113 books match the query 'Selected Poems' and 29 start with t
Henrik Wergeland
University of Wisconsin Press, 2003
One of Norway’s most celebrated literary figures of the nineteenth century, Henrik Wergeland worked tirelessly for the civil rights of Jews in Norway. He used the words and structure of his poetry to enliven the ideals of truth, freedom, and equality. This translated volume, containing several of Wergeland’s most prominent poems, beautifully encapsulates the compelling force of his message, allowing its enduring influence to benefit a wider contemporary audience.
Rane Arroyo; Foreword by Luis Alberto Urrea
University of Arizona Press, 2008
Lorine Niedecker
Ohio University Press, 1996
This edition was published in 1996 by Gnomon Press.
The Granite Pail is a masterful collection that showcases the poetic brilliance of one of America’s most underappreciated modernist poets. Known for its minimalist style and deep connection to the natural world, Niedecker’s work combines precision with emotional depth in poems that resonate long after they are read.
This volume brings together some of Niedecker’s finest poetry, illustrating her gift for capturing profound truths in the simplest of forms. With themes ranging from the intimate and domestic to the universal and ecological, her poems reflect a life deeply rooted in the landscapes of rural Wisconsin. From meditations on the passage of time to lyrical explorations of nature, The Granite Pail reveals the interplay between solitude, creativity, and the human condition.
Edited and introduced by Cid Corman, a champion of Niedecker’s work, the collection highlights her unique voice within the Objectivist tradition and her ability to create moments of beauty and insight with remarkable economy. This edition also provides context for her life and influences, shedding light on her artistic evolution and the lasting significance of her poetry.
For both longtime admirers and those new to Niedecker’s work, The Granite Pail offers an essential glimpse into the mind of a poet whose quiet brilliance continues to inspire readers and writers alike.
Frank Stanford
University of Arkansas Press, 1991
Between 1972, when he published his first book, The Signing Knives, and 1978, when he died at the age of twenty-nine, Frank Stanford published seven volumes of poetry. Within a year of his death, two posthumous collections were published. At the time of this death, as Leon Stokesbury asserts in his introduction, “Stanford was the best poet in America under the age of thirty-five.”
The Light the Dead See collects the best work from those nine volumes and six previously unpublished poems. In the earlier poems, Stanford creates a world where he could keep childhood alive, deny time and mutability, and place a version of himself at the center of great myth and drama.
Later, the denial of time and mutability gives way to an obsessive and familiar confrontation with death. Although Stanford paid an enormous price for his growing familiarity with Death as a presence, the direct address to that presence is a source of much of the striking originality and stunning power in the poetry.
Charles Ghigna, Foreword by Jennifer Horne
University of Alabama Press, 2026
A poetic journey through five decades of wonder, memory, and love, where the ordinary becomes sacred and every line leads home
Spanning five decades of poetic mastery, The Lost Book of Life: New and Selected Poems is the definitive collection from Charles Ghigna, a beloved and influential voice in contemporary Southern poetry. Drawing from fourteen previous volumes and featuring thirty-seven new poems, this landmark collection captures the full arc of Ghigna’s creative evolution, from his early meditations on nature and family to his later reflections on memory, mortality, and the enduring power of love.
With graceful shifts between free verse and traditional forms, Ghigna’s voice is both intimate and expansive—clear as spring water, alive with wit, and steeped in feeling. His poems open doorways into childhood’s bright dreaming, the quiet complexities of fatherhood, and the sacred hush of daily life. Ghigna invites readers to see the world anew, to find beauty in the familiar, and to embrace the sacred in the ordinary. For longtime admirers and new readers alike, The Lost Book of Life is a luminous testament to a life devoted to poetry. It is both compass and keepsake: a celebration of poetry’s enduring light, and a lasting gift to the literature of the American South.
Eva Luka
Seagull Books, 2025
Michael Collier
University of Chicago Press, 2021
Alan Williamson
University of Chicago Press, 2004
Faiz Ahmed Faiz, translated and edited by Agha Shalid Ali
University of Massachusetts Press, 1995
Len Roberts
University of Illinois Press, 2001
Akram Alkatreb
Seagull Books, 2024

Howard Nemerov
Ohio University Press, 2003
Howard Nemerov—poet laureate of the United States, winner of the Pulitzer Prize and National Book Award, and chancellor of the Academy of American Poets—was one of the most prolific and significant American poets of the twentieth century. By the time of his death in 1991, he had published fourteen collections of poetry.
Judiciously selected and introduced by poet Daniel Anderson, The Selected Poems of Howard Nemerov represents the broad spectrum of Nemerov’s virtues as a poet—his intelligence, his wit, his compassion, and his irreverence. It stands as the retrospective collection of the best of what Nemerov left behind, which is some of the finest poetry that the twentieth century produced.
“To keep his errors down to a minimum,” W. H. Auden wrote, “the internal Censor to whom a poet submits his work in progress should be a Censorate. It should include, for instance, a sensitive only child, a practical housewife, a logician, a monk, an irreverent buffoon a nd even, perhaps, hated by all others and returning their dislike, a brutal, foul-mouthed drill sergeant who considers all poetry rubbish.”
Such are the readers to whom the poetry of Howard Nemerov might appeal. He distinguished himself on the landscape of American letters as a writer of great versatility. More than a decade after his death, that claim still holds true.
In this, the only edition of Nemerov’s work that surveys his entire poetic output, first-time readers of these poems will find an introduction to a truly remarkable creative mind. Longtime admirers of Nemerov will be reminded once again of his significance as a craftsman and philosopher, and as a poetic steward of the many ways in which we experience the world.

Yvor Winters
Ohio University Press, 1999
Fulke Greville
University of Chicago Press, 2009
Along with his childhood friend Sir Philip Sidney, Fulke Greville (1554–1628) was an important member of the court of Queen Elizabeth I. Although his poems, long out of print, are today less well known than those of Sidney, Spenser, or Shakespeare, Greville left an indelible mark on the world of Renaissance poetry, both in his love poems, which ably work within the English Petrarchan tradition, and in his religious meditations, which, along with the work of Donne and Herbert, stand as a highpoint of early Protestant poetics.
Back in print for a new generation of scholars and readers, Thom Gunn’s selection of Greville’s short poems includes the whole of Greville’s lyric sequence, Caelica, along with choruses from some of Greville’s verse dramas. Gunn’s introduction places Greville’s thought in historical context and in relation to the existential anxieties that came to preoccupy writers in the twentieth century. It is as revealing about Gunn himself, and the reading of earlier English verse in the 1960s, as it is about Greville’s own poetic achievement. This reissue of Selected Poems of Fulke Greville is an event of the first order both for students of early British literature and for readers of Thom Gunn and English poetry generally.
Harriet Monroe, edited by Kevin McMullen
Southern Illinois University Press, 2026
Unearthing the overlooked poet behind Poetry magazine
Harriet Monroe, whose work as the visionary founding editor of Poetry magazine profoundly shaped the development of American poetry in the 20th century, was a vital and prolific poet in her own right. This volume showcases the sweeping breadth of Monroe’s poetic talents.
Monroe lived through a period of immense change and global conflict, from the American Civil War, through World War I and the Great Depression, up to the first stirrings of the second Great War. Through her poetry, Monroe confronted major issues, critiquing war, the impact of industrialization on the arts, and inequality, while championing women’s rights and environmental conservation—issues that remain pressingly relevant today. Monroe’s three collections of poetry, as well as her own “selected poems” volume, have all long been out of print. This book, then, represents the first appearance of many of these poems in more than 100 years. This selection includes meditations on modern technology and globalization in the early 20th century, love lyrics, hymns to the deserts of the American West, feminist reflections on gender and motherhood, and more. The volume also includes a number of poems that have never before been published, drawing on manuscripts found in Monroe’s papers at the University of Chicago Library.
Students at the University of Nebraska–Lincoln, under the guidance of Kevin McMullen, project manager of the Walt Whitman Archive, selected these poems to capture the range and breadth of Monroe’s styles and poetic interest. The poems, along with an extensive critical introduction and explanatory notes, establish Monroe’s place as an important and overlooked Modernist poet from the Midwest.
Miguel Hernández
University of Chicago Press, 2001
Judith Vollmer
University of Wisconsin Press, 2022
Salim Barakat
Seagull Books, 2024

Rainer Maria Rilke
Oberlin College Press, 1990
Bohuslav Reynek
Karolinum Press, 2017
Vincent Ferrini
University of Illinois Press, 2004
James McMichael
University of Chicago Press, 1996
Larissa Szporluk
Tupelo Press, 2026
A selection of poems that form a narrative about psychological and spiritual somnambulance in our current age and the ever-urgent need to wake up.
In Them That Slept, Larissa Szporluk gathers three decades of work into a single incandescent arc—poems that braid feminist theology, eros, and myth into a lyric of fierce awakening. Borrowing its title from First Corinthians—“the firstfruits of them that slept”—this collection asks what it means to rise, not into certainty, but into desire, voice, and embodiment. Here, virgins become saints and saints become women of appetite. Daughters speak back to fathers. The sea mothers and devours. Joan of Arc lingers in her cell. Venus tweets. The body is never merely symbolic—it is radiant, wounded, knowing. Szporluk’s women are not passive figures in inherited narratives; they are theologians of touch, architects of longing, midwives of their own transformations.
Across selections from six previous books and a powerful suite of new poems, Szporluk reimagines sacred language as intimate speech. Biblical cadences shimmer against domestic interiors, fields, bedrooms, and storm skies. Eros is not an ornament but a form of knowledge; faith is not obedience but risk. These are poems that refuse to sleep through history. They burn toward revelation— sensual, subversive, and alive.
Jesper Svenbro
Northwestern University Press, 2003

Sydney Lea
University of Illinois Press, 1996

Edwin Rolfe. Edited by Cary Nelson and Jefferson Hendricks
University of Illinois Press, 1995
Vicki Hearne
University of Chicago Press, 2007
Howard Nemerov
University of Chicago Press, 1991
By Orit Gidali. Edited and translated by Marcela Sulak
University of Texas Press, 2016
This English-Hebrew book features three dozen poems by the extraordinary Israeli writer Orit Gidali (b. 1974), a unique voice among her contemporaries. Gidali’s work appears to focus on the domestic, but for her, the domestic sphere is the stage on which the drama of the geopolitical is reworked on an individual scale. The domestic is always inhabited by the Other, who in these deeply personal poems appears in various guises: a Palestinian mother, biblical figures, the poet’s own deceased mother, and her husband’s first wife. Gidali creates a space in her world to imaginatively reconfigure the current political impasses of the region through a focus on relationship and openness.
Gidali’s poems, beautifully captured in English by Marcela Sulak, present a world beset by danger and uncertainty, yet they nonetheless cry out for community, connection, cooperation, and coexistence.