3745 books match the query 'Europe' and 973 start with t

cover of The Outward Mind: Materialist Aesthetics in Victorian Science and Literature

The Outward Mind

Materialist Aesthetics in Victorian Science and Literature

Benjamin Morgan

University of Chicago Press, 2017

Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.
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cover of The Ovary of Eve: Egg and Sperm and Preformation

The Ovary of Eve

Egg and Sperm and Preformation

Clara Pinto-Correia

University of Chicago Press, 1997

The Ovary of Eve is a rich and often hilarious account of seventeenth- and eighteenth-century efforts to understand conception. In these early years of the Scientific Revolution, the most intelligent men and women of the day struggled to come to terms with the origins of new life, and one theory—preformation—sparked an intensely heated debate that continued for over a hundred years. Clara Pinto-Correia traces the history of this much maligned theory through the cultural capitals of Europe.

"The most wonderfully eye-opening, or imagination-opening book, as amusing as it is instructive."—Mary Warnock, London Observer

"[A] fascinating and often humorous study of a reproductive theory that flourished from the mid-17th century to the mid-18th century."—Nina C. Ayoub, Chronicle of Higher Education

"More than just a good story, The Ovary of Eve is an object lesson about the history of science: Don't trust it. . . . Pinto-Correia says she wants to tell the story of history's losers. In doing so, she makes defeat sound more appealing than victory."—Emily Eakin, Nation.

"A sparkling history of preformation as it once affected every facet of European culture."—Robert Taylor, Boston Globe
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cover of The Palace of the Snow Queen: Winter Travels in Lapland and Sápmi

The Palace of the Snow Queen

Winter Travels in Lapland and Sápmi

Barbara Sjoholm

University of Minnesota Press, 2023

An exploration of the winter wonders and entangled histories of Scandinavia’s northernmost landscapes—now back in print with a new afterword by the author
 

After many years of travel in the Nordic countries—usually preferring to visit during the warmer months—Barbara Sjoholm found herself drawn to Lapland and Sápmi one winter just as mørketid, the dark time, set in. What ensued was a wide-ranging journey that eventually spanned three winters, captivatingly recounted in The Palace of the Snow Queen. 

 

From observing the annual construction of the Icehotel in Jukkasjärvi, Sweden, to crossing the storied Finnmark Plateau in Norway, to attending a Sámi film festival in Finland, Sjoholm dives deep into the rich traditions and vibrant creative communities of the North. She writes of past travelers to Lapland and contemporary tourists in Sápmi, as well as of her encounters with Indigenous reindeer herders, activists, and change-makers. Her new afterword bears witness to the perseverance of the Sámi in the face of tourism, development, and climate change.  

 

Written with keen insight and humor, The Palace of the Snow Queen is a vivid account of Sjoholm’s adventures and a timely investigation of how ice and snow shape our imaginations and create a vision that continues to draw visitors to the North.

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cover of The Papist Represented: Literature and the English Catholic Community, 1688-1791

The Papist Represented

Literature and the English Catholic Community, 1688-1791

Geremy Carnes

University of Delaware Press, 2017

Most eighteenth-century literary scholarship implicitly or explicitly associates the major developments in English literature and culture during the rise of modernity with a triumphant and increasingly tolerant Protestantism while assuming that the English Catholic community was culturally moribund and disengaged from Protestant society and culture. However, recent work by historians has shown that the English Catholic community was a dynamic and adaptive religious minority, its leaders among the aristocracy cosmopolitan, its intellectuals increasingly attracted to Enlightenment ideals of liberty and skepticism, and its membership growing among the middle and working classes. This community had an impact on the history of the English nation out of all proportion with its size—and yet its own history is glimpsed only dimly, if at all, in most modern accounts of the period.

The Papist Represented reincorporates the history of the English Catholic community into the field of eighteenth-century literary studies. It examines the intersections of literary, religious, and cultural history as they pertain to the slow acceptance by both Protestants and Catholics of the latter group’s permanent minority status. By focusing on the Catholic community’s perspectives and activities, it deepens and complicates our understanding of the cultural processes that contributed to the significant progress of the Catholic emancipation movement over the course of the century. At the same time, it reveals that this community’s anxieties and desires (and the anxieties and desires it provoked in Protestants) fuel some of the most popular and experimental literary works of the century, in forms and modes including closet drama, elegy, the novel, and the Gothic. By returning the Catholic community to eighteenth-century literary history, The Papist Represented challenges the assumption that eighteenth-century literature was a fundamentally Protestant enterprise.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
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cover of The Paradox of Authenticity: Folklore Performance in Post-Communist Slovakia

The Paradox of Authenticity

Folklore Performance in Post-Communist Slovakia

Joseph Grim Feinberg

University of Wisconsin Press, 2018

Observing the activities of urban folk dance enthusiasts in Slovakia, Joseph Grim Feinberg sets out to scrutinize the processes by which "authentic folklore" is identified, talked about, represented, reconstructed, reenacted, and revived.

In Slovakia and elsewhere in Eastern Europe after World War II, Communist governments promoted folklore revivals and staged performances of song and dance as representations of "the people." When the Communists fell from power in Slovakia in 1989, folklore was also discredited in the eyes of many. By the early twenty-first century, however, a new generation launched a movement to revive folklore's reputation and reintroduce it to a broad public.

Weaving together personal narrative, ethnographic analysis, and philosophical reflection, Feinberg examines the aspirations and difficulties of young folk dance devotees as they recognize that authenticity is more easily prized than achieved. He sheds new light on the problems of specialized performance and broad participation, the uneasy relationship between folklore and the public sphere, and the paradoxical pursuit of authenticity in the modern world.
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cover of The Paradox of Paradise: Creative Destruction and the Rise of Urban Coastal Tourism in Contemporary Spanish Culture

The Paradox of Paradise

Creative Destruction and the Rise of Urban Coastal Tourism in Contemporary Spanish Culture

William J. Nichols

Vanderbilt University Press, 2023

The Paradox of Paradise focuses on the trajectory of urban coastal tourism in Spain from the late Franco years to the present through the lens of Spanish cultural production. "Sun and fun" destinations like Torremolinos (located in the Costa del Sol) and Benidorm (located in the Costa Blanca) established a model for urban renewal that literally built the coasts to accommodate and expand foreign tourism as the driving force of the so-called Spanish Economic Miracle.
     
In addition to inserting the coasts into the scope of Iberian urban studies (typically dominated by studies of Madrid and Barcelona), this project breaks new ground by bringing to the fore unexplored cultural artifacts vital to the narrative of development along the coasts in Spain—in particular the ubiquitous tourist postcard, which advances not only the post-Franco economic miracle, but does so by highlighting the transformation of the actual Spanish landscape along its coasts.
 
The Paradox of Paradise features more than twenty-five striking images of coastal Spain in the throes of its own coming of age. Author William J. Nichols has unlocked a strange, self-conscious archive that tells us as much about our own age of advertising as it does about the hotels and resorts and people on display.
 
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cover of The Pariahs of Yesterday: Breton Migrants in Paris

The Pariahs of Yesterday

Breton Migrants in Paris

Leslie Page Moch

Duke University Press, 2012

Beginning in the 1870s, a great many Bretons—men and women from Brittany, a region in western France—began arriving in Paris. Every age has its pariahs, and in 1900, the “pariahs of Paris” were the Bretons, the last distinct group of provincials to come en masse to the capital city. The pariah designation took hold in Paris, in Brittany, and among historians. Yet the derision of recent migrants can be temporary. Tracing the changing status of Bretons in Paris since 1870, Leslie Page Moch demonstrates that state policy, economic trends, and the attitudes of established Parisians and Breton newcomers evolved as the fortunes of Bretons in the capital improved. The pariah stereotype became outdated. Drawing on demographic records and the writings of physicians, journalists, novelists, lawyers, and social scientists, Moch connects internal migration with national integration. She interprets marriage records, official reports on employment, legal and medical theses, memoirs, and writings from secular and religious organizations in the Breton community. As the pariahs of yesterday, Bretons are an example of successful integration into Parisian life. At the same time, their experiences show integration to be a complicated and lengthy process.
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cover of The Paris Commune: A Brief History

The Paris Commune

A Brief History

Carolyn J. Eichner

Rutgers University Press, 2022

At dawn on March 18, 1871, Parisian women stepped between cannons and French soldiers, using their bodies to block the army from taking the artillery from their working-class neighborhood. When ordered to fire, the troops refused and instead turned and arrested their leaders. Thus began the Paris Commune, France’s revolutionary civil war that rocked the nineteenth century and shaped the twentieth. 

Considered a golden moment of hope and potential by the left, and a black hour of terrifying power inversions by the right, the Commune occupies a critical position in understanding modern history and politics. A 72-day conflict that ended with the ferocious slaughter of Parisians, the Commune represents for some the final insurgent burst of the French Revolution’s long wake, for others the first “successful” socialist uprising, and for yet others an archetype for egalitarian socio-economic, feminist, and political change. Militants have referenced and incorporated its ideas into insurrections across the globe, throughout the twentieth and into the twenty-first centuries, keeping alive the revolution’s now-iconic goals and images.  Innumerable scholars in countless languages have examined aspects of the 1871 uprising, taking perspectives ranging from glorifying to damning this world-shaking event.  

The Commune stands as a critical and pivotal moment in nineteenth-century history, as the linchpin between revolutionary pasts and futures, and as the crucible allowing glimpses of alternate possibilities.  Upending hierarchies of class, religion, and gender, the Commune emerged as a touchstone for the subsequent century-and-a-half of revolutionary and radical social movements.
 

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cover of The Pensive Image: Art as a Form of Thinking

The Pensive Image

Art as a Form of Thinking

Hanneke Grootenboer

University of Chicago Press, 2020

Grootenboer considers painting as a form of thinking in itself, rather than a subject of philosophical and interpretive thought.
 
While the philosophical dimension of painting has long been discussed, a clear case for painting as a form of visual thinking has yet to be made. Traditionally, vanitas still life paintings are considered to raise ontological issues while landscapes direct the mind toward introspection. Grootenboer moves beyond these considerations to focus on what remains unspoken in painting, the implicit and inexpressible that manifests in a quality she calls pensiveness. Different from self-aware or actively desiring images, pensive images are speculative, pointing beyond interpretation. An alternative pictorial category, pensive images stir us away from interpretation and toward a state of suspension where thinking through and with the image can start.

In fluid prose, Grootenboer explores various modalities of visual thinking— as the location where thought should be found, as a refuge enabling reflection, and as an encounter that provokes thought. Through these considerations, she demonstrates that artworks serve as models for thought as much as they act as instruments through which thinking can take place. Starting from the premise that painting is itself a type of thinking, The Pensive Image argues that art is capable of forming thoughts and shaping concepts in visual terms.

 
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cover of The People

The People

Jules Michelet

University of Illinois Press, 1973

"If we wish to know the innermost thought and passion of the French peasant, it is very easy. Walk, any Sunday, into the country and follow him." So begins this extraordinary book by the man often called France's greatest historian. After its publication in 1846, Le peuple sold 1,000 copies in a single day in Paris alone, and was soon considered the classic study of French society in the early nineteenth century. John P. McKay's translation makes the book newly available to English-language readers.
 
The People is a moving picture of France on the eve of 1848. Michelet saw tensions, divisions, and hatreds tearing France apart, and he sought to provide a new faith that would unite the conflicting groups in the love of country.
 
This book, Michelet wrote, "is the product of my experience rather than of my studies. I have derived it from my observation and my conversations with friends and neighbors." Because of Michelet's countless discussions with people from all ranks of society and his precise observations, his portrait of France is unsurpassed, and representative of general European problems in a time of rapid social and economic change.
 
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cover of The People's Own Landscape: Nature, Tourism, and Dictatorship in East Germany

The People's Own Landscape

Nature, Tourism, and Dictatorship in East Germany

Scott Moranda

University of Michigan Press, 2014

East Germany’s Socialist Unity Party aimed to placate a public well aware of the higher standards of living enjoyed elsewhere by encouraging them to participate in outdoor activities and take vacations in the countryside. Scott Moranda considers East Germany’s rural landscapes from the perspective of both technical experts (landscape architects, biologists, and physicians) who hoped to dictate how vacationers interacted with nature, and the vacationers themselves, whose outdoor experience shaped their understanding of environmental change. As authorities eliminated traditional tourist and nature conservation organizations, dissident conservationists demanded better protection of natural spaces. At the same time, many East Germans shared their government’s expectations for economic development that had real consequences for the land. By the 1980s, environmentalists saw themselves as outsiders struggling against the state and a public that had embraced mainstream ideas about limitless economic growth and material pleasures.

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cover of The People's Uprising and the Fall of the Warsaw Ghetto, April 1942–June 1943

The People's Uprising and the Fall of the Warsaw Ghetto, April 1942–June 1943

Havi Ben-Sasson Dreifuss

Brandeis University Press, 2026

Examines the final years of the Warsaw ghetto, the uprising, and the varied, nuanced ways Jewish people resisted Nazi rule.
 
The People’s Uprising and the Fall of the Warsaw Ghetto, April 1942–June 1943 sheds light on the lives, choices, and experiences of the tens of thousands of Jews who were not part of the underground armed resistance but nonetheless supported the famed Warsaw Ghetto Uprising. This riveting and dramatic account focuses on the final year of the Warsaw ghetto, from the Great Deportation in the summer of 1942 through the suppression of the uprising in mid-1943. Drawing on powerful contemporary testimonies, diaries, and documents—many of them previously unexplored—Havi Ben-Sasson Dreifuss
reveals how members of the broader Jewish population struggled to survive, maintain family and community life, and make impossible moral decisions in the face of fear, hunger, and daily violence. Looking beyond the fighters themselves, the book offers a story of devastation, but also of resilience and human dignity.
 
Published in association with Yad Vashem.
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cover of The Perfect Servant: Eunuchs and the Social Construction of Gender in Byzantium

The Perfect Servant

Eunuchs and the Social Construction of Gender in Byzantium

Kathryn M. Ringrose

University of Chicago Press, 2003

The Perfect Servant reevaluates the place of eunuchs in Byzantium. Kathryn Ringrose uses the modern concept of gender as a social construct to identify eunuchs as a distinct gender and to illustrate how gender was defined in the Byzantine world. At the same time she explores the changing role of the eunuch in Byzantium from 600 to 1100.

Accepted for generations as a legitimate and functional part of Byzantine civilization, eunuchs were prominent in both the imperial court and the church. They were distinctive in physical appearance, dress, and manner and were considered uniquely suited for important roles in Byzantine life. Transcending conventional notions of male and female, eunuchs lived outside of normal patterns of procreation and inheritance and were assigned a unique capacity for mediating across social and spiritual boundaries. This allowed them to perform tasks from which prominent men and women were constrained, making them, in essence, perfect servants.

Written with precision and meticulously researched, The Perfect Servant will immediately take its place as a major study on Byzantium and the history of gender.
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cover of The Perfection of Nature: Animals, Breeding, and Race in the Renaissance

The Perfection of Nature

Animals, Breeding, and Race in the Renaissance

Mackenzie Cooley

University of Chicago Press, 2022

A deep history of how Renaissance Italy and the Spanish empire were shaped by a lingering fascination with breeding.

The Renaissance is celebrated for the belief that individuals could fashion themselves to greatness, but there is a dark undercurrent to this fêted era of history. The same men and women who offered profound advancements in European understanding of the human condition—and laid the foundations of the Scientific Revolution—were also obsessed with controlling that condition and the wider natural world.
 
Tracing early modern artisanal practice, Mackenzie Cooley shows how the idea of race and theories of inheritance developed through animal breeding in the shadow of the Spanish Empire. While one strand of the Renaissance celebrated a liberal view of human potential, another limited it by biology, reducing man to beast and prince to stud. “Race,” Cooley explains, first referred to animal stock honed through breeding. To those who invented the concept, race was not inflexible, but the fragile result of reproductive work. As the Spanish empire expanded, the concept of race moved from nonhuman to human animals. Cooley reveals how, as the dangerous idea of controlled reproduction was brought to life again and again, a rich, complex, and ever-shifting language of race and breeding was born.
 
Adding nuance and historical context to discussions of race and human and animal relations, The Perfection of Nature provides a close reading of undertheorized notions of generation and its discontents in the more-than-human world.
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cover of The Perils of Race-Thinking: A Portrait of Ales Hrdlicka

The Perils of Race-Thinking

A Portrait of Ales Hrdlicka

Mark A. Brandon

Central European University Press, 2023

Eugenics and scientific racism are experiencing a resurgence, and an understanding of the ideas of Aleš Hrdlička can help combat them. Today, the racial science of the early twentieth century is both untenable and contemptible. This book is about an arch figure of that period: Aleš Hrdlička served as Curator of Physical Anthropology at the prestigious Smithsonian Institution from 1910 to 1941. Although his ideas about race are today considered pseudoscience, the uncomfortable truth is that he was an internationally respected scientist in his own day.

The Perils of Race-Thinking advances a bold new interpretation of modern racial ideology by exploring Hrdlička’s intellectual world. Using previously untapped Czech-language sources, Brandon irrevocably alters the discussion about this important figure by placing Czech nationalism at the center of his racial thinking. Defying disciplinary categories, Perils of Race-Thinking joins critical analysis of this key American anthropologist with an incisive revisionist perspective of interwar Czechoslovakia to unearth transnational racial presumptions lurking behind the worst crimes of the twentieth century.

At the center of Hrdlička’s race beliefs was his commitment to Czech and Slovak unity and independence. From this center, his next level of concern was what he believed to be a millennial racial struggle between Germans and Slavs. On a global scale, he viewed the Slavs, and especially the Soviet Union, as a eugenic bastion of White strength holding off the “rising tide of color.”

Step by step, Perils of Race-Thinking mercilessly dismantles Hrdlička’s racial system and exposes it as mysticism dressed up in the language of science. Convinced that human individuals belonged “naturally” in racial groups, Hrdlička embraced a revolutionary program of reordering the globe according to a harrowing morality of “Darwinist” struggle. Yet despite a lifetime of measuring body parts, even Hrdlička could not decide how many races there were or how to tell them apart.

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cover of The Photographic Fix: Memory, Ideology, and the First World War in the Weimar Republic

The Photographic Fix

Memory, Ideology, and the First World War in the Weimar Republic

Justin Court

University of Michigan Press, 2026

The Photographic Fix explores how photographs from World War I were used in personal photo albums and mass-market picture books to determine the meaning and legacy of the postwar Weimar Republic. Due to their publication success and wide reception, picture books should be considered no small part of this broad struggle of ideas to cement the war’s legacy in the Weimar era. Drawing from a large archive of photographs created during the war by amateur soldier-photographers and professional reporters alike, Justin Court explores how visual depictions of the war were used to construct and distort memory in the highly contested realm of war commemoration in the Weimar. These books of photography reveal an effort to shape how the war was visually remembered in order to influence public opinion on myriad matters following in the war’s wake, including notions of German guilt and responsibility, the legitimacy of the Republic, and the political future of the German nation. By utilizing relatively neglected sources, The Photographic Fix expands scholarship on German war photography to illuminate how images from the war and Weimar period reflected the public’s understanding of the medium at the time.
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cover of The Pinocchio Effect: On Making Italians, 1860-1920

The Pinocchio Effect

On Making Italians, 1860-1920

Suzanne Stewart-Steinberg

University of Chicago Press, 2007

Soon after the disparate states of the Italian peninsula unified in the 1860s to create a single nation, the nationalist Massimo D’Azeglio is said to have remarked, “We have made Italy, now we have to make Italians.” The Pinocchio Effect draws on a remarkably broad array of sources to trace this making of a modern national identity in Italy, a subject that remains strikingly understudied in the English-speaking world of Italian studies.

Taking as her guiding metaphor the character of Pinocchio—a national icon made famous in 1881 by the eponymous children’s book—Susan Stewart-Steinberg argues that just like the renowned puppet, modern Italians were caught in a complex interplay between freely chosen submission and submission demanded by an outside force. In doing so, she explores all the ways that identity was constructed through newly formed attachments, voluntary and otherwise, to the young nation. Featuring deft readings of the period’s most important Italian cultural and social thinkers—including the theorist of mass psychology Scipio Sighele, the authors Matilde Serao and Edmondo De Amicis, the criminologist Cesare Lombroso, and the pedagogue Maria Montessori—Stewart-Steinberg’s richly multidisciplinary book will set a new standard in Italian studies.
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cover of The Pipes of Pan: Intertextuality and Literary Filiation in the Pastoral Tradition from Theocritus to Milton

The Pipes of Pan

Intertextuality and Literary Filiation in the Pastoral Tradition from Theocritus to Milton

Thomas K. Hubbard

University of Michigan Press, 1999

Departing from conventional views of the pastoral genre as an Arcadian escape from urban sophistication, The Pipes of Pan highlights its genesis in the allusive and polemical literary cultures of Alexandria and Rome. Both cities placed great emphasis upon learned invocation and reformulation of poetic models. The pastoral metaphor provided Theocritus and Vergil with tools for representing the contests and confrontations of poets and genres, the exchange of ideas among poets, and poets' reflections on the efficacy of their works.
Pastoral poetry highlights the didactic relationship of older and younger shepherds, whether as rivals or as patron and successor. As such it is an ideal form for young poets' self-representation vis-à-vis their elders, whose work they simultaneously appropriated and transformed, even as the elder poets were represented in the new texts. This influence is reenacted in every generation: Theocritus vs. his Alexandrian forebears, Vergil vs. Theocritus, Calpurnius vs. Vergil, Nemesianus vs. Vergil and Calpurnius, Petrarch vs. Vergil, Boccaccio vs. Petrarch, Spenser vs. Vergil, along with Chaucer and Milton vs. Spenser.
The Pipes of Pan combines multiple strands of contemporary intertextual theory with reception aesthetics and Harold Bloom's theory of intersubjective conflict between generations of poets. It also provides one of the first systematic studies of intertextual and intersubjective dynamics within a whole genre.
This work will be of interest to classicists, students of literary theory, comparative literature, medieval and Renaissance literature, Italian humanism, and English literature of the sixteenth and seventeenth centuries. All texts are translated.
Thomas Hubbard is Associate Professor of Classics, University of Texas at Austin.
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cover of The Place of Enchantment: British Occultism and the Culture of the Modern

The Place of Enchantment

British Occultism and the Culture of the Modern

Alex Owen

University of Chicago Press, 2004

By the end of the nineteenth century, Victorians were seeking rational explanations for the world in which they lived. The radical ideas of Charles Darwin had shaken traditional religious beliefs. Sigmund Freud was developing his innovative models of the conscious and unconscious mind. And anthropologist James George Frazer was subjecting magic, myth, and ritual to systematic inquiry. Why, then, in this quintessentially modern moment, did late-Victorian and Edwardian men and women become absorbed by metaphysical quests, heterodox spiritual encounters, and occult experimentation?

In answering this question for the first time, The Place of Enchantment breaks new ground in its consideration of the role of occultism in British culture prior to World War I. Rescuing occultism from its status as an "irrational indulgence" and situating it at the center of British intellectual life, Owen argues that an involvement with the occult was a leitmotif of the intellectual avant-garde. Carefully placing a serious engagement with esotericism squarely alongside revolutionary understandings of rationality and consciousness, Owen demonstrates how a newly psychologized magic operated in conjunction with the developing patterns of modern life. She details such fascinating examples of occult practice as the sex magic of Aleister Crowley, the pharmacological experimentation of W. B. Yeats, and complex forms of astral clairvoyance as taught in secret and hierarchical magical societies like the Hermetic Order of the Golden Dawn.

Through a remarkable blend of theoretical discussion and intellectual history, Owen has produced a work that moves far beyond a consideration of occultists and their world. Bearing directly on our understanding of modernity, her conclusions will force us to rethink the place of the irrational in modern culture.

“An intelligent, well-argued and richly detailed work of cultural history that offers a substantial contribution to our understanding of Britain.”—Nick Freeman, Washington Times

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cover of The Playing Fields of Eton: Equality and Excellence in Modern Meritocracy

The Playing Fields of Eton

Equality and Excellence in Modern Meritocracy

Mika LaVaque-Manty

University of Michigan Press, 2009

"Beautifully written and brilliantly argued, The Playing Fields of Eton takes us on a three-century tour of modern mental and physical life. We visit gymnasiums and dueling fields, murderball courts and Olympic venues, and while immersed in thought-provoking stories of people wrestling with the twin pursuit of equality and excellence, we find ourselves learning what it might mean to be modern. With equal measures of erudition and gentle humor, Mika LaVaque-Manty convincingly refutes the view that egalitarian progress forecloses possibilities for human excellence."
---Elisabeth Ellis, Texas A&M University

"A very insightful and clearly written philosophical inquiry into the nature of sport."
---Marion Smiley, Brandeis University

"A marvelously original analysis of the tensions---and interdependence---between equality and excellence in modern political life. From eighteenth-century dueling to contemporary doping in sports, LaVaque-Manty illuminates the bodily life of democracy at play, and challenges us to think in new ways about the connections between achievement and autonomy. The Playing Fields of Eton is an important book that pushes liberal and democratic theory in fruitful new directions."
---Sharon Krause, Brown University

Can equality and excellence coexist? If we assert that no person stands above the rest, can we encourage and acknowledge athletic, artistic, and intellectual achievements? Perhaps equality should merely mean equality of opportunity. But then how can society reconcile inherent differences between men and women, the strong and the weak, the able-bodied and the disabled?

In The Playing Fields of Eton, Mika LaVaque-Manty addresses questions that have troubled philosophers, reformers, and thoughtful citizens for more than two centuries. Drawing upon examples from the eighteenth-century debate over dueling as a gentleman's prerogative to recent controversies over athletes' use of performance-enhancing drugs, LaVaque-Manty shows that societies have repeatedly redefined equality and excellence. One constant remains, however: sports provide an arena for working out tensions between these two ideals.

Just as in sports where athletes are sorted by age, sex, and professional status, in modern democratic society excellence has meaning only in the context of comparisons among individuals who are, theoretically, equals. LaVaque-Manty's argument will engage philosophers, and his inviting prose and use of familiar illustrations will welcome nonphilosophers to join the conversation.

Mika LaVaque-Manty is Associate Professor of Political Science at the University of Michigan.

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cover of The Poet & the Baroness: W.H. Auden and Stella Musulin, a Friendship

The Poet & the Baroness

W.H. Auden and Stella Musulin, a Friendship

Michael O'Sullivan

Central European University Press, 2023

For long periods in history, the Austrian capital found itself on the geographical edge of western civilisation. Yet from the 18th century on, Vienna has been a vibrant centre of European culture. This city is the scene of the formidable meeting of the two outstanding intellectuals that are at the core of this book. 

The warm relationship between W.H. Auden, the celebrated British-American poet (1907–1973), and his fellow expatriate, the Welsh-Austrian journalist, translator and writer Stella Musulin (1915–1996) lasted while Auden resided in the nearby small town of Kirchstetten starting in 1958. It was here that the poet was laid to rest in the autumn of 1973. This book is based on the unpublished letters of Auden to Musulin and her private journals.  

The study of this inspiring material yields new insights into Auden’s last, prolific, creative period and underscores the ‘Austrian Auden.’ In addition, Michael O’Sullivan pays tribute to the closest ‘Austrian’ friend of the poet. Baroness Stella von Musulin was an intellectual whose two books for Faber & Faber are acknowledged as classics: Vienna in the Age of Metternich and Austria: People & Landscape (with a foreword by Auden). The author situates the close relationship of two individuals in the context of Austria’s complex political, social, and cultural history in the Cold War years.

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cover of The Poison Trials: Wonder Drugs, Experiment, and the Battle for Authority in Renaissance Science

The Poison Trials

Wonder Drugs, Experiment, and the Battle for Authority in Renaissance Science

Alisha Rankin

University of Chicago Press, 2021

In 1524, Pope Clement VII gave two condemned criminals to his physician to test a promising new antidote. After each convict ate a marzipan cake poisoned with deadly aconite, one of them received the antidote, and lived—the other died in agony. In sixteenth-century Europe, this and more than a dozen other accounts of poison trials were committed to writing. Alisha Rankin tells their little-known story.

At a time when poison was widely feared, the urgent need for effective cures provoked intense excitement about new drugs. As doctors created, performed, and evaluated poison trials, they devoted careful attention to method, wrote detailed experimental reports, and engaged with the problem of using human subjects for fatal tests. In reconstructing this history, Rankin reveals how the antidote trials generated extensive engagement with “experimental thinking” long before the great experimental boom of the seventeenth century and investigates how competition with lower-class healers spurred on this trend.

The Poison Trials sheds welcome and timely light on the intertwined nature of medical innovations, professional rivalries, and political power.
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cover of The Polish Peasant in Europe and America: A CLASSIC WORK IN IMMIGRATION HISTORY

The Polish Peasant in Europe and America

A CLASSIC WORK IN IMMIGRATION HISTORY

William I. Thomas and Florian Znaniecki

University of Illinois Press, 1984

Focusing on the immigrant family, this new, abridged edition of the classic The Polish Peasant in Europe and America brings together documents and commentary that will be valuable in teaching United States history survey courses as well as immigration history and introductory sociology courses. It includes a new introduction and epilogue.
 
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cover of The Political Orchestra: The Vienna and Berlin Philharmonics during the Third Reich

The Political Orchestra

The Vienna and Berlin Philharmonics during the Third Reich

Fritz Trümpi

University of Chicago Press, 2016

This is a groundbreaking study of the prestigious Berlin and Vienna Philharmonics during the Third Reich. Making extensive use of archival material, including some discussed here for the first time, Fritz Trümpi offers new insight into the orchestras’ place in the larger political constellation.

Trümpi looks first at the decades preceding National Socialist rule, when the competing orchestras, whose rivalry mirrored a larger rivalry between Berlin and Vienna, were called on to represent “superior” Austro-German music and were integrated into the administrative and social structures of their respective cities—becoming vulnerable to political manipulation in the process. He then turns to the Nazi period, when the orchestras came to play a major role in cultural policies. As he shows, the philharmonics, in their own unique ways, strengthened National Socialist dominance through their showcasing of Germanic culture in the mass media, performances for troops and the general public, and fictional representations in literature and film. Accompanying these propaganda efforts was an increasing politicization of the orchestras, which ranged from the dismissal of Jewish members to the programming of ideologically appropriate repertory—all in the name of racial and cultural purity.

Richly documented and refreshingly nuanced, The Political Orchestra is a bold exploration of the ties between music and politics under fascism.
[more]
cover of The Political Testament of Cardinal Richelieu: The Significant Chapters and Supporting Selections

The Political Testament of Cardinal Richelieu

The Significant Chapters and Supporting Selections

Translated by Henry Bertram Hill

University of Wisconsin Press, 1964

“Hill has prepared an excellent translation of the more important parts of the Political Testament; his notes are clear, concise, informative, and accurate, and his short introduction will provide students who wish to delve into the French original with an indication of the road that is open to them.  .  .  .  Offers a window to the mind of the redoubtable Richelieu.”—American Historical Review
[more]
cover of The Politics of Courtly Dancing in Early Modern England

The Politics of Courtly Dancing in Early Modern England

Skiles Howard

University of Massachusetts Press, 1998

This book argues that in early modern England, dance was not merely a pleasant pastime, but an intricate network of bodily negotiations of power, sex, and territory as well. Traditionally a vital part of popular festivals and seasonal celebrations, dancing moved from public, open spaces into the confines of the court during the early Tudor era and became an important means of aristocratic self-fashioning.

Skiles Howard examines the social and semiotic complexities of dancing as it changed over time and performed different work in court, city, and playhouse. She shows how dancing reflected and shaped wider social changes: the performance of gender roles facilitated the formation of the patriarchal family, the execution of physical tropes of hierarchy supported the rise of a centralized state, and rehearsals of spatial mastery assisted the project of national expansion. As a visual and kinetic discourse by which social norms were circulated, dancing inevitably became a site of contestation; as elite and popular practices collided, interacted, and were transformed, countervailing social forces found expression through the medium of dancing.

Interdisciplinary in its approach, this study draws on court masque and popular drama, dancing manuals, Puritan pamphlets, and educational and medical treatises to explore issues of power and the body, gender and rank, popular culture and European expansion.
[more]
cover of The Politics of Early Language Teaching: Hungarian in the Primary Schools of the Late Dual Monarchy

The Politics of Early Language Teaching

Hungarian in the Primary Schools of the Late Dual Monarchy

Ágoston Berecz

Central European University Press, 2014

Disseminating knowledge of the state language to the non-Magyar half of the citizenry was a policy priority of the government of the Hungarian Kingdom between the 1870s and the First World War. Drawing on a wide array of sources, The Politics of Early Language Teaching provides an in-depth look at how Hungarian was taught to ethnic Romanian and German children in the south-eastern tracts of the Habsburg Empire. The monograph covers the ever-harshening legislation from the period, reconsidering the role of state supervision and exploring the contemporary methodological debates as well as taking a closer look at classroom practices. Not only does the book throw much light in comparative mode on one of Europe s great early experiments in linguistic engineering; but it provides many new insights into Dualist Hungary s competing national ideologies and the limits of their efficacy on the ground.
[more]
cover of The Politics of Fiscal Privilege in Provence, 1530s-1830s

The Politics of Fiscal Privilege in Provence, 1530s-1830s

Rafe Blaufarb

Catholic University of America Press, 2012

Rafe Blaufarb examines the interwoven problems of taxation and social privilege in this treatment of the contention over fiscal privilege between the seigneurial nobility and the tax-payers of Provence
[more]
cover of The Politics of Memory in Postwar Europe

The Politics of Memory in Postwar Europe

Richard Ned Lebow, Wulf Kansteiner and Claudio Fogu, eds.

Duke University Press, 2006

For sixty years, different groups in Europe have put forth interpretations of World War II and their respective countries’ roles in it consistent with their own political and psychological needs. The conflict over the past has played out in diverse arenas, including film, memoirs, court cases, and textbooks. It has had profound implications for democratization and relations between neighboring countries. This collection provides a comparative case study of how memories of World War II have been constructed and revised in seven European nations: France, Germany, Austria, Switzerland, Poland, Italy, and the USSR (Russia). The contributors include scholars of history, literature, political science, psychology, and sociology. Country by country, they bring to the fore the specifics of each nation’s postwar memories in essays commissioned especially for this volume. The use of similar analytical categories facilitates comparisons.

An extensive introduction contains reflections on the significance of Europeans’ memories of World War II and a conclusion provides an analysis of the implications of the contributors’ findings for memory studies. These two pieces tease out some of the findings common to all seven countries: for instance, in each nation, the decade and a half between the late 1960s and the mid-1980s was the period of most profound change in the politics of memory. At the same time, the contributors demonstrate that Europeans understand World War II primarily through national frames of reference, which are surprisingly varied. Memories of the war have important ramifications for the democratization of Central and Eastern Europe and the consolidation of the European Union. This volume clarifies how those memories are formed and institutionalized.

Contributors. Claudio Fogu, Richard J. Golsan, Wulf Kansteiner, Richard Ned Lebow, Regula Ludi, Annamaria Orla-Bukowska, Heidemarie Uhl, Thomas C. Wolfe

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cover of The Politics of Rape: Sexual Atrocity, Propaganda Wars, and the Restoration Stage

The Politics of Rape

Sexual Atrocity, Propaganda Wars, and the Restoration Stage

Jennifer L. Airey

University of Delaware Press, 2013

The Politics of Rape: Sexual Atrocity, Propaganda Wars, and the Restoration Stage is the first full-length study to examine representations of sexual violence on the Restoration stage. By reading theatrical depictions of sexual violence alongside political tracts, propaganda pamphlets, and circulating broadsides, this study argues that authors used dramatic representations of rape to respond to and engage with late-century upheavals in British political culture. Beginning with an examination of rape scenes in English Civil War propaganda, The Politics of Rape argues that Roundhead authors described acts of rape and atrocity to demonize their enemies, the Irish, the Catholics, and the Cavaliers. After the Restoration, propagandists and playwrights on each side of every political conflict would follow suit, altering the rhetoric of sexual violence in response to each new moment of political upheaval: The Restoration of Charles II, the Second and Third Anglo-Dutch Wars, the Popish Plot, the Exclusion Crisis, the Glorious Revolution, and the accession of William and Mary. The study offers an intensive look at British propaganda culture, gathering together a wealth of understudied pamphlet texts, and identifying a series of stock figures that recur throughout the century: The demonic Irishman, sexually violent villain of the 1641 Irish Rebellion tracts; the debauched Cavalier, the secretly Catholic royalist rapist; the poisonous Catholic bride, the malignant consort who encourages the rapes of Protestant women; the cannibal father, the evil patriarch who rapes his daughters-in-laws before ingesting his own sons as a symbol of monarchical overreach; and the ravished monarch, the male rape victim whose sexual violation protests his political disenfranchisement. The study also traces the appearance of these figures on the British stage, examining well-known works by Dryden, Rochester, Behn, Lee, and Shadwell, alongside lesser-known plays by Orrery, Howard, Settle, Crowne, Ravenscroft, Pix, Cibber, and Brady. The Politics of Rape thus offers a new method for understanding of the geo-political implications of theatrical sexual violence.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
[more]
cover of The Politics of Sociability: Freemasonry and German Civil Society, 1840-1918

The Politics of Sociability

Freemasonry and German Civil Society, 1840-1918

Stefan-Ludwig Hoffmann

University of Michigan Press, 2007

An ambitious, original work, The Politics of Sociability is Stefan-Ludwig Hoffmann's exploration of the social and political significance of Freemasonry in German history. Drawing on de Tocqueville's theory that without civic virtue there is no civil society, and that civic virtue unfolds only through the social interaction between citizens, Hoffmann examines the critical link between Freemasonry and the evolution of German civil society in the late nineteenth century. The practice of Masonic sociability reflected an enlightened belief in the political significance of moral virtue for civil society, indeed, for humanity. Freemasons' self-image as civilizing agents, acting in good faith and with the unimpeachable idea of universal brotherhood, was contradicted not only by their heightened sense of exclusivity; Freemasons unintentionally exacerbated nineteenth-century political conflicts---for example, between liberals and Catholics, or Germans and French---by employing a universalist language.

Using a wealth of archival sources previously unavailable, Stefan-Ludwig Hoffmann shows how Freemasonry became a social refuge for elevated and liberal-minded bourgeois men who felt attracted to its secret rituals and moral teachings. German Freemasons sought to reform self and society but, Hoffmann argues, ultimately failed to balance modern politics with a cosmopolitan ethos. Hoffmann illuminates a capacious history of the political effects of Enlightenment concepts and practices in a century marked by nationalism, social discord, and religious conflict.

Stefan-Ludwig Hoffmann is Assistant Professor of Modern History at Ruhr-University Bochum. The German edition of this book, Die Politik der Geselligkeit: Freimaurerlogen in der deutschen Bürgergesellschaft, 1840-1918 (Vandenhoeck & Ruprecht, 2000), won the Association of German Historians' 2002 Hedwig Hintze Prize for Best First Book.

Tom Lampert was born in Boston in 1962 and grew up in northern California. He received a BA in political science from Stanford University (1986) and a PhD in government from Cornell (1998). His book, Ein einziges Leben (Hanser Verlag 2001) was published as One Life by Harcourt in 2004, which he translated himself. Lampert has worked as a freelance translator since 1998. He currently lives in Bad Kreuznach, Germany.

Cover Image: Monument of the Battle of the Nations in Leipzig, erected between 1898 and 1913 by German Freemasons, Barbarossa-Head by Christian Behrens, located next to the stairs leading to the monument. The German mythical figure of the Kaiser Barbarossa is depicted as a sphinx, which in Masonic symbolism protects the Masonic secret from profanation. Courtesy of the Deutsche Bücherei, Leipzig.

"This is an exemplary study of the role of Freemasonry in the German Bürgergesellschaft (civil society) of the nineteenth and early twentieth centuries, concise, comprehensive, and well written. It combines social profiling with a careful examination of contemporary concepts in a long-term diachronic study, based on an impressive amount of primary material. . . . Hoffmann's empirically and methodologically convincing study is not only a major contribution to our understanding of Freemasonry in the German Bürgergesellschaft. It also reflects the complex social and political transformation of German society in the nineteenth century and the difficulties contemporaries faced in responding to it."
---German History

"Hoffmann's arguments are theoretically informed, supported by a wealth of archival sources. . . . Indeed, in many ways this is the best combination of painstaking social history and well-argued Begriffsgeschichte (conceptual history). . . . One of the great virtues of this book is that Hoffmann does not shy away from the contradictions in the Freemasons' rhetoric and actions. Such contradictions, in fact, are key to the Mason's importance, because they force us to rethink some of our assumptions about Imperial Germany. . . . This is an important book that encourages us to rethink many of our characterizations of the German Kaiserreich and our assumptions about civil society."
---Central European History

"Based on a rich variety of sources. . . . Hoffmann explores the evolving relationship between Freemasonry and the monarchy, state, and church, and he also scrutinizes the internal practices and discourse of these notoriously secretive and cosmopolitan societies. . . . Hoffmann engages fruitfully with a wide historiography covering themes such as masculinity and racism, he dissects the complex attitude of Freemasonry to Jews and Catholics, and he scrutinizes the attacks of its conservative, clerical, and antisemitic critics."
---Journal of Modern History

[more]
cover of The Politics of Utopia: A New History of John Law's System, 1695–1795

The Politics of Utopia

A New History of John Law's System, 1695–1795

Arnaud Orain

University of Chicago Press, 2024

A fascinating retelling of the first banking and financial collapse in eighteenth-century France.
 
The Scottish economist John Law has been described as the architect of modern central banking. His “System,” established in Regency France between 1716 and 1720, saw the founding of a bank issuing paper money and the establishment of state commercial and colonial enterprises aimed at consolidating public debt. What at first seemed like financial wizardry, however, resulted in rampant speculation and, ultimately, economic collapse. In The Politics of Utopia, historian Arnaud Orain offers a provocative rereading of this well-known episode.
 
Starting his story in the seventeenth century, Orain reconstructs the figures and ideas, long predating Law, that anticipated and laid the groundwork for the System, which, he argues, is best understood as a failed social utopia aimed at the total transformation of society. Overturning familiar narratives of this seismic event, this book rewrites a stunning chapter in economic history by dealing with the cultural, colonial, religious, and political dimensions of the (in)famous System up to the French Revolution, revealing new lessons for today’s fraught financial landscape.
[more]
cover of The Politics of Women's Suffrage: Local, National and International Dimensions

The Politics of Women's Suffrage

Local, National and International Dimensions

Edited by Alexandra Hughes-Johnson and Lyndsey Jenkins

University of London Press, 2021

A history of the early twentieth-century movement for women’s suffrage in the United Kingdom and the Commonwealth. 
 
In the United Kingdom, the question of women’s suffrage represented the most substantial challenge to the constitution since 1832, seeking not only to expand but to redefine definitions of citizenship and power. At the same time, it was inseparable from other urgent contemporary political debates—the Irish question, the decline of the British Empire, the Great War, and the increasing demand for workers’ rights.  

This collection positions women’s suffrage as central to, rather than separate from, these broader political discussions, demonstrating how they intersected and were mutually constitutive. In particular, this collection pays close attention to the issues of class and Empire which shaped this era. It demonstrates how campaigns for women’s rights were consciously and unconsciously played out, impacting attitudes to motherhood, spurring the radical “birth-strike” movement, and burgeoning communist sympathies in working-class communities around Britain and beyond.
[more]
cover of The Pontecorvo Affair: A Cold War Defection and Nuclear Physics

The Pontecorvo Affair

A Cold War Defection and Nuclear Physics

Simone Turchetti

University of Chicago Press, 2012

In the fall of 1950, newspapers around the world reported that the Italian-born nuclear physicist Bruno Pontecorvo and his family had mysteriously disappeared while returning to Britain from a holiday trip. Because Pontecorvo was known to be an expert working for the UK Atomic Energy Research Establishment, this raised immediate concern for the safety of atomic secrets, especially when it became known in the following months that he had defected to the Soviet Union. Was Pontecorvo a spy? Did he know and pass sensitive information about the bomb to Soviet experts? At the time, nuclear scientists, security personnel, Western government officials, and journalists assessed the case, but their efforts were inconclusive and speculations quickly turned to silence. In the years since, some have downplayed Pontecorvo’s knowledge of atomic weaponry, while others have claimed him as part of a spy ring that infiltrated the Manhattan Project.
           
The Pontecorvo Affair draws from newly disclosed sources to challenge previous attempts to solve the case, offering a balanced and well-documented account of Pontecorvo, his activities, and his possible motivations for defecting. Along the way, Simone Turchetti reconsiders the place of nuclear physics and nuclear physicists in the twentieth century and reveals that as the discipline’s promise of military and industrial uses came to the fore, so did the enforcement of new secrecy provisions on the few experts in the world specializing in its application.
[more]
cover of The Pope's Body

The Pope's Body

Agostino Paravicini-Bagliani

University of Chicago Press, 2000

In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life.

Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.
[more]
cover of The Port Royal New Testament: Jansenists and Vernacular Scripture in Seventeenth-Century France

The Port Royal New Testament

Jansenists and Vernacular Scripture in Seventeenth-Century France

Elizaveta Al-Faradzh

Catholic University of America Press, 2026

This book contributes to the history of early modern Catholicism through a case study of a landmark project in the development of the seventeenth-century French Bible: the Port-Royal translation of the New Testament published in 1667. Produced by theologians based at the monastery of Port-Royal, a major religious and intellectual center associated with Jansenism, this translation became one of the most widely read Catholic Bibles of its age. The study situates the Port-Royal project within the revival of French Catholicism after the Wars of Religion, when the Church, inspired by Tridentine reforms, sought to promote discipline and devotion across all ranks of society. While many theologians resisted direct lay access to Scripture, political pressures, Protestant competition, and developments in the French language created new opportunities for vernacular biblical translation. The Port-Royal New Testament stood out from contemporary efforts by its scope, ambition, and style. Unlike other spiritual schools, the Jansenists placed Scripture at the heart of religious life and promoted its reading as central to devotion. Their translation, polemically defended by Antoine Arnauld (1612-1694), adjusted biblical language to contemporary French, aiming for clarity, elegance, and accessibility. Critics accused the work of echoing Protestant practice, yet its popularity among readers testified to its resonance. Drawing on translation analysis, polemical literature, and the history of the book, this study shows how the Jansenists advanced a program of religious renewal that combined fidelity to Patristic tradition with a modern, stylistically refined vernacular Bible. Their publishing strategies sought to diminish the gap between clergy and laity, dispersing their translation despite the condemnations of religious and political authorities. The Port-Royal New Testament thus emerges as both a devotional resource and a controversial intervention, embodying the Jansenist vision of universal access to the Word of God and leaving a mark on French Catholic culture.
[more]
cover of The Portable Queen: Elizabeth I and the Politics of Ceremony

The Portable Queen

Elizabeth I and the Politics of Ceremony

Mary Hill Cole

University of Massachusetts Press, 1999

Every spring and summer of her forty-four years as queen, Elizabeth I (1533–1603) insisted that her court go "on progress," a series of royal visits to towns and aristocratic homes in southern England. These trips provided the only direct contact most people had with a monarch who made popularity a cornerstone of her reign. Public appearances gave the queen a stage on which to interact with her subjects in a calculated effort to keep their support. The progresses were both emblematic of Elizabeth's rule and intrinsic to her ability to govern.

In this book, Mary Hill Cole provides a detailed analysis of the progresses. Drawing on royal household accounts, ministerial correspondence, county archives, corporation records, and family papers, she examines the effects of the visits on the queen's household and government, the individual and civic hosts, and the monarchy of the Virgin Queen.

Cole places the progresses in the sixteenth-century world of politics and images, where the queen and her hosts exchanged ceremonial messages that advanced their own agendas. The heart of the progresses was the blend of politics, socializing, and ceremony that enabled the queen to accomplish royal business on the move while satisfying the needs of those courtiers, townspeople, and country residents who welcomed her into their communities.

While all Renaissance monarchs engaged in occasional travel, in Elizabeth's case the progresses provided the settings in which she crafted her royal authority. Although the trips inconvenienced the government and strained her treasury, Elizabeth found power in the turmoil of an itinerant court and in a continuing ceremonial dialogue with her subjects.
[more]
cover of The Possession at Loudun

The Possession at Loudun

Michel de Certeau

University of Chicago Press, 2000

It is August 18, 1634. Father Urbain Grandier, convicted of sorcery that led to the demonic possession of the Ursuline nuns of provincial Loudun in France, confesses his sins on the porch of the church of Saint-Pierre, then perishes in flames lit by his own exorcists. A dramatic tale that has inspired many artistic retellings, including a novel by Aldous Huxley and an incendiary film by Ken Russell, the story of the possession at Loudun here receives a compelling analysis from the renowned Jesuit historian Michel de Certeau.

Interweaving substantial excerpts from primary historical documents with fascinating commentary, de Certeau shows how the plague of sorceries and possessions in France that climaxed in the events at Loudun both revealed the deepest fears of a society in traumatic flux and accelerated its transformation. In this tour de force of psychological history, de Certeau brings to vivid life a people torn between the decline of centralized religious authority and the rise of science and reason, wracked by violent anxiety over what or whom to believe.

At the time of his death in 1986, Michel de Certeau was a director of studies at the école des hautes études en sciences sociales, Paris. He was author of eighteen books in French, three of which have appeared in English translation as The Practice of Everyday Life,The Writing of History, and The Mystic Fable, Volume 1, the last of which is published by The University of Chicago Press.

"Brilliant and innovative. . . . The Possession at Loudun is [de Certeau's] most accessible book and one of his most wonderful."—Stephen Greenblatt (from the Foreword)
[more]
cover of The Power of Intellectuals in Contemporary Germany

The Power of Intellectuals in Contemporary Germany

Edited by Michael Geyer

University of Chicago Press, 2001

A decade after reunification, with Germany laboring to define a new national identity, the defunct German Democratic Republic has gained a second life in the pages of history. The former GDR, and particularly the fate of its intellectuals, has become the subject of novels, memoirs, and films, and it has also become the backdrop for general debates over the power of intellectuals in contemporary media and society.

This new collection of essays considers the demise of the GDR and its impact on the place of intellectuals in Germany today. Distinguished contributors from Germany, Austria, and the United States survey aspects of high and low culture, including the current nostalgia for East German film, the demise of the GDR rock scene, the pivotal role of East German poets, the consolidation and privatization of German media, and the frightening new resurgence of right-wing violence. The result is a timely volume that charts Germany's rocky transition from one world to another.

Contributors:
Mitchell G. Ash
Simone Barck
David Bathrick
John Borneman
Dorothea Dornhof
Michael Geyer
Andreas Graf
Dietrich Hohmann
Andreas Huyssen
Konrad Jarausch
Alexander Kluge
Loren Kruger
Martina Langermann
Siegfried Lokatis
Patricia Anne Simpson
Frank Trommler
Katie Trumpener
[more]
cover of The Power of Words: Studies on Charms and Charming in Europe

The Power of Words

Studies on Charms and Charming in Europe

James Kapalo

Central European University Press, 2013

n medieval and early modern Europe, the use of charms was a living practice in all strata of society. The essays in this latest CEU Press publication explore the rich textual tradition of archives, monasteries, and literary sources. The author also discusses texts amassed in folklore archives and ones that are still accessible through field work in many rural areas of Europe.
[more]
cover of The Practical Imagination: The German Sciences of State in the Nineteenth Century

The Practical Imagination

The German Sciences of State in the Nineteenth Century

David F. Lindenfeld

University of Chicago Press, 1997

Drawing on the work of Foucault and Bourdieu, David Lindenfeld illuminates the practical imagination as it was exhibited in the transformation of the political and social sciences during the changing conditions of nineteenth-century Germany. Using a wealth of information from state and university archives, private correspondence, and a survey of lecture offerings in German universities, Lindenfeld examines the original group of learned disciplines which originated in eighteenth-century Germany as a curriculum to train state officials in the administration and reform of society and which included economics, statistics, politics, public administration, finance, and state law, as well as agriculture, forestry, and mining. He explores the ways in which some systems of knowledge became extinct, and how new ones came into existence, while other migrated to different subject areas.

Lindenfeld argues that these sciences of state developed a technique of deliberation on practical issues such as tax policy and welfare, that serves as a model for contemporary administrations.



[more]
cover of The Prague Spring, 1968

The Prague Spring, 1968

The National Security Archive Navratíl

Central European University Press, 1998

This is the first ever documented account of a Cold War crisis as seen from both sides of the Iron Curtain. Based on unprecedented access to the previously closed archives of each member-state of the Warsaw Pact, this book offers a unique look at a deeply divisive intra-bloc crisis.
Presented in a highly readable form, the book offers top-level documents from Kremlin Politburo meetings, multi-lateral sessions of the Warsaw Pact leading up to the decision to invade, and even transcriptions of KGB-recorded phone conversations between Leonid Brezhnev and Alexander Dubcek. Once highly classified American documents from the National Security Council, CIA, and other relevant agencies acquired through the U.S. Freedom of Information Act have also been included.
In order to provide a historical and political context, the editors have included an introductory essay for each section of the volume. A chronology, glossary, and bibliography offer further background information for the reader. As members of the commission appointed by Václav Havel to investigate the events of 1967-1970, the editors have a unique Czech-Slovak perspective to offer to foreign audiences.
[more]
cover of The Preacher's Demons: Bernardino of Siena and the Social Underworld of Early Renaissance Italy

The Preacher's Demons

Bernardino of Siena and the Social Underworld of Early Renaissance Italy

Franco Mormando

University of Chicago Press, 1999

"When the city was filled with these bonfires, he then combed the city, and whenever he received notice of some public sodomite, he had him immediately seized and thrown into the nearest bonfire at hand and had him burned immediately." This story, of an anonymous individual who sought to cleanse medieval Paris, was part of a sermon delivered in Siena, Italy, in 1427. The speaker, the friar Bernardino (1380-1444), was one of the most important public figures of the time, and he spent forty years combing the towns of Italy, instructing, admonishing, and entertaining the crowds that gathered in prodigious numbers to hear his sermons.

His story of the Parisian vigilante was a recommendation. Sexual deviants were the objects of relentless, unconditional persecution in Bernardino's sermons. Other targets of the preacher's venom were witches, Jews, and heretics. Mormando takes us into the social underworld of early Renaissance Italy to discover how one enormously influential figure helped to dramatically increase fear, hatred, and intolerance for those on society's margins.

This book is the first on Bernardino to appear in thirty-five years, and the first ever to consider the preacher's inflammatory role in Renaissance social issues.

[more]
cover of The Prendergast Letters: Correspondence from Famine-Era Ireland, 1840–1850

The Prendergast Letters

Correspondence from Famine-Era Ireland, 1840–1850

Shelley Barber

University of Massachusetts Press, 2006

The Prendergast Letters Collection, one of the noteworthy manuscript collections at Boston College's John J. Burns Library, provides an account of the experiences of an ordinary family in County Kerry, Ireland, from 1840 to 1850. The letters include myriad details of the lives of family members and neighbors, reports of weather, agriculture, and local events and economy, along with commentary on matters of national importance such as politician Daniel O'Connell's movement for the Repeal of the Act of Union.

Most important, the letters offer a rare contemporary, firsthand account of Ireland's an Gorta Mor, the Great Famine that began with the failure of the potato crop in 1845. Letters written in the months and years following the announcement of the first crop failure provide insight into not only the sufferings of one family but also the response of the community and nation as this crisis transformed Ireland.

James and Elizabeth Prendergast were the parents of six children. Their letters from Milltown, County Kerry, dictated to a scrivener, were posted to sons Thomas and Jeffrey and daughter Julia Riordan and her husband Cornelius, all of whom had emigrated in search of employment to Boston, Massachusetts—a city that would itself be transformed by the famine-era influx of Irish immigrants.

In addition to transcriptions of the forty-eight letters in the collection, this volume includes contextual essays by historian Ruth-Ann Harris and genealogist Marie Daly. The evidence of the letters themselves, along with the contributions of Harris and Daly, demonstrate the ways in which the family of James Prendergast was at once exceptional and typical.
[more]
cover of The Primitive, the Aesthetic, and the Savage: An Enlightenment Problematic

The Primitive, the Aesthetic, and the Savage

An Enlightenment Problematic

Tony C. Brown

University of Minnesota Press, 2012

Tony C. Brown examines “the inescapable yet infinitely troubling figure of the not-quite-nothing” in Enlightenment attempts to think about the aesthetic and the savage. The various texts Brown considers—including the writings of Addison, Rousseau, Kant, and Defoe—turn to exotic figures in order to delimit the aesthetic, and to aesthetics in order to comprehend the savage.

In his intriguing exploration Brown discovers that the primitive introduces into the aesthetic and the savage an element that proves necessary yet difficult to conceive. At its most profound, Brown explains, this element engenders a loss of confidence in one’s ability to understand the human’s relation to itself and to the world. That loss of confidence—what Brown refers to as a breach in anthropological security—traces to an inability to maintain a sense of self in the face of the New World. Demonstrating the impact of the primitive on the aesthetic and the savage, he shows how the eighteenth-century writers he focuses on struggle to define the human’s place in the world. As Brown explains, these authors go back again and again to “exotic” examples from the New World—such as Indian burial mounds and Maori tattooing practice—making them so ubiquitous that they come to underwrite, even produce, philosophy and aesthetics.

[more]
cover of The Privatization Process in Central Europe

The Privatization Process in Central Europe

Roman Frydman

Central European University Press, 1993

In this work, comprehensive comparative information on five Central European countries has been collected by teams of researchers from both within the region and from the West. Following an introduction to the economic environment in each country, it provides an overview of the privatization process, including an account of the legal framework of ownership, institutions for state regulation, an overview of privatization programmes and the initial transformation of enterprises. A key feature of the book is the authors' access to hitherto unavailable information and their ability to present a vast amount of material in an easily available format. Aimed at policy makers and business people, the work should provide a strong foundation for future research.
[more]
cover of The Privatization Process in Russia, the Ukraine, and the Baltic States

The Privatization Process in Russia, the Ukraine, and the Baltic States

Roman Frydman

Central European University Press, 1993

In this work, comprehensive comparative information on five former Soviet republics has been collected by teams of researchers from both within the region and from the West. Following an introduction to the economic environment in each country, it provides an overview of the privatization process, including an account of the legal framework of ownership, institutions for state regulation, an overview of privatization programmes and the initial transformation of enterprises. A key feature of the book is the authors' access to hitherto unavailable information and their ability to present a vast amount of material in an easily available format. Aimed at policy makers and business people, the work should provide a strong foundation for future research.
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cover of The Privilege of Being Banal: Art, Secularism, and Catholicism in Paris

The Privilege of Being Banal

Art, Secularism, and Catholicism in Paris

Elayne Oliphant

University of Chicago Press, 2021

France, officially, is a secular nation. Yet Catholicism is undeniably a monumental presence, defining the temporal and spatial rhythms of Paris. At the same time, it often fades into the background as nothing more than “heritage.” In a creative inversion, Elayne Oliphant asks in The Privilege of Being Banal what, exactly, is hiding in plain sight? Could the banality of Catholicism actually be a kind of hidden power?

Exploring the violent histories and alternate trajectories effaced through this banal backgrounding of a crucial aspect of French history and culture, this richly textured ethnography lays bare the profound nostalgia that undergirds Catholicism’s circulation in nonreligious sites such as museums, corporate spaces, and political debates. Oliphant’s aim is to unravel the contradictions of religion and secularism and, in the process, show how aesthetics and politics come together in contemporary France to foster the kind of banality that Hannah Arendt warned against: the incapacity to take on another person’s experience of the world. A creative meditation on the power of the taken-for-granted, The Privilege of Being Banal is a landmark study of religion, aesthetics, and public space.
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cover of The Production of Living Knowledge: The Crisis of the University and the Transformation of Labor in Europe and North America

The Production of Living Knowledge

The Crisis of the University and the Transformation of Labor in Europe and North America

Gigi Roggero

Temple University Press, 2011

Evaluating higher education institutions—particularly the rise of the “global university”—and their rapidly changing role in the global era, Gigi Roggero finds the system in crisis. In his groundbreaking book, The Production of Living Knowledge, Roggero examines the university system as a key site of conflict and transformation within “cognitive capitalism”—a regime in which knowledge has become increasingly central to the production process at large. Based on extensive fieldwork carried out through the activist method of conricerca, or “co-research,” wherein researchers are also subjects, Roggero’s book situates the crisis of the university and the changing composition of its labor force against the backdrop of the global economic crisis.

Combining a discussion of radical experiments in education, new student movements, and autonomist Marxian (or post-operaista) social theory, Roggero produces a distinctly transnational and methodologically innovative critique of the global university from the perspective of what he calls “living knowledge.”

In light of new student struggles in the United States and across the world, this first English-language edition is particularly timely.

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cover of The Profession of Widowhood: Widows, Pastoral Care, and Medieval Models of Holiness

The Profession of Widowhood

Widows, Pastoral Care, and Medieval Models of Holiness

Katherine Clark Walter

Catholic University of America Press, 2018

The Profession of Widowhood explores how the idea of ‘true’ widowhood was central to pre-modern ideas concerning marriage and of female identity more generally. The medieval figure of the Christian vere vidua or “good” widow evolved from and reinforced ancient social and religious sensibilities of chastity, loyalty and grief as gendered ‘work.’ The ideal widow was a virtuous woman who mourned her dead husband in chastity, solitude, and most importantly, in perpetuity, marking her as “a widow indeed” (1 Tim 5:5). The widow who failed to display adequate grief fulfilled the stereotype of the ‘merry widow’ who forgot her departed spouse and abused her sexual and social freedom. Stereotypes of widows ‘good’ and ‘bad’ served highly-charged ideological functions in pre-modern culture, and have remained durable even in modern times, even as Western secular society now focuses more on a woman’s recovery from grief and possible re-coupling than the expectation that she remain forever widowed. The widow represented not only the powerful bond created by love and marriage, but also embodied the conventions of grief that ordered the response when those bonds were broken by premature death. This notion of the widow as both a passive memorial to her husband and as an active ‘rememberer’ was rooted in ancient traditions, and appropriated by early Christian and medieval authors who used “good” widowhood to describe the varieties of female celibacy and to define the social and gender order. A tradition of widowhood characterized by chastity, solitude, and permanent bereavement affirmed both the sexual mores and political agenda of the medieval Church. Medieval widows—both holy women recognized as saints and ‘ordinary women’ in medieval daily life—recognized this tradition of professed chastity in widowhood not only as a valuable strategy for avoiding remarriage and protecting their independence, but as a state with inherent dignity that afforded opportunities for spiritual development in this world and eternal merit in the next.
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