662 books match the query 'China' and 145 start with t

cover of Taiwan: The Land Colonialisms Made

Taiwan

The Land Colonialisms Made

Arik Dirlik, Ping-Hui Liao, and Ya-Chung Chang, special issue editors

Duke University Press, 2018

The contributors to this special issue examine the role successive colonialisms played in forging a distinct Taiwanese identity and the theoretical implications the Taiwanese experience of colonialism raises regarding the making of modern national identities. In addition to its indigenous culture, a long succession of colonial rulers—variously the Netherlands, Spain, the kingdom of Tungning, the Ming and Qing dynasties, Japan, and Kuomintang China—have forged a distinctive Taiwanese national identity. The Taiwan case suggests that it is misleading to approach colonialism as an obstacle to national identity without also accounting for the ways in which colonialism has historically factored into the constitution of national identities. The contributors address the ways in which the colonizer’s culture transformed the colonized, setting them in new historical directions, even if those directions were not what the colonizers expected.

Contributors:  Shu-jung Chen, Leo T. S. Ching, Ya-Chung Chuang, Arif Dirlik, P. Kerim Friedman, Ping-hui Liao, Nikky Lin, Jing Tsu, Yin Wang, Fang-chih Irene Yang
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cover of Taking Christianity to China: Alabama Missionaries in the Middle Kingdom, 1850–1950

Taking Christianity to China

Alabama Missionaries in the Middle Kingdom, 1850–1950

Wayne Flynt and Gerald W. Berkley

University of Alabama Press, 2017

A study of faith, cultural exchange, and the Alabama missionaries who helped shape the story of Christianity in modern China.

Beginning early in the 19th century, the American missionary movement made slow headway in China. Alabamians became part of that small beachhead. After 1900 both the money and personnel rapidly expanded, peaking in the early 1920s. By the 1930s many American denominations became confused and divided over the appropriateness of the missionary endeavor. Secular American intellectuals began to criticize missionaries as meddling do-gooders trying to impose American Evangelicalism on a proud, ancient culture.

By examining the lives of 47 Alabama missionaries who served in China between 1850 and 1950, Flynt and Berkley reach a different conclusion. Although Alabama missionaries initially fit the negative description of Americans trying to superimpose their own values and beliefs on "heathen," they quickly learned to respect Chinese civilization. The result was a new synthesis, neither entirely southern nor entirely Chinese. Although previous works focus on the failure of Christianity to change China, this book focuses on the degree to which their service in China changed Alabama missionaries. And the change was profound.

In their consideration of 47 missionaries from a single state--their call to missions, preparation for service in China, living, working, contacts back home, cultural clashes, political views, internal conflicts, and gender relations--the authors suggest that the efforts by Baptist, Methodist, and Presbyterian missionaries from Alabama were not the failure judged by many historians. In fact, the seeds sown in the hundred years before the Communist revolution in 1950 seem to be reaping a rich harvest in the declining years of the 20th century, when the number of Chinese Christians is estimated by some to be as high as one hundred million.
 

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cover of Teaching Expertise in Three Countries: Japan, China, and the United States

Teaching Expertise in Three Countries

Japan, China, and the United States

Akiko Hayashi

University of Chicago Press, 2022

A comparison of the development of expertise in preschool teaching in China, Japan, and the United States.

In Teaching Expertise in Three Countries, Akiko Hayashi shows how teachers from  Japan, China, and the United States think about what it means to be an expert teacher. Based on interviews with teachers conducted over the span of fifteen years and videos taken in their classrooms, Hayashi gives us a valuable portrait of expert teachers in the making. While Hayashi’s research uncovered cultural variations in the different national contexts, her analysis of how teachers adapted their pedagogy throughout their careers also revealed many cross-national similarities. Younger teachers often describe themselves as being in a rush, following scripts, and “talking too much,” while experienced teachers describe themselves as being quieter, knowing children better, and being more present.
 
Including a foreword by scholar of early childhood education Joseph Tobin, Teaching Expertise in Three Countries provides a foundation for understanding the sequence and pathways of development over the first decade of teaching in three national contexts, demonstrating the value of the field of comparative education in the process.  
 
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cover of Teaching and Transformation in Popular Confucian Literature of the Late Qing

Teaching and Transformation in Popular Confucian Literature of the Late Qing

Katherine L. Alexander

University of Michigan Press, 2025

The Taiping Civil War (1851–1864) was one of the most destructive wars in Chinese history, with the death toll estimated between twenty and thirty million. What visions did survivors have for restoring their fractured society once the war ended? Katherine L. Alexander’s Teaching and Transformation in Popular Confucian Literature of the Late Qing approaches these questions through literature by examining the works of evangelical Confucian teacher Yu Zhi (1809-1874), who gave a voice to the zealous side of conservative Confucian reform efforts before, during, and after the Taiping War. His works offer radical visions of a world that could be restored through collective effort and goodness, while also revealing the shifting nature of power and the cracks in Qing society.

Yu’s works complicate the picture of socio-moral reform, particularly the Confucian mission of jiaohua (teaching and transformation). Though he viewed the disasters of the late Qing as the natural consequence of jiaohua’s failure to compete against socially disruptive media, such as vernacular fiction and theatrical productions, he also wanted reformers to engage closely with these genres. Yu became a vocal advocate of teaching with moral vernacular literature that he believed met commoners at their level. He emphasized the hope that by writing, printing, and performing such texts, every member of his audience could be transformed into teachers themselves, restoring society from the bottom up.
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cover of Telemodernities: Television and Transforming Lives in Asia

Telemodernities

Television and Transforming Lives in Asia

Tania Lewis, Fran Martin, and Wanning Sun

Duke University Press, 2016

Yoga gurus on lifestyle cable channels targeting time-pressured Indian urbanites; Chinese dating shows promoting competitive individualism; Taiwanese domestic makeover formats combining feng shui with life planning advice: Asian TV screens are increasingly home to a wild proliferation of popular factual programs providing lifestyle guidance to viewers. In Telemodernities Tania Lewis, Fran Martin, and Wanning Sun demonstrate how lifestyle-oriented popular factual television illuminates key aspects of late modernities in South and East Asia, offering insights not only into early twenty-first-century media cultures but also into wider developments in the nature of public and private life, identity, citizenship, and social engagement. Drawing on extensive interviews with television industry professionals and audiences across China, India, Taiwan, and Singapore, Telemodernities uses popular lifestyle television as a tool to help us understand emergent forms of identity, sociality, and capitalist modernity in Asia.
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cover of Televising Chineseness: Gender, Nation, and Subjectivity

Televising Chineseness

Gender, Nation, and Subjectivity

Geng Song

University of Michigan Press, 2022

The serial narrative is one of the most robust and popular forms of storytelling in contemporary China. With a domestic audience of one billion-plus and growing transnational influence and accessibility, this form of storytelling is becoming the centerpiece of a fast-growing digital entertainment industry and a new symbol and carrier of China’s soft power. Televising Chineseness: Gender, Nation, and Subjectivity explores how television and online dramas imagine the Chinese nation and form postsocialist Chinese gendered subjects. The book addresses a conspicuous paradox in Chinese popular culture today: the coexistence of increasingly diverse gender presentations and conservative gender policing by the government, viewers, and society. Using first-hand data collected through interviews and focus group discussions with audiences comprising viewers of different ages, genders, and educational backgrounds, Televising Chineseness sheds light on how television culture relates to the power mechanisms and truth regimes that shape the understanding of gender and the construction of gendered subjects in postsocialist China.
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cover of Territorial Natures: Imperial Japan and the Mongolian Question

Territorial Natures

Imperial Japan and the Mongolian Question

Sakura Christmas

University of Chicago Press, 2026

A critical account of the Japanese occupation in Inner Mongolia.
 
Early in the twentieth century, the steppe borderlands between China and Mongolia erupted in violence. As imperial Japan expanded into the area, this crisis between nomadic and settler communities posed fundamental problems in governance. In response, Japanese and Mongol leaders together proposed a radical solution: demarcating an autonomous region in Manchukuo for minority peoples, a new kind of political space that would later define the territorial structure of Communist China. 
 
In Territorial Natures, Sakura Christmas explores how the fraught partition of this autonomous region warped the ethnic and environmental boundaries of Manchukuo. She challenges its origin story as a socialist invention by the Chinese state, instead seeing it as also a fascist extension of the Japanese occupation. By reading Chinese and Mongolian sources against Japanese archives, Christmas reveals how this contested history seeded the volatile landscape of autonomous regions in the People’s Republic of China today.
 

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cover of Terror Capitalism: Uyghur Dispossession and Masculinity in a Chinese City

Terror Capitalism

Uyghur Dispossession and Masculinity in a Chinese City

Darren Byler

Duke University Press, 2021

In Terror Capitalism anthropologist Darren Byler theorizes the contemporary Chinese colonization of the Uyghur Muslim minority group in the northwest autonomous region of Xinjiang. He shows that the mass detention of over one million Uyghurs in “reeducation camps” is part of processes of resource extraction in Uyghur lands that have led to what he calls terror capitalism—a configuration of ethnoracialization, surveillance, and mass detention that in this case promotes settler colonialism. Drawing on ethnographic fieldwork in the regional capital Ürümchi, Byler shows how media infrastructures, the state’s enforcement of “Chinese” cultural values, and the influx of Han Chinese settlers contribute to Uyghur dispossession and their expulsion from the city. He particularly attends to the experiences of young Uyghur men—who are the primary target of state violence—and how they develop masculinities and homosocial friendships to protect themselves against gendered, ethnoracial, and economic violence. By tracing the political and economic stakes of Uyghur colonization, Byler demonstrates that state-directed capitalist dispossession is coconstructed with a colonial relation of domination.
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cover of Terror in Minnie Vautrin's Nanjing: Diaries and Correspondence, 1937-38

Terror in Minnie Vautrin's Nanjing

Diaries and Correspondence, 1937-38

Minnie Vautrin. Edited and with an Introduction by Suping Lu

University of Illinois Press, 2007

In December of 1937, the Japanese Imperial Army marched into China's capital city of Nanjing and launched six weeks of carnage that would become known as the Rape of Nanjing. In addition to the deaths of Chinese POWs and civilians, tens of thousands of women were raped, tortured, and killed by Japanese soldiers. In this traumatic environment, both native and foreign-born inhabitants of Nanjing struggled to carry on with their lives.

This volume collects the diaries and correspondence of Minnie Vautrin, a farmgirl from Illinois who had dedicated herself to the education of Chinese women at Ginling College in Nanjing. Faced with the impending Japanese attack, she turned the school into a sanctuary for ten thousand women and girls. Vautrin's firsthand accounts of daily life in Nanjing and the intensifying threat of Japanese invasion reveal the courage of the occupants under siege--Chinese nationals as well as Western missionaries, teachers, surgeons and business people--and the personal costs of violence in wartime.

Thanks to Vautrin's painstaking effort in keeping a day-to-day account, present-day readers are able to examine this episode of history at close range through her eyes. With detailed maps, photographs, and carefully researched in-depth annotations, Terror in Minnie Vautrin's Nanjing: Diaries and Correspondence, 1937-38 presents a comprehensive and detailed daily account of the events and of life during the horror-stricken days within the city walls and in particular on the Ginling campus. Through chronologically arranged diaries, letters, reports, documents, and telegrams, Vautrin bears witness to those terrible events and to the magnitude of trauma that the Nanjing Massacre exacted on the populace.

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cover of The ALA Guide to Researching Modern China

The ALA Guide to Researching Modern China

Yunshan Ye

American Library Association, 2014

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cover of The Afterlife of Images: Translating the Pathological Body between China and the West

The Afterlife of Images

Translating the Pathological Body between China and the West

Ari Larissa Heinrich

Duke University Press, 2008

In 1739 China’s emperor authorized the publication of a medical text that included images of children with smallpox to aid in the diagnosis and treatment of the disease. Those images made their way to Europe, where they were interpreted as indicative of the ill health and medical backwardness of the Chinese. In the mid-nineteenth century, the celebrated Cantonese painter Lam Qua collaborated with the American medical missionary Peter Parker in the creation of portraits of Chinese patients with disfiguring pathologies, rendered both before and after surgery. Europeans saw those portraits as evidence of Western medical prowess. Within China, the visual idiom that the paintings established influenced the development of medical photography. In The Afterlife of Images, Ari Larissa Heinrich investigates the creation and circulation of Western medical discourses that linked ideas about disease to Chinese identity beginning in the eighteenth century.

Combining literary studies, the history of science, and visual culture studies, Heinrich analyzes the rhetoric and iconography through which medical missionaries transmitted to the West an image of China as “sick” or “diseased.” He also examines the absorption of that image back into China through missionary activity, through the earliest translations of Western medical texts into Chinese, and even through the literature of Chinese nationalism. Heinrich argues that over time “scientific” Western representations of the Chinese body and culture accumulated a host of secondary meanings, taking on an afterlife with lasting consequences for conceptions of Chinese identity in China and beyond its borders.

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cover of The Anatomy of Post-Communist Regimes: A Conceptual Framework

The Anatomy of Post-Communist Regimes

A Conceptual Framework

Bálint Magyar

Central European University Press, 2021

Offering a single, coherent framework of the political, economic, and social phenomena that characterize post-communist regimes, this is the most comprehensive work on the subject to date. Focusing on Central Europe, the post-Soviet countries and China, the study provides a systematic mapping of possible post-communist trajectories.

At exploring the structural foundations of post-communist regime development, the work discusses the types of state, with an emphasis on informality and patronalism; the variety of actors in the political, economic, and communal spheres; the ways autocrats neutralize media, elections, etc. The analysis embraces the color revolutions of civil resistance (as in Georgia and in Ukraine) and the defensive mechanisms of democracy and autocracy; the evolution of corruption and the workings of “relational economy”; an analysis of China as “market-exploiting dictatorship”; the sociology of “clientage society”; and the instrumental use of ideology, with an emphasis on populism. Beyond a cataloguing of phenomena—actors, institutions, and dynamics of post-communist democracies, autocracies, and dictatorships—Magyar and Madlovics also conceptualize everything as building blocks to a larger, coherent structure: a new language for post-communist regimes.

While being the most definitive book on the topic, the book is nevertheless written in an accessible style suitable for both beginners who wish to understand the logic of post-communism and scholars who are interested in original contributions to comparative regime theory. The book is equipped with QR codes that link to www.postcommunistregimes.com, which contains interactive, 3D supplementary material for teaching.

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cover of The Appearing Demos: Hong Kong During and After the Umbrella Movement

The Appearing Demos

Hong Kong During and After the Umbrella Movement

Pang Laikwan

University of Michigan Press, 2020

As the waves of Occupy movements gradually recede, we soon forget the political hope and passions these events have offered. Instead, we are increasingly entrenched in the simplified dichotomies of Left and Right, us and them, hating others and victimizing oneself. Studying Hong Kong’s Umbrella Movement, which might be the largest Occupy movement in recent years, The Appearing Demos urges us to re-commit to democracy at a time when democracy is failing on many fronts and in different parts of the world.
 
The 79-day-long Hong Kong Umbrella Movement occupied major streets in the busiest parts of the city, creating tremendous inconvenience to this city famous for capitalist order and efficiency. It was also a peaceful collective effort of appearance, and it was as much a political event as a cultural one. The urge for expressing an independent cultural identity underlined both the Occupy movement and the remarkably rich cultural expressions it generated. While understanding the specificity of Hong Kong’s situations, The Appearing Demos also comments on some global predicaments we are facing in the midst of neoliberalism and populism. It directs our attention from state-based sovereignty to city-based democracy, and emphasizes the importance of participation and cohabitation. The book also examines how the ideas of Hannah Arendt are useful to those happenings much beyond the political circumstances that gave rise to her theorization. The book pays particular attention to the actual intersubjective experiences during the protest. These experiences are local, fragile, and sometimes inarticulable, therefore resisting rationality and debates, but they define the fullness of any individual, and they also make politics possible. Using the Umbrella Movement as an example, this book examines the “freed” political agents who constantly take others into consideration in order to guarantee the political realm as a place without coercion and discrimination. In doing so, Pang Laikwan demonstrates how politics means neither to rule nor to be ruled, and these movements should be defined by hope, not by goals.
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cover of The Art of Terrestrial Diagrams in Early China

The Art of Terrestrial Diagrams in Early China

Michelle H. Wang

University of Chicago Press, 2023

A study of early Chinese maps using interdisciplinary methods. 

This is the first English-language monograph on the early history of maps in China, centering on those found in three tombs that date from the fourth to the second century BCE and constitute the entire known corpus of early Chinese maps (ditu). More than a millennium separates them from the next available map in the early twelfth century CE. Unlike extant studies that draw heavily from the history of cartography, this book offers an alternative perspective by mobilizing methods from art history, archaeology, material culture, religion, and philosophy. It examines the diversity of forms and functions in early Chinese ditu to argue that these pictures did not simply represent natural topography and built environments, but rather made and remade worlds for the living and the dead. Wang explores the multifaceted and multifunctional diagrammatic tradition of rendering space in early China.
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cover of The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics

The Avant-Garde and the Popular in Modern China

Tian Han and the Intersection of Performance and Politics

Liang Luo

University of Michigan Press, 2014

The Avant-Garde and the Popular in Modern China explores how an important group of Chinese performing artists invested in politics and the pursuit of the avant-garde came to terms with different ways of being “popular” in modern times. In particular, playwright and activist Tian Han (1898-1968) exemplified the instability of conventional delineations between the avant-garde, popular culture, and political propaganda.  Liang Luo traces Tian’s trajectory through key moments in the evolution of twentieth-century Chinese national culture, from the Christian socialist cosmopolitanism of post–WWI Tokyo to the urban modernism of Shanghai in 1920s and 30s, then into the Chinese hinterland during the late 1930s and 40s, and finally to the Communist Beijing of the 1950s, revealing the dynamic interplay of art and politics throughout this period. Understanding Tian in his time sheds light upon a new generation of contemporary Chinese avant-gardists (Ai Wei Wei being the best known), who, half a century later, are similarly engaging national politics and popular culture.
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cover of The Battle for China's Past: Mao and the Cultural Revolution

The Battle for China's Past

Mao and the Cultural Revolution

Mobo Gao

Pluto Press, 2008

Mao and his policies have long been demonised in the West, with the Cultural Revolution considered a fundamental violation of human rights.

As China embraces capitalism, the Mao era is being surgically denigrated by the Chinese political and intellectual elite. This book tackles the extremely negative depiction of China under Mao in recent publications and argues most people in China, including the rural poor and the urban working class, actually benefited from Mao's policy of a comprehensive welfare system for the urban and basic health and education provision for the rural, which is being reversed in the current rush towards capitalism.

By a critical analysis of the mainstream account of the Mao era and the Cultural Revolution and by revealing what is offered in the unofficial e-media debates this book sets the record straight, making a convincing argument for the positive effects of Mao's policies on the well-being of the Chinese people.

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cover of The Battle of Hengyang: Japan's Fateful Siege of World War II

The Battle of Hengyang

Japan's Fateful Siege of World War II

Shifen Fox

Westholme Publishing, 2026

The first English language history of China's Most Important Battle in World War II

In April 1944, Imperial Japan launched Operation Ichigo to secure a transport route linking Japanese forces in northern China and Southeast Asia, while eliminating American airfields in the region. The Japanese army quickly overran Chinese resistance and pushed fast toward the city of Hengyang, a key railway junction in south-central China. The Battle of Hengyang began on June 23, 1944. With just 17,000 troops and besieged in an area of less than ten square miles, the Chinese 10th Army held off a Japanese force totaling more than 110,000 men, supported by aircraft, tanks, chemical weapons, and artillery, for forty-seven days. The fighting was among the most savage of the entire Second World War. Hengyang finally fell on August 8, but the Chinese defenders and undaunted American pilots had stopped Ichigo’s momentum. The Japanese military’s failure to quickly conquer such a small city led to the fall of Japanese Prime Minister Tojo’s cabinet in July 1944, ultimately weakening Japan’s resolve to prosecute the war. News accounts compared the battle to the German defeat at Stalingrad in its ferocity and to the Battle of Suiyang, the most famous siege in ancient Chinese history. 

In the aftermath of World War II, the battle was erased from Chinese history books since Communist propaganda insisted that only they, not the Nationalists, had successfully resisted the Japanese. But the survivors, both soldiers and civilians, kept the battle alive in their memories, and during the early part of the twenty-first century, the truth of Hengyang was finally presented to the Chinese people. The Battle of Hengyang: Japan’s Fateful Siege of World War II by Shifen Fox is the first English language history of one of the most important battles of the Second World War. The author returned to China where she interviewed survivors and children of survivors, read private letters, and had access to normally closed archives; in addition, she read memoirs written by Japanese survivors and referenced Japanese historical records. Learning late in life that her father perished in the battle, she also explains how the role of her father and this heroic defense was censored by China, but more than eighty years later has now been restored to its place in Chinese and world history. 
 

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cover of The Birth of the State: Ancient Egypt, Mesopotamia, India and China

The Birth of the State

Ancient Egypt, Mesopotamia, India and China

Petr Charvát

Karolinum Press, 2013

The Birth of the State provides an overview of four of the most significant cultural centers in the ancient world, now in Egypt, the Persian Gulf region, India, and China. Petr Charvát approaches his subjects from a variety of perspectives and offers information on the economy, society, political climate, and religion within each of the empires. Using the most up-to-date research and theories available, Charvát not only delves into each of these nation states individually, but also synthesizes the material to reveal overarching themes in the birth and decline of civilizations.  
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cover of The Book of Cunning and Treachery: Writing, Slavery, and Sovereignty in a Qing Indigenous Domain

The Book of Cunning and Treachery

Writing, Slavery, and Sovereignty in a Qing Indigenous Domain

Erik Mueggler

University of Chicago Press, 2027

An ethnographic history of one of the dozens of indigenous domains that occupied China’s border regions during the Qing dynasty and before.

Erik Mueggler’s The Book of Cunning and Treachery is an ethnographic history of a chiefly household that ruled one of the many indigenous domains scattered through upland southwest China during the late Ming and Qing dynasties. The imperial colonization of this region proceeded by way of defeating indigenous polities and absorbing them into a system of indirect governance. In this system, indigenous chieftains inherited power over multiethnic domains, subject to ratification by the imperial court. Mueggler tracks the history of two crucial yet unexamined archives pertaining to this household—a trove of Chinese-language legal, military, and administrative documents, and hundreds of ritual manuals, histories, and morality books written in the indigenous Né script—to show how the chiefly house reproduced itself through these languages, each with its own forms of ritual, recitation, and inscription.

As Mueggler demonstrates, through different forms of access to writing in Chinese and Né, male and female chieftains, domestic slaves, enslaved bondsmen, bonded tenants, chiefly concubines, and more existed in a complex ecology of relations. House and domain were governed through a dynamic process in which residents continuously worked out the status hierarchies that animated their relations with one another as well as the relations between the chiefly house and the local administrative system. This groundbreaking book provides a compelling account of the intertwined problems of writing, slavery, and sovereignty, as well as a vivid portrait of the unique form that indigenous jurisdiction took in this era.

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cover of The Book of Politics: China in Theory

The Book of Politics

China in Theory

Michael Dutton

Duke University Press, 2024

In The Book of Politics, Michael Dutton offers an affective theorization of the political and a political theorization of affect. Drawing on Western and Chinese social theory and practice, Dutton rethinks Carl Schmitt’s insistence that the political can be thought of only within the antagonistic pairing of friend and enemy. Dutton shows how the power of the friend/enemy binary must be understood by conceptualizing the political as the channeling, harnessing, and transforming of affective energy flows in relation to that binary. Given this affective nature of politics, Dutton contends that to rethink the political means moving away from a political science toward an art of the political. Such an art highlights fluidity and pulls away from Eurocentric political theory, requiring a conceptualization of the political as global. He juxtaposes ancient Chinese cosmology, medicine, and Maoism against the monuments of early capitalist modernity such as the Crystal Palace and the Eiffel Tower to highlight the differences in political investments and intensities. From the Chinese revolution to the global rise of right-wing movements, Dutton rethinks politics in the contemporary world.
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cover of The China Sketchbook

The China Sketchbook

I. Allan Sealy

Seagull Books, 2016

A camera makes enemies; a sketchbook, friends. Firm in this belief, Irwin Allan Sealy carried to China just his pen and a book of blank pages. When the literary conference that took him there ended and his fellow writers returned to India, Sealy stayed on to travel the railroads of the north in search of a town reminiscent of his Himalayan hometown and a man who might resemble himself. Sign language, good will, and plain luck see him through, but in a northern mining town known for its ancient Buddhist cave sculptures, Sealy finally comes to the conclusion that his other was unreachable, his hometown was one of a kind, and his only hope was a pen, allowing him to record his memories, sketches, and adventures along the way.

Sealy is known for both his fiction and his travelogue From Yukon to Yukatan: A Western Journey. This facsimile edition of The China Sketchbook, however, adds a special dimension to a travel narrative—the sketches and scribbles give readers a more immediate and unrestrained insight into the mind of a very fine writer and chart an unusual and quirky travel diary.
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cover of The China-US Partnership to Prevent Spina Bifida: The Evolution of a Landmark Epidemiological Study

The China-US Partnership to Prevent Spina Bifida

The Evolution of a Landmark Epidemiological Study

Deborah Kowal

Vanderbilt University Press, 2015

In 1983 two doctors, one from each side of the world, decided to form a partnership, and so began a scientific adventure that would improve the odds that babies could be born healthy and whole. Neural tube defects that severely disabled or killed babies were epidemic in China (where the folk term was guai tai--roughly "monster baby"--for an infant whose embryonic neural tube doesn't completely close and whose head and neck may be misshapen or spine may protrude) and a significant problem in the United States, leading teams of researchers from the United States and China to combine forces to recruit more than 285,000 Chinese women and to follow nearly 250,000 pregnancies in an epidemiological study.

Sixteen thousand staff were involved in running the project, which encountered massive bureaucratic obstacles as well as cultural differences, politicking for study designs and funding, the crisis of Tiananmen Square, and testy debates over research ethics. Nevertheless, the researchers persevered in a collaboration that lasted more than three decades and led to landmark findings on the role of folic acid in preventing spina bifida. Fortifying cereal grain products with folic acid became routine in the United States and a growing number of nations around the world: that intervention was named one of the ten great public health achievements of the last decade.

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cover of The Chinese Bell Murders

The Chinese Bell Murders

Robert van Gulik

University of Chicago Press, 1977

The Chinese Bell Murders describes the Judge's exploits in the tribunal of Poo-yang early in his career. He has one case left over from his predecessor—the brutal rape-murder of Pure Jade, the daughter of Butcher Hsai who lived on Half Moon Street. Her lover has been accused and is on the verge of being convicted, but Judge Dee senses that all is not right and sets out with his lieutenants to find the real murderer.

"So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader."—New York Times

Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.
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cover of The Chinese Lake Murders

The Chinese Lake Murders

Robert van Gulik

University of Chicago Press, 1979

The Chinese Lake Murders describes how Judge Dee solves three difficult cases in A.D. 666, shortly after he has been appointed magistrate of Han-yuan.

"[Robert van Gulik] deftly interweaves three criminal cases involving exotic yet universally recognizable characters, then has his Judge Dee provide a surprising yet most plausible solution."—New York Times Book Review
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cover of The Chinese Maze Murders: A Judge Dee Mystery

The Chinese Maze Murders

A Judge Dee Mystery

Robert van Gulik

University of Chicago Press, 1997

The very first mystery in the beloved series starring Judge Dee, a detective whom the Los Angeles Times ranked with Sherlock Holmes!

Join the T'ang Dynasty detective Judge Dee on his very first full-length mystery! Poisoned plums, a cryptic scroll picture, passionate love letters, and a hidden murderer with a penchant for torturing and killing women lead Judge Dee to the heart of the Governor’s garden maze and the answers to three interwoven mysteries. This book kicked off Robert van Gulik's long-running series and introduced countless readers to a cozy, clever series and the incredible detective at its center. Read this one and you'll quickly find yourself seeking out the whole series.

 
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cover of The Chinese Nail Murders

The Chinese Nail Murders

Robert van Gulik

University of Chicago Press, 1977

Judge Dee and his four helpers solve the murders of an honored merchant, a kindly boxing master, and a paper merchant's wife, whose corpse has no head. They succeed in spite of strong pressure on Judge Dee from higher-ups to bring his investigation, which has temporarily generated unrest among the populace, rapidly to an end or face dismissal and serious punishment. The case of the headless corpse is based on a thirteenth-century Chinese casebook; the nail murder, one of the most famous motifs in Chinese crime literature, is first described in the same text.

"So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader."—New York Times

Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.
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cover of The Chinese Postmodern: Trauma and Irony in Chinese Avant-Garde Fiction

The Chinese Postmodern

Trauma and Irony in Chinese Avant-Garde Fiction

Xiaobin Yang

University of Michigan Press, 2002

The Chinese Postmodern is a pioneering study of today's Chinese experimental fiction, exploring the works of such major writers as Can Xue, Ge Fei, Ma Yuan, Mo Yan, Xu Xiaohe, and Yu Hua from the perspective of cultural and literary postmodernity. Focusing on the interplay between historical psychology and representational mode, and between political discourse and literary rhetoric, it examines the problem of Chinese postmodernity against the background of the cultural-political reality of twentieth-century China.
The book seeks to redefine Chinese modernity and postmodernity through the analyses of both orthodox and avant-garde works. In doing so, the author draws on a number of theories, psychoanalysis and deconstruction in particular, revealing the hidden connection between the deconstructive mode of writing and the experience of history after trauma and showing how avant-garde literature brings about a varied literary paradigm that defies the dominant, subject-centered one in twentieth-century China.
The distinctiveness of The Chinese Postmodern is also found in its portrayal of the changes of literary paradigms in modern Chinese literature. By way of characterizing avant-garde fiction, it provides an overview of twentieth-century Chinese literature and offers a theorization of the intellectual history of modern China. Other issues concerning literary theory are explored, including the relationships between postmodernity and totalitarian discourse, between historical trauma and literary writing, and between psychic trauma and rhetorical irony. This book will appeal to readers in the fields of Chinese literature and culture, modern Chinese history, literary theory, and comparative literature.
Xiaobin Yang is Croft Assistant Professor, University of Mississippi.
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cover of The Cinema of Wang Bing: Chinese Documentary between History and Labor

The Cinema of Wang Bing

Chinese Documentary between History and Labor

Bruno Lessard

Hong Kong University Press, 2023

An examination of the films of Chinese documentarian Wang Bing.

In The Cinema of Wang Bing, Bruno Lessard examines documentarian Wang Bing’s most important films. He focuses on the two obsessions at the heart of Wang’s oeuvre—the legacy of Maoist China in the present and the transformation of labor since China’s entry into the market economy—and how the crucial figures of survivor and worker are represented on screen. Bruno Lessard argues that Wang is a minjian (grassroots) intellectual whose films document the impact of Mao’s Great Leap Forward on Chinese collective memory and register the repercussions of China’s turn to neoliberalism on workers in the post-Reform era. Bringing together Chinese documentary studies and China studies, Lessard shows how Wang’s practice reflects the minjian ethos when documenting the survivors of the Great Famine and those who have not benefitted from China’s neoliberal policies—from laid-off workers to migrant workers. The films discussed include some of Wang’s most celebrated works such as West of the Tracks and Dead Souls, as well as neglected documentaries such as Coal Money and Bitter Money.
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cover of The Classical Gardens of Shanghai

The Classical Gardens of Shanghai

Shelly Bryant

Hong Kong University Press, 2016

In The Classical Gardens of Shanghai, Shelly Bryant looks at five of Shanghai’s remaining classical gardens through their origins, changing fortunes, restorations, and links to a wider Chinese aesthetic. Shanghai’s classical gardens are as much text as space; they exist in art, poetry, and literature as much as in stone, rock, and earth. But these gardens have not remained static entities. Rather, they have been remodelled constantly since their inception. This book reflects this process within the constancy of traditional Chinese horticulture and reveals Shanghai’s remaining classical gardens as places representing wealth and social status, social and dynastic shifts, through falling family fortunes and political revolutions to search for a recovery of China’s ancient culture in the modern day.
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cover of The Compensations of Plunder: How China Lost Its Treasures

The Compensations of Plunder

How China Lost Its Treasures

Justin M. Jacobs

University of Chicago Press, 2020

From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely regarded as stolen from their countries of origin, and demands for their repatriation grow louder by the day. In The Compensations of Plunder, Justin M. Jacobs brings to light the historical context of the exodus of cultural treasures from northwestern China. Based on a close analysis of previously neglected archives in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal of art and antiquities abroad, understanding their trade as currency for a cosmopolitan elite. In the decades after the 1911 Revolution, however, these antiquities went from being “diplomatic capital” to disputed icons of the emerging nation-state. A new generation of Chinese scholars began to criminalize the prior activities of archaeologists, erasing all memory of the pragmatic barter relationship that once existed in China. Recovering the voices of those local officials, scholars, and laborers who shaped the global trade in antiquities, The Compensations of Plunder brings historical grounding to a highly contentious topic in modern Chinese history and informs heated debates over cultural restitution throughout the world.
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cover of The Conquerors

The Conquerors

André Malraux

University of Chicago Press, 1991

The Conquerors describes the struggle between the Kuomintang and the Communists in the Cantonese revolution of the 1920s. It is both an exciting war story and a gallery of intellectual portraits: a ruthless Bolshevik revolutionary, a disillusioned master of propaganda, a powerful Chinese pacifist, and a young anarchist. Each of these "conquerors" will be crushed by the revolution they try to control.

In a new Foreword, Herbert R. Lottman discusses the political background of the book, and the extent to which Malraux invented the history he wrote about.

"[The Conquerors] is a valuable introduction to Malraux himself, who would, like his fictional counterpart, become an analgam of talents as novelist, essayist, Leftist and Gaullist, Resistance hero and art critic. He was among the most 'universal' of French men of letters."—Choice

"The novel can be enjoyed as a remarkable work of modernism. With images derived from the silent cinema and prose from the telegraph, it moves at a tremendous pace. Canton all comes to violent life, seen as though from a speeding car."—Kirkus

"No other writer of the 20th century had the same capacity to translate his personal adventure into a meeting with history and a dialogue of civilization."—Carlos Fuentes, New York Times Book Review
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cover of The Coolie Speaks: Chinese Indentured Laborers and African Slaves in Cuba

The Coolie Speaks

Chinese Indentured Laborers and African Slaves in Cuba

Lisa Yun

Temple University Press, 2009

Introducing radical counter-visions of race and slavery, and probing the legal and philosophical questions raised by indenture, The Coolie Speaks offers the first critical reading of a massive testimony case from Cuba in 1874. From this case, Yun traces the emergence of a "coolie narrative" that forms a counterpart to the "slave narrative." The written and oral testimonies of nearly 3,000 Chinese laborers in Cuba, who toiled alongside African slaves, offer a rare glimpse into the nature of bondage and the tortuous transition to freedom. Trapped in one of the last standing systems of slavery in the Americas, the Chinese described their hopes and struggles, and their unrelenting quest for freedom.

Yun argues that the testimonies from this case suggest radical critiques of the "contract" institution, the basis for free modern society. The example of Cuba, she suggests, constitutes the early experiment and forerunner of new contract slavery, in which the contract itself, taken to its extreme, was wielded as a most potent form of enslavement and complicity. Yun further considers the communal biography of a next-generation Afro-Chinese Cuban author and raises timely theoretical questions regarding race, diaspora, transnationalism, and globalization.

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cover of The Courtesan's Memory, Voice, and Late Ming Drama

The Courtesan's Memory, Voice, and Late Ming Drama

Peng Xu

University of Michigan Press, 2025

Peng Xu’s The Courtesan’s Memory, Voice, and Late Ming Drama argues that courtesans of the era played an active role in the theater and their impact manifested in Chinese literary history, albeit concealed or erased. In the late Ming dynasty (1368–1644), theater was dominated by male performers with professional actresses largely absent from the stage, unlike in the Yuan dynasty (1271–1368), where women performed without restriction in theater troupes. Despite the prevailing assumption that women played no part in the theatrical movement, The Courtesan’s Memory, Voice, and Late Ming Drama illuminates how courtesans, as serious theater artists and playwrights, left a significant mark on the male-dominated dramatic and literary landscapes.

This study profoundly remaps the textbook narratives of gender bias, challenges modern prejudices prevalent in the literary history of Chinese drama, and reveals how theatrical conditions and writing styles shifted to accommodate courtesan performances. Utilizing a wide range of sources such as scripts, city guides, biographies, diaries, letters, wood-block illustrations, and paintings, this study distinguishes itself from earlier studies of Chinese courtesans by not thematizing courtesans for their allegorical values, but rather pinpointing their agency in shaping the features of Chinese theater and recognizing courtesans as a source of creativity and development in the medium. Xu’s focus on courtesan performance culture allows for fresh readings of canonical Chinese plays, opening up new ways of understanding the history of Chinese drama written by women, thus deviating from standard historiography based solely on the writings of men.

 
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cover of The Crafting of the 10,000 Things: Knowledge and Technology in Seventeenth-Century China

The Crafting of the 10,000 Things

Knowledge and Technology in Seventeenth-Century China

Dagmar Schäfer

University of Chicago Press, 2011

The last decades of the Ming dynasty, though plagued by chaos and destruction, saw a significant increase of publications that examined advances in knowledge and technology. Among the numerous guides and reference books that appeared during this period was a series of texts by Song Yingxing (1587–1666?), a minor local official living in southern China. His Tiangong kaiwu, the longest and most prominent of these works, documents the extraction and processing of raw materials and the manufacture of goods essential to everyday life, from yeast and wine to paper and ink to boats, carts, and firearms.

            
In The Crafting of the 10,000 Things, Dagmar Schäfer probes this fascinating text and the legacy of its author to shed new light on the development of scientific thinking in China, the purpose of technical writing, and its role in and effects on Chinese history. Meticulously unfolding the layers of Song’s personal and cultural life, Schäfer chronicles the factors that motivated Song to transform practical knowledge into written culture. She then examines how Song gained, assessed, and ultimately presented knowledge, and in doing so articulates this era’s approaches to rationality, truth, and belief in the study of nature and culture alike.  Finally, Schäfer places Song’s efforts in conjunction with the work of other Chinese philosophers and writers, before, during, and after his time, and argues that these writings demonstrate collectively a uniquely Chinese way of authorizing technology as a legitimate field of scholarly concern and philosophical knowledge.


Offering an overview of a thousand years of scholarship, The Crafting of the 10,000 Things explains the role of technology and crafts in a culture that had an outstandingly successful tradition in this field and was a crucial influence on the technical development of Europe on the eve of the Industrial Revolution.

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cover of The Cultural Revolution and Post-Mao Reforms: A Historical Perspective

The Cultural Revolution and Post-Mao Reforms

A Historical Perspective

Tang Tsou

University of Chicago Press, 1986

"Tsou, one of the country's senior and most widely respected China scholars, has for more than a generation been producing timely and deeply informed essays on Chinese politics as it develops. Eight of these (from a wide variety of sources) are gathered here with a substantial new introduction. Tsou considers events not simply from the point of view of a widely read political scientist (even political philosopher) and a concerned Chinese, but also in the light of history, the dynamics of Marxism-Leninism, individual personalities, and humane realism."—Charles W. Hayford, Library Journal
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cover of The Currency of Truth: Newsmaking and the Late-Socialist Imaginaries of China's Digital Era

The Currency of Truth

Newsmaking and the Late-Socialist Imaginaries of China's Digital Era

Emily H. C. Chua

University of Michigan Press, 2023

China’s news sector is a place where newsmakers, advertising executives, company bosses, and Party officials engage one another in contingent and evolving arrangements that run from cooperation and collaboration to manipulation and betrayal. Drawing on long-term ethnographic fieldwork with journalists, editors, and executives at a newspaper in Guangzhou, The Currency of Truth brings its readers into the lives of the people who write, publish, and profit from news in this milieu. The book shows that far from working as mere cogs in a Party propaganda machine, these individuals are immersed in fluidly shifting networks of formal and informal relationships, which they carefully navigate to pursue diverse goals.

In The Currency of Truth, Emily H. C. Chua argues that news in China works less as a medium of mass communication than as a kind of currency as industry players make and use news articles to create agreements, build connections, and protect and advance their positions against one another. Looking at the ethical and professional principles that well-intentioned and civically minded journalists strive to uphold, and the challenges and doubts that they grapple with in the process, Chua brings her findings into conversation around “post-truth” news and the “crisis” of professional journalism in the West.  The book encourages readers to rethink contemporary news, arguing that rather than setting out from the assumption that news works either to inform or deceive its publics, we should explore the “post-public” social and political imaginaries emerging among today’s newsmakers and remaking the terms of their practice.
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cover of The Death and Life of Chinese Civil Society

The Death and Life of Chinese Civil Society

Mujun Zhou

University of Michigan Press, 2026

The Death and Life of Chinese Civil Society examines how a group of Chinese intellectual elites referred to as the liberals or ziyou pai edified the civil society project beginning in the 1990s to build an independent space to constrain state power, increase political participation, and promote China’s democratization. In the early 2000s, activists in movements such as the environmental and the AIDS movements identified with the liberals and regarded their activism as part of the project of building civil society. However, since the late 2000s the liberals’ influence has gradually declined. In prominent social movements in the 2010s such as the labor and feminist movements, activists have openly criticized the liberal interpretation of civil society and regarded liberals’ civil society agenda as irrelevant. 

Mujun Zhou employs the concept of interstitial space, or the space where the exercise of power has not been fully institutionalized, to examine the history of the civil society project over the past three decades and its changing relationship with other social movements. Zhou suggests that by advocating for civil society the liberals gained allies and thematized many social problems rising during China’s economic reform; however, liberals’ activism also produced new forms of power inequalities.
 
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cover of The Devil's Handwriting: Precoloniality and the German Colonial State in Qingdao, Samoa, and Southwest Africa

The Devil's Handwriting

Precoloniality and the German Colonial State in Qingdao, Samoa, and Southwest Africa

George Steinmetz

University of Chicago Press, 2007

Germany’s overseas colonial empire was relatively short lived, lasting from 1884 to 1918. During this period, dramatically different policies were enacted in the colonies: in Southwest Africa, German troops carried out a brutal slaughter of the Herero people; in Samoa, authorities pursued a paternalistic defense of native culture; in Qingdao, China, policy veered between harsh racism and cultural exchange.
Why did the same colonizing power act in such differing ways? In The Devil’s Handwriting, George Steinmetz tackles this question through a brilliant cross-cultural analysis of German colonialism, leading to a new conceptualization of the colonial state and postcolonial theory. Steinmetz uncovers the roots of colonial behavior in precolonial European ethnographies, where the Hereros were portrayed as cruel and inhuman, the Samoans were idealized as “noble savages,” and depictions of Chinese culture were mixed. The effects of status competition among colonial officials, colonizers’ identification with their subjects, and the different strategies of cooperation and resistance offered by the colonized are also scrutinized in this deeply nuanced and ambitious comparative history.
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cover of The Dianshizhai Pictorial: Shanghai Urban Life, 1884–1898

The Dianshizhai Pictorial

Shanghai Urban Life, 1884–1898

Ye Xiaoqing

University of Michigan Press, 2003

While twentieth-century Shanghai has received extensive scholarly treatment, the nineteenth century has remained understudied, even though it encompasses the first half-century of Shanghai's growth as a treaty port and the early years of Chinese-foreign contact. Published in the last quarter of the nineteenth century, the Dianshizhai Pictorial provides a record of the new urban popular culture that emerged in Shanghai's foreign settlements during this period.
In this study, Ye Xiaoqing provides a comprehensive view into the Dianshizhai's detailed illustrations of everyday life at home, in commercial establishments, and in Shanghai's public areas. Her introduction to more than one hundred drawings points to the social background, lifestyle, and intellectual outlook of the Dianshizhai's literati writers and artists, the weakness of gentry control in the foreign settlements, and the commercialization and “modern” material culture that made Shanghai distinctive. The drawings and commentaries of the Dianshizhai contrast the settlements with “traditional” culture and urban life in the adjacent Chinese city and vividly convey items of interest—from the quotidian to the bizarre—highlighting local fascination with and anxiety at the rapid changes in Shanghai's increasingly cosmopolitan society.
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cover of The East Is Black: Cold War China in the Black Radical Imagination

The East Is Black

Cold War China in the Black Radical Imagination

Robeson Taj Frazier

Duke University Press, 2015

During the Cold War, several prominent African American radical activist-intellectuals—including W.E.B. and Shirley Graham Du Bois, journalist William Worthy, Marxist feminist Vicki Garvin, and freedom fighters Mabel and Robert Williams—traveled and lived in China. There, they used a variety of media to express their solidarity with Chinese communism and to redefine the relationship between Asian struggles against imperialism and black American movements against social, racial, and economic injustice. In The East Is Black, Taj Frazier examines the ways in which these figures and the Chinese government embraced the idea of shared struggle against U.S. policies at home and abroad. He analyzes their diverse cultural output (newsletters, print journalism, radio broadcasts, political cartoons, lectures, and documentaries) to document how they imagined communist China’s role within a broader vision of a worldwide anticapitalist coalition against racism and imperialism.
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cover of The Emerging Lesbian: Female Same-Sex Desire in Modern China

The Emerging Lesbian

Female Same-Sex Desire in Modern China

Tze-Lan D. Sang

University of Chicago Press, 2003

In early twentieth-century China, age-old traditions of homosocial and homoerotic relationships between women suddenly became an issue of widespread public concern. Discussed formerly in terms of friendship and sisterhood, these relationships came to be associated with feminism, on the one hand, and psychobiological perversion, on the other—a radical shift whose origins have long been unclear.

In this first ever book-length study of Chinese lesbians, Tze-lan D. Sang convincingly ties the debate over female same-sex love in China to the emergence of Chinese modernity. As women's participation in social, economic, and political affairs grew, Sang argues, so too did the societal significance of their romantic and sexual relations. Focusing especially on literature by or about women-preferring women, Sang traces the history of female same-sex relations in China from the late imperial period (1600-1911) through the Republican era (1912-1949). She ends by examining the reemergence of public debate on lesbians in China after Mao and in Taiwan after martial law, including the important roles played by globalization and identity politics.
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cover of The Emperor's Pearl: A Judge Dee Mystery

The Emperor's Pearl

A Judge Dee Mystery

Robert van Gulik

University of Chicago Press, 1963

A fiendishly clever mystery that can only be unraveled by the unflappable Judge Dee, whom the Los Angeles Times ranked with Sherlock Holmes

The latest puzzling mystery facing Jude Dee begins on the night of the Poo-yang dragonboat races in 699 A.D.: a drummer in the leading boat collapses, and the body of a beautiful young woman turns up in a deserted country mansion. There, Judge Dee—tribunal magistrate, inquisitor, and public avenger—steps in to investigate the murders and return order to the Tang Dynasty.

In The Emperor’s Pearl, the judge discovers that these two deaths are connected by an ancient tragedy involving a near-legendary treasure stolen from the Imperial Harem one hundred years earlier. The terrifying figure of the White Lady, a river goddess enshrined on a bloodstained altar, looms in the background of the investigation. Clues are few and elusive, but under the expert hand of Robert van Gulik, this mythic jigsaw puzzle assembles itself into a taut mystery.
 
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cover of The Emperor’s New Epistemology: Music, Empire, and Empiricism in Early Modern China

The Emperor’s New Epistemology

Music, Empire, and Empiricism in Early Modern China

Lester Hu

University of Chicago Press, 2027

An innovative account of listening and empire-building in 17th- and 18th-century China.

The Emperor’s New Epistemology explores how listening shaped knowledge and empire-building in seventeenth- and eighteenth-century China. As the Manchu dynasty expanded deep into Inner Asian territories deemed foreign by the majority-Han population, the Qing Empire’s musical culture encompassed the sounds of Mongols, Uyghurs, and Tibetans, as well as Western music brought by Jesuit and other Christian missionaries. Lester Hu reveals that this diversity transformed not only Qing court culture but the very grounds on which knowledge and power could be established.

In one revealing episode from 1692, the Kangxi Emperor (1654–1722) misinterpreted a key term of Classical Chinese music after studying European music with the Jesuits. Hu situates this anecdote within the political, social, and epistemic shifts that transformed late-imperial China. As Hu shows, listening was an instrument of Qing imperial authority: Knowledge about music, language, and even the universe could only be verified through the emperor’s ears. Furthermore, listening facilitated new theories of empirical knowledge, which both lent themselves to Qing-imperial ideology and generated new epistemic tensions. By exploring their echoes in similar shifts in early modern Europe, Hu’s book brings a global perspective to the study of music in the early modern world and reconsiders the transcendental ground on which such comparative and intercultural knowledge is possible.

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cover of The Empress and the Dragon Throne: Imperial Women of the Early Ming Dynasty

The Empress and the Dragon Throne

Imperial Women of the Early Ming Dynasty

Ellen Soulliere

Hong Kong University Press, 2025

How empresses and consorts were indispensable to the Ming dynasty and its politics and governance.

The rulers of the Ming dynasty enacted paradigms of hierarchical order. Like imperial families, households, and courts in earlier Chinese dynasties, they articulated patriarchal, patrilineal, and patrilocal organizational principles as exemplars for families and institutions throughout the empire. Women made indispensable contributions to the development of these paradigms and principles and to the social, cultural, and political fabric of the family and the state. And yet, in the existing literature in Chinese and English women are often burdened with stereotypes, positioned as peripheral, or rendered almost invisible.

Reading available texts “against the grain,” and drawing on a trove of evidence from material culture, Soulliere shows how women defined a place for themselves in the multigenerational Ming imperial family, imperial household, and court. The Empress and the Dragon Throne spans the first Ming century from just before the founding of the dynasty in 1368 to the end of the Tianshun reign in 1465. This richly illustrated volume is a must-read for scholars, students, and anyone interested in learning about women’s lives during the Ming dynasty.
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cover of The End of Cheap Labour?: Industrial Transformation and "Social Upgrading" in China

The End of Cheap Labour?

Industrial Transformation and "Social Upgrading" in China

Florian Butollo

Campus Verlag, 2014

The Chinese government and international observers argue that China’s economy must overcome its excessive dependence on exports if substantial growth in domestic consumption is to be achieved and sustained in the future. But this shift can only occur if China also lessens its reliance on cheap migrant labor and encourages investment in its own labor force.

In The End of Cheap Labour?, Florian Butollo investigates the recent transformation of the garment and LED lighting industries in the Pearl River Delta, China’s largest industrial hub. He reveals that industrial upgrading rarely supports improvements in working conditions and the basic employment pattern; and this failure of “social upgrading” threatens to undermine the desired rebalancing of the Chinese economy. Butollo demonstrates that the implementation of collective labor rights remains an important obstacle in the future of the Chinese growth model.
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cover of The End of Concern: Maoist China, Activism, and Asian Studies

The End of Concern

Maoist China, Activism, and Asian Studies

Fabio Lanza

Duke University Press, 2017

In 1968 a cohort of politically engaged young academics established the Committee of Concerned Asian Scholars (CCAS). Critical of the field of Asian studies and its complicity with the United States' policies in Vietnam, the CCAS mounted a sweeping attack on the field's academic, political, and financial structures. While the CCAS included scholars of Japan, Korea, and South and Southeast Asia, the committee focused on Maoist China, as it offered the possibility of an alternative politics and the transformation of the meaning of labor and the production of knowledge. In The End of Concern Fabio Lanza traces the complete history of the CCAS, outlining how its members worked to merge their politics and activism with their scholarship. Lanza's story exceeds the intellectual history and legacy of the CCAS, however; he narrates a moment of transition in Cold War politics and how Maoist China influenced activists and intellectuals around the world, becoming a central element in the political upheaval of the long 1960s.
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cover of The End of the Village: Planning the Urbanization of Rural China

The End of the Village

Planning the Urbanization of Rural China

Nick R. Smith

University of Minnesota Press, 2021

How China’s expansive new era of urbanization threatens to undermine the foundations of rural life 

Since the beginning of the twenty-first century, China has vastly expanded its urbanization processes in an effort to reduce the inequalities between urban and rural areas. Centered on the mountainous region of Chongqing, which serves as an experimental site for the country’s new urban development policies, The End of the Village analyzes the radical expansion of urbanization and its consequences for China’s villagers. It reveals a fundamental rewriting of the nation’s social contract, as villages that once organized rural life and guaranteed rural livelihoods are replaced by an increasingly urbanized landscape dominated by state institutions. 

Throughout this comprehensive study of China’s “urban–rural coordination” policy, Nick R. Smith traces the diminishing autonomy of the country’s rural populations and their subordination to larger urban networks and shared administrative structures. Outside Chongqing’s urban centers, competing forces are at work in reshaping the social, political, and spatial organization of its villages. While municipal planners and policy makers seek to extend state power structures beyond the boundaries of the city, village leaders and inhabitants try to maintain control over their communities’ uncertain futures through strategies such as collectivization, shareholding, real estate development, and migration.

As China seeks to rectify the development crises of previous decades through rapid urban growth, such drastic transformations threaten to displace existing ways of life for more than 600 million residents. Offering an unprecedented look at the country’s contentious shift in urban planning and policy, The End of the Village exposes the precarious future of rural life in China and suggests a critical reappraisal of how we think about urbanization.

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cover of The First British Trade Expedition to China: Captain Weddell and the Courteen Fleet in Asia and Late Ming Canton

The First British Trade Expedition to China

Captain Weddell and the Courteen Fleet in Asia and Late Ming Canton

Nicholas D. Jackson

Hong Kong University Press, 2022

A groundbreaking study of early modern British enterprise in south China.

In The First British Trade Expedition to China, Nicholas D. Jackson explores the pioneering British trade expedition to China launched in the late Ming period by Charles I and the Courteen Association. Utilizing the vivid perspective of its commander Captain John Weddell, this study concentrates on the fleet’s adventures in south China between Portuguese Macao and the provincial capital, Guangzhou. Tracing the obscure origins of Sino-British diplomatic and commercial relations back to the late Ming era, Jackson examines the first episodes of Sino-British interaction, exchange, and collision in the seventeenth century. His analysis constitutes a groundbreaking study of early modern British initiatives and enterprises in the coastal areas of south China.
 
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cover of The Fragmented Politics of Urban Preservation: Beijing, Chicago, and Paris

The Fragmented Politics of Urban Preservation

Beijing, Chicago, and Paris

Yue Zhang

University of Minnesota Press, 2013

While urban preservation is almost as old as cities themselves, it has become increasingly controversial in modern cities. In this book, Yue Zhang presents a cross-national comparative analysis of the politics of urban preservation. Based on comprehensive archival research and more than two hundred in-depth interviews in Beijing, Chicago, and Paris, Zhang finds that urban preservation provides a tool for diverse political and social actors to frame their propositions and advance their favored courses of action.

In cities from West to East, divergent political and economic interests have caused urban preservation to become contested. Exploring three of the world’s great cities, Zhang deftly navigates readers through each case study, illustrating the complexities of the politics of urban preservation in each city. In Beijing, urban preservation was integral to promoting economic growth and enhancing the city’s image during the lead-up to the 2008 Olympics; in Chicago, it is used to increase property values and revitalize neighborhoods; and in Paris, it offers a channel for national and municipal governments to compete for control over urban space.

Although urban preservation serves various purposes in these cities, Zhang explains how different types of political fragmentation have affected the implementation of preservation initiatives in predictable ways, thus generating distinct patterns of urban preservation. A comparative urban politics study of unusual breadth, The Fragmented Politics of Urban Preservation gives us insight into the complex policy process of urban preservation through which political institutions are intertwined with interests and inclinations, fundamentally shaping the direction of urban development, the physical forms of cities, and the lives of citizens.

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cover of The Fruits of Opportunism: Noncompliance and the Evolution of China's Supplemental Education Industry

The Fruits of Opportunism

Noncompliance and the Evolution of China's Supplemental Education Industry

Le Lin

University of Chicago Press, 2022

An in-depth examination of the regulatory, entrepreneurial, and organizational factors contributing to the expansion and transformation of China’s supplemental education industry.

Like many parents in the United States, parents in China, increasingly concerned with their children’s academic performance, are turning to for-profit tutoring businesses to help their children get ahead in school. China’s supplemental education industry is now the world’s largest and most vibrant for-profit education market, and we can see its influence on the US higher education system: more than 70% of Chinese students studying in American universities have taken test preparation classes for overseas standardized tests. The Fruits of Opportunism offers a much-needed thorough investigation into this industry. This book examines how opportunistic organizations thrived in an ambiguous policy environment and how they catalyzed organizational and institutional changes in this industry.

A former insider in China’s Education Industry, sociologist Le Lin shows how and why this industry evolved to become a for-profit one dominated by private, formal, nationally operating, and globally financed corporations, despite restrictions the Chinese state placed on the industry. Looking closely at the opportunistic organizations that were founded by marginal entrepreneurs and quickly came to dominate the market, Lin finds that as their non-compliant practices spread across the industry, these opportunistic organizations pushed privatization and marketization from below. The case of China’s Education Industry laid out in The Fruits of Opportunism illustrates that while opportunism leaves destruction in its wake, it can also drive the formation and evolution of a market.

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