St. Louis Republican newspaper to Washington as a war correspondent.

       Despite her success, detractors decried her poetry simply because she was deaf, asking how she could know anything of rhyme, rhythm, or musical composition. She quieted them with the simple elegance of her words and the sophistication of her allegorical themes. Readers can enjoy her work again in this volume, which features more than 70 of her finest poems. They also will learn her feelings about the constraints imposed on 19th-century women in her epic narrative of misunderstanding and lost love “Sweet Bells Jangled:”

Out of sight of the heated land
Over the breezy sea;
Into the reach of the solemn mist
Quietly drifted we.

Her restoration will be an event welcomed by poetry aficionados everywhere.

A bold new indictment of the racialization of science

Decades of data cannot be ignored: African American adults are far more likely to develop Type 2 diabetes than white adults. But has science gone so far in racializing diabetes as to undermine the search for solutions? In a rousing indictment of the idea that notions of biological race should drive scientific inquiry, Sweetness in the Blood provides an ethnographic picture of biotechnology’s framings of Type 2 diabetes risk and race and, importantly, offers a critical examination of the assumptions behind the recruitment of African American and African-descent populations for Type 2 diabetes research.

James Doucet-Battle begins with a historical overview of how diabetes has been researched and framed racially over the past century, chronicling one company’s efforts to recruit African Americans to test their new diabetes risk-score algorithm with the aim of increasing the clinical and market value of the firm’s technology. He considers African American reticence about participation in biomedical research and examines race and health disparities in light of advances in genomic sequencing technology. Doucet-Battle concludes by emphasizing that genomic research into sub-Saharan ancestry in fact underlines the importance of analyzing gender before attempting to understand the notion of race. No disease reveals this more than Type 2 diabetes.

Sweetness in the Blood challenges the notion that the best approach to understanding, managing, and curing Type 2 diabetes is through the lens of race. It also transforms how we think about sugar, filling a neglected gap between the sugar- and molasses-sweetened past of the enslaved African laborer and the high-fructose corn syrup- and corporate-fed body of the contemporary consumer-laborer.

In any age and any given society, cultural practices reflect the material circumstances of people's everyday lives. According to Joel Dinerstein, it was no different in America between the two World Wars—an era sometimes known as the “machine age”—when innovative forms of music and dance helped a newly urbanized population cope with the increased mechanization of modern life. Grand spectacles such as the Ziegfeld Follies and the movies of Busby Berkeley captured the American ethos of mass production, with chorus girls as the cogs of these fast, flowing pleasure vehicles. 

Yet it was African American culture, Dinerstein argues, that ultimately provided the means of aesthetic adaptation to the accelerated tempo of modernity. Drawing on a legacy of engagement with and resistance to technological change, with deep roots in West African dance and music, black artists developed new cultural forms that sought to humanize machines. In “The Ballad of John Henry,” the epic toast “Shine,” and countless blues songs, African Americans first addressed the challenge of industrialization. Jazz musicians drew on the symbol of the train within this tradition to create a set of train-derived aural motifs and rhythms, harnessing mechanical power to cultural forms. Tap dance and the lindy hop brought machine aesthetics to the human body, while the new rhythm section of big band swing mimicked the industrial soundscape of northern cities. In Dinerstein's view, the capacity of these artistic innovations to replicate the inherent qualities of the machine-speed, power, repetition, flow, precision-helps explain both their enormous popularity and social function in American life.

From militant suffragette at the beginning of the twentieth century to campaigner against colonialism in Africa after the Second World War, Sylvia Pankhurst dedicated her life to fighting oppression and injustice.

In this vivid biography Katherine Connelly examines Pankhurst’s role at the forefront of significant developments in the history of radical politics. She guides us through Pankhurst's construction of a suffragette militancy which put working-class women at the heart of the struggle, her championing of the Bolshevik Revolution and her clandestine attempts to sabotage the actions of the British state, as well as her early identification of the dangers of Fascism.

The book explores the dilemmas, debates and often painful personal consequences faced by Pankhurst which were played out in her art, writings and activism. It argues that far from being an advocate of disparate causes, Pankhurst’s campaigns were united by an essential continuity which hold vital lessons for achieving social change. This lively and accessible biography presents Pankhurst as a courageous and inspiring campaigner, of huge relevance to those engaged in social movements today.

Oswaldo Truzzi's original work on these so-called patrícios changed the face of Brazilian studies. Now available in an English translation, Truzzi's pioneering book identifies the complex social paths blazed by Syrian and Lebanese immigrants and their descendants from the 1890s to the 1960s. He considers their relationships to other groups within São Paulo's kaleidoscopic mix of cultures. He also reveals the differences--real and perceived--between Syrians and Lebanese in terms of religious and ethnic affinities and in the economic sphere. Finally, he compares the two groups with their counterparts in the United States and looks at the wave of Lebanese Muslims to São Paulo that began in the 1960s.

System and Succession provides a comparative analysis of the social composition of national political leadership in the United States, Russia, Germany, and Mexico. These systems were chosen as case studies because their forms of government are representative of many others, because they are conveniently suited for comparison, and because they have high internal control over their own means of recruitment. Drawing on a mass of data and an extensive bibliography, Nagle's comprehensive study exhibits a mastery of the intricacies of these four quite divergent political systems. Complete time-series data covering several generations of elite recruitment provide the basis for a new methodological approach to comparative elite analysis.

The author investigates, among other issues, elite displacements associated with revolution, economic crises, and postwar peace and prosperity. Especially important differences along class and generational lines are found in the elite displacements associated with the revolutions in Germany (1918), Russia (1917–1921), and Mexico (1910–1920). The American case serves as a nonrevolutionary control case. The overriding theoretical issue throughout System and Succession is the debate among Marxists, radical democrats, and pluralists over the importance of elite social composition for equitable representation of social or class interests. Nagle develops a convincing argument supporting the Marxist thesis that the importance of class in elite recruitment is a defining characteristic of the political system.

System and Succession will be of particular interest to scholars in comparative politics. Political scientists in other areas, as well as historians and sociologists interested in the four countries examined, will also find this book provocative.

The most comprehensive collection of Sámi folktales ever translated into English

From the vast region of Northern Sápmi comes Sámi Folktales from the Near and Far Worlds, the most extensive compilation of Sámi narratives recorded from Sámi storytellers ever published in English translation. Comprising more than 300 folktales and legends from Northern Norway, including many from the coastal Sámi and the Skolt Sámi of Eastern Finnmark, this volume illuminates an oral storytelling tradition and shares narratives told by fishers, farmers, reindeer herders, lay preachers, and teachers from the interior plateaus and valleys to the Arctic fjords.

Originally recorded in the late nineteenth and early twentieth centuries by the Norwegian philologist Just Knud Qvigstad and the Sámi politician and folklorist Isak Saba, this collection spans centuries of storytelling in multiple genres, from migratory fairytales with kings and princesses to legends of ghosts and the Devil to fables with talking animals. A young lad from a poor family embarks on a quest through the wilderness to find treasure, receiving help from a wise female elder along his path. A Sámi boy falls in love with a háldi girl from another world, and they find a way to marry. A man carries sickness out of a village and stops the plague from spreading. Cunning foxes outsmart bears and humans alike. The villainous Chudes are tricked, foiled in their plans to steal from and kill the Sámi. People are turned into wolves, able to turn back only if they don’t taste the blood of a reindeer or if they are given cooked food. The ogre Stállu appears again and again, terrorizing the community until he’s outwitted or subdued. Rávgas, undead creatures of the sea, drag themselves out of the depths to lure others to their demise.

With historical context that reveals the cultural resilience of the Sámi people, Sámi Folktales from the Near and Far Worlds honors these traditional narratives, often overlooked in other folktale anthologies from the Nordic countries. Translator Barbara Sjoholm’s insightful introduction describes Qvigstad’s and Saba’s backgrounds and their work in gathering and translating these essential texts, and she introduces Sámi storytellers Johan Aikio, Efraim Pedersen, and Elen Utsi, who contributed dozens of stories.

An unprecedented trove of Sámi narratives, this expansive collection brings most of these tales to English readers for the first time, marking a major contribution to Indigenous folk literature and enhancing a broader understanding of Sámi and Nordic cultures.

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