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3748 books match the query 'Europe' and 974 start with t

cover of The Last Shepherd

The Last Shepherd

Martin Etchart

University of Nevada Press, 2012

Mathieu Etchiberri wants nothing more than to leave his family’s Arizona sheep ranch and go to college, but his father insists that he take over the ranch instead. Then his father is killed in an accident, and Matt discovers that he is not the heir to the ranch. So he travels to the French Pyrenees from which his father and grandparents came to settle the questions about his legacy. Instead, he discovers a vast Basque family and a mystery that drove his father to America and still festers in the mountain village. As Matt resolves the mystery of his family, he also discovers his Basque roots and learns the nature of love of family, responsibility, and the tension between individual desires and the needs of a community.

Matt’s journey to manhood takes place in a vividly depicted landscape populated by lively, memorable characters. This is the powerful story of a young man’s search for an identity that encompasses two cultures and one complex, scattered family.
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cover of The Late Medieval Balkans: A Critical Survey from the Late Twelfth Century to the Ottoman Conquest

The Late Medieval Balkans

A Critical Survey from the Late Twelfth Century to the Ottoman Conquest

John V. A. Fine

University of Michigan Press, 1994

"Any further advances in scholarship on the late medieval Balkans will have to begin with this book." ---George Majeska, University of Maryland The Late Medieval Balkans is the first comprehensive examination of the events of the late medieval Balkan history---events that were as important as they were fascinating. The period that John Fine examines was an era of significant demographic, political, and religious change in the region. During this time, native populations were supplemented or replaced by the Bulgars and various Slavic tribes, who were to become the Bulgarians, Serbs, and Croats---ethnic identities whose historical conflicts have persisted to this day. The Late Medieval Balkans is an important source for those who wish to expand their knowledge of this turbulent period and who wish to broaden their understanding of the region. John V. A. Fine, Jr., is Professor of History, University of Michigan.
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cover of The Latest Catastrophe: History, the Present, the Contemporary

The Latest Catastrophe

History, the Present, the Contemporary

Henry Rousso

University of Chicago Press, 2016

The writing of recent history tends to be deeply marked by conflict, by personal and collective struggles rooted in horrific traumas and bitter controversies. Frequently, today’s historians can find themselves researching the same events that they themselves lived through. This book reflects on the concept and practices of what is called “contemporary history,” a history of the present time, and identifies special tensions in the field between knowledge and experience, distance and proximity, and objectivity and subjectivity.

Henry Rousso addresses the rise of contemporary history and the relations of present-day societies to their past, especially their legacies of political violence. Focusing on France, Germany, the United Kingdom, and the United States, he shows that for contemporary historians, the recent past has become a problem to be solved. No longer unfolding as a series of traditions to be respected or a set of knowledge to be transmitted and built upon, history today is treated as a constant act of mourning or memory, an attempt to atone. Historians must also negotiate with strife within this field, as older scholars who may have lived through events clash with younger historians who also claim to understand the experiences. Ultimately, The Latest Catastrophe shows how historians, at times against their will, have themselves become actors in a history still being made.
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cover of The Lausanne Moment: Reckoning with the 1923 Treaty of Peace and Its Legacies

The Lausanne Moment

Reckoning with the 1923 Treaty of Peace and Its Legacies

Edited by Ozan Ozavci, Julia Secklehner, and Georgios Giannakopoulos

Gingko, 2027

Addresses the shifting interpretations of the Treaty of Lausanne across national contexts, tracing how its provisions have been legally, socially, and politically reimagined.

The 1923 Treaty of Lausanne remains one of the few interwar peace settlements that has endured into the twenty-first century. Yet, the memory of Lausanne has proved deeply contested. Celebrated by some as a triumph of state sovereignty and peacemaking, it has also come to symbolize forced displacement, the erasure of minority rights, and the codification of population transfers as instruments of international order. 

Just over one hundred years after the signing of the Treaty of Lausanne, The Lausanne Moment revisits this diplomatic, legal, economic, and financial juncture that helped reshape the world and defined new norms of sovereignty, displacement, and identity. Building on a growing body of interdisciplinary scholarship and serving as a sequel to They All Made Peace—What is Peace?, also published by Gingko, this edited volume foregrounds the lived realities and long-term legacies of the treaty, critically re-examining the political, cultural, and social consequences of its provisions and aftershocks.

Rather than focusing solely on high diplomacy or legal text, The Lausanne Moment brings into view the human dimension of the Lausanne moment. Through case studies ranging from the refugee experience in Nikaia and Asia Minor orphans in Greece, to the enduring memory of loss in Pontic singing, the symbolic ethnicity of Cretan descendants, and the Kurdish experience in Turkey, the book documents the deeply personal and community-level consequences of forced migration and political rupture. These experiences are not confined to the immediate postwar period; they linger across time, informing the present-day politics of memory, migration, and identity.

This volume also interrogates the geopolitics of Lausanne through new thematic lenses. Essays explore how the treaty facilitated the continuation of imperial practices under new nationalist forms, shaped debates over public debt and cultural heritage, and affected actors and regions often overlooked in Lausanne historiography, such as Albania, Cyprus, and the Kurdish nationalist movements. Lausanne’s cultural afterlives, from its role in shaping archaeology, music, and education policy, are also covered in the book. Through its interdisciplinary and transregional approach, The Lausanne Moment breaks new ground in Lausanne studies, bringing together historians, anthropologists, archaeologists, political scientists, and cultural theorists, and introduces voices and perspectives—Kurdish, Cypriot, Pontic, Albanian, and Cretan—that have been marginal to mainstream narratives. By weaving together policy analysis, oral history, cultural production, and historical research, the volume offers an expansive and textured account of one of the twentieth century’s most consequential, yet paradoxical, peace settlements.

The Lausanne Moment situates the treaty within broader histories of state-led population engineering, colonial eugenic practices, and the moral politics of international humanitarianism. The “peace” of Lausanne, the volume suggests, was neither absolute nor apolitical—it was crafted, contested, and constantly renegotiated. The book’s contributors collectively ask not only what peace meant in 1923, but also what it means today for those still living with its consequences.
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cover of The Law of the Looking Glass: Cinema in Poland, 1896–1939

The Law of the Looking Glass

Cinema in Poland, 1896–1939

Sheila Skaff

Ohio University Press, 2008

The Law of the Looking Glass: Cinema in Poland, 1896–1939 reveals the complex relationship between nationhood, national language, and national cinema in Europe before World War II. Author Sheila Skaff describes how the major issues facing the region before World War I, from the relatively slow pace of modernization to the desire for national sovereignty, shaped local practices in film production, exhibition, and criticism. She goes on to analyze local film production, practices of spectatorship in large cities and small towns, clashes over language choice in intertitles, and controversy surrounding the first synchronized sound experiments before World War I. Skaff depicts the creation of a national film industry in the newly independent country, the golden years of the silent cinema, the transition from silent to sound film—and debates in the press over this transition—as well as the first Polish and Yiddish “talkies.” She places particular importance on conflicts in majority-minority relations in the region and the types of collaboration that led to important films such as The Dybbuk and The Ghosts.

The Law of the Looking Glass: Cinema in Poland, 1896–1939 is the first comprehensive history of the country’s film industry before World War II. This history is characterized by alternating periods of multilingual, multiethnic production, on the one hand, and rejection of such inclusiveness, on the other. Through it all, however, runs a single unifying thread: an appreciation for visual imagery.

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cover of The Law under the Swastika: Studies on Legal History in Nazi Germany

The Law under the Swastika

Studies on Legal History in Nazi Germany

Michael Stolleis

University of Chicago Press, 1997

In the Law under the Swastika, Michael Stolleis examines the evolution of legal history, theory, and practice in Nazi Germany, paying close attention to its impact on the Federal Republic and on the German legal profession. Until the late 1960s, historians of the Nazi judicial system were mostly judges and administrators from the Nazi era. According to Stolleis, they were reluctant to investigate this legal history and maintained the ideal that law could not be affected by politics. Michael Stolleis is part of a younger generation and is determined to honestly confront the past in hopes of preventing the same injustices from happening in the future.

Stolleis studies a wide range of legal fields—constitutional, judicial, agrarian, administrative, civil, and business—arguing that all types of law were affected by the political realities of National Socialism. Moreover, he shows that legal traditions were not relinquished immediately with the onset of a new regime. For the first time we can see clearly the continuities between the Nazi period and the postwar period. The law under National Socialism did not make a complete break with the law during the Weimar Republic, nor did the law of the Federal Republic nullify all of the laws under National Socialism. Through a rich and subtle investigation, Stolleis shows how the legal profession and the political regime both reacted to the conditions of the period and molded the judicial system accordingly.

Breaking the conspiracy of silence held by the justices in the postwar period, Stolleis stresses the importance of researching Nazi law in order to confront ethical problems in today's legal profession.
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cover of The Left Bank: Writers, Artists, and Politics from the Popular Front to the Cold War

The Left Bank

Writers, Artists, and Politics from the Popular Front to the Cold War

Herbert Lottman

University of Chicago Press, 1998

This story begins in the Paris of the 1930s, when artists and writers stood at the center of the world stage. In the decade that saw the rise of the Nazis, much of the thinking world sought guidance from this extraordinary group of intellectuals. Herbert Lottman's chronicle follows the influential players—Gide, Malraux, Sartre, de Beauvoir, Koestler, Camus, and their pro-Fascist counterparts—through the German occupation, Liberation, and into the Cold War, when the struggle between superpowers all but drowned out their voices.

"Surprisingly fresh and intense. . . . A retrospective travelogue of the Left Bank in the days when it was the setting for almost all French intellectual activity. . . . Absorbing."—Naomi Bliven, New Yorker

"As an introduction to a period in French history already legendary, The Left Bank is superb."—Michael Dirda, Washington Post Book World

"An intellectual history. A history of the interaction between politics and letters. And a rumination on the limitless credulity of intellectuals."—Christopher Hitchens, New Statesman


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cover of The Left Side of History: World War II and the Unfulfilled Promise of Communism in Eastern Europe

The Left Side of History

World War II and the Unfulfilled Promise of Communism in Eastern Europe

Kristen Ghodsee

Duke University Press, 2015

In The Left Side of History Kristen Ghodsee tells the stories of partisans fighting behind the lines in Nazi-allied Bulgaria during World War II: British officer Frank Thompson, brother of the great historian E.P. Thompson, and fourteen-year-old Elena Lagadinova, the youngest female member of the armed anti-fascist resistance. But these people were not merely anti-fascist; they were pro-communist, idealists moved by their socialist principles to fight and sometimes die for a cause they believed to be right. Victory brought forty years of communist dictatorship followed by unbridled capitalism after the fall of the Berlin Wall in 1989. Today in democratic Eastern Europe there is ever-increasing despair, disenchantment with the post-communist present, and growing nostalgia for the communist past. These phenomena are difficult to understand in the West, where “communism” is a dirty word that is quickly equated with Stalin and Soviet labor camps. By starting with the stories of people like Thompson and Lagadinova, Ghodsee provides a more nuanced understanding of how communist ideals could inspire ordinary people to make extraordinary sacrifices.
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cover of The Legacy of Division: East and West after 1989

The Legacy of Division

East and West after 1989

Ferenc Laczó

Central European University Press, 2020

This volume examines the legacy of the East–West divide since the implosion of the communist regimes in Europe. The ideals of 1989 have largely been frustrated by the crises and turmoil of the past decade. The liberal consensus was first challenged as early as the mid-2000s. In Eastern Europe, grievances were directed against the prevailing narratives of transition and ever sharper ethnic-racial antipathies surfaced in opposition to a supposedly postnational and multicultural West. In Western Europe, voices regretting the European Union's supposedly careless and premature expansion eastward began to appear on both sides of the left–right and liberal–conservative divides. The possibility of convergence between Europe's two halves has been reconceived as a threat to the European project.

In a series of original essays and conversations, thirty-three contributors from the fields of European and global history, politics and culture address questions fundamental to our understanding of Europe today: How have perceptions and misperceptions between the two halves of the continent changed over the last three decades? Can one speak of a new East–West split? If so, what characterizes it and why has it reemerged? The contributions demonstrate a great variety of approaches, perspectives, emphases, and arguments in addressing the daunting dilemma of Europe's assumed East–West divide.

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cover of The Legend of the Middle Ages: Philosophical Explorations of Medieval Christianity, Judaism, and Islam

The Legend of the Middle Ages

Philosophical Explorations of Medieval Christianity, Judaism, and Islam

Rémi Brague

University of Chicago Press, 2009

This volume presents a penetrating interview and sixteen essays that explore key intersections of medieval religion and philosophy. With characteristic erudition and insight, RémiBrague focuses less on individual Christian, Jewish, and Muslim thinkers than on their relationships with one another. Their disparate philosophical worlds, Brague shows, were grounded in different models of revelation that engendered divergent interpretations of the ancient Greek sources they held in common. So, despite striking similarities in their solutions for the philosophical problems they all faced, intellectuals in each theological tradition often viewed the others’ ideas with skepticism, if not disdain. Brague’s portrayal of this misunderstood age brings to life not only its philosophical and theological nuances, but also lessons for our own time.

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cover of The Legitimacy of the Middle Ages: On the Unwritten History of Theory

The Legitimacy of the Middle Ages

On the Unwritten History of Theory

Andrew Cole and D. Vance Smith, eds.

Duke University Press, 2010

This collection of essays argues that any valid theory of the modern should—indeed must—reckon with the medieval. Offering a much-needed correction to theorists such as Hans Blumenberg, who in his Legitimacy of the Modern Age describes the "modern age" as a complete departure from the Middle Ages, these essays forcefully show that thinkers from Adorno to Žižek have repeatedly drawn from medieval sources to theorize modernity. To forget the medieval, or to discount its continued effect on contemporary thought, is to neglect the responsibilities of periodization.

In The Legitimacy of the Middle Ages, modernists and medievalists, as well as scholars specializing in eighteenth-, nineteenth-, and twentieth-century comparative literature, offer a new history of theory and philosophy through essays on secularization and periodization, Marx’s (medieval) theory of commodity fetishism, Heidegger’s scholasticism, and Adorno’s nominalist aesthetics. One essay illustrates the workings of medieval mysticism in the writing of Freud’s most famous patient, Daniel Paul Schreber, author of Memoirs of My Nervous Illness (1903). Another looks at Michael Hardt and Antonio Negri’s Empire, a theoretical synthesis whose conscientious medievalism was the subject of much polemic in the post-9/11 era, a time in which premodernity itself was perceived as a threat to western values. The collection concludes with an afterword by Fredric Jameson, a theorist of postmodernism who has engaged with the medieval throughout his career.

Contributors: Charles D. Blanton, Andrew Cole, Kathleen Davis, Michael Hardt, Bruce Holsinger, Fredric Jameson, Ethan Knapp, Erin Labbie, Jed Rasula, D. Vance Smith, Michael Uebel

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cover of The Leopard in the Garden: Animal and Human Lives in Paris at the First Public Zoo of the Modern Era

The Leopard in the Garden

Animal and Human Lives in Paris at the First Public Zoo of the Modern Era

Richard W. Burkhardt, Jr.

University of Chicago Press, 2026

An authoritative history of the first metropolitan zoo explores how visions for the menagerie collided with the interests of humans and animals alike.
 
The Paris menagerie at the Paris Museum of Natural History has a special significance in the history of zoos. Founded in 1793–1794 at the height of the French Revolution, it was the model for the other great zoos of the nineteenth century that followed, beginning with London in 1828, Amsterdam in 1838, and Berlin in 1844.
 
Richard W. Burkhardt Jr. has written the definitive history of the Paris zoo and its early inhabitants, human and nonhuman. The book features narrative or thematic chapters interwoven with chapters focused on particular animals. Combining current scholarship with fresh discoveries gleaned from his immersion in the Paris Zoo’s extensive archive, Burkhardt shares historical treasures that illuminate not only the workings of the menagerie but also various dimensions of the golden age of French zoology (the years of Jean-Baptiste Lamarck, Geoffroy Saint-Hilaire, and Georges Cuvier). His history reconstructs the diverse sources of specimens, the growth of the collection over time, the efforts to make the menagerie scientifically significant, contemporary attitudes toward animals, and the lives of the animals themselves in colonial and diplomatic contexts.
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cover of The Lettered Knight: Knowledge and aristocratic behaviour in the twelfth and thirteenth centuries

The Lettered Knight

Knowledge and aristocratic behaviour in the twelfth and thirteenth centuries

Martin Aurell

Central European University Press, 2017

The encounter between knight and science could seem a paradox. It is nonetheless related with the intellectual Renaissance of Twelfth-Century, an essential movement for Western history. The knight is not only fighting in battles, but also moving in sophisticated courts. He is interested on Latin classics and reading, and even on his own poetry. He supports "jongleurs" and minstrels and he likes to have literary conversations with clerics, who try to reform his behaviour, which is often brutal. These lettered warriors, while improving they culture, learn how to repress their own violence and they are initiated to courtesy: selected language, measured gestures, elegance in dress, and manners at table. Their association with women, who are often learned, becomes more gallant. A mental revolution is acting among lay elites, who, in contact with clergy, use their weapons for common welfare. This new conduct is a sign of modernity.
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cover of The Letters of St. Patrick and Early Patrician Literature

The Letters of St. Patrick and Early Patrician Literature

Philip Freeman

Catholic University of America Press, 2025

The two fifth-century letters of St. Patrick are the earliest records we have of Christianity in Ireland. Written in Latin in his later years, they are an intimate and revealing look into the life and world of a man who was among the first to spread the Gospel to a land beyond the Roman Empire. Both Patrick's Letter to the Soldiers of Coroticus and his Confession detail his many admitted failings and insecurities but also his passionate faith in God and his mission to the Irish. These letters are presented in this volume with both the Latin originals and translation along with other key texts of early Patrician literature, including Muirchu's Life of St. Patrick, Tírechán's Journey of St. Patrick, The First Synod of St. Patrick, The Hymn of St. Secundinus, and the Old Irish St. Patrick's Breastplate. It includes a detailed introduction, commentary, notes, and other useful tools, along with a complete bibliography. The Letters of St. Patrick and Early Patrician Literature brings together for the first time in a single volume the most important works of the Patrician tradition and allows students and scholars from many different fields the opportunity to explore these rich texts.
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cover of The Letters of the First Duchess of Ormonde

The Letters of the First Duchess of Ormonde

Elizabeth Butler

Iter Press, 2022

This volume is the first to bring together the entire extant correspondence of one of the most significant women in early modern Ireland, Elizabeth Butler, first Duchess of Ormonde. She was the wife of James Butler, twelfth Earl and first Duke of Ormonde, who, as Ireland’s only duke and three times its lord lieutenant, was a figure of considerable importance in seventeenth-century Ireland. But far from being overshadowed by her powerful husband, Butler was a person of significant power and influence in her own right. Descended from the tenth Earl of Ormonde, she brought a hefty portion of the Ormonde estate to the marriage. As Countess, Marchioness, then Duchess of Ormonde, as well as three times vicereine and a high-status courtier, she sat at the pinnacle of Irish and English society, unmatched by any other Irish woman of the period in terms of her wealth, social standing, and power. Her surviving correspondence reveals her importance within the Ormonde-Butler family and in the social, cultural, and political life of seventeenth-century Ireland.

The volume comprises more than three hundred letters written by Ormonde to her husband and family, agents and servants, and friends and clients. Spanning six decades, these letters are meticulously transcribed, edited, and annotated, and the volume includes a substantial scholarly introduction, family trees, a glossary, and other resources.
 
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cover of The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris

The Liberation of Painting

Modernism and Anarchism in Avant-Guerre Paris

Patricia Leighten

University of Chicago Press, 2013

The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten.
             
Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.
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cover of The Libertine Colony: Creolization in the Early French Caribbean

The Libertine Colony

Creolization in the Early French Caribbean

Doris Garraway

Duke University Press, 2005

Presenting incisive original readings of French writing about the Caribbean from the inception of colonization in the 1640s until the onset of the Haitian Revolution in the 1790s, Doris Garraway sheds new light on a significant chapter in French colonial history. At the same time, she makes a pathbreaking contribution to the study of the cultural contact, creolization, and social transformation that resulted in one of the most profitable yet brutal slave societies in history. Garraway’s readings highlight how French colonial writers characterized the Caribbean as a space of spiritual, social, and moral depravity. While tracing this critique in colonial accounts of Island Carib cultures, piracy, spirit beliefs, slavery, miscegenation, and incest, Garraway develops a theory of “the libertine colony.” She argues that desire and sexuality were fundamental to practices of domination, laws of exclusion, and constructions of race in the slave societies of the colonial French Caribbean.

Among the texts Garraway analyzes are missionary histories by Jean-Baptiste Du Tertre, Raymond Breton, and Jean-Baptiste Labat; narratives of adventure and transgression written by pirates and others outside the official civil and religious power structures; travel accounts; treatises on slavery and colonial administration in Saint-Domingue; the first colonial novel written in French; and the earliest linguistic description of the native Carib language. Garraway also analyzes legislation—including the Code noir—that codified slavery and other racialized power relations. The Libertine Colony is both a rich cultural history of creolization as revealed in Francophone colonial literature and an important contribution to theoretical arguments about how literary critics and historians should approach colonial discourse and cultural representations of slave societies.

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cover of The Librarian's Atlas: The Shape of Knowledge in Early Modern Spain

The Librarian's Atlas

The Shape of Knowledge in Early Modern Spain

Seth Kimmel

University of Chicago Press, 2024

A history of early modern libraries and the imperial desire for total knowledge—now in paperback.
 
Medieval scholars imagined the library as a microcosm of the world, but as novel early modern ways of managing information facilitated empire in both the New and Old Worlds, the world became a projection of the library. In The Librarian’s Atlas, Seth Kimmel offers a sweeping material history of how the desire to catalog books coincided in the sixteenth and seventeenth centuries with the aspiration to control territory. Through a careful study of library culture in Spain and Morocco—close readings of catalogs, marginalia, indexes, commentaries, and maps—Kimmel reveals how the booklover’s dream of a comprehensive and well-organized library shaped an expanded sense of the world itself.

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cover of The Life and Afterlife of Swedish Biograph: From Commercial Circulation to Archival Practices

The Life and Afterlife of Swedish Biograph

From Commercial Circulation to Archival Practices

Jan Olsson

University of Wisconsin Press, 2022

Sweden’s early film industry was dominated by Swedish Biograph (Svenska Biografteatern), home to star directors like Victor Sjöström and Mauritz Stiller. It is nostalgically remembered as the generative site of a nascent national artform, encapsulating a quintessentially Nordic aesthetic—the epicenter of Sweden’s cinematic Golden Age. In The Life and Afterlife of Swedish Biograph, veteran film scholar Jan Olsson takes a hard look at this established, romanticized narrative and offers a far more complete, complex, and nuanced story.

Nearly all of the studio’s original negatives were destroyed in an explosion in 1941, but Olsson’s comprehensive archival research shows how the company operated in a commercial, international arena, and how it was influenced not just by Nordic aesthetics or individual genius but also by foreign audiences’ expectations, technological demands, Hollywood innovations, and the gritty back-and-forth between economic pressures, government interference, and artistic desires. Olsson’s focus is wide, encompassing the studio’s production practices, business affairs, and cinematographic conventions, as well as the latter-day archival efforts that both preserved and obscured parts of Swedish Biograph’s story, helping construct the company’s rosy legacy. The result is a necessary rewrite to Swedish film historiography and a far fuller picture of a canonical film studio.

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cover of The Life of Belisarius: The Last Great General of Rome

The Life of Belisarius

The Last Great General of Rome

Lord Mahon

Westholme Publishing, 2005

The Man Who Recaptured the Lost Glory of Rome
Serving the Byzantine Emperor Justinian during the 6th century A.D., Belisarius defeated a superior Persian force that threatened to extinguish Constantinople; his small army next drove the Vandals out of the ancient Roman provinces of North Africa and forced the Visigoths to retreat from Italy, returning Rome to the Emperor for the final time. His ability to achieve victory against overwhelming odds and his fairness to both his own troops and those of his enemies became legendary. Despite his successes, Justinian recalled Belisarius and, swayed by jealous advisers, accused the general of conspiring to overthrow him. Although innocent, he was publicly humiliated and stripped of his rank. But when a massive army of barbarians moved against Constantinople and the citizenry panicked in fear, they turned to their only true hero, Belisarius. The forsaken general donned his armor, called out his trusted veterans, and repulsed the barbarian horde. But instead of showing gratitude, Justinian banished him from the city.

Considered among the greatest generals of all time and studied later for his innovative battle tactics and unconventional strategy, Belisarius is credited with reclaiming the lost glory of Rome and helping to preserve Constantinople, whose influence would continue for centuries. Lord Mahon's biography, the first scholarly history of this remarkable figure, combines the adventure of a great epic novel with the engrossing story of a man who, despite injustices, remained loyal to the end. Edited and introduced by historian Jon C. N. Coulston, this new and retypeset edition, the first in more than 100 years, will allow the modern reader to discover one of history's most intriguing figures.
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cover of The Life of Charlemagne

The Life of Charlemagne

Einhard

University of Michigan Press, 1960

A vivid life of Charlemagne, written ca A.D. 830 by a member of his court
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cover of The Life of a Simple Man

The Life of a Simple Man

Emile Guillaumin

University Press of New England, 1982

In order to “show the gents of Moulins, of Paris and elsewhere, just what a sharecropper’s life is like,” Emile Guillaumin, under the guise of fiction, wrote this story of “Tiennon,” a French peasant born fifty years before him in 1823. A peasant himself, Guillaumin was unique in that, after a few years of schooling, he continued to work his small farm in central France to the end of his life, reserving nights for study and writing. Guillaumin felt that the French peasant had been misrepresented in contemporary literature--either romanticized as in George Sand or depicted as a dumb victim of the forces of nature as in Zola--and wanted to correct the picture. The result is a moving first-person story that can be read as a fictional account, as well as the best kind of material for historians seeking to understand how nineteenth-century French peasants really lived.
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cover of The Light-Green Society: Ecology and Technological Modernity in France, 1960-2000

The Light-Green Society

Ecology and Technological Modernity in France, 1960-2000

Michael Bess

University of Chicago Press, 2003

The accelerating interpenetration of nature and culture is the hallmark of the new "light-green" social order that has emerged in postwar France, argues Michael Bess in this penetrating new history. On one hand, a preoccupation with natural qualities and equilibrium has increasingly infused France's economic and cultural life. On the other, human activities have laid an ever more potent and pervasive touch on the environment, whether through the intrusion of agriculture, industry, and urban growth, or through the much subtler and more well-intentioned efforts of ecological management.

The Light-Green Society limns sharply these trends over the last fifty years. The rise of environmentalism in the 1960s stemmed from a fervent desire to "save" wild nature-nature conceived as a qualitatively distinct domain, wholly separate from human designs and endeavors. And yet, Bess shows, after forty years of environmentalist agitation, much of it remarkably successful in achieving its aims, the old conception of nature as a "separate sphere" has become largely untenable. In the light-green society, where ecology and technological modernity continually flow together, a new hybrid vision of intermingled nature-culture has increasingly taken its place.
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cover of The Likeness of the King: A Prehistory of Portraiture in Late Medieval France

The Likeness of the King

A Prehistory of Portraiture in Late Medieval France

Stephen Perkinson

University of Chicago Press, 2009

Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson’s The Likeness of the King challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as “the first modern portraits.”

Unwilling to accept the anachronistic nature of these claims, Perkinson both resists and complicates grand narratives of portraiture art that ignore historical context. Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways. Through an examination of well-known images of the fourteenth- and early fifteenth-century kings of France, as well as largely overlooked objects such as wax votive figures and royal seals, Perkinson demonstrates that the changes evident in these images do not constitute a revolutionary break with the past, but instead were continuous with late medieval representational traditions.

“A lively, well-researched, and insightful work of scholarship on late-medieval portraiture and its cultural and intellectual context. The Likeness of the King provides a strong account of late-medieval aesthetics and specific, concrete examples of image-making and the often political needs it served. It offers smart handling of literary, philosophical, and archival sources; close and insightful reading of images; and a willingness to counter received ideas.”—Rebecca Zorach, University of Chicago 
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cover of The Limits of Ancient Christianity: Essays on Late Antique Thought and Culture in Honor of R. A. Markus

The Limits of Ancient Christianity

Essays on Late Antique Thought and Culture in Honor of R. A. Markus

William E. Klingshirn and Mark Vessey, Editors

University of Michigan Press, 1999

Once considered a period of decline, Late Antiquity (third through eighth centuries C.E.) is now seen as a creative period of transition between the ancient and medieval worlds. Ostensibly an "otherworldly" religion, Christianity became a powerful worldly cultural force. But this power was shaped and severely limited by a large number of factors, including its own highly diverse traditions, scriptures, practices, and theologies.
William Klingshirn and Mark Vessey have assembled some of the most influential scholars in the study of Late Antiquity to test the limits of Christianity. The sixteen essays in this collection investigate the ways in which the concept of "limits" (temporal, spatial, ideological, social, and cultural) can help us to understand the texture of Christianity during this formative period. Taken together, the essays in this volume constitute as yet the most sustained study of cultural transformations evoked by Robert Markus's phrase "the end of ancient Christianity."
This timely volume will interest students of early Christian history and theology, as well as historians of the Roman empire and early middle ages. Because it examines a formative period of western civilization, it will also speak to anyone who wonders why Christianity takes the form it does today.
Contributors include Gerald Bonner, Peter Brown, Virginia Burrus, John Cavadini, Elizabeth Clark, Paula Fredriksen, Sidney Griffith, David Hunter, Conrad Leyser, Paul Meyvaert, Oliver Nicholson, James O'Donnell, Philip Rousseau, Frederick Russell, Carole Straw, and Robert Wilken.
William E. Klingshirn is Associate Professor of Greek and Latin, The Catholic University of America. Mark Vessey is Associate Professor of English, University of British Columbia.
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cover of The Limits of History

The Limits of History

Constantin Fasolt

University of Chicago Press, 2003

History casts a spell on our minds more powerful than science or religion. It does not root us in the past at all. It rather flatters us with the belief in our ability to recreate the world in our image. It is a form of self-assertion that brooks no opposition or dissent and shelters us from the experience of time.

So argues Constantin Fasolt in The Limits of History, an ambitious and pathbreaking study that conquers history's power by carrying the fight into the center of its domain. Fasolt considers the work of Hermann Conring (1606-81) and Bartolus of Sassoferrato (1313/14-57), two antipodes in early modern battles over the principles of European thought and action that ended with the triumph of historical consciousness. Proceeding according to the rules of normal historical analysis—gathering evidence, putting it in context, and analyzing its meaning—Fasolt uncovers limits that no kind of history can cross. He concludes that history is a ritual designed to maintain the modern faith in the autonomy of states and individuals. God wants it, the old crusaders would have said. The truth, Fasolt insists, only begins where that illusion ends.

With its probing look at the ideological underpinnings of historical practice, The Limits of History demonstrates that history presupposes highly political assumptions about free will, responsibility, and the relationship between the past and the present. A work of both intellectual history and historiography, it will prove invaluable to students of historical method, philosophy, political theory, and early modern European culture.
[more]
cover of The Limits of Matter: Chemistry, Mining, and Enlightenment

The Limits of Matter

Chemistry, Mining, and Enlightenment

Hjalmar Fors

University of Chicago Press, 2014

During the seventeenth and eighteenth centuries, Europeans raised a number of questions about the nature of reality and found their answers to be different from those that had satisfied their forebears. They discounted tales of witches, trolls, magic, and miraculous transformations and instead began looking elsewhere to explain the world around them. In The Limits of Matter, Hjalmar Fors investigates how conceptions of matter changed during the Enlightenment and pins this important change in European culture to the formation of the modern discipline of chemistry.
           
Fors reveals how, early in the eighteenth century, chemists began to view metals no longer as the ingredients for “chrysopoeia”—or gold making—but as elemental substances, or the basic building blocks of matter. At the center of this emerging idea, argues Fors, was the Bureau of Mines of the Swedish State, which saw the practical and profitable potential of these materials in the economies of mining and smelting.

By studying the chemists at the Swedish Bureau of Mines and their networks, and integrating their practices into the wider European context, Fors illustrates how they and their successors played a significant role in the development of our modern notion of matter and made a significant contribution to the modern European view of reality.
[more]
cover of The Limits of Transnationalism

The Limits of Transnationalism

Nancy L. Green

University of Chicago Press, 2019

Transnationalism means many things to many people, from crossing physical borders to crossing intellectual ones. The Limits of Transnationalism reassesses the overly optimistic narratives often associated with this malleable term, revealing both the metaphorical and very real obstacles for transnational mobility. Nancy L. Green begins her wide-ranging examination with the story of Frank Gueydan, an early twentieth-century American convicted of manufacturing fake wine in France who complained bitterly that he was neither able to get a fair trial there nor to enlist the help of US officials. Gueydan’s predicament opens the door for a series of inquiries into the past twenty-five years of transnational scholarship, raising questions about the weaknesses of global networks and the slippery nature of citizenship ties for those who try to live transnational lives. The Limits of Transnationalism serves as a cogent reminder of this topic’s complexity, calling for greater attention to be paid to the many bumps in the road.
 
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cover of The Lion's Ear: Pope Leo X, the Renaissance Papacy, and Music

The Lion's Ear

Pope Leo X, the Renaissance Papacy, and Music

Anthony M. Cummings

University of Michigan Press, 2022

For centuries, the Renaissance papacy has been celebrated for its generous patronage of the arts. Pope Leo X, son of the legendary Lorenzo "the Magnificent" de'Medici, is widely understood to be one of the greatest patrons of music in European history, and one of the emblematic figures of the Italian Renaissance.

The Lion's Ear is the first full-length scholarly treatment of the musical patronage of a Renaissance pope and provides an evocative picture of the musical life of the pre-Reformation papacy. The various uses of music in early modern Rome---music for public festivals, such as carnival; for the liturgical ceremonies of the Sistine Chapel; to accompany daily dining and festive banqueting; for the celebration of saints' feast days; and for theatrical performances---are vividly described and analyzed and give a detailed understanding of the place of music in the life of one of its most important early modern benefactors.

Anthony M. Cummings takes an interdisciplinary approach to his subject matter, bringing together the history of music, art, philosophy, and ecclesiastical history to locate the music in its broadest and deepest contexts. Through materials such as diplomatic correspondence, the book aims to reconstruct the atmosphere of the musical life in Leo X's court, presenting the subject matter in a way that will appeal to scholars and students of musicology and early modern history.

Art historians, ecclesiastical historians, and specialists from many other disciplines have long produced scholarly findings useful for understanding the pre-Reformation papacy, its alliance with the Italian Renaissance, and the extraordinary artistic legacy of that alliance. Anthony M. Cummings complements that scholarship with his thorough and imaginative account of music's relationship with that vibrant and fascinating culture, the first by a specialist in the musical life of early modern Europe.

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cover of The Liquid Continent: Travels through Alexandria, Venice and Istanbul

The Liquid Continent

Travels through Alexandria, Venice and Istanbul

Nicholas Woodsworth

Haus Publishing, 2016

This omnibus edition brings together Nicholas Woodsworth’s critically acclaimed Mediterranean trilogy into a single volume for the first time, allowing readers to fully appreciate the scope of Woodsworth’s search for a distinctively Mediterranean “cosmopolitanism.” Combining travel narrative, history, and reflection on contemporary lives and cultures, Woodsworth finds an intimacy, a garrulous warmth, and an extraordinary sociability as he travels from Alexandria through Venice and finally installs himself in a former Benedictine monastery in Istanbul overlooking the Golden Horn. Responding to this experience, he argues that the sea should not be seen as an empty space surrounded by Europe, Asia, and Africa, but rather as a single entity, a place from whose coastlines people look inwards over the water to each other—for it has its own cities, its own life, its own way of being.
 
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cover of The Lisle Letters

The Lisle Letters

Edited by Muriel St. Clare Byrne

University of Chicago Press, 1981

The Lisle Letters consist of the personal, official, and business correspondence of the household of Arthur Plantagenet, Viscount Lisle, the illegitimate but acknowledged son of Edward IV, during the years 1533 to 1540 when he was Lord Deputy of Calais. These seven critical years in English history were marked by the rise, ascendency, and fall of Thomas Cromwell and the letters reflect the mixture of passion, terror, and politics that was the court of Henry VIII. They also present the everyday concerns of the Lisle household. No other source provides such an abundance of detail about daily life - marriage, child rearing, education, clothing, food, and furnishing. The Lisle Letters are the Tudor world in microcosm.
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cover of The Lisle Letters: An Abridgement

The Lisle Letters

An Abridgement

Edited by Muriel St. Clare Byrne

University of Chicago Press, 1983

In a one-volume abridgement, these sixteenth-century letters paint a magnificent portrait of family life amidst the intrigue, terror, and politics of the court of Henry VIII. The culmination of Lord Lisle's imprisonment in the Tower of London.
[more]
cover of The Literary Guide and Companion to Southern England: Revised Edition

The Literary Guide and Companion to Southern England

Revised Edition

Robert M. Cooper

Ohio University Press, 1998

In a series of intriguing routes through the English countryside, Professor Robert Cooper notes those attractions that the casual tourist might unknowingly pass by, such as the house where Dickens wrote A Tale of Two Cities, or the windswept quay where John Fowles’s French Lieutenant’s woman walked. Maps and information about restaurants and accommodations give the traveler the opportunity of having pints of “half and half” where Jane Austen dined or visiting the pub where Blake’s scuffle led to his trial for treason.

This newly revised and updated edition of Robert Cooper’s acclaimed handbook combines the utility of current travel information with the appeal of literary history, biography, and anecdote in a leisurely and flavorful guide to the broad sweep of southern England outside of London. A rich and reliable guide to the landscape that fostered one of our most cherished cultures, The Literary Guide and Companion to Southern England is an indispensable resource for those who wish to experience literature firsthand.

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cover of The Lives of Machines: The Industrial Imaginary in Victorian Literature and Culture

The Lives of Machines

The Industrial Imaginary in Victorian Literature and Culture

Tamara Ketabgian

University of Michigan Press, 2011

"The Lives of Machines is intelligent, closely argued, and persuasive, and puts forth a contention that will unsettle the current consensus about Victorian attitudes toward the machine."
---Jay Clayton, Vanderbilt University

Today we commonly describe ourselves as machines that "let off steam" or feel "under pressure." The Lives of Machines investigates how Victorian technoculture came to shape this language of human emotion so pervasively and irrevocably and argues that nothing is more intensely human and affecting than the nonhuman. Tamara Ketabgian explores the emergence of a modern and more mechanical view of human nature in Victorian literature and culture.

Treating British literature from the 1830s to the 1870s, this study examines forms of feeling and community that combine the vital and the mechanical, the human and the nonhuman, in surprisingly hybrid and productive alliances. Challenging accounts of industrial alienation that still persist, the author defines mechanical character and feeling not as erasures or negations of self, but as robust and nuanced entities in their own right. The Lives of Machines thus offers an alternate cultural history that traces sympathies between humans, animals, and machines in novels and nonfiction about factory work as well as in other unexpected literary sites and genres, whether domestic, scientific, musical, or philosophical. Ketabgian historicizes a model of affect and community that continues to inform recent theories of technology, psychology, and the posthuman.

The Lives of Machines will be of interest to students of British literature and history, history of science and of technology, novel studies, psychoanalysis, and postmodern cultural studies.

Cover image: "Power Loom Factory of Thomas Robinson," from Andrew Ure, The Philosophy of Manufactures (London: Charles Knight, 1835), frontispiece.

DIGITALCULTUREBOOKS: a collaborative imprint of the University of Michigan Press and the University of Michigan Library

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cover of The Lives of Women: A New History of Inquisitional Spain

The Lives of Women

A New History of Inquisitional Spain

Lisa Vollendorf

Vanderbilt University Press, 2007

Recovering voices long relegated to silence, The Lives of Women deciphers the responses of women to the culture of control in seventeenth-century Spain. In this new history of Inquisitional Spain, Lisa Vollendorf incorporates convent texts, Inquisition cases, biographies, and women's literature to reveal a previously unrecognized boom in women's writing between 1580 and 1700.

During this period, more women wrote for the public book market and participated in literary culture than ever before. In addition, the rise in convents and female education contributed to a marked increase in texts produced by and about women in religious orders. Vollendorf argues that, in conjunction with Inquisition and legal documents, this wealth of writing offers unprecedented access to women's perspectives on life in early modern Spain, and that those perspectives encompass diverse ethnic backgrounds and class differences. Many of the documents touch on issues of sex and intimacy; others provide new ways of understanding religious practice in the period. Perhaps most important, these writings give a richly textured view of how women reacted to the dominant culture's attempts to define, limit, and contain femininity. Vollendorf shows that the texts reflect a shared preoccupation with redefining gender and creating legitimate spaces for women.

As The Lives of Women vividly illustrates, hundreds, if not thousands, of women's stories await rediscovery in archives. The book provides a roadmap for understanding the experiences and concerns of wives, widows, sisters, and daughters who lived in a key moment in the development of the Spanish nation and the Hispanic world. At its core, The Lives of Women argues for a reconceptualization of history, one that will rely on the experiences of women and minorities as much as on the words and actions of kings and conquistadors.
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cover of The Long 1989: Decades of Global Revolution

The Long 1989

Decades of Global Revolution

Kyrill Kunakhovich

Central European University Press, 2019

The fall of communism in Europe is now the frame of reference for any mass mobilization, from the Arab Spring to the Occupy movement to Brexit. Even thirty years on, 1989 still figures as a guide and motivation for political change. It is now a platitude to call 1989 a "world event," but the chapters in this volume show how it actually became one. 
The authors of these nine essays consider how revolutionary events in Europe resonated years later and thousands of miles away: in China and South Africa, Chile and Afghanistan, Turkey and the USA. They trace the circulation of people, practices, and concepts that linked these countries, turning local developments into a global phenomenon. At the same time, they examine the many shifts that revolution underwent in transit. All nine chapters detail the process of mutation, adaptation, and appropriation through which foreign affairs found new meanings on the ground. They interrogate the uses and understandings of 1989 in particular national contexts, often many years after the fact. Taken together, this volume asks how the fall of communism in Europe became the basis for revolutionary action around the world, proposing a paradigm shift in global thinking about revolution and protest.
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cover of The Long Arm of Papal Authority: Late Medieval Christian Peripheries and Their Communications with the Holy See

The Long Arm of Papal Authority

Late Medieval Christian Peripheries and Their Communications with the Holy See

Gerhard Jaritz

Central European University Press, 2005

The volume contains selected papers from two conferences in 2003, at the University of Bergen (Norway) and at Central European University in Budapest. They deal comparatively with the communication of the Holy See with Northern Europe and Eastern Central Europe in the Late Middle Ages, both areas at the margins of Western Christendom. Special emphasis is placed on analysis of registers in the Apostolic Penitentiary.
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cover of The Long Détente: Changing Concepts of Security and Cooperation in Europe, 1950s–1980s

The Long Détente

Changing Concepts of Security and Cooperation in Europe, 1950s–1980s

Poul Villaume

Central European University Press, 2017

This book presents pieces of evidence, which – taken together – lead to an argument that goes against the grain of the established Cold War narrative. The argument is that a “long détente” existed between East and West from the 1950s to the 1980s, that it existed and lasted for good (economic, national security, societal) reasons, and that it had a profound impact on the outcome of the conflict between East and West and the quintessentially peaceful framework in which this “endgame” was played. New, Euro-centered narratives are offered, including both West and East European perspectives. These contributions point to critical inconsistencies and inherent problems in the traditional U.S. dominated narrative of the “Victory in the Cold War.” The argument of a “long détente” does not need to replace the ruling American narrative. Rather, it can and needs to be augmented with European experiences and perceptions. After all, it was Europe – its peoples, societies, and states – that stood both at the ideological and military frontline of the conflict between East and West, and it was here that the struggle between liberalism and communism was eventually decided.
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cover of The Long Journey of Gracia Mendes

The Long Journey of Gracia Mendes

Marianna D. Birnbaum

Central European University Press, 2003

The historical biography of a true Jewish heroine in her day, Gracia Mendes. Born in 1510 in Portugal, the book details this woman's extraordinary personality until her death in 1569 in Constantinople (today's Istanbul). Her life exemplified a perseverance by the Jewish culture to survive and triumph even in the worst of conditions. As a young girl, Gracia secretly married successful Jewish spice trader, Francisco Mendes. But at age 27 she became a widow, yet she went on to raise her children and run the family business all on her own. Her travels led her through Antwerp, Venice, Ferrara, Ragusa, and finally to Constantinople, from where the Ottoman Empire dominated former Byzantium territories and offered shelter for battered Conversos (converted Jews). The text recounting the last fifteen years of Gracia's life at the center of the Empire is particularly revealing. Birnbaum's biography has the unique distinction of being the first among many studies to pay tribute to a woman during this period. It is also one of the first titles to pay equal attention to the lives of the Conversos in Christian West Europe and in the Muslim East.
[more]
cover of The Longest Voyage: Circumnavigators in the Age of Discovery

The Longest Voyage

Circumnavigators in the Age of Discovery

Robert Silverberg

Ohio University Press, 1997

From the intense and brooding Magellan and the glamorous and dashing Sir Francis Drake; to Thomas Cavendish, who set off to plunder Spain’s American gold and the Dutch circumnavigators, whose numbers included pirates as well as explorers and merchants,  Robert Silverberg  captures the adventures and seafaring exploits of a bygone era.

Over the course of a century, European circumnavigators in small ships charted the coast of the New World and explored the Pacific Ocean. Characterized by fierce nationalism, competitiveness, and bloodshed, The Longest Voyage: Circumnavigators in the Age of Discovery  captures the drama, danger, and personalities in the colorful story of the first voyages around the world. These accounts begin with Magellan’s unprecedented 1519–22 circumnavigation, providing an immediate, exciting, and intimate glimpse into that historic venture. The story includes frequent threats of mutiny; the nearly unendurable extremes of heat, cold, hunger, thirst, and fatigue; the fear, tedium, and moments of despair; the discoveries of exotic new peoples and strange new lands; and, finally, Magellan’s own dramatic death during a fanatical attempt to convert native Philippine islanders to Christianity.

Capturing the total context of political climate and historical change that made the Age of Discovery one of excitement and drama, Silverberg brings a motley crew of early ocean explorers vividly to life.

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cover of The Longing for Myth in Germany: Religion and Aesthetic Culture from Romanticism to Nietzsche

The Longing for Myth in Germany

Religion and Aesthetic Culture from Romanticism to Nietzsche

George S. Williamson

University of Chicago Press, 2004

Since the dawn of Romanticism, artists and intellectuals in Germany have maintained an abiding interest in the gods and myths of antiquity while calling for a new mythology suitable to the modern age. In this study, George S. Williamson examines the factors that gave rise to this distinct and profound longing for myth. In doing so, he demonstrates the entanglement of aesthetic and philosophical ambitions in Germany with some of the major religious conflicts of the nineteenth century.

Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond.

A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.
[more]
cover of The Look of the 1960s: Barbarella and Pulp Pop Comics

The Look of the 1960s

Barbarella and Pulp Pop Comics

Jan Baetens and Hugo Frey

University of Texas Press, 2026

How the classic aesthetic of 1960s pulp comics influenced art, culture, and politics.

As a form of visual art, comic books rely on a distinct and eye-catching aesthetic. This is especially true of the iconic comics, graphic novels, and illustrations of the 1960s and 1970s. The Look of the 1960s explores the sources of inspiration that influenced the world of comics, beginning with the well-known French comics series Barbarella.

Noted comics scholars Jan Baetens and Hugo Frey analyze the impacts of the often-provocative images featured in the comics of the 1960s, which pushed back against French censorship in a politically tense time, and detail how women resisted their objectification in the comic book industry. Barbarella left its mark on the world and gained international attention, inspiring a movie adaptation and changing the look and content of other popular comics. The “Pulp Pop” movement remains relevant today, continuing to influence the art and political world. With new information about artists and an astute analysis of sociopolitical influence, The Look of the 1960s offers deep insights, making it a must read for comics fans all over the world.

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cover of The Lord's First Night: The Myth of the Droit de Cuissage

The Lord's First Night

The Myth of the Droit de Cuissage

Alain Boureau

University of Chicago Press, 1998

From the late Middle Ages to The Marriage of Figaro to Mel Gibson's Braveheart, the ultimate symbol of feudal barbarism has been the droit de cuissage, or right of a feudal lord to sleep with the bride of a vassal on her wedding night. The droit de cuissage even resurfaced in the debate over the French Penal Code of 1992 as a synonym for sexual harassment.

But, as Alain Boureau elegantly demonstrates in this book, the droit de cuissage is a myth. Under contextual examination, nearly all the supposed evidence for this custom melts away—yet belief in it has survived for seven hundred years. Boureau shows how each era turned the mythical custom to its own ends. For instance, in the late Middle Ages, monarchists raised the specter of the droit de cuissage to rally public opinion against local lords, and partisans of the French Revolution pointed to it as proof of the corruption of the Ancien Régime.

A fascinating case study of the folklore of sexuality, The Lord's First Night also offers evocative insights into popular (mis)conceptions of the Middle Ages.

On the French edition: "A richly informative study of attitudes to the past and the manipulation of history down the ages."—Peter Linehan, Times Literary Supplement
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cover of The Lord, the Slave, and the Tailor’s Son: Andrea Casali and Identity Theft in Renaissance Italy

The Lord, the Slave, and the Tailor’s Son

Andrea Casali and Identity Theft in Renaissance Italy

Craig A. Monson

University of Michigan Press, 2027

Andrea Casali might well have been forgotten. A handsome, young Bolognese nobleman, heir to fabulous wealth, palaces, and artistic treasures, known as a poet and artist, in 1604 he was reported killed at age nineteen during the epic Siege of Ostend. Thirty years later, however, a grizzled, former galley slave appeared in Rome, claiming to be the dead Casali and demanding his inheritance. Was he a noble survivor of captivity under the Ottoman Turks or a cunning impostor, masquerading under an illustrious name?

His claim ignited scandal, vehement public argument, even physical assaults and rioting in the streets. A three-year trial ended with judges convicting him of impersonation but declining to rule on who he really was. Across seventeenth-century Italy and even beyond, writers offered claims and counterclaims as to his identity. The Lord, the Slave, and the Tailor’s Son offers the first comprehensive reconstruction of the Casali affair, drawing upon extensive documentary evidence, much of it newly discovered: trial records, suppressed witness testimony, autograph letters of both Casali and the alleged impostor, wills, and inventories, as well as poetry and polemical tracts. The book reveals an extraordinary, true story of stolen identity, fake news, elite collusion, and manipulation of popular belief in Renaissance Italy, a story that feels strikingly modern today.

[more]
cover of The Lost World of John Witherspoon: Unravelling the Snodgrass affair, 1762 to 1776

The Lost World of John Witherspoon

Unravelling the Snodgrass affair, 1762 to 1776

Ronald Lyndsey Crawford

Aberdeen University Press, 2015

John Witherspoon (1723 – 1794) is remembered today as one of only two Scots among the 56 ‘signers’ of the Declaration of American Independence and the only clergyman to have added his name to the list of founding fathers of the nation that was set to become the United States. On that basis alone, Witherspoon earns his place as an important figure in the early history of the ‘Empire of Liberty’ – even though he has been described by some American scholars as the ‘forgotten Founder.’But Witherspoon had two careers. His American career (as College President at Princeton and an influential politician in the revolutionary and immediate post-revolutionary war period) has understandably tended to overshadow his earlier career in Scotland as a leading light within the Popular (or Evangelical) party in the Church of Scotland at a time when the Kirk was dominated by the Moderates led by such men as William Robertson, Hugh Blair and Alexander ‘Jupiter’ Carlyle. This study shows that he had few friends among the preponderance of Moderate ministerial colleagues in the Presbytery of Paisley.The ground-breaking research underpinning this book reveals for the first time the full astonishing story of Witherspoon’s involvement in an action against him in the Court of Session in Edinburgh, a process that was begun by a lawyer, John Snodgrass, and five others in 1762 and was not determined until 1776, by which time the Paisley minister had long left Scotland for a new life as sixth President of the College of New Jersey. The process would engage the professional skills of some of the most celebrated figures in Scottish advocacy of the period, including George Wallace, Henry Dundas, David Dalrymple, Charles Hay and Andrew Crosbie.In an important ‘Concluding Essay’ the author makes a convincing case for the Snodgrass affair having influenced Witherspoon’s decision to make a new life for himself and his family in America, demolishing the traditional view that it was somehow irrelevant to that decision.
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cover of The Lublin Lectures and Works on Max Scheler

The Lublin Lectures and Works on Max Scheler

Karol Wojtyla

Catholic University of America Press, 2023

The Catholic University of America Press is honored to publish the English Critical Edition of the Works of Karol Wojtyła/John Paul II. Under the auspices of an international editorial board, the English Critical Edition will comprise more than 20 volumes, covering all of John Paul’s writings and correspondence in the years before and during his papacy. This collection is essential for several reasons. For one thing, gaining access to the saint’s writings has posed a significant challenge. Except for official papal addresses and documents preserved and disseminated by the Vatican, St. John Paul’s works have been scattered and limited. Many documents need a new translation. Finally, English-language audiences have faced the challenge, even in the case of published texts of dealing with several languages, various translations, and textual idiosyncrasies. The second volume of the series presents Wojtyła’s lectures at the Catholic University of Lublin and his works on Max Scheler. This volume consists of three parts: Karol Wojtyła’s lectures at the Lublin University from 1954 to 1957 (during three academic years); Wojtyła’s articles related to the ethical issues discussed in the Lublin lectures, and his habilitation thesis on Max Scheler from 1953 with other essays related more closely to Scheler’s thought. As was the case with Volume 1, Volume 2 also relies on the original manuscripts and typescripts of Wojtyła’s works. These original texts were compared with the Polish published editions, and the significant differences between them were marked in the scholarly apparatus. Some of the essays in this volume were never published in English, others were never published before.
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cover of The Luck of Barry Lyndon: A Romance of the Last Century. By Fitz-Boodle.

The Luck of Barry Lyndon

A Romance of the Last Century. By Fitz-Boodle.

William Makepeace Thackeray

University of Michigan Press, 1999

The Thackeray Edition proudly announces two additions to its collection: Catherine and The Luck of Barry Lyndon. The Thackeray Edition is the first full-scale scholarly edition of William Makepeace Thackeray's works to appear in over seventy years, and the only one ever to be based on an examination of manuscripts and relevant printed texts. It is also a concrete attempt to put into practice a theory of scholarly editing that gives new insight into Thackeray's own compositional process.

The Luck of Barry Lyndon, serialized in Fraser's Magazine in 1844, is a wonderfully hard-edged advance upon Thackeray's previous writing: a tour de force dramatization at novelistic length of the moral vacuity of its first person narrator. The inner workings of this narrator are far more complicated than in earlier Thackeray writings, and are presented in a far more subtle, yet not humorless, manner. The mock-Bildungsroman aspect of the novel is brought about by the non-enlightenment of the title-figure, his failure to find a meaningful love-relationship, and his inability to discover a calling that identifies both a significant direction for his individual existence and, at the same time, an appropriate accommodation to his duties to society. Achieved in brilliant, accomplished style, Barry Lyndon is a significant and progressive experiment in narration for Thackeray.

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cover of The Madisonian Turn: Political Parties and Parliamentary Democracy in Nordic Europe

The Madisonian Turn

Political Parties and Parliamentary Democracy in Nordic Europe

Torbjörn Bergman and Kaare Strøm, editors

University of Michigan Press, 2013

"The Madisonian Turn is an outstanding assessment of the functioning of democratic institutions in the Nordic countries. If democracy is in trouble in Scandinavia, then it is surely facing problems everywhere, so the book will be read carefully by those concerned about contemporary governance in all modern democracies."
---Michael Gallagher, Trinity College, Dublin

"This welcome and timely re-evaluation of Nordic politics constitutes a major contribution to comparative government, and is likely to stand as the definitive treatment of politics in the region for many years to come."
---Peter Mair, European University Institute

"This book is unique in its comparative scope and the wealth of information on the state of parliamentary democracy in the Nordic countries. It is particularly useful for the comparativists who do not come from these countries, because the original literature which it covers in detail is often not accessible for the English-speaking audience."
---Hanspeter Kriesi, University of Zurich

"The strength of The Madisonian Turn is to interface detailed empirical evidence on the dynamics of democratic politics in Scandinavia with an elaboration and test of rival theories of change in the politics of postindustrial democracies. This book is an inspiration for students of Northern Europe, but also for scholars of comparative legislatures and political parties more generally."
---Herbert Kitschelt, Duke University

Parliamentary democracy is the most common regime type in the contemporary political world, but the quality of governance depends on effective parliamentary oversight and strong political parties. Denmark, Finland, Iceland, Norway, and Sweden have traditionally been strongholds of parliamentary democracy. In recent years, however, critics have suggested that new challenges such as weakened popular attachment, the advent of cartel parties, the judicialization of politics, and European integration have threatened the institutions of parliamentary democracy in the Nordic region.

This volume examines these claims and their implications. The authors find that the Nordic states have moved away from their previous resemblance to a Westminster model toward a form of parliamentary democracy with more separation-of-powers features---a Madisonian model. These features are evident both in vertical power relations (e.g., relations with the European Union) and horizontal ones (e.g., increasingly independent courts and central banks). Yet these developments are far from uniform and demonstrate that there may be different responses to the political challenges faced by contemporary Western democracies.

Torbjörn Bergman is Professor of Political Science at Umeå University, Sweden.

Kaare Strøm is Professor of Political Science at the University of California, San Diego.

Jacket Credit: Heidi Hobde Dailey

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cover of The Make-Believe Space: Affective Geography in a Postwar Polity

The Make-Believe Space

Affective Geography in a Postwar Polity

Yael Navaro-Yashin

Duke University Press, 2012

The Make-Believe Space is a book of ethnographic and theoretical meditation on the phantasmatic entanglement of materialities in the aftermath of war, displacement, and expropriation. "Northern Cyprus," carved out as a separate space and defined as a distinct (de facto) polity since its invasion by Turkey in 1974, is the subject of this ethnography about postwar politics and social relations. Turkish-Cypriots' sociality in a reforged geography, rid of its former Greek-Cypriot inhabitants after the partition of Cyprus, forms the centerpiece of Yael Navaro-Yashin's conceptual exploration of subjectivity in the context of "ruination" and "abjection." The unrecognized state in Northern Cyprus unfolds through the analytical devices that she develops as she explores this polity's administration and raison d'être via affect theory. Challenging the boundaries between competing theoretical orientations, Navaro-Yashin crafts a methodology for the study of subjectivity and affect, and materiality and the phantasmatic, in tandem. In the process, she creates a subtle and nuanced ethnography of life in the long-term aftermath of war.
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cover of The Making of Mamaliga: Transimperial Recipes for a Romanian National Dish

The Making of Mamaliga

Transimperial Recipes for a Romanian National Dish

Alex Drace-Francis

Central European University Press, 2022

Mămăligă, maize porridge or polenta, is a universally consumed dish in Romania and a prominent national symbol. But its unusual history has rarely been told. Alex Drace-Francis surveys the arrival and spread of maize cultivation in Romanian lands from Ottoman times to the eve of the First World War, and also the image of mămăligă in art and popular culture. Drawing on a rich array of sources and with many new findings, Drace-Francis shows how the making of mămăligă has been shaped by global economic forces and overlapping imperial systems of war and trade. 

The story of maize and mămăligă provides an accessible way to revisit many key questions of Romanian and broader regional history. More generally, the book links the history of production, consumption, and representation. Analyses of recipes, literary and popular depictions, and key vocabulary complete the work.

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