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64 books match the query 'Middle Ages' and 23 start with t

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Tales of a Minstrel of Reims in the Thirteenth Century

Samuel N. Rosenberg

Catholic University of America Press, 2021

An anonymous minstrel in thirteenth-century France composed this gripping account of historical events in his time. Crusaders and Muslim forces battle for control of the Holy Land, while power struggles rage between and among religious authorities and their conflicting secular counterparts, pope and German emperor, the kings of England and the kings of France. Meanwhile, the kings cannot count on their independent-minded barons to support or even tolerate the royal ambitions. Although politics (and the collapse of a royal marriage) frame the narrative, the logistics of war are also in play: competing military machinery and the challenges of transporting troops and matariel. Inevitably, the civilian population suffers. The minstrel was a professional story-teller, and his livelihood likely depended on his ability to captivate an audience. Beyond would-be objective reporting, the minstrel dramatizes events through dialogue, while he delves into the motives and intentions of important figures, and imparts traditional moral guidance. We follow the deeds of many prominent women and witness striking episodes in the lives of Eleanor of Aquitaine, Richard the Lionhearted, Blanche of Castile, Frederick the Great, Saladin, and others. These tales survive in several manuscripts, suggesting that they enjoyed significant success and popularity in their day. Samuel N. Rosenberg produced this first scholarly translation of the Old French tales into English. References that might have been obvious to the minstrel’s original audience are explained for the modern reader in the indispensable annotations of medieval historian Randall Todd Pippenger. The introduction by eminent medievalist William Chester Jordan places the minstrel’s work in historical context and discusses the surviving manuscript sources.

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The Autumn of the Middle Ages

Johan Huizinga

University of Chicago Press, 1996

"Here is the first full translation into English of one of the 20th century's few undoubted classics of history." —Washington Post Book World

The Autumn of the Middle Ages is Johan Huizinga's classic portrait of life, thought, and art in fourteenth- and fifteenth-century France and the Netherlands. Few who have read this book in English realize that The Waning of the Middle Ages, the only previous translation, is vastly different from the original Dutch, and incompatible will all other European-language translations.

For Huizinga, the fourteenth- and fifteenth-century marked not the birth of a dramatically new era in history—the Renaissance—but the fullest, ripest phase of medieval life and thought. However, his work was criticized both at home and in Europe for being "old-fashioned" and "too literary" when The Waning of the Middle Ages was first published in 1919. In the 1924 translation, Fritz Hopman adapted, reduced and altered the Dutch edition—softening Huizinga's passionate arguments, dulling his nuances, and eliminating theoretical passages. He dropped many passages Huizinga had quoted in their original old French. Additionally, chapters were rearranged, all references were dropped, and mistranslations were introduced.

This translation corrects such errors, recreating the second Dutch edition which represents Huizinga's thinking at its most important stage. Everything that was dropped or rearranged has been restored. Prose quotations appear in French, with translations preprinted at the bottom of the page, mistranslations have been corrected.

"The advantages of the new translation are so many. . . . It is one of the greatest, as well as one of the most enthralling, historical classics of the twentieth century, and everyone will surely want to read it in the form that was obviously intended by the author." —Francis Haskell, New York Review of Books

"A once pathbreaking piece of historical interpretation. . . . This new translation will no doubt bring Huizinga and his pioneering work back into the discussion of historical interpretation." —Rosamond McKitterick, New York Times Book Review

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The Cat and the Fiddle

Images of Musical Humour from the Middle Ages to Modern Times

Jeremy Barlow

Bodleian Library Publishing, 2005

In The Cat and the Fiddle, Jeremy Barlow explores 700 years of musical humor, a topsy-turvy world in which monkeys fiddle and pigs play the bagpipes. It is a vision of chaos and devilry as depicted in a variety of sources—the illuminated borders of medieval manuscripts, eighteenth-century prints of urban life, and even the illustrations of children's books.

Barlow reveals the shifting meanings behind such images, as they were often symptomatic of larger cultural trend such as rapid industrialization and urbanization, an emerging class system, and the moral movements of the late nineteenth century. As he compellingly argues, the development of the printing press, the popular spectacle of public concerts, and the rise of new political uses for music all played a critical role in musical history and were distinctly evident in images of musical humor.

The archives of Oxford's Bodleian Library provided a rich supply of previously unpublished material for Barlow's research. With full-color images throughout, The Cat and the Fiddle will be a delight for scholars of art and political history as well as lovers of music everywhere.

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The Civilization of Crime

Violence in Town and Country since the Middle Ages

Edited by Eric A. Johnson and Eric H. Monkkonen

University of Illinois Press, 1996

Along with most of the rest
        of Western culture, has crime itself become more "civilized"?
        This book exposes as myths the beliefs that society has become more violent
        than it has been in the past and that violence is more likely to occur
        in cities than in rural areas.
      The product of years of study
        by scholars from North America and Europe, The Civilization of Crime
        shows that, however violent some large cities may be now, both rural and
        urban communities in Sweden, Holland, England, and other countries were
        far more violent during the late Middle Ages than any cities are today.
      Contributors show that the
        dramatic change is due, in part, to the fact that violence was often tolerated
        or even accepted as a form of dispute settlement in village-dominated
        premodern society. Interpersonal violence declined in the seventeenth
        and eighteenth centuries, as dispute resolution was taken over by courts
        and other state institutions and the church became increasingly intolerant
        of it.
      The book also challenges a
        number of other historical-sociological theories, among them that contemporary
        organized crime is new, and addresses continuing debate about the meaning
        and usefulness of crime statistics.
      CONTRIBUTORS: Esther Cohen,
        Herman Diederiks, Florike Egmond, Eric A. Johnson, Michele Mancino, Eric
        H. Monkkonen, Eva Österberg, James A. Sharpe, Pieter Spierenburg,
        Jan Sundin, Barbara Weinberger

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The Douce Apocalypse

Picturing the End of the World in the Middle Ages

Nigel Morgan

Bodleian Library Publishing, 2006

One of the finest of all medieval apocalypse manuscripts, the Douce Apocalypse was part of a series of illuminated texts that brought St. John’s apocalyptic visions to life.

Now the manuscript—created sometime between 1250 and 1275—reaches an entirely new audience at the hands of noted scholar Nigel Morgan. The Douce Apocalypse explores the manuscript’s royal patronage, looks at its fascinating imagery, and examines its significance in light of contemporary prophecy. The commentary is accompanied by lush, full-color illustrations.

As Morgan relates, the Douce Apocalypse is especially enlightening because of its unfinished nature. A few of its images remain incomplete—and such absences give insight into the artist’s painstaking techniques of drawing, gilding, and painting. The second volume in the Treasures from the Bodleian Library series, The Douce Apocalypse will convey both the beauty of the original and the enduring fascination of its contents.

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The Edges of the Medieval World

Gerhard Jaritz

Central European University Press, 2009

In the Middles Ages, the edges of one's world could represent different meanings. On the one hand, they might have been situated in far-away regions, mainly in the east and north, that one most often only knew from hearsay and which were inhabited by strange beings: humans with their faces on their chest, without a mouth, or with dog heads. On the other hand, the edges of one's world could just mean the borders of the community where one lived and that one sometimes might not have had the possibility to cross during one's whole life.In this volume specialists from eight European countries offer their ideas about different edges of the medieval world and contribute to a discussion that has been increasing greatly in Medieval Studies in recent times.

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The Fantasy of the Middle Ages

An Epic Journey through Imaginary Medieval Worlds

Larisa Grollemond

J. Paul Getty Trust, The, 2022

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.

From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.

This volume aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.

This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.

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The Gateway to the Middle Ages

France and Britain

Eleanor Shipley Duckett

University of Michigan Press, 1988

Portrays France and Britain at the beginning of the Dark Ages

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The Gateway to the Middle Ages

Italy

Eleanor Shipley Duckett

University of Michigan Press, 1988

Portrays the struggle to defend Italian lands against the Eastern Goths and barbarians from the North.

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The Gateway to the Middle Ages

Monasticism

Eleanor Shipley Duckett

University of Michigan Press, 1988

In an era when the sounds of monasticism's interior life speak to a new generation, Eleanor Shipley Duckett offers an illuminated description of its development under such figures as Columban, "the saint afire with Irish enthusiam"; St. Benedict, greatest of the monks, who established a pattern of the religious life still vibrant to this day; and St. Gregory, Benedict's pupil and greatest of the popes, who more than any other prepared the See of Rome for its triumphant emergence in the Middle Ages.
"Professor Duckett writes a history of this period that is as full of intellectual excitement as those centuries were of military excitement." -- Christian Century
"New light on the troubled origins of the medieval spirit." --New Republic
Eleanor Shipley Duckett was Professor Emerita of Latin Languages and Literature, Smith College.

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The Green Ages

Medieval Innovations in Sustainability

Annette Kehnel

Brandeis University Press, 2024

A fascinating blend of history and ecological economics that uncovers the medieval precedents for modern concepts of sustainable living.

In The Green Ages, historian Annette Kehnel explores sustainability initiatives from the Middle Ages, highlighting communities that operated a barter trade system on the Monte Subiaco in Italy, sustainable fishing at Lake Constance, common lands in the United Kingdom, transient grazing among Alpine shepherds in the south of France, and bridges built by crowdfunding in Avignon. Kehnel takes these medieval examples and applies their practical lessons to the modern world to prove that we can live sustainably—we’ve done it before!

From the garden economy in the mythical-sounding City of Ladies to early microcredit banks, Kehnel uncovers a world at odds with our understanding of the typical medieval existence. Premodern history is full of inspiring examples and concepts ripe for rediscovery, and we urgently need them as today’s challenges—finite resources, the twilight of consumerism, and growing inequality—threaten what we have come to think of as a modern way of living sustainably. This is a stimulating and revelatory look at a past that has the power to change our future.

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The Jewish Middle Ages

Carol Bakhos

SBL Press, 2023

For many, the Middle Ages in general evokes a sense of the sinister and brings to mind a world of fear, superstition, and religious fanaticism. For Jews it was a period marked by persecutions, pogroms, and expulsions. Yet at the same time, the Middle Ages was also a time of lively cultural exchange and heightened creativity for Jews. In The Jewish Middle Ages, contributors explore the ways in which the stories of biblical women, including, Eve, Sarah, Hagar, Rebekah, Zipporah, Ruth, Esther, and Judith, make their way into the rich tapestry of medieval Jewish literature, mystical texts, and art, particularly in works emanating from Ashkenazic circles. Contributors include Carol Bakhos, Judith R. Baskin, Elisheva Baumgarten, Dagmar Börner-Klein, Constanza Cordoni, Rachel Elior, Meret Gutmann-Grün, Robert A. Harris, Yuval Katz-Wilfing, Sheila Tuller Keiter, Katrin Kogman-Appel, Gerhard Langer, Aurora Salvatierra Ossorio, and Felicia Waldman. These essays give us a glimpse into the role women played and the authority they assumed in medieval Jewish culture beyond the rabbinic centers of Palestine and Babylonia.

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The Legend of the Middle Ages

Philosophical Explorations of Medieval Christianity, Judaism, and Islam

Rémi Brague

University of Chicago Press, 2009

This volume presents a penetrating interview and sixteen essays that explore key intersections of medieval religion and philosophy. With characteristic erudition and insight, RémiBrague focuses less on individual Christian, Jewish, and Muslim thinkers than on their relationships with one another. Their disparate philosophical worlds, Brague shows, were grounded in different models of revelation that engendered divergent interpretations of the ancient Greek sources they held in common. So, despite striking similarities in their solutions for the philosophical problems they all faced, intellectuals in each theological tradition often viewed the others’ ideas with skepticism, if not disdain. Brague’s portrayal of this misunderstood age brings to life not only its philosophical and theological nuances, but also lessons for our own time.

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The Legitimacy of the Middle Ages

On the Unwritten History of Theory

Andrew Cole and D. Vance Smith, eds.

Duke University Press, 2010

This collection of essays argues that any valid theory of the modern should—indeed must—reckon with the medieval. Offering a much-needed correction to theorists such as Hans Blumenberg, who in his Legitimacy of the Modern Age describes the "modern age" as a complete departure from the Middle Ages, these essays forcefully show that thinkers from Adorno to Žižek have repeatedly drawn from medieval sources to theorize modernity. To forget the medieval, or to discount its continued effect on contemporary thought, is to neglect the responsibilities of periodization.

In The Legitimacy of the Middle Ages, modernists and medievalists, as well as scholars specializing in eighteenth-, nineteenth-, and twentieth-century comparative literature, offer a new history of theory and philosophy through essays on secularization and periodization, Marx’s (medieval) theory of commodity fetishism, Heidegger’s scholasticism, and Adorno’s nominalist aesthetics. One essay illustrates the workings of medieval mysticism in the writing of Freud’s most famous patient, Daniel Paul Schreber, author of Memoirs of My Nervous Illness (1903). Another looks at Michael Hardt and Antonio Negri’s Empire, a theoretical synthesis whose conscientious medievalism was the subject of much polemic in the post-9/11 era, a time in which premodernity itself was perceived as a threat to western values. The collection concludes with an afterword by Fredric Jameson, a theorist of postmodernism who has engaged with the medieval throughout his career.

Contributors: Charles D. Blanton, Andrew Cole, Kathleen Davis, Michael Hardt, Bruce Holsinger, Fredric Jameson, Ethan Knapp, Erin Labbie, Jed Rasula, D. Vance Smith, Michael Uebel

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The Man of Many Devices, Who Wandered Full Many Ways

Festschrift in Honor of János M. Bak

Balázs Nagy

Central European University Press, 1999

More than sixty friends and colleagues pay tribute to the distinguished professor János Bak's 70th birthday. Notable contributors from many countries dedicate previously unpublished essays and articles in this celebratory Festschrift. Reflecting the intellectual calibre of János Bak, scholars not only of medieval history, but also from the fields of modern history, philosophy, linguistics, art history and political science provide a broad range of perspectives on a wide range of disciplinary areas thus allowing a wide readership audience.

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The Mind of the Middle Ages

An Historical Survey

Frederick B. Artz

University of Chicago Press, 1980

"This is the third edition of a near standard survey of the intellectual life of the age of faith. Artz on the arts, as on philosophy, politics and other aspects of culture, makes lively and informative reading."—The Washington Post

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The Modulated Scream

Pain in Late Medieval Culture

Esther Cohen

University of Chicago Press, 2010

In the late medieval era, pain could be a symbol of holiness, disease, sin, or truth. It could be encouragement to lead a moral life, a punishment for wrong doing, or a method of healing. Exploring the varied depictions and descriptions of pain—from martyrdom narratives to practices of torture and surgery—The Modulated Scream attempts to decode this culture of suffering in the Middle Ages.

Esther Cohen brings to life the cacophony of howls emerging from the written record of physicians, torturers, theologians, and mystics. In considering how people understood suffering, explained it, and meted it out, Cohen discovers that pain was imbued with multiple meanings. While interpreting pain was the province only of the rarified elite, harnessing pain for religious, moral, legal, and social purposes was a practice that pervaded all classes of Medieval life. In the overlap of these contradicting attitudes about what pain was for—how it was to be understood and who should use it—Cohen reveals the distinct and often conflicting cultural traditions and practices of late medieval Europeans. Ambitious and wide-ranging, The Modulated Scream is intellectual history at its most acute.

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