5159 books match the query 'Biography' and 934 start with t
Dennis McCann
Wisconsin Historical Society Press, 2019
Aleshia Brevard
Temple University Press, 2001
Gayle Greene
University of Michigan Press, 2017
Gayle Greene
University of Michigan Press, 2001
This biography illuminates the life and achievements of the remarkable woman scientist who revolutionized the concept of radiation risk.
In the 1950s Alice Stewart began research that led to her discovery that fetal X rays double a child's risk of developing cancer. Two decades later---when she was in her seventies---she again astounded the scientific world with a study showing that the U.S. nuclear weapons industry is about twenty times more dangerous than safety regulations permit. This finding put her at the center of the international controversy over radiation risk. In 1990, the New York Times called Stewart "perhaps the Energy Department's most influential and feared scientific critic."
The Woman Who Knew Too Much traces Stewart's life and career from her early childhood in Sheffield to her medical education at Cambridge to her research positions at Oxford University and the University of Birmingham.
Gayle Greene is Professor of Women's Studies and Literature, Scripps College.
Loreta Janeta Velazquez
University of Wisconsin Press, 2003
By Carole Bell Ford
University of Texas Press, 2005
Houston was a terrible place to divorce or seek child custody in the 1980s and early 1990s. Family court judges routinely rendered verdicts that damaged the interests of women and children. In some especially shocking cases, they even granted custody to fathers who had been accused of molesting their own children. Yet despite persistent allegations of cronyism, incompetence, sexism, racism, bribery, and fraud, the judges wielded such political power and influence that removing them seemed all but impossible. The family court system was clearly broken, but there appeared to be no way to fix it.
This book recounts the inspiring and courageous story of women activists who came together to oppose Houston's family court judges and whose political action committee, CourtWatch, played a crucial role in defeating five of the judges in the 1994 judicial election. Carole Bell Ford draws on extensive interviews with Florence Kusnetz, the attorney who led the reform effort, and other CourtWatch veterans, as well as news accounts, to provide a full history of the formation, struggles, and successes of a women's grassroots organization that overcame powerful political interests to improve Houston's family courts. More than just a local story, however, this history of CourtWatch provides a model that can be used by activists in other communities in which legal and social institutions have gone astray. It also honors the heroism of Florence Kusnetz, whose commitment to the Jewish concept of tikkun olam ("repairing and improving the world") brought her out of a comfortable retirement to fight for justice for women and children.
Kerry William Bate
University of Utah Press, 2016
Beatrice McKenzie
University of Wisconsin Press, 2022
Jacques Derrida
University of Chicago Press, 2001
Mikel Rouse. Foreward by Kyle Gann
University of Illinois Press, 2024
One of the most innovative composers of his generation, Mikel Rouse is known for a trilogy of operas that includes Dennis Cleveland and a gift for superimposing pop vernaculars onto avant-garde music. This memoir channels Rouse’s high energy personality into an exuberant account of the precarity and pleasures of artistic creation. Raconteur and starving artist, witty observer and acclaimed musician, Rouse emerged from the legendary art world of 1980s New York to build a forty-year career defined by stage and musical successes, inexhaustible creativity, and a support network of famous faces, loyal allies, and high art hustlers. Rouse guides readers through a working artists’ hardscrabble life while illuminating the unromantic truth that a project’s reception may depend on a talented cast and crew but can depend on reliable air conditioning.
Candid and hilarious, The World Got Away is a one-of-a-kind account of a creative life fueled by talent, work, and luck.
Jean Gallagher
Southern Illinois University Press, 1998
For some women writers and photographers during the two world wars—Edith Wharton, Mildred Aldrich, Martha Gellhorn, Lee Miller, H.D., and Gertrude Stein—the construction of the female subject as an observer of combat became a vital concern. Their explorations of vision took place against the backdrop of a larger shift in Western culture's understanding of what "seeing" meant in common practice and philosophical discourse alike. The role of visuality in their lives was massively transformed not only by the rigid gender roles of war but by the introduction of new combat practices and technologies such as aerial surveillance, trench warfare, and civilian bombardment.
In The World Wars Through the Female Gaze, Jean Gallagher maps one portion of the historicized, gendered territory of what Nancy K. Miller calls the "gaze in representation." Expanding the notion of the gaze in critical discourse, Gallagher situates a number of visual acts within specific historic contexts to reconstruct the wartime female subject. She looks at both the female observer's physical act of seeing—and the refusal to see—for example, a battlefield, a wounded soldier, a torture victim, a national flag, a fashion model, a bombed city, or a wartime hallucination.
The book begins with two instances of wartime propaganda written by American women in France in 1915. Both Edith Wharton's Fighting France and Mildred Aldrich's A Hilltop on the Marne offer a complex and often contradictory sense of a woman writer's struggles with authority, resistance, and killing. In the process, Gallagher teases out the role of specular vision and the impossibility of "directly" seeing the war.
Gallagher then turns to literary and visual texts produced by two female journalists between 1940 and 1945. Martha Gellhorn's 1940 novel A Stricken Field exhibits a range of gendered seeing positions within and in opposition to the visual ideologies of fascism during the Nazi occupation of Czechoslovakia. Lee Miller's war correspondence and photography for Vogue show how Miller constructed herself and her predominantly female American audience as antifascist observers of war by working with and against some of the conventions of surrealist fashion photography.
Gallagher concludes by focusing on the experimental autobiographical prose of H.D. and Gertrude Stein to explore the functions of vision on two World War II "homefronts"—London during the Blitz and Vichy France.
Helen Bevington
Duke University Press, 1991
Ann Durkin Keating
University of Chicago Press, 2019
Doug Moe
University of Wisconsin Press, 1999
This illustrated biography is the first account of the colorful life of Chicago newspaper columnist Mike Royko, Pulitzer Prize winner, best-selling author, and legendary journalist who personified Chicago in all its rough-edged charm. Drawing on exclusive photos and interviews with Royko’s family and intimates, the book chronicles Royko’s rise from a “flat-above-a-tavern” youth—raised above a bar on Chicago’s Polish northwest side—to one of the best-known names in American journalism.
Readers will get the inside scoop on Royko’s epic battles with Mayor Richard J. Daley and other politicians and his hilarious columns featuring “Slats Grobnik.” They’ll also meet a softer, largely unknown, side of Royko, through the love letters he sent to his wife-to-be from an Air Force base in Washington State.
More than 100 photos—many never before available to the public—capture the man and his times. Millions of readers—in 800 newspapers around the world—followed Royko’s work and life. In The World of Mike Royko—he lives again.
Aileen Kilgore Henderson
University of Alabama Press, 2020
A coming-of-age memoir evoking farm, mining, and small-town life in Alabama’s Tuscaloosa County as the world transitions from the Great Depression to World War II.
In the 1930s, the rural South was in the throes of the Great Depression. Farm life was monotonous and hard, but a timid yet curious teenager thought it worth recording. Aileen Kilgore Henderson kept a chronicle of her family’s daily struggles in Tuscaloosa County alongside events in the wider world she gleaned from shortwave radio and the occasional newspaper. She wrote about Howard Hughes’s round-the-world flight and her horror at the rise to power in Germany of a bizarre politician named Adolf Hitler. Henderson longed to join the vast world beyond the farm, but feared leaving the refuge of her family and beloved animals.
Yet, with her father’s encouragement, she did leave, becoming a clerk in the Kress dime store in downtown Tuscaloosa. Despite long workdays and a lengthy bus commute, she continued to record her observations and experiences in her diary, for every day at the dime store was interesting and exciting for an observant young woman who found herself considering new ideas and different points of view.
Drawing on her diary entries from the 1930s and early 1940s, Henderson recollects a time of sweeping change for Tuscaloosa and the South. The World through the Dime Store Door is a personal and engaging account of a Southern town and its environs in transition told through the eyes of a poor young woman with only a high school education but gifted with a lively mind and an openness to life.
Rosemary Wakeman
University of Chicago Press, 2024
Murphy, Andrew R
Rutgers University Press, 2019
Timothy J. Henderson
Duke University Press, 1998
Robert C. Smith
Northwestern University Press, 1997
Kelley Shinn
West Virginia University Press, 2023
The improbable and powerful true story of a single mother with prosthetics for both legs who travels the globe with her young daughter in a Land Rover.
“A harrowing memoir. . . . Readers may not want to follow in [Shinn’s] footsteps, but they will never be bored with her as a companion.” —Kirkus Reviews
The Wounds That Bind Us is the improbable true story of Kelley Shinn, an orphan at birth who loses her legs at the age of sixteen to a rare bacterial pathogen. She becomes an avid off-road racer and, as a single mother, attempts to drive around the globe in a Land Rover with her three-year-old daughter in tow to bring light to the plight of land mine survivors. With unflinching honesty, exceptional lyricism, and biting humor, Shinn (“that’s two Ns and no shins”) takes readers on a wild journey—literal and emotional—filled with striking characters and landscapes, heartbreaks, and hard-won insights, ultimately arriving at a place of profound redemption.
Told with the energy and intensity of the adventure story it is, this terrifically rich and nuanced examination of a life is also a careful meditation on renewal—a remapping of the world. Guided by the narrator’s keen introspection and her ability to look resolutely at harrowing sorrows and still find hope, joy, and meaning, The Wounds That Bind Us will resonate deeply, long after the last page.
Robert R. Bataille
Southern Illinois University Press, 2000
Robert R. Bataille demonstrates convincingly that between 1767 and 1777, Anglo-Irish writer Hugh Kelly made major contributions in three areas of British culture: politics, journalism, and theater. Bataille shows how all three activities were integrated in Kelly’s life, suggesting that such interrelationships often existed in the rough and ready London culture during the early reign of King George III.
When he discovered several newspaper campaigns that Kelly orchestrated as a paid political propagandist for George III and his ministers, Bataille understood in part how important Kelly was to his era. In his capacity as propagandist, Kelly defended Hanoverian colonial policies on the eve of the American Revolution, served as a key opponent of the radical Wilkites, and promoted the acceptance of the 1774 Quebec Bill, which established, among other things, the right of the recently defeated French citizens of Quebec to maintain the French language.
A belletristic journalist, Kelly published theater reviews and essays that played a major role in shaping the taste of his era. He wrote in defense of the controversial sentimental drama, and whenever he could, he promoted the major theatrical figure of the age, David Garrick. Under his editorship, the newspaper Public Ledger became a leading source of theater information. Seeking to raise the status of the profession of journalism, he wrote essays and articles that provided his middle-class readers with an insider’s view of the operations of the journalist.
Assessing Kelly’s contributions to the novel and drama, Bataille argues that this powerful journalist stands in the vanguard in the larger struggle against traditional attitudes supporting male superiority and aristocratic privilege. Kelly wrote in favor of gender equality and middle-class respectability, striving to inculcate what modern scholars refer to as the values of sensibility. Bataille also argues, however, that Kelly knew his audience. Instrumental in the rise of professional writing and popular culture, he understood that he had to observe the needs of his audience, detecting cultural trends and using the skills of the rhetorician.
Joel Pfister
Duke University Press, 2009
Roe Cloud’s white-collar activism was entwined with the Progressive Era formation of an Indian professional and managerial class, a Native “talented tenth,” whose members strategically used their contingent entry into arenas of white social, intellectual, and political power on behalf of Indians without such access. His Yale training provided a cross-cultural education in class-structured emotions and individuality. While at Yale, Roe Cloud was informally adopted by a white missionary couple. Through them he was schooled in upper-middle-class sentimentality and incentives. He also learned how interracial romance could jeopardize Indian acceptance into their class. Roe Cloud expanded the range of what modern Indians could aspire to and achieve.
David R. Spencer
Northwestern University Press, 2007
Harold J. Cook
University of Chicago Press, 2018
H. Jackson Clark
University of Utah Press, 1993
Lance Greene
University of Alabama Press, 2023
The remarkable story of a North Carolina Cherokee community who avoided forced removal on the Trail of Tears
During the 1838 forced Cherokee removal by the US government, a number of close-knit Cherokee communities in the Southern Appalachian Mountains refused to relinquish their homelands, towns, and way of life. Using a variety of tactics, hundreds of Cherokees avoided the encroaching US Army and remained in the region.
In his book Their Determination to Remain: A Cherokee Community’s Resistance to the Trail of Tears in North Carolina, Lance Greene explores the lives of wealthy plantation owners Betty and John Welch who lived on the southwestern edge of the Cherokee Nation. John was Cherokee and Betty was White. Although few Cherokees in the region participated in slavery, the Welches held nine African Americans in bondage.
During removal, the Welches assisted roughly 100 Cherokees hiding in the steep mountains. Afterward, they provided land for these Cherokees to rebuild a new community, Welch’s Town. Betty became a wealthy and powerful plantation mistress because her husband could no longer own land. Members of Welch’s Town experienced a transitional period in which they had no formal tribal government or clear citizenship yet felt secure enough to reestablish a townhouse, stickball fields, and dance grounds.
Greene’s innovative study uses an interdisciplinary approach, incorporating historical narrative and archaeological data, to examine how and why the Welches and members of Welch’s Town avoided expulsion and reestablished their ways of life in the midst of a growing White population who resented a continued Cherokee presence. The Welch strategy included Betty’s leadership in demonstrating outwardly their participation in modern Western lifestyles, including enslavement, as John maintained a hidden space—within the boundaries of their land—for the continuation of traditional Cherokee cultural practices. Their Determination to Remain explores the complexities of race and gender in this region of the antebellum South and the real impacts of racism on the community.
Theodore Bikel
University of Wisconsin Press, 2002
An award-winning actor on screen and stage (The Defiant Ones, The African Queen, The Sound of Music, My Fair Lady, Fiddler on the Roof), an activist for civil rights and progressive causes worldwide, and a singer whose voice has won him great applause, Theodore Bikel here tells his own compelling life story. Born in Austria, raised in Palestine, educated in England, and with a stellar career in the United States and around the world, Bikel offers a personal history parallel to momentous events of the twentieth century. In an eloquent, fiercely committed voice, he writes of the Third Reich, the birth of the State of Israel, the McCarthy witch hunts of the 1950s, and the tumultuous 1960s in America. In a new postscript to this paperback edition, he looks at recent events in the Middle East and takes both sides to task for their excesses.
Joyce Hoffmann
University of Missouri Press, 1995
In this groundbreaking study, Joyce Hoffmann examines a critical twenty-five-year period in the work of one of the most influential journalists of the twentieth century. Theodore H. White was already a celebrated reporter when Jacqueline Kennedy summoned him for an exclusive interview in the aftermath of her husband's assassination. With her help, White would preserve what the First Lady claimed had been John F. Kennedy's vision of the New Frontier as an incarnation of that wistful, romantic kingdom--Camelot. Over the years, friends and advisers to Kennedy declared that they had never heard the president speak of Camelot. But White's article, which ran in Life magazine, created a myth that still endures in the popular consciousness.
That story was just one of many by Theodore White that had a lasting impact on the nation. As a correspondent for several of the country's most popular magazines, he covered the crucial events of the 1940s, '50s, and '60s. His best-selling book The Making of the President 1960 changed political reporting forever.
A gifted and likable man with a remarkable skill for ingratiating himself with others, White earned the confidence of key political, military, and diplomatic leaders. First in the Far East, later in Europe, and finally in Washington, D.C., he became a confidant and adviser rather than an adversary to the figures he covered for the news, following a pattern set by elite journalists. Even as he played the impartial reporter, White kept secrets in order to maintain access to his important sources, and he occasionally allowed his subjects, including John F. Kennedy and Nelson Rockefeller, to make changes in his work before publication.
Clinging to the illusion of objectivity, White--like other leading journalists in the postwar years--wrote about the world not as it was but as he believed it ought to be. Hoffmann relates the little-known episode in White's career when he intentionally obscured the truth about Chiang Kai-shek's corrupt and inept Nationalist government because he believed that undermining China's cause would be "a disservice to democracy."
No other book so thoroughly documents how a first-rank journalist can become a political insider and distort the news without losing the gloss of impartiality that is supposed to accompany the profession. Impressively researched, skillfully written, Theodore H. White and Journalism as Illusion is an unflinching look at a key figure in the history of American journalism and at the profession itself.
Michael R. Canfield
University of Chicago Press, 2015
Thomas Bailey and Katherine Joslin
University Press of New England, 2018
William E. Bartelt
Indiana Historical Society Press, 2008
Andrea Carlisle
Oregon State University Press, 2023
Judith Kilpatrick
University of Arkansas Press, 2007
John Bloom
University of Massachusetts Press, 2010
Richard Arrington
University of Alabama Press, 2008
On a sultry September morning in 1955, a young African American man, the son of share croppers, boarded a Greyhound bus in Birmingham, Alabama, to leave his home state for the first time in his life. He was headed for the University of Detroit on a teaching scholarship from MilesCollege. Richard Arrington could not have guessed then that his future as a teacher would be postponed for decades by big-city politics--and that he would serve a record-setting five terms as chief executive of Alabama’s largest city.
Under Arrington’s leadership, Birmingham rebuilt itself from a foundering, steel-driven industrial center to one of the most diversified metropolitan areas in the Southeast, with an economy fueled by health care, biomedical research, engineering, telecommunications, and banking. As mayor, Arrington’s economic legacy is impressive. When he left office, Birmingham boasted a record number of jobs and the lowest unemployment rate in its history. Additionally, Birmingham had built the strongest tax base in Alabama, expanded its city limits by 60 square miles, reduced crime to its lowest level in 25 years, and funded a $260 million school construction program. Today Birmingham is financially sound and is the only city in the Southeast with a $100 million endowment fund.
Albert Glinsky
University of Illinois Press, 2000
A creative genius and prolific inventor, Leon Theremin almost single-handedly launched the field of electronic music in 1920. The theremin--the only musical instrument that is played without being touched--created a sensation worldwide and paved the way for the modern synthesizer. But the otherworldly sound that entranced millions was only part of Theremin's epic life.
As a Soviet scientist, Theremin surrendered his life and work to the service of State espionage. On assignment in Depression-era America, he worked the engines of capitalist commerce while passing data on US industrial technology to the Soviet apparat. Following his sudden disappearance in 1938, Theremin vanished into the top-secret Soviet intelligence machine and was presumed dead for nearly thirty years. Using the same technology that spawned the theremin, he designed bugging devices and a host of other electronic wonders, including an early television and multimedia devices that anticipated performance art and virtual reality by decades.
Albert Glinsky's biography places the inventor at world events stretching from the Russian Revolution through the Cold War to perestroika. Throughout, he spins whimsy and treachery into an astonishing drama of one man's hidden loyalties, mixed motivations, and irrepressibly creative spirit.
Don Waters
University of Iowa Press, 2019
Jack DeMattos
University of North Texas Press, 2018
H.C. Wolfart
University of Manitoba Press, 2000
Gretchen Cassel Eick
University of Nevada Press, 2020
Carolyn Marie Wilkins
University of Missouri Press, 2013
At the height of the cocaine-fueled 1980s, Carolyn Wilkins left a disastrous marriage in Seattle and, hoping to make it in the music business, moved with her four-year-old daughter to a gritty working-class town on the edge of Boston. They Raised Me Up is the story of her battle to succeed in the world of jam sessions and jazz clubs—a man’s world where women were seen as either sex objects or doormats. To survive, she had to find a way to pay the bills, overcome a crippling case of stage fright, fend off a series of unsuitable men, and most important, find a reliable babysitter.
Alternating with Carolyn’s story are the stories of her ancestors and mentors—five musically gifted women who struggled to realize their dreams at the turn of the twentieth century:
Philippa Schuyler, whose efforts to “pass” for white inspired Carolyn to embrace her own black identity despite her “damn near white” appearance and biracial child;
Marjory Jackson, the musician and single mother whose dark complexion and flamboyant lifestyle raised eyebrows among her contemporaries in the snobby, color-conscious world of the African American elite;
Lilly Pruett, the daughter of an illiterate sharecropper whose stunning beauty might have been her only ticket out of the “Jim Crow” South;
Ruth Lipscomb, the country girl who dreamed, against all odds, of becoming a concert pianist and realized her improbable ambition in 1941;
Alberta Sweeney, who survived a devastating personal tragedy by relying on the musical talent and spiritual stamina she had acquired growing up in a rough-and-tumble Kansas mining town.
They Raised Me Up interweaves memoir with family history to create an entertaining, informative, and engrossing read that will appeal to anyone with an interest in African American or women’s history or to readers simply looking for an intriguing story about music and family.
Bill Tammeus & Rabbi Jacques Cukierkorn
University of Missouri Press, 2009
Susan Krieger
University of Wisconsin Press, 2005
Margaret Jones Bolsterli
University of Arkansas Press, 2016
Joshua Blu Buhs
University of Chicago Press, 2024
Susan L. Flader
University of Wisconsin Press, 1994
When initially published more than twenty years ago, Thinking Like a Mountain was the first of a handful of efforts to capture the work and thought of America's most significant environmental thinker, Aldo Leopold. This new edition of Susan Flader's masterful account of Leopold's philosophical journey, including a new preface reviewing recent Leopold scholarship, makes this classic case study available again and brings much-deserved attention to the continuing influence and importance of Leopold today.
Thinking Like a Mountain unfolds with Flader's close analysis of Leopold's essay of the same title, which explores issues of predation by studying the interrelationships between deer, wolves, and forests. Flader shows how his approach to wildlife management and species preservation evolved from his experiences restoring the deer population in the Southwestern United States, his study of the German system of forest and wildlife management, and his efforts to combat the overpopulation of deer in Wisconsin. His own intellectual development parallels the formation of the conservation movement, reflecting his struggle to understand the relationship between the land and its human and animal inhabitants.
Drawing from the entire corpus of Leopold's works, including published and unpublished writing, correspondence, field notes, and journals, Flader places Leopold in his historical context. In addition, a biographical sketch draws on personal interviews with family, friends, and colleagues to illuminate his many roles as scientist, philosopher, citizen, policy maker, and teacher. Flader's insight and profound appreciation of the issues make Thinking Like a Mountain a standard source for readers interested in Leopold scholarship and the development of ecology and conservation in the twentieth century.
Eric Bentley
Northwestern University Press, 1987
Cullen Andrews Battle
University of Alabama Press, 2002
From Seven Pines to Sharpsburg and Chancellorsville to Spotsylvania, the Third Alabama Regiment played a key role in the Civil War. One of the first infantry units from the Deep South to make the journey to Virginia in 1861, the Third Alabama was the first to cross the Potomac into Maryland and to enter the streets of Gettysburg in 1863.
As the regiment’s leader and one of General Robert E. Lee’s brigade commanders, General Cullen Andrews Battle witnessed the extent of the many triumphs and sufferings of the Army of Northern Virginia. Trained as a journalist and lawyer, he records these events honestly and with compassion. Battle captures the courage of citizen soldiers fighting without prior military training, always paying tribute to the heroism of those under his command, while providing vivid accounts of some of the war’s bloodiest fights. He assesses Confederate mistakes, particularly at Seven Pines—and sheds light on the third Battle of Winchester, the only decisive defeat in which the regiment was involved.
Brandon Beck’s introductory notes provide a thorough review of Battle’s life and valuable biographical information on soldiers under his command as well as on other officers in the Army of Northern Virginia. A worthwhile addition to all Civil War libraries, public or private, Third Alabama! offers an informative, dramatic reading of the wartime activities of one of the Confederacy’s bravest fighting units.
Luke Longstreet Sullivan
University of Minnesota Press, 2014
Author Luke Longstreet Sullivan has a simple way of describing his new memoir: “It’s like The Shining . . . only funnier.” Thirty Rooms to HideIn tells the astonishing story of Sullivan’s father and his descent from one of the world’s top orthopedic surgeons at the Mayo Clinic to a man who is increasingly abusive, alcoholic, and insane, ultimately dying alone on the floor of a Georgia motel room. For his wife and six sons, the years prior to his death were characterized by turmoil, anger, and family dysfunction; but somehow they were also a time of real happiness for Sullivan and his brothers, full of dark humor and much laughter.
Through the 1950s and 1960s, the six brothers had a wildly fun and thoroughly dysfunctional childhood living in a forbidding thirty-room mansion, known as the Millstone, on the outskirts of Rochester, Minnesota. The many rooms of the immense home, as well as their mother’s loving protection, allowed the Sullivan brothers to grow up as normal, mischievous boys. Against a backdrop of the times—the Cold War, the Cuban Missile Crisis, fallout shelters, JFK’s assassination, and the Beatles—the cracks in their home life and their father’s psyche continue to widen. When their mother decides to leave the Millstone and move the family across town, the Sullivan boys are able to find solace in each other and in rock ’n’ roll.
As Thirty Rooms to HideIn follows the story of the Sullivan family—at times grim, at others poignant—a wonderful, dark humor lifts the narrative. Tragic, funny, and powerfully evocative of the 1950s and 1960s, Thirty Rooms to Hide In is a tale of public success and private dysfunction, personal and familial resilience, and the strange power of humor to give refuge when it is needed most, even if it can’t always provide the answers.
James M. Odato
University of Massachusetts Press, 2021