139 books match the query 'World War, 1914-1918' and 39 start with t

cover of Teddy Roosevelt and Leonard Wood: Partners in Command

Teddy Roosevelt and Leonard Wood

Partners in Command

John S. D. Eisenhower

University of Missouri Press, 2013

Theodore Roosevelt was a man of wide interests, strong opinions, and intense ambition for both himself and his country. When he met Leonard Wood in 1897, he recognized a kindred spirit. Moreover, the two men shared a zeal for making the United States an imperial power that would challenge Great Britain as world leader. For the remainder of their lives, their careers would intertwine in ways that shaped the American nation.

When the Spanish American War came, both men seized the opportunity to promote the goals of American empire. Roosevelt resigned as assistant secretary of the navy in William McKinley’s administration to serve as a lieutenant colonel of the Rough Riders, a newly organized volunteer cavalry. Wood, then a captain in the medical corps and physician to McKinley, was promoted to colonel and given charge of the unit.

Roosevelt later took over command of the Rough Riders. In the Battle of San Juan Hill, he led it in a charge up Kettle Hill that would end in victory for the American troops and make their daring commander a household name, a war hero, and, eventually, president of the United States.

At the Treaty of Paris in 1898, Spain ceded Cuba, Puerto Rico, Guam, and the Philippines to the United States. The next year, Wood became military governor of Cuba. He remained in the post until 1902. By that time Roosevelt was president. One of the major accomplishments of his administration was reorganization of the War Department, which the war with Spain had proved disastrously outdated. In 1909, when William Howard Taft needed a strong army chief of staff to enforce the new rules, he appointed Leonard Wood.

Both Wood and Roosevelt were strong proponents of preparedness, and when war broke out in Europe in August 1914, Wood, retired as chief of staff and backed by Roosevelt, established the “Plattsburg camps,” a system of basic training camps. When America entered the Great War, the two men’s foresight was justified, but their earlier push for mobilization had angered Woodrow Wilson, and both were denied the command positions they sought in Europe.

Roosevelt died in 1919 while preparing for another presidential campaign. Wood made a run in his place but was never taken seriously as a candidate. He retired from the army and spent the last seven years of his life as civilian governor of the Philippines.

It was a quiet end for two men who had been giants of their time. While their modernization of the army is widely admired, they were not without their critics. Roosevelt and Wood saw themselves as bold leaders but were regarded by some as ruthless strivers. And while their shared ambitions for the United States were tempered by a strong sense of duty, they could, in their certainty and determination, trample those who stood in their path. Teddy Roosevelt and Leonard Wood: Partners in Command is a revealing and long overdue look at the dynamic partnership of this fascinating pair and will be welcomed by scholars and military history enthusiasts alike.

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cover of The AEF in Print: An Anthology of American Journalism in World War I

The AEF in Print

An Anthology of American Journalism in World War I

Chris Dubbs

University of North Texas Press, 2018

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cover of The Ace of Lightning

The Ace of Lightning

Stephen-Paul Martin

University of Alabama Press, 2017

A collection of stories based on the assassination of Archduke Franz Ferdinand of Austria, which led to World War I

Stephen-Paul Martin’s The Ace of Lightning is a series of interconnected stories focused on a turning point in Western history: the assassination in Sarajevo of Archduke Franz Ferdinand of Austria which triggered World War I, and the mysterious circumstances that led Gavrilo Princip to shoot and kill the heir apparent to one of Europe’s most powerful empires.
 
Far from being a conventional work of historical fiction, Martin’s collection asks readers to think about what truly constitutes history. What would the past look like if history was written under the influence of Mad Magazine and The Twilight Zone? What happens when the assassination in Sarajevo becomes “the assassination in Sarajevo,” when Gavrilo Princip becomes “Gavrilo Princip,” when the past and the present shape a textual future that looks suspiciously like a past that never was and a present that never is?
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cover of The Bedquilt and Other Stories: By Dorothy Canfield Fisher

The Bedquilt and Other Stories

By Dorothy Canfield Fisher

Edited, Intro, & Afterword by Mark J. Madigan

University of Missouri Press, 1997

Dorothy Canfield Fisher, the prolific author of more than forty books, including translations, juveniles, and nonfiction, as well as novels and short-story collections, was one of the most popular and engaging American writers of the first half of the twentieth century. Although her work has been unduly neglected for several decades, it is currently enjoying a revival of critical attention. This colorful collection ranges in subject from New Englanders to the Basques of France to the struggles of African Americans to gain equal rights. Through her stories, many of which received literary awards, Fisher examined the complexities of modern life in the United States and abroad.

In addition to her writing, Fisher had a lifelong involvement in charitable work and social causes--so much so that Eleanor Roosevelt called her one of the most influential women of her time. As one of the earliest and most assertive members of the Book-of-the-Month Club selection committee, Fisher helped define literary taste in America for more than two decades. Mark J. Madigan discusses Fisher's extraordinary life and work in an Introduction and Afterword.

Because of Fisher's rare ability to distinguish enduring concerns from merely topical issues, her work will provide lasting pleasure for generations of readers to come.

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cover of The Black Citizen-Soldiers of Kansas, 1864-1901

The Black Citizen-Soldiers of Kansas, 1864-1901

Roger D. Cunningham

University of Missouri Press, 2008

Whether slaves or free men, African Americans were generally excluded from military service until Emancipation. Many Americans know the story of the United States Colored Troops, who broke racial barriers in Civil War combat, and of the “buffalo soldiers,” who served in the West after that conflict, but African Americans also served in segregated militia units in twenty-three states. This book tells the story of that experience in Kansas.

Roger Cunningham examines a lost history to show that, in addition to black regulars, hundreds of other black militiamen and volunteers from the Sunflower State provided military service from the Civil War until the dawn of the twentieth century. He tells how African Americans initially filled segregated companies hurriedly organized to defend the state from the threat of Confederate invasion, with some units ordered into battle around Kansas City. Then after the state constitution was amended to admit blacks into the Kansas National Guard, but its generals still refused to integrate, blacks served in reserve militia and independent companies and in all-black regiments that were raised for the Spanish-American and Philippine wars.

Cunningham has researched service records, African American newspapers, and official correspondence to give voice to these citizen-soldiers. He shares stories of real people like William D. Matthews, a captain in the First Kansas Colored Infantry who was refused a commission when his regiment was mustered into the Union army; Charles Grinsted, who commanded the first black militia company after the Civil War; and other unsung heroes.

More than a military history, Cunningham’s account records the quest of black men, many of them former slaves, for inclusion in American society. Many came from the bottom of the socioeconomic order and found that as militiamen they could gain respect within their communities. And by marching in public ceremonies and organizing fund-raising activities to compensate for lack of financial support from the state, they also strengthened the ties that bound African American communities together.

The Black Citizen-Soldiers of Kansas, 1864–1901 broadens the story of these volunteers beyond the buffalo soldiers, telling how they served their state and country in both peace and war. It opens a new chapter in history both for the state and for African Americans throughout the United States.
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cover of The Compensations of War: The Diary of an Ambulance Driver during the Great War

The Compensations of War

The Diary of an Ambulance Driver during the Great War

By Guy Emerson Bowerman

University of Texas Press, 1983

In 1917, shortly after the United States’ declaration of war on Germany, Guy Emerson Bowerman, Jr., enlisted in the American army’s ambulance service. Like other young ambulance drivers—Hemingway, Dos Passos, Cummings, Cowley—Bowerman longed to “see the show.” He was glad to learn that the ambulance units were leaving for France right away.

For seventeen months, until the armistice of November 1918, Bowerman kept an almost daily diary of the war. To read his words today is to live the war with an immediacy and vividness of detail that is astonishing.

Only twenty when he enlisted, Bowerman was an idealistic, if snobbish, young man who exulted that his section was made up mostly of young “Yalies” like himself. But he expected the war to change him, and it did. In the end he writes that he and his compatriots scarcely remember a world at peace. "The old life was gone forever. . ."

Guy Bowerman’s unit was attached to a French infantry division stationed near Verdun. Sent to halt the German drive to Paris in 1918, the division participated in the decisive counterattack of July and tracked the routed Germans through Belgium. Then, “unwarned,” Bowerman and his comrades were “plunged into … a life of peace.” Into this life, he writes, they walked “bewildered,” like “men fearing ambush.”

This remarkable chronicle of one young man’s rite of passage is destined to become a classic in the literature of the Great War.

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cover of The Construction of Memory in Interwar France

The Construction of Memory in Interwar France

Daniel J. Sherman

University of Chicago Press, 2000

One of the bloodiest conflicts in human history, World War I devastated France, leaving behind battlefields littered with the remains of the dead. Daniel Sherman takes a close look at the human impact of this Great War by examining the ways in which the French remembered their veterans and war dead after the armistice. Arguing that memory is more than just a record of experience, Sherman's cultural history offers a radically new perspective on how commemoration of WWI helped to shape postwar French society and politics.

Sherman shows how a wartime visual culture saturated with images of ordinary foot soldiers, together with contemporary novels, memoirs, and tourist literature, promoted a distinctive notion of combat experience. The contrast between battlefield and home front, soldier and civilian was the basis for memory and collective gratitude. Postwar commemoration, however, also grew directly out of the long and agonized search for the remains of hundreds of thousands of missing soldiers, and the sometimes contentious debates over where to bury them. For this reason, the local monument, with its inscribed list of names and its functional resemblance to tombstones, emerged as the focal point of commemorative practice. Sherman traces every step in the process of monument building as he analyzes commemoration's competing goals—to pay tribute to the dead, to console the bereaved, and to incorporate mourners' individual memories into a larger political discourse.

Extensively illustrated, Sherman's study offers a visual record of a remarkable moment in the history of public art. It is at once a moving account of a culture haunted by war and a sophisticated analysis of the political stakes of memory in the twentieth century.

Winner of the 2000 J. Russell Major Prize of the American Historical Association
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cover of The Dream of Civilized Warfare: World War I Flying Aces and the American Imagination

The Dream of Civilized Warfare

World War I Flying Aces and the American Imagination

Linda R. Robertson

University of Minnesota Press, 2005

Analyzes the link between “civilized warfare” and the American self-image

Linda R. Robertson argues that the development of the United States as a global military power arose from the influence of an image of air combat carefully constructed during World War I to mask the sordid realities of modern ground warfare. The Dream of Civilized Warfare carries this trajectory to its logical end, tracing the long history of the American desire to exert the nation’s will throughout the world without having to risk the lives of ground soldiers—a theme that continues to reverberate in public discussions, media portrayals, and policy decisions today.

Histories of American air power usually focus on World War II, when the air force became the foundation for the military strength of the United States. The equally fascinating story of World War I air combat is often relegated to a footnote, but it was the earlier war that first inspired the vision of the United States attaining dominance in world affairs through a massive air force. In The Dream of Civilized Warfare, Robertson presents the compelling story of the creation of the first American air force—and how, through the propaganda of the flying ace, a vision of “clean” or civilized combat was sold to politicians and the public. During World War I, air combat came to epitomize American ingenuity, technological superiority, adventure, leadership, and teamwork. Robertson reveals how the romantic and chivalric imagery associated with flying aces was a product of intentional propaganda and popular culture. Examining aviation history, military battles, films, literature, and political events, she looks at how the American public’s imagination was shaped—how flying aces offered not only a symbol of warfare in stark contrast to the muddy, brutal world of the trenches, but also a distraction to an American public resistant to both intervention in a European conflict and the new practice of conscription.
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cover of The Early Poetry of Robert Graves: The Goddess Beckons

The Early Poetry of Robert Graves

The Goddess Beckons

By Frank L. Kersnowski

University of Texas Press, 2002

Like many men of his generation, poet Robert Graves was indelibly marked by his experience of trench warfare in World War I. The horrific battles in which he fought and his guilt over surviving when so many perished left Graves shell-shocked and disoriented, desperately seeking a way to bridge the rupture between his conventional upbringing and the uncertainties of postwar British society.

In this study of Graves's early poetry, Frank Kersnowski explores how his war neurosis opened a door into the unconscious for Graves and led him to reject the essential components of the Western idea of reality—reason and predictability. In particular, Kersnowski traces the emergence in Graves's early poems of a figure he later called "The White Goddess," a being at once terrifying and glorious, who sustains life and inspires poetry. Drawing on interviews with Graves's family, as well as unpublished correspondence and drafts of poems, Kersnowski argues that Graves actually experienced the White Goddess as a real being and that his life as a poet was driven by the purpose of celebrating and explaining this deity and her matriarchy.

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cover of The Egyptian Labor Corps: Race, Space, and Place in the First World War

The Egyptian Labor Corps

Race, Space, and Place in the First World War

Kyle J. Anderson

University of Texas Press, 2021

During World War I, the British Empire enlisted half a million young men, predominantly from the countryside of Egypt, in the Egyptian Labor Corps (ELC) and put them to work handling military logistics in Europe and the Middle East. British authorities reneged on their promise not to draw Egyptians into the war, and, as Kyle Anderson shows, the ELC was seen by many in Egypt as a form of slavery. The Egyptian Labor Corps tells the forgotten story of these young men, culminating in the essential part they came to play in the 1919 Egyptian Revolution.

Combining sources from archives in four countries, Anderson explores Britain’s role in Egypt during this period and how the ELC came to be, as well as the experiences and hardships these men endured. As he examines the ways they coped—through music, theater, drugs, religion, strikes, and mutiny—he illustrates how Egyptian nationalists, seeing their countrymen in a state akin to slavery, began to grasp that they had been racialized as “people of color.” Documenting the history of the ELC and its work during the First World War, The Egyptian Labor Corps also provides a fascinating reinterpretation of the 1919 revolution through the lens of critical race theory.

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cover of The First World War and Popular Cinema: 1914 to the Present

The First World War and Popular Cinema

1914 to the Present

Paris, Michael

Rutgers University Press, 2000

The Great War played an instrumental role in the development of cinema, so necessary was it to the mobilization efforts of the combatant nations. In turn, after the war, as memory began to fade, cinema continued to shape the war's legacy and eventually to determine the ways in which all warfare is imagined.

The First World War and Popular Cinema provides fresh insight into the role of film as an historical and cultural tool. Through a comparative approach, essays by contributors from Europe, Australia, Canada, and the United States enrich our understanding of cinematic depictions of the Great War in particular and combat in general. New historical research on both the uses of propaganda and the development of national cinemas make this collection one of the first to show the ways in which film history can contribute to our study of national histories. The contributors to the volume monitor popular perceptions of the war, the reshaping of the war's legacy, and the evolution of cinematic clichés that are perpetuated in filmmaking through the century. Some of the films they discuss are All Quiet on the Western Front, Gallipoli, The Grand Illusion, The Big Parade, Battle of the Somme, J'Accuse, Regeneration, and many more. The First World War and Popular Cinema is a vital addition to film studies and history, two fields only recently united in a productive way.

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cover of The Games of July: Explaining the Great War

The Games of July

Explaining the Great War

Frank C. Zagare

University of Michigan Press, 2011

"Frank C. Zagare combines a deep command of historical scholarship and the sophisticated skills of an applied game theorist to develop and test a theory of why deterrence failed, catastrophically, in July 1914. . . . Zagare concludes with sage advice on how to avoid even more cataclysmic breakdowns in a nuclear world."
---Steven J. Brams, New York University

"Zagare's deft study of the origins of the First World War using his perfect deterrence theory uncovers new insights into that signal event and shows the value of formal theory applied to historical events. A must-read for those interested in security studies."
---James D. Morrow, University of Michigan

"Through an exemplary combination of formal theory, careful qualitative analysis, and lucid prose, The Games of July delivers important and interesting answers to key questions concerning the international political causes of World War I. Its well-formed narratives and its sustained engagement with leading works in IR and diplomatic history . . . make it a rewarding read for security scholars in general and a useful teaching tool for international security courses."
---Timothy W. Crawford, Boston College

Taking advantage of recent advances in game theory and the latest historiography, Frank C. Zagare offers a new, provocative interpretation of the events that led to the outbreak of World War I. He analyzes key events from Bismarck's surprising decision in 1879 to enter into a strategic alliance with Austria-Hungary to the escalation that culminated in a full-scale global war. Zagare concludes that, while the war was most certainly unintended, it was in no sense accidental or inevitable.

The Games of July serves not only as an analytical narrative but also as a work of theoretical assessment. Standard realist and liberal explanations of the Great War are evaluated along with a collection of game-theoretic models known as perfect deterrence theory.

Frank C. Zagare is UB Distinguished Professor of Political Science at the State University of New York at Buffalo.

Cover illustration: Satirical Italian postcard from World War I. Used with permission from The University of North Carolina at Chapel Hill Libraries.

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cover of The Great War Comes to Wisconsin: Sacrifice, Patriotism, and Free Speech in a Time of Crisis

The Great War Comes to Wisconsin

Sacrifice, Patriotism, and Free Speech in a Time of Crisis

Richard L. Pifer

Wisconsin Historical Society Press, 2017

The Great War Comes to Wisconsin examines Wisconsin’s response to World War I, the first "total war" of the twentieth century, a war so large that it engaged virtually everyone.
Instead of a comprehensive history of the battlefield, this book captures the homefront experience: the political debates over war policy, the worry over loved ones fighting overseas, the countless everyday sacrifices, and the impact of a wartime hysteria that drove dissent underground. It also includes the voices of soldiers from Wisconsin’s famed 32nd Division, through extensively quoted letters and newspaper accounts. Immerse yourself in the Wisconsin experience during World War I—a conflict that demonstrated America’s great capacity for sacrifice and generosity, but also for prejudice, intolerance, and injustice.
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cover of The Great War in the Air: Military Aviation from 1909 to 1921

The Great War in the Air

Military Aviation from 1909 to 1921

John H. Morrow, Jr.

University of Alabama Press, 2009

"For the general reader as well as the specialist, Morrow's history of the development and significance of airpower during WWI will be considered definitive. He compares the military, technological, and industrial aspects of the air services of the major powers--France, Germany, England, Italy, Austria-Hungary, and the United States--and reveals how, by means of superior production (particularly French engine manufacture), the Allies prevailed in the air war."--Publishers Weekly

"Morrow's encyclopedic examination of aviation's part in World War I concentrates on aircraft engine and airframe production, but the emotional content of contemporary accounts rises to the surface to put a human face on the brutal use of an infant technology. . . . a serious yet readable history of this vital part of the conflict, meant for any reader."--Library Journal

"A comprehensive study of the totality of the air war in its military, political, industrial, and cultural aspects distinguish this book from other treatments of military aviation during this period. . . . Morrow's efforts have yielded new insights into the evolution of military aviation and corrected previous oversights. The author's attention to developments in production and logistics, as well as events at the front, provide the most complete understanding of the development of air power and its role in the Great War."--American Historical Review

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cover of The Great War in the Heart of Dixie: Alabama During World War I

The Great War in the Heart of Dixie

Alabama During World War I

Martin T. Olliff

University of Alabama Press, 2008

There has been much scholarship on how the U.S. as a nation reacted to World War I, but few have explored how Alabama responded. Did the state follow the federal government’s lead in organizing its resources or did Alabamians devise their own solutions to unique problems they faced? How did the state’s cultural institutions and government react? What changes occurred in its economy and way of life? What, if any, were the long-term consequences in Alabama? The contributors to this volume address these questions and establish a base for further investigation of the state during this era. 

Contributors:
David Alsobrook, Wilson Fallin Jr., Robert J. Jakeman, Dowe Littleton, Martin T. Olliff, Victoria E. Ott, Wesley P. Newton, Michael V. R. Thomason, Ruth Smith Truss, and Robert Saunders Jr.
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cover of The Human Body in the Age of Catastrophe: Brittleness, Integration, Science, and the Great War

The Human Body in the Age of Catastrophe

Brittleness, Integration, Science, and the Great War

Stefanos Geroulanos and Todd Meyers

University of Chicago Press, 2018

The injuries suffered by soldiers during WWI were as varied as they were brutal. How could the human body suffer and often absorb such disparate traumas? Why might the same wound lead one soldier to die but allow another to recover?
 
In The Human Body in the Age of Catastrophe, Stefanos Geroulanos and Todd Meyers uncover a fascinating story of how medical scientists came to conceptualize the body as an integrated yet brittle whole. Responding to the harrowing experience of the Great War, the medical community sought conceptual frameworks to understand bodily shock, brain injury, and the vast differences in patient responses they occasioned. Geroulanos and Meyers carefully trace how this emerging constellation of ideas became essential for thinking about integration, individuality, fragility, and collapse far beyond medicine: in fields as diverse as anthropology, political economy, psychoanalysis, and cybernetics.
 
Moving effortlessly between the history of medicine and intellectual history, The Human Body in the Age of Catastrophe is an intriguing look into the conceptual underpinnings of the world the Great War ushered in. 
 
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cover of The Last Ottoman Wars: The Human Cost, 1877–1923

The Last Ottoman Wars

The Human Cost, 1877–1923

Jeremy Salt

University of Utah Press, 2019

During the last half century of its existence, the Ottoman Empire and the lands around its borders were places of constant political turmoil and unceasing military action. The enormous costs of war were paid not only by politicians and soldiers, but by the Ottoman civilian population as well. This book examines the hardships that ordinary people, Muslim and Christian alike, endured during decades of warfare.     
 
Jeremy Salt brings to the surface previously ignored facts that disrupt the conventional narrative of an ethno-religious division between Muslim perpetrators and Christian victims of violence. Salt shows instead that all major ethno-religious groups—including Armenians, Turks, Kurds, and Greeks—were guilty of violent acts. The result is a more balanced picture of European involvement in the Ottoman Empire and the Balkans, one that highlights the destructive role of British Prime Minister David Lloyd George and other European leaders grabbing for Ottoman resources up to the end of World War I. The effects of these events are felt to the present day.
 
This extraordinary story centers not on military campaigns but on ordinary civilians whose lives were disrupted and in many cases destroyed by events over which they had no control. Disease, malnutrition, massacre and inter-communal fighting killed millions of people during the First World War alone. Until now this epic saga of human suffering has remained a story largely untold.
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cover of The Legacy of the Great War: Ninety Years On

The Legacy of the Great War

Ninety Years On

Edited by Jay Winter

University of Missouri Press, 2009

In late 2007 and early 2008, world-renowned historians gathered in Kansas City for a series of public forums on World War I. Each of the five events focused on a particular topic and featured spirited dialogue between its prominent participants.

In spontaneous exchanges, the eminent scholars probed each other’s arguments, learned from each other, and provided insights not just into history but also into the way scholars think about their subject alongside and at times in conflict with their colleagues.
Representing a fourth generation of writers on the Great War and a transnational rather than an international approach, prominent historians Niall Ferguson and Paul Kennedy, Holger Afflerbach and Gary Sheffield, John Horne and Len Smith, John Milton Cooper and Margaret MacMillan, and Jay Winter and Robert Wohl brought to the proceedings an exciting clash of ideas.
The forums addressed topics about the Great War that have long fascinated both scholars and the educated public: the origins of the war and the question of who was responsible for the escalation of the July Crisis; the nature of generalship and military command, seen here from the perspectives of a German and a British scholar; the private soldiers’ experiences of combat, revealing their strategies of survival and negotiation; the peace-making process and the overwhelming pressures under which statesmen worked; and the long-term cultural consequences of the war—showing that the Great War was “great” not merely because of its magnitude but also because of its revolutionary effects. These topics continue to reverberate, and in addition to shedding new light on the subjects, these forums constitute a glimpse at how historical writing happens.
American society did not suffer the consequences of the Great War that virtually all European countries knew—a lack of perspective that the National World War I Museum seeks to correct. This book celebrates that effort, helping readers feel the excitement and the moral seriousness of historical scholarship in this field and drawing more Americans into considering how their own history is part of this story.
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cover of The Lost Cause and the Great War: Progressive Reform and Patriotism in the American South

The Lost Cause and the Great War

Progressive Reform and Patriotism in the American South

Robert E. Hunt

University of Alabama Press, 2025

How Tennessee reformers reconciled Southern heritage with rising nationalism, weaving the Lost Cause into the fabric of American progress and identity.

The Lost Cause and the Great War tells the stories of central Tennessee Progressive-era reformers to illustrate the fascinating broader issue of how Southerners steeped in Lost Cause Civil War mythologies simultaneously developed patriotic American fervor. Focusing on Luke Lea, a prominent politician and American army officer who attempted to capture Kaiser Wilhelm II during World War I, the book reveals the intricate interplay between three competing ideas: attachment to the memory of the Confederacy, intense American nationalism, and advocacy for progressive reforms.

Hunt shows that Lea and his contemporaries sought either to harmonize these competing loyalties or to compartmentalize them to use when needed. Through insightful accounts of Tennessee’s 1928 presidential campaign, the American Legion’s response to cuts to veteran benefits in 1933, and the redefinition of America’s global role post–World War II, Hunt shows how these reformers achieved a balance that held until the Civil Rights movement disrupted this delicate consensus.

Hunt’s rich account reveals how Lea and others like him wove national patriotism and Southern collective memory into a cohesive narrative that supported their broader Progressive goals. The book offers much to readers interested in Southern history, the Gilded Age, Prohibition, World War I, World War II, and the beginnings of the Civil Rights movement. It provides vivid examples of how collective memory and narratives shape social and political movements. General readers will discover how white Southerners who remained devoted to vindicating the Confederacy nonetheless became fervent supporters of America's growing nationalism in the early twentieth century.

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cover of The Missouri Home Guard: Protecting the Home Front during the Great War

The Missouri Home Guard

Protecting the Home Front during the Great War

Petra DeWitt

University of Missouri Press, 2022

Missouri was one of many states that established a defense organization to take over the duties of the National Guard that had been federalized for military service when the United States declared war on Germany in 1917. The tasks of this volunteer Home Guard included traditional National Guard responsibilities such as providing introductory military training for draftable men, protecting crucial infrastructure from potential enemy activities, and maintaining law and order during labor activism.
 
The Home Guard also functioned to preserve patriotism and reduce opposition to the war. Service in the Guard was a way to show loyalty to one’s country, particularly for German Americans, who were frequently under suspicion as untrustworthy. Many German Americans in Missouri enthusiastically signed up to dispel any whispers of treason, while others found themselves torn between the motherland and their new homeland. Men too old or exempt from the draft for other reasons found meaning in helping with the war effort through the Home Guard while also garnering respect from the community. For similar reasons, women attempted to join the organization as did African Americans, some of whom formed units of a “Negro Home Guard.” Informed by the dynamics of race, gender, and ethnicity, DeWitt’s consideration of this understudied but important organization examines the fluctuating definition of patriotism and the very real question of who did and who did not have the privilege of citizenship and acceptance in society.
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cover of The Origin of the Fighter Aircraft

The Origin of the Fighter Aircraft

Jon Guttman

Westholme Publishing, 2009

From Scouts to Balloon-busters, the Emergence of Air-to-Air Combat in World War I
When World War I began in August 1914, the airplane had already proven its worth as an intelligence gathering “eye-in-the-sky.” These scouting aircraft soon became indispensable to armies on both sides, and the attempt to drive enemy planes away began in earnest. Local air superiority was incorporated into battlefield strategy, and the use of aircraft to conduct offensive operations would change warfare as dramatically as the first firearms 300 years before. By the end of 1915, the basic formula of the armed scout settled on a single-seater with a machine gun synchronized to fire through its propeller blades. This heavily armed aircraft became the first true fighter plane whose primary function was to destroy enemy aircraft, whether scouts, balloons, bombers, or other fighters. A new glamorized “knight of the air” was born: the ace, a fighter pilot who brought down five or more opponents. From 1916 on, as the combatants relied on airplanes more, flying tactics and strategy—including mass formations—were developed for what would become a deadly struggle for complete air superiority. By 1918, the final year of the war, air battles could be as sprawling as those on the ground.

In The Origin of the Fighter Aircraft, historian Jon Guttman tells the engrossing story of how one of the most amazing inventions became a integral component of warfare. Balancing technical description, personalities, and battle accounts, the author demonstrates that by the end of World War I most of the fundamentals for modern aerial combat had been established.

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cover of The Ottoman Army 1914 - 1918: Disease and Death on the Battlefield

The Ottoman Army 1914 - 1918

Disease and Death on the Battlefield

Hikmet Ozdemir

University of Utah Press, 2008

Utah Series in Middle East Studies

What kind of relationship exists between wars and epidemics? It is widely held that epidemics affected the outcomes of many wars and, until World War II, more victims of war died of disease than of battle wounds. Many disease vectors are present in times of conflict, including mass movements of people across borders and increased contact between persons of different geographic regions, yet disease is rarely treated in depth in histories of war.

Hikmet Özdemir’s The Ottoman Army, 1914–1918 provides extensive documentation of disease and death across the Ottoman Empire during World War I, when epidemic diseases annihilated armies and caused civilians to perish en masse. Drawing on hospital records and information on regional disease prevalence, Özdemir examines the effects that disease and epidemic had on the outcome of the war.

The information on disease mortality explains much that has never been properly understood about wartime events and government actions, events that only begin to make sense when the disease factor is considered. Rich in detail, this is an extremely valuable book that illuminates a facet of the war that has not been adequately considered until now.
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cover of The Ottoman World of Sports: Refashioning Bodies, Men, and Communities in Late Imperial Istanbul

The Ottoman World of Sports

Refashioning Bodies, Men, and Communities in Late Imperial Istanbul

Murat C. Yildiz

University of Texas Press, 2025

2026 co-winner of the Ottoman and Turkish Studies Association Book Prize
A revision of the history of modern sports in late Ottoman Istanbul, showing how Muslims, Christians, and Jews created a shared sports culture that was simultaneously global, imperial, and local.

The history of sports in Turkey is deeply contested. Over the decades, journalists, pundits, non-professional historians, sports scholars, and everyday people have offered competing narratives about the origins of modern sports in the late Ottoman Empire.

The Ottoman World of Sports tells the story of how Istanbul’s Muslims, Christians, and Jews—gymnastics teachers, football coaches, weightlifters, journalists, athletes, and fans—created a gendered and class-stratified civic project that promoted athletics as a source of fun, beauty, and moral education. Influenced by the emerging global vogue for organized sports, all boys from the expanding middle class of the late nineteenth- and early twentieth-century imperial capital were expected to exercise and compete on the playing field in order to develop into moral men. Yet even as the embrace of modern athletics transcended ethnoreligious divisions, it did not erase them. Drawing on a wide range of archival research in multiple languages, historian Murat Cihan Yıldız shows that sportsmen created new communal boundaries in team affiliations, fandom, and sports media. Adeptly reconstructing Istanbul’s imperial culture as it was experienced more than a century ago, The Ottoman World of Sports recovers a lived imperial culture whose defining features were shaped by its multiethnic, multireligious, and multilingual sportsmen.

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cover of The Perils of Prosperity, 1914-1932

The Perils of Prosperity, 1914-1932

William E. Leuchtenburg

University of Chicago Press, 1993

Beginning with Woodrow Wilson and U.S. entry into World War I and closing with the Great Depression, The Perils of Prosperity traces the transformation of America from an agrarian, moralistic, isolationist nation into a liberal, industrialized power involved in foreign affairs in spite of itself.

William E. Leuchtenburg's lively yet balanced account of this hotly debated era in American history has been a standard text for many years. This substantial revision gives greater weight to the roles of women and minorities in the great changes of the era and adds new insights into literature, the arts, and technology in daily life. He has also updated the lists of important dates and resources for further reading.

“This book gives us a rare opportunity to enjoy the matured interpretation of an American Historian who has returned to the story and seen how recent decades have added meaning and vividness to this epoch of our history.”—Daniel J. Boorstin, from the Preface
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cover of The Photographic Fix: Memory, Ideology, and the First World War in the Weimar Republic

The Photographic Fix

Memory, Ideology, and the First World War in the Weimar Republic

Justin Court

University of Michigan Press, 2026

The Photographic Fix explores how photographs from World War I were used in personal photo albums and mass-market picture books to determine the meaning and legacy of the postwar Weimar Republic. Due to their publication success and wide reception, picture books should be considered no small part of this broad struggle of ideas to cement the war’s legacy in the Weimar era. Drawing from a large archive of photographs created during the war by amateur soldier-photographers and professional reporters alike, Justin Court explores how visual depictions of the war were used to construct and distort memory in the highly contested realm of war commemoration in the Weimar. These books of photography reveal an effort to shape how the war was visually remembered in order to influence public opinion on myriad matters following in the war’s wake, including notions of German guilt and responsibility, the legitimacy of the Republic, and the political future of the German nation. By utilizing relatively neglected sources, The Photographic Fix expands scholarship on German war photography to illuminate how images from the war and Weimar period reflected the public’s understanding of the medium at the time.
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cover of The Provisions of War: Expanding the Boundaries of Food and Conflict, 1840-1990

The Provisions of War

Expanding the Boundaries of Food and Conflict, 1840-1990

Justin Nordstrom

University of Arkansas Press, 2021

The Provisions of War examines how soldiers, civilians, communities, and institutions have used food and its absence as both a destructive weapon and a unifying force in establishing governmental control and cultural cohesion during times of conflict. Historians as well as scholars of literature, regional studies, and religious studies problematize traditional geographic boundaries and periodization in this essay collection, analyzing various conflicts of the nineteenth and twentieth centuries through a foodways lens to reveal new insights about the parameters of armed interactions.

The subjects covered are as varied and inclusive as the perspectives offered—ranging from topics like military logistics and animal disease in colonial Africa, Indian vegetarian identity, and food in the counterinsurgency of the Malayan Emergency, to investigations of hunger in Egypt after World War I and American soldiers’ role in the making of US–Mexico borderlands. Taken together, the essays here demonstrate the role of food in shaping prewar political debates and postwar realities, revealing how dietary adjustments brought on by military campaigns reshape national and individual foodways and identities long after the cessation of hostilities

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cover of The Question of MacArthur's Reputation: Côte De Châtillon, October 14-16, 1918

The Question of MacArthur's Reputation

Côte De Châtillon, October 14-16, 1918

Robert H. Ferrell

University of Missouri Press, 2008

Perhaps the best known of all American five-star generals, Douglas MacArthur established his military reputation at the hill of Châtillon during the great battle of the Meuse-Argonne in World War I. The thirty-eight-year-old brigadier general in command of the Eighty-fourth Infantry Brigade boasted to a fellow general that he had inspired his troops by example, taking the hill and breaking the main German line in northern France. Ever since, historical accounts and biographies have celebrated his leadership and bravery.
            That MacArthur’s forces prevailed is beyond question, as military historians have shown. Yet in all the annals of the Great War there is no detailed description of what happened at Châtillon, nor of what MacArthur had to do with it. Robert Ferrell examines those events and comes to a startling conclusion—one that will revise how we view this archetypal American hero.
            After sifting through the inexact accounts of the battle found in regimental and divisional histories—and through the many biographies of MacArthur that assert his leadership at Châtillon but do not describe it—Ferrell has gone into Army records to determine if what MacArthur claimed was true. In a moment-by-moment account of the battle, he reconstructs the movements of troops and the decisions of officers to show in detail how MacArthur’s subordinates were the true heroes.
Ferrell describes how the taking of Côte de Châtillon could have been a disaster had the Eighty-fourth Brigade followed MacArthur's original plan, a bayonet charge at night. Wiser heads prevailed, and the attack of the Iowa and Alabama regiments was a great success.
            Ferrell has completed a chapter in the history of World War I that has stood unfinished for years, showing in masterly fashion how MacArthur exaggerated his reputation at Châtillon. The Question of MacArthur’s Reputation will reward historians seeking to fill gaps in the record, engage readers who enjoy descriptions of battle, and startle all who take their heroes for granted.
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cover of The Scripps Newspapers Go to War, 1914-18

The Scripps Newspapers Go to War, 1914-18

Dale Zacher

University of Illinois Press, 2007

Before radio and television, E. W. Scripps's twenty-one newspapers, major newswire service, and prominent news syndication service comprised the first truly national media organization in the United States. Dale E. Zacher details the scope, organization, and character of the mighty Scripps empire during World War I and reveals how the pressures of the market, government censorship, propaganda, and progressivism transformed news coverage.

Zacher's account delves into details inside a major newspaper operation during World War I and provides fascinating accounts of its struggles with competition, attending to patriotic duties, and internal editorial dissent. Zacher also looks at war-related issues, considering the newspapers' relationship with President Woodrow Wilson, American neutrality, the move to join the war, and fallout from disillusionment over the actuality of war. As Zacher shows, the progressive spirit and political independence at the Scripps newspapers came under attack and was changed forever during the era.

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cover of The Story of Tonle

The Story of Tonle

Mario Rigoni Stern

Northwestern University Press, 1998

Tönle Bintarn's story takes place in the Veneto region, which once bordered the Austro-Hungarian Empire and where smuggling provided a means of subsistence to the peasants. Having run afoul of revenue agents, Tönle must seek refuge beyond the frontier in Central Europe, where year after year he survives by doing odd jobs and working as an itinerant print peddler, a horse trainer, and a gardener. When he is pardoned he returns home for good to find his children are grown and nothing remains for him but to tend his sheep, while around him Europe spins toward the catastrophe of the Great War--the conflict that will destroy Veneto's unique way of life.
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cover of The Summer the Archduke Died: On Wars and Warriors

The Summer the Archduke Died

On Wars and Warriors

Louis D. Rubin, Jr.

University of Missouri Press, 2008

When World War II erupted, fifteen-year-old Louis Rubin pedaled his bike down to the Charleston harbor to see whether a German freighter might have come there to escape British warships, as had occurred in 1914. Although he went home disappointed, young Louis never lost his fascination with matters military.
Now one of America’s most esteemed literary scholars, Rubin again turns his thoughts to history—particularly military history—by sharing his lifelong interest in the First World War and its aftermath. The Summer the Archduke Died offers essays, beginning with the outbreak of the Great War in Europe in 1914 and covering events of subsequent years, that examine historical issues in a fresh way. These essays take in a panoramic view of German militarism, the American role in the war, and British and American politics and politicos. They convey the impact of the war on writers and include a critical review of Theodore Roosevelt’s life and legacy.
Rubin brings a keen eye for controversy to such matters as the battle of Jutland and Churchill’s stance on the war with Hitler. In a provocative essay on the New British Revisionism, he not only debunks recent criticism of Churchill but also examines the decline of the British class system. In “Ladies of the British Establishment,” he contrasts the politically notorious Mitford sisters with Violet Bonham Carter, who used her social position to advance the status of women in public life.
Ranging from the outbreak of the Great War to “A Certain Day in 1939” when European peace was shattered once more, Rubin’s lively pieces are rendered with the literary craftsmanship for which he is renowned. As informative as it is entertaining, The Summer the Archduke Died will appeal to aficionados of history and fine writing alike.
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cover of The Tree Stump: An Arabic Historical Novel

The Tree Stump

An Arabic Historical Novel

Samiha Khrais

Michigan State University Press, 2017

One of the most prominent Arabic novels to document the intricate details of the revolt of the Arabs against the Turks and their collaboration with the English, The Tree Stump brings to life a critical period of history that includes key players such as King Faisal, Odeh  Abu Tayeh , and T. E. Lawrence. It places the reader in the heart of that remarkable era with accuracy, authenticity, and an added human dimension that introduces the Arabian Desert people, traditions, and way of life. Author Samiha Khrais weaves tribal customs, religion, politics, and love into a history with characters that actually walked the land, lived on the land, and fought the land’s war of independence with originality, pride, and wisdom. The novel stands witness to the lived experience of many Arabs in the region—experience that can still be seen today. The novel’s style, content, and strong human dimension makes it an exception literary work with regional flavor and global appeal.
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cover of The Vatican and the Emergence of the Modern Middle East

The Vatican and the Emergence of the Modern Middle East

Agnes de Dreuzy

Catholic University of America Press, 2016

The Holy See and the Emergence of the Modern Middle East examines the originality of Pope Benedict XV’s diplomacy (1914-1922) during the First World War and the immediate post-war period in the modern Middle East emerging after the fall of the Ottoman Empire. A thorough exploration of the pontiff's statecraft regarding Syria, Lebanon, and Palestine serves as the case study and emphasizes Pope Benedict's participation in preparing the Catholic Church for an active role in the new world order.
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cover of The Walnut Trees of Altenburg

The Walnut Trees of Altenburg

André Malraux

University of Chicago Press, 1992

"One of the key texts of Malraux's work . . . [its] pages must be counted among the most haunting in all of twentieth century literature."—Victor Brombert

"The description of the gas attack on the Russian front in 1915 will never be forgotten by anyone who has read it. . . . [Malraux] writes with the precision, the certitude and the authority of an obsessed person who knows that he has found the essence of what he has been looking for."—Conor Cruise O'Brien, from the Foreword

Malraux's greatest novel, Man's Fate, gave a grim, lurid picture of human suffering. [The Walnut Trees of Altenburg], written by a life-long observer of violent upheaval and within the shadows of World War II, gives a calm, thoughtful vision of humanistic endeavor that can transcend the absurdity of existence. Mature readers will find this a rewarding visit to one of the most accomplished writers of our time."—Choice
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cover of The War at Home: Perspectives on the Arkansas Experience during World War I

The War at Home

Perspectives on the Arkansas Experience during World War I

Mark K. Christ

University of Arkansas Press, 2020

The War at Home brings together some of the state’s leading historians to examine the connections between Arkansas and World War I. These essays explore how historical entities and important events such as Camp Pike, the Little Rock Picric Acid Plant, and the Elaine Race Massacre were related to the conflict as they investigate the issues of gender, race, and public health. This collection sheds new light on the ways that Arkansas participated in the war as well as the ways the war affected Arkansas then and still does today.
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cover of The Weekly War: How the Saturday Evening Post Reported World War I

The Weekly War

How the Saturday Evening Post Reported World War I

Chris Dubbs

University of North Texas Press, 2023

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cover of The World Wars Through the Female Gaze

The World Wars Through the Female Gaze

Jean Gallagher

Southern Illinois University Press, 1998

For some women writers and photographers during the two world wars—Edith Wharton, Mildred Aldrich, Martha Gellhorn, Lee Miller, H.D., and Gertrude Stein—the construction of the female subject as an observer of combat became a vital concern. Their explorations of vision took place against the backdrop of a larger shift in Western culture's understanding of what "seeing" meant in common practice and philosophical discourse alike. The role of visuality in their lives was massively transformed not only by the rigid gender roles of war but by the introduction of new combat practices and technologies such as aerial surveillance, trench warfare, and civilian bombardment.

In The World Wars Through the Female Gaze, Jean Gallagher maps one portion of the historicized, gendered territory of what Nancy K. Miller calls the "gaze in representation." Expanding the notion of the gaze in critical discourse, Gallagher situates a number of visual acts within specific historic contexts to reconstruct the wartime female subject. She looks at both the female observer's physical act of seeing—and the refusal to see—for example, a battlefield, a wounded soldier, a torture victim, a national flag, a fashion model, a bombed city, or a wartime hallucination.

The book begins with two instances of wartime propaganda written by American women in France in 1915. Both Edith Wharton's Fighting France and Mildred Aldrich's A Hilltop on the Marne offer a complex and often contradictory sense of a woman writer's struggles with authority, resistance, and killing. In the process, Gallagher teases out the role of specular vision and the impossibility of "directly" seeing the war.

Gallagher then turns to literary and visual texts produced by two female journalists between 1940 and 1945. Martha Gellhorn's 1940 novel A Stricken Field exhibits a range of gendered seeing positions within and in opposition to the visual ideologies of fascism during the Nazi occupation of Czechoslovakia. Lee Miller's war correspondence and photography for Vogue show how Miller constructed herself and her predominantly female American audience as antifascist observers of war by working with and against some of the conventions of surrealist fashion photography.

Gallagher concludes by focusing on the experimental autobiographical prose of H.D. and Gertrude Stein to explore the functions of vision on two World War II "homefronts"—London during the Blitz and Vichy France.

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cover of They Called Them Soldier Boys: A Texas Infantry Regiment in World War I

They Called Them Soldier Boys

A Texas Infantry Regiment in World War I

Gregory W. Ball

University of North Texas Press, 2013

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cover of To Can the Kaiser: Arkansas and the Great War

To Can the Kaiser

Arkansas and the Great War

Michael D. Polston

Butler Center for Arkansas Studies, 2015

On April 2, 1917, the United States officially entered a war that had been raging for nearly three years in Europe. Even though America’s involvement in the “Great War” lasted little more than a year and a half, the changes it wrought were profound. More than seventy thousand Arkansans served as soldiers during the war. Wartime propaganda led to suspicions directed against Germans, Jehovah’s Witnesses, and African Americans in Arkansas, but war production proved a boon to the state in the form of greater demand for cotton, minerals, and timber. World War I connected Arkansas to the world in ways that changed the state and its people forever, as shown in the essays collected here.
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cover of Traveler, Scholar, Political Adventurer: A Transylvanian Baron at the Birth of Albanian Independence: The memoirs of Franz Nopcsa

Traveler, Scholar, Political Adventurer

A Transylvanian Baron at the Birth of Albanian Independence: The memoirs of Franz Nopcsa

Franz Nopcsa

Central European University Press, 2014

The Austro-Hungarian aristocrat of Transylvanian origin, Baron Franz Nopcsa (1877-1933), was one of the most adventuresome travelers and scholars of Southeast Europe in the early decades of the twentieth century. He was also a paleontologist of renown and a noted geologist of the Balkan Peninsula : many of his assumptions have been confirmed by science. The Memoirs of this fascinating figure deal mainly with his travels in the Balkans, and specifically in the remote and wild mountains of northern Albania, in the years from 1903 to 1914. They thus cover the period of Ottoman Rule, the Balkan Wars and the outbreak of the First World War. Nopcsa was a keen adventurer who hiked through regions of northern Albania. With time, he became a leading expert in Albanian studies. He was also deeply involved in the politics of the period. In 1913, Nopcsa even offered himself as a candidate for the vacant Albanian throne. The Introduction also tells of Nopcsa's tragic death: he shot his Albanian secretary and partner before killing himself. The memoirs themselves reveal some references to his homosexuality for those who can read between the lines.
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