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WINNER, Certificate of Excellence in “Scholarly Publications” from the Illinois State Historical Society’s 2026 Best of Illinois History Awards!

Three sisters who forged intertwined paths to empowerment

A real-life Little Women, Sisters of Influence is the untold story of three extraordinary sisters who defied Victorian-era expectations to leave their marks on history. Andrea Friederici Ross breathes new life into the fascinating stories of Zina, Amy, and Rose Fay, intertwining their narratives into a captivating family biography.

Born into modest circumstances as daughters of an Episcopal rector and a poet, the seven Fay siblings’ upbringing in small-town Vermont was shaped by financial struggles, rare educational opportunities, and the early loss of their mother. While their sisters pursued traditional paths and their brother Norman helped them all, Zina, Amy, and Rose boldly charted their own courses, becoming trailblazers in music, writing, and women’s advocacy.

Zina Fay Peirce envisioned a life of intellectual partnership with her husband, philosopher Charles Sanders Peirce, only to find her dreams frustrated by domestic expectations. Undeterred, she became a writer and a conservative feminist, championing improved education for women and pioneering cooperative housekeeping initiatives. Despite challenges, Zina’s vision for women’s empowerment laid a foundation for future reform.

Amy Fay, a gifted pianist, pursued music studies abroad, including under the tutelage of Franz Liszt. Her letters home, filled with vivid accounts of her experiences in Europe, were edited into a memoir by Zina and published to critical acclaim. As a concert pianist, music teacher, and advocate for women in music, Amy inspired generations of women to follow their artistic passions.

Rose Fay Thomas, initially a quiet supporter of her sisters, emerged as a formidable force in her own right, becoming a founder of the Anti-Cruelty Society. Her leadership in Chicago’s Amateur Musical Club and the National Federation of Music Clubs helped shape the American classical music scene. As the wife of conductor Theodore Thomas, Rose played a pivotal role in establishing the Chicago Symphony Orchestra. Her later writings on gardening and her husband’s life further solidified her legacy.

Through her exploration of the Fay sisters’ lives, Ross illuminates the shifting roles of women during a transformative era. From advocating for women’s education to advancing the arts and social reform, Zina, Amy, and Rose exemplify the resilience and determination that bridged the restrictive norms of the Victorian age and the activism of the Progressive Era. Their remarkable journeys will inspire readers to reimagine the possibilities of women’s contributions to history and culture.

A professor of communication and strategy reveals deep lessons from life in the African bush.

Sitting with Elephants is a heartfelt memoir that follows a middle-aged American professor and his wife as they trade suburban life for a remote bush house in South Africa. What begins as a spontaneous decision becomes a life-changing experience—one shaped by lions at the backdoor, baboons in the rafters, and above all, a herd of elephants who frequent their yard like neighbors.

Told through a series of emails to their adult children and brought to life by vivid illustrations from Abbey Ndlovu, Ronald Dulek’s narrative explores the profound lessons nature teaches: patience, humility, and deep respect for the wild. As the couple learns to communicate with elephants and navigate the rhythms of bush life, they also reflect on the unexpected beauty of slowing down and embracing the unknown.

Blending lighthearted anecdotes with moments of quiet insight, Sitting with Elephants invites readers into a story of transformation—both personal and environmental. This second edition includes expanded content with new stories and reflections, offering a deeper look into the couple’s unforgettable time in the African bush.

How six groundbreaking women redefined American food—what we eat, how we eat it, and why it matters.

From wartime nutrition science to modern food activism, Six Women Who Shaped What Americans Eat examines the pivotal roles six women played in rewriting the rules of American cuisine. Michelle Mart offers a rich and accessible narrative that connects dietary trends, food marketing, and public health movements to the voices of the women who helped drive them.

Part one highlights Hazel Stiebeling’s development of dietary guidelines and RDAs, Poppy Cannon’s promotion of processed foods for convenience and gourmet meals, and Julia Child’s introduction of French cuisine with an emphasis on fresh ingredients and culinary techniques. Part two shifts the focus to women who challenged the food system itself: Frances Moore Lappé’s advocacy for vegetarianism and sustainable practices, Marion Nestle’s exposure of food corporations’ manipulative practices, and Alice Waters’s emphasis on locally sourced, organic ingredients and sustainable food systems. Thoughtful and timely, this book explores how culture, politics, and personal vision collided in the kitchens and campaigns of six food pioneers—leaving a lasting imprint on what America eats today.

Major thinkers grapple with the challenge of this renowned liberal thinker.

As one of liberal theory’s most important gadflies, Richard Flathman has during the past four decades produced a significant body of work that is iconoclastic, idiosyncratic, and increasingly influential. Flathman criticizes liberal theory’s role in justifying a politics of governance that has drifted substantially from liberalism’s central commitments to individuality and freedom. It is this challenge, and its implications for the future of liberal theory, that brings together the diverse and distinguished authors of this volume. Topics include the relationships between theory and practice, skepticism and knowledge, individuality and egoism, negative and positive freedom, Hobbes and liberalism, as well as the uneasy connections among liberalism, feminism, and democratic politics.

This book is the first anthology of the autobiographical writings of Peter Randolph, a prominent nineteenth-century former slave who became a Black abolitionist, pastor, and community leader. Randolph’s story is unique because he was freed and relocated from Virginia to Boston, along with his entire plantation cohort. A lawsuit launched by Randolph against his former master’s estate left legal documents that corroborate his autobiographies.

Randolph's writings give us a window into a different experience of slavery and freedom than other narratives currently available and will be of interest to students and scholars of African American literature, history, and religious studies, as well as those with an interest in Virginia history and mid-Atlantic slavery.

This book is the first anthology of the autobiographical writings of Peter Randolph, a prominent nineteenth-century former slave who became a black abolitionist, pastor, and community leader.

Randolph’s story is unique because he was freed and relocated from Virginia to Boston, along with his entire plantation cohort. A lawsuit launched by Randolph against his former master’s estate left legal documents that corroborate his autobiographies.

Randolph's writings give us a window into a different experience of slavery and freedom than other narratives currently available and will be of interest to students and scholars of African American literature, history, and religious studies, as well as those with an interest in Virginia history and mid-Atlantic slavery. 

Dan Jenkins calls him “the greatest quarterback who ever lived, college or pro.” Slingin’ Sammy Baugh, who played for TCU and the Washington Redskins, single-handedly revolutionized the game of football. While the pros still wore leather helmets and played the game more like rugby, Baugh’s ability to throw the ball with rifle-like accuracy made the forward pass a strategic weapon, not a desperation heave. Like Babe Ruth, who changed the very perception of how baseball is played, Slingin’ Sam transformed the notion of offense in football and how much yardage can be gained through the air. As the first modern quarterback, Baugh led the Redskins to five title games and two NFL championships, while leading the league in passing six times—a record that endures to this day—and in punting four times. In 1943, the triple-threat Baugh also scored a triple crown when he led the league in passing, punting, and interceptions.

Slingin’ Sam is the first major biography of this legendary quarterback, one of the first inductees into the Pro Football Hall of Fame. Joe Holley traces the whole arc of Baugh’s life (1914–2008), from his small-town Texas roots to his college ball success as an All-American at TCU, his brief flirtation with professional baseball, and his stellar career with the Washington Redskins (1937–1952), as well as his later career coaching the New York Titans and Houston Oilers and ranching in West Texas. Through Holley’s vivid descriptions of close-fought games, Baugh comes alive both as the consummate all-around athlete who could play every minute of every game, on both offense and defense, and as an all-around good guy.

Slow Fuse of the Possible is a poet’s narrative of a troubled psychoanalysis. It is also a commanding meditation on the powers of language, for good and for ill.

From the beginning of their time together, it is clear that the enigmatic analyst and Daniels are not a good match, yet both are determined to continue their work—the former in nearly complete silence, and the latter as best she can with the tools at her disposal: careful attention to language, deep reading, and literary imagination. Throughout, the story is filtered through the mind of Emily Dickinson, whose poetry Daniels uses as a fulcrum for the interpretation of her own experience. The book is saturated with Dickinson’s verse, and Dickinson is an increasingly haunting presence as crises emerge and the author unravels.

This compelling lyric memoir, so richly steeped in all facets of language and the literary, allows readers a glimpse into the mind of a renowned poet, revealing the dazzling and anguished connections between poetry and psychoanalysis.

In the shadow of death, Levi Shalit wrote to remember—so we would never forget.

So We Died: A Memoir of Life and Death in the Ghetto of Šiauliai, Lithuania (Azoy zaynen mir geshtorbn) is a powerful eyewitness account of the Shavl ghetto during the Nazi occupation of Lithuania. Written in Yiddish by Levi Shalit and available now for the first time in English, the work fills a stark void in historical records.

Shalit divided his work into four sections. In the first, he describes the German invasion of Šiauliai, the murder of thousands of Jews in the city and surrounding countryside, and the forced relocation of the surviving Jews into the Shavl ghetto. In the second, he describes daily life in the ghetto in engrossing detail. In the third, titled “The Masada Book,” Shalit describes ghetto residents’ attempt to organize a resistance group of which he himself was a member. In the fourth, he narrates the transformation of the ghetto into a concentration camp and the seizure and deportation of the community’s children.

Few accounts of the Shavl ghetto survived the war. Shalit’s work offers English-language readers a rare insight into a vital chapter of history. The translators artfully reveal Shalit’s literary prowess and the ways he illuminated the Shavl ghetto’s daily struggles, false hopes, and atrocities.

More than an account of a previously overlooked episode in Holocaust history, So We Died is a testament to the enduring power of the human spirit in the face of unspeakable tragedy. It offers keen insight into a time of war, fascism, and resistance. A must-read for anyone seeking understanding and remembrance.

"Joe Wilder set the table. His struggles made it easier for me and many others."--From the Foreword by Wynton Marsalis

Trumpeter Joe Wilder is distinguished for his achievements in both the jazz and classical worlds. He was a founding member of the Symphony of the New World, where he played first trumpet, and he performed as lead trumpet and soloist with Lionel Hampton, Jimmy Lunceford, Dizzy Gillespie, and Count Basie.  Yet Wilder is also known as a pioneer who broke down racial barriers, the first African American to hold a principal chair in a Broadway show orchestra, and one of the first African Americans to join a network studio orchestra. 

In Softly, with Feeling, Edward Berger tells Wilder's remarkable story-from his growing up in working-class Philadelphia to becoming one of the first 1,000 black Marines during World War II-with tremendous feeling and extensive reminiscences by Wilder and his colleagues, including renowned Philadelphia-area musicians Jimmy Heath and Buddy DeFranco.  Berger also places Wilder's experiences within a broader context of American musical and social history.

Wilder's modesty and ability to perform in many musical genres may have prevented him from achieving popular recognition, but in Softly, with Feeling, his legacy and contributions to music and culture are assured. 

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In "Some of the People Who Ate My Barbecue Didn't Vote for Me," Scott Buchanan portrays Marvin Griffin as a Yellow Dog Democrat struggling against inevitable change. Griffin was viewed by many as a charismatic voice of resistance in the Georgia and the South in the wake of Brown v. Board of Education. He combined a staunch segregationist approach with economically progressive policies, assisting in Georgia's transformation from an agrarian economy to a more industrialized one.

Ironically, it was these efforts and the larger shift in politics that doomed Griffin's career, ensuring his administration would last only one term. In many ways, Griffin stands as a clear dividing line between the Old South and the New.