62 books match the query 'British' and 19 start with t

cover of Tangweera: Life and Adventures among Gentle Savages

Tangweera

Life and Adventures among Gentle Savages

By C. Napier Bell

University of Texas Press, 1989

In the 1980s, conflicts between the Miskito people of Nicaragua's eastern coast and the Sandinistas drew international attention. Indeed, the Miskitos' struggle to defend their cultural autonomy and land rights points out a curious historical anomaly. This native group has long had closer ties to British and American culture than to Hispanic Nicaraguan culture. C. Napier Bell, son of a British trader, grew up on the Miskito Coast in the nineteenth century and spoke the Miskito language fluently.

Tangweera, first published in 1899, is Bell's autobiographical account of his boyhood experiences. Rich in ethnographic detail, the book records an idyllic life of hunting, fishing, and trading. Bell describes the social customs and beliefs of the various Indian peoples he knew, as well as the relations among the coastal Miskito, the black creole population, and the tribes of the interior—the latter a subject of continuing importance. Although Bell shared common nineteenth-century ideas about the inferiority of “savage” races, his affection for the Miskito people and his love of their land fill Tangweera. Anthropologists, historians, naturalists, and travelers in the region will find this fascinating reading.

The introduction by Philip A. Dennis, Professor of Anthropology at Texas Tech University, provides a modern observer's view of Miskito culture and discusses important changes and continuities since Bell's time.

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cover of The British Army of the Rhine: Turning Nazi Enemies into Cold War Partners

The British Army of the Rhine

Turning Nazi Enemies into Cold War Partners

Peter Speiser

University of Illinois Press, 2016

Between 1945 and 1957, West Germany made a dizzying pivot from Nazi bastion to Britain's Cold War ally against the Soviet Union. Successive London governments, though often faced with bitter public and military opposition, tasked the British Army of the Rhine (BAOR) to serve as a protecting force while strengthening West German integration into the Western defense structure.

Peter Speiser charts the BAOR's fraught transformation from occupier to ally by looking at the charged nexus where British troops and their families interacted with Germany's civilian population. Examining the relationship on many levels, Speiser ranges from how British mass media representations of Germany influenced BAOR troops to initiatives taken by the Army to improve relations. He also weighs German perceptions, surveying clashes between soldiers and civilians and comparing the popularity of the British services with that of the other occupying powers. As Speiser shows, the BAOR's presence did not improve the relationship between British servicemen and the German populace, but it did prevent further deterioration during a crucial and dangerous period of the early Cold War.

An incisive look at an under-researched episode, The British Army of the Rhine sheds new light on Anglo-German diplomatic, political, and social relations after 1945, and evaluates their impact on the wider context of European integration in the postwar era.

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cover of The Chinese Love Pavilion: A Novel

The Chinese Love Pavilion

A Novel

Paul Scott

University of Chicago Press, 2013

Paul Scott is most famous for his much-beloved tetralogy The Raj Quartet, an epic that chronicles the end of the British rule in India with a cast of vividly and memorably drawn characters. Inspired by Scott’s own time spent in India and Malaya during World War II, this two powerful novel provides valuable insight into how foreign lands changed the British who worked and fought in them, hated and loved them.

The Chinese Love Pavilion
follows a young British clerk, Tom Brent, who must track down a former friend—now suspected of murder—in Malaya. Tom faces great danger, both from the mysterious Malayan jungles and the political tensions between British officers, but the novel is perhaps most memorable for the strange, beautiful romance between Tom and a protean Eurasian beauty whom he meets in the eponymous Chinese Love Pavilion.

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cover of The Gothic Family Romance: Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order

The Gothic Family Romance

Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order

Margot Gayle Backus

Duke University Press, 1999

Tales of child sacrifice, demon lovers, incestual relations, and returns from the dead are part of English and Irish gothic literature. Such recurring tropes are examined in this pioneering study by Margot Gayle Backus to show how Anglo-Irish gothic works written from the eighteenth through the twentieth centuries reflect the destructive effects of imperialism on the children and later descendents of Protestant English settlers in Ireland.
Backus uses contemporary theory, including that of Michel Foucault and Eve Kosofsky Sedgwick, to analyze texts by authors ranging from Richardson, Swift, Burke, Edgeworth, Stoker, and Wilde to contemporary Irish novelists and playwrights.
By charting the changing relations between the family and the British state, she shows how these authors dramatized a legacy of violence within the family cell and discusses how disturbing themes of child sacrifice and colonial repression are portrayed through irony, satire, “paranoid” fantasy, and gothic romance. In a reconceptualization of the Freudian family romance, Backus argues that the figures of the Anglo-Irish gothic embody the particular residue of childhood experiences within a settler colonial society in which biological reproduction represented an economic and political imperative.
Backus’s bold positioning of the nuclear family at the center of post-Enlightenment class and colonial power relations in England and Ireland will challenge and provoke scholars in the fields of Irish literature and British and postcolonial studies. The book will also interest students and scholars of women’s studies, and it has important implications for understanding contemporary conflicts in Ireland.
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cover of The Magic Bullet: A Locked Room Mystery

The Magic Bullet

A Locked Room Mystery

Larry Millett

University of Minnesota Press, 2020

St. Paul, Minnesota. October 1, 1917. High above the city, a renowned local financier named Artemis Dodge lies facedown on the floor of his armored penthouse sanctuary, a single bullet hole in his head. Thirty stories up, in the city’s tallest building, and not a shred of evidence or sign pointing to anyone having broken into the wealthy man’s fortress. It is—to all appearances—an impossible crime.

Enter Shadwell Rafferty: Irishman, St. Paul saloonkeeper, sometime detective, and old friend of the celebrated sleuth Sherlock Holmes. Summoned by Louis B. Hill—son of railroad magnate James J. Hill—to investigate, Rafferty descends into a world dominated by greedy tycoons and awash in political intrigue and wartime fearmongering. Suspects lurk in every corner of the city—including Dodge’s beautiful young widow, his slippery assistant, and a shadowy anarchist—and Rafferty pursues them from the streets of Ramsey Hill and the rooms of the Ryan Hotel to the labyrinthine caves under the Schmidt brewery. Matching wits with his foes at the police department and his unsavory rival, the St. Paul detective Mordecai Jones, Rafferty knows that in order to bring a killer to justice he must first unravel the riddle of a single bullet fired in a locked room, three hundred feet above the streets of St. Paul.

Set during a bitter streetcar strike and amid the clandestine activities of a ruthless commission charged with enforcing wartime patriotism, Larry Millett has created a classic and perfectly executed locked-room mystery in the great tradition of John Dickson Carr. From locked rooms and civil unrest to murder and wartime paranoia, The Magic Bullet presents Rafferty’s most challenging case, and its gripping conclusion—with a timely assist from Sherlock Holmes—finds both Rafferty and Millett at the top of their games.
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cover of The Powell Papers: A Confidence Man Amok Among the Anglo-American Literati

The Powell Papers

A Confidence Man Amok Among the Anglo-American Literati

Hershel Parker

Northwestern University Press, 2011

In 1849—months before the term “confidence man” was coined to identify a New York crook—Thomas Powell (1809–1887), a spherical, monocled, English poetaster, dramatist, journalist, embezzler, and forger, landed in Manhattan. Powell in London had capped a career of grand theft and literary peccadilloes by feigning a suicide attempt and having himself committed to a madhouse, after which he fled England. He had been an intimate of William Wordsworth, Elizabeth Barrett, Robert Browning, Charles Dickens, and a crowd of lesser literary folk. 

Thoughtfully bearing what he presented as a volume of Tennyson with a few trifling revisions in the hand of the poet, Powell was embraced by the slavishly Anglophile New York literary establishment, including a young Herman Melville. In two pot-boilers—The Living Authors of England (1849) and The Living Authors of America (1850)—Powell denounced the most revered American author, Washington Irving, for plagiarism; provoked Charles Dickens to vengeful trans-Atlantic outrage and then panic; and capped his insolence by identifying Irving and Melville as the two worst “enemies of the American mind.” For almost four more decades he sniped at Dickens, put words in Melville’s mouth, and survived even the most conscientious efforts to expose him. Long fascinated by this incorrigible rogue, Hershel Parker in The Powell Papers uses a few familiar documents and a mass of freshly discovered material (including a devastating portrait of Powell in a serialized novel) to unfold a captivating tale of skullduggery through the words of great artists and then-admired journalists alike.

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cover of The Raj Quartet, Volume 1: The Jewel in the Crown

The Raj Quartet, Volume 1

The Jewel in the Crown

Paul Scott

University of Chicago Press, 1976

The first volume of Paul Scott's classic account of the last days of British rule in India

No set of novels so richly recreates the last days of India under British rule—"two nations locked in an imperial embrace"—as Paul Scott's historical tour de force, The Raj Quartet. The Jewel in the Crown opens in 1942 as the British fear both Japanese invasion and Indian demands for independence. On the night after the Indian Congress Party votes to support Ghandi, riots break out and an ambitious police sergeant arrests a young Indian for the alleged rape of the woman they both love.
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cover of The Raj Quartet, Volume 2: The Day of the Scorpion

The Raj Quartet, Volume 2

The Day of the Scorpion

Paul Scott

University of Chicago Press, 1998

The powerful, moving second volume of Paul Scott's classic account of the last days of British rule in India

In The Day of the Scorpion, Scott draws us deeper in to his epic of India at the close of World War II. With force and subtlety, he recreates both private ambition and perversity, and the politics of an entire subcontinent at a turning point in history.

As the scorpion, encircled by a ring of fire, will sting itself to death, so does the British raj hasten its own destruction when threatened by the flames of Indian independence. Brutal repression and imprisonment of India's leaders cannot still the cry for home rule. And in the midst of chaos, the English Laytons withdraw from a world they no longer know to seek solace in denial, drink, and madness.
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cover of The Raj Quartet, Volume 3: The Towers of Silence

The Raj Quartet, Volume 3

The Towers of Silence

Paul Scott

University of Chicago Press, 1998

The powerful third volume of Paul Scott's classic account of the final days of British rule in India

India, 1943: In a regimental hill station, the ladies of Pankot struggle to preserve the genteel façade of British society amid the debris of a vanishing empire and World War II. A retired missionary, Barbara Batchelor, bears witness to the connections between many human dramas; the love between Daphne Manner and Hari Kumar; the desperate grief an old teacher feels for an India she cannot rescue; and the cruelty of Captain Ronald Merrick, Susan Layton's future husband.
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cover of The Raj Quartet, Volume 4: A Division of Spoils

The Raj Quartet, Volume 4

A Division of Spoils

Paul Scott

University of Chicago Press, 1998

The powerful, dramatic final volume of Paul Scott's classic account of the last days of British rule in India.

After exploiting India's divisions for years, the British depart in such haste that no one is prepared for the Hindu-Muslim riots of 1947. The twilight of the raj turns bloody. Against the backdrop of the violent partition of India and Pakistan, A Division of the Spoils illuminates one last bittersweet romance, revealing the divided loyalties of the British as they flee, retreat from, or cling to India.
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cover of The Rhetoric of English India

The Rhetoric of English India

Sara Suleri Goodyear

University of Chicago Press, 1992

Tracing a genealogy of colonial discourse, Suleri focuses on paradigmatic moments in the multiple stories generated by the British colonization of the Indian  subcontinent. Both the literature of imperialism and its postcolonial aftermath emerge here as a series of guilty transactions between two cultures that are equally evasive and uncertain of their own authority.

"A dense, witty, and richly allusive book . . . an extremely valuable contribution to postcolonial cultural studies as well as to the whole area of literary criticism."—Jean Sudrann, Choice
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cover of The Roots of Fundamentalism: British and American Millenarianism, 1800-1930

The Roots of Fundamentalism

British and American Millenarianism, 1800-1930

Ernest R. Sandeen

University of Chicago Press, 1970

Ernest Sandeen’s Roots of Fundamentalism remains a landmark work in the history of religion. A National Book Award finalist, it was the first full-length study to present an intellectual historical critique of the Fundamentalist movement in America. Sandeen argues that our understanding of this movement has been grievously distorted by the Fundamentalist-Modernist debate of the 1920s, as symbolized by William Jennings Bryan and the Scopes trial. Rather than viewing Fundamentalism as a chiefly sociological phenomenon of the 1920s, Sandeen argues from a transatlantic perspective that the Fundamentalist movement “was a self-conscious, structured, long-lived dynamic entity” that had its origins in Anglo-American millenarian thought and movements of the nineteenth century.
         
"All historians need to face the issues [this book] raises. Serious theological discussion of Fundamentalism tends to be neglected because it is intellectually unfashionable: Mr. Sandeen shows that for the historian such neglect is a luxury he cannot afford.”—David M. Thompson, English Historical Review
 
“Sandeen’s ‘new approach to Fundamentalism’ eschews the common tendency to see the movement as parochially American, rurally based, and essentially a phenomenon of the twenties. . . . It is a highly valuable addition to American and—more singularly—to comparative theological history.”—William R. Hutchinson, Journal of American History 
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cover of The Sea Hawk

The Sea Hawk

Edited by Rudy Behlmer; Tino T. Balio, Series Editor

University of Wisconsin Press, 1982

 This 1940 swashbuckler is one of the best examples of the old Hollywood studio system at work. Scholars and film buffs will learn much about collaborative filmmaking on an exceptionally large scale as Rudy Behlmer traces step-by-step the evolution of The Sea Hawk. The very anti-thesis of an auteur film, The Sea Hawk illustrates the ways in which creative input from just about everyone on the Warner Brothers lot—producers, writers, art directors, director, cameraman, special effects team, editor and composer-conductor—resulted in a film in the familiar Warners house style.

This book includes the complete screenplay.

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cover of The Southern Frontier 1670-1732

The Southern Frontier 1670-1732

Verner Crane, with a new introduction by Steven C. Hahn

University of Alabama Press, 2004

A classic resource on the struggle for dominance in southern North America during the colonial period

This volume recounts the clashes and intrigues that played out over the landscape of the Old Southwest and across six decades as the Spanish, French, British, and ultimately Americans vied for control. Rivalry began soon after initial discovery, mapping, and exploration as the world powers, particularly England and France, competed for control of the lucrative fur trade in the Mississippi valley. The French attempted to establish trade networks stretching from the Atlantic Ocean inland to the Mississippi River and northward from ports on the Gulf of Mexico to the Ohio River. But they found the British already entrenched there.

Verner Crane guides us through this multinational struggle and navigates the border wars and diplomatic intrigues that played crucial roles in the settlement of the South by Euro-Americans. In his new introduction, Steven Hahn places the work in the context of its time, sketches its publication history, and provides biographical information on Crane.

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cover of Three Ways to Be Alien: Travails and Encounters in the Early Modern World

Three Ways to Be Alien

Travails and Encounters in the Early Modern World

Sanjay Subrahmanyam

Brandeis University Press, 2011

Sanjay Subrahmanyam’s Three Ways to Be Alien draws on the lives and writings of a trio of marginal and liminal figures cast adrift from their traditional moorings into an unknown world. The subjects include the aggrieved and lost Meale, a “Persian” prince of Bijapur (in central India, no less) held hostage by the Portuguese at Goa; English traveler and global schemer Anthony Sherley, whose writings reveal a surprisingly nimble understanding of realpolitik in the emerging world of the early seventeenth century; and Nicolò Manuzzi, an insightful Venetian chronicler of the Mughal Empire in the later seventeenth century who drifted between jobs with the Mughals and various foreign entrepôts, observing all but remaining the eternal outsider. In telling the fascinating story of floating identities in a changing world, Subrahmanyam also succeeds in injecting humanity into global history and proves that biography still plays an important role in contemporary historiography.
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cover of Thunder Go North: The Hunt for Sir Francis Drake's Fair and Good Bay

Thunder Go North

The Hunt for Sir Francis Drake's Fair and Good Bay

Melissa Darby

University of Utah Press, 2019

In the summer of 1579 Francis Drake and all those aboard the Golden Hind were in peril. The ship was leaking and they were in search of a protected beach to careen the ship to make repairs. They searched the coast and made landfall in what they called a ‘Fair and Good Bay’, generally thought to be in California. They stacked the treasure they had recently captured from the Spanish onto on this sandy shore, repaired the ship, explored the country, and after a number of weeks they set sail for home. When they returned to England, they became the second expedition to circumnavigate the earth, after Magellan’s voyage in 1522, and the first to return with its commander.
 
Thunder Go North unravels the mysteries surrounding Drake’s famous voyage and summer sojourn in this bay. Comparing Drake’s observations of the Natives’ houses, dress, foods, language, and lifeways with ethnographic material collected by early anthropologists, Melissa Darby makes a compelling case that Drake and his crew landed not in California but on the Oregon coast. She also uncovers the details of how an early twentieth-century hoax succeeded in maintaining the California landing theory and silencing contrary evidence. Presented here in an engaging narrative, Darby’s research beckons for history to be rewritten.
 
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cover of To Tilt at Windmills: A Memoir of the Spanish Civil War

To Tilt at Windmills

A Memoir of the Spanish Civil War

Fred A. Thomas

Michigan State University Press, 1996

To Tilt at Windmills is the memoir of Briton Fred Thomas who served with the International Brigades in the Spanish Civil War (July 1936-March 1939).
     Inspired by a memorable return to Iberian battlefields forty years later, and based on diaries kept during the many months Thomas spent as a gunner with the British Anti-Tank Battery, the narrative moves eloquently along a journey into the war zone, through the several campaigns in which he fought and where he was twice wounded, and finally to the withdrawal of the Brigades from the conflict. What distinguishes Thomas' account is the remarkable detail provided by the diaries and the measured tone of his reminiscence, There is, as well, the poignant inquiry of the veteran into the shape and meaning of experience as a young soldier. The historian Paul Preston has cited the "warmth, directness and deep humanity" of To Tilt at Windmills, "an important contribution to the collective memory of the war.

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cover of Transatlantic Romanticism: British and American Art and Literature, 1790-1860

Transatlantic Romanticism

British and American Art and Literature, 1790-1860

Andrew Hemingway

University of Massachusetts Press, 2014

That the Romantic movement was an international phenomenon is a commonplace, yet to date, historical study of the movement has tended to focus primarily on its national manifestations. This volume offers a new perspective. In thirteen chapters devoted to artists and writers of the late eighteenth and early nineteenth centuries, leading scholars of the period examine the international exchanges that were crucial for the rise of Romanticism in England and the United States.

In the book's introduction, Andrew Hemingway—building on the theoretical work of Michael Lowy and Robert Sayre—proposes that we need to remobilize the concept of Weltanschauung, or comprehensive worldview, in order to develop the kind of synthetic history of arts and ideas the phenomenon of Romanticism demands. The essays that follow focus on the London and New York art worlds and such key figures as Benjamin West, Thomas Bewick, John Vanderlyn, Washington Allston, John Martin, J. M. W. Turner, Thomas Cole, James Fenimore Cooper, George Catlin, Edgar Allan Poe, Harriet Beecher Stowe, and Herman Melville. Taken together, these essays plot the rise of a romantic anti-capitalist Weltanschauung as well as the dialectic between Romanticism's national and international manifestations.

In addition to the volume editors, contributors include Matthew Beaumont, David Bindman, Leo Costello, Nicholas Grindle, Wayne Franklin, Janet Koenig, William Pressly, Robert Sayre, William Truettner, Dell Upton, and William Vaughan.
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cover of Two Years Below the Horn: Operation Tabarin, Field Science, and Antarctic Sovereignty

Two Years Below the Horn

Operation Tabarin, Field Science, and Antarctic Sovereignty

Andrew Taylor

University of Manitoba Press, 2017

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