Carlos Ulises Decena
Duke University Press, 2011
Nicholas Toloudis
Temple University Press, 2012
Offering the first systematic, comparative examination of the origins of teachers’ unions in two countries—France and the United States—Teaching Marianne and Uncle Sam shows how teachers’ unions came into existence not because of the willful efforts of particular actors, but over the course of decades of conflict over the proper role of professional educators in public politics.
Nicholas Toloudis traces teacher unionism back to the first efforts of governments to centralize public education. He carefully documents how centralization created new understandings of the role of teachers in their societies and generated new sources of conflict within teachers’ corps. Using rare archival source materials, Toloudis illustrates how these internal conflicts became salient in teachers’ battles with governments over their legitimate right to exist as collective claim-makers within the polity.
In the series Politics, History, and Social Change, edited by John C. Torpey
Edgardo Meléndez
Rutgers University Press, 2023
Britt Rusert
Duke University Press, 2026
Amy Clements
University of Massachusetts Press, 2014
Laura Arnold Leibman
Bard Graduate Center, 2020
By José Clemente Orozco
University of Texas Press, 1974
In his Foreword to this edition, Jean Charlot says: "An unusual feature of Orozco's letters is the great deal that he has to say about art. That one artist writing to another would emphasize art as his subject seems normal enough to the American reader. Yet, within the context of the Mexico of those days, the fact remains exceptional. The patria Orozco was leaving behind had, even from the point of view of its artists, many cares more pressing than art."
The letters and unpublished writings of Orozco from this period (1925-1929) describe an important period of transition in the artist's life, from his departure from Mexico, almost as a defeated man, to the period just before he received the great mural commissions—Pomona, The New School for Social Research in New York, Dartmouth—that were to bring him lasting international fame.
Leslie Cohen
Rutgers University Press, 2021
Richard H. Gassan
University of Massachusetts Press, 2008
David Lazar
University of Iowa Press, 2003
Peggy Gavan
Rutgers University Press, 2024
Peggy Gavan
Rutgers University Press, 2019

Dennis R. Judd
University of Minnesota Press, 2011
Max Page
University of Chicago Press, 1999
Wendy Doniger
Brandeis University Press, 2019
Susan Curtis
University of Missouri Press, 1998
On April 5, 1917, Three Plays for a Negro Theater by Ridgely Torrence opened at the Garden Theatre in New York City. This performance was a monumental event in American stage history. Not only was this the first dramatic production to portray African American life beyond the cliché, it was also the first production on Broadway to feature an all-black cast. The morning after the three plays were performed, newspapers were filled with praise for the cast, crew, and playwright. Audience member W. E. B. Du Bois declared the show "epoch making." Despite such early critical acclaim, Three Plays for a Negro Theater closed before the end of the month and received little attention thereafter.
Why was a nation, so fascinated with firsts, able to forget these black actors and this production so quickly? It is this question that Susan Curtis addresses in The First Black Actors on the Great White Way.
Set against the backdrop of transforming theater conventions in the early 1900s and the war in 1917, this important study relates the stories of the actors, stage artists, critics, and many others—black and white—involved in this groundbreaking production. Curtis explores in great depth both the progress in race relations that led to this production and the multifaceted reasons for its quick demise.
Three Plays for a Negro Theater opened on the eve of the United States' entrance into World War I. Curtis attributes the early closure of the three plays to this coincidence, but she does not settle for so simple an explanation. Rather, she investigates the heightened national self-consciousness that followed the United States' entry into the war. America was ready to "make the world safe for democracy," but it was not fully ready to accept democracy and equality in its own culture.
The First Black Actors on the Great White Way is not simply a study of African American theater and its entrance into American culture. By focusing on a single event at a critical moment in history, Curtis offers a unique glimpse into race relations in early-twentieth-century American society. The experience of these pioneering artists reveals an unexplored aspect of the painfully slow evolution of racial equality.
A remarkable story about people who waged an extraordinary campaign against racism, The First Black Actors on the Great White Way will be of special interest to scholars of American studies, race relations, and cultural history, as well as the general reader.
Robert E. Wright
University of Chicago Press, 2005
Patricia Cline Cohen, Timothy J. Gilfoyle, Helen Lefkowitz Horowitz, in association with the American Antiquarian Society
University of Chicago Press, 2008
Yue Zhang
University of Minnesota Press, 2013
While urban preservation is almost as old as cities themselves, it has become increasingly controversial in modern cities. In this book, Yue Zhang presents a cross-national comparative analysis of the politics of urban preservation. Based on comprehensive archival research and more than two hundred in-depth interviews in Beijing, Chicago, and Paris, Zhang finds that urban preservation provides a tool for diverse political and social actors to frame their propositions and advance their favored courses of action.
In cities from West to East, divergent political and economic interests have caused urban preservation to become contested. Exploring three of the world’s great cities, Zhang deftly navigates readers through each case study, illustrating the complexities of the politics of urban preservation in each city. In Beijing, urban preservation was integral to promoting economic growth and enhancing the city’s image during the lead-up to the 2008 Olympics; in Chicago, it is used to increase property values and revitalize neighborhoods; and in Paris, it offers a channel for national and municipal governments to compete for control over urban space.
Although urban preservation serves various purposes in these cities, Zhang explains how different types of political fragmentation have affected the implementation of preservation initiatives in predictable ways, thus generating distinct patterns of urban preservation. A comparative urban politics study of unusual breadth, The Fragmented Politics of Urban Preservation gives us insight into the complex policy process of urban preservation through which political institutions are intertwined with interests and inclinations, fundamentally shaping the direction of urban development, the physical forms of cities, and the lives of citizens.
Michael Aaron Rockland
Rutgers University Press, 2008
Michael Aaron Rockland
Rutgers University Press, 2020
Since opening in 1931, the George Washington Bridge, linking New York and New Jersey, has become the busiest bridge in the world, with 103 million vehicles crossing it in 2016. Many people also consider it the most beautiful bridge in the world, yet remarkably little has been written about this majestic structure.
Intimate and engaging, this revised and expanded edition of Michael Rockland's rich narrative presents perspectives on the GWB, as it is often called, that span history, architecture, engineering, transportation, design, the arts, politics, and even post-9/11 mentalities. This new edition brings new insight since its initial publication in 2008, including a new chapter on the infamous “Bridgegate” Chris Christie-era scandal of 2013, when members of the governor's administration shut down access to the bridge, causing a major traffic jam and scandal and subsequently helping undermine Christie’s candidacy for the US presidency.
Stunning photos, from when the bridge was built in the late 1920s through the present, are a powerful complement to the bridge's history. Rockland covers the competition between the GWB and the Brooklyn Bridge that parallels the rivalry between New Jersey and New York City. Readers will learn about the Swiss immigrant Othmar Ammann, an unsung hero who designed and built the GWB, and how a lack of funding during the Depression dictated the iconic, uncovered steel beams of its towers, which we admire today. There are chapters discussing accidents on the bridge, such as an airplane crash landing in the westbound lanes and the sad story of suicides off its span; the appearance of the bridge in media and the arts; and Rockland's personal adventures on the bridge, including scaling its massive towers on a cable.
Movies, television shows, songs, novels, countless images, and even PlayStation 2 games have aided the GWB in becoming a part of the global popular culture. This tribute will captivate residents living in the shadow of the GWB, the millions who walk, jog, bike, skate, or drive across it, as well as tourists and those who will visit it someday.
.Belluscio, Steven
Rutgers University Press, 2009
The Grand Gennaro, a riveting saga set at the turn of the last century in Italian American Harlem, reflects on how youthful acts of cruelty and desperation follow many to the grave. A classic in the truest sense, this operatic narrative is alive once again, addressing the question: How does one become an "American"?
Christina A. Ziegler-McPherson
Rutgers University Press, 2022
Patrick D. Nugent
University of Chicago Press, 2026
Illuminates how borough residents, urban planners, and politicians used environmental policy to cement a racially restrictive landscape.
Though it was once home to the world’s largest landfill, today Staten Island boasts thousands of acres of parklands, dozens of public-private conservation arrangements, and four ecological zoning districts. In this book, Patrick D. Nugent details the political forces that gave rise to this wealth of greenery in a famously dense city. He demonstrates how postwar economic and political trajectories intersected in the 1960s with the rising consciousness of environmentalism to create a distinctive laboratory in Staten Island, where white communities and politicians heeded the rising call for the preservation of green space—but often as a tool to maintain racial segregation. Ecological zoning, public-private park management, conservation easement, environmental litigation, and other strategies created a lush, discriminatory landscape. Nugent refers to these policies as greenlining.
The Greenlining of Staten Island shows that the political and environmental history of Staten Island is key to understanding how environmentalism has been used to reinforce racial discrimination, not just in New York City, but nationwide. By the mid-1970s, conservationists had embraced urban planning that preserved low-density housing districts and bolstered the sprawling and segregated landscape that took shape in metropolitan America over the coming decades. In exploring the gap between the modern environmental movement’s ambitious goals and its tangible outcomes, Nugent excavates important lessons for contemporary city dwellers debating zoning reform and planning for climate change’s impending effects.
James Smalls
Temple University Press, 2006
Sabine Haenni
University of Minnesota Press, 2008
Explores the relationship between immigrant and national culture
Yiddish melodramas about the tribulations of immigration. German plays about alpine tourism. Italian vaudeville performances. Rubbernecking tours of Chinatown. In the New York City of the late nineteenth and early twentieth centuries, these seemingly disparate leisure activities played similar roles: mediating the vast cultural, demographic, and social changes that were sweeping the nation’s largest city.
In The Immigrant Scene, Sabine Haenni reveals how theaters in New York created ethnic entertainment that shaped the culture of the United States in the early twentieth century. Considering the relationship between leisure and mass culture, The Immigrant Scene develops a new picture of the metropolis in which the movement of people, objects, and images on-screen and in the street helped residents negotiate the complexities of modern times. In analyzing how communities engaged with immigrant theaters and the nascent film culture in New York City, Haenni traces the ways in which performance and cinema provided virtual mobility—ways of navigating the socially complex metropolis—and influenced national ideas of immigration, culture, and diversity in surprising and lasting ways.Simone Cinotto
University of Illinois Press, 2013
W. Eugene Smith and Sam Stephenson
University of Chicago Press, 2023
Judith Casselberry
Duke University Press, 2017
Scott Beekman
University of Texas Press, 2025
2026 Honorable Mention in Monographs, North American Society for Sport History (NASSH)
The incredible career of the forgotten but foundational pro wrestler who shaped American sports culture.
William Muldoon was an infamous athlete whose prowess, savvy, and chicanery across his six-decade career led him to wealth, cultural importance, and political power. Muldoon, the child of poor Irish immigrants, began wrestling in the 1870s and quickly became one of the most famous athletes of the post–Civil War era. He started acting and modeling as his popularity grew, making him one of the first sports stars to achieve crossover success. After a triumphant stint rehabilitating fallen boxing heavyweight champion John L. Sullivan in 1889, he retired from the ring and began a new career as a fitness impresario, founding an elite gymnasium and remaking himself as a health authority in the press. He became trainer to the rich, famous, and politically powerful, which led to his appointment as chair of the New York State Athletic Commission in the 1920s. From this position, Muldoon exerted his influence over the rules of boxing and wrestling and weaponized his power to maintain segregation in sport.
The Last Gladiator is a deep, insightful dive into Muldoon’s life and impact, demonstrating the significance of this often-controversial figure in the development of American sports, professional wrestling, and physical and popular culture.
Umbach, Fritz
Rutgers University Press, 2011
Aaron Shkuda
University of Chicago Press, 2016
Daniel Wortel-London
University of Chicago Press, 2025

Samuel R. Delany
University of Minnesota Press, 2004
Winner of the Hugo Award for Non-fiction
The unexpurgated edition of the award-winning autobiography
Born in New York City’s black ghetto Harlem at the start of World War II, Samuel R. Delany married white poet Marilyn Hacker right out of high school. The interracial couple moved into the city’s new bohemian quarter, the Lower East Side, in summer 1961. Through the decade’s opening years, new art, new sexual practices, new music, and new political awareness burgeoned among the crowded streets and cheap railroad apartments. Beautifully, vividly, insightfully, Delany calls up this era of exploration and adventure as he details his development as a black gay writer in an open marriage, with tertiary walk-ons by Bob Dylan, Stokely Carmichael, W. H. Auden, and James Baldwin, and a panoply of brilliantly drawn secondary characters.
Michael Gallope
University of Chicago Press, 2024
Derek S. Hyra
University of Chicago Press, 2008
Darrel Wanzer-Serrano
Temple University Press, 2015
Andrei S. Markovits
Central European University Press, 2021
A Scholar's Quest for Home and Identity
Experience the remarkable story of a Romanian-born, Hungarian-speaking Jewish professor. From Vienna to Columbia and Harvard, he navigates a life marked by rootlessness, seeking comfort and purpose. His journey unfolds against the backdrop of five decades, two continents, and significant political and cultural changes.
As we follow his pursuit of a home, we gain insight into the critical developments of post-1945 Europe and America. Markovits's emigration experiences, first from Romania to Vienna and later from Vienna to New York, shed light on the challenges he faced.
His journey offers a panoramic view of the forces shaping the latter half of the 20th century. Despite America's flaws, he finds it a beacon of academic excellence, intellectual openness, cultural diversity, and religious tolerance—qualities that Europe lacked.
Explore the complexities of identity, culture, and the universal search for belonging in this captivating narrative.
Faflik, David
Rutgers University Press, 2008
In his introduction, David Faflik considers what made Gunn's book a compelling read in the past and how today it can elucidate our understanding of the formation and evolution of urban American life and letters.
Tony Cheng
University of Chicago Press, 2024
Michele H. Bogart
University of Chicago Press, 2006
Since its founding in 1898, the Art Commission of the City of New York (ACNY) has served as the city’s aesthetic gatekeeper, evaluating all works of art intended for display on city property. And over the years, the commission’s domain has expanded dramatically to include everything from parks and courthouses to trash cans and sidewalks. In ThePolitics of Urban Beauty, Michele H. Bogart argues that this unprecedented authority has made the commission host to some complex negotiations—involving artists, architects, business leaders, activists, and politicians—about not only the role of art in urban design, but also the shape and meaning of the city and its public spaces.
A former vice president of the ACNY, Bogart tells its story here from an insider’s perspective, tracing the commission’s history from its origins as an outgrowth of progressive reform to its role in New York’s reconstruction after 9/11. Drawing on archival correspondence, drawings, and photographs from commission collections, Bogart presents bracing examples of works—ranging from New Deal murals to Louis Kahn’s unbuilt Memorial to Six Million Jewish Martyrs—that illuminate the ACNY’s subtle yet powerful role in shaping New York’s identity.
The Politics of Urban Beauty is thus a fascinating history of a New York art world that paralleled—and sometimes unpredictably intersected with—the more familiar realm of prominent architects, painters, galleries, and museums. Bogart’s fresh view adds a critical dimension to our understanding of “the city beautiful” and makes an important and lively contribution to the study of art history, urban design, and New York City itself.
Hershel Parker
Northwestern University Press, 2011
In 1849—months before the term “confidence man” was coined to identify a New York crook—Thomas Powell (1809–1887), a spherical, monocled, English poetaster, dramatist, journalist, embezzler, and forger, landed in Manhattan. Powell in London had capped a career of grand theft and literary peccadilloes by feigning a suicide attempt and having himself committed to a madhouse, after which he fled England. He had been an intimate of William Wordsworth, Elizabeth Barrett, Robert Browning, Charles Dickens, and a crowd of lesser literary folk.
Thoughtfully bearing what he presented as a volume of Tennyson with a few trifling revisions in the hand of the poet, Powell was embraced by the slavishly Anglophile New York literary establishment, including a young Herman Melville. In two pot-boilers—The Living Authors of England (1849) and The Living Authors of America (1850)—Powell denounced the most revered American author, Washington Irving, for plagiarism; provoked Charles Dickens to vengeful trans-Atlantic outrage and then panic; and capped his insolence by identifying Irving and Melville as the two worst “enemies of the American mind.” For almost four more decades he sniped at Dickens, put words in Melville’s mouth, and survived even the most conscientious efforts to expose him. Long fascinated by this incorrigible rogue, Hershel Parker in The Powell Papers uses a few familiar documents and a mass of freshly discovered material (including a devastating portrait of Powell in a serialized novel) to unfold a captivating tale of skullduggery through the words of great artists and then-admired journalists alike.
Paul Stoller
University of Chicago Press, 2008
Anne-christine d'Adesky
University of Wisconsin Press, 2017
Terry A. Cooney
University of Wisconsin Press, 1986
Cosmopolitan visions
Terry A. Cooney traces the evolution of the Partisan Review—often considered to be the most influential little magazine ever published in America—during its formative years, giving a lucid and dispassionate view of the magazine and its luminaries who played a leading role in shaping the public discourse of American intellectuals. Included are Lionel Trilling, Philip Rahv, William Phillips, Dwight Macdonald, F. W. Dupee, Mary McCarthy, Sidney Hook, Harold Rosenberg, and Delmore Schwartz, among others.
“An excellent book, which works at each level on which it operates. It succeeds as a straightforward narrative account of the Partisan Review in the 1930s and 1940s. The magazine’s leading voices—William Phillips, Philip Rahv, Dwight MacDonald, Lionel Trilling, and all the rest—receive their due. . . . Among the themes that engage Cooney. . . . are: how they dealt with ‘modernism’ in culture and radicalism in politics, each on its own and in combination; how Jewishness played a complex and fascinating role in many of the thinkers’ lives; and, especially, how ‘cosmopolitanism’ best explains what the Partisan Review was all about.”—Robert Booth Fowler, Journal of American History
Barry, Francis S
Rutgers University Press, 2009
The Scandal of Reform pulls the curtain back on New York's reformers past and present, revealing the bonds they have always shared with the bosses they disdain, the policy failures they still refuse to recognize, and the transition they have made from nonpartisan outsiders to ideological insiders.
Francis S. Barry examines the evolution of political reform from the frontlines of New York City's recent reform wars. He offers an insider's account and analysis of the controversial 2003 referendum debate on nonpartisan elections, and he challenges reformersùand members of both partiesùto reconsider their faith in reforms that are no longer serving the public interest.
jennings
Russell Sage Foundation, 2026
School choice promises to free families from the limits of where they live. The Scarcity Loop asks what happens when that promise is made in school systems where more children seek desirable schools than those schools can serve. Focused on New York City’s high school admissions system, sociologist Jennifer L. Jennings argues that choice becomes another way to ration scarce educational opportunity, shifting where rationing happens, who must manage it, and how families understand the outcomes that follow.
Jennings begins with the admissions process itself. New York City asks every eighth grader to choose from hundreds of options. On paper, the system offers extraordinary possibility. But that possibility still has to be converted into a seat. Someone has to learn the rules, compare schools, manage deadlines, make trips, and decide how much risk a thirteen-year-old can bear. Jennings calls this the work of getting in and shows that the capacity to do that work is not evenly distributed. Some families enter choice systems with the fluency and flexibility to turn options into opportunity. Others confront it with fewer supports and far less room for error. Some teenagers shoulder decisions with little adult help. Counselors translate complicated rules under impossible constraints. Principals are not passive actors. Jennings shows how they recruit and adapt as they try to build schools families will choose while managing demand and reputation.
Jennings contends that reforms meant to expand access can reorganize the very competition they aim to resolve. As one barrier recedes, another becomes more consequential. Residence matters less, but advantage does not disappear; it travels through information, timing, and familiarity with the rules. Inequality persists not because nothing changes, but because advantage finds new points of entry as reforms change rules. As the work of securing opportunity shifts, so do understandings of inequality. Unequal outcomes can come to look less like consequences of how educational opportunities are organized and more like reflections of how families navigate the system.
Drawing on more than 450 interviews, participant observation, administrative data, and archival research, The Scarcity Loop follows students, parents, counselors, and principals as they navigate school choice at scale. Jennings traces who must do the work of making choice real, clarifying what is at stake when public education becomes something families must know how to secure.
The Scarcity Loop skillfully shows the consequences of scarcity in public education on schools and families, and reveals how scarcity reproduces itself, even when reforms are sincere.
JENNIFER L. JENNINGS is the Class of 1988 Professor in Domestic Policy and Professor of Sociology and Public Affairs, Princeton University
Giulia Palladini
Northwestern University Press, 2017
Shane Vogel
University of Chicago Press, 2009
Harlem’s nightclubs in the 1920s and ’30s were a crucible for testing society’s racial and sexual limits. Normally tacit divisions were there made spectacularly public in the vibrant, but often fraught, relationship between performer and audience. The cabaret scene, Shane Vogel contends, also played a key role in the Harlem Renaissance by offering an alternative to the politics of sexual respectability and racial uplift that sought to dictate the proper subject matter for black arts and letters. Individually and collectively, luminaries such as Duke Ellington, Lena Horne, Langston Hughes, Claude McKay, Wallace Thurman, and Ethel Waters expanded the possibilities of blackness and sexuality in America, resulting in a queer nightlife that flourished in music, in print, and on stage.
Deftly combining performance theory, literary criticism, historical research, and biographical study, The Scene of Harlem Cabaret brings this rich moment in history to life, while exploring the role of nightlife performance as a definitive touchstone for understanding the racial and sexual politics of the early twentieth century.
Anonymous
University of Chicago Press, 2015