158 books match the query 'End' and 71 start with t

cover of The American Southeast at the End of the Ice Age

The American Southeast at the End of the Ice Age

Edited by D. Shane Miller, Ashley M. Smallwood, and Jesse W. Tune

University of Alabama Press, 2022

Synthesizes archaeological and environmental evidence to reinterpret how early human populations adapted to dynamic climatic changes during the Late Pleistocene, reshaping our understanding of Paleoindian lifeways and migration in the Southeastern United States.

The 1996 benchmark volume The Paleoindian and Early Archaic Southeast, edited by David G. Anderson and Kenneth E. Sassaman, was the first study to summarize what was known of the peoples who lived in the Southeast when ice sheets covered the northern part of the continent and mammals such as mammoths, saber-toothed cats, and ground sloths roamed the landscape.

The American Southeast at the End of the Ice Age provides an updated, definitive synthesis of current archaeological research gleaned from an array of experts in the region. It is organized in three parts: state records, the regional perspective, and reflections and future directions. Chapters survey a diversity of topics including the distribution of the earliest archaeological sites in the region, chipped-stone tool technology, the expanding role of submerged archaeology, hunter-gatherer lifeways, past climate changes and the extinction of megafauna on the transitional landscape, and evidence of demographic changes at the end of the Ice Age. Discussion of the ethical responsibilities regarding the use of private collections and the relationship of archaeologists and the avocational community, insight from outside the Southeast, and considerations for future research round out the volume.
 

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cover of The Collapse of Price's Raid: The Beginning of the End in Civil War Missouri

The Collapse of Price's Raid

The Beginning of the End in Civil War Missouri

Mark A. Lause

University of Missouri Press, 2025

As the Civil War was drawing to a close, former Missouri governor Sterling Price led his army on one last desperate campaign to retake his home state for the Confederacy, part of a broader effort to tilt the upcoming 1864 Union elections against Abraham Lincoln and the Republicans. In The Collapse of Price’s Raid: The Beginning of the End in Civil War Missouri, Mark A. Lause examines the complex political and social context of what became known as “Price’s Raid,” the final significant Southern operation west of the Mississippi River.
The success of the Confederates would be measured by how long they could avoid returning south to spend a hungry winter among the picked-over fields of southwestern Arkansas and northeastern Texas. As Price moved from Pilot Knob to Boonville, the Raid brutalized and alienated the people it supposedly wished to liberate. With Union cavalry pushing out of Jefferson City, the Confederates took Boonville, Glasgow, and Sedalia in their stride, and fostered a wave of attacks across northern Missouri by guerrillas and organizations of new recruits. With the Missouri River to their north and the ravaged farmlands to their south, Price’s men continued west.
At Lexington, Confederates began encountering a second Federal army newly raised in Kansas under General Samuel R. Curtis. A running battle from the Little Blue through Independence to the Big Blue marked the first of three days of battle in the area of Kansas City, as the two Federal armies squeezed the Confederate forces between them. Despite a self-congratulatory victory, Union forces failed to capture the very vulnerable army of Price, which escaped down the Kansas line.
The follow-up to Price’s Lost Campaign: The 1864 Invasion of Missouri, Lause’s The Collapse of Price’s Raid is a must-have for any reader interested in the Civil War or in Missouri state history.
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cover of The Douce Apocalypse: Picturing the End of the World in the Middle Ages

The Douce Apocalypse

Picturing the End of the World in the Middle Ages

Nigel Morgan

Bodleian Library Publishing, 2006

One of the finest of all medieval apocalypse manuscripts, the Douce Apocalypse was part of a series of illuminated texts that brought St. John’s apocalyptic visions to life. 

Now the manuscript—created sometime between 1250 and 1275—reaches an entirely new audience at the hands of noted scholar Nigel Morgan. The Douce Apocalypse explores the manuscript’s royal patronage, looks at its fascinating imagery, and examines its significance in light of contemporary prophecy. The commentary is accompanied by lush, full-color illustrations.

As Morgan relates, the Douce Apocalypse is especially enlightening because of its unfinished nature. A few of its images remain incomplete—and such absences give insight into the artist’s painstaking techniques of drawing, gilding, and painting. The second volume in the Treasures from the Bodleian Library series, The Douce Apocalypse will convey both the beauty of the original and the enduring fascination of its contents.
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cover of The Empire at Home: Internal Colonies and the End of Britain

The Empire at Home

Internal Colonies and the End of Britain

James Trafford

Pluto Press, 2021

Modern Britain is forged through the redeployment of structures that facilitated and legitimized slavery, exploitation and extermination. This is the 'empire at home' and it is inseparable from the strategies of neo-colonial extraction and oppression of subjects abroad. Here, James Trafford develops the notion of internal colonies, arguing that methods and structures used in colonial rule are re-deployed internally in contemporary Britain in order to recreate and solidify imperial power relations. Using examples including housing segregation, targeted surveillance and counter-insurgency techniques used in the fight against terrorism, Trafford reveals Britain's internal colonialism to be a reactive mechanism to retain British sovereignty. As politics appears limited by nationalism and protectionism, The Empire at Home issues a powerful challenge to contemporary politics, demanding that Britain as an imperial structure must end.
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cover of The End Of Capitalism (As We Knew It): A Feminist Critique of Political Economy

The End Of Capitalism (As We Knew It)

A Feminist Critique of Political Economy

J. K. Gibson-Graham

University of Minnesota Press, 2006

In the mid-1990s, at the height of academic discussion about the inevitability of capitalist globalization, J. K. Gibson-Graham presented a groundbreaking and controversial argument for envisioning alternative economies. This new edition includes an introduction in which the authors address critical responses to The End of Capitalism and outline the economic research and activism they have been engaged in since the book was first published.

“Paralyzing problems are banished by this dazzlingly lucid, creative, and practical rethinking of class and economic transformation.” —Meaghan Morris, Lingnan University, Hong Kong

“Profoundly imaginative.” —Eve Kosofsky Sedgwick, City University of New York “Filled with insights, it is clearly written and well supported with good examples of actual, deconstructive practices.” —International Journal of Urban and Regional Research

J. K. Gibson-Graham is the pen name of Katherine Gibson and Julie Graham, feminist economic geographers who work, respectively, at the Australian National University in Canberra and the University of Massachusetts Amherst.
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cover of The End and the Beginning: The Revolutions of 1989 and the Resurgence of History

The End and the Beginning

The Revolutions of 1989 and the Resurgence of History

Vladimir Tismaneanu

Central European University Press, 2012

A fresh interpretation of the contexts, meanings, and consequences of the revolutions of 1989, coupled with state of the art reassessment of the significance and consequences of the events associated with the demise of communist regimes. The book provides an analysis that takes into account the complexities of the Soviet bloc, the events' impact upon Europe, and their re-interpretation within a larger global context. Departs from static ways of analysis (events and their significance) bringing forth approaches that deal with both pre-1989 developments and the 1989 context itself, while extensively discussing the ways of resituating 1989 in the larger context of the 20th century and of its lessons for the 21st.Emphasizes the possibility for re-thinking and re-visiting the filters and means that scholars use to interpret such turning point. The editors perceive the present project as a challenge to existing readings on the complex set of issues and topics presupposed by a re-evaluation of 1989 as a symbol of the change and transition from authoritarianism to democracy.
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cover of The End and the End

The End and the End

Holly Goddard Jones

University of Iowa Press, 2027

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cover of The End of American Lynching

The End of American Lynching

Ashraf H. A. Rushdy

Rutgers University Press, 2012

The End of American Lynching questions how we think about the dynamics of lynching, what lynchings mean to the society in which they occur, how lynching is defined, and the circumstances that lead to lynching. Ashraf H. A. Rushdy looks at three lynchings over the course of the twentieth century—one in Coatesville, Pennsylvania, in 1911, one in Marion, Indiana, in 1930, and one in Jasper, Texas, in 1998—to see how Americans developed two distinct ways of thinking and talking about this act before and after the 1930s.

One way takes seriously the legal and moral concept of complicity as a way to understand the dynamics of a lynching; this way of thinking can give us new perceptions into the meaning of mobs and the lynching photographs in which we find them. Another way, which developed in the 1940s and continues to influence us today, uses a strategy of denial to claim that lynchings have ended. Rushdy examines how the denial of lynching emerged and developed, providing insight into how and why we talk about lynching the way we do at the dawn of the twenty-first century.  In doing so, he forces us to confront our responsibilities as American citizens and as human beings.

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cover of The End of Area: Biopolitics, Geopolitics, History

The End of Area

Biopolitics, Geopolitics, History

Gavin Walker and Naoki Sakai, special issue editors

Duke University Press, 0

As technological innovation and cultural exchange challenge conventional borders, national identities, and notions of the nation-state, scholars have increasingly argued that the traditional concepts of “area” are ideological and political constructs tied to a schema of the world that no longer exists. This special issue of positions: asia critique posits that this “end of area” does not necessarily mean the end of area studies as a discipline. Rather, contributors suggest that “area” has detached itself from the realm of geopolitics and entered into the realm of biopolitics and biopower, which provides an opportunity to reevaluate and remap the goals of area studies. To address that change, this issue centers translation and the biopolitical as new theoretical mechanisms for area studies to order, combine, separate, and classify life. Topics include the concept of “area” itself; the philosophy of translation; reflections on Jean-François Lyotard, Jacques Derrida, and Edward Said; governmentality and biopower in the time of global capital; and biopolitical management of geocultural areas. 

Contributors:  Étienne Balibar, Ken C. Kawashima, Sandro Mezzadra, Tessa Morris-Suzuki, Naoki Sakai, Shu-Mei Shih, Jon Solomon, Tazaki Hideaki, Gavin Walker
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cover of The End of Autumn: Reflections on My Life in Football

The End of Autumn

Reflections on My Life in Football

Michael Oriard

University of Illinois Press, 2009

Much of Michael Oriard's education took place outside the schoolroom of his native Spokane, Washington, during "slaughter practices" on high school football fields. He was taught to "punish" and "dominate," to rouse his school spirit with religion, and to "tough it" through injuries, even serious ones. At the age of eighteen he entered Notre Dame and walked onto the football team, where studying hard was never harder. By his senior year, playing for Ara Parseghian's Fighting Irish, he was the starting center and co-captain of the team.

After graduating, he signed with the Kansas City Chiefs and head coach Hank Stram. There he learned what it meant to be "owned." He rediscovered the game as it was played by grown men with families who were still treated like children and who dreaded nothing more than the end of their football careers. And without their fully realizing the consequences, every hard tackle inflicted its injury, some gradually growing into chronic conditions, some suddenly cutting a player's career short and ushering him off the field to be soon forgotten.

In this thoughtful narrative, Oriard describes the dreams of glory, the game day anxieties, the brutal training camps and harsh practices, his starry-eyed experience at Notre Dame, and the cold-blooded business of professional football. Told from the inside, the book leaves aside the hype and the pathos of the game to present a direct and honest account of the personal rewards but also the costs players paid to make others rich and entertained.

Originally published in 1982, The End of Autumn recounts the experiences of an ordinary player in a bygone era--before ESPN, before the Bowl Championship Series, before free agency and million-dollar salaries for NFL players. In a new afterword, Oriard reflects on the process of writing the book and how the game has changed in the thirty years since his "retirement" from football at the age of twenty-six.

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cover of The End of Books--or Books Without End?: Reading Interactive Narratives

The End of Books--or Books Without End?

Reading Interactive Narratives

J. Yellowlees Douglas

University of Michigan Press, 2001

Of all developments surrounding hypermedia, none has been as hotly or frequently debated as the conjunction of fiction and digital technology. J. Yellowlees Douglas considers the implications of this union. She looks at the new light that interactive narratives may shed on theories of reading and interpretation and the possibilities for hypertext novels, World Wide Web-based short stories, and cinematic, interactive narratives on CD-ROM. She confronts questions that are at the center of the current debate: Does an interactive story demand too much from readers? Does the concept of readerly choice destroy the integrity of an author's vision? Does interactivity turn reading fiction from "play" into "work"--too much work? Will hypertext fiction overtake the novel as a form of art or entertainment? And what might future interactive books look like?
The book examines criticism on interactive fiction from both proponents and skeptics and examines similarities and differences between print and hypertext fiction. It looks closely at critically acclaimed interactive works, including Stuart Moulthrop's Victory Garden and Michael Joyce's Afternoon: A Story that illuminate how these hypertext narratives "work." While she sees this as a still-evolving technology and medium, the author identifies possible developments for the future of storytelling from outstanding examples of Web-based fiction and CD-ROM narratives, possibilities that will enable narratives to both portray the world with greater realism an to transcend the boundaries of novels and films, character and plot alike.
Written to be accessible to a wide range of readers, this lively and accessibly-written volume will appeal to those interested in technology and cyberculture, as well as to readers familiar with literary criticism and modern fiction.
J. Yellowlees Douglas is the Director of the William and Grace Dial Center for Written and Oral Communication, University of Florida. She is the author of numerous articles and essays on the subject of hypertext and interactive literature.
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cover of The End of Catholic Mexico: Causes and Consequences of the Mexican Reforma (1855–1861)

The End of Catholic Mexico

Causes and Consequences of the Mexican Reforma (1855–1861)

David Gilbert

Vanderbilt University Press, 2024

In The End of Catholic Mexico, historian David Gilbert provides a new interpretation of one of the defining events of Mexican history: the Reforma. During this period, Mexico was transformed from a Catholic confessional state into a modern secular nation, sparking a three-year civil war in the process. While past accounts have portrayed the Reforma as a political contest, ending with a liberal triumph over conservative elites, Gilbert argues that it was a much broader culture war centered on religion. This dynamic, he contends, explains why the resulting conflict was more violent and the outcome more extreme than other similar contests during the nineteenth century.

Gilbert’s fresh account of this pivotal moment in Mexican history will be of interest to scholars of postindependence Mexico, Latin American religious history, nineteenth-century church history, and US historians of the antebellum republic.
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cover of The End of Cheap Labour?: Industrial Transformation and "Social Upgrading" in China

The End of Cheap Labour?

Industrial Transformation and "Social Upgrading" in China

Florian Butollo

Campus Verlag, 2014

The Chinese government and international observers argue that China’s economy must overcome its excessive dependence on exports if substantial growth in domestic consumption is to be achieved and sustained in the future. But this shift can only occur if China also lessens its reliance on cheap migrant labor and encourages investment in its own labor force.

In The End of Cheap Labour?, Florian Butollo investigates the recent transformation of the garment and LED lighting industries in the Pearl River Delta, China’s largest industrial hub. He reveals that industrial upgrading rarely supports improvements in working conditions and the basic employment pattern; and this failure of “social upgrading” threatens to undermine the desired rebalancing of the Chinese economy. Butollo demonstrates that the implementation of collective labor rights remains an important obstacle in the future of the Chinese growth model.
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cover of The End of Chiraq: A Literary Mixtape

The End of Chiraq

A Literary Mixtape

Edited by Javon Johnson and Kevin Coval

Northwestern University Press, 2018

The End of Chiraq: A Literary Mixtape is a collection of poems, rap lyrics, short stories, essays, interviews, and artwork about Chicago, the city that came to be known as "Chiraq" ("Chicago" + "Iraq"), and the people who live in its vibrant and occasionally violent neighborhoods. Tuned to the work of Chicago’s youth, especially the emerging artists and activists surrounding Young Chicago Authors, this literary mixtape unpacks the meanings of “Chiraq” as both a vexed term and a space of possibility.

"Chiraq" has come to connote the violence—interpersonal and structural—that many Chicago youth regularly experience. But the contributors to The End of Chiraq show that Chicago is much more than Chiraq. Instead, they demonstrate how young people are thinking and mobilizing, engaged in a process of creating a new and safer world for themselves, their communities, and their city.

In true mixtape fashion, the book is an exercise in "low end theory" that does not just include so-called underground and marginal voices, but foregrounds them. Edited by award-winning poets, writers, and teachers Javon Johnson and Kevin Coval, The End of Chiraq addresses head-on the troublesome relationship between Chicago and Chiraq and envisions a future in which both might be transformed.
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cover of The End of Composition Studies

The End of Composition Studies

David W. Smit

Southern Illinois University Press, 2007

Setting forth an innovative new model for what it means to be a writing teacher in the era of writing across the curriculum, The End of Composition Studies urges a reconceptualization of graduate work in rhetoric and composition, systematically critiques the limitations of current pedagogical practices at the postsecondary level, and proposes a reorganization of all academic units.
David W. Smit calls into question two major assumptions of the field: that writing is a universal ability and that college-level writing is foundational to advanced learning. Instead, Smit holds, writing involves a wide range of knowledge and skill that cannot be learned solely in writing classes but must be acquired by immersion in various discourse communities in and out of academic settings.
The End of Composition Studies provides a compelling rhetoric and rationale for eliminating the field and reenvisioning the profession as truly interdisciplinary—a change that is necessary in order to fulfill the needs and demands of students, instructors, administrators, and our democratic society.
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cover of The End of Concern: Maoist China, Activism, and Asian Studies

The End of Concern

Maoist China, Activism, and Asian Studies

Fabio Lanza

Duke University Press, 2017

In 1968 a cohort of politically engaged young academics established the Committee of Concerned Asian Scholars (CCAS). Critical of the field of Asian studies and its complicity with the United States' policies in Vietnam, the CCAS mounted a sweeping attack on the field's academic, political, and financial structures. While the CCAS included scholars of Japan, Korea, and South and Southeast Asia, the committee focused on Maoist China, as it offered the possibility of an alternative politics and the transformation of the meaning of labor and the production of knowledge. In The End of Concern Fabio Lanza traces the complete history of the CCAS, outlining how its members worked to merge their politics and activism with their scholarship. Lanza's story exceeds the intellectual history and legacy of the CCAS, however; he narrates a moment of transition in Cold War politics and how Maoist China influenced activists and intellectuals around the world, becoming a central element in the political upheaval of the long 1960s.
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cover of The End of Czechoslovakia

The End of Czechoslovakia

Jirí Musil

Central European University Press, 1995

Scholars and practitioners from both sides of the divide, Czech and Slovak, as well as international experts, take an in-depth look at the causes of Czechoslovakia's break-up, and explain why a seemingly successful country should disintegrate so quickly after the collapse of the communist regime. Besides exploring the political processes leading to the split, the authors analyse the underlying social, economic and cultural differences between the two nations and examine the historical roots of the problems. Particular attention is paid to changing Czech and Slovak attitudes towards the common state and towards each other, from the heyday of the First Republic to the disillusionment of the post-1989 period.

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cover of The End of Eden: Agrarian Spaces and the Rise of the California Social Novel

The End of Eden

Agrarian Spaces and the Rise of the California Social Novel

Terry Beers

University of Nevada Press, 2018

The story of the Joad family’s journey from their ravaged farm in dustbowl Oklahoma to the storied paradise of California helped inform a nation about the brutality, poverty, and vicious competition among fellow immigrants desperate for work. But Steinbeck is only one successor to a rich and esteemed literary tradition in California. 

Drawing on history and cultural theory, The End of Eden traces the rise of the California social novel, its embrace of the agrarian dream, and its ambivalence about technology and the development it enables. It relies on various cultural conceptions of space, among them, the American Public Land Survey (the source of the “grid” allotments shaping homestead claims), Mexican-era diseños, and Native American traditions that defined a fluid relationship between human beings and the land.
 
This animation of four California social novels of the late eighteenth and early nineteenth centuries demonstrates how conflicts over space and place signify cultural conflict. It is deeply informed by the author’s understanding of historical land issues. The works include Joaquin Miller’s Unwritten History: Life Amongst the Modocs, Helen Hunt Jackson’s Ramona, Frank Norris’ The Octopus, and Mary Austin’s The Ford.

Miller’s Unwritten History: Life Amongst the Modocs and Jackson’s Ramona examine the tragic but inevitable consequences for native people of making space—inhabited already by Native American and Hispanic populations—safe for Americans who pursue the agrarian dream without regard to its effects upon those who claim prior tenure on the land. Norris’ The Octopus and Austin’s The Ford examine the murkier story of trying to preserve or to reclaim the agrarian dream when confronted by the unchecked materialist interests of American capitalism.

A wide-reaching interdisciplinary approach to various cultural conceptions of space, The End of Eden provides a crucial understanding of the conflicts depicted in social novels that lament the ways in which land is allocated and developed, the ways in which American agrarianism—and its promise of local, sustainable land use—is undermined, and how it applies to contemporary California. In an era where California confronts, yet again, the complicated patterns of land use: fracking, water use and water rights, coastal regulation and management, and agribusiness, this groundbreaking work provides an ever-relevant context.
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cover of The End of Empires: African Americans and India

The End of Empires

African Americans and India

Gerald Horne

Temple University Press, 2009

In the past fifty years, according to Christine So, the narratives of many popular Asian American books have been dominated by economic questions-what money can buy, how money is lost, how money is circulated, and what labor or objects are worth. Focusing on books that have achieved mainstream popularity, Economic Citizens unveils the logic of economic exchange that determined Asian Americans’ transnational migrations and national belonging.

With penetrating insight, So examines literary works that have been successful in the U.S. marketplace but have been read previously by critics largely as narratives of alienation or assimilation, including Fifth Chinese Daughter, Flower Drum Song, Falling Leaves and Turning Japanese. In contrast to other studies that have focused on the marginalization of Asian Americans, Economic Citizens examines how Asian Americans have entered into the public sphere.

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cover of The End of Everything and Everything That Comes after That

The End of Everything and Everything That Comes after That

Nick Lantz

University of Wisconsin Press, 2024

A chicken lives for eighteen months after its head is cut off. Tourists pose with an inflatable sex doll at the 9/11 memorial. A sex-reveal party starts a wildfire in a forest named for a conquistador. The author’s cancer treatments are intertwined with the rise of domestic fascism. “Is that something I should put in a poem?” asks Nick Lantz; the resounding answer is yes! 

Mixing sincerity with irony, lyric with vernacular, Lantz’s collisions of style and subject are at their most vibrant in the long sequence at the center of the collection, a series of poems that brilliantly capture the disruption and disorder of our lives during the COVID-19 pandemic in breathless, unpunctuated verse. Depicting the uncanny dissonance of living during and beyond events that feel world ending, this volume reminds us of the ways in which we carry our own traumas and the traumas of history with us in our daily lives.

      Life is all gilded frescoes
and Arnold Palmers 

at the clubhouse until Titus and his men 
      pass through with torches, 
until Cortés and his men 
pass through with torches, until Sherman 

      and his men and so on, 
until men forget 
what their hands looked like without torches.
—Excerpt from “Ruin”
 
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cover of The End of Expressionism: Art and the November Revolution in Germany, 1918-1919

The End of Expressionism

Art and the November Revolution in Germany, 1918-1919

Joan Weinstein

University of Chicago Press, 1990

"Weinstein explores the attitudes and organizations of artists and architects in Berlin, Munich, and Dresden in response to the tumultuous events associated with the end of WWI and the (failed) Revolution. She traces the initial excitement and zeal and then the disillusionment as utopian dreams were dimmed by social, political, and military realities as well as by inherent contradiction within the arts movements itself. The accompanying b&w illustrations, fascinating in themselves, directly depict textual themes."—Booknews
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cover of The End of Free Love

The End of Free Love

Susan Steinberg

University of Alabama Press, 2003

The End of Free Love evokes the schizophrenia of our times, a community of voices at the zero point. Like the voices that splinter from Marguerite Duras's work, these characters are neurotic, taking refuge in comics, food, music, sex, 'locking' and lies. Violence is everywhere: within, without, in every emotion, in every word. But often hidden emotions rise to the surface, where self-consciousness, shame, and rage, to name a few, are permitted, voiced, and, eventually, set free. Throughout The End of Free Love Steinberg creates a hybrid text, blending poetry and fiction in writing as much about its form as its content. This is fiction that offers itself up for our delight, while remaining as elusive and unpredictable as language itself.
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cover of The End of Innocence?: Indonesian Islam and the Temptations of Radicalism

The End of Innocence?

Indonesian Islam and the Temptations of Radicalism

Andrée Feillard, Rémy Madinier

National University of Singapore Press, 2013

Long cited as a model of harmonious cohabitation between different religions, the most populous Muslim country in the world until recently occupied a special place in the Western imagination. Indonesia, home to a peaceful version of Islam, offered a reass
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cover of The End of International Adoption?: An Unraveling Reproductive Market and the Politics of Healthy Babies

The End of International Adoption?

An Unraveling Reproductive Market and the Politics of Healthy Babies

Estye Fenton

Rutgers University Press, 2019

Since 2004, the number of international adoptions in the United States has declined by more than seventy percent. In The End of International Adoption? Estye Fenton studies parents in the United States who adopted internationally in the past decade during this shift. She investigates the experiences of a cohort of adoptive mothers who were forced to negotiate their desire to be parents in the context of a growing societal awareness of international adoption as a flawed reproductive marketplace. Many parents, activists, and scholars have questioned whether the inequality inherent in international adoption renders the entire system suspect. In the face of such concerns, international adoption has not only become more difficult, but also more politically and ethically fraught. The mothers interviewed for this book found themselves navigating contemporary American family life in an unexpected way, caught between the double-bind of work-family life and a new paradigm of thinking about the method—international adoption—that they used to create those families.  
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cover of The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies

The End of Japanese Cinema

Industrial Genres, National Times, and Media Ecologies

Alexander Zahlten

Duke University Press, 2017

In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.

A Study of the Weatherhead East Asian Institute, Columbia University
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cover of The End of Jewish Modernity

The End of Jewish Modernity

Enzo Traverso

Pluto Press, 2016

Has Jewish modernity exhausted itself? Flourishing between the age of Enlightenment and the Second World War, the intellectual, literary, scientific and artistic legacy of Jewish modernity continues to dazzle us, however, in this provocative new book, esteemed historian Enzo Traverso argues powerfully that this cultural epoch has come to an end. 

Previously a beacon for critical thinking in the Western world, the mainstream of Jewish thought has, since the end of the war, undergone a conservative turn. With great sensitivity and nuance, Traverso traces this development to the virtual destruction of European Jewry by the Nazis, and the establishment of the United States and Israel as the new poles of Jewish communal life. This is a compelling narrative, hinged upon a highly original discussion of Hannah Arendt's writings on Jewishness and politics. 

With provocative chapters on the relationship between antisemitism and Islamophobia, the ascendance of Zionism, and the new 'civil religion of the Holocaust', The End of Jewish Modernity is both an elegy to a lost tradition and an intellectual history of the present.
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cover of The End of Kings: A History of Republics and Republicans

The End of Kings

A History of Republics and Republicans

William R. Everdell

University of Chicago Press, 2000

Written in clear, lively prose, The End of Kings traces the history of republican governments and the key figures that are united by the simple republican maxim: No man shall rule alone. Breathtaking in its scope, Everdell's book moves from the Hebrew Bible, Solon's Athens and Brutus's Rome to the impeachment trial of Andrew Johnson and the Watergate proceedings during which Nixon resigned. Along the way, he carefully builds a definition of "republic" which distinguishes democratic republics from aristocratic ones for both history and political science. In a new foreword, Everdell addresses the impeachment trial of President Clinton and argues that impeachment was never meant to punish private crimes. Ultimately, Everdell's brilliant analysis helps us understand how examining the past can shed light on the present.

"[An] energetic, aphoristic, wide-ranging book."—Marcus Cunliffe, Washington Post Book World

"Ambitious in conception and presented in a clear and sprightly prose. . . . [This] excellent study . . . is the best statement of the republican faith since Alphonse Aulard's essays almost a century ago." —Choice

"A book which ought to be in the hand of every American who agrees with Benjamin Franklin that the Founding Fathers gave us a Republic and hoped that we would be able to keep it."-Sam J. Ervin, Jr.

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cover of The End of Liberalism

The End of Liberalism

Chilton Williamson

St. Augustine's Press, 2022

In the fourth title in the Dissident American Thought Today Series, Chilton Williamson takes on liberalism and reveals the 'faith' of the present Democratic Party as its own cultivated version of absurdity. This 'advanced liberalism' is not the liberalism of Mill, and it certainly no longer is the thinking man's party. If it were once true that conservatism is unimaginative and reactionary, the contrary is the picture of our times. Liberalism now asserts that human nature can and must be perfected, but without reference to nature. The age of the expert has been thrust upon the United States with the urgency of technique to be applied to coerce the vision of a perfect society and perfect human beings. 

Williamson observes that this liberalism to nevertheless be collapsing, given the obvious opposition to the idea that it is essential to modernity. Liberalism is ironically a kind of unyielding control, "a relativist persuasion that discourages and resists fixed beliefs and certainties and the idea of truth itself." Williamson offers commentary on the present state of liberal ideas and their crimes against better judgment, and vindicates conservatism from being labeled reactionary. Liberalism is exposed as a faith we cannot accept, for it contains nothing to be believed and what it says about the order of things is pure fiction. 
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cover of The End of Man: A Feminist Counterapocalypse

The End of Man

A Feminist Counterapocalypse

Joanna Zylinska

University of Minnesota Press, 2018

Debugging the Anthropocene’s insistence on apocalyptic tropes

Where the Anthropocene has become linked to an apocalyptic narrative, and where this narrative carries a widespread escapist belief that salvation will come from a supernatural elsewhere, Joanna Zylinska has a different take. The End of Man rethinks the prophecy of the end of humans, interrogating the rise in populism around the world and offering an ethical vision of a “feminist counterapocalypse,” which challenges many of the masculinist and technicist solutions to our planetary crises. The book is accompanied by a short photo-film, Exit Man, which ultimately asks: If unbridled progress is no longer an option, what kinds of coexistences and collaborations do we create in its aftermath?

Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

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cover of The End of Nomadism?: Society, State, and the Environment in Inner Asia

The End of Nomadism?

Society, State, and the Environment in Inner Asia

Caroline Humphrey and David Sneath

Duke University Press, 1999

Those who herd in the vast grassland region of Inner Asia face a precarious situation as they struggle to respond to the momentous political and economic changes of recent years. In The End of Nomadism? Caroline Humphrey and David Sneath confront the romantic, ahistorical myth of the wandering nomad by revealing the complex lives and the significant impact on Asian culture of these modern “mobile pastoralists.” In their examination of the present and future of pastoralism, the authors recount the extensive and quite sudden social, political, environmental, and economic changes of recent years that have forced these peoples to respond and evolve in order to maintain their centuries-old way of life.
Using extensive and detailed case studies comparing pastoralism in Siberian Russia, Mongolia, and Northwest China, Humphrey and Sneath explore the different paths taken by nomads in these countries in reaction to a changing world. In examining how each culture is facing not only different prospects for sustainability but also different environmental problems, the authors come to the surprising conclusion that mobility can, in fact, be compatible with a modern and urbanized world. While placing emphasis on the social and cultural traditions of Inner Asia and their fate in the post-Socialist economies of the present, The End of Nomadism? investigates the changing nature of pastoralism by focusing on key areas under environmental threat and relating the ongoing problems to distinctive socioeconomic policies and practices in Russia and China. It also provides lively contemporary commentary on current economic dilemmas by revealing in telling detail, for instance, the struggle of one extended family to make a living.
This book will interest Central Asian, Russian, and Chinese specialists, as well as those studying the environment, anthropology, sociology, peasant studies, and ecology.


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cover of The End of Normal: Identity in a Biocultural Era

The End of Normal

Identity in a Biocultural Era

Lennard J. Davis

University of Michigan Press, 2014

In an era when human lives are increasingly measured and weighed in relation to the medical and scientific, notions of what is “normal” have changed drastically. While it is no longer useful to think of a person’s particular race, gender, sexual orientation, or choice as “normal,” the concept continues to haunt us in other ways. In The End of Normal, Lennard J. Davis explores changing perceptions of body and mind in social, cultural, and political life as the twenty-first century unfolds. The book’s provocative essays mine the worlds of advertising, film, literature, and the visual arts as they consider issues of disability, depression, physician-assisted suicide, medical diagnosis, transgender, and other identities.

Using contemporary discussions of biopower and biopolitics, Davis focuses on social and cultural production—particularly on issues around the different body and mind. The End of Normal seeks an analysis that works comfortably in the intersection between science, medicine, technology, and culture, and will appeal to those interested in cultural studies, bodily practices, disability, science and medical studies, feminist materialism, psychiatry, and psychology.

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cover of The End of Organized Capitalism

The End of Organized Capitalism

Scott Lash

University of Wisconsin Press, 1987

The End of Organized Capitalism argues that—despite Marx’s and Weber’s insistence that capitalist societies become increasingly more ordered—we now live in an era of “disorganized capitalism.” The book is devoted to a systematic examination of the shift to disorganized capitalism in five Western nations (Britain, the United States, France, West Germany, and Sweden). Through the analysis of space, class, and culture, Lash and Urry portray the restructuring of capitalist social relations that has resulted from this disorganization. They adduce evidence for the claims that in each of the nations there is a movement toward a deconcentration of capital within nation-states; toward the increased separation of banks, industry and the state; and toward the redistribution of productive relations and class-relevant residential patterns.
    The authors also show that national disparities in contemporary, disorganized capitalism can be understood through close examination of the extent to which, and mode in which, capitalism became historically organized in each of the five countries under consideration.
    The lucid arguments and judicious comparisons in this book will be of great interest to political scientists, sociologists, geographers, economists, and historians.

 

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cover of The End of Pax Americana: The Loss of Empire and Hikikomori Nationalism

The End of Pax Americana

The Loss of Empire and Hikikomori Nationalism

Naoki Sakai

Duke University Press, 2022

In The End of Pax Americana, Naoki Sakai focuses on U.S. hegemony's long history in East Asia and the effects of its decline on contemporary conceptions of internationality. Engaging with themes of nationality in conjunction with internationality, the civilizational construction of differences between East and West, and empire and decolonization, Sakai focuses on the formation of a nationalism of hikikomori, or “reclusive withdrawal”—Japan’s increasingly inward-looking tendency since the late 1990s, named for the phenomenon of the nation’s young people sequestering themselves from public life. Sakai argues that the exhaustion of Pax Americana and the post--World War II international order—under which Taiwan, South Korea, Hong Kong, and China experienced rapid modernization through consumer capitalism and a media revolution—signals neither the “decline of the West” nor the rise of the East, but, rather a dislocation and decentering of European and North American political, economic, diplomatic, and intellectual influence. This decentering is symbolized by the sense of the loss of old colonial empires such as those of Japan, Britain, and the United States.
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cover of The End of Philosophy

The End of Philosophy

Martin Heidegger

University of Chicago Press, 2003

Joan Stambaugh's translations of the works of Heidegger, accomplished with his guidance, have made key aspects of his thought and philosophy accessible to readers of English for many years. This collection, writes Stambaugh, contains Heidegger's attempt "to show the history of Being as metaphysics," combining three chapters from the philosopher's Nietzsche ("Metaphysics as a History of Being," "Sketches for a History of Being as Metaphysics," and "Recollection in Metaphysics") with a selection from Vorträge und Aufsätze ("Overcoming Metaphysics").
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cover of The End of Prussia

The End of Prussia

Gordon A. Craig

University of Wisconsin Press, 1984

One of the livelier debates amongst historians concerns the dates of the beginning and, particularly, the end of Prussian history. Eminent historian Gordon A. Craig explores the slow death of Prussia by examining several key individuals and their actions at four distinct periods of Prussian history.

"Simply said, the book is a beautiful piece. Insightful and lucid. . . . The End of Prussia has the rare quality of being suitable for both the specialist and the more casual student of German history."—Wisconsin Academy Review

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cover of The End of Sacrifice: Religious Transformations in Late Antiquity

The End of Sacrifice

Religious Transformations in Late Antiquity

Guy G. Stroumsa

University of Chicago Press, 2009

The religious transformations that marked late antiquity represent an enigma that has challenged some of the West’s greatest thinkers. But, according to Guy Stroumsa, the oppositions between paganism and Christianity that characterize prevailing theories have endured for too long. Instead of describing this epochal change as an evolution within the Greco-Roman world from polytheism to monotheism, he argues that the cause for this shift can be found not so much around the Mediterranean as in the Near East.

The End of Sacrifice points to the role of Judaism, particularly its inventions of new religious life following the destruction of the Second Temple in 70 CE. The end of animal sacrifice gave rise to new forms of worship, with a concern for personal salvation, scriptural study, rituals like praying and fasting, and the rise of religious communities and monasticism. It is what Christianity learned from Judaism about texts, death, and, above all, sacrifice that allowed it to supersede Greco-Roman religions and, Stroumsa argues, transform religion itself.

A concise and original approach to a much-studied moment in religious history, The End of Sacrifice will be heralded by all scholars of late antiquity.

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cover of The End of Slavery in Africa

The End of Slavery in Africa

Suzanne Miers and Richard Roberts

University of Wisconsin Press, 1988

This is the first comprehensive assessment of the end of slavery in Africa. Editors Suzanne Miers and Richard Roberts, with the distinguished contributors to the volume, establish an agenda for the social history of the early colonial period—hen the end of slavery was one of the most significant historical and cultural processes. The End of Slavery in Africa is a sequel to Slavery in Africa, edited by Suzanne Miers and Igor Kopytoff and published by the University of Wisconsin Press in 1977. The contributors explore the historical experiences of slaves, masters, and colonials as they all confronted the end of slavery in fifteen sub-Saharan African societies. The essays demonstrate that it is impossible to generalize about whether the end of slavery was a relatively mild and nondisruptive process or whether it marked a significant change in the social and economic organization of a given society. There was no common pattern and no uniform consequence of the end of slavery. The results of this wide-ranging inquiry will be of lasting value to Africanists and a variety of social and economic historians.
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cover of The End of Tolerance: Racism in 21st Century Britain

The End of Tolerance

Racism in 21st Century Britain

Arun Kundnani

Pluto Press, 2007

Is Britain becoming a more racist society? Arun Kundnani looks behind the media hysteria to show how multicultural Britain is under attack by government policies and vitriolic press campaigns that play upon fear and encourage racism.

Exacerbated by the attacks of 9/11 and 7/7, Kundnani argues that a new form of racism is emerging that is based on a systematic failure to understand the causes of forced migration, global terrorism and social segregation. The result is a climate of hatred, especially against Muslims and asylum seekers, and the erosion of the human rights of those whose cultures and values are perceived as 'alien'. 

Communities are more divided than ever. Yet the government presses ahead with flawed immigration and 'integration' policies and anti-terrorist legislation that creates further resentment, alienation and criminalisation. Behind it all lies a refusal to grasp the ways in which the world has been changed by neoliberal globalisation.

What can be done? This timely and precise analysis is a useful account of why racism is now thriving -- and what can be done to stop it. It will be of interest to anyone who is appalled by the current state of race relations in Britain and it should be required reading for all policy-makers.
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cover of The End of Victory Culture: Cold War America and the Disillusioning of a Generation

The End of Victory Culture

Cold War America and the Disillusioning of a Generation

Thomas M. Engelhardt

University of Massachusetts Press, 2007

In a substantial new afterword to his classic account of the collapse of American triumphalism in the wake of World War II, Tom Engelhardt carries that story into the twenty-first century. He explores how, in the aftermath of September 11, 2001, the younger George Bush headed for the Wild West (Osama bin Laden, “Wanted, Dead or Alive”); how his administration brought “victory culture” roaring back as part of its Global War on Terror and its rush to invade Saddam Husseins's Iraq; and how, from its “Mission Accomplished” moment on, its various stories of triumph crashed and burned in that land.

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cover of The End of White World Supremacy: Black Internationalism and the Problem of the Color Line

The End of White World Supremacy

Black Internationalism and the Problem of the Color Line

Roderick Bush

Temple University Press, 2009

The End of White World Supremacy explores a complex issue— integration of Blacks into White America—from multiple perspectives: within the United States, globally, and in the context of movements for social justice. Roderick Bush locates himself within a tradition of African American activism that goes back at least to W.E.B. Du Bois. In so doing, he communicates between two literatures—worldsystems analysis and radical Black social movement history—and sustains the dialogue throughout the book.

Bush explains how racial troubles in the U.S. are symptomatic of the troubled relationship between the white and dark worlds globally. Beginning with an account of white European dominance leading to capitalist dominance by White America, The End of White World Supremacy ultimately wonders whether, as Myrdal argued in the 1940s, the American creed can provide a pathway to break this historical conundrum and give birth to international social justice.

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cover of The End of the Clockwork Universe

The End of the Clockwork Universe

Fleda Brown

Carnegie Mellon University Press, 2025

A luminous new perspective on aging, science, and the tender strangeness of being alive.

What does it mean to exist in a universe that refuses to stay still? In The End of the Clockwork Universe, Fleda Brown weaves together the vastness of cosmic discovery with the intimate textures of daily life. Ranging from quarks to catalytic converters, snapping turtles to black holes, these poems trace the mysteries of time and perception, offering a voice both unsentimental and deeply compassionate.

With wry humor and unending curiosity, Brown walks the fine line between knowing and not knowing, between order and entropy. Her poems wander through scientific revelation and personal reflection and capture the quiet astonishment of existence. The End of the Clockwork Universe does not seek to solve life’s uncertainties, but sings to them, leaving behind echoes of resilience and the sheer joy of paying attention.
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cover of The End of the Cognitive Empire: The Coming of Age of Epistemologies of the South

The End of the Cognitive Empire

The Coming of Age of Epistemologies of the South

Boaventura de Sousa Santos

Duke University Press, 2018

In The End of the Cognitive Empire Boaventura de Sousa Santos further develops his concept of the "epistemologies of the South," in which he outlines a theoretical, methodological, and pedagogical framework for challenging the dominance of Eurocentric thought. As a collection of knowledges born of and anchored in the experiences of marginalized peoples who actively resist capitalism, colonialism, and patriarchy, epistemologies of the South represent those forms of knowledge that are generally discredited, erased, and ignored by dominant cultures of the global North. Noting the declining efficacy of established social and political solutions to combat inequality and discrimination, Santos suggests that global justice can only come about through an epistemological shift that guarantees cognitive justice. Such a shift would create new, alternative strategies for political mobilization and activism and give oppressed social groups the means through which to represent the world as their own and in their own terms.
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cover of The End of the Cold War: European Unity, Socialism, and the Shift in Global Power

The End of the Cold War

European Unity, Socialism, and the Shift in Global Power

Bogdan Denitch

University of Minnesota Press, 1990

The End of the Cold War was first published in 1990. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Against the backdrop of unprecedented change in the world political and social order, Bogdan Denitch charts the unique opportunities and potential pitfalls that accompany the increased economic and political integration of the European Community. Historically, any move toward unification has had broad ramifications. This, coming as it does in the wake of recent democratic upheavals in Europe, will bring to a close an entire era -- an era of a world dominated by superpowers and the cold war that defined there confrontations.

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cover of The End of the Future: Trauma, Memory, and Reconciliation in Peruvian Amazonia

The End of the Future

Trauma, Memory, and Reconciliation in Peruvian Amazonia

Bartholomew Dean

Vanderbilt University Press, 2023

In The End of the Future, author Bartholomew Dean broadens the theoretical framework for understanding memory's role in reconciliation following a violent conflict. This book explores the complicated and confusing linkages between memory and trauma for individuals caught up in civil war and post-conflict reconciliation in the Peruvian Amazon's Huallaga Valley—an epicenter for leftist rebels and a booming shadow economy based on the extraction and circulation of cocaine. The End of the Future tells the story of violent attempts by the Túpac Amaru Revolutionary Movement (Movimiento Revolucionario Túpac Amaru, MRTA) to overthrow the state in the late 1980s and early 1990s from the perspective of the poorest residents of the lower Huallaga's Caynarachi Basin.

To give context to the causes and consequences of the MRTA's presence in the lower and central Huallaga, this book relies on the written works and testimony of Sístero García Torres, an MRTA rebel commander; the government's Truth and Reconciliation Commission; MRTA propaganda; media accounts; and critical historical texts. Besides exposing Huallaga Valley human rights abuses, the book's contribution to political anthropology is consequential for its insistence that reconciliation is by no means equivalent to local, Indigenous notions of "justice" or customary forms of dispute resolution. Without deliberately addressing the diverse socio-cultural contours defining overlapping epistemologies of justice, freedom, and communal well-being, enduring reconciliation will likely remain elusive.
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cover of The End of the House of Alard

The End of the House of Alard

Sheila Kaye-Smith

Catholic University of America Press, 2022

The Catholic University of America Press is pleased to present the second volume in our Catholic Women Writers series, which will attempt to bring new attention to prose work of Catholic women writers from the 19th and 20th centuries. Sheila Kaye-Smith was a best selling author who had published over 50 books in her lifetime, few of which remain in print since her death in 1956. The End of the House of Alard (1922) documents the choices made by the final generation of the aristocratic Alard family and the ways in which they, both willingly and reluctantly, bring the long line of their ancestral blood to a complete and sudden end. For some of them, the end of the Alard line is as painful to enact as it is for others to witness; for others it is welcomed as a necessary modernization or a true realignment toward religious integity and universal human truth. Some of the family's children yearn for individual liberty; others have it forced upon them. But none of them can find it under the burden of the Alard name and its crumbling estate. The End of the House of Alard is a novel about the human need for purpose, for a truth by which to live and for which to die. It is a novel about faith and idolatry, love and death, freedom and bondage, nature and grace. Put another way, it is about how human beings cannot escape the great challenge of salvation, of breaking free from false, man made gods in order to unite instead with the divine love of Christ. The novel's characters span a breadth of options on this spectrum and their various outlooks on life continue to reflect those available to us today.
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cover of The End of the Line: Lost Jobs, New Lives in Postindustrial America

The End of the Line

Lost Jobs, New Lives in Postindustrial America

Kathryn Marie Dudley

University of Chicago Press, 1994

The End of the Line tells the story of the 1988 closing of the Chrysler assembly plant in Kenosha, Wisconsin. Kathryn Marie Dudley uses interviews with residents to chart the often confusing process of change that deindustrialization forced on every corner of the community. This honest, moving portrait of one town's radical shift from a manufacturing to a postindustrial economy will redefine the way Americans think about our families, communities, and future.

"An excellent study not only of the cultural disruptions caused by the shutdown of Chrysler's operations in Kenosha, Wisconsin, but also of the ideology of progress that abetted the shutdown."—Stephen Amberg, Industrial and Labor Relations Review

"With the eye of an anthropologist, [Dudley] examines the tensions between the 'culture of hands' and the 'culture of mind.' Her account is especially instructive because, by many measures, Kenosha has successfully recovered, yet for many the pain still remains."—Booklist

"Exceptional. . . . Should be widely read."—Douglas Harper, Contemporary Sociology

"Make[s] clear what a tenuous concept economic security is, especially when the rules for achieving security are in flux."—Barbara Presley Noble, New York Times
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cover of The End of the Village: Planning the Urbanization of Rural China

The End of the Village

Planning the Urbanization of Rural China

Nick R. Smith

University of Minnesota Press, 2021

How China’s expansive new era of urbanization threatens to undermine the foundations of rural life 

Since the beginning of the twenty-first century, China has vastly expanded its urbanization processes in an effort to reduce the inequalities between urban and rural areas. Centered on the mountainous region of Chongqing, which serves as an experimental site for the country’s new urban development policies, The End of the Village analyzes the radical expansion of urbanization and its consequences for China’s villagers. It reveals a fundamental rewriting of the nation’s social contract, as villages that once organized rural life and guaranteed rural livelihoods are replaced by an increasingly urbanized landscape dominated by state institutions. 

Throughout this comprehensive study of China’s “urban–rural coordination” policy, Nick R. Smith traces the diminishing autonomy of the country’s rural populations and their subordination to larger urban networks and shared administrative structures. Outside Chongqing’s urban centers, competing forces are at work in reshaping the social, political, and spatial organization of its villages. While municipal planners and policy makers seek to extend state power structures beyond the boundaries of the city, village leaders and inhabitants try to maintain control over their communities’ uncertain futures through strategies such as collectivization, shareholding, real estate development, and migration.

As China seeks to rectify the development crises of previous decades through rapid urban growth, such drastic transformations threaten to displace existing ways of life for more than 600 million residents. Offering an unprecedented look at the country’s contentious shift in urban planning and policy, The End of the Village exposes the precarious future of rural life in China and suggests a critical reappraisal of how we think about urbanization.

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cover of The End of the World

The End of the World

Eric S Rabkin

Southern Illinois University Press, 1983

The essays selected by the editors to ex­plore these apocalyptic visions are: “The Re­making of Zero: Beginning at the End,” by Gary K. Wolfe; “The Lone Survivor,” by Robert Plank; “Ambiguous Apocalypse: Transcendental Versions of the End,” by Robert Galbreath; “World’s End: The Imag­ination of Catastrophe,” by W. Warren Wagar; “Man-Made Catastrophes,” by Brian Stableford; and “The Rebellion of Nature,” by W. Warren Wagar.

Wolfe sees in these postholocaust narra­tives a central attraction—“the mythic power inherent in the very conception of a remade world.” This power derives from three sources: the emergence of a new order from the ashes of the old system, and thus a kind of denial of death; the reinforcement of one set of values as opposed to another; and as something always replaces whatever was destroyed, a promise that nothing can anni­hilate humanity.

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cover of The End of the World Book: A Novel

The End of the World Book

A Novel

Alistair McCartney

University of Wisconsin Press, 2008

This is no ordinary novel. An encyclopedia of memory—from A to Z—The End of the World Book deftly intertwines fiction, memoir, and cultural history, reimagining the story of the world and one man’s life as they both hurtle toward a frightening future. Alistair McCartney’s alphabetical guide to the apocalypse layers images like a prose poem, building from Aristotle to da Vinci, hip-hop to lederhosen, plagues to zippers, while barreling from antiquity to the present.
    In this profound book about mortality, McCartney composes an irreverent archive of philosophical obsessions and homoerotic fixations, demonstrating the difficulty of separating what is real from what is imagined.

Finalist, Edmund White Award for Debut Fiction, The Publishing Triangle

Finalist, PEN USA Literary Award for Fiction

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cover of The End of the World: Cultural Apocalypse and Transcendence

The End of the World

Cultural Apocalypse and Transcendence

Ernesto de Martino

University of Chicago Press, 2023

The first English translation of a classic work of twentieth-century anthropology and philosophy.
 
A philosopher, historian of religions, and anthropologist, Ernesto de Martino (1908–1965) produced a body of work that prefigured many ideas and concerns that would later come to animate anthropology. In his writing, we can see the roots of ethnopsychiatry and medical anthropology, discussions of reflexivity and the role of the ethnographer, considerations of social inequality and hegemony from a Gramscian perspective, and an anticipation of the discipline’s “existential turn.” We also find an attentiveness to hope and possibility, despite the gloomy title of his posthumously published book La fine del mondo, or The End of the World. Examining apocalypse as an individual as well as a cultural phenomenon, treating subjects both classic and contemporary and both European and non-Western, ranging across ethnography, history, literature, psychiatry, and philosophy, de Martino probes how we relate to our world and how we might be better subjects and thinkers within it. This new translation offers English-language readers their first chance to engage with de Martino’s masterwork, which continues to appear prescient in the face of the frictions of globalization and environmental devastation.
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