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Built between 1855 and 1860, the Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. The architect Benjamin Woodward consulted with two groups on the design and decoration of the building: a panel of Oxford scientists and dons, and the society of artists known as the Pre-Raphaelite Brotherhood. The museum's decorative art was modeled on the Pre-Raphaelites' principle of meticulous observation of nature, itself indebted to science. The structure was an experiment in using architecture and art to communicate natural history, modern science, and natural theology.  Temple of Science sets out the history of the campaign to build the museum before taking the reader on a tour of the art found in the museum itself. It looks at the façade and the central court, the natural history carvings and marble columns illustrating different geological strata, and the meticulously carved sculptures of influential scientists. With unique insights and lavish illustrations, Temple of Science tells the story of one of the most remarkable collaborations between scientists and artists in European art.

Columbus, the largest city in Ohio, has, since its founding in 1812, been home to many impressive architectural landmarks. The AIA Guide to Columbus, produced by the Columbus Architecture Foundation, highlights the significant buildings and neighborhoods in the Columbus metropolitan area. Skillfully blending architectural interest with historic significance, The AIA Guide to Columbus documents approximately 160 buildings and building groups and is organized geographically. Each chapter provides an opportunity to explore a special area of Columbus' built environment.

The Columbus Architecture Foundation has been affiliated with the American Institute of Architects (AIA), Columbus Chapter, for more than thirty years. Its first book project was Architecture Columbus, published in 1976. This new companion volume updates coverage of the buildings and provides a portable, accessible guide to the city's architectural history.

The AIA Guide to Columbus identifies buildings designated as historic and those that have won awards, and includes information on architectural styles, excellent photographs, maps, a glossary, and an index. The focus is on easy touring, whether the reader is walking or driving. Students, visitors, and residents with a penchant for knowing more about their city will enjoy discovering the rich heritage of Columbus' downtown, special districts, and neighborhoods.

Winner of the 1998 Spiro Kostof Book Award from the Society of Architectural Historians.

Chicago has always held a special fascination for those interested in architectural and urban history. For many, the defining moment occurred at the turn of the century when Chicago was booming and the world came to the city by the lake. But the story most often told in architectural history—the tale of single creative geniuses like Frank Lloyd Wright and Louis Sullivan—does little to explain the birth of the everyday modern city, with its high-rise downtown, diverse neighborhoods, and sprawling suburbs. This book connects architectural history with urban history by looking at the work of a major architectural firm, Holabird & Roche. No firm in any large American city had a greater impact.

With projects that ranged from tombstones to skyscrapers, boiler rooms to entire industrial complexes, Holabird & Roche left an indelible stamp on the city of Chicago and, indeed, far beyond. In this volume, the first of two on Holabird & Roche and its successor, Holabird & Root, Robert Bruegmann traces the firm’s history from its founding in 1880 to the end of the First World War. Incorporating meticulous research based on the extensive architectural holdings of the Chicago Historical Society, Bruegmann documents the firm’s work from the boom years of the 1880s through the period of sustained growth and innovation after the turn of the century. In chapters devoted to topics as diverse as downtown commercial and retail development, business hotels, civic buildings, automobile showrooms, and suburban clubs and housing, Bruegmann creates a sustained historical narrative that considers the profound interdependence of architecture and modern urban life.

In the first contemporary single-volume survey of the three arts of Venice—painting, sculpture, and architecture—Norbert Huse and Wolfgang Wolters offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian art. They begin their study in 1460, when Venice was one of the key powers of Italy, and end with the death of Tintoretto in 1594, a period of waning international power. In the process, they define the distinctly Venetian terms by which the city and its culture should be understood. With over three hundred illustrations and an exhaustive bibliography, this volume makes an impressive contribution to art historical scholarship.

"The historical aspect of this book is splendid, but where it excels is in its fearless and thought-provoking critical judgements. . . . it will lead both beginners and experts to new joys."—David Ekserdjian, Times Literary Supplement

Published to controversial acclaim in 1977, The Assassination of Paris describes the transformation of the Paris of Raymond Queneau and Henri Cartier-Bresson; of quartiers of carpenters and Communists and country folk from the Auvergne; of dance halls and corner cafes. Much of Louis Chevalier's Paris faced the wrecking ball in the 1950s, 60s, and 70s, as Georges Pompidou, Andre Malraux and their cadres of young technocratic elites sought to proclaim the glory of the new France by reinventing the capital in brutal visions of glass and steel. Chevalier sought to tell the world what was at stake, and who the villains were.

He describes an almost continual parade of garish and grandiose plans: some, like the destruction of the glorious marketplace of les Halles for him the heart of the city, were realized; others, like the superhighway along the left bank of the Seine, were bitterly and successfully resisted.

Almost twenty years later, we find it difficult to remember the city as it was. And while Paris looks to many much the way it always has, behind the carefully sandblasted stone and restored shop fronts is a city radically transformed—emptied of centuries of popular life; of entire neighborhoods and the communities they housed engineered out to desolate suburban slums. The battle over the soul and spirit of the city continues.

This book is not entirely about the loss of physical places. Or a romance about a world that never really was. It is a cautionary tale filled with lessons for all who struggle to protect the human scale, the diversity, and the welcoming public life that are the threatened gifts of all great cities.

Salt Lake City’s oldest residential historic district is a neighborhood known as the Avenues. During the late nineteenth century this area was home to many of the most influential citizens of Salt Lake City. Built from 1860 until 1930, it contains a mix of middle and upper middle class homes of varying architectural styles. This architectural diversity makes the Avenues unique among Utah's historic districts. For the past thirty years, as citizens have rediscovered the value of living in historic properties near downtown and the University of Utah, preservation efforts have soared in the area.

In 1980, the Avenues was established as a historic district and the Utah Historical Society published The Avenues of Salt Lake City. That book’s authors, Karl T. Haglund and Philip F. Notarianni, gleaned much about the area’s history by using information found on the historic district applications. This newly revised edition of The Avenues of Salt Lake City by Cevan J. LeSieur updates the original with a greatly expanded section on the historic homes in the neighborhood, including more than 600 new photos, and additional material covering the history of the Avenues since 1980.

The book is designed so that readers can take it along as a guide when exploring the neighborhoods. All the pictures of Avenues homes are accompanied with architectural information and brief histories of the properties. This volume makes a valuable resource for those interested in the history of the Avenues and its diverse architecture, and for anyone interested in Utah history, Utah architecture, and historic preservation.
 

Situated in Chicago's famed Gold Coast, just north of the Magnificent Mile, the Charnley house is one of the finest dwellings in the city and considered worldwide to be a stunning example of avant-garde architecture. Now the headquarters of the Society of Architectural Historians and designated a National Historic Landmark in 1998, the house was built in 1892 at a critical moment in urban and architectural history. The Charnley House is the first authoritative publication on the building, which has long been discussed in surveys but never before examined in detail.

In this collection of original essays, six well-known architectural historians illuminate various aspects of the house, both inside and out, as they consider its remarkable formal and spatial qualities, its historical significance in the development of Chicago's elite residential neighborhood, and its place in the context of American domestic architecture. Equally important, the contributors tackle the knotty, decades-old issue concerning the building's designer. While many have ascribed the scheme to Frank Lloyd Wright, Louis Sullivan's chief assistant at the time, this book sheds new light on how the house relates significantly to the work of both master and apprentice.

The continuing debate over the house's "authorship" highlights the importance of the Charnley house in the history of modern architecture as the seminal work of residential design in the United States. These thoroughly researched interpretations, supplemented by an abundance of never before published illustrations, analyze this house of distinction with the care and detail it deserves. Beautifully restored in late 1980s, the Charnley house now has a book worthy of it.

Winner of the Alice Davis Hitchcock Award from the Society of Architectural Historians

When the magnificent Auditorium Building opened on Chicago's Michigan Avenue in December 1889, it marked Chicago's emergence both as the leading city of the Midwest and as a metropolis of international stature. In this lavishly illustrated book, Joseph M. Siry explores not just the architectural history of the Auditorium Building but also the crucial role it played in Chicago's social history. Covering the Auditorium from the early design stage to its opening, its later renovations, its links to culture and politics in Chicago, and its influence on later Adler and Sullivan works (including the Schiller Building and the Chicago Stock Exchange Building), this volume recounts the fascinating tale of a building that helped to define a city and an era.

In 1922, the Chicago Tribune sponsored an international competition to design its new corporate headquarters. Both a serious design contest and a brilliant publicity stunt, the competition received worldwide attention for the hundreds of submissions—from the sublime to the ridiculous—it garnered.

In this lavishly illustrated book, Katherine Solomonson tells the fascinating story of the competition, the diverse architectural designs it attracted, and its lasting impact. She shows how the Tribune used the competition to position itself as a civic institution whose new headquarters would serve as a defining public monument for Chicago. For architects, planners, and others, the competition sparked influential debates over the design and social functions of skyscrapers. It also played a crucial role in the development of advertising, consumer culture, and a new national identity in the turbulent years after World War I.

Like the nation that it symbolizes, the bold arch of the Jefferson National Expansion Memorial poses enormous contradictions. It is a simple, classical architectural form constructed with the most sophisticated modern engineering. It is a national historic site created by demolishing nearly forty blocks of historic riverfront buildings. It is the perfect place to examine critical, historic tensions in American culture.

Over 157 years ago—before there was a Reno, Nevada; before there was a state of Nevada; and even before there was a Nevada Territory—there was a bridge over the Truckee River at a narrow, deeply rutted cattle and wagon trail that would one day become Virginia Street. There was also a small rustic inn and tavern occupying a plot of ground at the southern end of the log-and-timber bridge, catering to thirsty cowboys, drovers, and miners. The inn and the bridge were the first two structures in what would one day be a bustling metropolitan area, and to this day they still form the nucleus of the city. The Genesis of Reno traces their history up to the present day. The 111 year-old concrete bridge that was replaced in 2016 by a magnificent new structure was honored for its longevity and unique character with placement on the National Register of Historic Places in 1980.
 

Almost from the time of Georgia’s settlement by Oglethorpe in 1733, both Georgians and Carolinians had made periodic unsuccessful attempts to conquer the Spanish Castillo San Marcos in St. Augustine; and during the American Revolution (in 1776, 1777, and 1778) the rebels tried without success to take the fortification, which was then a British stronghold. Each of the three expeditions was less successful than the preceding one, and between the formal campaigns vicious partisan warfare between loyalists and rebels devastated much of the area between the Altamaha and St. Johns rivers.

This book presents a detailed history of the three Georgia-Florida campaigns. Indecisive and lacking the glamour of either the contemporary campaigns in the North, or the later campaigns in the South, they appeared isolated from the mainstream of the revolutionary struggle. The rebels were handicapped by divided command, personal quarrels, difficult terrain, and miserable weather. While Searcy emphasizes the military aspects of the period, she also treats the conflict between civil and military authorities, the effects of war on the civilian populace, and the interaction of economic matters with military affairs. Her work clarifies the importance of these military activities in the subsequent British strategy in the occupation of Georgia and the Carolinas.

Long regarded as the definitive catalog of Chicago architecture, The History of the Development of Building Construction in Chicago is a treasure trove of architectural and engineering information about buildings in Chicago's central business and residential district.
 
Generations have relied on the Randall book as the most authoritative and comprehensive guide to buildings in the Chicago central area. This edition is updated with information about fifty additional buildings from the time frame of the original text, 1830-1949; new data for four hundred buildings from the period 1950-98; and a number of additional plates from the rare Rand McNally Views of Chicago.
 
The second edition of The History of the Development of Building Construction in Chicago is a tribute to Frank Randall's vision and an indispensable resource to Chicago area architects, engineers, preservation specialists, and other members of the building industry.
 

The Robie House in Chicago is one of the world's most famous houses, a masterpiece from the end of Frank Lloyd Wright's early period and a classic example of the Prairie House. This book is intended as a companion for the visitor to the house, but it also probes beneath the surface to see how the design took shape in the mind of the architect. Wright's own writings, rare working drawings from the period, and previously unpublished photographs of the house in construction help the reader look over the shoulder of the architect at work. Beautiful new photographs of the Robie House and related Wright houses have been specially taken to illustrate the author's points, and a bibliography on Wright is provided.

The Tunnel under the Lake recounts the gripping story of how the young city of Chicago, under the leadership of an audacious engineer named Ellis Chesbrough, constructed a two-mile tunnel below Lake Michigan in search of clean water.

Despite Chicago's location beside the world’s largest source of fresh water, its low elevation at the end of Lake Michigan provided no natural method of carrying away waste. As a result, within a few years of its founding, Chicago began to choke on its own sewage collecting near the shore. The befouled environment, giving rise to outbreaks of sickness and cholera, became so acute that even the ravages and costs of the U.S. Civil War did not distract city leaders from taking action.

Chesbrough's solution was an unprecedented tunnel five feet in diameter lined with brick and dug sixty feet beneath Lake Michigan. Construction began from the shore as well as the tunnel’s terminus in the lake. With workers laboring in shifts and with clay carted away by donkeys, the lake and shore teams met under the lake three years later, just inches out of alignment. When it opened in March 1867, observers, city planners, and grateful citizens hailed the tunnel as the "wonder of America and of the world."

Benjamin Sells narrates in vivid detail the exceptional skill and imagination it took to save this storied city from itself. A wealth of fascinating appendixes round out Sells’s account, which will delight those interested in Chicago history, water resources, and the history of technology and engineering.
 

The University of Alabama: A Guide to the Campusand Its Architecture is a richly illustrated guidebook to the architecture and development of the University of Alabama’s campus as it has evolved over the last two centuries.

In 1988 the University of Alabama Press published Robert Oliver Mellown’s The University of Alabama: A Guide to the Campus, a culmination of a decade’s worth of research into both the facts and the legends surrounding the architecture, history, and traditions of the Capstone.

Over twenty years later, this new guide brings to light the numerous additions, expansions, and renovations the university has undergone on its spacious grounds in Tuscaloosa. In addition to updated sections devoted to the university’s historic landmarks—such as Foster Auditorium, where “the stand in the schoolhouse door” occurred; Denny Chimes,where the handprints and footprints of famous Tide athletes are memorialized in concrete; and the Gorgas House, which with stood the destruction of Union troops at the end of the Civil War—new sections account for the acquisition of Bryce Hospital’s campus, the expansions at Bryant-Denny Stadium to accommodate the growing Crimson Tide fan base, and the burgeoning student recreation facilities, playing fields, and residential communities.

Chapters are arranged into various campus tours for walking or driving—Antebellum, Victorian, Early Twentieth-Century, East Quad, West Quad, Science and Engineering Corridor, Student Life, Bryce, Medical, Southeast, Athletics, and Off Campus. Alumni, prospective students and their parents, new faculty, out-of-state visitors, and foreign dignitaries will all welcome this useful, compact, and colorful guide to one of the most beautiful campuses in the country.

On the occasion of the Capitol’s centennial in 2017, this book tells the remarkable story of the building—in all its incarnations—and the people who made history beneath its dome. The book covers the creation of the territorial capitol in 1837, the construction of the second capitol in the 1860s (and the fire that almost completely destroyed it in 1904), the eleven-year construction project that completed the third capitol in 1917, and the extensive conservation project of the 1990s that restored the building to its grandeur. Supporting the framework of this architectural history are colorful stories about the people who shaped Wisconsin from within the Capitol—attorneys, senators, and governors (from Henry Dodge to Scott Walker), as well as protesters, reformers, secretaries, tour guides, custodians, and even Old Abe, the Capitol’s resident eagle. Combining historical photographs with modern, full-color architectural photos, The Wisconsin Capitol provides fascinating details about the building, while also emphasizing the importance of the Capitol in Wisconsin’s storied history.

In Topographies of Class, Sabine Hake explores why Weimar Berlin has had such a powerful hold on the urban imagination. Approaching Weimar architectural culture from the perspective of mass discourse and class analysis, Hake examines the way in which architectural projects; debates; and representations in literature, photography, and film played a key role in establishing the terms under which contemporaries made sense of the rise of white-collar society.

Focusing on the so-called stabilization period, Topographies of Class maps out complex relationships between modern architecture and mass society, from Martin Wagner's planning initiatives and Erich Mendelsohn's functionalist buildings, to the most famous Berlin texts of the period, Alfred Döblin's city novel Berlin Alexanderplatz (1929) and Walter Ruttmann's city film Berlin, Symphony of the Big City (1927). Hake draws on critical, philosophical, literary, photographic, and filmic texts to reconstruct the urban imagination at a key point in the history of German modernity, making this the first study---in English or German---to take an interdisciplinary approach to the rich architectural culture of Weimar Berlin.

Sabine Hake is Professor and Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of numerous books, including German National Cinema and Popular Cinema of the Third Reich.

Cover art: Construction of the Karstadt Department Store at Hermannplatz, Berlin-Neukölln. Courtesy Bildarchiv Preeussischer Kulturbesitz / Art Resource, NY

"The story of Turin's transformation is well told. . . . Pollak's account of the financial machinations of the Dukes in their efforts to acquire properties, and to pay for fortifications by taxing betterment on enclosed land, is one of the best parts of the book."—Simon Pepper, Times Literary Supplement