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Among the Kiowa, storytelling takes place under familiar circumstances. A small group of relatives and close friends gather. Tales are informative as well as entertaining. Joking and teasing are key components. Group participation is expected. And outsiders are seldom involved.

This book explores the traditional art of storytelling still practiced by Kiowas today as Gus Palmer shares conversations held with storytellers. Combining narrative, personal experience, and ethnography in an original and artful way, Palmer—an anthropologist raised in a traditional Kiowa family—shows not only that storytelling remains an integral part of Kiowa culture but also that narratives embedded in everyday conversation are the means by which Kiowa cultural beliefs and values are maintained.

Palmer's study features contemporary oral storytelling and other discourses, assembled over two and a half years of fieldwork, that demonstrate how Kiowa storytellers practice their art. Focusing on stories and their meaning within a narrative and ethnographic context, he draws on a range of material, including dream stories, stories about the coming of Táimê (the spirit of the Sun Dance) to the Kiowas, and stories of tricksters and tribal heroes. He shows how storytellers employ the narrative devices of actively participating in oral narratives, leaving stories wide open, or telling stories within stories. And he demonstrates how stories can reflect a wide range of sensibilities, from magical realism to gossip.

Firmly rooted in current linguistic anthropological thought, Telling Stories the Kiowa Way is a work of analysis and interpretation that helps us understand story within its larger cultural contexts. It combines the author's unique literary talent with his people's equally unique perspective on anthropological questions in a text that can be enjoyed on multiple levels by scholars and general readers alike.

The Native American hunter had a true appreciation of where his food came from and developed a ritual relationship to animal life—an understanding and attitude almost completely lacking in modern culture. In this major overview of the relation between Indians and animals on the northern Great Plains, Howard Harrod recovers a sense of the knowledge that hunting peoples had of the animals upon which they depended and raises important questions about Euroamerican relationships with the natural world. Harrod's account deals with twelve Northern Plains peoples—Lakota, Blackfeet, Cheyenne, Pawnee, and others—who with the arrival of the horse in the eighteenth century became the buffalo hunters who continue to inhabit the American imagination. Harrod describes their hunting practices and the presence of animals in their folklore and shows how these traditions reflect a "sacred ecology" in which humans exist in relationship with other powers, including animals.

Drawing on memories of Native Americans recorded by anthropologists, fur traders, missionaries, and other observers, Harrod examines cultural practices that flourished from the mid-eighteenth to the mid-nineteenth century. He reconstructs the complex rituals of Plains peoples, which included buffalo hunting ceremonies employing bundles or dancing, and rituals such as the Sun Dance for the renewal of animals. In a closing chapter, Harrod examines the meanings of Indian-animal relations for a contemporary society that values human dominance over the natural world—one in which domestic animals are removed from our consciousness as a source of food, wild animals are managed for humans to "experience," and hunting has become a form of recreation. His meticulous scholarship re-imagines a vanished way of life, while his keen insights give voice to a hunger among many contemporary people for the recovery of a ritual relationship between themselves and the natural sources of their lives.

The Great Plains, known for grasslands that stretch to the horizon, is a difficult region to define. Some classify it as the region beginning in the east at the ninety-eighth or one-hundredth meridian. Others identify the eastern boundary with annual precipitation lines, soil composition, or length of the grass. In The Big Empty, leading historian R. Douglas Hurt defines this region using the towns and cities—Denver, Lincoln, and Fort Worth—that made a difference in the history of the environment, politics, and agriculture of the Great Plains.

Using the voices of women homesteaders, agrarian socialists, Jewish farmers, Mexican meatpackers, New Dealers, and Native Americans, this book creates a sweeping survey of contested race relations, radical politics, and agricultural prosperity and decline during the twentieth century. This narrative shows that even though Great Plains history is fraught with personal and group tensions, violence, and distress, the twentieth century also brought about compelling social, economic, and political change.

The only book of its kind, this account will be of interest to historians studying the region and to anyone inspired by the story of the men and women who found an opportunity for a better life in the Great Plains.

Early descriptions of the Great Plains often focus on a vast, grassy expanse that was either burnt or burning. The scene continued to burn until the land was plowed under or grazed away and broken by innumerable roads and towns. Yet, where the original landscape has persisted, so has fire, and where people have sought to restore something of that original setting, they have had to reinstate fire. This has required the persistence or creation of a fire culture, which in turn inspired schools of science and art that make the Great Plains today a regional hearth for American fire.

Volume 5 of To the Last Smoke introduces a region that once lay at the geographic heart of American fire, and today promises to reclaim something of that heritage. After all these years, the Great Plains continue to bear witness to how fires can shape contemporary life, and vice versa. In this collection of essays, Stephen J. Pyne explores how this once most regularly and widely burned province of North America, composed of various subregions and peoples, has been shaped by the flames contained within it and what fire, both tame and feral, might mean for the future of its landscapes.

Included in this volume:

• How wildland and rural fire have changed from the 19th century to the 21st century
• How fire is managed in the nation’s historic tallgrass prairies, from Texas to South Dakota, from Illinois to Nebraska
• How fire connects with other themes of Great Plains life and culture
• How and why Texas has returned to the national narrative of landscape fire

Modern humans and their hominid ancestors relied on chipped-stone technology for well over two million years and colonized more than 99 percent of the Earth's habitable landmass in doing so. Yet there currently exist only a handful of informal models derived from ethnographic observation, experiments, engineering, and "common sense" to explain variability in archaeological lithic assemblages.

Because the fundamental processes of making, using, and discarding stone tools are, at root, exercises in problem solving, Todd Surovell asks what conditions favor certain technological solutions. Whether asking if a biface should be made thick or thin or if a flake should be saved or discarded, Surovell seeks answers that extend beyond a case-by-case analysis. One avenue for addressing these questions theoretically is formal mathematical modeling.

Here Surovell constructs a series of models designed to link environmental variability to human decision making as it pertains to lithic technology. To test the models, Surovell uses data from the analysis of more than 40,000 artifacts from five Rocky Mountain and Northern Plains Folsom and Goshen complex archaeological sites dating to the Younger Dryas stadial (ca. 12,600-11,500 years BP). The primary result is the production of powerful new analytical tools useful to the interpretation of archaeological assemblages.

Surovell's goal is to promote modeling and explore the general issues governing technological decisions. In this light, his models can be applied to any context in which stone tools are made and used.