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Since the magazine's founding in 1995, No Depression has reported on and helped define the music that goes by names such as alt.country, Americana, and roots music. Though dismissed by the commercial country music establishment as "music that doesn't sell," alternative country has attracted thousands of listeners who long for the authenticity and rich complexity that come from its potent blend of country and rock 'n' roll and any number of related musical genres and subgenres.

To celebrate No Depression's tenth anniversary and spotlight some of the most important artists and trends in alt.country music, editors Grant Alden and Peter Blackstock have compiled this anthology of twenty-five of the magazine's best and most representative feature articles. Their subjects range from venerated country artists such as Johnny Cash and Ray Price to contemporary songwriters such as Lucinda Williams and Buddy and Julie Miller to the post-punk country-influenced bands Wilco and the Drive-By Truckers. All of the articles included here illustrate No Depression's commitment to music writing that puts the artist front-and-center and covers his or her career in sufficient depth to be definitive. Alden and Blackstock have also written a preface to this volume in which they discuss the alt.country phenomenon and the history and editorial philosophy that have made No Depression the bible for everyone seeking genuine American roots music.

The first in-depth study of the Freemasons during the Civil War

One of the enduring yet little examined themes in Civil War lore is the widespread belief that on the field of battle and afterward, members of Masonic lodges would give aid and comfort to wounded or captured enemy Masons, often at great personal sacrifice and danger. This work is a deeply researched examination of the recorded, practical effects of Freemasonry among Civil War participants on both sides.

From first-person accounts culled from regimental histories, diaries, and letters, Michael A. Halleran has constructed an overview of 19th-century American freemasonry in general and Masonry in the armies of both North and South in particular, and provided telling examples of how Masonic brotherhood worked in practice. Halleran details the response of the fraternity to the crisis of secession and war, and examines acts of assistance to enemies on the battlefield and in POW camps.

The author examines carefully the major Masonic stories from the Civil War, in particular the myth that Confederate Lewis A. Armistead made the Masonic sign of distress as he lay dying at the high-water mark of Pickett’s charge at Gettysburg.

An interdisciplinary investigation of the Bible's place in American experience

Much has changed since the Society of Biblical Literature's Bible in American Culture series was published in the 1980s, but the influence of the Bible has not waned. In the United States, the stories, themes, and characters of the Bible continue to shape art, literature, music, politics, education, and social movements to varying degrees. In this volume, contributors highlight new approaches that move beyond simple citation of texts and explore how biblical themes infuse US culture and how this process in turn transforms biblical traditions.

Features

• An examination of changes in the production, transmission, and consumption of the Bible
• An exploration of how Bible producers disseminate US experiences to a global audience
• An assessment of the factors that produce widespread myths about and nostalgia for a more biblically grounded nation

Explore perceptions and interpretations of scripture in American politics, identity, popular culture, and public education

Essays from the perspectives of American history, the history of ideas, film studies, visual studies, cultural studies, education, and church-state studies provide essential research for those interested in the intersection of the Bible and American culture. The contributors are Yaakov Ariel, Jacques Berlinerblau, Mark A. Chancey, Rubén Dupertuis, John Fea, Shalom Goldman, Charles C. Haynes, Carol Meyers, Eric M. Meyers, David Morgan, Adele Reinhartz, and David W. Stowe.

Features:

• Ten essays and an introduction present research from professors of biblical studies, Judaism, English, and history
• Articles relevant to scholars, students, and the general public
• Analysis of the tensions in American society regarding the Bible and its role in public life.

First published in 1968, this engrossing and beautiful picture book about wildlife on Isle Royale is available again

Isle Royale, “the big island” of this book, is a wilderness national park in Lake Superior and home to a unique and fascinating ecosystem of animals, most notably the iconic wolf and majestic moose. Here is author Julian May’s story about the island’s beginning, the kinds of animals that came to populate it, and their effects on the pristine landscape. Among them were the moose, who swam to the island from the distant shore to fend off starvation. The moose found conditions on Isle Royale so favorable that they reproduced quickly—but then faced another food shortage. The wolves arrived by floating to the island on an ice floe in winter and soon became important to the island’s ecology as successful predators of the moose. 

Complementing this fascinating text, John Schoenherr’s magnificent illustrations convey the strength of these animals and the beauty of the island that is their home.

First published in 1968, and reprinted here with a new note by renowned wolf expert L. David Mech, The Big Island is an enchanting introduction to the wilderness and wildlife of Isle Royale. 

In one remarkable quarter-century, thirteen quarrelsome colonies were transformed into a nation. Edmund S. Morgan's classic account of the Revolutionary period shows how the challenge of British taxation started the Americans on a search for constitutional principles to protect their freedom and eventually led to the Revolution.

Morgan demonstrates that these principles were not abstract doctrines of political theory but grew instead out of the immediate needs and experiences of the colonists. They were held with passionate conviction, and incorporated, finally, into the constitutions of the new American states and of the United States.

Though the basic theme of the book and his assessment of what the Revolution achieved remain the same, Morgan has updated the revised edition of The Birth of the Republic (1977) to include some textual and stylistic changes as well as a substantial revision of the Bibliographic Note.

The outpouring of creative expression known as the Black Arts Movement of the 1960s and 1970s spawned a burgeoning number of black-owned cultural outlets, including publishing houses, performance spaces, and galleries. Central to the movement were its poets, who in concert with editors, visual artists, critics, and fellow writers published a wide range of black verse and advanced new theories and critical approaches for understanding African American literary art. 

The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which BAM's poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, Carolyn Rodgers, and others) operated and of the small presses and literary anthologies that first published the movement's authors. The book also describes the role of the Black Arts Movement in reintroducing readers to poets such as Langston Hughes, Robert Hayden, Margaret Walker, and Phillis Wheatley.

Focusing on the material production of Black Arts poetry, the book combines genetic criticism with cultural history to shed new light on the period, its publishing culture, and the writing and editing practices of its participants. Howard Rambsy II demonstrates how significant circulation and format of black poetic texts—not simply their content—were to the formation of an artistic movement. The book goes on to examine other significant influences on the formation of Black Arts discourse, including such factors as an emerging nationalist ideology and figures such as John Coltrane and Malcolm X.

At once an inspiring story about the shifting boundaries of race, citizenship, and democracy in America and a crucial look at the nature of racial inequality, The Black Child Savers is a stirring account of the stakes and meaning of social justice.

Expansive in scope and interdisciplinary in practice, The Black Intellectual Tradition delves into the ideas that animated a people’s striving for full participation in American life.

Contributors: Derrick P. Alridge, Keisha N. Blain, Cornelius L. Bynum, Jeffrey Lamar Coleman, Pero Gaglo Dagbovie, Stephanie Y. Evans, Aaron David Gresson III, Claudrena N. Harold, Leonard Harris, Maurice J. Hobson, La TaSha B. Levy, Layli Maparyan, Zebulon V. Miletsky, R. Baxter Miller, Edward Onaci, Venetria K. Patton, James B. Stewart, and Nikki M. Taylor

Black people have been on a continual search for freedom. Since their arrival in the West as exploited sources of labor, through the great migrations out of and back to the U.S. South, to repatriation efforts to Africa and throughout the Diaspora, they have been longing for place and to find or create a Mecca.

The Black Mecca Blueprint examines the current Black Mecca, Atlanta, Georgia.  Jonathan Grant explores the dynamism of Black life in a “Black city,” homing in on race, class, and place and all their inherent complexities. He analyzes the ways place and city spaces are negotiated through power and class struggles and how various spaces, such as the Atlanta University Center and its reputation as a beacon, are recreated.

Drawing on in-depth interviews, hip hop music, cultural podcasts, stand-up comedy, archival research, media, autoethnographic data, and historiography, The Black Mecca Blueprint captures the beauty and burden of Atlanta while creating a blueprint that can be used to help devise more democratic cities across the U.S. and around the world. 

Explores the contradictory perceptions of African immigrant students in New York City and reveals how anti-Blackness persists even within predominantly Black and Brown schools.

African immigrant students are often celebrated in the United States as academically successful and culturally disciplined. But what happens when praise itself becomes part of a racial hierarchy? In The Black Model Minority Student, sociologist of education Mercy Agyepong traces the complex experiences of West African immigrant students attending public high schools in New York City. 

Using ethnographic and interview data from predominantly Black and Brown schools in the Bronx, Agyepong shows that African immigrant students are often viewed through two competing yet coexisting narratives: as intellectually capable and hardworking, yet also as uncivilized or socially inferior. These perceptions are not incidental, but central to how anti-Blackness operates and how racial hierarchies are sustained in the United States. While the model minority stereotype shaped their experiences in Black and Brown high schools, West African immigrant students found that this seemingly favorable stereotype mattered less once they graduated and entered the white spaces of higher education and other social settings. At every step, African students—regardless of their national origins—were disadvantaged by racial stereotypes.

Theoretically grounded yet deeply human, The Black Model Minority Student offers an important new perspective on race, immigration, and education in contemporary America.

Absher’s work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago’s physical lines of segregation and the geography of black music in the city over the years. Third, Absher’s use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers’s Institute of Jazz Studies, and Tulane’s Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organizers, and critics of their own story.

Uniting the latest scholarship on race, labor, and civil rights, The Black Worker aims to establish the richness of the African American working-class experience, and the indisputable role of black workers in shaping the politics and history of labor and race in the United States.

To capture the complexity of African Americans’ experiences in the workplace, this reader examines workers engaged in a wide array of jobs, including sharecropping, coal mining, domestic service, longshoring, automobile manufacturing, tobacco processing, railroading, prostitution, lumbering, and municipal employment. The essays’ subjects include black migration, strikebreaking, black conservatism, gender, and the multiple forms of employment discrimination in the South and North. Other contributions deal explicitly with state policy and black workers during the transition from slavery to freedom, World Wars I and II, and the 1960s.

The variety of challenges made by these workers, both quiet and overt, served as clear reminders to the supporters of white supremacy that, despite their best efforts through violence, fraud, and the law, as long as they insisted on racial inequality, the “race question” would never be fully resolved.

Contributors: Eric Arnesen, Beth Tompkins Bates, Cynthia M. Blair, Tera W. Hunter, William Powell Jones, Brian Kelly, Robert Korstad, Nelson Lichtenstein, Joseph A. McCartin, Steven A. Reich, Leslie A. Schwalm, Nan Elizabeth Woodruff